Search results for ""Author John C."

Over the course of 12 weeks, this study will help readers understand the practical wisdom found in 1–3 John regarding what it looks like to follow Jesus and walk according to his commandments.

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In book 9 of ""Paradise Lost"" near the end of what is generally referred to as the separation scene, Eve speaks of Adam's 'reasoning words' (379) as she prepares to leave her husband's side to garden alone. For a writer who focused on the importance of debate and the consequences of choices in his three major epics - ""Paradise Lost"", ""Paradise Regained"", and ""Samson Agonistes"" - and who depicted the awesome power of temptation in poetry and prose alike, Milton consistently argued that 'God...trusts [his created being] with the gift of reason to be his own chooser' (Areopagitica), whether that chooser be Satan, Eve, Adam, the Son, the English people, the reader, or Milton himself.As he states in ""Of Education"", 'language is but the instrument conveying to us things useful to be known' (631). While the ten essays that make up this collection are intentionally diverse in subject matter, emphasis, and approach, what unifies them is a common interest in aspects of language, or, as the title suggests, 'reasoning words'. Charles W. Durham is Professor Emeritus of English at Middle Tennessee State University. Kristin A. Pruitt is Professor Emerita of English at Christian Brothers University.

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Purveyors of spiritualized medicine have been legion in American religious history, but few have achieved the superstar status of Dr. John Harvey Kellogg and his Battle Creek Sanitarium. In its heyday, the "San" was a combination spa and Mayo Clinic. Founded in 1866 under the auspices of the Seventh-day Adventist Church and presided over by the charismatic Dr. Kellogg, it catered to many well-heeled health seekers including Henry Ford, John D. Rockefeller, and Presidents Taft and Harding. It also supported a hospital, research facilities, a medical school, a nursing school, several health food companies, and a publishing house dedicated to producing materials on health and wellness. Rather than focusing on Kellogg as the eccentric creator of corn flakes or a megalomaniacal quack, Brian C. Wilson takes his role as a physician and a theological innovator seriously and places his religion of "Biologic Living" in an on-going tradition of sacred health and wellness. With the fascinating and unlikely story of the "San" as a backdrop, Wilson traces the development of this theology of physiology from its roots in antebellum health reform and Seventh-day Adventism to its ultimate accommodation of genetics and eugenics in the Progressive Era.

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In this study, Calvin D. Ullrich argues for the political significance of the philosopher-theologian John D. Caputo's radical theology. Against the backdrop of present debates, the author traces the notions of 'sovereignty and event' by drawing on the political theology of Carl Schmitt and Caputo's evolving engagement with postmodern thought; from its genesis in Martin Heidegger to its deeply involved association with Jacques Derrida. Calvin D. Ullrich shows that contrary to some misleading interpretations of his religious deconstruction, Caputo has always held nascent political concerns which culminate in his radical theology. Writing for scholars working in contemporary philosophy and theology, this book offers one of the first major in-depth analyses covering Caputo's writings of the last four decades, and seeks to defend their relevance for discussions responding to ongoing political-theological challenges.

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The John Muir Way is a coast-to-coast route for cyclists and walkers that crosses Scotland from Helensburgh on the Clyde to Dunbar on the Forth (134 miles/215 km). This lightweight folded sheet map (scale 1:75,000) is designed for cyclists and walkers and has been created in partnership with Scottish Natural Heritage. There is an 84-page guidebook with the same title, also from Rucksack Readers.

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A logical, straightforward approach to learning the C# language C# is a complicated programming language for building .NET-connected software for Microsoft Windows, the Web, and a wide range of devices. The friendly All-in-One For Dummies format is a perfect way to present it. Each minibook is a self-contained package of necessary information, making it easy to find what you're looking for. Upgrades in C# 2010 include the ability to build Windows 7 applications and compatibility with Python and Ruby. C# is a somewhat complex programming language for building .NET-connected software for Microsoft Windows, the Web, and other devices Beginning C# programmers will appreciate how the All-in-One format breaks the topic into minibooks, each one addressing a key body of information Minibooks include creating your first C# program, Windows 7 programming, basic C# programming, object-based programming, object-oriented programming, Windows programming with C# and Visual Studio, and debugging Companion Web site includes all sample code Beginning C# programmers will find C# 2010 All-in-One For Dummies explains a complicated topic in an easy, understandable way. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

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The fourth volume of the John Baldessari Catalogue Raisonné comprises approximately 370 works that represent the activity of this iconic conceptual artist between 1994 and 2004. Here, John Baldessari (b. 1931) continues to interrogate the possibilities of photographic appropriation, further developing his unique strategies for the production of meaning and narrative within the picture frame. Included in this crucial volume is the landmark Goya series, which shows the artist revisiting his characteristic photo-text pieces established early in his career. In the serial trio Overlap, Intersection,and Junction, produced between 2000 and 2002, Baldessari riffs on the notion of pictorial space, with each series building on the preceding one. Along with a full chronology, an essay contributed by the eminent critic Robert Storr closely examines a selection of these works, articulating their place within the evolution of the artist’s career and their much broader historical climate. Published in association with Marian Goodman Gallery

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John Adams reached Paris on October 26, 1782, for the final act of the American Revolution: the peace treaty. This volume chronicles his role in the negotiations and the decision to conclude a peace separate from France. Determined that the United States pursue an independent foreign policy, Adams's letters criticized Congress's naive confidence in France. But in April 1783, frustrated at delays over the final treaty and at real and imagined slights from Congress and Benjamin Franklin, Adams believed the crux of the problem was Franklin's moral bankruptcy and servile Francophilia in the service of a duplicitous Comte de Vergennes.Volume 14 covers more than just the peace negotiations. As American minister to the Netherlands, Adams managed the distribution of funds from the Dutch-American loan. Always an astute observer, he commented on the fall of the Shelburne ministry and its replacement by the Fox-North coalition, the future of the Anglo-American relationship, and the prospects for the United States in the post-revolutionary world. But he was also an anxious father, craving news of John Quincy Adams's slow journey from St. Petersburg to The Hague. By May 1783, Adams was tired of Europe, but resigned to remaining until his work was done.

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John Constable is one of the greatest painters of the English weather. His depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings in which the landscape beneath the ever-changing sky is completely absent. Constable kept a weather diary and was endlessly fascinated by the sky. In a letter written in 1821 to friend John Fisher, Bishop of Salisbury, Constable commented, ‘That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids ... It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.’ Written by Mark Evans, a leading authority on the work of John Constable, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. It will appeal to a broad readership of museum visitors and art lovers, as well as practising landscape painters keen to learn new skills by studying the work of one of the most enduringly popular English artists of all time.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1959.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.

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The Gospel of John and Epicureanism share vocabulary and reject the conventions of Graeco-Roman theology. Would it then have been easy for an Epicurean to become a Christian or vice-versa? Fergus J. King suggests that such claims become unlikely when detailed analyses of the two traditions are set out and compared. The first step in his examination looks at evidence for potential engagement between the two traditions historically and geographically. Both traditions address concerns about the good life, death, and the divine. However, this correspondence soon unravels as their worldviews are far from identical. Shared terms (like Saviour), their respective rituals, and teaching about community life reveal substantial differences in ethos and behaviour.

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The second Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES.'Ian Rankin is a genius' Lee ChildA junkie lies dead in an Edinburgh squat, spreadeagled, cross-like on the floor, between two burned-down candles, a five-pointed star daubed on the wall above. Just another dead addict - until John Rebus begins to chip away at the indifference, treachery, deceit and sleaze that lurks behind the facade of the Edinburgh familiar to tourists.Only Rebus seems to care about a death which looks more like a murder every day, about a seductive danger he can almost taste, appealing to the darkest corners of his mind...

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John Scattergood's 'The Complete English Poems of John Skelton', originally published in 1983 and long out of print, was the leading academic edition with comprehensive notes. Students are currently limited to searching for Skelton's poems in anthologies. This new, revised edition contains the poems, accompanied by around 150 pages of revised notes. There is an entirely new introduction, covering all developments in Skelton scholarship since the early 1980's, and an updated reading list. Scattergood also reproduces much of the Latin paratexts, considered by readers to be so essential to Skelton - and therefore to scholars of his work. Reviews of previous edition: 'Skelton's greatest poems are learned, difficult, allusive, multilingual, intensely self-conscious and self-reflexive. With their verbal play and many-layered meaning they demand careful and repeated reading; and the most important reason why Skelton's reputation [...] does not correspond to the reality of his work is that there has been no complete edition of the authentic text of his poems since that of Alexander Dyce in 1843. [...] Scattergood's is a splendid achievement: it must be the product of many years of learned and intelligent labour, and it is likely to be the standard edition of Skelton for many years to come.' The Cambridge Review '[Skelton] sits in an awkward historical corner beween the regular "middle ages" and the Shakespeare epoch; and is not nearly well-enough known today. Splendid then, to have [...] this new, complete edition of his works with both the original spellings and explanatory notes, indeed the only such edition since 1843.' The Morning Star

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In rural Arkansas, seven-year-old farm boy Luke Chandler lives in the cotton fields with his parents and grandparents.When the cotton is ready to be harvested, the Chandlers hire a group of Mexicans and a family from the Ozarks to help harvest it.For six weeks the group pick cotton, battling the heat, rain, fatigue, and sometimes each other. During this time, Luke sees and hears things no seven-year-old should witness.Can he keep the secrets that could threaten his family's business and change their lives forever?A Painted House is a moving story of one boy's journey from innocence to experience, drawn from the personal experience of legendary legal thriller author John Grisham._______________________________________'A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' - Irish Independent'John Grisham is the master of legal fiction' - Jodi Picoult'The best thriller writer alive' - Ken Follett'John Grisham has perfected the art of cooking up convincing, fast-paced thrillers' - Telegraph 'Grisham is a superb, instinctive storyteller' - The Times'Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.' - Daily Record'Masterful - when Grisham gets in the courtroom he lets rip, drawing scenes so real they're not just alive, they're pulsating' - Mirror'A giant of the thriller genre' - TimeOut

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My Life in Christ has been read by millions, making it one of the most beloved modern works of Orthodox Christian spirituality. In this new edition, the English translation has been thoroughly revised and freshly typeset to make St John's own words more accessible to today's reader. The bite-sized reflections draw the reader in to the author's profound spiritual experience and love for Jesus Christ and the Church. This new paperback edition is presented in a single, complete volume, together with scripture and subject indeces to aid the reader./>/>This is the kind of book you will return to time and time again. Appropriate, relevant, and edifying reading for all Christians.

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algorithms and data structures in C++ Leendert Ammeraal Hogeschool van Utrecht, The Netherlands C++ is capable of tackling a whole range of programming tasks. The purpose of this book is to give breadth and depth to C++ programmers' existing experience of the language by representing a large number of algorithms, most of them implemented as ready-to-run (and standalone) programs. The programs are as readable as possible without sacrificing too great a degree of efficiency, generality, portability and robustness. Both the classes and programs are designed to demonstrate major programming principles. There is coverage of two key language features - templates and exception handling - apart from which the reader is assumed to have working knowledge of C++. Besides traditional subjects, such as quicksort and binary trees, this book also covers some less well-known topics, including multi-precision arithmetic, route planning and external sorting. Demonstration programs for these and many other exciting applications are based on C++ classes which you can also use in programs of your own.

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In 1539, Cardinal Jacopo Sadoleto, Bishop of Carpentras, addressed a letter to the magistrates and citizens of Geneva, asking them to return to the Roman Catholic faith. John Calvin replied to Sadoleto, defending the adoption of the Protestant reforms. Sadoleto’s letter and Calvin’s reply constitute one of the most interesting exchanges of Roman Catholic/Protestant views during the Reformationand an excellent introduction to the great religious controversy of the sixteenth century. These statements are not in vacuo of a Roman Catholic and Protestant position. They were drafted in the midst of the religious conflict that was then dividing Europe. And they reflect too the temperaments and personal histories of the men who wrote them. Sadoleto’s letter has an irenic approach, an emphasis on the unity and peace of the Church, highly characteristic of the Christian Humanism he represented. Calvin’s reply is in part a personal defense, an apologia pro vita sua, that records his own religious experience. And its taut, comprehensive argument is characteristic of the disciplined and logical mind of the author of The Institutes of the Christian Religion.

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Stemming from two conferences, held in 1994, and 1996, Prophecy and Diplomacy: The Moral Doctrine of John Paul II explores the general orientations and the specific applications of the moral teaching of Pope John Paul II. The first part of the book places the Pope's moral theory within a broader theological framework, attempting to identify the overarching philosophical and theological attitudes that shape the Pope's fundamental moral perspective. In part two, the work studies the Pope's teaching in the areas of applied ethics. Both the major lecturers and the respondents focus upon those areas of applied ethics that have provoked the greatest tension between the magisterium and the academy and between the Church and the state in the West. The volume concludes by presenting a homily that places the ethics of John Paul II within a spiritual framework of repentance and redemption. The Pope's moral teaching is not an academic survey of ethical themes. Nor is it a Pelagian call to human self-regeneration. The ultimate truth concerning human conduct and moral judgement emerges only with the proclamation of God's grace.

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By the end of John Cecil Stephenson’s art school training – first a scholarship to Leeds Art School then to The Royal College of Art – he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter – but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation. By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 & 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, ‘one of the earliest artists in the country to develop a completely abstract style’? Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened ‘a nest of gentle artists’, his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution – including Piet, László Moholy-Nagy and Alexander Calder – just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read’s house at No. 3 Mall Studios.

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Despite the length of time it has been around, its importance, and vast amounts of research, combustion is still far from being completely understood. Issues regarding the environment, cost, and fuel consumption add further complexity, particularly in the process and power generation industries. Dedicated to advancing the art and science of industrial combustion, The John Zink Hamworthy Combustion Handbook, Second Edition: Volume 3 – Applications offers comprehensive, up-to-date coverage of equipment used in the process and power generation industries.Under the leadership of Charles E. Baukal, Jr., top engineers and technologists from John Zink Hamworthy Combustion examine industry applications such as process burners, boiler burners, process flares, thermal oxidizers, and vapor control. This volume builds on the concepts covered in the first two volumes and shows how they are used in combustion applications. The book also features a wealth of color illustrations, photographs, and tables throughout.What’s New in This Edition Expanded to three volumes, with Volume 3 focusing on important industry applications Extensive updates and revisions throughout, reflecting new standards, energy sources, processes, and conservation concerns Expanded coverage of flares and new coverage of biogas flares and flare gas recovery Information on vapor combustors Discussion of pollution control equipment Expanded coverage of commercial and utility boiler burners Chapters on process and air heaters More material on thermal oxidizers A new chapter on marine and offshore applications The third of three volumes in the new, expanded edition of the bestselling handbook, this volume helps you broaden your knowledge of industrial combustion applications to better meet the challenges of this field.For the other volumes in the set, see The John Zink Hamworthy Combustion Handbook, Second Edition: Three-Volume Set.

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This collection marks the return to print of John Lardner, one of America’s press box giants, a classic stylist whose wry humor and tireless reporting helped elevate sportswriting to art. The brilliant W. C. Heinz called Lardner “the best of us.” This book shows why. Lardner applied his singular touch not only to his era’s icons—Joe Louis, Ted Williams, Satchel Paige—but to the scamps, eccentrics, hustlers, and con men in the shadow of sports. Whether in snappy columns or leisurely magazine pieces, Lardner held sport of every description up to the light, forever changing the way people wrote, read, and thought about their heroes, from superstars to scrappers. These forty-nine pieces represent sportswriting at the top of its game.Purchase the audio edition.

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A fictive traveler's guide to the East, both Near and Far, The Book of John Mandeville was a late--medieval best seller, more popular in its day than Marco Polo's Travels. In addition to a fresh, vibrant translation--the first from the Middle French original since the fifteenth century—this edition of The Book of John Mandeville offers a succinct, broad-ranging Introduction to the work that touches on the question of authorship, the sources on which the text drew, and the transformation and reception of the work down to the present day.

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Behold the perfect carrot from John Derian, the artist and designer whose work with printed images from the past transports the viewer to another world. Based on a chromolithographic print from a nineteenth-century botanical guide, Three Carrots features a trio of plump French carrots that evoke a moment food lovers dream about, when what's for dinner was plucked from the garden only a brief time earlier.Featuring: 1,000 interlocking pieces Mini-poster (6 3/4 x 9 3/8) for reference or framing Completed puzzle size: 18 7/8 x 26 3/8

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My Life in Christ has been read by millions, making it one of the most beloved modern works of Orthodox Christian spirituality. In this new edition, the English translation has been thoroughly revised and freshly typeset to make St John's own words more accessible to today's reader. The bite-sized reflections draw the reader in to the author's profound spiritual experience and love for Jesus Christ and the Church. This new hardcover edition is enhanced by a smyth-sewn gold-stamped cloth binding and grosgrain marking ribbon. This is the kind of book you will return to time and time again. Appropriate, relevant, and edifying reading for all Christians.

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"You may well Suppose that I was the Focus of all Eyes," John Adams wrote on 2 June 1785 of his first audience with George III, which formally inaugurated the post of American minister to Great Britain. Eager to restore "the old good Nature and the old good Humour" between the two nations, Adams spent the following months establishing the U.S. legation at No. 8 Grosvenor Square. For Adams, it was a period of multiple responsibilities and mixed success. He remained minister to the Netherlands and one of the joint commissioners charged with negotiating commercial treaties with the nations of Europe and North Africa--sensitive duties that occasionally called for Adams to encode his correspondence with the aid of his new secretary and future son-in-law, Col. William Stephens Smith.Rebuffed by the British ministry in his mission to enforce the peace treaty of 1783 and renew Anglo-American commerce, Adams identified and achieved other goals. He preserved American credit despite the bankruptcy of a Dutch banking house that handled U.S. loans, petitioned for the release of impressed sailors, marked the ratification of the Prussian-American treaty, championed the needs of the American Episcopal Church, and laid the groundwork for negotiations with the Barbary States. His attention was not confined solely to foreign affairs. John Adams's letters from London, laced with his trademark candor, demonstrate his ripening Federalist view of the new American government's vulnerability and promise.

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John Lydford was a fourteenth-century canon lawyer and cleric who acted as an advocate in the church court at Canterbury and held various official positions in the English church. He left a book of notes and documents relating tocanon law, which are edited here with an introduction. Its contents include legal formulas for use in court cases, notes about points of law, and records of particular cases drawn from the church courts of Oxford, Hereford, Winchester and Exeter. John Lydford's book therefore offers an unusual insight into the workings of the medieval English church and its courts.

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This stunning new volume features objects from the internationally renowned Bourne Collection of pre-Columbian art spanning assembled by John Bourne in the 1950's and 1960's. It features fine examples of painted earthenware vessels and figures, carved basalt effigies, jewellery and vessels from Mesoamerica, Central America and Andean America covering a host of civilisations, including Teotihuacan, Olmec, Maya, Andean, Aztec and Mixtec. In addition to John Bourne's fascinating account of his first expedition to Chiapas in 1945 and 1946, which started his passion for collecting, there is an extensive essay on authentication, a significant part of the study of pre-Columbian art. Each of the three geographical sections of the main catalogue opens with an introductory text on the art, culture and ceremonial features of that region, followed by discursive entries accompanying each work. Published to accompany an exhibtion at the Walters Art Museum, Baltimore: 'Exploring Art of the Ancient Americas: The John Bourne Collection Gift', February 12, 2012 - May 20, 2012.

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Shortlisted for the CWA John Creasey New Blood Dagger 2023‘A rich, gut-punch of a crime thriller’ Ashley Audrain, Sunday Times bestselling author of The PushIt’s every mother’s worst fearOn a sun-hazed afternoon in the Florida Keys, a child goes missing from the beach. Dr Mirren Fitzpatrick appeals to the world to help find her eight-year-old adopted daughter. The family are on holiday from Ireland, far from home and desperate to return there as they arrived – together.Yet the police are immediately suspicious of Mirren. She was drinking at a bar – alone – shortly before reporting that her youngest child had disappeared. As rumours abound about Mirren’s past a trial-by-media ensues, and she is turned from a figure of pity to the villain of the piece.And then a small body is found dumped in the ocean. Is Mirren a heartbroken mother, or the architect of her daughter’s fate?A stunning debut from a brilliant new voice in Irish crime fiction, perfect for fans of Gillian Flynn and Ashley Audrain. Breaking will see readers question their own notions of motherhood, guilt and the inescapable consequences of the past.Praise for Breaking ‘This story draws you in immediately… There is a real freshness to Cassidy’s approach to storytelling. And the ending is as disturbing and moving as those opening beach-scene pages.’ Daily Mail‘Another great debut, this twisty crime thriller had me gripped from the very first page! A new voice in Irish crime fiction – an author to watch.’ Prima‘Delivers a confronting examination of maternal love and the expectations that weigh so heavily on women, even in their most unthinkably dark moments. In both pace and prose, Breaking is a hugely satisfying debut.’ Ashley Audrain‘I LOVED the story and the twists! Expert plotting and great characters made it an emotional read. It had me guessing throughout and kept me turning the pages at speed.’ Patricia Gibney, author of The Guilty Girl‘Wonderfully compelling and at times, painfully sharp. A searing interrogation of motherhood and media... this is a beautifully constructed and beguiling debut novel.’ Andrea Mara, author of All Her Fault‘Amanda Cassidy captures a mother’s guilt perfectly... this a compelling, intriguing and thoroughly engaging read. Amanda is a very talented new voice in Irish writing.’ Liz Nugent, author of Our Little Cruelties‘A contender for thriller of the year. Breaking dazzles from the opening line. Powerful, sharp and moving, with an ending that flabbergasts.’ Glenn Meade, author of Unquiet Ghosts‘Wonderfully tense and uneasy, Breaking is a complex exploration of what it means to be a mother and the history that haunts us. A gripping read.’ Louisa Scarr, author of Blink of an Eye‘This dazzling debut takes us inside a parent’s worst nightmare. Masterful story-telling, breakneck pacing and compelling characters kept me glued all the way to the explosive final pages and their disturbing revelations. Addictive, unnerving and utterly unmissable.’ Sophie White, author and Sunday Independent columnist‘Outstanding debut… What a brilliant novel.’ Sheila Bugler, author of You Were Always Mine

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This book traces the sources and development of Ruskin's aesthetic and critical theories. In his attempt to skirt the danger of excessive emotion and association in art, Ruskin's struggle with the sublime but not the picturesque, is, along with the pathetic fallacy, examined. These concepts, too, are considered in light of Ruskin's continuing religious and intellectual development. Finally, Ruskin's loss of faith is analyzed in relation to the problem of allegory in art. Ruskin argued for an unchanging standard of beauty, though the psychological nature of the artist is related to his art medium. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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If you love Bridgerton, you'll love Georgette Heyer! 'The greatest writer who ever lived' Antonia Fraser'Fabulously witty' Stephen Fry'Incisively witty, quietly subversive' Joanne Harris'If you haven't read Georgette Heyer yet what a treat you have in store' Harriet Evans_________________Growing up in England's most turbulent era on the wild and lawless Northern Marches, John Duke of Bedford grew to manhood fighting for his father, King Henry IV.Through his loyalty, strength, and superb fighting power, he would go on to became the greatest ally his brother, King Henry V, could have asked for.Filled with the clash of bitter rivalries and deadly power struggles, this is Georgette Heyer's final and most ambitious novel._________________Readers love My Lord John ...***** 'I found this book absolutely incredible.'***** 'Truly brilliant.'***** 'She truly knew how to bring history to life.'***** 'A brilliant, well-researched, beautifully written yet sadly unfinished novel.'

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Abridged from the original autobiography by John G. Paton. The story of the Scottish missionary pioneer John Gibson Paton (1824-1907). Born in Dumfrieshire, trained at Medical school and spent 10 years as city missionary in Glasgow and had felt compelled by God to be a missionary in the South sea Islands.This is the account of John G. Paton's pioneering mission work among cannibals in the New Hebrides (now Vanuatu). Living among constant dangers and death threats, battling against illness and enduring great personal loss and sacrifice, John G. Paton laboured on and showed great love for the island peoples. He had the joy eventually seeing people come to Christ and living a totally transformed lifestyle.

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