Search results for ""Tundra""

"An elaborate tale of family and the paths people take to understanding." --Seattle Times "[This] mix of well-researched history and contemporary fiction makes for a fine, sad read." --Minneapolis Star Tribune "Hauntingly honest and emotionally resonant." --Publishers Weekly (starred review) "Gregory Spatz's prose is as clean and sparkling as a new fall of snow." --JANET FITCH, author of White Oleander and Paint it Black "At its heart Inukshuk is about family. But Spatz has transfigured this beautifully told, wise story with history and myth, poetry and magic into something rarer, stranger and altogether amazing. A book that points unerringly true north." --KAREN JOY FOWLER, author of The Jane Austen Book Club and Wit's End John Franklin has moved his fifteen-year-old son to the remote northern Canadian town of Houndstitch to make a new life together after his wife, Thomas' mother, left them. Mourning her disappearance, John, a high school English teacher, writes poetry and escapes into an affair, while Thomas withdraws into a fantasy recreation of the infamous Victorian-era arctic expedition led by British explorer Sir John Franklin. With teenage bravado, Thomas gives himself scurvy so that he can sympathize with the characters in the film of his mind--and is almost lost himself. While told over the course of only a few days, this gripping tale slips through time, powerfully evoking a modern family in distress and the legendary "Franklin's Lost Expedition" crew's descent into despair, madness, and cannibalism aboard the HMS Erebus and HMS Terror on the Arctic tundra. Gregory Spatz is the author of the novels Inukshuk, Fiddler's Dream, and No One But Us, and the short fiction collections Wonderful Tricks and Half as Happy. A graduate of the Iowa Writers' Workshop and recipient of a Washington State Book Award, he teaches at Eastern Washington University in Spokane and plays the fiddle and tours with Mighty Squirrel and the internationally acclaimed bluegrass band John Reischman and The Jaybirds.

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On the Tibetan Plateau, there are wild yaks with blood cells thinner than horses' by half, enabling the endangered yaks to survive at 40 below zero and in the lowest oxygen levels of the mountaintops. But climate change is causing the snow patterns here to shift, and with the snows, the entire ecosystem. Food and water are vaporizing in this warming environment, and these beasts of ice and thin air are extraordinarily ill-equipped. A journey into some of the most forbidding landscapes on earth, Joel Berger's Extreme Conservation is an eye-opening, steely look at what it takes for animals like these to live at the edges of existence. But more than this, it is a revealing exploration of how climate change and people are affecting even the most far-flung niches of our planet. Berger's quest to understand these creatures' struggles takes him to some of the most remote corners and peaks of the globe: across Arctic tundra and the frozen Chukchi Sea to study muskoxen, into the Bhutanese Himalayas to follow the rarely-sighted takin, and through the Gobi Desert to track the proboscis-swinging saiga. Known as much for his rigorous, scientific methods of developing solutions to conservation challenges as for his penchant for donning moose and polar bear costumes to understand the mindsets of his subjects more closely, Berger is a guide bar none. He is a scientist and storyteller who has made his life working with desert nomads, in zones that typically require Sherpas and oxygen canisters. Recounting animals as charismatic as their landscapes are extreme, Berger's unforgettable tale carries us with humor and expertise to the ends of the earth and back. But as his adventures show, the more adapted a species has become to its particular ecological niche, the more devastating climate change can be. Life at the extremes is more challenging than ever, and the need for action, for solutions, has never been greater.

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'His cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders' Financial Times'Like a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life' Amy Jeffs, author of Storyland: A New Mythology of Britain'Magical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever' Charles Foster, author of Being a Human and Being a BeastThe surprising origins and people behind the world's most influential magical tales: the people who told and re-shaped them, the landscapes that forged them, and the cultures that formed them and were in turn formed by them.Who were the Fairy Tellers?In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'.From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar.Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.

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The beginning of the author's adventure with a camera - filming wildlife across the world for the BBC Natural History Unit and other major TV companies - began in 1978 when he joined the RSPB's film unit. Untangling the Knot gives an in-depth look into what is involved in capturing the sequences needed for a natural history film, using comprehensive diaries and over 200 photographs. Mike describes the stresses of international flying with 20 cases of film equipment, sometimes alone, to distant corners of the world. The hardships of living and working for weeks in remote regions, avoiding tropical diseases, the onslaught of forest insects, long hours of waiting from dawn to dusk, and of frustration and disappointment when the elements or circumstances conspired against him. There are times of great elation too, when animal behaviour never seen before is captured on film. Working with top biologists and highly-experienced pilots was an essential partnership in understanding the subject to be filmed, often in remote regions where the challenge was reaching the subject in rainforest canopies, on remote islands or in featureless arctic tundra. In a career spanning 35 years, several of the programmes in which he was involved have won major awards. He describes filming Attenborough in Paradise in New Guinea with Sir David Attenborough as a career highlight, where he filmed behaviour of Birds of Paradise that had never been seen before. His last programme, Jewelled Messengers was the fulfilment of an ambition to make the ultimate film on hummingbirds with producer Paul Reddish, using the latest high-speed, high-definition cameras, and which was shot mainly in Brazil and Ecuador. The story concludes when he realizes his dream of visiting the Ross Sea region of the Antarctic. Mike considers himself lucky to have worked in so many spectacular regions of the world and this book enables readers to travel with him and share his incredible experiences.

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Who’s ready for a round-the-world trip of epic dinosaur proportions? Pack your bags, and let’s go!On this adventure, you’ll travel back in time to see more than 40 dinosaurs come to life! The geography book for kids explores each continent, revealing fossil sites and stories on every map. A unique children’s atlas that brings weird and wonderful prehistoric animals into your living room! It includes: • Each chapter explores a continent, showing where dinosaurs appeared at a given time. • Connects each dinosaur to a period — Triassic, Jurassic or Cretaceous. • Specially commissioned maps and 3D locator globes link the prehistoric world to the present-day. • Stunning double-page spreads show dinosaurs and other prehistoric animals in dynamic scenes. • Perfect for children ages 9 and up who want to know more about dinosaurs, ice age animals and other prehistoric creatures. • A face-to-face experience with fearsome dinosaurs! Inside the pages of this children’s educational book, you’ll get to stare down a T-Rex in North America, watch out for Velociraptors' slashing claws in the Gobi Desert and trek across the Siberian tundra! You’ll also discover the answers to fascinating questions about dinosaurs. Which plant-eater weighed as much as five elephants? Where was mighty Tyrannosaurus the ultimate hunter?Using specially commissioned maps, the dinosaur atlas for kids reveal the prehistoric world as never before! A modern 3D globe next to each map helps you understand the arrangement of the continents over time and why paleontologists find fossils where they do. The fully updated edition includes the most up-to-date theories and discoveries of dinosaur science, alongside stunning CGI illustrations and maps of all the major fossil sites around the world.Dinosaur and Other Prehistoric Creatures Atlas is so much more than just a book filled with cool maps, stats and fun facts for kids, it’s also a vital source of learning — perfect for children to dip into for school projects! Look out for more titles in this series from DK. Discover planet Earth as you've never seen it before in What's Where on Earth?

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This interactive and colourful atlas takes young readers on a hands-on journey all around the world. Each page turned brings a new continent to life with a total of more than 100 flaps to lift, beautifully detailed illustrations, and fun facts about different cultures, species of wildlife and places to visit along the way.Written by Kate Baker and accompanied by wonderful artwork from Liz Kay, learning about the world has never been so fun or easy. Starting your globetrotting adventure in the frozen Arctic tundra of North America, you’ll discover where the world’s longest skating rink is located, where you can swim with pigs and what exactly ‘dog mushing’ is. You’ll then travel on to South America to meet Amazonian Indian tribes, anacondas, toucans and more.Crossing the Atlantic Ocean to Europe, you’ll explore Dracula’s spooky castle, the world’s biggest snow fort and the story behind Norway’s trolls before peeping inside the treasure-filled tomb of Tutankhamun and meeting some of the animal kingdom’s world record breakers in Africa. Next, you’ll visit the mesmerising Taj Mahal, see where cuddly giant pandas hang out and scare yourself silly with the legend of the ‘Kappa’ river monster in Asia, then head down under to Oceania for vast coral reefs, Polynesian gods and famous explorers. You'll finish your intrepid journey with a trip to the planet's coldest continent, Antarctica, for tales of South Pole adventurers, wild weather and more.About Lonely Planet Kids: Lonely Planet Kids – an imprint of the world’s leading travel authority Lonely Planet – published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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Honorable mention for the Victor Turner Award for Ethnographic Writing from the Society for Humanistic Anthropology Honorable mention for the 2008 William Mills Prize for Non-Fiction Polar Books Survival in the harsh subarctic environment requires great resourcefulness and ingenuity. The Yup'ik people of southwest Alaska meet the challenge by using traditional technology and by following a philosophy that recognizes the personhood of all living things and the environment. Their use of nature's resources is a testament to the mutual respect and generosity that exists between humans and the animals, plants, land, and sea that sustain them. Wastefulness being disrespectful, Yup'ik elders made use of every last scrap from hunts and harvests: seal guts became warm, waterproof, and breathable parkas; the skins of fish were fashioned into waterproof mittens, while their heads and entrails were stored in naturally refrigerated pits as insurance against future famine. Dried grasses became anything from insulating socks to bedding to sled rope, or even goggles to protect against snow blindness; rancid seal oil mixed with tundra moss became "Yup'ik epoxy" for caulking and gluing; and driving snow was manipulated to provide a defense against its own dangers. Although tools have changed, Yup'ik people today continue to engage in many traditional harvesting activities, using these new means to accomplish distinctly Yup'ik ends. In Yuungnaqpiallerput / The Way We Genuinely Live, Yup'ik elders examine tools and daily-use items, explaining how they were made and for what purpose. Just as Western science relies on the testing of hypotheses, Yup'ik science developed its technologies through systematic trial and error, yielding ingenious and effective solutions to life's challenges. The elders also delve beyond the practical aspects of these artifacts to elucidate the ways in which their creation and use are part of Yup'ik cosmology and traditional spiritual values. Every item carries special significance, and the actions associated with each should be undertaken with awareness and deliberation, for nothing goes unnoticed by the consciousness of the surrounding universe. Ann Fienup-Riordan explores these manifestations of Yup'ik technology by following the seasonal cycle of harvests and ceremonial renewals, a journey revealing the beauty of these artifacts that extends beyond the aesthetic surface to connect with the living pulse of the universe.

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In Life in the Balance, Niles Eldredge argues that the Earth is confronting a disaster in the making--an ecological crisis that, if left unresolved, could ultimately lead to mass extinction on the scale of that which killed the dinosaurs sixty-five million years ago. Writing for general readers, he reviews compelling evidence for this "biodiversity crisis," showing that species are dying out at an unnaturally rapid rate. He demonstrates the importance of maintaining biodiversity, taking the reader on a journey that reveals the twin faces of biodiversity--over thirteen million living species and the ecosystems through which these species transform the sun's energy into life-sustaining matter. Throughout, Eldredge shows how our own fate is intricately linked with that of other species. Eldredge, one of the world's foremost paleontologists, begins by taking us to the heart of Botswana's Okavango Delta, considered by many to be among the last "Edens" left on Earth--a place where a rich assortment of organisms exist in natural equilibrium. However, it is also a place where the results of human activity--pollution, clear-cutting, water-diversion, encroaching agriculture, disease--now pose the same ecological threats that, on a worldwide scale, put the entire planet at risk. Eldredge then leads us on a fascinating exploration of the Earth's organisms--animals, plants, fungi, the microbes that underpin all life--and of the diverse ecosystems from the tundra to the tropics in which these organisms live. It is a journey that demonstrates the inherent value of the millions of species and ecosystems on Earth, and the importance of biodiversity to the entire biosphere and to humans' continued existence. Eldredge concludes that humans not only are responsible for the biodiversity crisis but also hold the key to preventing an impending Sixth Extinction. He argues that we must, among other strategies, pledge ourselves to sustainable development and the conservation of wild places. An eloquent and passionate account by one of today's leading scientists, Life in the Balance will draw new attention to one of the most pressing problems now facing the world. In this book, Eldredge explores the same themes that illuminate The American Museum of Natural History's new Hall of Biodiversity, for which he is Scientific Curator. The Hall is scheduled to open in spring 1998.

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Beautifully written, thought-provoking, intense and cleverly wrought, this is the most extraordinary first novel from a mesmerising new talent. One August afternoon, on the shoreline of the north-eastern edge of Russia, two sisters are abducted. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women. Set on the remote Siberian peninsula of Kamchatka, Disappearing Earth draws us into the world of an astonishing cast of characters, all connected by an unfathomable crime. We are transported to vistas of rugged beauty – densely wooded forests, open expanses of tundra, soaring volcanoes and the glassy seas that border Japan and Alaska – and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused. In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel provides a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before. Praise for Disappearing Earth "A genuine masterpiece, but one that is easily consumed in a feverish stay-up-all-night bout of reading pleasure." Gary Shteyngart “Suspenseful, original and compelling, Disappearing Earth is a strange and haunting voyage into a strange and haunting world.'Simon Sebag-Montefiore, author of The Romanovs “Julia Phillips is at once a careful cartographer and gorgeous storyteller... . A mystery of two missing girls burns at the center of this astonishing debut, and the complexity of ethnicity, gender, hearth and kin illuminates this question and many more.”Tayari Jones, author of An American Marriage ‘A most extraordinarily beautiful and haunting first novel, and the unveiling of a rare and special talent’ New Statesman 'A knock-out... .The stitches of Phillips’s language make you go, Damn, that’s good.' The Los Angeles Review of Books 'A superb debut.' New York Times 'Phillips explores the devastation in this complex, imaginative and beautifully written crime novel, which is as beautiful as the scenery it depicts.' Woman's Weekly 'I was so absorbed I forgot to take notes...each new domestic world was deftly conjured and fresh.' Sarah Moss, The Guardian 'This book takes the 'missing girl' trope and turns it on its head' Elle 'Intriguing, tantalising, perfectly executed.' Spectator

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“Riveting...A great read, full of colorful characters and outrageous confrontations back when the west was still wild.” —George R.R. Martin A propulsive and panoramic history of one of the most dramatic stories never told—the greatest railroad war of all time, fought by the daring leaders of the Santa Fe and the Rio Grande to seize, control, and create the American West.It is difficult to imagine now, but for all its gorgeous scenery, the American West might have been barren tundra as far as most Americans knew well into the 19th century. While the West was advertised as a paradise on earth to citizens in the East and Midwest, many believed the journey too hazardous to be worthwhile—until 1869, when the first transcontinental railroad changed the face of transportation. Railroad companies soon became the rulers of western expansion, choosing routes, creating brand-new railroad towns, and building up remote settlements like Santa Fe, Albuquerque, San Diego, and El Paso into proper cities. But thinning federal grants left the routes incomplete, an opportunity that two brash new railroad men, armed with private investments and determination to build an empire across the Southwest clear to the Pacific, soon seized, leading to the greatest railroad war in American history. In From the River to the Sea, bestselling author John Sedgwick recounts, in vivid and thrilling detail, the decade-long fight between General William J. Palmer, the Civil War hero leading the “little family” of his Rio Grande, and William Barstow Strong, the hard-nosed manager of the corporate-minded Santa Fe. What begins as an accidental rivalry when the two lines cross in Colorado soon evolves into an all-out battle as each man tries to outdo the other—claiming exclusive routes through mountains, narrow passes, and the richest silver mines in the world; enlisting private armies to protect their land and lawyers to find loopholes; dispatching spies to gain information; and even using the power of the press and incurring the wrath of the God-like Robber Baron Jay Gould—to emerge victorious. By the end of the century, one man will fade into anonymity and disgrace. The other will achieve unparalleled success—and in the process, transform a sleepy backwater of thirty thousand called “Los Angeles” into a booming metropolis that will forever change the United States. Filled with colorful characters and high drama, told at the speed of a locomotive, From the River to the Sea is an unforgettable piece of American history “that seems to demand a big-screen treatment” (The New Yorker).

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Magic stops. Men vanish. Worlds end. Life goes on. The stories in The Last Vanishing Man start with the end of the world, as a narrator seeks to imagine how the actions of an American terrorist ripple through his family. American violence and masculinity are topics that weave through these stories, as characters of various genders and sexualities get scarred by the wounds of manhood. But though these stories bounce similar themes off each other, they are not narrow in focus or tone. Hard-edged realism lives alongside ghost stories and weird tales; the lyrical tragedy of “A Suicide Gun” sits beside the wild, filthy, absurdist romp that is “The Ballad of Jimmy and Myra”, a murder ballad that might be a lost Weird Al song for a John Waters movie. The collection winds down with an expatriot American living in the melting tundra of Siberia, seeking liberation from the forces that deranged his life, the same forces that shaped and warped the lives of all the other characters in the book.The Last Vanishing Man is organized in four sections. The first section tells tales of people seeking to make sense of history and their place in it, whether the history of a queer sanctuary in Canada or of the unfulfilled dreams of the Warhol star Candy Darling. The second section gives us characters who are each on a quest to understand someone who is gone, vanished into memory or worlds beyond, their stories closer to myth than history. In the third section, lonely men seek meaning in a world where they have lost their way. Their quests become philosophical, even spiritual, as they wander toward something greater than their own transient desires. The final section breaks the book open with extremes: extremes of feeling, extremes of strangeness, extremes of horror. The fiercely disturbing story “Patrimony” portrays a post-apocalypse where male power renders the procreation of humanity into torture. “On the Government of the Living” is also a post-apocalyptic story, also a story of children and humanity, but more haunting parable than horror, more Samuel Beckett than Clive Barker.The Last Vanishing Man is a book for readers seeking more than familiar genre conventions, readers seeking stories that challenge, unsettle, surprise, and sing. These are stories aware of the sufferings of the world, stories of characters tormented by unfulfilled desires and unfathomable violence, but also stories of compassion, of community, of humor, and of infinite possibilities beyond the prison of the self.

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Sunday Times Top-Ten Bestseller and Richard and Judy Book Club Choice. I'll risk my life for you. On 24 November Yasmin and her ten-year-old daughter Ruby set off on a journey across Northern Alaska. They're searching for Ruby's father, missing in the arctic wilderness. More isolated with each frozen mile they cover, they travel deeper into an endless night. And Ruby, deaf since birth, must brave the darkness where sight cannot guide her. She won't abandon her father. But winter has tightened its grip, and there is somebody out there who wants to stop them. Somebody tracking them through the dark. Praise for The Quality of Silence: 'There are many things to love about Lupton's third novel, not least its stunning evocation of the stark, beautiful Alaskan wilds. An elegant and icily unique thriller: you won't read anything like it this year' Observer 'Scary, suspenseful and so exquisitely, evocatively written. I found myself shivering as if I were there in Alaska with Ruby and her mother. Everything you want in a wonderful novel' Liane Moriarty, author of The Husband's Secret 'Ambitious and imaginative. Narrated in part by Ruby (her deafness is treated with great sensitivity), the landscape, wildlife and bitter climate of Alaska are powerfully drawn. Chilling in every sense, you won't want to step away from this story' Sunday Mirror 'A sophisticated thriller which brilliantly evokes the sublime and terrifying landscape of Alaska, the culture of the Inupiat people and the fragility of our planet' Sunday Telegraph 'Like a breath of icy air, this relentlessly tense thriller is also a child's-eye family drama like none other. Not since Miss Smilla's Feeling for Snow have I shivered like this' Emma Donoghue, author of Room 'Will have you gripped form start to finish' Cosmopolitan 'A taut psychological thriller, The Quality of Silence will have your heart thumping. Masterful pacing, riveting plotting. Absolutely gripping' Louise Penny 'A literary slow burn, whose focus is as much on human endurance and a mother's relationship with her deaf daughter as the mystery of her husband's disappearance. This is Lupton at the height of her storytelling powers' Daily Mail 'A beautifully written thriller, and the way in which Lupton used the tundra as a metaphor for grief and faith in stunning. The voice of Ruby and her compassionate exploration of a life without sound only adds to the richness of the book' Press and Journal 'A wonderful writer ...absolutely gripping' Jane Garvey, BBC Radio 2 Women's Hour 'The pressure is on to keep creating equally brilliant stores [and] Lupton has done that with The Quality of Silence' Red Magazine 'An elegant, chilling read from a writer who continues to stretch the bounds of suspense' William Landay, author of Defending Jacob

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In Siberia, revenge is served ice cold.The epic third instalment from the author of the acclaimed Anthrax Island and Times book of the month, Black Run.An agent the world thinks is dead can be useful. John Tyler has gone rogue, pursuing an international vendetta against those responsible for killing his brother.But he’s lured back by the CIA for one final mission to wipe the slate clean. Simple, for a man like Tyler: journey to an old Soviet-era hotel on an ice-locked island in the frozen wastes of Siberia to obtain information from a Russian scientist about a double agent within NATO. But strange things are afoot, events related to the hotel’s grisly past and the KGB’s Cold war experiments into psychic phenomena...Unexplained deaths revolve around the scientist, and with enemies from Tyler’s own past emerging from the rotting woodwork, he must fight to keep the man alive against the odds. But a killer stalks the hotel’s dilapidated corridors, able, apparently, to kill through concrete walls and sealed doors. As Tyler homes in on the NATO double agent, he quickly realises nothing is as it seems, no-one can be trusted, and his own past is coming back to haunt him...From the steaming jungles of central Africa to the bustling streets of London via the frozen tundra, this is the heart-stopping final instalment in the John Tyler trilogy. Perfect for fans of Alistair MacLean and Robert Ludlum.Praise for the John Tyler series'Sharp enough to cut glass, 77 North is a bullet-quick, best-of-breed action thriller' James Swallow, author of Dark Horizon'Riotously thrilling and deftly intelligent, turning the mayhem up to eleven whilst surgically exploring ideas of duty and honour and betrayal and revenge' Dominic Nolan, author of Past Life'Epic action, mind-twisting mystery and relentless fun. The tension ratchets up page by page until it feels like the book is going to explode in your hands' Tim Glister, author of A Loyal Traitor‘D.L. Marshall is a master of weaving thrilling action set-pieces through an enthralling murder mystery. Impossible to put down, 77 North may just be the best yet!’ Chris McGeorge, author of Half-Past Tomorrow'Think Alistair MacLean but turbo-charged' Ian Rankin on Anthrax Island'A first class thriller with an international cast of characters led by the inimitable and unstoppable John Tyler. Tense, intriguing and deadly' Mari Hannah, author of Without a Trace on Anthrax Island‘It’s like the bastard son of Agatha Christie and Ian Fleming watched The Thing on repeat before bashing out a pacy, locked-room, action-adventure thriller’ Trevor Wood, author of One Way Street on Anthrax Island‘Seriously, if Hercule Poirot and James Bond had a baby and sent him to the Jason Bourne School he would grow up to be John Tyler. Cars, cash, poison, guns, thrills chills and murder – this book has the lot’ SE Moorhead, author of The Treatment on Anthrax Island‘Smart, rocket-paced and super twisty this phenomenal debut thriller is like a cross between Jack Reacher, Bond, and And Then There Were None. A real must read!’ Steph Broadribb on Anthrax Island'Fans of spy fiction will love this. Fans of detective fiction will love this. Fans of thrillers will love this... Everyone's going to love this! I wish I'd written it.’ Russ Thomas, author of Firewatching on Anthrax Island

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