Search results for ""author nicholas""

In "Classical Odes", Nicholas Hagger achieves a blend of poetry and history, of the traditions of Herodotus and Pausanias (both of whom visited classical sites) and of Virgil and Horace (who wrote of everyday life in the countryside). In the first four-book "Odes" since "Horace", he addresses the concerns regarding Western civilisation of Pound, Eliot and Yeats - particularly, the concern Eliot had about the impact of Europe on the man of letters - and finds a new way of carrying them forward. He catches the mood of our time: dismay at the end of the Great Britain of Churchill and Montgomery, elegiac feeling that Englishness is being superseded by Europeanness and globalism, and Britain's hesitant fumblings for a new identity in a time of transition. Never before has Western's civilization's cultural legacy been captured in verse that has such contemporary relevance.

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The extraordinary sixty-thousand-year history of how the Pacific islands were settled. 'Takes readers on a narrative odyssey' Wall Street Journal, Books of the Year 'Highlights a dizzying burst of new research' The Economist 'A refreshing addition to the canon of literature that contemplates Oceanic navigation' Noelle Kahanu 'I would not be surprised if, after reading this masterpiece, many readers are compelled to take up voyaging themselves' Science Magazine Thousands of islands, inhabited by a multitude of different peoples, are scattered across the vastness of the Pacific. The first European explorers to visit Oceania, from the sixteenth century on, were astounded and perplexed to find populations thriving so many miles from the nearest continents. Who were these people and where did they come from? In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas. Drawing on the latest research, including insights gained from linguistics, archaeology, and the re-enactment of voyages, Thomas provides a dazzling account of these long-distance migrations, the sea-going technologies that enabled them, and the societies that they left in their wake.

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Anintelligent, gripping and stylish love storyset against abeautifully drawn contemporary Japan' ObserverBooks of the YearSocial psychologist Ben Monroe has returned to Tokyo after a failed marriage, determined to seek out his former lover Kozue. His estranged teenage daughter Mazzy reluctantly flies from California to join him. On the flight she meets a young Japanese man, Koji, a cult survivor, who tells her the story of the luminous night princess Kaguya, a powerful tale of beauty and obsession. As Ben delves deeper into the underworld in search of Kozue, Mazzy and Koji are compelled to follow, and their four lives dangerously intersect as past and present collide.

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Political theory deals with profound questions about human nature, political principles, and the limits of knowledge. In Teaching Political Theory, Nicholas Tampio shows how political theorists may take a pluralistic approach to help students investigate the deepest levels of political life.The book shares advice about how to design a political theory course, including selecting reading materials, writing lectures, making assignments, and creating experiences for students. More than a how-to manual, the book also shows how political theorists may profitably stage conversations between American, Chinese, European, and Indian political thinkers. After reading this book, political theorists will gain ideas about how to read and teach ancient sceptics like Sextus Empiricus, Chinese Daoists like Zhuangzi, African American abolitionists like Sojourner Truth, and Indian philosophers like B.R. Ambedkar.Written by an editor of the journal Comparative Political Theory, this book offers insights to political theorists at all stages of their career on how to energize their research and teaching methods.

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During a visit to Jordan Nicholas Hagger stood on Mount Nebo where the prophet Moses stood, and looked down on the Promised Land of Canaan that Moses saw shortly before he died. It seemed as if all the kingdoms of the earth were spread out below him, a new Promised Land: a coming World State called for by Dante and Kant, and more recently by Truman, Einstein, Churchill, Eisenhower, Gandhi, Russell, J.F. Kennedy and Gorbachev - and Hagger himself in World State and World Constitution. Combining travelogue and historical reflection, Nicholas Hagger draws on previous visits to the Biblical Middle East and traces the development of his Universalism in his formative years and then in his “wilderness years”, when like Moses he spent 40 years in the wilderness setting out Universalism in 60 books and arriving at its ten commandments. He reflects on a remarkable life and its pattern and reaches some conclusions on the Providential nature of its direction and on the European civilisation. Weaving together his wanderings in Arabia and Egypt, his past travels and his writings, he presents a coming democratic, partly federal World State with sufficient authority to abolish war, enforce disarmament, combat famine, disease and poverty and solve the world’s financial, environmental and virological problems, and in a closing vision a coming Promised Land that like Moses he will not live to see. This is a stunning work with a prophetic vision of the future.

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THE ULTIMATE EDITION - EXPANDED AND UPDATED WITH MORE THAN 70,000 WORDS OF NEW MATERIALCritically acclaimed in its previous editions, The Complete David Bowie is recognized as the foremost source of analysis and information on every facet of Bowie's work. The A-Z of songs and the day-by-day dateline are the most complete ever published. From his boyhood skiffle performance at the 18th Bromley Scouts' Summer Camp, to the majesty of his final masterpiece Blackstar, every aspect of David Bowie's extraordinary career is explored and dissected by Nicholas Pegg's unrivalled combination of in-depth knowledge and penetrating insight.* The Albums - detailed production history and analysis of every album.*The Songs - hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities - from 'Absolute Beginners' to 'Ziggy Stardust', from 'Abdulmajid' to 'Zion'.* The Tours - set-lists and histories of every live show.* The Actor - a complete guide to Bowie's career on stage and screen.* Plus - the videos, the BBC radio sessions, the paintings, the internet and much more.

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First study of the origins of the lordship courts that dominated the lives of the peasantry of medieval England. About the year 1000, hundreds and shires were the dominant and probably the only local assemblies for doing legal and other business in England. However, this simple pattern did not last long, for lords established separate courts which allowed them to manage and discipline their dependents without external interference, and therefore to intensify and redefine their claims over their dependents. These can be seen clearly by the early twelfth century, and were the basis from which the later manorial courts, courts leet and honour courts originated. The appearance of these courts has long been recognised; what is novel about this book is that it shows how they came into being. It argues that lordship courts ultimately originated through subtracting business from the public courts of Anglo-Saxon England, not from the rights inherent in land ownership. It also shows how and when royal justices appeared for the first time as a response to these changes, and how the earliest generation of judges differed from their successors in their roles and functions, which has considerable consequences for how we understand the changing roles of justices in shaping English law. Overall, the changing pattern of assemblies and courts helped to redefine lordship, peasant status and royal authority, and to expectations about how business should be transacted, with widespread implications across Anglo-Norman society, culture and politics

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A detailed study of the Teutonic Knights in the Holy Land, covering both their military and administrative affairs. The Teutonic Order was founded in 1190 to provide medical care for crusaders in the kingdom of Jerusalem. In time, it assumed a military role and played an important part in the defence of the Christian territories in the EasternMediterranean and in the Baltic regions of Prussia and Livonia; in the Levant, it fought against the neighbouring Islamic powers, whilst managing their turbulent relations with their patrons in the papacy and the German Empire. Asthe Order grew, it colonised territories in Prussia and Livonia, forcing it to address how it distributed its resources between its geographically-spread communities. Similarly, the brethren also needed to develop an organisational framework that could support the conduct of war on frontiers that were divided by hundreds of miles. This book - the first comprehensive analysis of the Order in the Holy Land - explores the formative years of this powerful international institution and places its deeds in the Levant within the context of the wider Christian, pagan and Islamic world. It examines the challenges that shaped its identity and the masters who planned its policies. Dr NICHOLAS MORTON is Lecturer in History at Nottingham Trent University.

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Since 1945 the UN has failed to prevent 162 wars and the proliferation of nuclear weapons, and there is talk of a Third World War involving the Middle East, the Baltic states and North Korea. Competing nation-states seem powerless to achieve world peace under the UN. Continuing a tradition that began with the 1945 atomic bombs, Nicholas Hagger follows Truman, Einstein, Churchill, Eisenhower, Gandhi, Russell, J.F. Kennedy and Gorbachev in calling for a democratic, partly-federal World State with sufficient authority to abolish war, enforce disarmament, combat famine, disease and poverty, and solve the world’s financial and environmental problems. In World State Hagger sets out the historical background and the failure of the current political order of nation-states. He presents the ideal World State - its seven federal goals, its structure and the benefits it would bring - and sets out a manifesto that would turn the UN General Assembly into an elected lower house of a democratic World State.

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A practical guide to working with gemstones and crystals connected to Goddess energy for magick, healing, and transformation In this practical guide to working with the stones of the Goddess, Nicholas Pearson explores more than 100 gemstones and crystals strongly connected with the energies of the Divine Feminine, including old favorites like amazonite, amethyst, geodes, and carnelian (also known as the blood of Isis), alongside newer and more unusual stones such as sakura ishi, yeh ming zhu, and Lemurian seed crystals. He details each stone’s spiritual and healing properties, astrological and elemental correspondences, Goddess archetypes and lore, magickal uses, and the aspects of the Divine Feminine it embodies. Guiding you through the basics of crystal work, including cleansing and programming, the author offers step-by-step instructions for Goddess-centered magickal rituals, guided meditations to connect with the Divine Feminine, and the use of crystals for spellcasting. He explains how to create crystal grids, including the Triple Goddess Grid and the Venus Grid; crystal elixirs, such as Aphrodite Elixir and Yemayá Essence; and crystal charm bags for purification, wealth, and a happy home.

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The first major literary and cultural history of color in America, 1880–1930Chromographia tells the story of how color became modern and how literature, by engaging with modern color, became modernist. From the vivid pictures in children’s books to the bold hues of abstract painting, from psychological theories of perception to the synthetic dyes that brightened commercial goods, color concerned both the material stuff of modernity and its theoretical and artistic formulations. Chromographia spans these diverse practices to reveal the widespread effects on U.S. literature and culture of the chromatic revolution that unfolded at the turn of the twentieth century.In analyzing color experience through the lens of U.S. writers (including Charlotte Perkins Gilman, L. Frank Baum, Stephen Crane, Charles Chesnutt, Gertrude Stein, Nella Larsen, and William Carlos Williams), Chromographia argues that modern aesthetic techniques are inseparable from the theories and technologies that drove modern color. Nicholas Gaskill shows how literature registered the social worlds within which chromatic technologies emerged, and also experimented with the ideas about perception, language, and the sensory environment that accompanied their proliferation.Chromographia is the only study of modern color in U.S. literature. It presents a new reading of perception in literature and a theory of experience that uses color to move beyond the usual divisions of modern thought.

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In Concrete Dreams Nicholas D’Avella examines the changing social and economic lives of buildings in the context of a construction boom following Argentina's political and economic crisis of 2001. D’Avella tells the stories of small-scale investors who turned to real estate as an alternative to a financial system they no longer trusted, of architects who struggled to maintain artistic values and political commitments in the face of the ongoing commodification of their work, and of residents-turned-activists who worked to protect their neighborhoods and city from being overtaken by new development. Such forms of everyday engagement with buildings, he argues, produce divergent forms of value that persist in tension with hegemonic forms of value. In the dreams attached to built environments and the material forms in which those dreams are articulated—from charts and graphs to architectural drawings, urban planning codes, and tango lyrics—D’Avella finds a blueprint for building livable futures in which people can survive alongside and even push back against the hegemony of capitalism.

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Comprehensively sets out the cross-regional and transnational dimension of press history in early-modern Britain and Ireland Provides an exhaustive history of the British and Irish Press from the outbreak of the British Civil Wars to the eve of the Act of Union, reflected upon in a mixture of core chapters, substantive chapters, and focused case studies Expert contributors examine features regarding the production, transmission and reception of not just newspapers but also the more specialised press Offers unique and important reassessments of the seventeenth and eighteenth-century British and Irish periodical press within social, cultural, technological, economic, linguistic and historical contexts Consisting of twenty-eight chapters and numerous case studies the volume examines the history of the British and Irish press from its seventeenth-century beginnings up until the end of the eighteenth century. Five core chapters regard the Business of the Press (including advertising), Production and Distribution, Legal Constraints and Opportunities, Readers and Readerships, and the Emerging Identities and Communities of news writers and journalists. Other contributions focus on particular national realities such as those in Ireland, Scotland and Wales. The contributions examine features relating to the production, transmission and reception of not just news publications but also the more specialised press such as periodical essays, women's periodicals, literary and review journalism, medical journals, and the criminal and religious press. As much early modern news was a transnational phenomenon the volume includes studies on European and trans-Atlantic networks as well as the role of translation in news transmission and output.

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Political theory deals with profound questions about human nature, political principles, and the limits of knowledge. In Teaching Political Theory, Nicholas Tampio shows how political theorists may take a pluralistic approach to help students investigate the deepest levels of political life.The book shares advice about how to design a political theory course, including selecting reading materials, writing lectures, making assignments, and creating experiences for students. More than a how-to manual, the book also shows how political theorists may profitably stage conversations between American, Chinese, European, and Indian political thinkers. After reading this book, political theorists will gain ideas about how to read and teach ancient sceptics like Sextus Empiricus, Chinese Daoists like Zhuangzi, African American abolitionists like Sojourner Truth, and Indian philosophers like B.R. Ambedkar.Written by an editor of the journal Comparative Political Theory, this book offers insights to political theorists at all stages of their career on how to energize their research and teaching methods.

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In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.

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The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.

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A stunning visual journey through Cambodian culture, history, art, struggle, and modernization.Cambodia has two parallel histories. One is the constant stream of adventurers and diplomats, kings and rebels, archaeologists and artists drawn to the magnificent ruins at Angkor. Another is the formation of a nation through the Cambodian people's fierce struggles with colonialism, war, revolution, famine, and finally, the long road to recovery. This book captures these parallel stories through the eyes of talented photographers who were present to record such events. The images, which include many rare and never-before-published photos, are drawn from archives, national collections, libraries, and private collections. This treasure trove of nearly 500 photographs showcases the work of over 100 photographers—including pioneering female photographers, Cambodian and international photographers, and some who died soon after the rise of the Khmer Rouge. Within these pages, readers will find a fresh perspective on Cambodia. From the early days of French colonialism through the struggle for independence, and emergence into an uneasy peace in the 21st century.

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What is apology? What are its functions and its essential and variable elements? How do apologies differ from excuses, disclaimers, and justifications? What form does apology take in our own culture and in other cultures such as Japan? These are some of the major questions addressed in this attempt to shed light on a familiar but neglected dimension of social life. "Mea Culpa is an important book. Tavuchis considers apologies between individuals, individuals and groups, and between groups ... His analysis is broad and interdisciplinary, drawing from sociology, philosophy, sociolinguistics, social psychology, anthropology, philology, law, and religion ... Tavuchis utilizes verbatim texts (from newspapers, novels, letters, press conferences) to develop his theory. He is particularly brilliant on the work of Erving Goffman ... Mea Culpa is a valuable contribution to social science."—American Journal of Sociology

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Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.

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A history of Crystal Palace and the Norwoods

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Television and Society is a textbook designed to introduce students to the role of television in contemporary society. It explores the structure of the television text, the way in which that text is produced and the way it is consumed. The first section deals with the analysis of television programmes as texts. It covers, for example, the issues of realism, narrative, genre and ideology, the domestication of television programming and the nature of soap opera and news. The section on the production of television deals firstly with the structure of the industry as a whole - the ways in which television is financed and distributed, the globalization of television and media imperialism, and the political economy of television. This is followed by a consideration of the internal workings of television organizations, including the role of the producer, the functioning of the production team, the television personality and the producer's perceptions of the audience. The final section investigates theories of the television audience and combines qualitative and quantitative studies. There is discussion on the history of audience research, methods of measuring the audience, the domestic context of viewing, and television talk. Clearly written, Television and Society will be an ideal textbook for students in media studies, cultural studies and the sociology of culture.

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Deception in High Places reveals the corruption endemic in Britain's biggest arms deals over the last fifty years. Based on painstaking research in government archives, collections of private and court papers and documents won by the author in a landmark Freedom of Information Tribunal against the Foreign and Commonwealth Office, the book illuminates a shadow world of bribery and elite enrichment. Deception in High Places charts British government involvement in arms trade corruption and presents the fullest history yet of bribery in Britain’s arms deals with Saudi Arabia. It includes the backstory of the controversial termination of a Serious Fraud Office corruption investigation following pressure by the Saudi Royal Family and the British establishment.

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A first-class narrative writer blends his unique cartographic and topographic understanding of the key ports of early seaborne commerce.

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This is the second of the three volumes of A System of Pragmatic Idealism, a series that will synthesize the life's work of the philosopher Nicholas Rescher. Rescher's numerous books and articles, which address almost every major philosophical topic, reflect a unified approach: the combination of pragmatism and idealism characteristic of his thinking throughout his career. The three related but independently readable books of the series present Rescher's system as a whole. In combining leading ideas of European continental idealism and American pragmatism in a new way, Rescher has created an integrated philosophical position in which the central concepts of these two traditions become a coherent totality. The initial volume in the series was dedicated to epistemology, the philosophy of science, and the philosophy of nature. In The Validity of Values, Rescher sets out a normative theory of rationality. Looking at issues of value theory, ethics, and practical philosophy, this second volume of the trilogy has as its theme the utility of values for a proper understanding of ourselves and the world we live in. Rescher's key thesis, which is argued from various angles and points of departure, is that rationality as such and in general is bound up with the theory and practice of rational evaluation. The third volume of the series will deal with the nature of philosophical inquiry itself. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Why working-class Americans almost never become politicians, what that means for democracy, and what reformers can do about itWhy are Americans governed by the rich? Millionaires make up only three percent of the public but control all three branches of the federal government. How did this happen? What stops lower-income and working-class Americans from becoming politicians? The first book to answer these urgent questions, The Cash Ceiling provides a compelling and comprehensive account of why so few working-class people hold office—and what reformers can do about it.Using extensive data on candidates, politicians, party leaders, and voters, Nicholas Carnes debunks popular misconceptions (like the idea that workers are unelectable or unqualified to govern), identifies the factors that keep lower-class Americans off the ballot and out of political institutions, and evaluates a variety of reform proposals.In the United States, Carnes shows, elections have a built-in “cash ceiling,” a series of structural barriers that make it almost impossible for the working-class to run for public office. Elections take a serious toll on candidates, many working-class Americans simply can’t shoulder the practical burdens, and civic and political leaders often pass them over in favor of white-collar candidates. But these obstacles aren’t inevitable. Pilot programs to recruit, train, and support working-class candidates have the potential to increase the economic diversity of our governing institutions and ultimately amplify the voices of ordinary citizens.Who runs for office goes to the heart of whether we will have a democracy that is representative or not. The Cash Ceiling shows that the best hope for combating the oversized political influence of the rich might simply be to help more working-class Americans become politicians.

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"A great read."—Whoopi Goldberg, The ViewHow the clash between the civil rights firebrand and the father of modern conservatism continues to illuminate America's racial divideOn February 18, 1965, an overflowing crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America's most influential conservative intellectual. The topic was "the American dream is at the expense of the American Negro," and no one who has seen the debate can soon forget it. Nicholas Buccola's The Fire Is upon Us is the first book to tell the full story of the event, the radically different paths that led Baldwin and Buckley to it, the controversies that followed, and how the debate and the decades-long clash between the men continues to illuminate America's racial divide today.Born in New York City only fifteen months apart, the Harlem-raised Baldwin and the privileged Buckley could not have been more different, but they both rose to the height of American intellectual life during the civil rights movement. By the time they met in Cambridge, Buckley was determined to sound the alarm about a man he considered an "eloquent menace." For his part, Baldwin viewed Buckley as a deluded reactionary whose popularity revealed the sickness of the American soul. The stage was set for an epic confrontation that pitted Baldwin's call for a moral revolution in race relations against Buckley's unabashed elitism and implicit commitment to white supremacy.A remarkable story of race and the American dream, The Fire Is upon Us reveals the deep roots and lasting legacy of a conflict that continues to haunt our politics.

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A groundbreaking reassessment of W. H. Auden's early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England.W. H. Auden is a towering figure in modern literary history with a complex private self. Hannah Arendt wrote that he had the necessary secretiveness of the great poet'. The Island lays bare for the first time some of the most telling secrets' of Auden's early poetry, his world, his emotional life, his values and the sources of his art.In a book that is an argument but also a story, Nicholas Jenkins gives compelling readings of iconic poems. He presents Auden in the inter-War years as both a visionary writer, creatively dependent on dreams and intuitions, and a traumatized poet, haunted by war and suffering, and shadowed by his outsider status as a privileged but queer man.The Island considers, as well, Auden's imaginative flirtations with a lyrical n

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

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Creating your dream home is an exciting idea, but it's also a major project and one where you need to be an expert on everything from planning laws to landscape design, and all that's in between. Self Build and Renovation For Dummies takes you through every step of the process, from choosing and buying a plot of land, through to the building's design and on to the actual build – plus all the financial and legal stuff – using plain English in an easy-to-understand format. Here is everything you need to know to create your perfect home.

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In 1119, the people of the Near East came together in an epic clash of horses, swords, sand, and blood that would decide the fate of the city of the Aleppo-and the eastern Crusader states. Fought between tribal Turkish warriors on steppe ponies, Arab foot soldiers, Armenian bowmen, and European knights, the battlefield was the amphitheatre into which the people of Eurasia poured their full gladiatorial might. Carrying a piece of the true cross before them, the Frankish army advanced, anticipating a victory that would secure their dominance over the entire region. But the famed Frankish cavalry charge failed them, and the well-arranged battlefield dissolved into a melee. Surrounded by enemy forces, the crusaders suffered a colossal defeat. With their advance in Northern Syria stalled, the momentum of the crusader conquest began to evaporate, and would never be recovered.

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Edited and introduced by a leading academic in the field, this is a new Routledge Major Work in the Critical Concepts in Law series. Law and Economics is a five-volume collection of canonical and cutting-edge research on the application of economic theory - primarily microeconomics and the basic concepts of welfare economicsto the examination of the formation, structure, processes and economic impact of law and legal institutions. Economic concepts have been applied to explain and clarify legal issues, not only with respect to competition law, but also in respect of a wide range of non-market activities, ranging from issues of tortuous liability and compensation, to family matters and crime. Law and Economics has influenced legislation and the development of Anglo-American case law and has become a central part of legal and economic education and research at some of the most prestigious universities on both sides of the Atlantic.This collection provides user

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In 1966 two columnists joined Newsweek magazine. Their assignment: debate the world of business and economics. Paul Samuelson was a towering figure in Keynesian economics, which supported the management of the economy along lines prescribed by John Maynard Keynes’s General Theory. Milton Friedman, little known at that time outside conservative academic circles, championed “monetarism” and insisted the Federal Reserve maintain tight control over the amount of money circulating in the economy. In the nimble hands of author and journalist Nicholas Wapshott, Samuelson and Friedman’s decades-long argument becomes a window through which to view one of the longest periods of economic turmoil in the United States. As the soaring economy of the 1950s gave way to decades stalked by declining prosperity and “stagflation”, it was a time when the theory and practice of economics became the preoccupation of politicians and the focus of national debate. It is an argument that continues today.

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Introduces visual culture as visual activism, or activating the visible.Outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. Addresses catastrophe and trauma, from Palestine’s Nakba to the climate disaster and the intersections of plague and war. Maps the activist turn in the field since 2014 and sets directions for its future expansion.

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The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris.The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment.This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.

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The long and spectacular reign of Louis XIV of France is typically described in overwhelmingly visual terms. In this book, Nicholas Hammond takes a sonic approach to this remarkable age, opening our ears to the myriad ways in which sound revealed the complex acoustic dimensions of class, politics, and sexuality in seventeenth-century Paris.The discovery in the French archives of a four-line song from 1661 launched Hammond’s research into the lives of the two men referenced therein—Jacques Chausson and Guillaume de Guitaut. In retracing the lives of these two men (one sentenced to death by burning and the other appointed to the Ordre du Saint-Esprit), Hammond makes astonishing discoveries about each man and the ways in which their lives intersected, all in the context of the sounds and songs heard in the court of Louis XIV and on the streets and bridges of Paris. Hammond’s study shows how members of the elite and lower classes in Paris crossed paths in unexpected ways and, moreover, how noise in the ancien régime was central to questions of crime and punishment: street singing was considered a crime in itself, and yet street singers flourished, circulating information about crimes that others may have committed, while political and religious authorities wielded the powerful sounds of sermons and public executions to provide moral commentaries, to control crime, and to inflict punishment.This innovative study explores the theoretical, social, cultural, and historical contexts of the early modern Parisian soundscape. It will appeal to scholars interested in sound studies and the history of sexuality as well as those who study the culture, literature, and history of early modern France.

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