Search results for ""manchester university press""

Why did dustmen exercise an extended hold over the imagination of many Regency and Victorian artists and writers, including George Cruikshank, Henry Mayhew, Charles Dickens as well as numerous little known dramatists, caricaturists, print makers, journalists and novelists? This book, the first study of the cultural representation of the dust trade, provides many varied answers to this question by showing the ways in which London dustmen were associated with ideas of contamination, dirt, noise, violence, wealth, consumerism and threat. Drawing on an extraordinary range of sources, including plays, novels, reportage and, especially, visual culture, Dusty Bob describes the ways in which dustmen were perceived and mythologised in the first seventy years of the nineteenth century.Although Dusty Bob centrally comprises a detailed and original piece of research of interest to scholars and advanced students of Victorian culture, it has been written with a broader readership in mind.

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This book analyses the political legitimacy of the European Union, taking democratic citizenship seriously.Developing a distinctive normative theory of political association, it evaluates the project of European integration in terms of democratic values. It argues that the goods of democratic citizenship have been advanced by European integration in many respects, including environmental policy. In other respects, including social policy, democratic citizenship is best advanced by keeping primary political authority at the level of the nation-state. Weale develops these arguments through an original interplay of political science and political theory.The contents combine original normative political theory, drawing on the concept of practical reason, with applications to the fields of social policy, environmental policy, security policy and enlargement.The book is primarily an original work of political theory, but it will be of interest to all those concerned about the future of the European Union. It is written in a style that makes it accessible to students on advanced courses as well as specialists.

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This anthology focuses on Britain and France in a period critical to their development as great powers. Its emphasis is on the regions and nations of which these two states were composed, rather than on the monolithic states. The documents illustrate many facets of their history, from the personal to the constitutional and, in particular, reflect the development of absolutism in France and of limited monarchy in England and other parts of the British Isles. Additionally, the documents indicate the social, religious and political trends that influenced the direction of change. Some of the documents have been drawn from unpublished 17th- and early 18th-century sources, and a number are translated from French for the first time.

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John le Carré said the best place to start a crime novel is as near to the end of the story as possible. But how do you know what the story is?As writers, we all have different experiences and skills to draw upon, and this book will help you identify the right beginning, middle and end for your own crime novel.Whether you are writing a police procedural or a psychological thriller, you will need to consider the basic elements of a gripping narrative. Within these pages, you'll learn to master the art of storytelling, from creating a compelling plot that keeps readers on the edge of their seats to choosing the perfect point of view to bring your characters to life. Dive into the depths of suspense, mystery, and surprise, as you unravel the intricacies of crafting a crime novel that captivates and entertains.This guide will help any new or experienced writer to navigate the writing journey, uncovering the core principles that will make your crime fiction truly exceptional.

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SHORTLISTED FOR THE BRITISH ACADEMY BOOK PRIZE FOR GLOBAL CULTURAL UNDERSTANDING 2023The late nineteenth century witnessed a rapid increase in colonial conflicts throughout the French and British empires. It was also the period in which the first mass-produced cameras became available. Colonial authorities were quick to recognise the power of this new technology, which they used to humiliate defeated opponents and project an image of supremacy across the world. Drawing on a wealth of visual materials, from soldiers’ personal albums to the collections of press agencies and government archives, The violence of colonial photography offers a new account of how conflict photography developed in the decades before the First World War. It explores the ways the camera was used to impose order on subject populations in Africa and Asia and to generate propaganda for the public in Europe, where a visual economy of violence was rapidly taking shape.At the same time, the book reveals how photographs could escape the intentions of their creators, offering a means for colonial subjects to push back against oppression.

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Embryo research, cloning, assisted conception, neonatal care, pandemic vaccine development, saviour siblings, organ transplants, drug trials – modern developments have transformed the field of medicine almost beyond recognition in recent decades and the law struggles to keep up.In this highly acclaimed and very accessible book Margaret Brazier, Emma Cave and Rob Heywood provide an incisive survey of the legal situation in areas as diverse as fertility treatment, patient consent, assisted dying, malpractice and medical privacy.The seventh edition of this book has been fully revised and updated to cover the latest cases, Brexit-related regulatory reform and COVID-19 pandemic measures.Essential reading for healthcare professionals, lecturers, medical and law students, this book is of relevance to all whose perusal of the daily news causes wonder, hope and consternation at the advances and limitations of medicine, patients and the law.

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At a time when education appears to be simply reproducing social class relations, Radical childhoods offers a timely consideration of how children’s and young people’s education can confront and challenge social inequality. Presenting detailed analysis of archival material and oral testimony, the book examines the experiences of students and educators in two schooling initiatives that were connected to two of the most significant social movements in Britain: Socialist Sunday Schools (est. 1892) and Black Saturday/Supplementary Schools (est. 1967). Analysing across time, the author explores the ways in which these two very different schooling movements incorporated large numbers of women, challenged class and race inequality, and attempted to create spaces of ‘emancipatory’ education independent to the state. It argues that despite appearing to be on the ‘margins’ of the public sphere these schools were important, if contested and complex, sites of political struggle.

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How did the rise of consumer society impact the domestic lives of ordinary workers? Funded by English Heritage, this study offers the first book-length archaeology of a 17th through 20th century household site in Great Britain. Adopting a multi-disciplinary approach, the volume situates the results of traditional archaeological excavations within a broader spectrum of archival sources, family photographs and personal memories of former site residents to consider the dramatic influences of industrialization and subsequent de-industrialisation on the material world of a rural community in the North-West of England. Organised as a series of thematic chapters, the book emphasizes the social nature of household archaeology, drawing the reader from excavated artifacts into domestic spaces, historic events, community identities, and family memories. It will be of interest to a wide range of scholars and students, in addition to those interested in local history, archaeology, and family genealogies.

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Balancing long-overlooked and well-known works from early modern England, Same-sex desire in early modern England, 1550–1735: An anthology of literary texts and contexts is a collection of English texts about homoerotic love, relationships, desires, and sexual acts. The anthology’s core texts are selections from works of drama, fiction, romance, poetry, essays and translation. These core texts are carefully introduced and annotated, and supplemented with illuminating contextual material from other early modern disciplines such as law, medicine, and theology. Juxtaposing literary and non-literary representations of same-sex erotic desire, this anthology explores a rich tradition of works both celebrating and condemning same-sex erotic love, focusing on a balance between the period’s well-known homoerotic works, such as Shakespeare’s Sonnets, and those which have remained much more obscure, such as Catherine Trotter’s heroic drama Agnes de Castro.

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From the conflict in Syria to the crisis in Ukraine, Russia continues to dominate the headlines. Yet the political realities of contemporary Russia are poorly understood by Western observers and policy-makers. In this highly engaging book, Andrew Monaghan explains why we tend to misunderstand Russia - and the importance of 'getting Russia right'. Exploring in detail the relationship between the West and Russia, he charts the development of relations and investigates the causes of the increasingly obvious sense of strategic dissonance. He also considers the evolution in Russian domestic politics, introducing influential current figures and those who are forming the leadership and opposition of the future. By delving into the depths of difficult questions such as the causes of the Ukraine crisis or the political protests surrounding the 2011-12 elections, the book offers a dynamic model for understanding this most fascinating and elusive of countries.

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Through an ethnographic study of the ‘Barefoot College’, an internationally renowned non- governmental development organisation (NGO) situated in Rajasthan, India, this book investigates the methods and practices by which a development organisation materialises and manages a construction of success. Paying particular attention to the material processes by which success is achieved and the different meanings and discourses that they act to perform, this book offers a timely and novel approach to how the world of development NGOs and development ideologies work. The author argues that the College, as a prolific producer of various forms of development media, achieves its success through materially mediated heterotopic spectacles: enacted and imperfect utopias that constitute the desires, imaginings and Otherness of its society. The chapters that follow consider the different scenarios through which success was realised at the College.

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Ruefrex were one of Northern Ireland’s most popular and uncompromising punk rock bands.Emerging from the Belfast street-gang culture of the late-1970s, the group, inspired by The Clash, enjoyed a turbulent, decade-long career. They played for millions on CNN and Channel 4, toured with The Pogues and recorded the controversial ‘The Wild Colonial Boy’, which attacked American donations to Northern Irish terrorist organisations.Throughout it all, founder member, songwriter and spokesperson Thomas Paul Burgess ensured the band remained faithful to their Protestant, working-class origins. This candid memoir takes us on a journey from the streets of Belfast to encounters with U2, Shane MacGowan, The Cure, The Fall and Seamus Heaney.From strife-torn 1970s Belfast to bohemian London, Wild colonial boys tells the story of a punk band who refused to give up and stayed true to their punk roots.

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Britain today is falling apart. One of the most dominant states in world history finds itself confronted with growing demands for nationalist secessionism. Brexit has already secured its break from the European Union while looming Scottish independence promises to undermine the integrity of the British state. Meanwhile, class, gender, regional and generational inequalities are deepening while endemic racism has been re-invigorated. How has it come to this?Britain in fragments traces how the historic pillars sustaining the democratic settlement have begun to crumble. This stability was constructed amid a century of imperial expansion abroad and working-class struggles for justice at home. The post-war welfare state was the apex of this historic arrangement; however, the ground beneath it began to shake as the processes of decolonisation and neoliberalism unfolded.This book traces how successive Labour and Conservative governments have incrementally dismantled the democratic settlement. A bipartisan commitment to neoliberalism has culminated in a historic crisis of representation and legitimacy, opening the door to competing nationalist forces.

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Around the world, leading economies are announcing significant progress on climate change. World leaders are queuing up to proclaim their commitment to tackling the climate crisis, pointing to data that shows the progress they have made. Yet the atmosphere is still warming at a record rate, with devastating effects on poverty and precarity in the world’s most vulnerable communities. Are we being deceived?Climate change is devastating the planet, and globalisation is hiding it. This book opens our eyes. Carbon colonialism explores the murky practices of outsourcing a country’s environmental impact, where emissions and waste are exported from rich countries to poorer ones; a world in which corporations and countries are allowed to maintain a clean, green image while landfills in the world’s poorest countries continue to expand, and droughts and floods intensify under the auspices of globalisation, deregulation and economic growth. Taking a wide-ranging, culturally engaged approach to the topic, the book shows how this is not only a technical problem, but a problem of cultural and political systems and structures – from nationalism to economic logic – deeply embedded in our society.

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Featuring a foreword from Annie MacIn Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends.One of the Haçienda’s first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman’s perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women.Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.

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The Treasury is one of Britain’s oldest, most powerful and secretive institutions, one that has played a central role in shaping the country's economic system. But all too often it has escaped public scrutiny when it comes to investigating the ups and downs of the UK economy. When portrayed, it is usually as a bedrock of government stability in times of crisis, repeatedly rescuing the nation’s finances from the hands of posturing politicians and the combustions of world financial markets. However, there is another side to the story. In between the highs there have been many lows, from botched privatizations to dubious private finance initiatives, from failing to spot the great financial crisis to facilitating ever-growing inequalities.Davis’s book goes behind the scenes to offer an inside history of the Treasury, in the words of the chancellors, advisors and civil servants themselves. It shows the shortcomings as well as the successes, the personalities and the thinking which have shaped Britain’s economy since the mid-1970s. Based on interviews with over fifty key figures, it offers a fascinating, alternative insight on how and why the UK economy came to function as it does today, and why reform is long overdue.

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Direct democracy makes you richer. Research shows that the average citizen earns nearly a $1000 for every referendum held, and that a strong correlation exists between the frequency of referendums and a GDP per capita. Referendums can also improve the quality of democracy. So why don’t we see more?Drawing on a three decades of research, Qvortrup presents a definitive statement on the benefits and history referendums, including examples of how this instrument of democracy has been both utilised and abused. The book outlines the history of referendums, explains when politicians have submitted issues to the voters, why these votes have been won or lost - and ultimately why it matters. Uniquely, the book also examines the role of social media in referendum campaigns and make suggestions for improving the process of direct democracyWritten in a lucid style by one of the world’s leading experts on referendums, Democracy on demand is a timely reminder of the importance of democracy in our politics, offering new insights into how direct democracy can both improve our lives and at the same time strengthen our societies.

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The BBC and HBO series Gentleman Jack brought Anne Lister to international attention, awakening tremendous interest in her diaries, which run to nearly five million words and are partly written in her secret code. They record in intimate detail Anne’s intellectual energy and her challenges to so many of society’s expectations of women at the time.In As Good as a Marriage, the sequel to Female Fortune, Jill Liddington’s edited transcriptions of the diaries show us Anne from 1836–38. She guides the reader through life at Shibden Hall after Anne’s unconventional ‘marriage’ to wealthy local heiress Ann Walker. The book explores the daily lives of these two women, from convivial evenings together to her ruthless pursuit of her own business and landowning ambitions.Yet the diaries’ coded passages also record tensions and quarrels, with Ann Walker often in tears. Was their relationship really as fragile as Anne’s coded writing suggests? This question is at the heart of As Good as a Marriage.

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During Brexit, political questions were continually framed in emotional terms. The referendum was presented as a conflict between reason and resentment, fear and hope, heads and hearts. The Leave vote was interpreted as the triumph of passion over rationality, and its aftermath triggered concerns about the divisive impact of feelings on political culture. This book examines how these stories about feelings shaped public experiences and determined political possibilities.The politics of feeling uses first-hand accounts to explore how ‘ordinary’ people understand their own feelings about the referendum, and how they reacted to the feelings of others. It shows how they drew on public narratives, while also rejecting and reworking them. The authors highlight a dangerous contradiction whereby feelings were simultaneously understood as dangerous and illegitimate, and as an authentic reflection of our inner selves. This had its own political consequences.

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Britain is sick and it needs saving. Covid-19 has brought death, disruption and disorder. It has revealed fundamental failures in public policy and our approach to health. For years, the same failures have perpetuated a host of modern plagues - long-running deadly epidemics in diabetes, depression and heart disease. These plagues pose systemic risks to society itself.In this timely book, Yuille and Ollier envisage a society that always puts the health of citizens first: the ‘Health Society’. The time for dithering and tinkering has passed. Prevention of disease is a task for all branches of government – not just the NHS but also for every workplace, employer, community and citizen. The ‘Health Society’ means working in radically new ways to extend our healthy lives and sustainably increase national prosperity.Saving sick Britain follows the science and lays down a challenge to us all: are we ready to make the change required to end these modern plagues? In answering the question the book helps steer the reader towards rethinking what both 'prevention' and ‘health’ mean in modern Britain.This book is relevant to United Nations Sustainable Development Goal 3, Good health and well-being.

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Across Eastern Germany, where political allegiances are shifting to the right, the wolf is increasingly seen as a trespasser and threat to the local way of life. Styled by populist right-wing actors as an ‘invasive species’, the wolf evokes and resonates with anti-immigration sentiments and widespread fears of demographic catastrophe. To many people in Eastern Germany, the immigrant and the wolf are an indistinguishable problem that nobody in power is doing anything about. In this account of Eastern German agitation of wolves and migrants, Eastern German hunters, farmers, rioters and self-appointed 'saviours of the nation', Pates and Leser move beyond stereotypic representations of ‘the East’ and shine a light on the complexities of post-socialist life and losses.As nationalist parties are on the rise across Europe, The wolves are coming back offers an insight into the rise of the far right in Germany. The nationalist Alternative for Germany represents the third-largest party in the German federal parliament, with representation in the vast majority of German states. They draw much of their support from the ‘post-traumatic places’ in Eastern Germany, regions structured by realities of disownment, disenfranchisement and a lack of democratic infrastructure. Pates and Leser provide an account of the societal roots of a new group of radical right parties, whose existence and success we always assumed to be impossible.

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This book presents a socio-legal enquiry into the civic marginalisation of Roma in Europe. Instead of looking only at Roma’s position as migrants, an ethnic minority or a socio-economically disadvantage group, it considers them as European citizens, questioning why they are typically used to describe exceptionalities of citizenship in developed liberal democracies rather than as evidence for how problematic the conceptualisation of citizenship is at its core. Developing novel theoretical concepts, the book investigates a variety of topics including migration and free movement, statelessness and school segregation. It argues that while Roma are unique as a minority, the treatment that marginalises them is not. This is demonstrated by comparing their position to that of other marginalised minorities around the globe.

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What did it mean to be a ‘rebel woman’ in the interwar years? Taking the form of a multiple biography, this book traces the struggles, passions and achievements of a set of ‘fearlessly determined’ women who stopped at nothing to make their mark in the traditionally masculine environments of mountaineering, politics, engineering and journalism. From the motorist Claudia Parsons to the ‘star’ reporter Margaret Lane, the mountaineer Dorothy Pilley and the journalist Shiela Grant Duff, the women charted in this book challenged the status quo in all walks of life, alongside writing vivid, eye-witness accounts of their adventures. Recovering their voices across a range of texts including novels, poems, journalism and diaries, Rebel women between the wars reveals their inch by inch gains won through courageous and sometimes controversial and dangerous actions.

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This book offers an innovative, comparative approach to the study of women’s legal rights during a formative period of Anglo–American history. It traces how colonists transplanted English legal institutions to America, examines the remarkable depth of women’s legal knowledge and shows how the law increasingly undermined patriarchal relationships between parents and children, masters and servants, husbands and wives. The book will be of interest to scholars of Britain and colonial America, and to laypeople interested in how women in the past navigated and negotiated the structures of authority that governed them. It is packed with fascinating stories that women related to the courts in cases ranging from murder and abuse to debt and estate litigation. Ultimately, it makes a remarkable contribution to our understandings of law, power and gender in the early modern world.

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This volume offers new practical and theoretical perspectives on one of the most complex questions regarding the formation of international law, namely that actors other than states contribute to the making of customary international law.Notwithstanding the International Law Commission’s valuable contribution, the making of customary international law remains riddled with acute practical and theoretical controversies that continue to be intensively debated. Making extensive reference to the case-law of international law courts and tribunals, as well as the most recent scholarly work on customary international law, this volume provides a comprehensive study of the contribution of international organisations and non-state actors to the formation of customary international law. With innovative tools and guidance for law students, legal scholars, and researchers in law, as well as legal practitioners, advisers, judges, arbitrators, and counsels, this collection is essential reading for those wishing to understand and address contemporary questions of international law-making.

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This book writes a performance history of Antony and Cleopatra, Shakespeare’s most ambiguous play, from 1606 to the present. It observes the choices that actors, directors, designers, musicians and adapters have made each time they have brought the play’s thoughts on power, race, masculinity, regime change, exoticism, love, dotage and delinquency into alignment with a new present. Informed by close attention to theatre records – promptbooks, stage managers’ reports, reviews – it offers in-depth analyses of fifteen international productions by (among others) the Royal Shakespeare Company, Citizens Theatre Glasgow, Northern Broadsides, Berliner Ensemble and Toneelgroep Amsterdam. It ends seeing Shakespeare’s black Egyptian Queen Cleopatra – whited-out in performance for centuries – restored to the contemporary stage. Written in a lively and accessible style, this book will be of interest to students, academics, actors, directors and general readers alike.

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This unique and exciting collection, inspired by the scholarship of literary critic Stephanie Trigg, offers cutting-edge responses to the writings of Geoffrey Chaucer for the current critical moment. The chapters are linked by the organic and naturally occurring affinities that emerge from Trigg's ongoing legacy; containing diverse methodological approaches and themes, they engage with Chaucer through ecocriticism, medieval literary and historical criticism, and medievalism. The contributors, trailblazing international specialists in their respective fields, honour Trigg's distinctive and energetic mode of enquiry (the symptomatic long history) and intellectual contribution to the humanities. At the same time, their approaches exemplify shifting trends in Chaucer scholarship. Like Chaucer's pilgrims, these scholars speak to and alongside each other, but their essays are also attentive to 'hearing Chaucer speak' then, now and in the future.

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Aeron Davis takes a close look at the state of elites today. He argues that the Brexit vote and 2017 election outcome are signs of a deeper leadership crisis that has been developing over decades. The great transformations of the 1980s onwards have not only upended societies, they have reshaped elite rule itself. Too many leaders today, regardless of intent, are ignorant, precarious, rootless and self-serving. Although richer, they have lost coherence, influence and control. Increasingly, they are just reckless opportunists, getting what they can amid the chaos they have created. Their failings are not only damaging wider society, they are undermining the very foundations of the Establishment itself.The book, based on interviews with over 350 elite figures, asks: how did we end up producing the leaders that got us here and what can we do about it?

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Nationalism has reasserted itself today as the political force of our times, remaking European politics wherever one looks. Britain is no exception, and in the midst of Brexit, it has even become a vanguard of nationalism’s confident return to the mainstream. Intellectual attempts to account for nationalism’s resurgence have however floundered. Desperately trying to read nationalism through one overarching cause – as capitalist crisis, as cultural backlash, or as social media led anti-Establishment politics – these accounts have proven woefully inadequate. This book argues that the only way to understand nationalism is through nationalism itself. To understand it as the key force of modernity that calls upon all existing ideological traditions in asserting its appeal: whether it is liberal, conservative, neoliberal or left-wing. This ideological clamour that characterises today’s British nationalism requires both recognition and theorisation. A meaningful understanding of new nationalism must reckon with the ideological range animating it and the deeply hostile aversion to different racial minorities that pervades its respective ideologies. Drawing on a variety of cultural and political themes – ranging from Corbyn’s dithering, the cult of Churchillism, the neoliberal fixation with a ‘point-system’ immigration policy, the muscular secularism of Richard Dawkins and friends, fears that the white working class have ‘become black’, and even simply the strange appeal of Harry Potter and Game of Thrones – this book provides a dazzling but always detailed study of how nationalism is the politics of today only because it is a politics of everything.

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Laurent Cantet is of one France’s leading contemporary directors. In a series of important films, including Human Resources, Time Out, Heading South, The Class and Foxfire, he takes stock of the modern world from the workplace, through the schoolroom and the oppressive small town to the world of international sex tourism. His films drive the hidden forces that weigh on individuals and groups into view but also show characters who are capable of reflection and reaction. If the films make their protagonists rethink their place in the world, they also challenge the positions of the viewer and the director. This is what makes them so worthy of study. Combining a fine eye for detail with broad contextual awareness, this book gives an account of all Cantet’s works, from the early short films to the major works. Martin O’Shaughnessy is a leading international writer on French cinema, especially in film and politics.

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This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores contemporary art’s critical engagement with migration and globalisation as a key source for improving our understanding of how these processes transform identities, cultures, institutions and geopolitics. The author explores three interwoven issues of enduring interest: identity and belonging, institutional visibility and recognition of migrant artists, and the interrelations between aesthetics and politics, including the balancing of aesthetics, politics and ethics in representations of forced migration.

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Is the Atlantic World in a state of crisis? At a time when many political observers perceive indeed a crisis in transatlantic relations, critical evaluation of past narratives and frameworks in Transatlantic Relations and Atlantic History alike become crucial. This volume provides an academic foundation to critically assess the Atlantic World and to rethink transatlantic relations in a transnational and global perspective.The TransAtlantic reconsidered brings together leading experts such as Harvard historians Charles S. Maier and Bernard Bailyn and former ERC scientific board member Nicholas Canny. All the scholars represented in this volume have helped to shape, re-shape, and challenge the narrative(s) of the Atlantic World and can thus (re-)evaluate its conceptual basis in view of historiographical developments and contemporary challenges.

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How do we transform the world when we are ourselves inescapably part of it? If we cannot know what makes the world the way it is, or what impact our actions will have, where do we begin? Renowned politics scholar Jenny Edkins explores the imperative for change in a world filled with inequality, violence, persecution, and injustice - and the difficulties faced in bringing it about.Over the course of ten chapters Change and the politics of certainty examines our varied responses to questions such as aid in times of famine; opposition to the Iraq War; humanitarian intervention; the memorialisation of 9/11; enforced disappearance; and calls for justice after the Grenfell Tower fire. Drawing on insights from the author’s life and on the work of playwrights and filmmakers, the book interrogates the ideas of thinkers including Lauren Berlant, Judith Butler, Jacques Derrida, Michel Foucault, Stuart Hall, Eric Santner, Elaine Scarry, Carolyn Steedman and Slavoj Žižek. Tackling themes such as the fantasy of security, contemporary notions of time and space, and ideas of humanity and sentience, this accessible book is essential reading for all who strive for a better world.

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This is the first book-length study of the role that friendship plays in diplomacy and international politics. Through an examination of a vast amount of sources ranging from diplomatic letters and bilateral treaties, to poems and philosophical treatises, it analyses how friendship has been talked about and practised in pre-modern political orders and modern systems of international relations. The study highlights how instrumental friendship was for describing and legitimising a range of political and legal engagements with foreign countries and nations. It emphasises contractual and political aspects in diplomatic friendship based on the idea of utility. It is these functions of the concept that help the world stick together when collective institutions are either embryonic or no more.

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Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.

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Texts and Readers in the Age of Marvell offers fresh perspectives from leading and emerging scholars on seventeenth-century British literature, with a focus on the surprising ways that texts interacted with writers and readers at specific cultural moments. With an eye to the elusive and complicated Andrew Marvell as tutelary figure of the age, the contributors have provided nuanced and sophisticated readings of a range of seventeenth-century authors, often foregrounding the uncertainties and complexities with which these writers were faced as the remarkable events of these years moved swiftly around them. The essays make important contributions, both methodological and critical, to the field of early modern studies and include examinations of prominent seventeenth-century figures such as John Milton, Andrew Marvell, John Dryden and Edmund Waller.

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Mary Shelley’s Frankenstein is one of the most popular novels in western literature. It has been adapted and re-assembled in countless forms, from Hammer Horror films to young-adult books and bandes dessinées. Beginning with the idea of the ‘Frankenstein Complex’, this edited collection provides a series of creative readings that explore the elaborate intertextual networks that make up the novel’s remarkable afterlife. It broadens the scope of research on Frankenstein while deepening our understanding of a text that, 200 years after its original publication, continues to intrigue and terrify us in new and unexpected ways.

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This book explores the concept of ‘quiet’ – an aesthetic of narrative driven by reflective principles – and argues for the term’s application to the study of contemporary American fiction. In doing so, it makes two critical interventions. Firstly, it maps the neglected history of quiet fictions, arguing that from Hester Prynne to Clarissa Dalloway, from Bartleby to William Stoner, the Western tradition is filled with quiet characters. Secondly, it asks what it means for a novel to be quiet and how we might read for quiet in an American literary tradition that critics so often describe as noisy. Examining recent works by Marilynne Robinson, Teju Cole and Ben Lerner, among others, the book argues that quiet can be a multi-faceted state of existence, one that is communicative and expressive in as many ways as noise but filled with potential for radical discourse by its marginalisation as a mode of expression.

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This book takes on a key problem in the history of drama: the ‘exceptional’ staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.

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Links acting traditions with cultural milieu.. No other book on Hamlet on the stage covers as much theoretical ground.. Covers a number of foreign productions and pays much attention to the role of scenography .

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With its fantasy of magical travel and inexhaustible riches, Thomas Dekker’s Old Fortunatus is the quintessential early modern journeying play. The adventures of Fortunatus and his sons, aided by a magical purse and wishing-hat, offers the period’s most overt celebration of the pleasures of travel, as well as a sustained critique of the dangers of intemperance and prodigality. Written following a period of financial difficulty for Dekker, the play is also notable for its fascination with the symbolic, mercantile and ethical uses of gold.This Revels Plays edition is the first fully annotated, single-volume critical edition of Old Fortunatus. It offers scholarly discussion of the play’s performance and textual history, including attention to the German version printed and performed in the early seventeenth century. It provides a long overdue critical reappraisal of this unjustly neglected play.

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Acclaimed after the Second World War as England’s greatest historian, Sir Lewis Namier was an eastern European immigrant who came to idealise the English gentleman and enjoyed close friendship with leading figures of his day, including Winston Churchill. Today, Namier is associated with the belief that the thoughts and actions of elites matter most, and with a view of politics in which those who enter public life do so only in pursuit of personal and material advantage. This exaggerated view has made him a hero to social and political conservatives, and a demonic figure to the Left. Preoccupied by nationalism, empire, and human motivation, Namier also remains famous in academic circles for supposedly declaring that any reference to ideas in political discourse was nothing more than ‘flapdoodle’. The first biography of Namier in over thirty years, this book is based on a vast range of sources, including rich new archival material.

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Immigration and social change in the Republic of Ireland addresses the impact of recent, rapid social, economic, political and cultural change on Irish society. It includes chapters on citizenship and constitutional change, returned emigrants, the economic contribution of immigrants, the exploitation of migrant workers, asylum seekers and forced migrants, immigrant communities, politics, integration models and choices and social policy. It will be of immense interest to students of sociology, social policy, human geography, politics, law and psychology and to general readers interested in racism and social change resulting from immigration. It is a companion volume to Racism and social change in the Republic of Ireland also published by Manchester University Press.

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Since its emergence in Italy in 1968, one model of football fandom has become the most dominant in the world: the ultras. Producing choreography, chants, banners and pyrotechnics, ultras represent a highly organised style of fandom that has an increasing global reach and visibility. Over the last fifty years, ultras fandom has spread from Southern Europe across North Africa to Northern and Eastern Europe, South East Asia and North America. Their collective performance not only distinguishes ultras from other football fans, but from many other forms of group behaviour. Focusing on their common form of expression, this book shows how members build an emotional attachment to their club that valorises the insignia of that team while mobilising members against opponents. As a collective with a shared, coherent sense of identity based on an act of consumption, ultras represent an important site of enquiry into masculinity and nationalism in contemporary society.

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Insanity, identity and empire examines the formation of colonial social identities inside the institutions for the insane in Australia and New Zealand. Taking a large sample of patient records, it pays particular attention to gender, ethnicity and class as categories of analysis, reminding us of the varied journeys of immigrants to the colonies and of how and where they stopped, for different reasons, inside the social institutions of the period. It is about their stories of mobility, how these were told and produced inside institutions for the insane, and how, in the telling, colonial identities were asserted and formed. Having engaged with the structural imperatives of empire and with the varied imperial meanings of gender, sexuality and medicine, historians have considered the movements of travellers, migrants, military bodies and medical personnel, and ‘transnational lives’. This book examines an empire-wide discourse of ‘madness’ as part of this inquiry.

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This book is the first investigation on how official organizers built and sustained the national militant campaign of the Women’s Social and Political Union between 1903 and 1918. Whilst the overall policy of the Union was devised by an ever-decreasing circle of women, centred around the mother-daughter team of Emmeline and Christabel Pankhurst, much of its actual activity, including its more extreme militant actions such as arson, was devised and implemented by these organizers who worked in the provinces and in London. Women of the right spirit reveals organizers to be a diverse bunch of women, whose class backgrounds ranged from the aristocratic to the extremely impoverished. It describes the ways in which they were recruited and deployed, and the work they undertook throughout Britain. The exhausting pace of their itinerant life is revealed as well as the occasions when organizers fell out with their employers or their own branches. Taking the story of the WSPU’s workers up to the end of the First World War, it considers what directions they took when votes for women became a reality.The book will appeal to academics, postgraduates and undergraduates with an interest in women’s history, as well as a more general readership wishing to understand the extent of support for the votes for women campaign and the mechanisms through which it organized.

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Key text for OU course: From Enlightenment to Romanticism. Provides primary and secondary sources on industry and changing landscapes, new forms of knowledge, new conceptions of art and the artist, and the exotic and the Oriental. Each selection is accompanied by a detailed introduction explaining the context and significance of the sources. Extracts in the anthology stimulate questions rather than providing reassuring answers, but provide vital insights to the major events, movements, and personalities of the time.. Invaluable resource for all students of European culture in the period.

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Investigating a series of cutting-edge acoustic experiments in twentieth-century Britain, this unique book reveals how exciting new ideas from science and music had a lasting effect on architectural design. -- .

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