Search results for ""author leonard"

The Bartonellas and Peruvian Medicine explores the events surrounding the discovery of the etio-pathogenic agent of the Oroya Fever, also known as Peruvian Verruga or Carrión’s disease (an endemic infectious disease in South America’s Andean regions) by Dr. Alberto Leonardo Barton. Graciela S. Alarcón and Renato D. Alarcón recount Barton’s persistent work against skepticism, obstacles, and limitations imposed by members of Peru’s medical elites of the time, as well as his eventual successful scientific career and the delayed but well-deserved global recognition of his contributions. The book is the result of intense bibliographic research and of original documents aimed not just at the examination of Barton’s life and work, but also the examination of today’s perspectives and future work in the field of infectious and “neglected” diseases. The authors address current scientific information on the relevant bacteria Bartonella bacilliformis, besides current research and clinical status of the other Bartonellas, making it a useful and practical text for those studying infectious diseases.

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This comprehensive new book is an essential volume for anyone who wants to learn more about Leonardo and to survey his greatest works in one beautifully illustrated collection. The first part contains a detailed exploration of Leonardo's life. It details his childhood, family life and education, and then explores his interests in architecture, engineering and science as well as his career as a painter. The second part of the book contains a gallery of over 300 of Leonardo's major paintings, drawings and designs. These superb reproductions are accompanied by thorough analysis of each artwork and its significance within the context of his life, his technique and his body of work as a whole.

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Leonardo da Vinci and the ethics of style brings together a distinguished group of experts on Leonardo and the Renaissance, examining the ethical underpinnings of art history. The seven essays articulate the complexity of ways in which style involved ethical considerations during the early modern period, and still involves us in its conundrums.Looking at individual works and concepts, this fascinating collection covers subjects such as Leonardo’s understanding of his role as a painter as that of a natural philosopher, his interests in visual perception and the understanding of visual sensations by the mind, how and why Leonardo’s ideas on painting are at the core of art theory, how Leonardo addresses style in gendered terms, and ‘style’ as the historian’s projection.This volume will be of great interest to all those studying or with an enthusiasm for Renaissance art history, art theory, cultural studies and philosophy.

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La antropología trascendental de Leonardo Polo es un enfoque filosófico novedoso que destaca la dignidad, altura, profundidad y riqueza del ser personal. Ante el sustancialismo antiguo, y frente al subjetivismo moderno, esa antropología trascendental justifica, con notable base teórica, la primacía de la persona, que tentativamente pretende el personalismo contemporáneo, y su apertura a la trascendencia.Se recogen en este libro cinco trabajos orientados a estudiar y exponer la antropología trascendental de Leonardo Polo. Corresponden a los profesores doctores Fernando Haya, Juan José Padial, Juan Fernando Sellés, Juan García y Rafael Corazón. Las II Conversaciones fueron promovidas por la Asociación de La Rábida, AEDOS y el Instituto de Estudios Filosóficos Leonardo Polo.

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Leonardo Bruni Aretino (c. 1370-1444) was one of the most gifted and prolific translators of Greek authors in the early Italian Renaissance and a bestseller whose works often circulated in more than a hundred manuscripts. Moreover, Homer ranks as the most admired Greek poet in the Renaissance. The 'Orationes Homeri', i.e. Bruni's translation of three speeches from the embassy scene, are of focal interest in the studies of Renaissance literature in its many aspects: survival of ancient authors and their influence on Renaissance literature and literary theory, translation theory and practice, knowledge of Greek poetic language. This first critical edition with an introduction and a systematic commentary presents the 'Orationes Homeri' in comparison with other works of Bruni and translations of Homer by other humanists. It includes the part of the Lorenzo Valla version corresponding to the 'Orationes Homeri' and the Castilian version of the 'Orationes Homeri', which is the first vernacular translation of Homer.

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Leonardo's enduring fascination with water—from its artistic representation to aquatic inventions and hydraulic engineeringFormless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo’s interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems.From drawings for mobile bridges and underwater breathing apparatuses to plans for water management schemes, Leonardo evinced a deep interest in the technical aspects of water. His visual studies of the ways in which landscape is shaped by water demonstrated both his artistic mastery and probing scientific mind. Analyzing Leonardo’s notebooks, plans, maps, and paintings, Geddes argues that, for Leonardo and fellow artists, drawing was a form of visual thinking and problem solving essential to understanding and controlling water and other parts of the natural world. She also examines the material importance in this work of water-based media, namely ink, watercolor, and oil paint.A compelling account of Renaissance art and engineering, Watermarks shows, above all else, how Leonardo applied his pictorial genius to water in order to render the natural world in all its richness and constant change.

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Los estereotipos presentan la época medieval como algo grotesco e incluso aterrador. Desde su hondo conocimiento de ese período, el autor propone una visión alternativa, liberadora y luminosa. Porque la vida en la Edad Media tal vez fuera más dura que la nuestra, pero también más bella.Sin omitir los errores, Jaume Aurell enfatiza los valores más sublimes, recurriendo a una estructura teatral en tres Actos: el primero presenta los personajes, desde Constantino a Carlomagno; el segundo, los elementos corales, desde los señores feudales a los mercaderes, y el tercero, los escenarios, desde el infierno de las pandemias al paraíso de los poetas y artistas. El texto, divulgativo y riguroso, enmarca así los siglos que separan a Constantino de Leonardo da Vinci.

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October 1493, the height of the Renaissance. In a rapidly changing world, Milan flourishes under the leadership of Ludovico il Moro. Those wandering the courtyards of the city’s castle often encounter a man in his forties dressed in long pink robes, lost in his own thoughts. The man lives above his workshop, with his mother and a mischievous little boy whom he dotes on; he doesn’t eat meat, writes from right to left, and struggles to get paid by his employers. His name is Leonardo da Vinci. His fame extends beyond the Alps, to the French court of Charles VIII, whose envoys have been tasked with a secret mission that concerns Leonardo himself, and his most daring designs. When a man is found dead in the Castle’s courtyard, il Moro turns to Da Vinci for help. Though the corpse shows no signs of violence, the death is highly suspicious: rumours of a plague or superstitious explanations need to be disproven quickly. Leonardo is in no position to refuse his master’s request to investigate.

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El método que sigue este libro consiste en adentrar al lector en la vasta mente de Leonardo da Vinci para conseguir trazar un retrato completo a partir de detalles individuales. Hay un total de siete capítulos, cada uno de los cuales está dedicado a uno de los ámbitos científicos y artísticos más importantes de Leonardo. El conjunto proporciona una imagen de cómo era y actuaba un típico hombre del Renacimiento, y muestra la diversidad de campos en que Leonardo desarrolló su actividad.Los diferentes temas de cada capítulo se centran en un detalle particular, un fragmento para completar el cuadro, en la teoría en 30 segundos, que se condensa en el esquema en 3 segundos. En cada tema se incluye, a su vez, una obra maestra en 3 minutos para ejemplificar en un cuadro, escultura u objeto las ideas tratadas. Por último, en las minibiografías se presenta al lector el entorno más completo, ofreciendo detalles sobre personajes clave que influyeron o fueron influidos por Leonardo. Las obras ca

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During the Renaissance, artists and illustrators developed the representation of truthful three-dimensional forms into a highly skilled art. As reliable illustrations of three-dimensional subjects became more prevalent, they also influenced the way in which disciplines developed: architecture could be communicated much more clearly, mathematical concepts and astronomical observations could be quickly relayed, observations of the natural world moved towards a more realistic method of depiction. Through essays on some of the world’s greatest artists and thinkers (Leonardo da Vinci, Euclid, Andreas Vesalius, William Hunter, Johannes Kepler, Andrea Palladio, Galileo Galilei, among many others), this book tells the story of the development of the techniques used to communicate three-dimensional forms on the two-dimensional page and contemporary media. It features Leonardo da Vinci’s groundbreaking drawings in his notebooks and other manuscripts, extraordinary anatomical illustrations, early paper engineering including volvelles and tabs, beautiful architectural plans and even views of the moon. With in-depth analysis of over forty manuscripts and books, 'Thinking 3D' also reveals the impact that developing techniques had on artists and draughtsmen throughout time and across space.

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The 1960s witnessed a magnificent, if misguided, swansong for the ocean liner. As the decade progressed a steady succession of elaborate new ‘ships of state’ populated the world’s sea lanes, in futile defiance of the vapour trails above them. Into this atmosphere of one-upmanship the Italian Line introduced Leonardo da Vinci, Michelangelo and Raffaello, the largest, fastest and most prestigious passenger liners in the nation’s post-war merchant marine. Named after the Renaissance masters, this book tells their stories, from troubled inception to heart-rending finale. It explains their design origins and interior décor, relates the triumph and tragedy of their all-too-brief careers and provides an insight into what it was like to live, work and take passage on these vessels, each with their own special personality. Profusely illustrated throughout, this book pays tribute to the ships and the people who brought them to life.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features 'Vitruvian Man' by Leonardo da Vinci.

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Valery's essays on Leonardo, Poe, Mallarme, and with these the "Teste Cycle," were that part of his work most central to his thought. The extensive selection included from his Notebooks is evidence of his enduring interest in these figures. The essays are, in fact, the only work with marginal glosses, Valery's notations showing how he went back, amending and amplifying his original ideas. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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From Leonardo Da Vinci to Oliver Sacks: the first history of the western polymath, from the Renaissance to the present"An absorbing group portrait and intellectual history."—Kirkus Reviews"An admirable mixture of industry and erudition."—Robert Wilson, Wall Street Journal From Leonardo Da Vinci to John Dee and Comenius, from George Eliot to Oliver Sacks and Susan Sontag, polymaths have moved the frontiers of knowledge in countless ways. But history can be unkind to scholars with such encyclopedic interests. All too often these individuals are remembered for just one part of their valuable achievements. In this engaging, erudite account, renowned cultural historian Peter Burke argues for a more rounded view. Identifying 500 western polymaths, Burke explores their wide-ranging successes and shows how their rise matched a rapid growth of knowledge in the age of the invention of printing, the discovery of the New World and the Scientific Revolution. It is only more recently that the further acceleration of knowledge has led to increased specialization and to an environment that is less supportive of wide-ranging scholars and scientists. Spanning the Renaissance to the present day, Burke changes our understanding of this remarkable intellectual species.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example is based on Leonardo da Vinci's 'Detail of the Head of the Virgin'. Painter, draughtsman, architect, military engineer, musician, scientific researcher, designer: Leonardo da Vinci was all these and more, and through his drawings we find the most direct access to his genius. The Head of the Virgin uses delicate shading and subtle gradations in red and black chalks. The approach, known as the sfumato technique, creates this realistic and beautiful image.

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Futurizar el presente

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From his writing of ÊGodspellÊ's score at age 23 through the making of the megahit musical ÊWickedÊ and beyond ÊDefying Gravity: The Creative Career of Stephen Schwartz fromÊ Godspell ÊtoÊ Wicked takes readers into the world of the legendary Broadway and film composer-lyricist. In this authorized biography drawing from her interviews with Schwartz and his collaborators author Carol de Giere focuses on the behind-the-scenes stories for Schwartz's hits and disappointing flops. Readers will find colorful anecdotes and insights for his licensed musicals ÊChildren of EdenÊ ÊPippin Ê ÊWorkingÊ and others. ÊDefying GravityÊ also includes Hollywood stories beginning with a new foreword by composer Alan Menken.ÞThis updated and revised second edition delves into Stephen Schwartz's creative process for the new stage musicals ÊThe Hunchback of Notre DameÊ ÊThe Prince of EgyptÊ and other shows. It provides additional insights on Schwartz's early work with Leonard Bernstein and his more recent international work on ÊWickedÊ. It offers additional Creative Notes ä a popular feature of the first edition ä with comments from Schwartz about overcoming creative blocks collaboration and the artistic life.

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In 2017 the Salvator Mundi was sold at auction for $450m. But is it a real da Vinci? In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries. In 2017, Leonardo da Vinci’s small oil painting, the Salvator Mundi was sold at auction for $450m. In the words of its discoverer, the image of Christ as saviour of the world is ‘the rarest thing on the planet by the greatest human being who ever lived’. Its dazzling price also makes it the world’s most expensive painting. For two centuries art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the first half of the sixteenth century. But where was the original by the master himself? In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings and sheikhs. Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Holland, Moscow and Louisiana; to the galleries, salerooms and restorer’s workshop as the painting slowly, painstakingly, emerged from obscurity. The vicissitudes of the highly secretive art market are charted across five centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, where we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Leonardo Da Vinci: Detail of the Head of the Virgin. Painter, draughtsman, architect, military engineer, musician, scientific researcher, designer: Leonardo da Vinci was all these and more, and through his drawings we find the most direct access to his genius. The Head of the Virgin uses delicate shading and subtle gradations in red and black chalks. The approach, known as the sfumato technique, creates this realistic and beautiful image.

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"For lovers of art history, this lavishly illustrated and well-written book is an absolute gem." – Italia! MagazineLeonardo da Vinci was the epitome of the Renaissance humanist ideal, a logical polymath of epic proportions who excelled and had interests not just in art but in invention, anatomy, architecture, engineering, literature, mathematics, music, science, astronomy and more. His oeuvre is astounding and he is rightly famed for his masterpieces of painting such as the Mona Lisa and The Last Supper, and his astonishingly technical and graceful drawings. The phenomenon that was Leonardo would not of course have flourished to such an extent had it not been for the patronage and sponsorship of the Medici family, who commissioned a large proportion of the art and architecture of the era and fostered a fertile climate for creativity. This sumptuous new book offers a broader view of this master artist in the context of this environment, alongside the work of other key artists who benefited from the Medicis, from Brunelleschi through Donatello to Michelangelo and Raphael.

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The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The Monochrome of the Sala delle Asse is a portion of wall decoration left at the drawing stage and represents the roots of one of the sixteen mulberry trees that, regularly spaced on the walls of the room, intertwine above to create a polychrome arboreal pavilion on the vault. The decoration of the room, which was never completed, is historically tied to the name of Leonardo da Vinci by a letter written in April 1498 by Gualtiero da Bascapé, the secretary of Ludovico il Moro, to the duke of Milan, explaining that Lunedì si desarmarà la camera grande da le Asse c[i]oè da la tore. Magistro Leonardo promete finirla per tuto Septembre. The room was subjected to radically changing fortunes over the centuries, and was later the object of two complex restoration campaigns, the first carried out between 1893 and 1902 by Luca Beltrami and the second between 1955 and 1956 by Costantino Baroni. This volume provides an account of the result of these restorations. It describes the complex diagnostic research and the technical assessments that form the foundations of a broader project for the conservation of the painted area. Text in English and Italian.

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José Enrique Ruiz-Domènec (Granada, 1948) es catedrático de historia medieval en la Universidad Autónoma de Barcelona. Ha impartido cursos y ha dictado conferencias en numerosas universidades de Europa y de América. Miembro de número de la Real Academia de Buenas Letras de Barcelona, es además un recio escritor con títulos tan importantes en la moderna historiografía como Ricard Guillem o el somni de Barcelona, El despertar de las mujeres, Rostros de la Historia, Lecturas para un nuevo milenio, la monumental y exitosa biografía El Gran Capitán, El Mediterráneo: Historia y cultura e Isabel la Católica o el yugo del poder, todos ellos publicados en Grup 62.Este libro es a la vez una biografía histórica y un estudio del arte del Renacimiento. Sigue los pasos de Leonardo desde su nacimiento hasta su muerte. Tiene como protagonistas al propio pintor y a los personajes que le rodearon a lo largo de su vida, el maestro Verrocchio, la fam

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Historian Thomas J. Misa's sweeping history of the relationship between technology and society over the past 500 years reveals how technological innovations have shaped-and have been shaped by-the cultures in which they arose. Spanning the preindustrial past, the age of scientific, political, and industrial revolutions, as well as the more recent eras of imperialism, modernism, and global security, this compelling work evaluates what Misa calls "the question of technology." Misa brings his acclaimed text up to date by examining how today's unsustainable energy systems, insecure information networks, and vulnerable global shipping have helped foster geopolitical risks and instability. A masterful analysis of how technology and culture have influenced each other over five centuries, Leonardo to the Internet frames a history that illuminates modern-day problems and prospects faced by our technology-dependent world

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Now updated — A comprehensive, 500-year history of technology in society.Historian Thomas J. Misa's sweeping history of the relationship between technology and society over the past 500 years reveals how technological innovations have shaped—and have been shaped by—the cultures in which they arose. Spanning the preindustrial past, the age of scientific, political, and industrial revolutions, as well as the more recent eras of imperialism, modernism, and global security, this compelling work evaluates what Misa calls "the question of technology."In this edition, Misa brings his acclaimed text up to date by drawing on current scholarship while retaining sharply drawn portraits of individual people, artifacts, and systems. Each chapter has been honed to relate to contemporary concerns. Globalization, Misa argues, looks differently considering today's virulent nationalism, cultural chauvinism, and trade wars. A new chapter focuses on the digital age from 1990 to 2016. The book also examines how today's unsustainable energy systems, insecure information networks, and vulnerable global shipping have helped foster geopolitical risks and instability and takes a look at the coronavirus pandemic from the perspective of Wuhan, China's high-tech district. A masterful analysis of how technology and culture have influenced each other over five centuries, Leonardo to the Internet frames a history that illuminates modern-day problems and prospects faced by our technology-dependent world.

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Now updated — A comprehensive, 500-year history of technology in society.Historian Thomas J. Misa's sweeping history of the relationship between technology and society over the past 500 years reveals how technological innovations have shaped—and have been shaped by—the cultures in which they arose. Spanning the preindustrial past, the age of scientific, political, and industrial revolutions, as well as the more recent eras of imperialism, modernism, and global security, this compelling work evaluates what Misa calls "the question of technology."In this edition, Misa brings his acclaimed text up to date by drawing on current scholarship while retaining sharply drawn portraits of individual people, artifacts, and systems. Each chapter has been honed to relate to contemporary concerns. Globalization, Misa argues, looks differently considering today's virulent nationalism, cultural chauvinism, and trade wars. A new chapter focuses on the digital age from 1990 to 2016. The book also examines how today's unsustainable energy systems, insecure information networks, and vulnerable global shipping have helped foster geopolitical risks and instability and takes a look at the coronavirus pandemic from the perspective of Wuhan, China's high-tech district. A masterful analysis of how technology and culture have influenced each other over five centuries, Leonardo to the Internet frames a history that illuminates modern-day problems and prospects faced by our technology-dependent world.

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