Search results for ""Author Albert"

Why have democratic governments failed to take serious steps to reduce carbon emissions despite dire warnings and compelling evidence of the profound and growing threat posed by global warming? Most of the writing on global warming is by scientists, academics, environmentalists, and journalists. Kevin Taft, a former leader of the opposition in Alberta, brings a fresh perspective through the insight he gained as an elected politician who had an insider's eyewitness view of the role of the oil industry. His answer, in brief: The oil industry has captured key democratic institutions in both Alberta and Ottawa.Taft begins his book with a perceptive observer's account of a recent court casein Ottawa which laid bare the tactics and techniques of the industry, its insiders and lobbyists. He casts dramatic new light on exactly how corporate lobbyists, politicians, bureaucrats, universities, and other organizations are working together to pursue the oil industry's agenda.He offers a brisk tour of the recent work of scholars who have developed the concepts of the deep state and institutional capture to understand how one rich industry can override the public interest.Taft views global warming and weakened democracy as two symptoms of the same problem — the loss of democratic institutions to corporate influence and control. He sees citizen engagement and direct action by the public as the only response that can unravel big oil's deep state.

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El texto ejerce un control sobre la expresion poetica por el que se puede hablar de una jerarquia del texto. La seleccion de las obras,Eternidades de Juan Ramon Jimenez y O Guardador de Rebanhos de Alberto Caeiro, este ultimo uno de los heteronimos de Fernando Pessoa, responde a tres razones principales: Cronologia, semejanzas tematicas y la necesidad de comparar expresiones poeticas desarrolladas en paises diferentes. La afirmacion de que existe una jerarquia del texto se fundamenta en las conexiones que se establecen entre las obras estudiadas y el movimiento formalista ruso desarrollado a principios des siglo XX. Todos ellos reconocen como unica realidad poetica el lenguaje y defienden un planteamiento objetivo y formal en la expresion poetica por el que el texto adquiere una autonomia respecto del autor e impone su propia jerarquia a traves de las mismas leyes literarias que lo constituyen.

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The first in-depth study of a monumental wall hanging—rediscovered after many years—by renowned Bauhaus artist Anni Albers.Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real—seen for the first time outside of Mexico City at David Zwirner, New York, in 2019, and the subject of this book—is a superb example of this modern master’s work.In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers’s approach to working with textiles as a “many-sided practice,” it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers’s brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist’s pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show’s curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T’ai Smith, an expert on Bauhaus craft and weaving.

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In Frontier Cattle Ranching in the Land and Times of Charlie Russell, Warren Elofson debunks the myth of the American "wild west" and the Canadian "mild west" by demonstrating that cattlemen on both sides of the forty-ninth parallel shared a common experience. Focusing on Montana, Southern Alberta, Southern Saskatchewan, and the well-known figure of Charlie Russell - an artist and storyteller from that era who spent time on both sides of the border - Elofson examines the lives of cowboys and ranch owners, looking closely at the prevalence of drunkenness, prostitution, gunplay, rustling, and vigilante justice in both Canada and the United States.

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Anni Albers (1899 - 1994) was one of the most influential textile designers of the 20th century. Born in Berlin, in 1922 she became a student at the Bauhaus in Weimar, where she met her husband, Josef Albers. From 1933 to 1949 Albers taught at Black Mountain College. The fifteen essays gathered here illustrate Anni Albers's concept of design as the pursuit of wholeness -- "the coalition of form answering practical needs and form answering aesthetic needs." This beautifully illustrated book addresses the artistic and practical concerns of modern design and considers the ever-changing role of the designer.Albers's work is in private collections and in those of leading museums both here and abroad. Among them are the Busch-Reisinger Museum at Harvard University, the Baltimore Museum of Art, the Museum Neue Sammlung in Munich, the Bauhaus Archiv in Berlin, and the Museum of Modern Art, Metropolitan Museum of Art, and the Cooper-Hewitt Museum in New York. Her previous books include On Weaving (1965) and On Designing (1961), both published by Wesleyan

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A much-needed publication celebrating the endless creativity of Anni Albers, one of the most influential artists of the twentieth century. Anni Albers (1899–1994) was a textile designer, weaver, writer and printmaker, who was among the leading pioneers of twentieth-century modernism. Throughout her fruitful career she inspired a reconsideration of fabrics, both in their functional roles and as wall hangings, truly establishing thread and weaving as a valid medium for art. In her later years, Albers took up print-making, translating many of her persistent themes and ideas into two-dimensional form. But while Albers has been extremely influential for younger generations of artists and designers, her contribution to modernist art history has, until now, been rather overlooked. This publication presents Albers's most important works in a new light, to fully explore and redefine her contribution to twentieth-century art and design, and highlight her significance as an artist in her own right, rather than alongside her husband Josef. Illuminating Albers's technical skill, her material awareness and acute understanding of art and design, this much-needed publication is a celebration of one of the most influential artists of the twentieth century, and her endless creativity.

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Albertanus of Brescia is an important figure in the cultural history of late medieval and Renaissance Italy. He is best known among literary scholars for the influence of his writings on Brunetto Latini, John Gower, and Geoffrey Chaucer. In addition, his sermons have received attention as part of the history of lay confraternities and lay preaching in the twelfth and thirteenth centuries. James M. Powell shows that Albertanus's contributions considerably surpass even these notable attainments. Powell contends that Albertanus was an original social theorist who drew on his experience with religious confraternities and with the law to develop a theory of consent. Albertanus developed the idea that society rested on voluntary acceptance of a rule, much as did religious life. This acceptance laid the foundation for social cohesion and legal enforcement. Albertanus's ideas were to find great prominence in the later Middle Ages. Powell's purpose in writing Albertanus of Brescia goes beyond the study of his eponymous subject. Through Albertanus, Powell examines how major developments of the twelfth century began to find expression in the mind of an early thirteenth-century secular thinker. In Albertanus, Powell perceives an individual bringing received, bookish authority into confrontation with lived experience. To Powell, the example of Albertanus suggests a much more complex picture of medieval approaches to social theory than that previously evident in the literature. This is the first book-length study of Albertanus and his works. It will be of particular interest to students and scholars of medieval, Italian, intellectual, and literary history, and political theory.

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Josef Alber's Homage to the Square series paintings are bright and universal. His classic Bauhaus style artwork is reproduced here for our museum quality notecard collection. These are museum-quality notecards produced in partnership with fine art museums around the world to bring this classic collection of 4 images to your desk. Perfect chic gift or keep for your collection. Our new QuickNotes box notecards are: full colour artwork, blank inside perfect for greetings, thank-yous and invitations 20 notecards, 4 each of 5 images 20 envelopes Magnetic closure Sturdy, reusable box, ideal for keepsakes

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In honour of Alberta's Centenary year, The Albertans profiles 100 individuals from our province who have either made a significant contribution to life in Alberta or have reached acclaim far beyond the province's borders. We realize that a list of 100 people is far too short to recognize all the great persons of achievement who call Alberta home. We also know, however, that you will find our gallery of portraits both fascinating and highly informative. Here are a few of the people you'll meet in The Albertans: Ian Tyson, the cowboy and folk singing legend whose career spans over 40 years and who is still riding the cowboy trail Winnifred Stewart, the dedicated mother, nurse and educator who changed the lives of thousands of mentally challenged individuals throughout western Canada Normie Kwong, the 'China Clipper' of CFL football fame, who today is Lieutenant-Governor of Alberta k.d. lang, internationally acclaimed recording artist whose voice--and life--is in a class by itself Dr. James Shapiro, whose pioneering research at the University of Alberta is revolutionizing treatment for diabetes Jane Ash Poitras, a brilliant artist whose work is sought by galleries around the world and whose message seeks to heal the wounds of First Nations people Hockey's most famous family, the Sutters, who successfully sent six sons from their Viking area farm to conquer the National Hockey League Reverend Yutetsu Kawamura, the travelling priest of southern Alberta who looked after Buddhists and non-Buddhists alike during the tough years of the Depression and Second World War Ralph Klein, the beer-drinking maverick who went from Calgary television reporter to being the most popular Alberta premier of all time.

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If literature has often informed the creation of a national imaginary—a sense of common history and destiny—it has also complicated, even challenged, the unifying vision assumed in the formation of a national literature and sense of nation. National Literature in Multinational States questions the persistent association of literature and nation-states, contrasting this with the reality of multinational and ethnocultural diversity. The contributors to this collection interrogate concepts and manifestations of nationalism in the context of literary production while evaluating the place of national literatures in multinational states at a time when social unity and political agreement have never been more elusive. The volume strives for synoptic analysis via the complementary, multifaceted treatment of literary creation in several geo-cultural contexts: Canada, the Caribbean, Europe, India, and Nigeria. Contributors: Sabujkoli Bandopadhyay, Albert Braz, Matthew Cormier, Doris Hambuch, Clara A.B. Joseph, Paul D. Morris, Asma Sayed, Matthew Tétreault, Uchechukwu Peter Umezurike, Jerry White

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Using rare interviews with former inmates and workers, institutional documentation, and governmental archives, Claudia Malacrida illuminates the dark history of the treatment of "mentally defective" children and adults in twentieth-century Alberta. Focusing on the Michener Centre in Red Deer, one of the last such facilities operating in Canada, A Special Hell is a sobering account of the connection between institutionalization and eugenics. Malacrida explains how isolating the Michener Centre's residents from their communities served as a form of passive eugenics that complemented the active eugenics program of the Alberta Eugenics Board. Instead of receiving an education, inmates worked for little or no pay - sometimes in homes and businesses in Red Deer - under the guise of vocational rehabilitation. The success of this model resulted in huge institutional growth, chronic crowding, and terrible living conditions that included both routine and extraordinary abuse. Combining the powerful testimony of survivors with a detailed analysis of the institutional impulses at work at the Michener Centre, A Special Hell is essential reading for those interested in the disturbing past and troubling future of the institutional treatment of people with disabilities.

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One of the most beautiful handcrafted typefaces in the world, Albertus is also one of the most enduring. The face of thousands of book jackets, and the chosen look for David Bowie, Coldplay, Star Wars and London street signs, Albertus is as as warmly enticing on film posters as it is on memorial plaques.The story of the font is one displacement (its designer Berthold Wolpe was a German Jewish refugee who went on to design the masthead for The Times), but also one of permanence, for it has proved a fresh, vibrant and indestructible face for almost a century. In this unique celebration, the designer's children reveal the history of its creation and the erratic brilliance of their father, while the book grapples with one of the fundamental artistic questions: what makes great art not only survive but flourish in each new age and medium?

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An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. "Rarely seen together, the artwork of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) shares many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.

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