Search results for ""Author Judith"

People with learning disabilities are affected by significantly more health problems than the general population and are much more likely to have significant health risks. Yet evidence suggests they are not receiving the same level of health education and health promotion opportunities as other members of society.This important, interdisciplinary book is aimed at increasing professional awareness of the importance of health promotion activities for people with intellectual and developmental disabilities. Written by an international board of experts, it is a thorough and comprehensive guide for students, professionals and carers.The book considers a variety of challenges faced by those with intellectual disabilities, from physical illnesses such as diabetes, epilepsy and sexual health issues, through to issues such as addiction, mental health and ageing.Contributors: Jim Blair, Penny Blake, Malin Broberg, Michael Brown, Eddie Chaplin, Bob Davies, Gillian Eastgate, Paul Fleming, Dora Fisher, Linda Goddard, Tamar Heller, John Heng, Thanos Karatzias, Mike Kerr, Nick Lennox, Tadhg MacIntyre, Beth Marks, Jane McCarthy,Judith Moyle,Karen Nankervis,Ruth Northway, Joseph O'Grady, Renee Proulx, Janet Robertson, Cathy Ross, Jasmina Sisirak, Eamonn Slevin, David S Stewart, William F. Sullivan, Beverley Temple, Hana Válková , Henny van Schrojenstein Lantman-de Valk."I highly recommend this book to anyone working directly with people with an intellectual disability as well as professionals, academics and students who strive to promote issues and improve the lives of people with intellectual disabilities and their families."Agnes Lunny OBE, Chief Executive of Positive Futures, Northern Ireland"The editors and authors have done practitioners a great favour in bringing together in one volume a comprehensive account of how children and adults with intellectual disabilities can be supported to lead healthier lives."Roy McConkey, Professor of Developmental Disabilities, University of Ulster, Northern Ireland"This timely and important book synthesises current knowledge about health promotion interventions for people with intellectual disabilities. Written by leading researchers and practitioners, it should be on the bookshelves of everyone concerned with addressing the stark inequalities in health experienced by people with intellectual disabilities around the world."Eric Emerson, Professor of Disability Population Health, University of Sydney, Australia and Emeritus Professor of Disability and Health Research, Lancaster University, UK "This book is current and different from other textbooks I have used before. The book is pitched at a very easy to understand level and any healthcare professional or student working with people with intellectual and developmental disabilities can use it. The content is very up to date and relevant. The use of comprehensive authors with differing backgrounds demonstrates the textbook has a wide range of expertise and knowledge packed into it that makes the book very relevant learning disabilities practice. I will definitely be recommending this textbook to undergraduate nursing students in Learning Disabilities." Dorothy Kupara – Lecturer in Learning Disabilities Nursing, University of West London.

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The contributors to Nervous Systems reassess contemporary artists' and critics' engagement with social, political, biological, and other systems as a set of complex and relational parts: an approach commonly known as systems thinking. Demonstrating the continuing relevance of systems aesthetics within contemporary art, the contributors highlight the ways that artists adopt systems thinking to address political, social, and ecological anxieties. They cover a wide range of artists and topics, from the performances of the Argentinian collective the Rosario Group and the grid drawings of Charles Gaines to the video art of Singaporean artist Charles Lim and the mapping of global logistics infrastructures by contemporary artists like Hito Steyerl and Christoph Büchel. Together, the essays offer an expanded understanding of systems aesthetics in ways that affirm its importance beyond technological applications detached from cultural contexts. Contributors. Cristina Albu, Amanda Boetzkes, Brianne Cohen, Kris Cohen, Jaimey Hamilton Faris, Christine Filippone, Johanna Gosse, Francis Halsall, Judith Rodenbeck, Dawna Schuld, Luke Skrebowski, Timothy Stott, John Tyson

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Contributions by Lisa Abney, Patricia Anderson, Albert Camp, Katie Carmichael, Christina Schoux Casey, Nathalie Dajko, Jeffery U. Darensbourg, Dorian Dorado, Connie Eble, Daniel W. Hieber, David Kaufman, Geoffrey Kimball, Thomas A. Klingler, Bertney Langley, Linda Langley, Shane Lief, Tamara Lindner, Judith M. Maxwell, Rafael Orozco, Allison Truitt, Shana Walton, and Robin White.Louisiana is often presented as a bastion of French culture and language in an otherwise English environment. The continued presence of French in south Louisiana and the struggle against the language's demise have given the state an aura of exoticism and at the same time have strained serious focus on that language. Historically, however, the state has always boasted a multicultural, polyglot population. From the scores of indigenous languages used at the time of European contact to the importation of African and European languages during the colonial period to the modern invasion of English and the arrival of new immigrant populations, Louisiana has had and continues to enjoy a rich linguistic palate.Language in Louisiana: Community and Culture brings together for the first time work by scholars and community activists, all experts on the cutting edge of research. In sixteen chapters, the authors present the state of languages and of linguistic research on topics such as indigenous language documentation and revival; variation in, attitudes toward, and educational opportunities in Louisiana's French varieties; current research on rural and urban dialects of English, both in south Louisiana and in the long-neglected northern parishes; and the struggles more recent immigrants face to use their heritage languages and deal with language-based regulations in public venues. This volume will be of value to both scholars and general readers interested in a comprehensive view of Louisiana's linguistic landscape.

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This is the first comprehensive multi-volume encyclopedia of literary and cultural theory. Arranged in three volumes covering Literary Theory from 1900 to 1966, Literary Theory from 1966 to the present, and Cultural Theory, this encyclopedia provides accessible entries on the important concepts, theorists and trends in post-1900 literary and cultural theory. With explanations of complex terms and important theoretical concepts, and summaries of the work and ideas of key figures, it is a highly informative reference work for a multi-disciplinary readership Part of the Wiley-Blackwell Encyclopedia of Literature Contains over 300 entries of 1000-7000 words written by an international cast of nearly 300 leading scholars in literary and cultural theory Provides explanations of complex terms, important theoretical concepts, and tools for critical analysis Provides summaries of the work and ideas of key figures such as Jacques Derrida, Michel Foucault, Judith Butler, and Slavoj Žižek, and many more Online version provides students and researchers with 24/7 access to authoritative reference and powerful searching, browsing and cross-referencing capabilities Special introductory price available

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Featuring essays by some of the most prominent names in contemporary political and cultural theory, Sovereignty in Ruins presents a form of critique grounded in the conviction that political thought is itself an agent of crisis. Aiming to develop a political vocabulary capable of critiquing and transforming contemporary political frameworks, the contributors advance a politics of crisis that collapses the false dichotomies between sovereignty and governmentality and between critique and crisis. Their essays address a wide range of topics, such as the role history plays in the development of a politics of crisis; Arendt's controversial judgment of Adolf Eichmann; Strauss's and Badiou's readings of Plato's Laws; the acceptance of the unacceptable; the human and nonhuman; and flesh as a biopolitical category representative of the ongoing crisis of modernity. Altering the terms through which political action may take place, the contributors think through new notions of the political that advance countermodels of biopolitics, radical democracy, and humanity. Contributors. Judith Butler, George Edmondson, Roberto Esposito, Carlo Galli, Klaus Mladek, Alberto Moreiras, Andrew Norris, Eric L. Santner, Adam Sitze, Carsten Strathausen, Rei Terada, Cary Wolfe

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Judith M. Brown, one of the leading historians of South Asia, provides an original and thought-provoking strategy for conducting and presenting historical research in her latest book, Windows into the Past. Brown looks at how varieties of "life history" that focus on the lives of institutions and families, as well as individuals, offer a broad and rich means of studying history. Her distinctively creative approach differs from traditional historical biography in that it explores a variety of "life histories" and shows us how they become invaluable windows into the past. Following her introduction, "The Practice of History," Brown opens windows on the history of South Asia. She begins with the life history of an educational institution, Balliol College, Oxford, and tracks the interrelationship between Britain and India through the lives of the British and Indian men who were educated there. She then demonstrates the significance of family life history, showing that by observing patterns of family life over several generations, it is possible to gain insight into the experiences of groups of people who rarely left historical documents about themselves, particularly South Asian women. Finally, Brown uses the life history of two prominent individuals, Mahatma Gandhi and Jawaharlal Nehru, to examine questions about the nature of Indian nationalism and the emergent Indian state.

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In the thirty years since the reinstatement of the death penalty, nearly 1,000 people have been executed, and over 3,500 people currently sit on death row in America's prisons. At the same time, a wide range of activists, scholars, and researchers have raised profound questions about the execution of innocent people, racial bias in sentencing, and capital punishment's failure to act as a deterrent. Why, then, do most Americans still support the death penalty? In Murdering Myths: The Story Behind the Death Penalty, Judith Kay goes beyond the hype and statistics to examine Americans' deep-seated beliefs about crime and punishment. She argues that Americans share a counter-productive idea of justice—that punishment corrects bad behavior, suffering pays for wrong deeds, and victims' desire for revenge is natural and inevitable. Drawing on interviews with both victims and inmates, Kay shows how this belief harms perpetrators, victims, and society and calls for a new narrative that recognizes the humanity in all of us. Insightful and thought-provoking, Murdering Myths is a fresh look at one of the most contentious issues in American life.

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Within the geological science of paleoclimatology, the earth's pre-Quaternary period--more than two million years ago-has been studied systematically only since the 1960's, when geologists started to take seriously the concept that the continents have changed position on the earth's surface. In the decades since, the study of pre-Quaternary paleoclimatology has expanded greatly. A wide variety of methods have been developed to study pre-Quaternary climates, but until now, no single text has sought to synthesize those methods. Judith Totman Parrish's text offers a much-needed entry point into the literature. While a number of previous books have dealt with climate models and paleoclimate, this is the first to offer a sustained exploration of the methods that are the foundation of any interpretation of earth processes. Focusing primarily on the description and analysis of paleoclimatic indicators-signals of a particular climate--this valuable reference work offers detailed explanations of biotic and lithologic indicators in the marine and terrestrial realms and includes case histories of paleoclimatic studies. The most up-to-date and comprehensive volume on the subject, Interpreting Pre-Quaternary Climatefrom the Geologic Record will be an important resource for students and scientists alike. Parrish's focus on the established, underexploited, and controversial methods bring to light a spectrum of potential new avenues of research in this field.

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An exceptional document of an extraordinary life, The Soul of Things is the memoir of Holocaust survivor Éva Fahidi. Since the memoir was first published in Hungarian in 2004 under the title Anima Rerum, Fahidi has become a household name in Hungary and in Germany. Featured in countless interviews and several prize-winning documentary films, at the age of ninety-five she is a frequent speaker at Holocaust commemorations in Hungary, Germany, and elsewhere. The Soul of Things combines a rare depiction of upper-middle-class Jewish life in pre-war Hungary with the chronicle of a woman’s deportation and survival in the camps. Fahidi is a gifted writer with a unique voice, full of wisdom, humanity, and flashes of dark humour. With an unsentimental, philosophical perspective, she recounts her journey from the Great Hungarian Plain to the extermination camp of Auschwitz-Birkenau, the forced labour camp of Münchmühle, and back. The English edition includes a new introduction by historians Éva Kovács and Judith Szapor, the original prefaces to the Hungarian and German editions, an essay on the Münchmüle Camp by Fritz Brinkman-Frisch, and extensive notes providing historical and cultural context for Fahidi’s narrative.

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Investigations into the heroic - or not - behaviour of the protagonists of medieval romance. Medieval romances so insistently celebrate the triumphs of heroes and the discomfiture of villains that they discourage recognition of just how morally ambiguous, antisocial or even downright sinister their protagonists can be, and, correspondingly, of just how admirable or impressive their defeated opponents often are. This tension between the heroic and the antiheroic makes a major contribution to the dramatic complexity of medieval romance, but it is not an aspect of the genre that has been frequently discussed up until now. Focusing on fourteen distinct characters and character-types in medieval narrative, this book illustrates the range of different ways in which the imaginative power and appeal of romance-texts often depend on contradictions implicit in the very ideal of heroism. NEIL CARTLIDGE is Professor of English Studies at the University of Durham Contributors: Neil Cartlidge, Penny Eley, David Ashurst, Meg Lamont, Laura Ashe, Judith Weiss, Gareth Griffith, Kate McClune, Nancy Mason Bradbury, Ad Putter, Robert Rouse, Siobhain Bly Calkin, James Wade, Stephanie Vierick Gibbs Kamath

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"This book is... a romantic history of romantic collecting. It takes seriously, and by necessity shares, the tendency of romantic histories to dwell upon their own fragmentariness, on the impossibility of capturing an intact history.... It traces the particular ways in which objects stepped into the lives of romantic collectors, and also the ways in which the objects moved on."—from the IntroductionIn the late eighteenth and early nineteenth centuries, the activity of collecting became democratized and popularized, allowing all kinds of people to become caught up in the collecting obsessions of the period: birds, books, Napoleonic relics, botanical specimens, Egyptiana, and fossils. Judith Pascoe invites readers to contemplate the ongoing allure of romantic collections. Pascoe maintains that romanticism as a literary movement played a crucial supporting role in varied attempts by collectors of this era to fashion identities for themselves through collecting. She links the collecting craze during the period with the subsequent fetishization of romantic poets and their possessions, revealing the extent to which an ongoing fascination with material objects—with Keats's hair and Shelley's guitar, for example—helped to produce an enduring image of these poets as spiritual emissaries of a less materialistic age. In language both witty and idiosyncratic, Pascoe makes the case that the romantic period stands out as a distinct moment in collecting history, a transition between the flourishing of the Renaissance wonder cabinet and the rise of the Victorian museum.

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What Gender Is, What Gender Does provides a forceful new paradigm for considering genders. With depth and insight, Judith Roof argues that genders are much more than binary. And they are constantly morphing: they are conscious and unconscious, simultaneously conventional and idiosyncratic. At any moment, more than one gender dynamic is at work in any individual.Roof’s interpretation of genders isn’t content with either biological duality or endlessly open performativity, and what results is a nuanced and surprising representation of gender—an account that captures the complexities of lived experience as well as lived ideology. For Roof, genders are interacting sets of operations that link individual desires to multiple, shifting manifestations of sociocultural positioning and self-presentation. Thus, “to gender” is to signal, mask, suggest, mislead, and simplify the uncontainable chaos of desires characteristic of subjects but roundly contained by society.Drawing illustrative material from contemporary popular culture productions, including My Big Fat Greek Wedding, Spider-Man, Shrek, Shallow Hal, Sex and the City, Bridesmaids, Bond films, and “bromance” movies, What Gender Is, What Gender Does demonstrates how the persistent conflation of gender and sexual difference is, on the one hand, a simple taxonomic urge and, on the other, a cover that offers the security of identity in place of the frustrations and fears of the real asymmetries of personal power dynamics.

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What Gender Is, What Gender Does provides a forceful new paradigm for considering genders. With depth and insight, Judith Roof argues that genders are much more than binary. And they are constantly morphing: they are conscious and unconscious, simultaneously conventional and idiosyncratic. At any moment, more than one gender dynamic is at work in any individual.Roof’s interpretation of genders isn’t content with either biological duality or endlessly open performativity, and what results is a nuanced and surprising representation of gender—an account that captures the complexities of lived experience as well as lived ideology. For Roof, genders are interacting sets of operations that link individual desires to multiple, shifting manifestations of sociocultural positioning and self-presentation. Thus, “to gender” is to signal, mask, suggest, mislead, and simplify the uncontainable chaos of desires characteristic of subjects but roundly contained by society.Drawing illustrative material from contemporary popular culture productions, including My Big Fat Greek Wedding, Spider-Man, Shrek, Shallow Hal, Sex and the City, Bridesmaids, Bond films, and “bromance” movies, What Gender Is, What Gender Does demonstrates how the persistent conflation of gender and sexual difference is, on the one hand, a simple taxonomic urge and, on the other, a cover that offers the security of identity in place of the frustrations and fears of the real asymmetries of personal power dynamics.

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Exploring the status of feminism in this "postfeminist" age, this sophisticated meditation on feminist thinking over the past three decades moves away from the all too common dependence on French theorists and male thinkers and instead builds on a wide-ranging body of feminist theory written by women. These writings address the question "Where are we going?" as well as "Where have we come from?" As evidenced in the essays compiled here, the multiplicity of directions available to this new feminism ranges from poststructuralist academic theory through cultural activism to re-readings of law, literature, and representation. Contributors include Mieke Bal, Lauren Berlant, Rosi Braidotti, Elisabeth Bronfen, Judith Butler, Rey Chow, Drucilla Cornell, Ann Cvetkovich, Jane Gallop, Beatrice Hanssen, Claire Kahane, Ranjana Khanna, Biddy Martin, Juliet Mitchell, Anita Haya Patterson, and Valerie Smith. Feminist Consequences, representing the forefront of international feminist thought, marks a new and long-desired stage of feminist criticism where women are themselves making theory rather than reacting to male production.

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Evidence for childhood and youth from the sixth century to the sixteenth, but with particular emphasis on later medieval England. Moving on from the legacy of Ariès, these essays address evidence for childhood and youth from the sixth century to the sixteenth, but with particular emphasis on later medieval England. The contents include the idea of childhoodin the writing of Gregory of Tours, skaldic verse narratives and their implications for the understanding of kingship, Jewish communities of Northern Europe for whom children represented the continuity of a persecuted faith, children in the records of the northern Italian Humiliati, the meaning of romance narratives centred around the departure of the hero or heroine from the natal hearth, the age at which later medieval English youngsters left home, how far they travelled and where they went, literary sources revealing the politicisation of the idea of the child, and the response of young, affluent females to homiletic literature and the iconography of the virgin martyrs in the later middle ages. Contributors: FRANCES E. ANDREWS, HELEN COOPER, P.J.P.GOLDBERG, SIMCHA GOLDIN, EDWARD F. JAMES, JUDITH JESCH, KIM M. PHILLIPS, MIKE TYLER, ROSALYNN VOADEN.

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A poignant novel of political-religious awakening by one of Germany's literary starsAn anonymous phone call, an unattended bag discovered in the station of a small Austrian town, a piece of paper saying, "Repent!" and "Next time it will be for real!" A C.C.T.V. image of a young man. What was it that made the teacher think it was his old student, Daniel?Ten years earlier Daniel had spent time with the teacher in his remote house by the river. The town had talked. Anton had recently returned from two years teaching in Istanbul - he was unsettled, subversive, solitary. Daniel was on the brink of adulthood - idealistic, unrequitedly in love with Judith, vulnerable to influence. Those summer weeks by the river were an idyll. But did they also sow the seeds of Daniel's later obsessiveness, his biblical attitudes, his political dogmatism? As the bomb threat excites the community with all the tension of a witch hunt, and Anton himself becomes a focus for suspicion and gossip, he anatomises his memories of the preceding decade. What went wrong for Daniel, and could he have stopped it?

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This essential handbook helps midwifery students to make the most from their time studying. It clearly explains the core learning skills you will need right from the start of the course, such as academic writing, placement learning and understanding theoretical concepts. It also introduces more advanced skills, such as reflection, research, evidence-based practice, writing a dissertation and complex decision making. It shows why these important skills are essential for you both to succeed at university and when you are a registered midwife. Key features - An accessible student-friendly guide specifically written for midwifery students - Three midwifery students are followed throughout the book to show real issues that you may face during your studies - Activities throughout help you test and develop your own learning skills - Each chapter is linked to relevant NMC and QAA standards, so that you can see what you are expected to know in order to pass your programme. Series Editor The Transforming Midwifery Practice series editor is Judith Jackson, Canterbury College.

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Oscar Wilde wrote of this novel, “Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic.” Reuben Sachs, the story of an extended Anglo-Jewish family in London, focuses on the relationship between two cousins, Reuben Sachs and Judith Quixano, and the tensions between their Jewish identities and English society. The novel’s complex and sometimes satirical portrait of Anglo-Jewish life, which was in part a reaction to George Eliot’s romanticized view of Victorian Jews in Daniel Deronda, caused controversy on its first publication. This Broadview edition prints for the first time since its initial publication in The Jewish Chronicle Levy's essay "The Jew in Fiction." Other appendices include George Eliot's essay on anti-Jewish sentiment in Victorian England and a chapter from Israel Zangwill's novel The Children of the Ghetto. Also included is a map of Levy's London with landmarks from her biography and from the "Jewish geography" of Reuben Sachs.

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Judith Butler's new book shows how an ethic of nonviolence must be connected to a broader political struggle for social equality. Further, it argues that nonviolence is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power. But, in fact, nonviolence is an ethical position found in the midst of the political field. An aggressive form of nonviolence accepts that hostility is part of our psychic constitution, but values ambivalence as a way of checking the conversion of aggression into violence. One contemporary challenge to a politics of nonviolence points out that there is a difference of opinion on what counts as violence and nonviolence. The distinction between them can be mobilised in the service of ratifying the state's monopoly on violence.Considering nonviolence as an ethical problem within a political philosophy requires a critique of individualism as well as an understanding of the psychosocial dimensions of violence. Butler draws upon Foucault, Fanon, Freud, and Benjamin to consider how the interdiction against violence fails to include lives regarded as ungrievable. By considering how 'racial phantasms' inform justifications of state and administrative violence, Butler tracks how violence is often attributed to those who are most severely exposed to its lethal effects. The struggle for nonviolence is found in movements for social transformation that reframe the grievability of lives in light of social equality and whose ethical claims follow from an insight into the interdependency of life as the basis of social and political equality.

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'Gripping, heart-wrenching and painfully real. An absolute triumph' Iona GreyWhat was hidden will be revealed...When Frances' best friend Bronwyn disappeared over twenty years ago, her body was never found. The mystery over what happened has cast a shadow over Frances' life ever since. Now, it's 1942 and bombs are raining down on Bath. In the chaos a little boy - Davy Noyle - goes missing. Frances was meant to be looking after him and she is tortured by guilt at his disappearance. Where has he gone, and could he possibly have survived?But bombs conceal, and they reveal - and as quiet falls and the dust settles, a body is disturbed from its hiding place. What happened all those years ago? And can Frances put the wrongs of the past right again...?Praise for The Disappearance:'A wonderful wartime story . . . A huge treat' Kate Riordan'I couldn't have loved it more. Riveting, haunting, beautifully written . . . a stunner!' Jenny Ashcroft'Evocative. Totally transporting. This is a rich and delicious multi-layered read' Eve Chase'A beautifully written and emotionally involving mystery...highly recommended' Amanda Jennings'Immersive, powerful and beautifully written, The Disappearance had me hooked from the first page to the last. I loved it' Judith KinghornYour favourite authors love Katherine Webb: 'An enormously talented writer' Santa Montefiore'Katherine Webb's writing is beautiful' Elizabeth Fremantle'Webb has a true gift for uncovering the mysteries of the human heart' Kate Williams'A truly gifted writer of historical fiction' Lucinda Riley

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Combining stunning photographs with expert knowledge, this book is a dazzling guide to precious stones, organic gems, and precious metals.Discover the intriguing stories of the world's most famous and fabulous gems, including the mysterious Hope Diamond, the stunning Koh-i-Noor of the Crown Jewels, and exquisite Fabergé eggs. Trace the history of gemmology, learn all about the key characteristics of precious and semi-precious stones, and discover the science behind some of their more unusual and mysterious properties.With a foreword by antiques expert Judith Miller, co-founder of Miller's Antiques Price Guide, and a regular presenter on BBC's The Antiques Roadshow, this sumptuous celebration of gems and jewels is guaranteed to bring sparkle to both your life and your library.Dive deep into the pages of this dazzling book on jewels to discover: - Hundreds of specially commissioned, spectacular photographs.- Intriguing features on the history of gemstones, and the fascinating real-life stories behind them.- Stunning photography showcases the brilliance of semi-precious and precious stones, minerals, and metals.- Fascinating features on the most famous (and infamous) gems, and on the history of gemmology.- Optional 80-page directory sectionJewel is the ultimate guide to gemstones, jewels, and jewellery - combining mineralogy with culture, history, and symbolism, and proves the perfect addition to the library of jewel lovers of any ages. Whether you're interested in gems, jewellery, and making jewellery, or a student of gemmology or geology, this gorgeous gem gift book is sure to delight.

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Pentecostalism is currently the fastest-growing Christian movement, with hundreds of millions of followers. This growth overwhelmingly takes place outside of the West, and women make up 75 percent of the membership. The contributors to Spirit on the Move examine Pentecostalism's appeal to black women worldwide and the ways it provides them with a source of community and access to power. Exploring a range of topics, from Neo-Pentecostal churches in Ghana that help women challenge gender norms to evangelical gospel musicians in Brazil, the contributors show how Pentecostalism helps black women draw attention to and seek remediation from the violence and injustices brought on by civil war, capitalist exploitation, racism, and the failures of the state. In fleshing out the experiences, theologies, and innovations of black women Pentecostals, the contributors show how Pentecostal belief and its various practices reflect the movement's complexity, reach, and adaptability to specific cultural and political formations. Contributors. Paula Aymer, John Burdick, Judith Casselberry, Deidre Helen Crumbley, Elizabeth McAlister, Laura Premack, Elizabeth A. Pritchard, Jane Soothill, Linda van de Kamp

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The Most Anticipated Memoirs of 2020, She Reads • Bay Area Authors to Read This Summer, 7X7 A literary memoir of one woman's journey from wife to warrior, in the vein of breakout hits like Cheryl Strayed's Wild and Jeannette Walls's The Glass Castle. At thirty-six years old, Caitlin Myer is ready to start a family with her husband. She has left behind the restrictive confines of her Mormon upbringing and early sexual trauma and believes she is now living her happily ever after . . . when her body betrays her. In a single week, she suffers the twin losses of a hysterectomy and the death of her mother, and she is jolted into a terrible awakening that forces her to reckon with her past—and future. This is the story of one woman’s lifelong combat with a culture—her “escape” from religion at age twenty, only to find herself similarly entrapped in the gender conventions of the secular culture at large, conventions that teach girls and women to shape themselves to please men, to become good wives and mothers. The biblical characters Yael and Judith, wives who became assassins, become her totems as she evolves from wifely submission to warrior independence. An electric debut that loudly redefines our notions of womanhood, Wiving grapples with the intersections of religion and sex, trauma and love, sickness and mental illness, and a woman’s harrowing enlightenment. Building on the literary tradition of difficult women who struggle to be heard, Wiving introduces an urgent, striking voice to the scene of contemporary women’s writing at a time when we must explode old myths and build new stories in their place.Wiving is a finalist for the 2021 Association for Mormon Letters Creative Nonfiction Award.

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In the crumbling community of a fundamentalist Mormon sect, the boys who remained behind reinvent themselves as modern-day cowboys American photographer Jim Mangan began The Crick as a photographic survey of the unorthodox architecture of Fundamentalist Church of Jesus Christ of Latter-Day Saints (FLDS) houses in the Utah-Arizona border town of Short Creek. He soon found that the bigger story lay in a group of teenage boys navigating their disintegrating community, fractured after leader Warren Jeffs was imprisoned in 2011. These subjects were children at the time of the fallout, who remained with their families in Short Creek as others elected to leave the town altogether. The Crick is a meditation on religious succession, patriarchal systems, zealotry and fraternity in the life built by these young men. Mangan’s pictures transport the reader into an alternate reality of the boys’ making: where they explore the rugged terrain of southern Utah, northern Arizona and southern Nevada on horseback, emulating old-time explorers of the Western frontier. His “ecological and sociological approach” to this series, spanning five years, depicts the playfulness of youth against the capricious landscape of the American West. In both their real and imaginary worlds, these subjects have gained a knowledge of and closeness to nature that has largely been lost in the conventions of modern life. The collection of photographs is accompanied by an essay by author Judith Freeman and a text by apostatized former FLDS member and artist Roman Bateman. Jim Mangan (born 1973) is a photographer and filmmaker best known for his images of the American West. His work has been exhibited at the Deichtorhallen in Hamburg, the Kunst im Tunnel in Düsseldorf and the Utah Museum of Contemporary Art. In 2015, his project Blast was shown at the Sundance Film Festival.

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'An unputdownable thriller' Gregory Dowling'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail*****Murder is the deadliest art . . . An invitation to an exclusive event during the Venetian Biennale gives Honorary Consul Nathan Sutherland the perfect chance to drink prosecco in the sunshine and meet some of the greats of the art world. And then a world-famous critic is decapitated by one of the installations in the British Pavilion. A terrible accident, it seems, until a postcard is discovered in the victim's pocket: an image of Judith beheading Holofernes.But this is not just a one-off. Before long, three more postcards have been sent out with deadly results. As the bodies pile up, Nathan finds himself getting closer and closer to the truth, but when he himself receives an image of Death bearing a scythe, it becomes a race against time to save his own life . . .*****Praise for Philip Gwynne Jones'I devoured all Philip's novels and felt transported to Venice with a new intimacy' Val McDermid'Superb - always gripping, beautifully constructed and vivid' Stephen Glover'Clever and great fun' The Times'Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself' L.S. Hilton, bestselling author of Maestra'The Venetian setting is vividly described... good, fluid writing makes for easy reading' Literary Review'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go. If you like intrigue, and a clever plot, you'll love this book' Amazon reviewer, 5*****

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In Cows Save the Planet, journalist Judith D. Schwartz looks at soil as a crucible for our many overlapping environmental, economic, and social crises. Schwartz reveals that for many of these problems—climate change, desertification, biodiversity loss, droughts, floods, wildfires, rural poverty, malnutrition, and obesity—there are positive, alternative scenarios to the degradation and devastation we face. In each case, our ability to turn these crises into opportunities depends on how we treat the soil. Drawing on the work of thinkers and doers, renegade scientists and institutional whistleblowers from around the world, Schwartz challenges much of the conventional thinking about global warming and other problems. For example, land can suffer from undergrazing as well as overgrazing, since certain landscapes, such as grasslands, require the disturbance from livestock to thrive. Regarding climate, when we focus on carbon dioxide, we neglect the central role of water in soil—"green water"—in temperature regulation. And much of the carbon dioxide that burdens the atmosphere is not the result of fuel emissions, but from agriculture; returning carbon to the soil not only reduces carbon dioxide levels but also enhances soil fertility. Cows Save the Planet is at once a primer on soil's pivotal role in our ecology and economy, a call to action, and an antidote to the despair that environmental news so often leaves us with.

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What does a truly democratic experience of political action look like today? In this provocative new work, Adriana Cavarero weighs in on contemporary debates about the relationship between democracy, happiness, and dissent. Drawing on Arendt's understanding of politics as a participatory experience, but also discussing texts by Émile Zola, Elias Canetti, Boris Pasternak, and Roland Barthes, along with engaging Judith Butler, Cavarero proposes a new view of democracy, based not on violence, but rather on the spontaneous experience of a plurality of bodies coming together in public. Expanding on the themes explored in previous works, Cavarero offers a timely intervention into current thinking about the nature of democracy, suggesting that its emergence thrives on the nonviolent creativity of a widespread, participatory, and relational power that is shared horizontally rather than vertically. From digital democracy to selfies to contemporary protest movements, Cavarero argues that we need to rethink our focus on individual happiness and turn toward rediscovering the joyful emotions of birth through plural interaction. Yes, let us be happy, she urges, but let us do so publicly, politically, together.

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Over the course of her long career, Eve Kosofsky Sedgwick became one of the most important voices in queer theory, and her calls for reparative criticism and reading practices grounded in affect and performance have transformed understandings of affect, intimacy, politics, and identity. With marked tenderness, the contributors to Reading Sedgwick reflect on Sedgwick's many critical inventions, from her elucidation of poetry's close relation to criticism and development of new versions of queer performativity to highlighting the power of writing to engender new forms of life. As the essays in Reading Sedgwick demonstrate, Sedgwick's work is not only an ongoing vital force in queer theory and affect theory; it can help us build a more positive world in the midst of the bleak contemporary moment. Contributors. Lauren Berlant, Kathryn Bond Stockton, Judith Butler, Lee Edelman, Jason Edwards, Ramzi Fawaz, Denis Flannery, Jane Gallop, Jonathan Goldberg, Meridith Kruse, Michael Moon, José Esteban Muñoz, Chris Nealon, Andrew Parker, H. A. Sedgwick, Karin Sellberg, Michael D. Snediker, Melissa Solomon, Robyn Wiegman

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Discover practical ways to become more creative and find inspiration by connecting with nature! Meet 15 makers who present their personal stories of how nature inspires and enhances their creativity. They will walk readers through the importance of creating work that taps into a mind, body, and spirit connection. The makers in this book include: Bethann Burton (nature journaling) James Brunn (temporary natural art installations) Judith Content (textile art) Nick Neddo (primitive art and art tools) Jan Hopkins (basketry) Meredith Woolnough (needlework) Alice Fox (basketry and weaving) Munir Jones (3D weaving) Nicole Dextras (clothing) Maleah Bretz (woven wall art) Lorraine Roy (embroidery) Frank Kraljik (astral photography) Carrie Anne K'iinuwaas Vanderhoop (weaving) Kari Lonning (basketry) Barbara Schneider (mixed media) Makers can create works that integrate natural materials as well as recycled and repurposed objects. Get the feeling of having a personal and creative conversation with the makers while you take a walk through nature with them.

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Who do we love? Who loves us? And why? Is love really a mystery, or can neuroscience offer some answers to these age-old questions? In her third enthralling book about the brain, Judith Horstman takes us on a lively tour of our most important sex and love organ and the whole smorgasbord of our many kinds of love-from the bonding of parent and child to the passion of erotic love, the affectionate love of companionship, the role of animals in our lives, and the love of God. Drawing on the latest neuroscience, she explores why and how we are born to love-how we're hardwired to crave the companionship of others, and how very badly things can go without love. Among the findings: parental love makes our brain bigger, sex and orgasm make it healthier, social isolation makes it miserable-and although the craving for romantic love can be described as an addiction, friendship may actually be the most important loving relationship of your life. Based on recent studies and articles culled from the prestigious Scientific American and Scientific American Mind magazines, The Scientific American Book of Love, Sex, and the Brain offers a fascinating look at how the brain controls our loving relationships, most intimate moments, and our deep and basic need for connection.

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This volume, the first sustained critical work on the French political philosopher Étienne Balibar, collects essays by sixteen prominent philosophers, psychoanalysts, anthropologists, sociologists, and literary critics who each identify, define, and explore a central concept in Balibar’s thought. The result is a hybrid lexicon-engagement that makes clear the depth and importance of Balibar’s contribution to the most urgent topics in contemporary thought. The book shows the continuing vitality of materialist thought across the humanities and social sciences and will be fundamental for understanding the philosophical bases of the contemporary left critique of globalization, neoliberalism, and the articulation of race, racism, and economic exploitation. Contributors: Emily Apter, Étienne Balbar, J. M. Bernstein, Judith Butler, Monique David-Ménard, Hanan Elsayed, Didier Fassin, Stathis Gourgouris, Bernard E. Harcourt, Jacques Lezra, Patrice Maniglier, Warren Montag, Adi Ophir, Bruce Robbins, Ann Laura Stoler, Gary Wilder

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Judith M. Heimann entered the diplomatic life in 1958 to join her husband, John, in Jakarta, Indonesia, at his American Embassy post. This, her first time out of the United States, would set her on a path across the continents as she mastered the fine points of diplomatic culture. She did so first as a spouse, then as a diplomat herself, thus becoming part of one of the Foreign Service’s first tandem couples. Heimann’s lively recollections of her life in Africa, Asia, and Europe show us that when it comes to reconciling our government’s requirements with the other government’s wants, shuttle diplomacy, Skype, and email cannot match on-the-ground interaction. The ability to gauge and finesse gesture, tone of voice, and unspoken assumptions became her stock-in-trade as she navigated, time and again, remarkably delicate situations. This insightful and witty memoir gives us a behind-the-scenes look at a rarely explored experience: that of one of the very first married female diplomats, who played an unsung but significant role in some of the important international events of the past fifty years. To those who know something of today’s world of diplomacy, Paying Calls in Shangri-La will be an enlightening tour through the way it used to be—and for aspiring Foreign Service officers and students, it will be an inspiration. Published in association with ADST-DACOR Diplomats and Diplomacy Series

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“[A] stimulating and excellently documented book…Individual personalities are particularly well handled. Foch and Pétain, Poincaré and Blum—all emerge with veritable life in them. The trends of French interwar history are deftly carried through onto these pages with an unobtrusive lucidity and persuasiveness.”—Michael Hurst, American Historical Review“Admirable…Instead of working backward from 1940, seeking causes and culprits of collapse in the 1930s, Ms. Hughes has wisely chosen to begin in 1918 and to focus upon the 1920s. This chronology has given her a fresher perspective and a wider scope for sympathy than other commentators of the period. It is the great merit of this book that it passes judgments with compassion and restraint. Indeed, Professor Hughes insists upon viewing French military policy in the broadest possible context of international developments, domestic politics, economic problems, and intellectual moods; from these elements, she weaves a dilemma of tragic dimensions in which the confusions and mistakes of individuals are reviewed with kindness and realism.”—Charles C. Bright, Political Science QuarterlyThe decision to fortify northeastern France has usually been considered a tragic mistake, an example of bad planning and missed opportunities. Not so, says Judith M. Hughes, who provides a convincing view of how France’s military and political leaders tried to safeguard their nation—and why they failed.

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The experience of the impossible churns up in our epoch whenever a collective dream turns to trauma: politically, sexually, economically, and with a certain ultimacy, ecologically. Out of an ancient theological lineage, the figure of the cloud comes to convey possibility in the face of the impossible. An old mystical nonknowing of God now hosts a current knowledge of uncertainty, of indeterminate and interdependent outcomes, possibly catastrophic. Yet the connectivity and collectivity of social movements, of the fragile, unlikely webs of an alternative notion of existence, keep materializing--a haunting hope, densely entangled, suggesting a more convivial, relational world. Catherine Keller brings process, feminist, and ecopolitical theologies into transdisciplinary conversation with continental philosophy, the quantum entanglements of a "participatory universe," and the writings of Nicholas of Cusa, Walt Whitman, A. N. Whitehead, Gilles Deleuze, and Judith Butler, to develop a "theopoetics of nonseparable difference." Global movements, personal embroilments, religious diversity, the inextricable relations of humans and nonhumans--these phenomena, in their unsettling togetherness, are exceeding our capacity to know and manage. By staging a series of encounters between the nonseparable and the nonknowable, Keller shows what can be born from our cloudiest entanglement.

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When first published in 1948, Sexual Behavior in the Human Male encountered a storm of condemnation and acclaim. By unshackling sex research from flawed founding constraints, Kinsey revolutionized it. In this 75th anniversary edition, featuring a new foreword from Judith A. Allen, Sexual Behavior in the Human Male revisits the work of Alfred C. Kinsey and his fellow researchers as they sought to accumulate an objective body of facts regarding sex. Originally an entomologist, Kinsey applied his fieldwork taxonomy methods to human sexuality. With 5,300 research subjects, his undertaking was the largest sex research project of its time, transforming the field. With scientific exactness, Kinsey describes the methodology, sampling, coding, interviewing, and statistical analyses, and then examines factors and sources of sexual outlet. Told through men's experiences of sexuality and reproduction, Sexual Behavior in the Human Male: Anniversary Edition is a remarkable rumination on American society and science in the early 20th century.

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Judith Wagner DeCew provides a solid philosophical foundation for legal discussions of privacy by articulating and unifying diverse arguments on the right to privacy and on how it should be guaranteed in various contemporary contexts. Philosophers and legal theorists tend either to define privacy narrowly or to abandon privacy as conceptually incoherent, she claims. In order to assess how far privacy should extend, and determine how the wide range of specific cases can be reconciled, DeCew surveys the history of the notion of privacy as it first evolved in American tort law and constitutional law and then analyzes current characterizations. In different contexts, privacy has been defined on the basis of information, autonomy, property, and intimacy. DeCew's broader claim is that privacy has fundamental value because it allows us to create ourselves as individuals, offering us freedom from judgment, scrutiny, and the pressure to conform. Feminist theorists often view privacy as a tool for shielding abuses. DeCew responds to this feminist critique of privacy, as well as addressing the issues of abortion and of gay and lesbian sexuality in the context of specific landmark legal cases. In discussions of Roe v. Wade, Bowers v. Hardwick, and the Hart/Devlin debates on decriminalization of homosexuality and prostitution, DeCew applies her broad theory to sexual and reproductive privacy, anti-sodomy laws, and the legislation and enforcement of morals. She finally discusses the intersection of privacy with public safety concerns, such as drug testing, and in light of new communication technologies, such as caller ID.

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The Performer-Audience Connection is a pioneering foray into one of the major puzzles of human communication: the communication of emotion in dance. It is the first attempt of its kind systematically to investigate what performers wish to convey and what audiences perceive in the performance of dance. The centerpiece of this provocative book is an examination of performer intentions and audience response at eight dance performances in Washington, D.C. Part of the Smithsonian Institution Division of Performing Arts Dance Series, these concerts featured a variety of dance genres and cultures: American tap dance, Kathakali dance-drama from Kerala, India, Japanese Kabuki, contemporary avant-garde dance, Philippine folk dance, the Indian classical tradition of Kuchipudi, and modern dance to an AfroAmerican spiritual. How did dancer and audience interact at the emotional level on these eight occasions? What affected performer-audience rapport? Through interviews of both spectators and dancers, Judith Lynne Hanna explores the performers' ways of imparting emotion through movement and audience members' expectations and responses. In doing so she casts new light on important issues of cultural identity, sex role, historic attitudes toward dance, and even marketing the arts today. A landmark work not only for performers who wish to reach their audiences more effectively but also for choreographers, anthropologists, specialists in nonverbal communication, behavioral scientists, educators, and all who are fascinated by the arts and the special magic of the "performer-audience connection."

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What if our strongest urges could be divested of their power to compel yet retain their power to fascinate us? What if our most basic appetites could be translated from the realm of bodily necessity to the sphere of artistic freedom? Jeff Nunokawa traces the variety of social pressures that inspired Oscar Wilde's lifelong effort to concoct forms of desire that thrill without menacing us, as well as the alchemies by which he sought to do so. Assigning Wilde a place of honor in a heady company of thinkers drawn from the ranks of philosophy, sociology, economics, psychoanalysis, and contemporary queer theory--Kant, Marx, Simmel, Weber, Freud, Hannah Arendt, Albert O. Hirschman, Erving Goffman, Judith Butler, Eve Sedgwick, and, of course, Michel Foucault--this is the first book to recognize Wilde not only as a blatant symptom of a familiar understanding of modern sexuality, but also as a grand theorist of the subject in his own right. The result is a wholly original portrait of the artist as a social critic who, in the midst of his humor, labored to illuminate and amend the book of love.

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Could you be EXTRAORDINARY? This book will inspire you with the real-life stories of extraordinary people, showcasing a total variety of personalities and talents. Whoever you are, and whoever you want to be, read about the extraordinary stories of these 15 people, and decide how YOU will be extraordinary too!From around the world and throughout history, discover unsung heroes - and some well-known faces - brought to life with astonishing story-telling and illustration.Meet an artist, scientist, medic, environmentalist, musician, activist, writer, politician, and even a spy . . . above all, discover that there are MANY ways to be extraordinary and to make a real difference in the world. Featuring the real-life stories of: Aeham Ahmad, David Attenborough, Mo Farah, Keiko Fukuda, Stephen Hawking, Frida Kahlo, Abdul Kalam, Judith Kerr, Wangari Maathai, Nelson Mandela, David Nott, Michelle Obama, Krystyna Skarbek, Alan Turing, Sau Lan Wu

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The term ‘terrorism’ is often applied exclusively to non-state groups or specific ‘rogue states’. Far less attention is given to state terrorism carried out or sponsored by democracies, most notably the United States. History shows that this state terrorism has been responsible for the deaths of millions of people. Weapon of the Strong analyses the forms of US state terrorism through exclusive, never before published interviews with leading commentators and theorists, including Noam Chomsky, Edward S. Herman, Richard A. Falk, Judith Butler, Ted Honderich, Norman Finkelstein and Gilbert Achcar. The interviews explore the different aspects of state terrorism: its functions, institutional supports and the legal and moral arguments surrounding it, and consider specific case studies in Europe, Latin America and the Middle East. Weapon of the Strong makes an indispensable contribution to contemporary debates on terrorism and constructs a damning critique of US foreign policy from World War Two to the present day.

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Through a partnership to promote wider access to literary voices of Mexican artists in the United States and American writers in Mexico, the National Endowment for the Arts, the United States Embassy in Mexico, and Mexico’s National Fund for Culture and the Arts have joined together to support a proposed three-year program of anthology publication and public outreach activities. In the first year, Sarabande has been named publisher of the poetry anthologies. “We are pleased to introduce readers to the best of contemporary Mexican and American poetry through these comprehensive bilingual anthologies,” states National Endowment for the Arts Chairman Dana Gioia. “I believe they will quickly become essential volumes for poetry lovers and grant new insight into both cultures.” Contributors include: Kay Ryan, Larry Levis, Thomas Lux, Marilyn Nelson, Ron Silliman, Molly Peacock, Amy Uyematsu, Jorie Graham, Judith Ortiz Cofer, Naomi Shihab Nye, and more.

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Vulnerability and resistance have often been seen as opposites, with the assumption that vulnerability requires protection and the strengthening of paternalistic power at the expense of collective resistance. Focusing on political movements and cultural practices in different global locations, including Turkey, Palestine, France, and the former Yugoslavia, the contributors to Vulnerability in Resistance articulate an understanding of the role of vulnerability in practices of resistance. They consider how vulnerability is constructed, invoked, and mobilized within neoliberal discourse, the politics of war, resistance to authoritarian and securitarian power, in LGBTQI struggles, and in the resistance to occupation and colonial violence. The essays offer a feminist account of political agency by exploring occupy movements and street politics, informal groups at checkpoints and barricades, practices of self-defense, hunger strikes, transgressive enactments of solidarity and mourning, infrastructural mobilizations, and aesthetic and erotic interventions into public space that mobilize memory and expose forms of power. Pointing to possible strategies for a feminist politics of transversal engagements and suggesting a politics of bodily resistance that does not disavow forms of vulnerability, the contributors develop a new conception of embodiment and sociality within fields of contemporary power.Contributors. Meltem Ahiska, Athena Athanasiou, Sarah Bracke, Judith Butler, Elsa Dorlin, Başak Ertür, Zeynep Gambetti, Rema Hammami, Marianne Hirsch, Elena Loizidou, Leticia Sabsay, Nükhet Sirman, Elena Tzelepis

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What Is a People? seeks to reclaim "people" as an effective political concept by revisiting its uses and abuses over time. Alain Badiou surveys the idea of a people as a productive force of solidarity and emancipation and as a negative tool of categorization and suppression. Pierre Bourdieu follows with a sociolinguistic analysis of "popular" and its transformation of democracy, beliefs, songs, and even soups into phenomena with outsized importance. Judith Butler calls out those who use freedom of assembly to create an exclusionary "we," while Georges Didi-Huberman addresses the problem of summing up a people with totalizing narratives. Sadri Khiari applies an activist's perspective to the racial hierarchies inherent in ethnic and national categories, and Jacques Ranciere comments on the futility of isolating theories of populism when, as these thinkers have shown, the idea of a "people" is too diffuse to support them. By engaging this topic linguistically, ethnically, culturally, and ontologically, the voices in this volume help separate "people" from its fraught associations to pursue more vital formulations. Together with Democracy in What State?, in which Giorgio Agamben, Alain Badiou, Daniel Bensaid, Wendy Brown, Jean-Luc Nancy, Jacques Ranciere, Kristin Ross, and Slavoj Zizek discuss the nature and purpose of democracy today, What Is a People? expands an essential exploration of political action and being in our time.

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Brimming with life and drama, this is the first book to explore two thousand years of European history through one the greatest imperial networks ever built''A delightful, novel and authoritative history from the ground up'' JUDITH HERRIN''Epic and witty ... Fletcher is a thoroughly enjoyable narrator because she peppers her learned prose with wry humour'' TOBIAS JONES, Observer''Fletcher is a rare thing: an academic who writes beautifully and accessibly about big subjects ... utterly riveting, filled with golden nuggets'' CHARLIE CONNELLY, New European''All roads lead to Rome.'' It''s a medieval proverb, but it''s also true: today''s European roads still follow the networks of the ancient empire, as Rome's extraordinary legacy continues to grip our imaginations.Over the two thousand years since they were first built, the roads have been walked by crusaders and pilgrims, liberators and di

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Identity provides an essential resource of key statements drawn from cultural studies, sociology, and psychoanalytic theory, and includes three editorial essays, which place the readings in their theoretical and historical context. Divided into three parts: Language, Ideology and Discourse; Psychoanalysis and Psycho-Social Relations; and Identity, Sociology and History, this book invites readers to compare and contrast cultural studies approaches with psychoanalytic and historical and sociological accounts of identity formation. The Identity Reader will be an essential sourcebook for students of cultural studies, gender studies, social psychology, and sociology. The key statements are from the work of: Louis Althusser, Jessica Benjamin, Emile Benveniste, Homi K Bhabha, Pierre Bourdieu, Judith Butler, Ian Craib, Jacques D[ac]errida, Norbert Elias, Frantz Fanon, Michel Foucault, Anthony Giddens, Stuart Hall, Pierre Hadot, Melanie Klein, Jacques Lacan, Christopher Lasch, Isabel Menzies, Lyth, T H Marshall, Marcel Mauss, Am[gr]elie Okensberg Rorty, Jacqueline Rose, Nikolas Rose, Michael Rustin, Kaja Silverman, Max Weber, D W Winnicott

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Africa is changing and digitisation is playing a pivotal role in it. Throughout the whole continent, digital practices are emerging which radically transform African societies and their worldwide perception. However, digital infrastructures remain marked by local and global asymmetries despite the widespread use of mobile phones. Over the course of two years and in three African and European cities, the interdisciplinary exhibition and research project Digital Imaginaries took this contradictory diversity of digital phenomena as its starting point in order to explore possible digital futures in Africa. Texts by Bethlehem Anteneh, Younes Baba-Ali / Aude Tournaye, Tegan Bristow, Mehdi Derfoufi, Mamadou Diallo / Judith Rottenburg, Sunny Dolat / Njoki Ngumi (The Nest Collective), Oulimata Gueye, Thomas Hervé, Francois Knoetze, Sénamé Koffi Agbodjinou / Manuel Bürger, Bettina Korintenberg, Siri Lamoureaux / Enrico Ille / Amal Fadlalla / Timm Sureau, Achille Mbembe, Maurice Mbikayi, Julien McHardy, Christopher McMichael, Marcus Neustetter / Mwenya Kabwe, Nanjala Nyabola, DK Osseo-Asare / Yasmine Abbas, Tabita Rezaire, Richard Rottenburg, Daniel Sciboz, Joseph Tonda, Michel Wahome, Philipp Ziegler

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We Refugees is the third anthology in a series designed to spark conversation, promote awareness, and generate funds to advance social justice and amplify the voices of the marginalized. Rather than the vision of crisis so often portrayed in the media, the poems, essays, and personal reflections in We Refugees are moving accounts of individual suffering and fortitude; demonstrations of the great willingness shared by many to bridge cultural divides and offer hope and healing; and celebrations of the courage of people who have been forced to leave their homes and seek new ones. The contributors are Kirsty Anantharajah, Jennifer deBie, Nina Foushee, Robbie Gamble, Akuol Garang, Sharif Gemie, Steven Jakobi, Enesa Mahmic, Loretta Oleck, Virginia Ryan, Judith Skillman, and Mitchell Toews. Pact Press is proud, through the sale of this anthology, to support the work of the Asylum Seeker Resource Centre (ASRC), which advocates for, empowers, and provides material support to people seeking asylum.

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(Music Sales America). Today's Choral Classics is a special collection of pieces from the most exciting talents in choral composition today. From the church to the concert hall, it is the perfect volume for choruses seeking a contemporary choral repertoire, rich in accessible, modern arrangements in a variety of styles. Featuring Paul Mealor's Wherever You Are , a Christmas No. 1 for The Military Wives choir, and Ubi Caritas , his specially commissioned piece for the royal wedding of the Duke and Duchess of Cambridge; serene miniatures by John Tavener and Eric Whitacre; simple gems by Richard Rodney Bennett and Richard Blackford; and more substantial works by Judith Weir, James Whitbourn, Tarik O'Regan and Nico Muhly; choirs of all styles, sizes and abilities will discover a wealth of variety of inspiring pieces to delight singers and audiences alike. Today's Choral Classics is a fantastic addition to any music library or choral resource, and provides a solid and accessible basis for any contemporary choral concert program.

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