Search results for ""Counterpoint""

This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance.In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and gathered in festive rituals to express their devotion to saints. Many of these traditions endure in the twenty-first century. The contributors to this volume draw connections between these Afro-Catholic festivals—observed from North America to South America and the Caribbean—and their precedents in the early modern kingdom of Kongo, one of the main regions of origin of men and women enslaved in the New World. This transatlantic perspective offers a useful counterpoint to the Yoruba focus prevailing in studies of African diasporic religions and reveals how Kongo-infused Catholicism constituted a site for the formation of black Atlantic tradition.Afro-Catholic Festivals in the Americas complicates the notion of Christianity as a European tool of domination and enhances our comprehension of the formation and trajectory of black religious culture on the American continent. It will be of great interest to scholars of African diaspora, religion, Christianity, and performance.In addition to the editor, the contributors include Kevin Dawson, Jeroen Dewulf, Junia Ferreira Furtado, Michael Iyanaga, Dianne M. Stewart, Miguel A. Valerio, and Lisa Voigt.

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'With these vivid, wistful memoirs, he joins the great chroniclers of Europe - the Prousts, Zweigs, Lampedusas, Leigh-Fermors and Bassanis - and shows how some of the things those writers loved persisted as late as 1989.' (Economist)Selected as a Book of the Year in the TLS and SpectatorIn 1979 Richard Bassett set out on a series of adventures and encounters in central Europe which allowed him to savour the last embers of the cosmopolitan old Hapsburg lands and gave him a ringside seat at the fall of another ancien regime, that of communist rule. From Trieste to Prague and Vienna to Warsaw, fading aristocrats, charming gangsters, fractious diplomats and glamorous informants provided him with an unexpected counterpoint to the austerities of life along the Iron Curtain, first as a professional musician and then as a foreign correspondent.The book shows us familiar events and places from unusual vantage points: dilapidated mansions and boarding-houses, train carriages and cafes, where the game of espionage between east and west is often set. There are unexpected encounters with Shirley Temple, Fitzroy Maclean, Lech Walesa and the last Empress of Austria. Bassett finds himself at the funeral of King Nicola of Montenegro in Cetinje, plays bridge with the last man alive to have been decorated by the Austrian Emperor Franz-Josef and watches the KGB representative in Prague bestowing the last rites on the Soviet empire in Europe.Music and painting, architecture and landscape, food and wine, friendship and history run through the book. The author is lucky, observant and leans romantically towards the values of an older age. He brilliantly conjures the time, the people he meets, and Mitteleuropa in one of the pivotal decades of its history.

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Vladimir Lucien is a young poet with so many gifts. His poetry is intelligent, musical, gritty in observation, graceful in method. You can see a young man building his house of poetry, just as his poems reflect on building a marriage and making his home, and all the accommodations that this demands. The world where he builds his house is St Lucia, itself an island that reflects the intra-regional migrancy of Caribbean people, with ancestral connections to Barbados, Antigua and Trinidad. He builds his house with stories of ancestors, immediate family, the history embedded in his language choices as a St Lucian writer, and heroes such as Walter Rodney, CLR James, Kamau Brathwaite and a local steelbandsman. His poems are never overtly political, but there's an oblique and often witty politics embedded in the poems, as where observing the rise of a grandfather out of rural poverty into the style of colonial respectability, he writes of the man "who eat his farine and fish/and avocado in a civilize fight between/knife and fork and etiquette on his plate". His poems tell truths, creating and questioning their own mythologies, as in a poem about his mother who "liked to look for relatives/ to find blood where there was only water." This is a collection that is alive with its conscious tensions both in subject matter and form. There's a tension between the vision of ancestors, family and of the poet himself as being engaged in the business of acting in the world and building on the past, and a sharp awareness of the inescapability of age's frailty, the decay of memory and of death. In the music of the poems themselves, there's an enlivening counterpoint between the natural rhythms of creole speech and the metric organisation of the line and its patterns of sound.

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A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music. Robert Schumann frequently expressed his deep admiration for the novels of Jean Paul Friedrich Richter, the late-eighteenth-century German novelist, essayist, and satirist. Schumann imitated Jean Paul's prose style in his own fiction and music criticism, and said once that he learned "more counterpoint from Jean Paul than from my music teacher." Drawing on the recent, groundbreaking work in musico-literary analysis of scholars such as Anthony Newcomb,John Daverio, and Lawrence Kramer, Erika Reiman embarks on a comparative study of Jean Paul's five major novels and Schumann's piano cycles of the 1830s, many of which are staples in the repertoire of concert pianists today. The present study begins with a thorough review of Jean Paul's literary style, emphasizing the digressions, intertextuality, self-reflexivity, and otherworldliness that distinguish it. The similarly digressive style that Schumanndeveloped is then examined in his earliest works, including the enduring and highly original Carnaval [1835], and in cycles of the later 1830s, notably Davidsbündlertänze and Faschingsschwank aus Wien. Finally, an analysis of three one-movement works from 1838-39 reveals links with Jean Paul's exploration of the idyll, an ancient genre that had experienced an eighteenth-century revival. Throughout, the author attempts to keep inmind the actual sound and performed experience of the works, and suggests ways in which an awareness of Jean Paul's style might change the performance and hearing of the cycles. Erika Reiman, received her Ph.D. in Musicology from the University of Toronto [1999] and has taught at Brock University, Wilfrid Laurier University, the University of Guelph, and the University of Toronto; she is also active as a pianist and chamber musician.

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Discover America’s secrets in this second of two volumes of the young readers’ edition of The Untold History of the United States, from Academy Award–winning director Oliver Stone and Peter Kuznick, adapted by Eric Singer.There is history as we know it. And there is history we should have known. Complete with poignant photos and little-known but vitally important stories, this second of two volumes traces how people around the world responded to the United States’s rise as a superpower from the end of World War II through an increasingly tense Cold War and, eventually, to the brink of nuclear annihilation during the Cuban Missile Crisis. This is not the kind of history taught in schools or normally presented on television or in popular movies. This riveting young readers volume challenges prevailing orthodoxies to reveal uncomfortable realities about the US role in heightening Cold War tensions. It also humanizes the experiences of diverse people, at home and abroad, who yearned for a more just, equal, and compassionate world. This volume will come as a breath of fresh air for students, teachers, and budding young historians hungry for different perspectives—which makes it a crucial counterpoint to today’s history textbooks. Adapted by high school and university educator Eric S. Singer from the bestselling book and companion to the documentary The Untold History of the United States by Academy Award–winning director Oliver Stone and renowned historian Peter Kuznick, this volume gives young readers a powerful and provocative look at the US role in the Cold War. It also provides a blueprint for those concerned with shaping a better and more equitable future for people across the world.

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Africa Every Day presents an exuberant, thoughtful, and necessary counterpoint to the prevailing emphasis in introductory African studies classes on war, poverty, corruption, disease, and human rights violations on the continent. These challenges are real and deserve sustained attention, but this volume shows that adverse conditions do not prevent people from making music, falling in love, playing sports, participating in festivals, writing blogs, telling jokes, making videos, playing games, eating delicious food, and finding pleasure in their daily lives. Across seven sections—Celebrations and Rites of Passage; Socializing and Friendship; Love, Sex, and Marriage; Sports and Recreation; Performance, Language, and Creativity; Technology and Media; and Labor and Livelihoods—the accessible, multidisciplinary essays in Africa Every Day address these creative and dynamic elements of daily life, without romanticizing them. Ultimately, the book shows that forms of leisure and popular culture in Africa are best discussed in terms of indigenization, adaptation, and appropriation rather than the static binary of European/foreign/global and African. Most of all, it invites readers to reflect on the crucial similarities, rather than the differences, between their lives and those of their African counterparts. Contributors: Hadeer Aboelnagah, Issahaku Adam, Joseph Osuolale Ayodokun, Victoria Abiola Ayodokun, Omotoyosi Babalola, Martha Bannikov, Mokaya Bosire, Emily Callaci, Deborah Durham, Birgit Englert, Laura Fair, John Fenn, Lara Rosenoff Gauvin, Michael Gennaro, Lisa Gilman, Charlotte Grabli, Joshua Grace, Dorothy L. Hodgson, Akwasi Kumi-Kyereme, Prince F. M. Lamba, Cheikh Tidiane Lo, Bill McCoy, Nginjai Paul Moreto, Jacqueline-Bethel Tchouta Mougoué, James Nindi, Erin Nourse, Eric Debrah Otchere, Alex Perullo, Daniel Jordan Smith, Maya Smith, Steven Van Wolputte, and Scott M. Youngstedt.

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Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnès Sorel, Anne de Pisseleu d’Heilly, Diane de Poitiers, Gabrielle d’Estrées, Françoise Louise de La Baume Le Blanc, Françoise Athénaïs de Rochechouart de Mortemart, Françoise d’Aubigné, Jeanne-Antoinette Poisson, and Jeanne Bécu.Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was an idea of gender already in place: that while women were legally inferior to men, they were men’s equals in competence. Because of their legal subordinacy, queens were considered to be the safest regents for their husbands, and, subsequently, the royal mistress was the surest counterpoint to the royal favorite. Second, the Renaissance was a period during which people began to experience space as theatrical. This shift to a theatrical world opened up new ways of imagining political guile, which came to be positively associated with the royal mistress. Still, the role had to be activated by an intelligent, charismatic woman associated with a king who sought women as advisors. The fascinating particulars of each case are covered in the chapters of this book.Thoroughly researched and compellingly narrated, this important study explains why the tradition of a politically powerful royal mistress materialized at the French court, but nowhere else in Europe. It will appeal to anyone interested in the history of the French monarchy, women and royalty, and gender studies.

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Why did modern capitalism not arise in late imperial China? One famous answer comes from Max Weber, whose The Protestant Ethic and the Spirit of Capitalism gave a canonical analysis of religious and cultural factors in early modern European economic development. In The Religions of China, Weber contended that China lacked the crucial religious impetus to capitalist growth that Protestantism gave Europe.The preeminent historian Ying-shih Yü offers a magisterial examination of religious and cultural influences in the development of China’s early modern economy, both complement and counterpoint to Weber’s inquiry. The Religious Ethic and Mercantile Spirit in Early Modern China investigates how evolving forms of Buddhism, Confucianism, and Daoism created and promulgated their own concepts of the work ethic from the late seventh century into the Qing dynasty. The book traces how religious leaders developed the spiritual significance of labor and how merchants adopted this religious work ethic, raising their status in Chinese society. However, Yü argues, China’s early modern mercantile spirit was restricted by the imperial bureaucratic priority on social order. He challenges Marxists who championed China’s “sprouts of capitalism” during the fifteenth through eighteenth centuries as well as other modern scholars who credit Confucianism with producing dramatic economic growth in East Asian countries. Yü rejects the premise that China needed an early capitalist stage of development; moreover, the East Asian capitalism that flourished in the later half of the twentieth century was essentially part of the spread of global capitalism.Now available in English translation, this landmark work has been greatly influential among scholars in East Asia since its publication in Chinese in 1987.

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'Fans of Alexander McCall Smith will love Scotty Elliott's Sibanda series' Sunday Times (SA)Detective Sibanda and Sergeant Ncube are back!Two bodies are discovered near Gubu, one burning at the base of a tree struck by lightning and, on the banks of the Zambezi, a second killing which threatens to tear Detective Sibanda's life apart. The victims are not connected as one is a foreign wildlife researcher and the other a local driver, but Sibanda's intuition tells him the murders are linked. The only clues are a fragment of material found in the brain of one victim, a puncture wound in the thigh of the other, and a diary full of coded names.As the men investigate further, they find links to an ivory smuggling gang and in their pursuit of the killer, Sibanda and Ncube not only have to cope with their temperamental Landrover, their chief inspector's lack of cooperation, but a rough and remote landscape full of wild and dangerous adventure.Praise for C. M. Elliott:'C.M. Elliott has created a lively cast of characters and an intricate, clever plot' Margaret von Klemperer, The Witness'A thrilling detective yarn and a finely-drawn picture of the counterpoint between the gentle music of the bush and the harsher notes of poachers' deadly gunfire' The Citizen'Her plot keeps readers guessing right to the end, when the monster meets a truly satisfying fate . . . Elliott's skill as a writer lies in her ability to create and flesh out characters that are so lifelike, they thrum in your head for days after finishing her books' Business Live'Will have you hooked' The Gremlin

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This is, perhaps, the most multifaceted collection of essays Zondervan has ever published. A fitting Festschrift to Stan Gundry, a man known by many people for many things, but never for being one-dimensional. As a pastor, scholar, publisher, mentor, and trusted friend, Stan has played diverse roles and worn numerous hats in his professional tenure.Contributors from a variety of disciplines put a Gundry spin on a topic of their expertise and choosing--whether it's an evangelical-historical look at recent developments in their particular discipline or reflections on a topic at the center of Stan's interests. The result is this Festschrift--as multilayered, engaging, and authentic as the man it honors.Contributors and essays include the following: Craig L. Blomberg - "Does the Quest for the Historical Jesus Still Hold Any Promise?" Millard J. Erickson - "Eighty Years of American Evangelical Theology" Gordon D. Fee - "On Women Remaining Silent in the Churches: A Text-Critical Approach to 1 Corinthians 14:34-35" Robert A. Fryling - "A Key to a Publishing Friendship" Robert H. Gundry - "A Brotherly Tribute" Carolyn Custis James and Frank A. James III - "The Blessed Alliance: Already But Not Yet" Karen H. Jobes - "'It Is Written': The Septuagint and Evangelical Doctrine of Scripture" Tremper Longman III - "'What Was Said in All the Scriptures concerning Himself' (Luke 24:27): Reading the Old Testament as a Christian" Richard J. Mouw - "Faithfulness in a 'Counterpoint' World: The Role of Theological Education" Ruth A. Tucker - "Eve, Jezebel, and the Woman at the Well: Biblical Women Hijacked in the Fight against Equality" John H. Walton - "The Tower of Babel and the Covenant: Rhetorical Strategy in Genesis Based on Theological and Comparative Analysis" John D. Woodbridge - "The Fundamentalist-Modernist Controversy" Christopher J. H. Wright - "The Missional Nature and the Role of Theological Education"

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The subject of this original and provocative work is the white male body, a counterpoint in gender studies to the many readings of the representation of the female body. To look at the construction of this figure, the author examines a group of discontinuous works that are representative of the discontinuity in the intermittent representation of the male body. Especially in nineteenth-century narrative, where Edgar Allan Poe and Guy de Maupassant write astutely on the subject, there is never continuity in representing the male body. "The Pit and the Pendulum" and Bel-Ami are flickering, episodic investigations into the male body as subject, as sentient feeling, as the subject of torture or of adulation. Not until the twentieth century can this male subject be continuously represented. Though the male body is often at center stage, in works that treat it as a metonymy of its own phallic and phallocentric power, this body has less often been seen relative to pleasure and pain, to aesthetics, to human vulnerability. An introductory chapter explores a work by Alberto Moravia, Io e lui, as well as various manifestations of the male body's most salient part, the penis, in contemporary discourse and aesthetics. Another chapter deals with writings about the forbidden activity of masturbation and focuses on the work of three disparate writers: Paul Bonnetain, Michel Tournier, and Philip Roth. In the final chapter, the author discusses several works that focus on the representation of the male body during the gay liberation movement in France and the subsequent celebration of the male body, ending with the inscription of the male body in the literature of AIDS. Among the authors discussed are Guy Hocquenghem, Hervé Guibert, and Michel Foucault.

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Fresh, modern, and practical, Public Law provides law undergraduates with a unique approach to constitutional and administrative law, aptly demonstrating why this is an exciting time to be studying the subject. Writing in a fluid, succinct style, the authors carve a logical pathway through the key areas studied on the LLB, guiding students to a solid understanding of the fundamental principles. This theoretical grounding is then rooted in reality, with each concept applied to a hypothetical scenario (included at the start of each chapter) to set it into a practical context. While this practical element helps students to understand how the law applies and develop problem-solving skills, a trio of supportive learning features also encourages active engagement with and a critical appreciation of public law. 'Key case' boxes highlight and analyse the significant case law in each area; 'Counterpoint' boxes flag alternative viewpoints and areas of debate; and 'Pause for reflection' boxes prompt readers to consider the impact of laws, and what potential developments and reforms may lie ahead. Public Law's modern approach and unique combination of practical application and theoretically critical discussion makes it the ideal choice for students seeking to understand concepts not only in the abstract but in practice, helping them to develop the skills they need to succeed at university and beyond. Digital formats and resources This third edition is supported by online resources and is available for students or institutions to purchase in a variety of digital formats. - The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks - Online resources to support the book feature multiple choice questions, guidance on approaching and analysing the real life scenarios in the book, legal updates, and links to useful material elsewhere on the web.

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For decades scholarship on Federico Fellini has focused on the figure of the director himself, while formal analysis based on the craft of filmmaking has been largely ignored. Fellini spent countless hours in the studios of Cinecitta recording, mixing, and editing music, voices, and sound effects for his films, but his unique and often revolutionary uses of cinematic sound have never been systematically studied. This book reveals the singularly important role played by music in the construction of meaning in Fellini's black and white feature-length films, and presents a substantial re-reading of the seven films made during the most creative period of Fellini's artistic development: The White Sheik, I vitellini, La strada, Il bidone, The Nights if Cabiria, La dolce vita, and 8 1/2. The editing of music in Fellini's first films represents an entirely new approach to cinematic sound. The sophistication and complexity of Fellini's soundtracks far surpasses the neorealist models that are often assumed to form the practical foundation of Fellini's earliest works, and an analysis of the editing of music in these films reveals extraordinary innovation in the pairing of music and visual image. Although these films may often seem visually conventional, the soundtracks- characterized by abrupt cuts, comic synchronization with the visual image, unrealistic passages between nondiegetic and diegetic musical sources, and the coexistence of diegetic sources with nondiegetic musical accompaniment- undermine the verisimilitude of the projected image, facilitate aesthetic distance, and emphasize artifice at the expense of 'reality.' Functioning as an ironic, often dissonant counterpoint to the narrative structure of the visual images, the manifestly artificial editing of music in Fellini's films questions the verisimilitude of cinematic narration by revealing the interpenetratin of representation and reception, being and seeming, history and story, 'truth' and fiction.

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Theory for Today’s Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers.This broadly comprehensive text merges traditional topics such as part writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. The accompanying companion website provides interactive exercises that allow students to practice foundational theory skills. Written by experienced authors, both active classroom teachers for many years, Theory for Today’s Musician is the complete and ideal theory text to enable today’s student to accomplish their musical goals tomorrow.Updated and corrected throughout, the Third Edition includes: Expanded coverage of atonality and serialism, now separated into two chapters. Broadened treatment of cadences, including examples from popular music. Substantially rewritten chapter on songwriting. Interactive features of the text simplified to two types, "Concept Checks" and "Review and Reinforcement," for greater ease of use. New and updated musical examples added throughout. Charts, illustrations, and musical examples revised for increased clarity. Audio of musical examples now provided through the companion website. The accompanying Workbook offers exercises and assignments to accompany each chapter in the book. A companion website houses online tutorials with drills of basic concepts, as well as audio.The paperback WORKBOOK is also paired with the corresponding hardback TEXTBOOK in a discounted PACKAGE (9780815371731).

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In "Return of the Heroes," Walt Whitman refers to the casualties of the American Civil War: "the dead to me mar not. . . . / they fit very well in the landscape under the trees and grass. . . ." In her new poetry collection, Jude Nutter challenges Whitman's statement by exploring her own responses to war and conflict and, in a voice by turns rueful, dolorous, and imagistic, reveals why she cannot agree. Nutter, who was born in England and grew up in Germany, has a visceral sense of history as a constant, violent companion. Drawing on a range of locales and historical moments—among them Rwanda, Sarajevo, Nagasaki, and both world wars—she replays the confrontation of personal history colliding with history as a social, political, and cultural force. In many of the poems, this confrontation is understood through the shift from childhood innocence and magical thinking to adult awareness and guilt. Nutter responds to Whitman from another perspective as well. It was Whitman who wrote that he could live with animals because, among other things, they are placid, self-contained, and guiltless. As counterpoint, Nutter weaves a series of animal poems—a kind of personal bestiary—throughout the collection that reveals the tragedy and violence also inherent in the lives of animals. Here, as in much of Nutter's previous work, the boundaries between the animal and human worlds are permeable; the urgent voice of the poet insists we recognize that "Even from a distance, suffering / is suffering." Here is both acknowledgment and challenge: distance may be measured in terms of time, culture, or place, or it may be caused by the gap between animals and humans, but it is our responsibility to speak against atrocity and bloodshed, however voiceless we may feel.

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A richly illustrated look at how travel influenced the work of renowned contemporary artist Betye SaarBetye Saar (b. 1926) is an artist whose assemblages tell visual stories and convey powerful political messages. A leading figure of the Black Arts Movement in the 1970s, she works with found objects—many of which she gathers on her extensive travels—to explore themes like symbolic mysticism, feminism, racism, and Eurocentric chauvinism. Betye Saar: Heart of a Wanderer sheds new light on Saar’s unique creative process, her trips around the world, and the diverse ways in which her artworks engage with global histories of travel and forced migration. It presents how the artist’s work conjures the transporting experience of a voyage to a faraway place.This beautifully illustrated book draws on original, in-depth interviews with Saar and the companions who accompanied the artist in her travels across four continents over several decades. Essays by leading scholars contextualize Saar’s journeys within her broader life and career, as well as how her practice fits into broader traditions—such as scrapbooking—in African American visual culture. In addition to providing this context, this book explores how Saar’s assemblage practice both echoes and provides a critical counterpoint to the collecting practices of Gilded Age American art collectors like Isabella Stewart Gardner.Featuring a wealth of previously unpublished material—including almost thirty travel sketchbooks and two dozen finished assemblages—Betye Saar: Heart of a Wanderer provides a fresh look at a groundbreaking American artist while offering a timely social history of the impact of travel on the African American experience.Distributed for the Isabella Stewart Gardner MuseumExhibition ScheduleIsabella Stewart Gardner Museum, BostonFebruary 16–May 21, 2023

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'Fans of Alexander McCall Smith will love Scotty Elliott's Sibanda series' Sunday Times (SA)When a skinned body is discovered on the side of the railway line deep in the Matabele bush, Detective Inspector Jabulani Sibanda, along with his sidekicks, Sergeant Ncube and the troublesome Land Rover, Miss Daisy, is back on the trail of a murderer. As more girls go missing and more bones are discovered, Sibanda realises they are dealing with the signature of a vicious serial killer who chooses the train as his killing field.Suspects abound, and the trio pursues the leads relentlessly, but the warped psychopath is elusive. Has Sibanda met his match? To complicate matters, his unrequited love interest, Berry Barton, is back on his radar, Gubu police station politics are as partisan as ever and Sgt Ncube, in an attempt to equal the brilliance of his boss, has discovered the wonders of the Oxford English Dictionary, to hilarious results.With winter tightening its grip, and drought and hardship threatening the population, Sibanda uses a risky strategy to trap his nemesis. Can he pull it off?Praise for C. M. Elliott:'Her plot keeps readers guessing right to the end, when the monster meets a truly satisfying fate . . . Elliott's skill as a writer lies in her ability to create and flesh out characters that are so lifelike, they thrum in your head for days after finishing her books' Business Live'Will have you hooked' The Gremlin'C.M. Elliott has created a lively cast of characters and an intricate, clever plot' Margaret von Klemperer, The Witness'A thrilling detective yarn and a finely-drawn picture of the counterpoint between the gentle music of the bush and the harsher notes of poachers' deadly gunfire' The Citizen

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'Moving, honest, and darkly comic.' – Marian Keyes'Gripping, heartbreaking, funny, surprising.' – Roddy Doyle'Beautiful, heartbreaking, original, honest, unique.' – Cecelia AhernLife in the Gingerbread House is no fairy tale...When Tess agrees to move into her aged mother-in-law’s idyllic country cottage, she sees it as the perfect opportunity to escape the distractions of the city and start work on a novel. However, life in the Gingerbread House is no fairy tale. Tess is utterly unprepared for the reality of caring for Eleanor, who suffers from dementia.Feeling increasingly isolated, she struggles to cope as Eleanor fluctuates between violent mood swings, child-like dependency and moments of heart-wrenching lucidity. Meanwhile, Tess’s teenage daughter Katia is helpless to intercede; in the end she can only watch as things fall apart and a tragedy even closer to home surfaces.Heart-breaking and hopeful in equal measure, The Gingerbread House addresses a struggle that many families face with compassion, honesty and a gentle humour that becomes so necessary when coping with the impact of dementia.What readers are saying about The Gingerbread House:'A small novel, with a huge heart ... Beaufoy has created a stunning and sensual read, which may just break even the hardest of hearts. Highly recommended.' – Margaret Madden, Sunday Independent'You won’t see the final, heart-rending twist in this taboo-tackling novel until it hits you. And it hits hard.' – The Sunday Post'Darkly funny.' – Woman’s Own'A triumph. Darkly moving, beautifully written. A counterpoint to the disturbing them is the deft and beautifully readable prose. Couldn't put it down.' – Pippa James, author of The Secret Life of Lucy Lovecake'Charming, funny, tender and sad, and devastatingly readable. I will never forget it.' – Hilary Mortz'Frank and incredibly moving.' – Book-Drunk Blog'A most original, thought-provoking and all too real story.' – Amazon Reviewer

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Theory for Today’s Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers.This broadly comprehensive text merges traditional topics such as part writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. The accompanying companion website provides interactive exercises that allow students to practice foundational theory skills. Written by experienced authors, both active classroom teachers for many years, Theory for Today’s Musician is the complete and ideal theory text to enable today’s student to accomplish their musical goals tomorrow.Updated and corrected throughout, the Third Edition includes: Expanded coverage of atonality and serialism, now separated into two chapters. Broadened treatment of cadences, including examples from popular music. Substantially rewritten chapter on songwriting. Interactive features of the text simplified to two types, "Concept Checks" and "Review and Reinforcement," for greater ease of use. New and updated musical examples added throughout. Charts, illustrations, and musical examples revised for increased clarity. Audio of musical examples now provided through the companion website. The accompanying Workbook offers exercises and assignments to accompany each chapter in the book. A companion website houses online tutorials with drills of basic concepts, as well as audio.The hardback TEXTBOOK is also paired with the corresponding paperback WORKBOOK in a discounted PACKAGE (9780815371731).

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Theodor Adorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical. Adorno's insistence on the social character of aesthetic works will come as no surprise to those familiar with his writings, although many may be surprised by the volume's somewhat colloquial tone. This colloquialism, in dialogue with Adorno's unceasing rigor, stems from the occasional sources of many of the essays, mainly public lectures and radio addresses. As such, this volume represents an important and, for English-language readers, largely unfamiliar side to Adorno. His arguments move more quickly than in his more formal and extended musicological works, and the writing is much more accessible and generous than his usually dense and frequently opaque prose. This volume includes essays on prominent figures in music (Alban Berg, Anton von Webern, Arturo Toscanini), compositional technique (the prehistory of the twelve-tone row, the function of counterpoint in new music), and the larger questions of musical sociology for which Adorno is most famous, including the relation of interpretation to audience, the ideological function of opera, and the historical meaning of musical technique. The essay on the sociology of music, for example, represents an early statement of what would soon become trademark principles of his mode of musical analysis, serving as a catalyst for his famous study Introduction to the Sociology of Music. Some forty years after most of these essays were written, they remain fresh and relevant. In part, this is because Adorno's method has only recently begun to make substantial inroads into Anglo-American musicology. And the interdisciplinary nature of his thought provides a precursor for today's interdisciplinary studies.

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Freedom Readers: The African American Reception of Dante Alighieri and the Divine Comedy is a literary-historical study of the many surprising ways in which Dante Alighieri and the Divine Comedy have assumed a position of importance in African American culture. Dennis Looney examines how African American authors have read, interpreted, and responded to Dante and his work from the late 1820s to the present. In many ways, the African American reception of Dante follows a recognizable narrative of reception: the Romantic rehabilitation of the author; the late-nineteenth-century glorification of Dante as a radical writer of reform; the twentieth-century modernist rewriting; and the adaptation of the Divine Comedy into the prose of the contemporary novel. But surely it is unique to African American rewritings of Dante to suggest that the Divine Comedy is itself a kind of slave narrative. Only African American “translations” of Dante use the medieval author to comment on segregation, migration, and integration. While many authors over the centuries have learned to articulate a new kind of poetry from Dante’s example, for African American authors attuned to the complexities of Dante’s hybrid vernacular, his poetic language becomes a model for creative expression that juxtaposes and blends classical notes and the vernacular counterpoint in striking ways. Looney demonstrates this appropriation of Dante as a locus for black agency in the creative work of such authors as William Wells Brown, the poet H. Cordelia Ray, Richard Wright, Ralph Ellison, Amiri Baraka, Gloria Naylor, Toni Morrison, and the filmmaker Spencer Williams. Looney fruitfully suggests that we read Dante’s Divine Comedy with its African American rewritings in mind, to assess their effect on our interpretation of the Comedy and, in turn, on our understanding of African American culture.

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In 1944-45, Capt. G.H. Davies served with the hard-fighting 53rd Welsh Division. He was an artillery officer in command of a battery of 25-pdr field guns and saw action from Normandy to the final surrender of Nazi Germany. Capt. Davies was present at the Normandy battles, the fierce fighting for sHertogenbosch and the Battle of Arnhem. During the course of the war, Capt. Davies kept a diary and also snatched a few photographs on his treasured camera. When the opportunity arose Capt. Davies liberated a camera from a fallen SS officer and, after the war, had the film developed. The film contained graphic images of the war from the German side of the line. Seventy years on from the events, the wartime diary, the photographs of the guns and the photographs taken by the dead SS officer were the inspiration for the son of Capt. Davies, television producer and writer Gwilym Davies, to undertake an emotional return to the battlefields, which his father had described in his diary. The result of that pilgrimage is an important new book which builds upon the wartime diary and the photographs to produce a powerful record of one mans war service with the guns of the 53rd Welsh Division. The book also contrasts the experience of Capt. Davies with those of the Germans on the other side of the line. Gwilym Davies is himself an accomplished photographer and his photographs of the 70th anniversary celebrations and the memorials provide a poignant counterpoint to the events of 1944. In My Fathers Footsteps is also a major TV documentary, which will be broadcast to coincide with the 70th anniversary of the Battle of Arnhem.

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R.S. Thomas (1913-2000) is one of the major poets of our time, as well as one of the finest religious poets in the English language and Wales’s greatest poet. This substantial gathering of his late poems shows us the final flowering of a truly great poet still writing at the height of his powers right through his 70s and 80s. It begins with his autobiographical sequence The Echoes Return Slow, which has been unavailable for many years, and goes up to Residues, written immediately before his death at the age of 87. These powerful poems – about time and history, the self, love, the machine, the Cross and prayer – cover all of his major areas of questioning. This is R.S. Thomas in a winter light, his fury concentrated on the inhumanity of man and modern technology, his gaze absorbed by the God he felt in Nature, but finding nourishment in 'waste places'. At the same time he writes with resigned feeling and immense insight, as well as grim humour and playful irony, of isolation, ageing, marriage and 'love’s shining greenhouses'. For Thomas, 'Poetry is that / which arrives at the intellect / by way of the heart.' Collected Later Poems 1988-2000 is the sequel to R.S. Thomas’s Collected Poems 1945-1990 (Dent, 1993; Phoenix Press, 1995), which only covers his collections up to Experimenting with an Amen (1986). It reprints in full the contents of R.S. Thomas’s last five collections, The Echoes Return Slow (Macmillan, 1988: unavailable for many years), and Bloodaxe’s Counterpoint (1990), Mass for Hard Times (1992), No Truce with the Furies (1995) and the posthumously published Residues (2002). It was a Poetry Book Society Recommendation. It was followed in 2013 by Uncollected Poems and in 2016 by Too Brave to Dream.

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No question in theoretical biology has been more perennially controversial or perplexing than "What is a species?" Recent advances in phylogenetic theory have called into question traditional views of species and spawned many concepts that are currently competing for general acceptance. Once the subject of esoteric intellectual exercises, the "species problem" has emerged as a critically important aspect of global environmental concerns. Completion of an inventory of biodiversity, success in conservation, predictive knowledge about life on earth, management of material resources, formulation of scientifically credible public policy and law, and more depend upon our adoption of the "right" species concept. Quentin D. Wheeler and Rudolf Meier present a debate among top systematic biology theorists to consider the strengths and weaknesses of five competing concepts. Debaters include (1) Ernst Mayr (Biological Species Concept), (2) Rudolf Meier and Rainer Willmann (Hennigian species concept), (3) Brent Mishler and Edward Theriot (one version of the Phylogenetic Species Concept), (4) Quentin Wheeler and Norman Platnick (a competing version of the Phylogenetic Species Concept), and (5) E. O. Wiley and Richard Mayden (the Evolutionary Species Concept). Each author or pair of authors contributes three essays to the debate: first, a position paper with an opening argument for their respective concept of species; second, a counterpoint view of the weakness of competing concepts; and, finally, a rebuttal of the attacks made by other authors. This unique and lively debate format makes the comparative advantages and disadvantages of competing species concepts clear and accessible in a single book for the first time, bringing to light numerous controversies in phylogenetic theory, taxonomy, and philosophy of science that are important to a wide audience. Species Concepts and Phylogenetic Theory will meet a need among scientists, conservationists, policy-makers, and students of biology for an explicit, critical evaluation of a large and complex literature on species. An important reference for professionals, the book will prove especially useful in classrooms and discussion groups where students may find a concise, lucid entree to one of the most complex questions facing science and society.

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This book presents Rahul Mehrotra’s writings over the last thirty years and illustrates his long-term engagement with and analysis of urbanism in India. This work has given rise to a new conceptualization of the city. Mehrotra calls it the Kinetic City, which is the counterpoint to the Static City, as familiar to most of us from conventional city maps. He argues that the city should instead be perceived, read, and mapped in terms of patterns of occupation and associative values attributed to space. The framework is established in this publication by Rahul Mehrotra’s anchor essay, which draws out its potential to “allow a better understanding of the blurred lines of contemporary urbanism and the changing roles of people and spaces in urban society.” The emerging urban Indian condition, of which the Kinetic City is symbolic, is examined in this publication through a selection of writings curated by Mehrotra, which led to and then subsequently built on this framework. The theory is reinforced by different perspectives that Rahul Mehrotra brings to bear on discourse, and on the profession of architects and urban designers, thanks to his career as an architect, urban designer, conservationist, educator, and advocate for the city. From essays such as “Evolution, Involution and the City’s Future: A Perspective on Bombay’s Urban Form” to more generally applicable ruminations such as “Our Home in the World,” this book offers an in-depth look at the last thirty years of reflection and theorizing behind Mehrotra’s work. The publication is divided into three parts. The anchor essay, “Negotiating the Static and Kinetic Cities,” and other contributions (twenty-one in total) make up the main section. A second book within the book is dedicated to an expansive complimentary photo essay by the photographer Rajesh Vora, illustrating the key themes transaction, instability, spectacle, and habitation. The last section presents an illustrated bibliography of Rahul Mehrotra’s wide range of research and writings.

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The drama of John Adams and Thomas Jefferson is the foundational story of America—courage, loyalty, hope, fanaticism, greatness, failure, forgiveness, love.Agony and Eloquence is the story of the greatest friendship in American history and the revolutionary times in which it was made, ruined, and finally renewed.In the wake of Washington’s retirement, longtime friends Thomas Jefferson and John Adams came to represent the opposing political forces struggling to shape America’s future. Adams’s victory in the presidential election of 1796 brought Jefferson into his administration—but as an unlikely and deeply conflicted vice president. The bloody Republican revolution in France finally brought their political differences to a bitter pitch. In Mallock’s take on this fascinating period, French foreign policy and revolutionary developments—from the fall of the Bastille to the fall of the Jacobins and the rise of Napoleon—form a disturbing and illuminating counterpoint to events, controversies, individuals, and relationships in Philadelphia and Washington.Many important and fascinating people appear in the book, including Thomas Paine, Camille Desmoulins, Dr. Benjamin Rush, Tobias Lear, Talleyrand, Robespierre, Danton, Saint-Just, Abigail Adams, Lafayette, James Madison, John Quincy Adams, Dr. Joseph Priestley, Samuel Adams, Philip Mazzei, John Marshall, Alexander Hamilton, and Edward Coles. They are brought to life by Mallock’s insightful analysis and clear and lively writing.Agony and Eloquence is a thoroughly researched and tautly written modern history. When the most important thing is at stake, almost anything can be justified.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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Blob the fish is excited that he has just won the ugliest animal in the world contest! But the popularity and fame that accompany Blob's win soon go to his head. And the loneliness of his new title goes to his heart. And of course, fame never lasts forever. "An irreverent and insightful modern fable about beauty, ugliness, the paths to acceptance, and how admiration hijacks our sense of self. ... The illustrations by Tallec lend the humorous story a lovely dimension of tenderness. Blob comes alive as a sensitive creature of contradictions—full of determination yet easily given to dejection, a living fable of ego and insecurity, easy to fault but also easy to love. ... Under Tallec’s subtle brush, we see a difficult realization dawn on Blob—privilege is bestowed largely by chance and little of actual substance separates the most fortunate from the least fortunate. There is something charmingly subversive about the very premise, as paradoxical as the idea of trying to fail at failure. There is also something profound in the questions it raises about our civilizational fascination with beauty and its counterpoint—what does it really mean to be ugly..."—Brain Pickings “An insightful tale about beauty and self worth. The illustrations are incredible with personality and humor oozing from the pages.” —The Reading Ninja Author Joy Sorman was a philosophy professor before she devoting herself to journalism and writing. Her first book was Boys, Boys, Boys, a challenging feminist story about a girl who is a little different. Sorman also works in TV and radio journalism. Olivier Tallec is an illustrator based in Paris. Following his graduation from the École Supérieure d’Arts Graphiques, he worked in advertising as a graphic designer. He has subsequently devoted himself to illustration and has illustrated more than sixty books, eleven with Enchanted Lion Books including Who What Where? Louis I, King of the Sheep and Big Wolf and Little Wolf and Who Done It? from Chronicle Books.

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If you were an independent, adventurous, liberated American woman in the 1920s or '30s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though many more were curious about the "Soviet experiment." But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, sometimes by the mundane realities, others by ugly truths too horrifying to even contemplate. Mickenberg reveals the complex motives that drew American women to Russia, which appeared to be the very embodiment of modern ideas and ways of living. American women saw in Russia the hope for a new era in which women would be not merely independent of men, but also equal builders of a new society. Russian women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Yet as Mickenberg's sympathetic biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with many of the same economic and sexual inequities that the immigrants had hoped to escape.American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.

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A collection of 36 short stories from a Raqqa, Syria native whose home was commandeered by ISIS and later destroyed by coalition airstrikes.Musa Al-Halool developed these stories based on a sense of embitterment toward the Syrian regime. Now, after his country has fallen from the grips of an obtuse and rigidly bureaucratic state into the uncertainties of war . . . he presents his stories as the response of one still-same voice in the midst of madness.Musa Al-Halool’s stories depict a Kafkaesque Middle Eastern world. The collection opens with eight political fables in a chapter titled Ratistan . . . or the country of Rats. These fables introduce themes which are picked up and developed in the later stories or simply serve as counterpoint to the longer pieces.The Dusk Visitor is an object lesson for Western readers. In just a few words, it invokes the warnings of Ernest Hemingway about the dangers of Fascism in 1920s Italy and the Spanish Civil War of the 1930s . . . that resulted in WWII. The author shows in compelling detail that Middle East dictators and the upside down world of security state rule in the Middle East are the reward for functioning civil societies where a few too many ”good people” find it more convenient to collaborate rather than to resist.Western readers, in their arrogance, are accustomed to pity such dysfunctional societies. In The Dusk Visitor, the tables are turned. Musa Al-Halool forces us to look in the mirror: Middle Eastern style comical inanity and inefficiency as well as torture, mass murder, and other human rights horrors are just around the corner for the EU, UK, US, and other societies where it is OK to raise half-truths, lies, and exaggeration above traditional journalism, dilute the judiciary, gerrymander the election system, usher in strongmen who prefer to be rulers for life, and threaten legal action against one’s political opponents.The Dusk Visitor is a MUST-READ for anyone concerned about the growth of subtle and overt fascism within modern civil society.

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R.S. Thomas (1913-2000) is a major writer of our time, one of the finest religious poets in the English language and one of Wales's greatest poets. His output was prolific: over six decades he published some 25 individual collections of poems, as well as several volumes of prose. A substantial number of his poems, however, have hitherto remained uncollected, and often elusive - poems published in newspapers, magazines and journals (many of them obscure), as well as in private or limited editions. Uncollected Poems - published to mark the centenary of Thomas's birth - brings together for the first time a rigorous selection of the best of these. The fruit of several years' research by Tony Brown and Jason Walford Davies, the volume makes available work which spans the whole of Thomas's career - from an early sonnet to his first wife, M.E. Eldridge (included in his first, unpublished, collection Spindrift in the late 1930s) and an early Iago Prytherch poem published in the Dublin Magazine, to poems which are powerful expressions of the metaphysical meditations of his later years. R.S. Thomas's Uncollected Poems takes its place alongside Collected Poems 1945-1990 (Dent, 1993; Phoenix, 2000), Selected Poems (Penguin, 2003) and Collected Later Poems 1988-2000 (Bloodaxe Books, 2004). It gives readers of R.S. Thomas's work access to much new and fascinating material. Uncollected Poems is a companion volume to R.S. Thomas's Collected Later Poems 1988-2000 (Bloodaxe Books, 2004), the sequel to Collected Poems 1945-1990 (Dent, 1993; Phoenix Press, 2000), which only covers his collections up to Experimenting with an Amen (1986). Collected Later Poems 1988-2000 reprints in full the contents of R.S. Thomas's last five collections, The Echoes Return Slow (Macmillan, 1988: unavailable for many years), and Bloodaxe's Counterpoint (1990), Mass for Hard Times (1992), No Truce with the Furies (1995) and the posthumously published Residues (2002). There is no overlap between the two Bloodaxe editions: none of the poems in Residues, uncollected at the time of his death in 2000, is included in Uncollected Poems.

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In May of 1868, Elizabeth Bingham Young and her husband of only fivemonths, Egerton Ryerson Young, began a long journey from Hamilton,Ontario, to the Methodist mission of Rossville, at Norway House. Overthe next eight years, Elizabeth supported her husband’s work atRossville and then at the newly founded mission of Berens River, on theeast shore of Lake Winnipeg. In these remote outposts, she gave birthto four children, one of whom died in infancy, acted as a nurse anddoctor, and applied both perseverance and determination to learningCree, while also coping with poverty and a chronic shortage ofsupplies, both in the mission and in the community it served. WhenElizabeth died, in 1935, she left behind various reminiscences, notablyan extended account of her experiences at Norway House and BerensRiver, evidently written in 1927. Her memoirs offer an exceedingly rareportrait of mission life as seen through the eyes of a woman. Elizabeth’s first child and only surviving son, also namedEgerton Ryerson Young but known in his youth as “Eddie,”was born at Norway House in 1869. Cared for by a Cree woman almost frominfancy, Eddie spent his early childhood immersed in local Cree andOjibwe life, culture, and language, in many ways exemplifying theprocess of reverse acculturation often in evidence among the childrenof missionaries. He, too, left behind hitherto unpublishedreminiscences, one composed around 1935 and a second dictated shortlybefore his death. Like those of his mother, Eddie’s memoriescapture the sensory and emotional texture of mission life, a life inwhich the Christian faith is implicit rather than prominently ondisplay, while also providing an intriguing counterpoint to hismother’s recollections. Like all memoirs, these are refractedthrough the prism of time, and yet they remain startling in theirimmediacy. Together, the writings of mother and son—conjoinedhere with a selection of archival documents that supplement the mainnarratives, with the whole meticulously edited by Jennifer S. H.Brown—afford an all too uncommon opportunity to contemplatemission life from the ground up.

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The Americas have been the site of two distinct waves of human migration, each associated with human-caused extinctions. The first occurred during the late Pleistocene era, some ten to thirty thousand years ago; the other began during the time of European settler-colonization and continues to this day. In Extinction and the Human Timothy Sweet ponders the realities of animal extinction and endangerment and the often divergent Native American and Euro-American narratives that surround them. He focuses especially on the force of human impact on megafauna—mammoths, whales, and the North American bison—beginning with the moments that these species' extinction or endangerment began to generate significant print archives: transcriptions of traditional Indigenous oral narratives, historical and scientific accounts, and literary narratives by Indigenous American and Euro-American authors. "If the Sixth Extinction is a hyperobject, an event so massively distributed in space and time that it cannot be experienced directly," he writes, "these cases of particular megafauna have nevertheless consistently commanded our focus and attention. They form a starting point for a coherent, approachable history." Reflecting on questions of agency, responsibility, and moral assessment, Sweet engages with the consequences of thinking of humans as fundamentally separate from the rest of the natural world. He investigates stories of a lost race of giants at the time of the first encounters between Europeans and Indigenous Americans; culturally distinct ways of understanding the extinction of the mammoths; the impact of the Euro-American whaling industry and the controversial revitalization of Native American whaling traditions; and the bison's near-extermination at the hands of white market hunters and today's Euro-American and Native American efforts on behalf of the animal's preservation. He reflects on humans' relations with animals through models of divine preservation, competitive extermination, evolutionary determination, biophilia, and treaties with animals. Ultimately, he argues, it is the critical assessment of ideas of human exceptionalism that provides a necessary counterpoint both to apologies for human mastery over nature and deep ecology's attempts to erase the human.

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Created by Kate Moss herself, in collaboration with creative director Fabien Baron, Jess Hallett, and Jefferson Hack, this book is a highly personal retrospective of Kate Moss’s career, tracing her evolution from “new girl with potential” to one of the most iconic models of all time.KATE: The Kate Moss Book will be released with eight unique covers, shot by Mario Testino, Corinne Day, Inez & Vinoodh, Craig McDean, Mert & Marcus, David Sims, Mario Sorrenti, and Juergen Teller and will be shipped to customers at random. Kate Moss began modeling as a teenager and achieved recognition when photographs of her shot by Corinne Day appeared in British magazine The Face. She made her so-called “waif” mark as a counterpoint in the 90s to then-dominant, Amazonian supermodels like Cindy Crawford, Claudia Schiffer, and Linda Evangelista, and, with countless international magazine covers and fashion features, and campaigns for brands including Calvin Klein, Chanel, Bulgari, Dolce & Gabbana, Gucci, and Longchamp, has remained one of fashion’s most enduring and influential forces. Moss’s magic has been captured by the world’s leading photographers, and this volume spans the entirety of her unparalleled career, from model to fashion designer, and muse to icon. Told through images that Moss has personally selected, KATE shows the influence of her collaborations with top photographers and artists over the last two decades, and clearly demonstrates why her career has had, and continues to have, such incredible longevity.Photography by Arthur Elgort, Corinne Day, Craig McDean, David Sims, Hedi Slimane, Inez & Vinoodh, Juergen Teller, Mario Sorrenti, Mario Testino, Mert & Marcus, Nick Knight, Patrick Demarchelier, Peter Lindbergh, Roxanne Lowit, Steven Klein, Terry Richardson and others Including many ‘never-before-seen’ images from her own archives and those of the illustrious photographers with whom she has worked, KATE is a must-have for anyone interested in one of the most iconic models in the history of fashion media and modern culture.

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A pathbreaking contribution to Latin American testimonial literature, When a Flower Is Reborn is activist Rosa Isolde Reuque Paillalef’s chronicle of her leadership within the Mapuche indigenous rights movement in Chile. Part personal reflection and part political autobiography, it is also the story of Reuque’s rediscovery of her own Mapuche identity through her political and human rights activism over the past quarter century. The questions posed to Reuque by her editor and translator, the distinguished historian Florencia Mallon, are included in the text, revealing both a lively exchange between two feminist intellectuals and much about the crafting of the testimonial itself. In addition, several conversations involving Reuque’s family members provide a counterpoint to her story, illustrating the variety of ways identity is created and understood.A leading activist during the Pinochet dictatorship, Reuque—a woman, a Catholic, and a Christian Democrat—often felt like an outsider within the male-dominated, leftist Mapuche movement. This sense of herself as both participant and observer allows for Reuque’s trenchant, yet empathetic, critique of the Mapuche ethnic movement and of the policies regarding indigenous people implemented by Chile’s post-authoritarian government. After the 1990 transition to democratic rule, Reuque collaborated with the government in the creation of the Indigenous Development Corporation (CONADI) and the passage of the Indigenous Law of 1993. At the same time, her deepening critiques of sexism in Chilean society in general, and the Mapuche movement in particular, inspired her to found the first Mapuche feminist organization and participate in the 1996 International Women’s Conference in Beijing. Critical of the democratic government’s inability to effectively address indigenous demands, Reuque reflects on the history of Mapuche activism, including its disarray in the early 1990s and resurgence toward the end of the decade, and relates her hopes for the future.An important reinvention of the testimonial genre for Latin America’s post-authoritarian, post-revolutionary era, When a Flower Is Reborn will appeal to those interested in Latin America, race and ethnicity, indigenous people’s movements, women and gender, and oral history and ethnography.

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The disappearance behind the Iron Curtain of the American brothers Noel and Hermann Field in 1949, followed by that of Noel’s wife and their foster daughter, was one of the most publicized international mysteries of the Cold War. This dual memoir gives an intensely human dimension to that struggle, with Hermann narrating all that happened to him from the day he was abducted from the Warsaw airport to his release five years later, and Kate relating her unrelenting efforts to find her husband. Thousands of potential victims of Hitler’s dragnet were rescued in 1939 and during World War II through separate efforts of the Field brothers. Arrested in Czechoslovakia in 1949, Noel was taken to Hungary and used as an example of American perfidy in show trials. Hermann went to Poland primarily to find out what had happened to his brother. After Hermann’s abduction, he was taken to the cellar of a secret Polish prison, where he was held for five years. He gives us a detailed account of his battle to survive, alternating despair and horror with mordant humor. Meanwhile, his family had no idea whether he was still alive and if so, where. This moving story, based on detailed notes made by the authors during and shortly after the events described, presents an inside-outside counterpoint, as Hermann’s chapters on his inward journey in his cellar world alternate with Kate’s efforts in London to find him by scrutinizing accounts of political events in Eastern Europe for clues and penetrating the diplomatic corridors of power in the West for help. Hermann had been arrested by a Polish security agent who later defected and became one of the West’s most important informants on Soviet operations in Eastern Europe. The search for the Field brothers was complicated by their history of leftist connections, for this tense period in the Cold War was also the era of McCarthyism in the United States. The book ends with an Epilogue that analyzes the events of fifty years ago in the light of what we know today, as the result of newly available archival material.

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From growing their children, parents grow themselves, learning the lessons their children teach. "Growing up", then, is as much a developmental process of parenthood as it is of childhood. While countless books have been written about the challenges of parenting, nearly all of them position the parent as instructor and support-giver, the child as learner and in need of direction. But the parent-child relationship is more complicated and reciprocal; over time it transforms in remarkable, surprising ways. As our children grow up, and we grow older, what used to be a one-way flow of instruction and support, from parent to child, becomes instead an exchange. We begin to learn from them. The lessons parents learn from their offspring voluntarily and involuntarily, with intention and serendipity, often through resistance and struggle are embedded in their evolving relationships and shaped by the rapidly transforming world around them. With Growing Each Other Up, Macarthur Prize winning sociologist and educator Sara Lawrence-Lightfoot offers an intimately detailed, emotionally powerful account of that experience. Building her book on a series of in-depth interviews with parents around the country, she offers a counterpoint to the usual parental development literature that mostly concerns the adjustment of parents to their babies' rhythms and the ways parents weather the storms of their teenage progeny. The focus here is on the lessons emerging adult children, ages 15 to 35, teach their parents. How are our perspectives as parents shaped by our children? What lessons do we take from them and incorporate into our worldviews? Just how much do we learn often despite our own emotionally fraught resistance from what they have seen of life that we, perhaps, never experienced? From these parent portraits emerges the shape of an education composed by young adult children an education built on witness, growing, intimacy, and acceptance. Growing Each Other Up is rich in the voices of actual parents telling their own stories of raising children and their children raising them; watching that fundamental connection shift over time. Parents and children of all ages will recognize themselves in these evocative and moving accounts and look at their own growing up in a revelatory new light.

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The disappearance behind the Iron Curtain of the American brothers Noel and Hermann Field in 1949, followed by that of Noel’s wife and their foster daughter, was one of the most publicized international mysteries of the Cold War. This dual memoir gives an intensely human dimension to that struggle, with Hermann narrating all that happened to him from the day he was abducted from the Warsaw airport to his release five years later, and Kate relating her unrelenting efforts to find her husband. Thousands of potential victims of Hitler’s dragnet were rescued in 1939 and during World War II through separate efforts of the Field brothers. Arrested in Czechoslovakia in 1949, Noel was taken to Hungary and used as an example of American perfidy in show trials. Hermann went to Poland primarily to find out what had happened to his brother. After Hermann’s abduction, he was taken to the cellar of a secret Polish prison, where he was held for five years. He gives us a detailed account of his battle to survive, alternating despair and horror with mordant humor. Meanwhile, his family had no idea whether he was still alive and if so, where. This moving story, based on detailed notes made by the authors during and shortly after the events described, presents an inside-outside counterpoint, as Hermann’s chapters on his inward journey in his cellar world alternate with Kate’s efforts in London to find him by scrutinizing accounts of political events in Eastern Europe for clues and penetrating the diplomatic corridors of power in the West for help. Hermann had been arrested by a Polish security agent who later defected and became one of the West’s most important informants on Soviet operations in Eastern Europe. The search for the Field brothers was complicated by their history of leftist connections, for this tense period in the Cold War was also the era of McCarthyism in the United States. The book ends with an Epilogue that analyzes the events of fifty years ago in the light of what we know today, as the result of newly available archival material.

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A powerful German counterattack in Normandy in August 1944 might have been one of the Wehrmacht's great shining moments in the Second World War. The odds were certainly in their favour. Determined to drive the Allies back to the English Channel, elements of four combat-hardened panzer divisions faced off against a single American infantry division near the town of Mortain. Instead, the Americans held their ground, enabling the Allied armies to secure the invasion and ultimately liberate France.In a vivid recreation of this pivotal battle—less celebrated than the encounter at the Falaise Pocket but just as decisive—Mark Reardon tells how the 30th Infantry Division held off the German panzer juggernaut, which was designed to drive a wedge between Allied forces. In recounting this showdown, he offers a new perspective on the German defeat in Normandy and a convincing counterpoint to the conventional view of most military analysts that Germany lost the war as a result of Allied materiel superiority or Hitler's strategic meddling.Through vigorous prose laced with compelling anecdotes, Reardon reconstructs the battle from both sides of the firing line to explain why it evolved and ended as it did. He reveals how professional rivalries and lack of accurate battlefield information hampered the efforts of German generals to execute a successful counteroffensive. He also tells how the U.S. Army profited from the bitter lessons of hedgerow fighting to gain superiority in ground manoeuvre, fire support, and the use of airpower, logistics, communications, and reconnaissance in the face of more experienced and better armed opponents.Reardon's riveting tale reveals that Americans GIs could fight as well as their more vaunted opponent, which gave the U.S. Army the confidence it needed to take the war into the enemy's homeland. Equally important, their victory prevented the Germans from retaking strategic points that would have kept the war bottled up in Normandy.Drawing not only on exhaustive research in Anglo-American and German archives but also on first hand accounts by more than two hundred American soldiers, Reardon's detailed reconstruction fills an important gap in the history of World War II combat that has existed for more than half a century.

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Takes students from zero knowledge to engaged and critical thinkers. This best-selling undergraduate textbook from renowned authors Kirsty Horsey & Erika Rackley offers a lively, accessible, and thoughtful treatment of all key tort law topics, and includes carefully chosen learning features that encourage deep and critical thinking. Key features: - Problem questions at the beginning of chapters set the scene, immediately putting the law in context. Outline answers and an annotated version with issues and cases to consider offer students further insights - Author videos in every chapter enliven, explain, and enrich key topics - 'Counterpoint' and 'pause for reflection' boxes encourage students to think critically and engage with areas of controversy or reform - Annotated statutes and judgments explain the more difficult points of law and help students develop the invaluable skills of reading, interpreting, and analysing - Interactive decision trees provide a visual aid to understanding key torts, and cement that knowledge through direct, step-by-step engagement New to this edition: - Author videos and interactive decision trees - New and updated coverage of key legal developments, including Banks v Cadwalladr [2022] EWHC 1417 (QB) on defamation, Bloomberg LP (Appellant) v ZXC (Respondent) [2022] UKSC 5 on privacy, and Paul v Royal Wolverhampton NHS Trust; Polmear v Royal Cornwall Hospital NHS Trust; Purchase v Ahmed [2022] EWCA Civ 12 on psychiatric harm Digital formats and resources: This edition is available as an enhanced e-book, which offers an array of integrated resources to support learning. These include author videos, interactive decision trees, and support in tackling the problem question, as well as a mobile experience and convenient access, functionality tools, navigation features, and links: www.oxfordtextbooks.co.uk/ebooks A selection of online resources is available to paperback, Law Trove, and enhanced e-book users, including: - Outline answers to questions in the book - Annotated links to external web resources and videos - Downloadable annotated case judgments, statutes, and problem questions - Guidance on answering problem and essay questions - Additional content on elements of a claim in the tort of negligence and on product liability - Access to the enhanced e-book's videos and interactive decision trees

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Paul Gruhler opened his first studio in 1962 at the age of 21 — a year later he had a solo show at the DeMena Gallery in lower Manhattan. From the beginning, Gruhler, a self-taught artist, was compelled by what came to be known as geometric abstraction, in which the deliberative arrangement of color, line, texture, and scale, in paintings and collage, evoke from these disparate elements a sense of meditative harmony. For sixty years, he has continued to explore the subtle differences that can be made from color and line. Gruhler was fortunate in the early years to have met and become good friends with three older artists who were also important teachers and mentors — first Michael Lekakis, then Harold Weston and Herb Aach. Lekakis, a celebrated sculptor, who already had had exhibitions at the Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Modern Art’s exhibition Americans 1963, took Gruhler under his wing, navigating him through New York’s thriving avant-garde art scene. As Carolyn Bauer writes, “Michael Lekakis was instrumental in encouraging Gruhler to attend art events, while taking him to invite-only museum openings.” He also introduced him to renowned artists — among them, Alexander Calder, Isamu Noguchi, Louise Nevelson, and Barnett Newman — whose works influenced the young Gruhler, as did such artists as Mark Rothko, Clyfford Still, and Ad Reinhardt. Lekakis was also instrumental in Gruhler’s first show, giving titles to his paintings and writing catalog copy that drew upon his own abstract poetics. “These canvases,” he wrote, are “multi colored fire densely cascades to suspension hanging a counterpoint of rhythmic patterns in space covering it like a shroud united by a golden fragmentation.” Over these years Gruhler has had numerous solo and group shows in the U.S. in New York and Vermont, in Mexico, and abroad in Finland, Germany, Sweden, and The Netherlands. HARMONICS is both a retrospective and a current view of Paul Gruhler’s intensive art. “My work,” he says, “has been a meditative exploration of vertical and horizontal relationships in space, in order to achieve both harmony and tension within color, line and form.”

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Heather Seller's unpretentious, vernacular prose allows Georgia a persuasive mix of innocence and experience. These are miraculous stories of survival, perhaps even forgiveness. To some of us Georgia's life would be unthinkable. Sellers makes us believe it is well worth living. "Heather Sellers writes delicious, dangerous prose. She starts you twenty-three floors up in condo squalor, nips across for dysfunction in Disney country, threatens incest in Hotlanta, and comes to grief on the Gulf. The dead-credible life of Georgia Jackson—ineffably sweet, thoroughly in love with her own luscious body, half in love with her lush of a father—skids at the edge of the surreal. Her story had me laughing through the lump in my throat. An original. A knockout debut."-Janet Burroway Marketing Plans Author tour in Sellers' hometowns in Michigan and Florida Brochure and postcard mailings Advertisements in key literary and trade magazines Heather Sellers was born and raised in Orlando, Florida and received a Ph.D. in Writing from Florida State University. Her work has appeared in Indiana Review, New Virginia Review, The Hawaii Review, The Chattahoochee Review, The Women's Review of Books, and Sonora Review. Her story "Fla. Boys" is anthologized in New Stories from the South, 1999: The Year's Best. She received a fellowship from the National Endowment for the Arts in 1999. She currently lives in Holland, Michigan, where she's an associate professor of English at Hope College. Excerpt From Georgia Under Water From the short story, "Spurt" I spent those days watching myself in every reflective surface known to Daytona Beach. My knees weren't knobs anymore. My knees were lush transitions. My thighs shone golden-brown; my shins, paler, but long and strong. My ankles were slim, bony in a fetching way, my feet suddenly inches too long for my slaps and sandals. My hair swung in a shiny curtain behind me; my legs were in constant motion, counterpoint. "You've had a growth spurt," my mother said. "Your shorts are way too short. When did this happen?" "I think yesterday and/or the day before," I said. We were in

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This bold, groundbreaking study of American political development assesses the presidency of Abraham Lincoln through the lenses of governmental power, economic policy, expansion of executive power, and natural rights to show how Lincoln not only believed in the limitations of presidential power but also dedicated his presidency to restraining the scope and range of it.Though Lincoln’s presidency is inextricably linked to the Civil War, and he is best known for his defense of the Union and executive wartime leadership, Lincoln believed that Congress should be at the helm of public policy making. Likewise, Lincoln may have embraced limited government in vague terms, but he strongly supported effective rule of law and distribution of income and wealth. Placing the Lincoln presidency within a deeper and more meaningful historical context, Abraham Lincoln’s Statesmanship and the Limits of Liberal Democracy highlights Lincoln’s significance in the development of American power institutions and social movement politics.Using Lincoln’s prepresidential and presidential words and actions, this book argues that decent government demands a balance of competing goods and the strong statesmanship that Lincoln exemplified. Instead of relying too heavily on the will of the people and institutional solutions to help prevent tyranny, historian Jon D. Schaff proposes that American democracy would be better served by a moderate and prudential statesmanship such as Lincoln’s, which would help limit democratic excesses.Schaff explains how Lincoln’s views on prudence, moderation, natural rights, and economics contain the notion of limits, then views Lincoln’s political and presidential leadership through the same lens. He compares Lincoln’s views on governmental powers with the defense of unlimited government by twentieth-century progressives and shows how Lincoln’s theory of labor anticipated twentieth-century distributist economic thought. Schaff’s unique exploration falls squarely between historians who consider Lincoln a protoprogressive and those who say his presidency was a harbinger of industrialized, corporatized America.In analyzing Lincoln’s approach, Abraham Lincoln’s Statesmanship and the Limits of Liberal Democracy rejects the idea he was a revolutionary statesman and instead lifts up Lincoln’s own affinity for limited presidential power, making the case for a modest approach to presidential power today based on this understanding of Lincoln’s statesmanship. As a counterpoint to the contemporary landscape of bitter, uncivil politics, Schaff points to Lincoln’s statesmanship as a model for better ways of engaging in politics in a democracy.

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An accessible and engaging anthology of readings focused specifically on applied ethics issues of sexual morality Sexual Ethics: An Anthology addresses conceptual, ethical, and public policy issues about sex, providing a balanced and non-sectarian discussion of many of today’s most important and controversial moral topics. Covering a broad range of contemporary sexual ethics issues, this easily accessible textbook includes explications and point/counterpoint pieces on the definition of sex and sexual orientation, sexual harassment and rape law, sexual discrimination, age of consent, marriage and adultery, online affairs, gay marriage, polygamy and polyamory, sexual orientation change therapy, transgender and sex reassignment surgery, intersexed infants and surgery, pornography, prostitution, psychiatric classifications of sexuality disorders, and specific paraphilias. Organized around six broad themes—Consent, Marriage, Homosexuality, Transgender, Commerce, and Paraphilias—Sexual Ethics presents multiple sides of each issue, offering diverse perspectives on critical topics, supported by relevant philosophical arguments, position papers, psychological studies, government regulations, and court rulings. Sexual Ethics is particularly designed to provide a ready-made course in sexual ethics, with several major elements ideally suited for classroom instructors and students: Includes an introductory chapter on key definitional, conceptual, and theoretical issues Features “Framing Questions” for each section that address a major moral or policy issue and highlights the pro/con nature of the readings (e.g., How should we define rape? Should pornography be protected as free speech?) Features a short summary at the beginning of each reading, including the topic, major points, and conclusion, very helpful for instructor planning Features 15 “Discussion Starters” that help students start thinking critically and talking about sexual ethics before doing any reading Features 45 brief “Decision Cases” drawn from major media stories especially relevant to the college student context, including college virginity, male rape, child pornography on television, college sexual harassment, faux-bisexuality, fraternity party sex, transgender inclusion, race and sex, asexuality, bromances, campus pride groups, fetishes and kink, online sex, Title IX mandatory reporting, transgender sports competition, religious diversity and sex, sex education, feminists working at sexually exploitative jobs, cancel culture, and robot sex. These cases are ideal for class discussion, class presentations, and research paper topics. Sexual Ethics: An Anthology is an excellent textbook for undergraduate classes in applied ethics, sexual ethics, and gender studies, as well as related courses in sociology, public policy, marriage and family law, and social work.

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Autumn 1958 marked the launching of the Bodensee-Wasserversorgung (Lake Constance water supply), an infrastructure project whose largest part is underground, hidden from view. Even in the first phase of the project, 2160 litres of water per second were taken from Lake Constance at a depth of roughly 60 m, treated on Sipplinger Berg and transported over hundreds of kilometres of pipeline through the Swabian Alb to the greater Stuttgart area. What is remarkable about this project, however, is not only the technological challenge of a combination of the lake-water treatment and the overland water pipeline, but particularly the special quality of the design of the visible parts of the waterworks, a result of the collaboration of engineers, architects, landscape designers and artists. Hermann Blomeier, who had settled in Constance in 1932 after graduating from the Bauhaus Dessau under Ludwig Mies van der Rohe, was commissioned with implementing the Sipplingen pumping station following a competition and, with functionally and transparently designed buildings, created a counterpoint to the expressive landscape of Lake Constance that was as restrained as it was confident. The treatment plants on Sipplinger Berg, built by a team comprising Blomeier and the architect and academic Günter Wilhelm, from the 'Quelltopf' (source pot) and the filter basins to the clean-water reservoir, exactly meet functional requirements and at the same time impressively illustrate the technical processes. The long distance travelled by the water is accompanied by seemingly subordinate buildings designed by architect Wolf Irion, subtly integrated in the landscape as a kind of wayside chapels, housing the pipe-rupture safety devices and line valves. The high quality of the design is evident not only in the buildings, but also in the work of landscape architect Walter Rossow and of visual artists Hans-Dieter Bohnet, Martin Matschinsky and Brigitte Matschinksy-Denninghof. Andreas Schwarting is professor of architectural history and architecture theory at the Hochschule Konstanz. His research has focussed particularly on 20th-century architecture, its reception and historiography, and on specific issues of conservation and maintenance. His publications include the monograph on Walter Gropius Dessau-Törten estate, and he was instrumental in the publication of the Stiftung Wüstenrot on the preservation of contemporary buildings. He was appointed by the International Council on Monuments and Sites (ICOMOS) to monitor the UNESCO world-heritage sites of the Bauhaus in Weimar and Dessau.

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"A highly relevant, inclusive collection of voices from the roots of resistance. . . . Empowering words to challenge, confront, and defy."--Kirkus Reviews"This book fights fascism. This books offers hope. We The Resistance is essential reading for those who wish to understand how popular movements built around nonviolence have changed the world and why they retain the power to do so again."—Jonathan Eig, author of Ali: A Life "This comprehensive documentary history of non-violent resisters and resistance movements is an inspiring antidote to any movement fatigue or pessimism about the value of protest. It tells us we can learn from the past as we confront the present and hope to shape the future. Read, enjoy and take courage knowing you are never alone in trying to create a more just world. Persevere and persist and win, but know that even losing is worth the fight and teaches lessons for later struggles."—Mary Frances Berry, author of History Teaches Us to Resist: How Progressive Movements Have Succeeded in Challenging Times"We the Resistance illustrates the deeply rooted, dynamic, and multicultural history of nonviolent resistance and progressive activism in North America and the United States. With a truly comprehensive collection of primary sources, it becomes clear that dissent has always been a central feature of American political culture and that periods of quiescence and consensus are aberrant rather than the norm. Indeed, the depth and breadth of resistant and discordant voices in this collection is simply outstanding."—Leilah Danielson, author of American Gandhi: A.J. Muste and the History of American Radicalism in the Twentieth Century While historical accounts of the United States typically focus on the nation's military past, a rich and vibrant counterpoint remains basically unknown to most Americans. This alternate story of the formation of our nation—and its character—is one in which courageous individuals and movements have wielded the weapons of nonviolence to resist policies and practices they considered to be unjust, unfair, and immoral. We the Resistance gives curious citizens and current resisters unfiltered access to the hearts and minds—the rational and passionate voices—of their activist predecessors. Beginning with the pre-Revolutionary era and continuing through the present day, readers will directly encounter the voices of protesters sharing instructive stories about their methods (from sit-ins to tree-sitting) and opponents (from Puritans to Wall Street bankers), as well as inspirational stories about their failures (from slave petitions to the fight for the ERA) and successes (from enfranchisement for women to today's reform of police practices). Instruction and inspiration run throughout this captivating reader, generously illustrated with historic graphics and photographs of nonviolent protests throughout U.S. history.

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Many Americans, argues Michael C. C. Adams, tend to think of the Civil War as more glorious, less awful, than the reality. Millions of tourists flock to battlefields each year as vacation destinations, their perceptions of the war often shaped by reenactors who work hard for verisimilitude but who cannot ultimately simulate mutilation, madness, chronic disease, advanced physical decay. In Living Hell, Adams tries a different tack, clustering the voices of myriad actual participants on the firing line or in the hospital ward to create a virtual historical reenactment. Perhaps because the United States has not seen conventional war on its own soil since 1865, the collective memory of its horror has faded, so that we have sanitized and romanticized even the experience of the Civil War. Neither film nor reenactment can fully capture the hard truth of the four-year conflict. Living Hell presents a stark portrait of the human costs of the Civil War and gives readers a more accurate appreciation of its profound and lasting consequences. Adams examines the sharp contrast between the expectations of recruits versus the realities of communal living, the enormous problems of dirt and exposure, poor diet, malnutrition, and disease. He describes the slaughter produced by close-order combat, the difficulties of cleaning up the battlefields-where tens of thousands of dead and wounded often lay in an area of only a few square miles-and the resulting psychological damage survivors experienced. Drawing extensively on letters and memoirs of individual soldiers, Adams assembles vivid accounts of the distress Confederate and Union soldiers faced daily: sickness, exhaustion, hunger, devastating injuries, and makeshift hospitals where saws were often the medical instrument of choice. Inverting Robert E. Lee's famous line about war, Adams suggests that too many Americans become fond of war out of ignorance of its terrors. Providing a powerful counterpoint to Civil War glorification, Living Hell echoes William Tecumseh Sherman's comment that war is cruelty and cannot be refined. Praise for Our Masters the Rebels: A Speculation on Union Military Failure in the East, 1861-1865. "This excellent and provocative work concludes with a chapter suggesting how the image of Southern military superiority endured in spite of defeat." (Civil War History). "Adams' imaginative connections between culture and combat provide a forceful reminder that Civil War military history belongs not in an encapsulated realm, with its own categories and arcane language, but at the center of the study of the intellectual, social, and psychological currents that prevailed in the mid-nineteenth century." (Journal of American History). Praise for The Best War Ever: America and World War II: "Adams has a real gift for efficiently explaining complex historical problems." (Reviews in American History). "Not only is this mythologizing bad history, says Adams, it is dangerous as well. Surrounding the war with an aura of nostalgia both fosters the delusion that war can cure our social ills and makes us strong again, and weakens confidence in our ability to act effectively in our own time." (Journal of Military History).

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Many Americans, argues Michael C. C. Adams, tend to think of the Civil War as more glorious, less awful, than the reality. Millions of tourists flock to battlefields each year as vacation destinations, their perceptions of the war often shaped by reenactors who work hard for verisimilitude but who cannot ultimately simulate mutilation, madness, chronic disease, advanced physical decay. In Living Hell, Adams tries a different tack, clustering the voices of myriad actual participants on the firing line or in the hospital ward to create a virtual historical reenactment. Perhaps because the United States has not seen conventional war on its own soil since 1865, the collective memory of its horror has faded, so that we have sanitized and romanticized even the experience of the Civil War. Neither film nor reenactment can fully capture the hard truth of the four-year conflict. Living Hell presents a stark portrait of the human costs of the Civil War and gives readers a more accurate appreciation of its profound and lasting consequences. Adams examines the sharp contrast between the expectations of recruits versus the realities of communal living, the enormous problems of dirt and exposure, poor diet, malnutrition, and disease. He describes the slaughter produced by close-order combat, the difficulties of cleaning up the battlefields-where tens of thousands of dead and wounded often lay in an area of only a few square miles-and the resulting psychological damage survivors experienced. Drawing extensively on letters and memoirs of individual soldiers, Adams assembles vivid accounts of the distress Confederate and Union soldiers faced daily: sickness, exhaustion, hunger, devastating injuries, and makeshift hospitals where saws were often the medical instrument of choice. Inverting Robert E. Lee's famous line about war, Adams suggests that too many Americans become fond of war out of ignorance of its terrors. Providing a powerful counterpoint to Civil War glorification, Living Hell echoes William Tecumseh Sherman's comment that war is cruelty and cannot be refined. Praise for Our Masters the Rebels: A Speculation on Union Military Failure in the East, 1861-1865 "This excellent and provocative work concludes with a chapter suggesting how the image of Southern military superiority endured in spite of defeat."- Civil War History "Adams's imaginative connections between culture and combat provide a forceful reminder that Civil War military history belongs not in an encapsulated realm, with its own categories and arcane language, but at the center of the study of the intellectual, social, and psychological currents that prevailed in the mid-nineteenth century."- Journal of American History Praise for The Best War Ever: America and World War II "Adams has a real gift for efficiently explaining complex historical problems."- Reviews in American History "Not only is this mythologizing bad history, says Adams, it is dangerous as well. Surrounding the war with an aura of nostalgia both fosters the delusion that war can cure our social ills and makes us strong again, and weakens confidence in our ability to act effectively in our own time."- Journal of Military History

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The author does a commendable job of taking what is known about groups, the unconscious, and psychodynamics in an academic sense, and grounding it in relevant experiential education examples. This book is appropriate for intermediate and advanced practitioners who want to stretch their own thinking about group processes and group management. Ringer's text provides a good bridge between academic journals (and contains an abundance of quality citations) and practical application related to group leadership. I [found] it engaging and thought provoking.'- Journal of Experiential Education'Martin Ringer offers explanations of group processes with examples (both extensive and quite brief) that illustrate both concepts and strategies. Also a rare phenomenon, he positively encourages readers to relax their concentration on the written word and to think, make associations and learn by reflection on their own experiences of being leaders and members of groups.'- Leadership & Organization Development Journal'It gives huge assistance to a thinking group-worker. [It] brings alternative viewpoints and slants of lighting that open up familiar territory in fresh and stimulating ways. Worth the read.'- ANZPA 2002'The book's audience is not limited to those in training. Experienced group leaders will have their memories refreshed by his reviews of experimental learning and psychoanalytic and semi-systemic ways of understanding human and group behaviour practitionners in both the fields of adventure and group psychology will recognise that there is a maturity in Ringer's writing. He speaks from a profound understanding that comes from the practical lived level.'- Journal of Adventure Education and Outdoor Living'In publishing this book, Martin Ringer has provided us with a companion for quiet reflection. It will support group leaders in developing insights into their own practice and in raising their conscious awareness. It is a counterpoint to the many texts that focus on recipes and heuristics for success. In contrast to these superficial quick fixes, the author offers a book that brings the reader to profound reflection...The book is invaluable as a companion to signpost directions for further inquiry and experience. It can act to stretch one's appreciation and understanding of group complexity... It is a book that rewards patient contemplation and delivers high returns for depth of study. As I journey through the troubled and pleasant waters of group life, Martin Ringer's book will be a companion to accompany my thinking and actions.'- Steve Kempster, MBA Programme Director, Lancaster University School of ManagementGroups provide a powerful medium for therapeutic work, and are the building blocks of all institutions - whether in the education, health, government, or private sectors. Martin Ringer, an internationally known consultant and writer on group psychology, here outlines techniques for understanding groups that will be relevant to those who lead teams in any setting. The result is an accessible guide both to leading a group, and to understanding the necessary dynamics that will result in the best team-work. Throughout, Martin Ringer uses his wide-ranging experience and an informal style to make his points as accessible as possible to all readers - whether or not they have a formal background in group psychology.Rich with new ideas and challenging perspectives, this book is strongly recommended for anyone who wants to improve their ability as a group leader. The author provides basic and fundamental reference points for leaders, whilst also encouraging them to adopt more experimental approaches.

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