Search results for ""University of Wales Press""

Even as many in the modern world draw away from organised religion, the great hymns of our time persist: we turn to them at weddings and funerals, at rugby matches and in pubs. Bringing together twelve of Wales's best-loved hymns, from the eighteenth to the twentieth century, Poems from the Soul reveals the heart and soul of a people's poetry. These are the poems of ordinary folk blacksmiths, farmers and preachers and they played a vital role in the creation of the Welsh people. Ranging from the visionary intensity of Ann Griffiths to the striking biblical imagery of Wales's unofficial national anthem, Guide Me, O Thou Great Redeemer', in every hymn a single, singular voice sings out, loud and strong with fear, hope, ecstasy or anxiety. With original illustrations by Ruth Jên Evans throughout, this collection offers insights into the making of a modern nation and demonstrates the transformative power of voices raised in song.

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Kant denied biology the status of proper science, yet his account of the organism has received much attention from both philosophical and historical perspectives. This book argues that Kant’s influence on biology in the British Isles is in part due to misunderstandings of his philosophy. Highlighting these misunderstandings exposes how Kant influenced various aspects of scientific method, despite the underlying incompatibility between transcendental idealism and scientific naturalism. This book raises criticism against scientific naturalism as it demonstrates how some concepts that are central to biology have been historically justified in ways that are incompatible with naturalism. Approaching current issues in philosophy of biology from a Kantian orientation offers new perspectives to debates including our knowledge of laws of nature, the unity of science, and our understanding of organisms. Moreover, new avenues are forged to demonstrate the benefits of adopting Kant-inspired approaches to issues in contemporary philosophy of science.

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Aneurin Bevan is a revered figure in Welsh and British politics, celebrated for his role as the founder of one of the country’s most cherished institutions, the National Health Service. As a result, he is continuously invoked, quoted widely, and is praised for his principles. However, Bevan was not only a significant politician. He was also a prolific writer, contributing extensively to the socialist magazine Tribune from its founding in 1937 until his death in 1960. This is My Truth represents the first edited collection of these writings. Beginning with an introduction that charts his writing career and emphasises his legacy, the collection showcases Bevan’s analysis of class conflict, capitalism, democracy, the world and democratic socialism. This is My Truth provides readers with the opportunity to read Bevan in his own words and to reflect on a figure who remains a source of inspiration and controversy today.

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Penny Dreadfuls and the Gothic breaks new ground in uncovering penny titles which have been hitherto largely neglected from literary discourse revealing the cultural, social and literary significance of these working-class texts. The present volume is a reappraisal of penny dreadfuls, demonstrating their cruciality in both our understanding of working-class Victorian Literature and the Gothic mode. This edited collection of essays provides new insights into the fields of Victorian literature, popular culture and Gothic fiction more broadly; it is divided into three sections, whose titles replicate the dual titles offered by penny publications during the nineteenth century. Sections one and two consist of three chapters, while section three consists of four essays, all of which intertwine to create an in-depth and intertextual exposition of Victorian society, literature, and gothic representations.

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Countess Appollonia Zulmer – beautiful, rich, and popular – can have any man she wants, at least until she meets Count Wiemar. Interested only in submissive, uneducated and unworldly women, Wiemar rejects Appollonia in favour of Julia, a simple woman whose primary joy in life is to obey her husband’s will. Despondent and then furious, Appollonia vows revenge, becoming Julia’s intimate confidante, opening her eyes to the limitations of patriarchy, and convincing her that her growing feelings for Count Darlowitz, Wiemar’s best friend, are no crime. An epistolary novel about the destructive power of emotion, The Passions offers new insights into early feminism, romantic understandings of emotion and the sublime, and early nineteenth-century religious debates. It is an engrossing, powerful work of nineteenth-century literature, featuring one of the most memorable female villains of all time. Available to modern audiences for the first time, The Passions will engross literary scholars and casual readers alike.

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This pioneering study introduces readers to key themes from animal studies, as a frame within which it examines the representation of animals and animality in the work of a range of authors. In this new approach to animal studies, the concept of a relational universe that has emerged in recent natural and physical science is argued as being central. With fresh readings of Welsh literary and non-literary publications, including the Welsh press and Welsh-language manuals, the book explores relationships among animals and between humans and animals, to approach subjects such as intelligence, sensibility and knowledge from an animal perspective. The possibility of redrawing and reclaiming a history of rural and industrial Wales is suggested according to an animal history and agenda. This innovative contribution to Welsh and animal studies illuminates fascinating and controversial subjects, including animal domestication, captivity, communication, biopsychology, human exceptionalism, zoos and farming.

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The Welsh criminal justice system is unique. While the country has its own devolved government and parliament, there is no Welsh equivalent of the Scottish or Northern Irish justice systems. Rather, the writ of England and Wales criminal justice institutions continues to run. Yet the extensive responsibilities of Wales’s devolved institutions ensure that they necessarily play a significant role in criminal justice. As a result, the Welsh criminal justice system operates across a ‘jagged edge’ of devolved and reserved powers and responsibilities. This book provides the first academic account of this system. It demonstrates not only that Wales has some of the worst criminal justice outcomes in western Europe, but that even if the will existed to try to address these problems, the current constitutional underpinnings of the Welsh criminal justice system would make it nigh-on impossible. Based on official data and in-depth interviews, this is an urgent and challenging book, required reading for anyone interested in Welsh politics and society.

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Mae astudiaethau niferus wedi archwilio delweddaeth beirdd drwy ac mewn iaith, hynny yw, y modd y defnyddiant iaith i greu delweddau, ond nid felly’r ddelweddaeth am iaith ei hunan. Nod y llyfr hwn yw craffu ar sut y mae casgliad o feirdd o bob cwr o’r byd wedi dychmygu a delweddu iaith, a hynny er mwyn ceisio goleuni newydd ar y cwestiwn hynafol: ‘Beth yw iaith?’ Gan mai yng nghyd-destun dathlu canmlwyddiant Gwasg Prifysgol Cymru yr ysgogwyd y llyfr, dewiswyd y testun gan ei fod yn gydnaws â dau o brif themâu cyhoeddiadau’r Wasg. Ar y naill law, mae'n dyfnhau ein dealltwriaeth o ddiwylliant ac iaith unigryw Cymru, ac ar y llall ehangu ein gwerthfawrogiad o ddiwylliant Ewrop a’r byd. Mewn cyfuniad unigryw sy’n cwmpasu esiamplau o gerddi mewn ieithoedd dan fygythiad a rhai prif ffrwd, dyma lyfr sy’n ein hannog i ystyried o’r newydd gyfrwng yr ydym yn ei ddefnyddio’n feunyddiol.

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This book celebrates the life and work of twelve mathematicians who were either born in Wales or who worked in Wales. When the Welsh national anthem was composed in 1856, Wales was at the centre of the industrial revolution, the country was transformed by engineering and technology, and scientific societies flourished across the length and breadth of the land. By 1859, Charles Darwin had published his On the Origin of Species, and one of its outcomes in Wales was a growing tension between religion and science, which influenced peoples’ perceptions of their Welshness. By the end of the nineteenth century, that perception had narrowed to include its poetry, music, religion and little else. Following the popularity of his book Count Us In, the author adopts a similar style inviting us to take pride in our mathematicians and demonstrating how the tide has turned.

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Since 2007, Afro-Puerto Rican women have been revising the foundational myths of the island and the diaspora to create a new vision of family as a national allegory that includes powerful Black protagonists. Novelists Mayra Santos-Febres and Dahlma Llanos-Figueroa tell the diaspora’s history, beginning with trans-Atlantic slavery. Santos-Febres’s allegories use sadomasochism and healing in the novels Fe en disfraz and La amante de Gardel. Short story writers Arroyo Pizarro’s las Negras and Yvonne Denis-Rosario’s Capá prieto chronicle the struggle to create and preserve an empowering history of slavery and Black people on the island and in the diaspora. Llanos-Figueroa’s Daughters of the Stone envisages a sugar plantation in which Afrodescendants are free and respected. They remake the ‘great Puerto Rican family’ to give greater agency to Afro-Puerto Ricans and include the diaspora in a ‘fractal family’. While liberating, these novels also depict the traumas wrought by both the maintenance and the dissolution of patriarchal, heteronormative, colonial and racist structures.

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In the decades since the Second World War, the teenage witch has emerged as a major American cultural trope. Appearing in films, novels, comics and on television, adolescent witches have long reflected shifting societal attitudes towards the teenage demographic. At the same time, teen witches have also served as a means through which adolescent femininity can be conceptualised, interrogated and reimagined. Drawing on a wide theoretical framework - including the works of Deleuze and Foucault as well as recent new materialist philosophies - this book explores how the adolescent witch has evolved over the course of more than seventy years. Moving from the birth of the bobby soxer in the 1940s through to twenty-first-century teenage engagements with fourth-wave feminism, this book treats a range of themes including embodiment, agency, identity, violence and sexuality.

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Blumhouse Productions is the first book that systematically examines the corpus of Blumhouse’s cinematic output. Individual chapters written by emerging and established scholars consider thematic trends across Blumhouse films, such as the use of found footage, haunted bodies/haunted houses, and toxic masculinity. Blumhouse’s business strategies and funding model are considered – including the company’s high-profile franchises Paranormal Activity, Insidious, The Purge, Happy Death Day, and Halloween – alongside such key standalone films as Get Out and Black Christmas, and nonhorror films like BlackKklansman. Taken together, the chapters provide a thorough primer for one of the most significant drivers behind the contemporary resurgence of horror cinema.

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This book tells the compelling and revealing story of the women's movement in modern Wales. Its panoramic sweep takes the reader on a journey from the nineteenth-century campaigns in support of democracy and the right to vote, and in opposition to slavery, through to the construction of the labour movement in the twentieth century, and on to the more recent demands for sexual liberation and LGBTQ+ rights. At its core is the argument that the Welsh women's movement was committed to social democracy, rather than to liberal or conservative alternatives, and that material conditions were the central motivation of those women involved. Drawing on an array of sources, some of which appear in print for the first time, this is a vivid portrait of women who, out of a struggle for equality, individually and collectively, became political activists, grassroots journalists, members of councils and parliaments, and inspirational community leaders.

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Mae’r gyfrol hon yn tywys cyfieithwyr newydd a’r rhai sydd â’u bryd ar weithio yn y maes trwy brif egwyddorion llunio cyfieithiad da. Mae’n trafod gwaith cyfieithwyr o safbwynt diogelu lle’r iaith yn y gymdeithas, yn egluro beth sydd ei angen ar ddarpar gyfieithwyr o ran sgiliau a gwybodaeth, ac yn dangos y gwych a’r gwachul er mwyn cynorthwyo cyfieithwyr i lunio gwaith da heb y llediaith a’r cyfieithu lletchwith. Mae’n taflu goleuni ar yr amryfal dechnegau y mae cyfieithwyr cymwys yn eu defnyddio, o’r broses ddarllen hyd at y broses adolygu, ac mae’n gwneud hynny trwy enghreifftiau o gyfieithiadau go iawn a gyhoeddwyd. Mae’n trafod cyfieithu peirianyddol, dyfodol y proffesiwn a sut i wneud y defnydd gorau o’r dechnoleg ddiweddaraf. Mae ymchwil academaidd hefyd yn elfen gref o’r gwaith, ac mae’r cyngor a’r canllawiau yn seiliedig ar yr ysgolheictod trylwyraf ynghyd â phrofiad yr awdur o’r byd cyfieithu proffesiynol.

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Ancient Classical authors have painted the Druids in a bad light, defining them as a barbaric priesthood, who 2,000 years ago perpetrated savage and blood rites in ancient Britain and Gaul in the name of their gods. Archaeology tells a different and more complicated story of this enigmatic priesthood, a theocracy with immense political and sacred power. This book explores the tangible 'footprint' the Druids have left behind: in sacred spaces, art, ritual equipment, images of the gods, strange burial rites and human sacrifice. Their material culture indicates how close was the relationship between Druids and the spirit-world, which evidence suggests they accessed through drug-induced trance.

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The end of the second millennium witnessed an increase in science-fictional apocalyptic narratives globally. There is a noteworthy difference between such fictions from Latin America and the anglophone world and those from Spain, in which scientific explanations of events coexist with biblically-inspired plots, characters and imagery. This is the first book-length study of either science-fictional novels or apocalyptic literature in that country, analysing six such works between 1990 and 2005. Within a theoretical framework that includes critical and genre theories, archetypal criticism, and biblical scholarship, the book explains this phenomenon as a result of three historical factors: the ‘Two Spains’, Spanish ‘difference’, and the ‘Pact of Silence’, a tacit agreement that made justice and accountability impossible in the name of a peaceful transition to democracy. It repressed any processing of the historical trauma experienced during the Civil War and dictatorship, trauma that manifests itself symbolically in these fictions.

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In what ways do the politics of memory perpetuate gendered images of those directly affected by political violence in Chile? Can the literary rewriting of painful experiences contest existing interpretations of national trauma and the portrayal of women in such discourses? How do women participate in the production of collective narratives of the past in the aftermath of violence? This book discusses the literary representation of women and their memory practices in the recent work of seven contemporary Chilean authors: Diamela Eltit, Carlos Franz, Pia Gonzalez, Fatima Sime, Arturo Fontaine, Pia Barros and Nona Fernandez. It locates their works in the context of a patriarchal politics of memory and commemorative culture in Chile and as part of a wider body of contested interpretations of General Augusto Pinochet's military dictatorship (1973-90). Through the analysis of novels that depict the dictatorial past through the memories of women, it is argued that these texts understand and explore remembrance as a process by which the patriarchal co-option of women's memories can be exposed and even contested in the aftermath of violence.

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Kant’s moral and political philosophy has been important in developing ethical thinking in international relations. This study argues that his theory of the state is crucially important for understanding the moral agency of the state as it is discussed in contemporary debates. For Kant, it is argued that the state has not only duties but also, controversially, inalienable rights that ground its relationship to its citizens and to other states. Most importantly, the state – regardless of its governmental form or factual behaviour – has a right to exist as a state. The Kantian account provided, therefore, explores not only the moral agency but also the moral standing of the state, examining the status of different kinds of states in world politics and expectations towards their ethical behaviour. Every state has a moral standing that must be respected in a morally imperfect world gradually transforming towards the ideal condition of perpetual peace.

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A study of the thirty-five Carnegie libraries built in towns and industrial communities in Wales before the First World War. The library system is in a transformative phase that attracts much attention; these Carnegie buildings have never been fully recorded, and some are in critical condition. This book illustrates their social, cultural and architectural significance, and how they reflect Carnegie’s extraordinary philanthropic vision. It reviews the free and public library system in Wales and Great Britain from the first Public Libraries Act of 1850, followed by an account of Carnegie’s career as ‘the richest man in the world’ and the importance he attached to promoting libraries for all, regardless of age and gender. The haphazard development of public libraries in the nineteenth century is the context in which Carnegie’s links with Wales are noted, along with the circles in which he moved in Britain. The largest section discusses the libraries’ locations, sites and patrons, and the buildings themselves. It concludes with Carnegie’s legacy in Wales, not least the role of his UK Trust in the county library movement after 1911.

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This collection is the first to focus exclusively on twenty-first-century young adult Gothic fiction. The essays demonstrate how the contemporary resurgence of the Gothic signals anxieties about (and hopes for) young people in the twenty-first century. Changing conceptions of young adults as liminal figures, operating between the modes of child and adult, can be mobilised when combined with Gothic spaces and concepts in texts for young people. In young adult Gothic literature, the crossing of boundaries typical of the Gothic is often motivated by a heterosexual romance plot, in which the human or monstrous female protagonist desires a boy who is not her ‘type’. Additionally, as the Gothic works to define what it means to be human – particularly in relation to gender, race, and identity – the volume also examines how contemporary shifts and flashpoints in identity politics are being negotiated under the metaphoric cloak of monstrosity.

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In the words of Cornel West, Raymond Williams was 'the last of the great European male revolutionary socialist intellectuals'. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? was the first collection of Raymond Williams's writings on Welsh culture, literature, history and politics. Published in 2003, it appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This edition, appearing in the centenary of Williams's birth, appears at a very different moment in which - after the Brexit referendum of 2016 - Raymond Williams's 'Welsh-European' vision seems to have been soundly rejected and is now a reminder of what might have been. This new edition includes material that was not included in the first edition, with a new afterword in which the editor argues that Williams continues to speak to our moment. Daniel G. Williams's new edition further underlines the ways in which Raymond Williams's engagement with Welsh issues makes a significant contribution to contemporary international debates on nationalism, class and ethnicity. Who Speaks for Wales? remains essential reading for everyone interested in questions of nationhood and identity in Britain and beyond.

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From The Long Walk to The Outsider, Stephen King's output reflects the major political concerns of the previous fifty years. This book, Stephen King and American Politics, is the first sustained study of the complex ways in which King's texts speak to their unique political moments. By exploring this aspect of the author's popular works, readers might better understand the numerous crises that Americans currently face in a book that surveys King's corpus to address a wide range of issues - including the spread of neoliberalism, the Bush-Cheney doctrine, and the chaos of the populist present. Although his fiction outwardly declares itself to be anti-political - thus reflecting a widespread shift away from democracy in the aftermath of the 1960s - political energies persist just beneath the surface. Given the possibility of a political resurgence that haunts so many of his page-turners, Stephen King produces horror and hope in equal measure.

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The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolving fears. New Blood builds upon preceding horror scholarship to offer a series of critical perspectives on the genre since the year 2000, presenting a collection of case studies on topics as diverse as the emergence of new critical categories (such as the contentiously named ‘prestige horror’), new subgenres (including ‘digital folk horror’ and ‘desktop horror’) and horror on-demand (‘Netflix horror’), and including analyses of key films such as The Witch and Raw and TV shows like Stranger Things and Channel Zero. Never losing sight of the horror genre’s ongoing political economy, New Blood is an exciting contribution to film and horror scholarship that will prove to be an essential addition to the shelves of researchers, students and fans alike.

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The Brexit debates confirmed how Wales’s relationship to Europe has for too long been discussed exclusively, narrowly and suffocatingly in terms of its social, political and economic aspects. As a contrast, this volume sets out to explore the rich, inventive and exhilarating spectrum of pro-European sentiment evident from 1848 to 1980 in the writings of Welsh intellectuals and creative writers. It ranges from the era of O. M. Edwards, through the interwar period when both right wing (Saunders Lewis) and left wing (Cyril Cule) ideologies clashed, to the post-war age when major writers such as Emyr Humphreys and Raymond Williams became influential. This study clearly demonstrates that far from being insular and parochial, Welsh culture has long been hospitably internationalist. As the very title Eutopia concedes, there have of course been frequently utopian aspects to Wales’s dreams of Europe. However, while some may choose to dismiss them as examples of mere wishful thinking, others may fruitfully appreciate their aspirational and inspirational aspects.

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Luis de Morales, known as El Divino because of his intensely religious subject matter, is the most significant and recognisable Spanish painter of the mid-sixteenth century, the high point of the Spanish and Portuguese counter-reformations. He spent almost his entire working life in the Spanish city of Badajoz, not far from the border with Portugal and did not travel outside of a small area around that city, covering both sides of the border. The social, political and cultural environment of Badajoz and its environs is crucial for a thorough understanding of his output. This book provides that context in detail, looking at literature and liturgical theatre, the situation of converted Jews and Muslims, the presence of Erasmianism, Lutheranism and Illuminism (Alumbradismo), devotional writing for lay people and proximity to the Braganca ducal palace in Portugal as a means of explaining this most enigmatic of painters.

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The evangelical or Methodist revival had a major impact on Welsh religion, society and culture, leading to the unprecedented growth of Nonconformity by the nineteenth century, which established a very clear difference between Wales and England in religious terms. Since the Welsh Calvinistic Methodist movement did not split from the Church to form a separate denomination until 1811, it existed in its early years solely as a collection of local society meetings. By focusing on the early societies in south-west Wales, this study examines the grass roots of the eighteenth-century Methodist movement, identifying the features that led to its subsequent remarkable success. At the heart of the book lie the experiences of the men and women who were members of the societies, along with their social and economic background and the factors that attracted them to the Methodist cause.

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Ron Berry [1920-97] is one of the most remarkably astute yet relatively neglected twentieth-century Rhondda writers. An avid walker, birdwatcher, `potcher', sportsman and miner, Berry is the product of a distinctive Rhondda landscape; the formidable peaks of Pen Pych and Cefn Nant y Gwair were to be a continuing source of inspiration for him in his writing. His idiosyncratic viewpoints, of which there are many, are reflected in both his memoir and fiction. As the first sustained critical study of his work, this collection seeks a literal, physical and chronological `zooming-outwards', from the man himself to the personal and literary geographies and communities in which he was posited, to his creative legacy.

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This book argues that Kant’s theory of international relations should be interpreted as an attempt to apply the principles of reason to history in general, and in particular to political conditions of the late eighteenth century. It demonstrates how Kant attempts to mediate between a priori theory and practice, and how this works in the field of international law and international relations. Kant appreciates how the precepts of theory have to be tested against the facts, before the theory is enriched to deal with the complexities of their application. In the central chapters of this book, the starting points are apparent contradictions in Kant’s writings; assuming that Kant is a systematic and profound thinker, Cavallar seeks to use these contradictions to discover Kant’s ‘deep structure’, a dynamic and evolutionary theory that tries to anticipate a world where the idea of international justice might be more fully realized.

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How should we act? How should the world be organised? This new anthology on Kant's practical philosophy guides the reader from the general question of the nature of reasons and rationality in Kant's philosophical system to the Kantian task of promoting justice and peace at the global level. Contributions in this volume show how the Kantian idea of reason as a source of normativity is grounded, and which implications and applications the Kantian approach might bring about. The volume covers three areas: meta-ethics, political thought and theory, and applied politics. Although these are different spheres of thought, they are interconnected in an fundamental way through Kant's account of normativity as derived from reason. The volume provides an overview of recent debates in Kant scholarship and ground-breaking new applications of Kant's theory to current affairs.

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Exploring Latin texts, as well as Old French, Castilian and Occitan songs and lyrics, Remembering the Crusades in Medieval Texts and Songs takes inspiration from the new ways scholars are looking to trace the dissemination and influence of the memories and narratives surrounding the crusading past in medieval Europe. It contributes to these new directions in crusade studies by offering a more nuanced understanding of the diverse ways in which medieval authors presented events, people and places central to the crusading movement. This volume investigates how the transmission of stories related to suffering, heroism, the miraculous and ideals of masculinity helped to shape ideas of crusading presented in narratives produced in both the Latin East and the West, as well as the importance of Jerusalem in the lyric cultures of southern France, and how the narrative arc of the First Crusade developed from the earliest written and oral responses to the venture.

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Mae’r gyfrol hon yn rhoi cipolwg ar gyfoeth hanes syniadau yng Nghymru dros hanner canrif cynhyrfus rhwng diwedd y Rhyfel Byd Cyntaf a marwolaeth yr athronydd disglair J. R. Jones ym 1970. Bu Jones yn rhan ganolog o’r ymgais a wnaed yn y cyfnod i gyflwyno syniadau newydd, heriol a chwyldroadol o feysydd fel seicdreiddiad a dirfodaeth i’r diwylliant Cymraeg. Adeiladodd meddylwyr ac ysgolheigion tebyg iddo ddarlun o’r anymwybod Cymreig mewn gwaith sydd o gymorth parhaol i ddeall ein profiadau hanesyddol a gwleidyddol fel cenedl. Trwy ddadansoddi sut yr ymatebodd awduron Cymraeg i syniadau Freud, Jung, Sartre, de Beauvoir ac eraill, lleolir hanes deallusol y Gymru Gymraeg mewn cyd-destun rhyngwladol eang. Ceisir ymhellach ddangos perthnasedd a phwysigrwydd y dehongliad Cymraeg o rhai o’r syniadau hyn i ddadleuon cyfoes ynglˆyn ag iechyd meddwl, gwleidyddiaeth ac hunaniaeth yng Nghymru. Ymatebodd cenhedlaeth o awduron i’r argyfwng dirfodol a wynebai’r diwylliant Cymraeg yn y cyfnod dan sylw trwy ddangos ymrwymiad a phenderfyniad i gymhwyso ac addasu’r datblygiadau deallusol mwyaf modern er mwyn ceisio goresgyn yr argyfwng mewn modd sy’n parhau’n ysbrydoliaeth heddiw, yng nghysgod Brexit a thwf awdurdodaeth.

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The medieval north of England has been underexplored to date, and this volume may be seen as an invitation for further exploration. It brings together scholars with shared interests in language, literature, culture, history and manuscript studies, viewed from different disciplinary perspectives such as English philology, historical linguistics and medieval literature. While many scholars have thus far been debating the dividing lines between north and south as well as between north, Midlands and south, the contributors to this volume are interested in texts produced in the north, the providence of which has been determined by way of affiliation to religious and civic writing centres including the important monastic houses in the north (such as Durham, York and the Yorkshire Cistercian houses). Most of the contributions grow out of recent and ongoing research projects that touch upon different aspects of the north of England in the medieval period. Concentrating on the north as a centre of manuscript production, dissemination and reception, this volume aims also at illustrating the fluidity of boundaries and communication, and the resulting links to different geographical regions.

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Dissonant Neighbours compares early Welsh and English poetry up to c.1250, investigating why these two neighbouring literatures describe similar events in markedly different ways. Medieval Welsh and English texts were subject to many of the same Latin and French influences, and we see this in the stories told in the poetic traditions; comparing and contrasting the different approaches of Welsh and English poetry offers insight to the core narrative trends of both. How, where and why did early Welsh and English poets deploy narrative? These are key questions that this book seeks to answer, providing a groundbreaking new study which treats the Welsh and English poetry in an equal and balanced manner. It contributes to ongoing debates concerning multilingualism and the relationship between Welsh and English literature, dividing into four comparative chapters that contrast a wide range of early Welsh and English material, yielding incisive new readings in poetic tradition.

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This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.

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This book reconstructs the poetics of Carmen Martín Gaite by viewing the concept of journey as a fundamental principle upon which she bases and elaborates her narrative writing of the 1990s. Five novels published in this period receive critical attention, all of which coincide with the last trips taken by the writer to New York: Caperucita en Manhattan (1990), Nubosidad variable (1992), La reina de las nieves (1994), Lo raro es vivir (1996) and Irse de casa (1998). To the extent that the journey is the essence of the narrative under consideration, the concept is analysed as an aesthetic practice and an attempt to identify a series of actions, which allow us to link the writer’s novels with two areas that have previously received only scant critical scrutiny: geography and the visual dimension. This book presents a comparative and interdisciplinary analysis of space in Martín Gaite’s narrative as well as in her collages, drawings and paintings.

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This book is based on more than a hundred letters sent home by three Swansea brothers during the First World War, almost all of which relate to the period 1916–18 when Richard, Gabriel and Ivor Eustis were serving in different theatres. The run of letters written to different members of the family allow us to build a picture of what the brothers thought about a range of different issues as the war was being waged, and of how their beliefs and ideas evolved as situations changed. In common with other soldiers’ letters to their families, information on the battles fought is scarce – they are rather concerned with keeping the family bonds strong during the men’s absence. The dynamics of the family are revealed in letters full of sibling rivalry and affection.

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This is a ground-breaking exploration that runs generally against the critical grain in identifying a burgeoning production of films of fear and horror before the admission of the horror film genre per se. It is a study that reveals and emphasises the formative and innovative power of film, from Georges Méliès’s Le Manoir du Diable (1896) to Edgar G. Ulmer’s superbly reflexive The Black Cat (1934). With its focus on twenty-one key films, and referencing other relevant productions, the present study involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Stepping beyond the bounds of Anglo-American studios, in its seven chapters the book involves the work of directors from France, Spain, England, Moravia, Germany, Italy, Denmark, Mexico and the USA, to consider and compare films that have not previously received serious attention.

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Literary Illumination examines the relationship between literature and artificial illumination, demonstrating that developments of lighting technology during the nineteenth century definitively altered the treatment of light as symbol, metaphor and textual motif. Correspondingly, the book also engages with the changing nature of darkness, and how the influence of artificial light altered both public perceptions of, and behaviour within, darkness, as well as examining literary chiaroscuros. Within each of four main chapters dedicated to the analysis of a single dominant light source in the long nineteenth-century – firelight, candlelight, gaslight, and electric light – the author considers the phenomenological properties of the light sources, and where their presence would be felt most strongly in the nineteenth century, before collating a corpus of texts for each light source and environment.

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The Newport Medieval Ship is the most important late-medieval merchant vessel yet recovered. Built c.1450 in northern Spain, it foundered at Newport twenty years later while undergoing repairs. Since its discovery in 2002, further investigations have transformed historians’ understanding of fifteenth-century ship technology. With plans in place to make the ship the centrepiece for a permanent exhibition in Newport, this volume interprets the vessel, to enable visitors, students and researchers to understand the ship and the world from which it came. The volume contains eleven chapters, written by leading maritime archaeologists and historians. Together, they consider its significance and locate the vessel within its commercial, political and social environment.

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The comparative analysis of Welsh and English found in this book is based on a translation corpus consisting of just over thirty novels and autobiographies from the late nineteenth century up to the early twenty-first century. Many of the original Welsh texts contain stylistic features which, in a context of intense bilingualism with English, benefit from the deliberate discussion and analysis in this volume. However, the work is intentionally descriptive rather than prescriptive, laying out patterns that are observed in the corpus, and making them available to Welsh writers and translators to adopt if or as required. As similarly the classic work in the field by Vinay and Darbelnet, this book examines its topics through the lens of translation techniques such as transposition, modulation and adaptation.

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In the aftermath of major violent events that affect many, we seek to know the ‘truth’ of what happened. Whatever ‘truth’ emerges relies heavily on the extent to which any text about a given event can stir our emotions – whether such texts are official sources or the ‘voice of the people’, we are more inclined to believe them if their words make us feel angry, sad or ashamed. If they fail to stir emotion, however, we will often discount them even when the reported information is the same. Victoria Carpenter analyses texts by the Mexican government, media and populace published after the Tlatelolco massacre of 2 October 1968, demonstrating how there is no strict division between their accounts of what happened and that, in fact, different sides in the conflict used similar and sometimes the same images and language to rouse emotions in the reader.

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Jurgen Habermas is arguably the world's most influential living philosopher - by introducing ideas such as the public sphere, constitutional patriotism, and the discourse theory of law and democracy, he has transformed modern political philosophy. But since 2001, Habermas's thought has taken an unexpected turn. This book is the first full-length treatment of Habermas's postsecular political philosophy, and critically analyses his new direction of thought. The author places the postsecular turn in the context of Habermas's long-standing commitment to developing a postmetaphysical account of morality, politics and human communication. The tension between secular liberal democracy and religious freedom is real, but there may be losses as well as gains to Habermas's quest to translate the sacred.

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The term ‘Gothic’ has rarely been brought to bear on contemporary South African fictions, appearing too fanciful for the often overtly political writing of apartheid and post-apartheid South Africa. As the first book-length exploration of Gothic impulses in South African literature, this volume accounts for the Gothic currents that run through South African imaginaries from the late-nineteenth century onwards. South African Gothic identifies an intensification in Gothic production that begins with the nascent decline of the apartheid state, and relates this to real anxieties that arise with the unfolding of social and political change. In the context of a South Africa unmaking and reshaping itself, Gothic emerges as a language for long-suppressed histories of violence, and for ongoing experiences at odds with utopian images of the new democracy. Its function is interrogative and ultimately creative: South African Gothic challenges narrow conceptions of the status quo to drive at alternative, less exclusionary visions.

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At the turn of the twenty-first century, Argentina was in the midst of its worst economic crisis in decades, the result of years of drastic neoliberal reforms. This book looks at the way ideas about race and nationhood were conveyed during this period of financial meltdown and national emergency, examining in particular how the neoliberal crisis led to the critical self-questioning of the dominant imaginary of Argentina as homogenously white - allegedly the result of European immigration and the extinction of most indigenous and black people in the nation building age. The Darkening Nation focuses on how the self-examination of racial and national identity triggered by this crisis was expressed in culture, through the analysis of literary texts, films, artworks and music styles. By considering a wide range of artistic and cultural products, and different forms of racial identity and difference (white, indigenous, Afro-descendant, immigrant and negro as it is understood in local contexts), this study constitutes a timely addition from a literary and cultural studies perspective to recent academic enquiry into race and nation in Argentina.

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Rhodri: A Political Life in Wales and Westminster is the political autobiography of Rhodri Morgan. This posthumously published account of the political life of the father of Welsh devolution is delivered with the fluency and wit that was so characteristic of the man himself. The first First Minister of Wales and Welsh Labour leader revisits the early influences that shaped him politically and which led him to Westminster, and his relationship with the New Labour project and the party establishment’s campaign to prevent him becoming Labour leader in Wales – before ‘the people’s choice’ eventually prevailed. As First Minister of Wales from 2000, he led three terms of Labour Government in Cardiff Bay (with the political, as well as health, challenges of two coalition arrangements), and navigated his own path into clear red water to present a distinct alternative policy agenda to the New Labour Government in London. Written with his typical lack of ostentation, this book allows us to read the final reflections by Rhodri Morgan on political life in Wales, in Westminster and beyond, with unique insight into the first ten years in the history of the National Assembly of Wales.

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While electorally weak, the Communist Party of Great Britain and its Welsh Committee was a constant feature of twentieth century Welsh politics, in particular through its influence in the trade union movement. Based on original archival research, the present volume offers the first in-depth study of the Communist Party’s attitude to devolution in Wales, to Welsh nationhood and Welsh identity, as well as examining the party’s relationship with the Labour Party, Plaid Cymru and the labour and nationalist movements in relation to these issues. Placing the party’s engagement of these issues within the context of the rapid changes in twentieth century Welsh society, debates on devolution and identity on the British left, the role of nationalism within the communist movement, and the interplay of international and domestic factors, the volume provides new insight into the development of ideas by the political left on devolution and identity in Wales during the twentieth century. It also offers a broad outline of the party’s policy in relation to Wales during the twentieth century, and an assessment of the role played by leading figures in the Welsh party in developing its policy on Wales and devolution.

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This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.

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