Search results for ""Louisiana""

America's most acclaimed crime writer returns to Louisiana with one of the best-loved detectives in fiction, Dave Robicheaux.In the summer of 1958, Dave Robicheaux and his half-brother Jimmie are just out of high school. Jimmie and Dave get work with an oil company, laying out rubber cables in the bays and mosquito-infested swamps all along the Louisiana-Texas coastline. But on the Fourth of July, change approaches in the form of Ida Durbin, a sweet-faced young woman with a lovely voice and a mandolin. Jimmie falls instantly in love with her. But Ida's not free to love - she's a prostitute, in hock to a brutal man called Kale. Jimmie agrees to meet Ida at the bus depot, ready for the road to Mexico. But Ida never shows.That was many years ago. Now, an older, well-worn Dave walks into Baptist Hospital to visit a man called Troy Bordelon, who wants to free himself of a dark secret before he dies. A bully and a sadist, he has a lot to confess to - but he chooses to talk about a young girl, a prostitute who he glimpsed briefly as a kid, bloodied and beaten, tied to a chair in his uncle's house.Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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From editors David Joy and Eric Rickstad comes Gather at the River, an anthology of twenty-five remarkable essays on fishing from an ensemble of contemporary authors. Their experiences explore the ways we come to water, for renewal and reverie, or to simply stand waist-deep in a river and watch the trout rise. Gather at The River is more than a collection of big fish stories; it’s Ron Rash writing about the Appalachia of his youth and C.J. Box revealing the river where he wants his ashes spread. It’s Natalie Baszile on a frogging expedition in the Louisiana Bayou and a teenaged Jill McCorkle facing new realities of adulthood on Holden Beach, North Carolina. This is an anthology about friendship, family, love and loss, and everything in between, because as Henry David Thoreau wrote, “it is not really the fish they are after.” The contributors are an eclectic mix of critically acclaimed writers including New York Times Bestselling Authors Ron Rash, Jill McCorkle, Leigh Ann Henion, Eric Rickstad, M.O. Walsh, and #1 Bestseller C.J. Box. Some of the proceeds of every sale will benefit C.A.S.T. for Kids, public charity that joins volunteers who love to fish with children who have special needs and disadvantages for a day of fishing in the outdoors.

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From New York Times bestselling author Carolyn Brown comes a sweet romance about finding a place to truly call home. Being broke, unemployed, and stranded back in the tiny town of Pick, Texas, was not part of Jancy Wilson's plan. Yet here she is, watching her car literally go up in smoke—along with her last-ditch hope of staying with her cousin in Louisiana. When Jancy spies a Help Wanted sign hanging in the window of the quaint Strawberry Hearts Diner, the memories of the two years she spent there as a teenager—and the lure of the diner's beloved strawberry tarts—are enough to draw her in and plant her feet—but only temporarily. Raised by parents who refused to settle anywhere for long, Jancy has never known what it is to have roots. Now that Jancy's swept up by the warmth and character of this quirky little community—and by the pull of an old crush—it's beginning to feel like home. She's making friends and even discovering the sweetness of falling in love. But when the town is threatened, Jancy knows it will take more than its legendary tarts to save it. Can she fight for this little Texas town—knowing she might not stay forever?

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James Beard Nominee for Best Cookbook of 2019.From Sarah and Evan Rich, chef-proprietors of Michelin-starred Rich Table—one of San Francisco's most coveted reservations—this debut cookbook offers recipes from the restaurant as well as the meals the Riches cook for friends and family at home. Evan and Sarah Rich execute casual Californian fare with fine-dining precision, interweaving the pair’s hometown influences (New Jersey and Louisiana) and a bevy of global influences along the way.Full-color photographs and a textured cover with foil stamping capture the rustic elegance of the food and the restaurant, while 85 meticulously tested recipes span salads, vegetables, meat and fish, sweets, drinks, and the pasta dishes that send diners into raptures. This is inspired, innovative cooking for those who want to set a rich table at home.• 85 delicious, easy-to-follow recipes• Evocative photography and textured cover with foil stamping• Casual, California-influenced cuisine meets fine diningFans of the restaurant and Piatti: Plates and Platters for Sharing, Inspired by Italy will love this cookbook.• Perfect gift for seasoned home cooks• Professional chefs will love this book• Great cookbook for anyone who loves healthy, California cuisine and fine dining cooking

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Future rock star or friendless misfit? That’s no choice at all. In this acclaimed novel by Newbery Medalist Erin Entrada Kelly, twelve-year-old Apple grapples with being different; with friends and backstabbers; and with following her dreams.Publishers Weekly called Blackbird Fly “a true triumph,” and the Los Angeles Times Book Review said, “Apple soars like the eponymous blackbird of her favorite Beatles song.”Apple has always felt a little different from her classmates. She and her mother moved to Louisiana from the Philippines when she was little, and her mother still cooks Filipino foods and chastises Apple for becoming “too American.” When Apple’s friends turn on her and everything about her life starts to seem weird and embarrassing, Apple turns to music. If she can just save enough to buy a guitar and learn to play, maybe she can change herself. It might be the music that saves her . . . or it might be her two new friends, who show her how special she really is.Erin Entrada Kelly deftly brings Apple’s conflicted emotions to the page in her debut novel about family, friendship, popularity, and going your own way. “A must-read for those kids cringing at their own identities.”—Bulletin of the Center for Children’s Books.

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Geoffrey Kimball presents the first grammar of the American Indian language Yukhíti Kóy, better known in English as Atakapa, once spoken in coastal southwestern Louisiana and coastal eastern Texas. The late eighteenth and early nineteenth centuries saw a drastic fall in the Atakapa population, and by the first decades of the twentieth century the Atakapa language ceased to be spoken. The grammar is based on the field notes collected by Albert Samuel Gatschet in January of 1885, with additional material collected by John R. Swanton in 1907–8. Gatschet worked with two speakers of the language, Kišyuc, also known as Yoyot, and her cousin Tottokš, whose English names were Louison Huntington and Delilah Moss, respectively. John R. Swanton wrote a grammatical sketch of Atakapa in 1929 based on Gatschet’s notes and in 1932 published the texts Gatschet had gathered, as well as a dictionary. The materials, originally written phonetically, have been phonemicized, and the nature of the grammar has been elucidated. The nine surviving texts in Yukhíti have been phonemicized, analyzed, and translated, and the parallels between them and other traditional oral literatures of Native American languages of the Southeast are discussed. This reference grammar includes a vocabulary of all words contained in the field notes.

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Regarded by Bernard Shaw as a master of the theatre, Dion Boucicault was arguably the most important figure in drama in North America and in Britain during the second half of the nineteenth century. He was largely forgotten during the twentieth century—though he continued to influence popular culture (the iconic image of a woman tied to railway tracks as a train rushes towards her, for example, originates in a Boucicault melodrama). In the twenty-first century the gripping nature of his plays is being discovered afresh; when The Octoroon was produced as a BBC Radio play in 2012, director and playwright Mark Ravenhill described Boucicault’s dramas as “the precursors to Hollywood cinema.”In The Octoroon—the most controversial play of his career—Boucicault addresses the sensitive topic of race and slavery. George Peyton inherits a plantation, and falls in love with an octoroon—a person one-eighth African American, and thus, in 1859 Louisiana, legally a slave. The Octoroon opened in 1859 in New York City, just two years prior to the American Civil War, and created a sensation—as it did in its subsequent British production.This new edition includes a wide range of background contextual materials, an informative introduction, and extensive annotation.

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Over 4500 images appear in this beautiful and comprehensive, four-volume set. This massive compilation reveals the great diversity and intrinsic beauty of art tiles produced across the length and breadth of the United States from the late nineteenth through the twentieth centuries. Tile installations of great beauty include panels, individual tiles, and inserts adorning building facades, interiors, furniture, and garden ornaments. These volumes explore the wildly varying themes and distinctive art styles of six regions of the nation. Among the 161 companies represented are A. E. Hull, American Encaustic, Brayton Laguna, California Art Tile, Catalina Pottery, Flint Faience, Gladding McBean, Grueby, Marblehead, Newcomb, Niloak, Pacific Clay Products, Rookwood, Saturday Evening Girls, and Weller. The text includes tile identification as well as valuable advice on collecting art tiles, a glossary, an index, and bibliography. This set is an essential reference for all who are fascinated with the ceramic arts. Regions 4 & 5: Art tiles manufactured in the Southern states of Kentucky, Tennessee, Arkansas, Louisiana, Texas, and Colorado, as well as the Northwestern states of Washington, and Northern California are displayed in over 700 striking images. Included are tiles from many companies, including: Abington, Arequipa, California Faience, Cathedral Oaks, Newcomb, Niloak, Pigeon Forge, San Jose, Solon & Schemmel, Van Briggle, and Waco.

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It’s Labor Day weekend, 1935, and members of the Darling Dahlias—the garden club in little Darling, Alabama—are trying to keep their cool at the end of a sizzling summer. This isn’t easy, though, since there’s a firebug on the loose in Darling. He—or she!—strikes without apparent rhyme or reason, and things have gotten to the point where nobody feels safe. What’s more, a dangerous hurricane is poised to hurl itself in Darling’s direction, while a hurricane of a different sort is making a whirlwind campaign stop: the much-loved-much-hated senator from Louisiana, Huey P. Long, whom President Roosevelt calls the “most dangerous man in America.” Add Ophelia Snow’s secret heartthrob, Liz Lacy’s Yankee lover, and the Magnolia Ladies’ garden of red hot pokers, fire-red salvia, and hot pink cosmos, and you have a volatile mix that might just burst into flames at any moment. Author Susan Wittig Albert has brought us another delightful assortment of richly human characters who face the challenges of the Great Depression with courage and grace. Her books remind us that friends offer the best of themselves to each other, community is what holds us together, and even when life seems too hot to handle, there’s always hope.

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In 1972, inmates Robert Hillary King, Albert Woodbox, and Herman Wallace were put in solitary confinement in Louisiana State Penitentiary (a.k.a. Angola Prison), after being convicted under questionable circumstances for the killing of a prison guard. Because of their work organizing on behalf of the Black Panthers, Robert King spent 29 years in solitary confinement before his conviction was overturned and he was released. Wallace was released in 2013, after more than 41 years in prison, and days later of liver cancer. In November of 2014, Woodfox had his conviction overturned by the US Court of Appeals, and in April 2015 his lawyer applied for an unconditional writ for his release. As of June of 2015, that release has been blocked by the 5th Circuit Court of Appeals. Despite documentary films, a long-running campaign by Amnesty International, and appeals from the murdered prison guard's widow, Albert Woodfox remains the longest-serving U.S. prisoner in solitary confinement. What is it like to spend decades in solitary confinement for a crime you did not commit? Panthers in the Hole relates the experience of three men whose lives were snatched away by a prison system that seems more at home in a totalitarian regime than America.

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The fascinating, “upfront and unapologetic” (Kirkus Reviews) memoir of Richard Williams, a businessman, tennis coach, subject of the major motion picture King Richard, and father to two of the greatest athletes and professional tennis champions of all time—Venus and Serena Williams.Born into poverty in Shreveport, Louisiana in the 1940s, Richard Williams was blessed by a strong, caring mother who remained his lifelong hero, just as he became a hero to Venus and Serena. From the beginning of his life, Richard’s mother taught him to live by the principles of courage, confidence, commitment, faith, and love. He passed the same qualities on to his daughters, who grew up loving their father and valuing the lessons he taught them. “I still feel really close to my father,” says Serena. “We have a great relationship. There is an appreciation. There is a closeness because of what we’ve been through together, and a respect.” A self-made man, Williams has walked a long, hard, exciting, and ultimately rewarding road during his life, surmounting many challenges to raise a loving family and two of the greatest tennis players who ever lived. Black and White is the extraordinary story of that journey and the indomitable spirit that made it all possible.

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From one of the most important chroniclers of our time, come two extended excerpts from her never-before-seen notebooks – writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage.

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An inspirational and beautifully illustrated book that tells the stories of 80 plants from around the globe.In his follow-up to the bestselling Around the World in 80 Trees, Jonathan Drori takes another trip across the globe, bringing to life the science of plants by revealing how their worlds are intricately entwined with our own history, culture and folklore. From the seemingly familiar tomato and dandelion to the eerie mandrake and Spanish 'moss' of Louisiana, each of these stories is full of surprises. Some have a troubling past, while others have ignited human creativity or enabled whole civilizations to flourish. With a colourful cast of characters all brought to life by illustrator Lucille Clerc, this is a botanical journey of beauty and brilliance.'A beautiful celebration of the plants and flowers that surround us and a quiet call to arms for change' The Herald'This charming and beautifully illustrated book takes readers on a voyage of discovery, exploring the many ingenious and surprising uses for plants in modern science and throughout history' Kew Magazine'With beautiful illustrations from Lucille Clerc, this captivating book traverses the globe via plants: nettles in England, mangoes in India and tulips in the Netherlands' Daily Mail

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From growing up in Texas, to living in his car, to landing his first publishing deal, to writing fifteen #1 songs, Word for Word is a lavishly illustrated look at the lyrics of an icon among songwriting giants. Emmylou Harris—who once employed Rodney Crowell as the guitarist, harmony singer, and arranger in her Hot Band—introduced many listeners to his finely-crafted songs, including “Til I Gain Control Again,” “Leaving Louisiana in the Broad Daylight,” “I Ain’t Living Long Like This,” “Even Cowgirls Get the Blues,” and “Ashes by Now.” They all went on to be become hits for other performers, while Crowell went on to carve out a career as the first country singer to earn five #1 singles from one album. Rodney continued writing and recording classics, while other artists continued to take his songs to the top of the charts, including Bob Seger’s recording of “Shame on the Moon,” Tim McGraw’s recording of “Please Remember Me,” and Keith Urban’s cover of “Making Memories of Us.” In this disarmingly intimate look at Crowell’s songs, he shares pages from his lyric notebooks, personal photographs, and scribbles that reveal the heart of one of this generation’s finest songwriters.

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As Hurricane Harvey approached the United States and the great state of Texas in late August of 2017, residents did their best to prepare for the worst. What followed was a devastating storm beyond comprehension, with winds up to 130 mph forging a path of destruction through the Houston area and into Louisiana. Lives were lost and countless others were changed forever, with recovery and rebuilding efforts just beginning and sure to last years into the future. Amidst catastrophe, Harvey also inspired acts of courage and hope from the many Texans who found the will to triumph against incalculable odds. Seeking shelter and the basic necessities of life, thousands fought on to simply survive the harshest of conditions and help others do the same. This perseverance in the face of ruin is captured in Harvey: Devastation, Courage, and Recovery in the Eye of the Storm, which features gripping stories and nearly 100 vivid full-color images, illustrating the power of the storm and the strength of the many who endured and shined during this tragedy. A portion of the proceeds from the sale of each book will be donated to charities that support the communities affected by Hurricane Harvey.

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The great majority of the South's plantation homes have been destroyed over time, and many have long been forgotten. In Lost Plantations of the South, Marc R. Matrana weaves together photographs, diaries and letters, architectural renderings, and other rare documents to tell the story of sixty of these vanquished estates and the people who once called them home.From plantations that were destroyed by natural disaster such as Alabama's Forks of Cypress, to those that were intentionally demolished such as Seven Oaks in Louisiana and Mount Brilliant in Kentucky, Matrana resurrects these lost mansions. Including plantations throughout the South as well as border states, Matrana carefully tracks the histories of each from the earliest days of construction to the often contentious struggles to preserve these irreplaceable historic treasures. Lost Plantations of the South explores the root causes of demise and provides understanding and insight on how lessons learned in these sad losses can help prevent future preservation crises. Capturing the voices of masters and mistresses alongside those of slaves, and featuring more than one hundred elegant archival illustrations, this book explores the powerful and complex histories of these cardinal homes across the South.

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In 2008, three years after Hurricane Katrina cut a deadly path along the northern coast of the Gulf of Mexico, researchers J. Steven Picou and Keith Nicholls conducted a survey of the survivors in Louisiana and Mississippi, receiving more than twenty-five hundred responses, and followed up two years later with their than five hundred of the initial respondents. Showcasing these landmark findings, Caught in the Path of Katrina: A Survey of the Hurricane's Human Effects yields a more complete understanding of the traumas endured as a result of the Storm of the Century.The authors report on evacuation behaviors, separations from family, damage to homes, and physical and psychological conditions among residents of seven of the parishes and counties that bore the brunt of Katrina. The findings underscore the frequently disproportionate suffering of African Americans and the agonizingly slow pace of recovery. Highlighting the lessons learned, the book offers suggestions for improved governmental emergency management techniques to increase preparedness, better mitigate storm damage, and reduce the level of trauma in future disasters. Multiple major hurricanes have unleashed their destruction in the years since Katrina, making this a crucial study whose importance only continues to grow.

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"Major gifts are at the heart of any coordinated, successful fundraising effort. Julie Walker shows you how to do it all-- find the prospects, staff the program, and ask for the money. The sidebar stories and real-world examples sprinkled throughout the book are entertaining, yet still make a point. I would buy it for the advice and keep it for the anecdotes." --Duris Holmes, Chairman of the Board Benjamin Franklin High School New Orleans, Louisiana Part of the AFP/Wiley Fund Development Series, Nonprofit Essentials: Major Gifts is a professional guide to major gift fundraising, concisely presented in a format that is accessible, lively, and easy-to-read. With in-depth advice from experienced fundraiser Julia Walker, this book takes the reader from the early stages of establishing a program through the core elements of all major gift programs: identifying and rating prospects; preparing the case; training volunteers; cultivating donors; making the ask; and providing recognition and stewardship for the gift. Its nuts-and-bolts presentation focuses on how to create a prospect-centered program that develops the capacity to engage and solicit donors, effectively based on their unique interests and needs.

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A highly original history of American portraiture that places the experiences of enslaved people at its center “An argument for a new kind of American art history . . . a textbook for the future of the field.”—Mia L. Bagneris, caa.reviews This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait’s importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people’s relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.

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Dawoud Bey focuses on the landscape to create a portrait of the early African American presence in the United States.Renowned for his Harlem street scenes and expressive portraits, Dawoud Bey continues his ongoing series on African American history. Elegy brings together Bey’s three landscape series to date—Night Coming Tenderly, Black (2017); In This Here Place (2021); and Stony the Road (2023)—elucidating the deep historical memory still embedded in the geography of the United States. Bey takes viewers to the historic Richmond Slave Trail in Virginia, where Africans were marched onto auction blocks; to the plantations of Louisiana, where they labored; and along the last stages of the Underground Railroad in Ohio, where fugitives sought self-emancipation. Essays by the exhibition’s curator, Valerie Cassel Oliver, and scholars LeRonn P. Brooks, Imani Perry, and Christina Sharpe illuminate the work. By interweaving these bodies of work into an elegy in three movements, Bey doesn’t merely evoke history, he retells it through historically grounded images that challenge viewers to go beyond seeing and imagine lived experiences. Copublished by Aperture and Virginia Museum of Fine Arts, Richmond

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In the United States, egg donation for reproduction and egg donation for research involve the same procedures, the same risks, and the same population of donors—disadvantaged women at the intersections of race and class. Yet cultural attitudes and state-level policies regarding egg donation are dramatically different depending on whether the donation is for reproduction or for research. Erin Heidt-Forsythe explores the ways that framing egg donation itself creates diverse politics in the United States, which, unlike other Western democracies, has no centralized method of regulating donations, relying instead on market forces and state legislatures to regulate egg donation and reproductive technologies. Beginning with a history of scientific research around the human egg, the book connects historical debates about the “natural” (reproduction) and “unnatural” (research) uses of women’s eggs to contemporary political regulation of egg donation. Examining egg donation in California, New York, Arizona, and Louisiana and coupled with original data on how egg donation has been regulated over the last twenty years, this book is the first comprehensive overview and analysis of the politics of egg donation across the United States.

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**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021**A book of loss, looking back, and what binds us to life, by a towering poetic talent, 'one of the poetry stars of his generation' (Los Angeles Times).'We sleep long, / if not sound,' Kevin Young writes early on in this exquisite gathering of poems, 'Till the end / we sing / into the wind.' In scenes and settings that circle family and the generations in the American South - one poem, 'Kith', exploring that strange bedfellow of 'kin' - the speaker and his young son wander among the stones of their ancestors. 'Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.' Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering, precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

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In Paper Dollhouse, Dr. Lisa Masterson traces a journey that begins with an unconventional childhood shaped by her larger-than-life mother, who broke away from an abusive husband in Louisiana to find new opportunities for the two of them in the West. With charm, determination, and a budget that often involves moving every few months to skip out on the rent, plus a lot of other creative financing, the two of them lead a hidden existence that allows Lisa to attend exclusive private schools and feed a brilliant mind. Their life together is as heartbreakingly flimsy as the dollhouse she makes for a school project, using the only materials she has: notebook paper and tape. But the love and grit and resilience of those early days ground Lisa for harrowing years of medical training in an Ob/Gyn ward known as The Pit, and give her the fierce determination, after she loses her mother to cancer, to found clinics for pregnant women and babies in Africa and India. This unexpected story from the accomplished doctor and cohost of the Emmy Award–winning medical talk show The Doctors will captivate, surprise, and inspire readers and her many daytime TV fans.

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From his impoverished childhood in segregated pre-war Louisiana to his audience with Bill Clinton at the White House, Ward Connerly's panoramic book spans a civil rights story that's making headlines from coast to coast. Since 1995, when Connerly first burst onto the American scene as the University of California Regent who forced the nation's largest public university to become color blind in its admissions policies, Connerly has led a national campaign to end race preference. In 1996, he passed Proposition 209 in California and two years later he led I-200, an identical measure, to victory in Washington state. He is now battling Governor Jeb Bush in Florida as he attempts to put a Florida Civil Rights Initiative on the ballot there. A personal book that gives the inside story of Connerly's battle against race preferences, Creating Equal names names and tells it like it is. It is destined to provoke debate from the dining room table to the halls of Congress. Connerly's encounters with the great and near great ranging from Jesse Jackson and Al Gore to Bill Clinton and Rupert Murdoch illuminate this book that has been praised by writers such as Shelby Steele. Illustrated with family and political photographs.

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Wandeka Gayle's mostly young black women protagonists win our hearts as risk-taking, adventurous explorers of the white world, away from home, which at some point has been Jamaica. They include Roxanne who starts work in a care home in London, who strikes up a rapport with a depressed old man who used to be a writer; Ayo who heads to college in Louisiana, and fights off the internalised voice of her godly, tambourine-beating aunt to begin an affair with an engaging, slightly older white man; there's Sophia who comes to work in Georgia, who struggles to know whether her inability to engage more deeply with other people is really about racism or, rather, a more personally embedded reluctance. What characterises these women is a readiness to encounter, an attempt to get to grips with the oddities and strangeness of the white world, and like Ayo to engage with it, whilst being pretty sure that Forrest "could never understand her world". They take risks and are sometimes forced to pay for their courage. Other characters have to confront situations of their own making, like Angela returning from the USA for her mother's funeral, trying to find some point of contact with the now almost

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In addition to being commercialised and romanticised, piracy's history has also been distorted, with many works straying far from the facts recorded in the Age of Sail. In this book, author Joseph Gibbs goes back to many of the original materials about those who went "on the account" (a classic euphemism for piracy) to deliver an engaging, closely interpreted anthology of seven decades of primary sources. The text comprises original monographs, handbills, trial records, newspaper articles, and official reports that deal with piracy in and involving the Americas in the late 18th and early 19th centuries. Joseph Gibbs annotates and explains these records in order to clarify the era's historical, legal, literary, and nautical references. Along the way readers will experience violent mutinies, vicious sea battles, anti-piracy raids on Louisiana islands and Latin American coasts, and the United States' first sustained encounter with the Barbary Corsairs. They will also catch glimpses of maritime brigands as remarkable as any that walked the decks of piracy's earlier "golden age" and encounter the naval officers and sailors who strove to bring them to rough justice. Enhanced with period maps and illustrations, the book provides an enlightening introduction to piracy's original canon as it emerged in the era of the quill pen and hand-turned press.

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In 1540, Zamumo, the chief of the Altamahas in central Georgia, exchanged gifts with the Spanish conquistador Hernando de Soto. With these gifts began two centuries of exchanges that bound American Indians and the Spanish, English, and French who colonized the region. Whether they gave gifts for diplomacy or traded commodities for profit, Natives and newcomers alike used the exchange of goods such as cloth, deerskin, muskets, and sometimes people as a way of securing their influence. Gifts and trade enabled early colonies to survive and later colonies to prosper. Conversely, they upset the social balance of chiefdoms like Zamumo's and promoted the rise of new and powerful Indian confederacies like the Creeks and the Choctaws. Drawing on archaeological studies, colonial documents from three empires, and Native oral histories, Joseph M. Hall, Jr., offers fresh insights into broad segments of southeastern colonial history, including the success of Florida's Franciscan missionaries before 1640 and the impact of the Indian slave trade on French Louisiana after 1699. He also shows how gifts and trade shaped the Yamasee War, which pitted a number of southeastern tribes against English South Carolina in 1715-17. The exchanges at the heart of Zamumo's Gifts highlight how the history of Europeans and Native Americans cannot be understood without each other.

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Over 4500 images appear in this beautiful and comprehensive, four-volume set. This massive compilation reveals the great diversity and intrinsic beauty of art tiles produced across the length and breadth of the United States from the late nineteenth through the twentieth centuries. Tile installations of great beauty include panels, individual tiles, and inserts adorning building facades, interiors, furniture, and garden ornaments. These volumes explore the wildly varying themes and distinctive art styles of six regions of the nation. Among the 161 companies represented are A. E. Hull, American Encaustic, Brayton Laguna, California Art Tile, Catalina Pottery, Flint Faience, Gladding McBean, Grueby, Marblehead, Newcomb, Niloak, Pacific Clay Products, Rookwood, Saturday Evening Girls, and Weller. The text includes tile identification as well as valuable advice on collecting art tiles, a glossary, an index, and bibliography. This set is an essential reference for all who are fascinated with the ceramic arts. Regions 4 & 5: Art tiles manufactured in the Southern states of Kentucky, Tennessee, Arkansas, Louisiana, Texas, and Colorado, as well as the Northwestern states of Washington, and Northern California are displayed in over 700 striking images. Included are tiles from many companies, including: Abington, Arequipa, California Faience, Cathedral Oaks, Newcomb, Niloak, Pigeon Forge, San Jose, Solon & Schemmel, Van Briggle, and Waco.

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Over 4500 images appear in this beautiful and comprehensive, four-volume set. This massive compilation reveals the great diversity and intrinsic beauty of art tiles produced across the length and breadth of the United States from the late nineteenth through the twentieth centuries. Tile installations of great beauty include panels, individual tiles, and inserts adorning building facades, interiors, furniture, and garden ornaments. These volumes explore the wildly varying themes and distinctive art styles of six regions of the nation. Among the 161 companies represented are A. E. Hull, American Encaustic, Brayton Laguna, California Art Tile, Catalina Pottery, Flint Faience, Gladding McBean, Grueby, Marblehead, Newcomb, Niloak, Pacific Clay Products, Rookwood, Saturday Evening Girls, and Weller. The text includes tile identification as well as valuable advice on collecting art tiles, a glossary, an index, and bibliography. This set is an essential reference for all who are fascinated with the ceramic arts. Regions 4 & 5: Art tiles manufactured in the Southern states of Kentucky, Tennessee, Arkansas, Louisiana, Texas, and Colorado, as well as the Northwestern states of Washington, and Northern California are displayed in over 700 striking images. Included are tiles from many companies, including: Abington, Arequipa, California Faience, Cathedral Oaks, Newcomb, Niloak, Pigeon Forge, San Jose, Solon & Schemmel, Van Briggle, and Waco.

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This beautifully illustrated sourcebook chronicles the history of the Newcomb Pottery at Tulane University in New Orleans, Louisiana, from its founding in 1895, and explores the development of the art form, presenting a sensitive picture of the artists themselves. Interest in the Newcomb College art program of the early 20th century continues and grows. Previously unknown examples of their pottery and crafts still surface and values on these beautiful pieces are soaring. In this new book, based on the author's pioneering 1984 study, many new pieces of pottery are included, as well as other Newcomb crafts such as jewelry and metalware. The imaginative variety of designs and high standards of workmanship by the young women at Newcomb with surprise and delight the reader. A section on marks and dating by Walter Bob is included. With over 800 color photographs and 40 historical black and white images, the number of Newcomb Pottery pieces illustrated will delight the scholar and collector alike, and recently discovered handwrought silver made by Rosalie Roos Wiener greatly expands the representation of other crafts at Newcomb. This long-awaited and significant volume adds greatly to the knowledge and appreciation of the talented Newcomb women artists. It will be treasured by all art historians and collectors.

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'A groundbreaking work of Afrofuturism before the term was even coined' Guardian'A lush, exciting, inspiring read' Sarah WatersThe night hides many things . . .Louisiana, 1850. A young girl escapes slavery and is taken in by two mysterious women. Rumoured to be witches, the pair travel only at night, dress in men's clothing and seem to know others' innermost thoughts. But the girl sees the promise of true freedom in their dark glittering eyes: the promise to 'share the blood' and live forever. They name her Gilda.Over the next two hundred years, Gilda moves through unseen spaces: through antebellum brothels, gold-rush bars, Black women's suffrage groups, hair salons and jazz clubs, searching for a way to exist in the world. Her body, powerful against the passage of time, will know both beauty and horror through the women she desires and the blood she craves. But can Gilda truly outrun the darkness of history and face a future where the lives of everyone she loves are at stake?An instant queer classic when it was first published in 1991, The Gilda Stories is a radical reimagining of the vampire myth and astoundingly prescient in its explorations of Blackness, community and female love.

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The third edition of Southern Women relays the historical narrative of both black and white women in the patriarchal South. Covering primarily the years between 1800 and 1865, it shows the strengths and varied experiences of these women—on plantations, small farms, in towns and cities, in the Deep South, the Upper South, and the mountain South. It offers fascinating information on family life, sexuality, and marriage; reproduction and childrearing; education and religion; women and work; and southern women and the Confederacy. Southern Women: Black and White in the Old South, Third Edition distills and incorporates recent scholarship by historians. It presents a well-written, more complicated, multi-layered picture of Southern women’s lives than has ever been written about before—thanks to its treatment of current, relevant historiographical debates. The book also: Includes new scholarship published since the second edition appeared Pays more attention to women in the Deep South, especially the experiences of those living in Louisiana and Mississippi Is part of the highly successful American History Series The third edition of Southern Women: Black and White in the Old South will serve as a welcome supplementary text in college or community-college-level survey courses in U.S., Women’s, African-American, or Southern history. It will also be useful as a reference for graduate seminars or colloquia.

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The Native American tribes of what is now the southeastern United States left intriguing relics of their ancient cultural life. Arrowheads, spear points, stone tools, and other artifacts are found in newly plowed fields, on hillsides after a fresh rain, or in washed-out creek beds. These are tangible clues to the anthropology of the Paleo-Indians, and the highly developed Mississippian peoples.This indispensable guide to identifying and understanding such finds is for conscientious amateur archeologists who make their discoveries in surface terrain. Many are eager to understand the culture that produced the artifact, what kind of people created it, how it was made, how old it is, and what its purpose was.Here is a handbook that seeks identification through the clues of cultural history. In discussing materials used, the process of manufacture, and the relationship between the artifacts and the environments, it reveals ancient discoveries to be not merely interesting trinkets but by-products from the once vital societies in areas that are now Alabama, Arkansas, Georgia, Kentucky, Louisiana, Mississippi, the Carolinas, as well as in southeastern Texas, southern Missouri, southern Illinois, and southern Indiana.The text is documented by more than a hundred drawings in the actual size of the artifacts, as well as by a glossary of archeological terms and a helpful list of state and regional archeological societies.

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Haben grew up spending summers with her family in the enchanting Eritrean city of Asmara. There, she discovered courage as she faced off against a bull she couldn't see, and found in herself an abiding strength as she absorbed her parents' harrowing experiences during Eritrea's thirty-year war with Ethiopia. Their refugee story inspired her to embark on a quest for knowledge, traveling the world in search of the secret to belonging. She explored numerous fascinating places, including Mali, where she helped build a school under the scorching Saharan sun. Her many adventures over the years range from the hair-raising to the hilarious.Haben defines disability as an opportunity for innovation. She learned non-visual techniques for everything from dancing salsa to handling an electric saw. She developed a text-to-braille communication system that created an exciting new way to connect with people. Haben pioneered her way through obstacles, graduated from Harvard Law, and now uses her talents to advocate for people with disabilities.HABEN takes readers through a thrilling game of blind hide-and-seek in Louisiana, a treacherous climb up an iceberg in Alaska, and a magical moment with President Obama at The White House. Warm, funny, thoughtful, and uplifting, this captivating memoir is a testament to one woman's determination to find the keys to connection.

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A major new reading of a U.S. public health system shaped by fraught perceptions of culture, race, and criminality At the heart of Archiving Medical Violence is an interrogation of the notions of national and scientific progress, marking an advance in scholarship that shows how such violence is both an engine of medical progress and, more broadly, the production of empire. It reads the medical archive through a lens that centers how it is produced, remembered, and contested within cultural production and critical memory. In this innovative and interdisciplinary book, Christopher Perreira argues that it is in the contradictions of settler colonialism and racial capitalism that we find how medical violence is narrated as a public good. He presents case studies from across a range of locations—Hawai‘i, California, Louisiana, Guatemala—and historical periods from the nineteenth century on. Examining national and scientific conceptions of progress through the lens of medicine and public health, he places official archives in dialogue with visual and literary works, patient writing, and more. Archiving Medical Violence explores the contested public terrains for narrating value and vulnerabilities, bodies and geographical locations. Ultimately, Perreira reveals for us a medical imaginary built on racialized criminality driving contemporary politics of citizenship, memory, and identity. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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Despite serving his country for 50 years and being among the most qualified men to hold the office of president, James Monroe is an oft-forgotten Founding Father. In this book, Brook Poston reveals how Monroe attempted to craft a legacy for himself as a champion of American republicanism. Monroe's dedication to the vision of a modern republic built on liberty began when he joined the American Revolution. His devotion to the cause further developed under his apprenticeship to Thomas Jefferson. These experiences spurred him to support the virtues of republicanism during the French Revolution, when he tried to create an alliance between the United States and the French republic despite ire from the U.S. Federalist party. As Monroe climbed the political ranks, his achievements began to add up: he played a significant role in the Louisiana Purchase, helped lead the fight against Great Britain in the War of 1812, oversaw the acquisition of Florida from Spain, and created the Monroe Doctrine to protect the Americas from the influence of European monarchies. Focusing exclusively on America's fifth president and his complete commitment to republicanism, this book offers new interpretations of James Monroe as a patriot who dedicated his life to what he believed was perhaps the most important cause in human history. A volume in the series Contested Boundaries, edited by Gene Allen Smith.

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Serve up a heaping lesson of history with delicious recipes from our nation's past-- from the pilgrims' first feast to today's high-tech, low-fat fare Who knew history could be so delicious? In The U.S. History Cookbook, you'll discover how Americans have lived and dined over the centuries. This scrumptious survey of periods and events in U.S. history mixes together a delectable batter of food timelines, kid-friendly recipes, and fun food facts throughout each chapter, including such fascinating tidbits as: Sunday was baked bean day in many colonial family homes; pioneers took advantage of the rough trails to churn milk into butter; the Girl Scouts first started selling cookies in the 1930s to save money for summer camp; and so much more! Kids will have a great time learning about the past while they cook up easy and yummy recipes, including: * Cornmeal Blueberry Mush, a favorite dish of the Native Americans of the Northeast * King Cake, the traditional cake served at the Mardi Gras Festival in New Orleans, Louisiana * Amazing Country Scrambled Eggs, an essential part of any hearty pioneer breakfast * Cocoanut Pudding, a favorite dessert of travelers riding the transcontinental railroad in the 1870s * Baked Macaroni 'N' Cheese, a popular and inexpensive dish enjoyed during the Depression The U.S. History Cookbook also includes information on cooking tools and skills, with important rules for kitchen safety and clean up.

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The stages of antebellum New Orleans did more than entertain. In the city's early years, French-speaking residents used the theatre to assert their political, economic, and cultural sovereignty in the face of growing Anglo-American dominance. Beyond local stages, the francophone struggle for cultural survival connected people and places in the early United States, across the American hemisphere, and in the Atlantic world.Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. Juliane Braun draws on the neglected archive of francophone drama native to Louisiana, as well as a range of documents from both sides of the Atlantic, to explore the ways in which theatre and drama shaped debates about ethnic identity and transnational belonging in the city. Francophone identity united citizens of different social and racial backgrounds, and debates about political representation, slavery, and territorial expansion often played out on stage.Recognizing theatres as sites of cultural exchange that could cross oceans and borders, Creole Drama offers not only a detailed history of francophone theatre in New Orleans but also an account of the surprising ways in which multilingualism and early transnational networks helped create the American nation.

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'The sweetness of her glance - or rather, my evil star already in its ascendant and drawing me to my ruin - did not allow me to hesitate for a moment' So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early eighteenth-century Paris - with its theatres, assemblies, and gaming-houses - via prison and deportation to a tragic denouement in the treeless waste of Louisiana. It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prévost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion. This new translation includes the vignette and eight illustrations that were approved by Prévost and first published in the edition of 1753. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A microcosm of exaggerated societal extremes-poverty and wealth, vice and virtue, elitism and equality-New Orleans is a tangled web of race, cultural mores, and sexual identities. Jennifer Spear's examination of the dialectical relationship between politics and social practice unravels the city's construction of race during the eighteenth and early nineteenth centuries. Spear brings together archival evidence from three different languages and the most recent and respected scholarship on racial formation and interracial sex to explain why free people of color became a significant population in the early days of New Orleans and to show how authorities attempted to use concepts of race and social hierarchy to impose order on a decidedly disorderly society. She recounts and analyzes the major conflicts that influenced New Orleanian culture: legal attempts to impose racial barriers and social order, political battles over propriety and freedom, and cultural clashes over place and progress. At each turn, Spear's narrative challenges the prevailing academic assumptions and supports her efforts to move exploration of racial formation away from cultural and political discourses and toward social histories. Strikingly argued, richly researched, and methodologically sound, this wide-ranging look at how choices about sex triumphed over established class systems and artificial racial boundaries supplies a refreshing contribution to the history of early Louisiana.

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Winner of the Boston Globe/Horn Book Award!7 starred reviews! "Monumental." —Booklist (starred review) * "A marathon masterpiece."—Kirkus (starred review) * "Necessary."—SLJ (starred review) * "Shocking and dramatic."—Shelf Awareness (starred review) * "Mesmerizing, confounding and vividly rendered."—Book Page (starred review) * "Williams-Garcia’s storytelling is magnificent; her voice honest and authentic."—Horn Book (starred review)This astonishing novel from three-time National Book Award finalist Rita Williams-Garcia about the interwoven lives of those bound to a plantation in antebellum America is an epic masterwork—empathetic, brutal, and entirely human—and essential reading for both teens and adults grappling with the long history of American racism.1860, Louisiana. After serving as mistress of Le Petit Cottage for more than six decades, Madame Sylvie Guilbert has decided, in spite of her family’s objections, to sit for a portrait.While Madame plots her last hurrah, stories that span generations—from the big house to out in the fields—of routine horrors, secrets buried as deep as the family fortune, and the tangled bonds of descendants and enslaved, come to light to reveal a true portrait of the Guilberts.Rita Williams-Garcia is one of the preeminent authors of our time. She has been honored with the Children's Literature Lecture Award from the American Library Association.

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How American Jesuits helped forge modern Catholicism around the worldAt the start of the nineteenth century, the Jesuits seemed fated for oblivion. Dissolved as a religious order in 1773 by one pope, they were restored in 1814 by another, but with only six hundred aged members. Yet a century later, the Jesuits numbered seventeen thousand men and were at the vanguard of the Catholic Church’s expansion around the world. This book traces this nineteenth-century resurgence, showing how Jesuits nurtured a Catholic modernity through a disciplined counterculture of parishes, schools, and associations. Drawing on archival materials from three continents, American Jesuits and the World tracks Jesuits who left Europe for America and Jesuits who left the United States for missionary ventures across the Pacific. Each chapter tells the story of a revealing or controversial event, including the tarring and feathering of an exiled Swiss Jesuit in Maine, the efforts of French Jesuits in Louisiana to obtain Vatican approval of a miraculous healing, and the educational efforts of American Jesuits in Manila. These stories reveal how the Jesuits not only revived their own order but made modern Catholicism more global. The result is a major contribution to modern global history and an invaluable examination of the meaning of religious liberty in a pluralistic age.

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Considering a range of present-day phenomena, from the immediacy effects of literature to the impact of hypercommunication, globalization, and sports, Hans Ulrich Gumbrecht notes an important shift in our relationship to history and the passage of time. Although we continue to use concepts inherited from a "historicist" viewpoint, a notion of time articulated in the eighteenth and nineteenth centuries, the actual construction of time in which we live in today, which shapes our perceptions, experiences, and actions, is no longer historicist. Without fully realizing it, we now inhabit a new, unnamed space in which the "closed future" and "ever-available past" (a past we have not managed to leave behind) converge to produce an "ever-broadening present of simultaneities." This profound change to a key dimension of our existence has complex consequences for the way in which we think about ourselves and our relation to the material world. At the same time, the ubiquity of digital media has eliminated our tactile sense of physical space, altering our perception of our world. Gumbrecht draws on his mastery of the philosophy of language to enrich his everyday observations, traveling to Disneyland, a small town in Louisiana, and the center of Vienna to produce striking sketches of our broad presence in the world.

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Introduce children to nature in the South through fun activities and hands-on science projects. With 14 states and a wide range of habitats, plants, and animals, the South is a wonderful region for getting outside and discovering nature. There is so much to see and appreciate—even in your backyard or at a nearby park. Teach your children to love and protect the great outdoors. This workbook by Erika Zambello features more than 20 simple, fun introductions to astronomy, birds, geology, and more. Plus, over a dozen activities help kids to make hypotheses, experiment, and observe. The 19 hands-on science projects—such as raising native caterpillars, making mushroom spore prints, and attracting moths with an ultraviolet light—put students in control of their own learning! You never know what your children will uncover in their outdoor classroom. Every day is a little treasure hunt. If they keep good records and share what they find, their observations can even help scientists learn more about nature in the states of Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, eastern Oklahoma, South Carolina, Tennessee, eastern Texas, Virginia, and West Virginia. So get the Backyard Science & Discovery Workbook: South, and get started on a lifetime of discovery.

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During Mardi Gras 1973, Stewart Butler fell in love with Alfred Doolittle—a wealthy socialite and schizophrenic from San Francisco. Their relationship was an improbable love story that changed the course of LGBTQ+ history. With Doolittle’s money, Butler was able to retire and devote his life to political activism in the cause of queer liberation. A survivor of the horrific UpStairs Lounge arson, Butler was a founding member of the first statewide lesbian and gay rights organization in Louisiana and an early champion for transgender rights, playing a key role in the eight-year struggle to persuade PFLAG to become the first national LGBTQ+ organization to include trans people in its mission statement. In Political Animal: The Life and Times of Stewart Butler, author Frank Perez traces Butler’s amazing life from his early childhood in Depression-era New Orleans, his adolescence at Carville where his father worked, his first unsuccessful attempt at college, his time in the army as a closeted gay man, his adventures in Alaska, his transformation into a hippie in the 1960s, his love affair with Doolittle, his decades as a gay rights advocate, and ultimately, his twilight years as an elder statesman. Based on Butler's own personal papers, including hundreds of letters, and dozens of interviews, Political Animal paints an intimate portrait of a legendary figure in gay politics and the times in which he lived.

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A major new reading of a U.S. public health system shaped by fraught perceptions of culture, race, and criminality At the heart of Archiving Medical Violence is an interrogation of the notions of national and scientific progress, marking an advance in scholarship that shows how such violence is both an engine of medical progress and, more broadly, the production of empire. It reads the medical archive through a lens that centers how it is produced, remembered, and contested within cultural production and critical memory. In this innovative and interdisciplinary book, Christopher Perreira argues that it is in the contradictions of settler colonialism and racial capitalism that we find how medical violence is narrated as a public good. He presents case studies from across a range of locations—Hawai‘i, California, Louisiana, Guatemala—and historical periods from the nineteenth century on. Examining national and scientific conceptions of progress through the lens of medicine and public health, he places official archives in dialogue with visual and literary works, patient writing, and more. Archiving Medical Violence explores the contested public terrains for narrating value and vulnerabilities, bodies and geographical locations. Ultimately, Perreira reveals for us a medical imaginary built on racialized criminality driving contemporary politics of citizenship, memory, and identity. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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Aaron Burr fells Alexander Hamilton in a duel in July, but Jefferson, caring little for either adversary or for disruptive partisan warfare, gives the event only limited notice. He contends with the problem of filling the offices necessary for the establishment of Orleans Territory on October 1. He is constrained by his lack of knowledge about potential officeholders. Meanwhile, a delegation with a memorial from disgruntled Louisianians travels to Washington. In August, the U.S. Mediterranean squadron bombards Tripoli. The United States has uneasy relationships around its periphery. Jefferson compiles information on British "aggressions" in American ports and waters, and drafts a bill to allow federal judges and state governors to call on military assistance when British commanders spurn civil authority. Another bill seeks to prevent merchant ships from arming for trade with Haiti. Contested claims to West Florida, access to the Gulf of Mexico, tensions along the Texas-Louisiana boundary, and unresolved maritime claims exacerbate relations with Spain. Jefferson continues his policy of pushing Native American nations to give up their lands east of the Mississippi River. Yellow fever has devastating effects in New Orleans. Abigail Adams terminates the brief revival of their correspondence, musing that "Affection still lingers in the Bosom, even after esteem has taken its flight." In November, Jefferson delivers his annual message to Congress. He also commences systematic records to manage his guest lists for official dinners.

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As one of the best-known honky tonkers to appear in the wake of Hank Williams’s death, Faron Young was a popular presence on Nashville’s music scene for more than four decades. The Singing Sheriff produced a string of Top Ten hits, placed over eighty songs on the country music charts, and founded the long-running country music periodical Music City News in 1963. Flamboyant, impulsive, and generous, he helped and encouraged a new generation of talented songwriter-performers that included Willie Nelson and Bill Anderson. In 2000, four years after his untimely death, Faron was inducted into the Country Music Hall of Fame.Presenting the first detailed portrayal of this lively and unpredictable country music star, Diane Diekman masterfully draws on extensive interviews with Young’s family, band members, and colleagues. Impeccably researched, Diekman’s narrative also weaves anecdotes from Louisiana Hayride and other old radio shows with ones from Young’s business associates, including Ralph Emery. Her unique insider’s look into Young’s career adds to an understanding of the burgeoning country music entertainment industry during the key years from 1950 to 1980, when the music expanded beyond its original rural roots and blossomed into a national (ultimately, international) enterprise. Echoing Young’s characteristic ability to entertain and surprise fans, Diekman combines an account of his public career with a revealing, intimate portrait of his personal life.

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