Search results for ""MACMILLAN""

THE TOP-TEN BESTSELLER!'Thought-provoking and clever' Gilly Macmillan'A tense and moving story that I will remember for a long time' Rachel Abbott'This tense psychological thriller focuses relentlessly on the way its characters cope as stress piles up and the mess deepens' Sunday Times'Thought-provoking' Woman & Home'I raced through it. A compelling, emotional read' Jenny Quintana'Dark, intelligent, suspenseful' Saskia SarginsonThe accusedWhile Nick Dean is enjoying an evening at home with his family, he is blissfully unaware that one of his pupils has just placed an allegation of abuse against him - and that Nick's imminent arrest will see the start of everything he knows and loves disintegrating around him. Because, mud sticks, right? No matter if you're innocent or guilty.The accuserWhen Angela Furness decides that enough is enough - she hates her parents, hates her friends and, most of all, despises what has recently happened at school - she does the only thing she knows will get her attention: calls the police. But Angela is unaware that the shocking story she is about to tell will see her life begin to topple.Because, once you've said what you've said, there's no way back, right? No matter if you're innocent or guilty.Richard and Judy and international bestselling author of The Guilty One returns with a nail-biting ride of 'he said/she said' between a teacher and his pupil. A gripping tale of two families torn apart by one catastrophic betrayal, illustrating the fine line between guilt and innocence.*LISA BALLANTYNE'S NEW NOVEL, ONCE UPON A LIE, IS OUT NOW*Praise for Lisa Ballantyne:'One of the most readable, emotionally intense novels of the year' Richard and Judy'Moving, insightful' Guardian'Thought-provoking, brave and challenging, this book is an unsettling and compulsive read' Rosamund Lupton'Grips like a vice' Daily Mail'Sophisticated, suspenseful, unsettling' Lee Child'A page-turner with real emotional depth' Daily Express'I couldn't get this book out of my head. It kept me up all night and guessing the whole way through. I loved it' Jenny Colgan'An outstanding work of fiction' Daily Record'Dark, intelligent, suspenseful' Saskia Sarginson'Tense, unsettling' Morning Star

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Secrets. Suspicion. Survival. No one writes relationships better than B.A. PARIS'A rollercoaster ride, with plenty of twists' OBSERVER'The explosive start of this book sets up a compelling plot [...] written in well-executed super-edgy, short, sharp chapters and the description of her confinement is full of claustrophobic detail and menace' DAILY MAIL'Book of the Month: chilling, intense and frightening in places, you'll be left wondering what is real and what isn't' WOMAN & HOMETHENAmelie has always been a survivor, from losing her parents as a child in Paris to making it on her own in London. As she builds a career for herself in the magazine industry, she meets, and agrees to marry, Ned Hawthorne.NOWAmelie wakes up in a pitch-black room, not knowing where she is. Why has she been taken? Who are her mysterious captors? And why does she soon feel safer here, imprisoned, than she had begun to feel with her husband Ned?In true B.A. Paris style, The Prisoner is a gripping survival story, a twisted tale of love and at its dark heart a thriller to keep you up all night.'Elegant, taut, ingeniously plotted and extremely addictive. Superb!' WILL DEAN'Dark and compulsive ... B.A. Paris again conjures up the tense claustrophobia of BEHIND CLOSED DOORS and delivers yet another brilliant, unputdownable read' GILLY MACMILLAN'I loved the short chapters in part one, which really added to the rising tension. You will be rooting for Amelie!' PRIMA'Dark, daring and irresistible. B.A. Paris takes a clever, sinister survival story and further elevates it with her trademark style and heart. Truly impossible to put down' CHRIS WHITAKER'Wow! What a ride! A tantalising, taut, tense thriller' JANE CORRY'Pacy, gripping from the get-go, and with so many twists! I felt so strongly for Amelie and was rooting for her the entire book. The Prisoner is a brilliant addition to BA Paris's stella stable of thrillers' L.V. MATTHEWS'Intense and gripping, The Prisoner is suffused with intrigue and menace' EMMA HAUGHTON'Clever, twisty and unusual' LOUISE BEECH'Taut, suspenseful, loaded with twists and surprises, and the true definition of a just-one-more-chapter page-turner. It's another B.A. Paris triumph -- complex, compelling and absolutely impossible to resist. C.M. EWAN'So utterly gripping I finished it in one heart-racing afternoon. Clobbered me from the first page and kept me hostage until I'd turned the last' EMMA BAMFORD'[T]his web of fear and lies is much more complex, satisfyingly so, than Room, involving many more characters, intricate plotting, and layers of subterfuge. Paris's fans won't be disappointed and readers new to the author will be hooked' FIRST CLUE

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ONE TWIN LIED. ONE TWIN DIED.'Dean handles his plot with skill ... Molly is an intriguing protagonist and Dean has plenty of surprises for the unwary reader' OBSERVER'The talented Mr Ripley would have enjoyed every moment of its tortuous plot. There is no higher praise' DAILY MAILMolly lives a quiet, contained life in London. Naturally risk averse, she gains comfort from security and structure. Every day the same. Her identical twin Katie is her exact opposite: gregarious and spontaneous. They used to be inseparable, until Katie moved to New York a year ago. Molly still speaks to her daily without fail. But when Molly learns that Katie has died suddenly in New York, she is thrown into unfamiliar territory. Katie is part of her DNA. As terrifying as it is, she must go there and find out what happened. As she tracks her twin's last movements, cracks begin to emerge. Nothing is what it seems. And a web of deceit is closing around her.Delivering the same intensity of pace and storytelling that made THE LAST THING TO BURN a word-of-mouth sensation, FIRST BORN will surprise, shock and enthral.'Highly accomplished, dark and dazzling. First Born twists and deceives, and cements Will Dean's status as a truly rare talent. Pure brilliance' CHRIS WHITAKER'Powerful ... Dean takes on issues of personal identity and familial responsibility' FINANCIAL TIMES'Tiptoes into Highsmith territory here. Pacy, exhilarating and jaw-dropping, it's a meditation on identity and loneliness as well as a bloody good page-turner. New York buffets the characters about its ruthless streets, just as the reader is propelled from one twist to the next' ERIN KELLY'A superb page-turner' STEVE CAVANAGH'Will Dean writes a mean thriller, with a keen ear for what scares us. The streets of New York shine off the page, and the action rarely lets up. Highly recommended' SARAH HILARY'Will Dean manages to accomplish the rare blend of excellent writing and intriguing, ingenious plotting' LIZ NUGENT'Taut, suspenseful, chilling and surprising' GILLY MACMILLAN'Equal parts murder mystery and psychological thriller, Will Dean dazzles with FIRST BORN. A tense, taut plot that blows through unexpected twists and turns, you won't be able to look away until the final, shattering page' JULIE CLARK'Great pace, great twists, a perfect psychological thriller' B.A. PARIS'A clever and sophisticated construction...A jolly good read' SHOTS'Rather special' Sunday Times Crime Club *Star pick*'The storyline is truly original, with one of those brilliant endings only a great thriller writer can dream up' The Press Association'Spine-chilling' Irish Independent'This psychological thriller is a masterpiece' Crime Review

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From the bestselling author of The Patient comes another powerful novel about betrayal, family and the secrets of the past. ‘Jane Shemilt is a mistress at skilfully weaving seemingly perfect family lives with deadly secrets from the past in stunning locations.’ Jane Corry PAXOS, GREECEA young girl meets two boys on the beach one hot summer night. Her life will never be the same again. LONDON, ENGLANDJulia is the perfect spouse, mother, cook, cleaner and speech writer to her husband, James. But behind it all is a stifled woman trapped in a gilded cage. When she meets Laurel, a therapist who promises fulfilment, Julia opens herself up to the hope of a different future. BOUND BY THE PASTBut what happened in Greece all those years ago that binds these two women together? And will uncovering the truth destroy everything… or set them free? THE QUEEN OF THE WHAT-IF NOVEL IS BACK WITH A TENSE, EMOTIONAL READ THAT WILL MAKE YOU QUESTION EVERYTHING… Netgalley readers LOVE All Her Secrets: ‘Jane is one of my favourite authors and this book is another masterpiece’ ⭐⭐⭐⭐⭐ ‘10/10 ALL HER SECRETS is a triumph!’ ⭐⭐⭐⭐⭐ ‘Gripping, riveting and hard to put down’ ⭐⭐⭐⭐⭐ ‘A must read!’ ⭐⭐⭐⭐⭐ ‘A NAME TO WATCH. Don't think twice. Order your copy today’ ⭐⭐⭐⭐⭐ ‘Ideal summer read’ ⭐⭐⭐⭐⭐ ‘An amazing rollercoaster ride of a story … Brilliantly done’ ⭐⭐⭐⭐⭐ ‘A thoughtful and often hard-hitting book’ ⭐⭐⭐⭐⭐ ‘What a great story. I loved it’ ⭐⭐⭐⭐⭐ PRAISE FOR ALL HER SECRETS: ‘A persuasive and fast- paced thriller with a deeply satisfying conclusion’ CHARLOTTE PHILBY ‘An unforgettable, tense, emotionally charged an beautifully written tale . . . The perfect summer read’ CLAIRE DOUGLAS ‘An all-consuming thriller rich with dread, tension and twists’ ABIGAIL DEAN ‘Jane Shemilt is a mistress at skilfully weaving seemingly perfect family lives with deadly secrets from the past in stunning locations’ JANE CORRY ‘What a beautiful, fantastic book. I absolutely loved it and did not want to let the characters go. Gorgeous and thrilling. What more could you want?’ EMMA CURTIS ‘Vividly drawn locations curl at the edges as Shemilt unpicks privilege to reveal desperation, dishonesty and darkness’ GILLY MACMILLAN ‘Combines devastating mystery with a beautifully evoked Greek setting . . . I could not put this superb thriller down’ CHRIS EWAN ‘All Her Secrets hooked me in from the first page’ PHILLIPA EAST ‘Excellent . . . A classy thriller that’s dark and gripping but ultimately redemptive and oh so satisfying’ EMYLIA HALL ‘A sunlit story pierced with shadows. Haunting and brilliant’ FREYA BERRY

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After darkness, there is always lightIn a time of increasing uncertainty, Rethink offers a guide to a much-needed global 'reset moment', with leading international figures giving us glimpses of a better future after the pandemic. Each contribution explores a different aspect of public and private life that can be re-examined - from Pope Francis on poverty and the Dalai Lama on the role of ancient wisdom to Brenda Hale on the courts and Tara Westover on the education divide; from Elif Shafak on uncertainty and Steven Pinker on Human Nature to Xine Yao on masks and Jarvis Cocker on environmental revolution. Collectively, they offer a roadmap for positive change after a year of unprecedented hardship.Based on the hit BBC podcast, and with introductions by presenter and journalist Amol Rajan, Rethink gives us the opportunity to consider what a better world might look like and reaffirms that after darkness there is always light.RETHINK List of contributorsWHO WE ARECarlo Rovelli - Rethinking HumanityPope Francis - Rethinking PovertyPeter Hennessy - Rethinking DemocracyAnand Giridharadas - Rethinking CapitalismJared Diamond - Rethinking a Global ResponseZiauddin Sardar - Rethinking NormalityThe Dalai Lama - Rethinking Ancient WisdomC.K. Lal - Rethinking InstitutionsJarvis Cocker - Rethinking an Environmental RevolutionClare Chambers - Rethinking the BodySteven Pinker - Rethinking Human NatureTom Rivett-Carnac - Rethinking HistoryJonathan Sumption - Rethinking the StateWHAT WE DODavid Skelton - Rethinking IndustryEmma Griffin - Rethinking WorkCaleb Femi - Rethinking EducationGina McCarthy - Rethinking ActivismTara Westover - Rethinking the Education DivideKwame Anthony Appiah - Rethinking the Power of Small ActionsCharlotte Lydia Riley - Rethinking UniversitiesK.K. Shailaja - Rethinking DevelopmentSamantha Power - Rethinking Global GovernanceKT Tunstall - Rethinking the Music IndustryRebecca Adlington - Rethinking the Athlete's LifeBrenda Hale - Rethinking the CourtsNisha Katona - Rethinking HospitalityKatherine Granger - Rethinking the OlympicsDavid Graeber - Rethinking JobsJames Harding - Rethinking NewsCarolyn McCall Rethinking TelevisionHOW WE FEELMohammad Hanif - Rethinking IntimacyH.R. McMaster - Rethinking EmpathyCarol Cooper - Rethinking Racial EqualityPaul Krugman - Rethinking SolidarityAmonge Sinxoto - Rethinking SafetyReed Hastings - Rethinking TogethernessKang Kyung-wha - Rethinking AccountabilityLucy Jones - Rethinking BiophiliaColin Jackson - Rethinking Our Responsibility for Our HealthMirabelle Morah - Rethinking OurselvesNicci Gerrard - Rethinking Old AgeBrian Eno - Rethinking the WinnersJude Browne - Rethinking ResponsibilityElif Shafak Rethinking UncertaintyHOW WE LIVEAmanda Levete - Rethinking How We LiveNiall Ferguson - Rethinking ProgressDavid Wallace-Wells - Rethinking ConsensusMargaret MacMillan - Rethinking International CooperationHRH The Prince of Wales - Rethinking NatureOnora O'Neill - Rethinking Digital PowerMatthew Walker - Rethinking SleepHenry Dimbleby - Rethinking How We EatEliza Manningham-Buller - Rethinking Health InequalityPascal Soriot - Rethinking Medical Co-operationXine Yao - Rethinking MasksGeorge Soros - Rethinking DebtMariana Mazzucato - Rethinking ValueDouglas Alexander - Rethinking Economic DignityWHERE WE GOPeter Frankopan - Rethinking AsiaStuart Russell - Rethinking AIDeRay McKesson - Rethinking the ImpossibleV.S. Ramachandran - Rethinking BrainsSeb Emina - Rethinking TravelAaron Bastani - Rethinking an Aging PopulationRana Foroohar - Rethinking DataAnthony Townsend - Rethinking Robots

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‘Urgent, compulsively readable and powerfully resonant’ Sinclair McKay You know Oppenheimer, the man who created the atomic bomb… Now meet the men who detonated it, and the extraordinary weight of their decisions… Road to Surrender by New York Times bestselling author Evan Thomas is a riveting, immersive account of the agonizing decision to use nuclear weapons against Japan – a crucial turning point in World War II and geopolitical history. At 9:20 a.m. on the morning of May 30, General Groves receives a message to report to the office of the secretary of war “at once.” Stimson is waiting for him. He wants to know: has Groves selected the targets yet? So begins this suspenseful, impeccably researched history that draws on new access to diaries to tell the story of three men who were intimately involved with America’s decision to drop the atomic bomb—and Japan’s decision to surrender. They are Henry Stimson, the American Secretary of War, who had overall responsibility for decisions about the atom bomb; Gen. Carl “Tooey” Spaatz, head of strategic bombing in the Pacific, who supervised the planes that dropped the bombs; and Japanese Foreign Minister Shigenori Togo, the only one in Emperor Hirohito’s Supreme War Council who believed even before the bombs were dropped that Japan should surrender. Henry Stimson had served in the administrations of five presidents, but as the U.S. nuclear program progressed, he found himself tasked with the unimaginable decision of determining whether to deploy the bomb. The new president, Harry S. Truman, thus far a peripheral figure in the momentous decision, accepted Stimson’s recommendation to drop the bomb. Army Air Force Commander Gen. Spaatz ordered the planes to take off. Like Stimson, Spaatz agonized over the command even as he recognized it would end the war. After the bombs were dropped, Foreign Minister Togo was finally able to convince the emperor to surrender. To bring these critical events to vivid life, bestselling author Evan Thomas draws on the diaries of Stimson, Togo and Spaatz, contemplating the immense weight of their historic decision. In Road to Surrender, an immersive, surprising, moving account, Thomas lays out the behind-the-scenes thoughts, feelings, motivations, and decision-making of three people who changed history. ‘This dramatic, you-are-there masterpiece provides a convincing explanation of one of the great moral questions of 20th century history: was America right to drop the atom bomb on Japan at the end of World War II? … This is an indispensable book for those who want to understand the moral issues surrounding the use of great power.’ Walter Isaacson ‘In this meticulously crafted and vivid account, Evan Thomas tells the gripping and terrifying story of the last days of the Second World War in the Pacific. Writing with insight and understanding, he recreates for us those critical moments when, for better or worse, the decisions, from the dropping of the bombs on Hiroshima and Nagasaki to the Japanese surrender, were made.’ Margaret MacMillan

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In the days when Winston Churchill and Clement Attlee faced each other in the House of Commons, there was disagreement about whose hands should be on the Mace, the symbol of power at Westminster. Everyone assumed that the hands on the Mace would be British. In the past half century, the Prime Minister's power at Westminster has increased greatly, but it has diminished in the worlds beyond. In Westminster, the Prime Minister is now first without equal. But in councils of the European Union, he or she is only one among fifteen national leaders. In a shrinking world the chief issues facing Downing Street today are 'intermestic', an amalgam of domestic politics and international concerns. Tony Blair may say that he is batting for Britain, but cricket skills are no match for an American president playing hard ball, and policy-making in the European Union is definitely not cricket. In an era of television politics, the faces and voices of Margaret Thatcher and Tony Blair are familiar to every voter, and the press cooperates in turning politicians into media celebrities. But what you see on the box is politics; it has little to do with the policies of British government. Old-school leaders such as Harold Macmillan devoted as much time to policy as to politics. But new-style prime ministers put politics first. Tony Blair wants to speak for all the British people, but the result is 'managed populism', for his voice travels down a one-way street. In Whitehall, Blair's Third Way blunts the cutting edge of policy, leaving officials puzzled about what to do when hard choices arise, especially about Europe. Anyone interested in politics and current affairs, whether a student or a thoughtful reader and viewer, will find insight and illumination in a book that draws on the author's unrivalled first-hand knowledge of British politics over the past half century. Richard Rose's work has been recognized by a lifetime achievement award from the Political Studies Association. He is a Fellow of the British Academy and director of the Centre for the Study of Public Policy at the University of Strathclyde.

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A New Statesman Book of the YearWinner of the Helen and Howard R. Marraro PrizeWinner of the Aldo and Jeanne Scaglione Prize for Italian Studies“Extraordinary…I could not put it down.”—Margaret MacMillan“Reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.”—Sonia Purnell, author of A Woman of No ImportanceWhen Attilio Teruzzi, a decorated military officer and early convert to the Fascist cause, married a rising American opera star, his good fortune seemed settled. The wedding was blessed by Mussolini himself. Yet only three years later, Teruzzi, now commander of the Black Shirts, renounced his wife. Lilliana was Jewish, and fascist Italy would soon introduce its first race laws.The Perfect Fascist pivots from the intimate story of a tempestuous courtship and inconvenient marriage to the operatic spectacle of Mussolini’s rise and fall. It invites us to see in the vain, unscrupulous, fanatically loyal Attilio Teruzzi an exemplar of fascism’s New Man. Victoria De Grazia’s landmark history shows how the personal was always political in the fascist quest for manhood and power. In his self-serving pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today.“The brilliance of de Grazia’s book lies in the way that she has made a page-turner of Teruzzi’s chaotic life, while providing a scholarly and engrossing portrait of the two decades of Fascist rule.”—Caroline Moorhead, Wall Street Journal“Original and important…A probing analysis of the fascist ‘strong man.’ De Grazia’s attention to Teruzzi’s private life, his behavior as suitor and husband, deepens and enriches our understanding of the nature of leadership in Mussolini’s regime and of masculinity, virility, and honor in Italian fascist culture.”—Robert O. Paxton, author of The Anatomy of Fascism“This is a perfect book!…Its two entwined narratives—one political and public, the other personal and private—help us understand why the personal is political for those who insist on reshaping people and society.”—Azar Nafisi, author of Reading Lolita in Tehran

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Scribners tells the inside story of five generations--over 150 years--at the legendary publishing house of Charles Scribner's Sons, beginning with its founding in an unused chapel in downtown New York through its golden era on Fifth Avenue above the famous landmark bookstore down to the present-day. The author, the fifth of the Charleses to work at that house of celebrated authors, provides here an inside view--"between the covers" of illustrious and notorious books--of the family members, editors, and authors of this colorful literary history. Among the writers who illuminate this story we find in the early years Robert Louis Stevenson, Rudyard Kipling, Henry James, Edith Wharton, Teddy Roosevelt, Winston Churchill, John Galsworthy and the artists Charles Dana Gibson, N. C. Wyeth, and Maxfield Parrish, who illustrated Scribner's Magazine as well as Scribner books. Then with the arrival of "editor of genius" Max Perkins, the story takes off into the heights of twentieth-century fiction with Scott Fitzgerald, Thomas Wolfe, Marjorie Kinnan Rawlings, Marcia Davenport, Alan Paton, James Jones and--above all--Ernest Hemingway, that most loyal and enduring author whose works were published by four generations of Scribners. Famous children's classics The Wind in the Willows, Peter Pan, and The Yearling also take their place of honor in the firm's contribution to new generations of readers.This engaging personal account of family history--both in and out of the office--includes the most colorful controversies: from Mussolini and Trotsky to Lindbergh and C. P. Snow--as well as behind-the-scenes adventures of the author's father as he navigated the seas with industry storms and publishing corsairs before finding a safe harbor at Macmillan and finally, after the demise of tycoon Robert Maxwell, Simon & Schuster. The author, an art historian, found himself for thirty years in the company of writers by "an accident of birth." But it proved an adventure beyond his reckoning, here told with the candor and informality of a family gathering, as well as with humor and affection for his father, P. D. James, Louis Auchincloss, Andrew Greeley, and other authors with whom he worked personally. As Scott Fitzgerald wrote, "If it wasn't life, it was magnificent."

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A bumper collection of the work of award-winning West Country journalist and author David Foot, 'Footprints' spans the full range of his work - from cricket, football and boxing to theatre, local history and murder. With an observant eye, a fascination with human nature and a felicitous way with words, David Foot - who died in 2021 at the age of 92 - wrote with insight and freshness on a wide cast of characters: from cricketer Viv Richards and rugby star Carwyn James to actor Peter O'Toole, politician Harold Macmillan and poet Siegfried Sassoon. As a cricket writer he won multiple awards, developing a style all his own. His biography of Harold Gimblett, breaking new ground by exploring the mental turmoil of the Somerset and England batsman who committed suicide, regularly features high in lists of best cricket books of all time. As a drama critic he was the first to review a Harold Pinter play and the last to review a George Formby performance. As a historian of Bristol's past he dug into hidden corners, tapping into memories of a lost world of working-class boxing booths and, through a lady lavatory attendant, the sad and sordid nightlife of the Downs in the 1930s. As a working journalist for more than sixty years, he reflected on the changing world of newspapers, notably in 'Country Reporter', a beautifully evocative and often hilarious account of his apprenticeship in Yeovil. 'Footprints' contains all this and more, some of it - like extracts from his biography of WG Grace rejected by publishers in the 1960s - never previously published. There is also private writing: from perceptive teenage diaries, right through to poignant late-life reflections on memory loss. The result is a highly original book. It is both a collection of writing by a superb wordsmith and the intimate story of how a boy from humble rural roots in Somerset overcame setbacks to become a writer not only of beguiling prose but of wisdom, compassion and humanity - a writer, in the words of one reviewer, 'of deep perception and rare sympathy'.

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The magical new book in the bestselling middle-grade fantasy adventure series, The Land of Roar. A series that celebrates the power of imagination and finding the greatest adventures in the most ordinary of places – perfect for children aged 8, 9, 10 and upwards, and fans of Narnia, Jumanji and How to Train Your Dragon. Featuring breathtaking illustrations throughout by Ben Mantle and stunning fold-out cover artwork. Twins Arthur and Rose can’t wait to go back to Roar, the fantasy world they get to through their grandad’s attic. Roar is a land of dragons, mermaids, unicorns, ninja wizards and where anything they can imagine can be real. But when they return there’s no time for exploring, because a message arrives from their scarecrow enemy, Crowky. WHAT’S IN THE BOX? The Box would always contain the things that scared the twins most – and if Crowky gets hold of it, Roar could be in more danger than ever. Soon they find themselves on another thrilling adventure, accompanied by old friends and new faces and seeing parts of Roar they'd almost forgotten. But will they get to the box before Crowky does? And if it opens, what will they see? Praise for The Land of Roar: 'This funny, captivating story is filled with the painful pangs of growing up and the transporting qualities of imagination' Guardian Jenny McLachlan is the author of several acclaimed teen novels including Flirty Dancing, Stargazing for Beginners and Truly, Wildly, Deeply. Before Jenny became a writer, she was Head of English in a secondary school; she now loves visiting schools as an author and delivering funny and inspiring talks and workshops. When Jenny isn’t thinking about stories or writing stories, she enjoys living by the seaside, cycling and running over the South Downs. The Land of Roar series is Jenny’s middle-grade debut. Ben Mantle began his illustration career early, picking up his first award in a local library colouring-in competition aged seven. He went on to study Animation at the Surrey Institute of Art & Design before working as an animator. Ben has illustrated a number of children’s books including Rudey’s Windy Christmas (HarperCollins) and Callum’s Incredible Construction Kit (Egmont) which won the 2013 Bishop’s Stortford Picture Book Award. He is also the creator of the award-winning The Best Birthday Present Ever! and The Best Christmas Present Ever! published by Macmillan Children’s Books. Ben lives and works in Brighton.

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The first in a new children’s fantasy adventure series, full of imagination, humour and heart, and with echoes of Peter Pan, The Chronicles of Narnia, The Neverending Story and Jumanji. The Land of Roar is perfect for children aged 8 to 12, and can sit on their bookshelf next to Nevermoor, Wizards of Once and How to Train Your Dragon. Readers can bring their fantasy world to life and meet dragons, unicorns, mermaids and more in this beautifully illustrated children’s book. Believing is just the beginning … When Arthur and Rose were little, they were heroes in the Land of Roar, an imaginary world that they found by climbing through the folding bed in their grandad’s attic. Roar was filled with things they loved – dragons, mermaids, ninja wizards and adventure – as well as things that scared them (including a very creepy scarecrow…) Now the twins are eleven, Roar is just a memory. But when they help Grandad clean out the attic, Arthur is horrified as Grandad is pulled into the folding bed and vanishes. Is he playing a joke? Or is Roar … real? 'This funny, captivating story is filled with the painful pangs of growing up and the transporting qualities of imagination' Guardian 'A vividly imagined adventure, […] full of heart, humour and a terrifying villain' Fiona Noble, The Bookseller ‘This is proof, not that it’s needed, that Jenny McLachlan is a writer of enormous heart and versatility. I’m a really big fan’ Phil Earle, award-winning author of Being Billy and co-author of Get Me Out of Here! with Andy McNab ‘Roar is an exhilarating, hilarious, vividly drawn tribute to the power of the childhood imagination, the love of family and the magic we risk losing as we grow up. If you plan to visit one new place in 2019, make it Roar’ Sarah Driver, author of The Huntress trilogy Jenny McLachlan is the author of several acclaimed teen novels including Flirty Dancing, Stargazing for Beginners and Truly, Wildly, Deeply. Before Jenny became a writer, she was Head of English in a secondary school; she now loves visiting schools as an author and delivering funny and inspiring talks and workshops. When Jenny isn’t thinking about stories or writing stories, she enjoys living by the seaside, cycling and running over the South Downs. The Land of Roar is Jenny’s middle-grade debut. Ben Mantle began his illustration career early, picking up his first award in a local library colouring-in competition aged seven. He went on to study Animation at the Surrey Institute of Art & Design before working as an animator. Ben has illustrated a number of children’s books including Rudey’s Windy Christmas (HarperCollins) and Callum’s Incredible Construction Kit (Egmont) which won the 2013 Bishop’s Stortford Picture Book Award. He is also the creator of the award-winning The Best Birthday Present Ever! and The Best Christmas Present Ever! published by Macmillan Children’s Books. Ben lives and works in Brighton.

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Winner of the Britain at War Book of the Month Award for May 2019.Churchill's Abandoned Prisoners tells the previously suppressed story of fifteen British prisoners captured during the Russian civil war. The Bolshevik Revolution in 1917 seriously compromised the Allied war effort. That threat rather than an ideological wish to defeat the Bolsheviks was the driving force behind the formation of an Allied force including British, American, French, Czech, Italian, Greek and Japanese troops, who were stationed to locations across Russia to suppor t the anti-Bolsheviks (the ‘White Russians’). But war-weariness and equivocation about getting involved in the Civil War led the Allied powers to dispatch a sufficient number of troops to maintain a show of interest in Russia's fate, but not enough to give the 'Whites' a real chance of victory.Caught up in these events is Emmerson MacMillan, an American engineer who through loyalty to his Scottish roots joins the British army in 1918. Emmerson travels to England, where he trains with the Inns of Court Officer Training Corps and volunteers for service in the Far East.The book explains how the bitter fighting ebbed and flowed along the Trans-Siberian Railway for eighteen months, until Trotsky’s Red Army prevailed. It includes the exploits of the only two British battalions to serve in the East, the “Diehards” and “Tigers”. An important chapter describes the fractious relationships between the Allies, together with the unenviable dilemmas faced by the commander of the American Expeditionary Force and the humanitarian work of the Red Cross.The focus turns to the deeds of Emmerson and the other soldiers in the select British group, who are ordered to “remain to the last” and organise the evacuation of refugees from Omsk in November 1919. After saving thousands of lives, they leave on the last train out of the city before it is seized by the Bolsheviks. Their mad dash for freedom in temperatures below forty degrees centigrade ends abruptly, when they are captured in Krasnoyarsk.Abandoned without communications or mail, they endure a fearful detention with two of them succumbing to typhus. The deserted group become an embarrassment to the Prime Minister, David Lloyd George and the War Secretary, Winston Churchill after a secret agreement fails to secure the release of the British prisoners. Deceived in Irkutsk, they are sent 3,500 miles to Moscow and imprisoned in notorious jails. After a traumatic incarceration, they are eventually released, having survived against all the odds.The spectre of armed conflict between Russia and the West has dramatically increased with points of tension stretching from the Arctic to Aleppo, while cyber warfare and election interference further increase pressure. As a new Cold War hots up it is ever-more important to understand the origins of the modern relationship between Russia and the West. The events described in this book are not only a stirring tale of courage and adventure but also only lift the lid on an episode that did much to sow distrust and precipitate events in World War Two and today.

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'Hugely enjoyable' Steve Cavanagh'Ridiculously entertaining' Tom Hindle'I didn't want it to end' Heidi Perks______________________*NUMBER ONE SUNDAY TIMES BESTSELLER**RICHARD & JUDY BOOK CLUB PICK*ONE MURDER. ONE IMPOSSIBLE CASE. WHO IS GUILTY?When hero policeman Grant Cliveden dies from a poisoning in the Old Bailey, it threatens to shake the country to its core.The evidence points to one man. Jimmy Knight has been convicted of multiple offences before and defending him will be no easy task. Not least because this is trainee barrister Adam Green's first case.But it will quickly become clear that Jimmy Knight is not the only person in Cliveden's past with an axe to grind.The only thing that's certain is that this is a trial which will push Adam - and the justice system itself - to the limit. . .** ROB RINDER'S SECOND ADAM GREEN NOVEL, THE SUSPECT, IS AVAILABLE TO PRE-ORDER NOW.**______________________What readers are saying about THE TRIAL:'This is a courtroom cracker''Brilliantly plotted with enough twists and turns to keep you guessing''The courtroom scenes and interactions are electric''It's a must read and hope there will be a sequel - loved it!''Rinder's own career as criminal barrister shines through'Praise for THE TRIAL: 'Strong storytelling with a murder mystery at its heart makes it one to treasure' Daily Mail'A pacy and gripping read!' The Sun'An exciting start to what promises to be an excellent series, with an appealing central character' The Guardian'Such fantastic characters and such a fun read. I loved it' Phillipa Perry'This is a book that takes you to the dark heart of the criminal justice system... I haven't enjoyed a legal thriller this much since Grisham's The Firm' Tony Parsons'A terrific, pacy read' Susanna Reid'A brilliant rollercoaster of a read' Louise Minchin'The Trial is in the best tradition of John Mortimer's Rumpole series. A hugely enjoyable Britishcourtroom drama' Steve Cavanagh'Rinder's personal experiences as a barrister shine through in a cracking courtroom drama packed with tension and sharp wit' Sunday Express'A classic whodunnit with a sensational twist' The Independent'Energetic, warm, laced with humour with a truly inventive mode of murder' Sarah Vaughan'Brilliant courtroom drama, humorous as you would expect from Rob, and one that I had to read slowly because I did not want it to end' Heidi Perks'This one will have you hooked' Glamour'The Trial is whip-smart, stylish and gripping, both murder mystery and courtroom drama, shot through with tension, humour and a dark dissection of corruption, status and justice' Gilly Macmillan'A ridiculously entertaining whodunit. The Trial is sharp, witty and has a huge amount of heart' Tom Hindle'Rob Rinder has penned his first novel, a legal thriller, and it doesn't disappoint' Jewish News 'An engrossing read by someone who clearly knows their subject matter well. I didn't see the ending coming!' Faith Martin'The book is gripping from the first page' Northern Echo'A classic whodunnit with a sensational twist' Yorkshire PostNumber 1 Sunday Times bestseller, July 2023Richard and Judy Book Club Pick, January 2024

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A young man wakes from a coma to find himself targeted by the men who killed his parents, while someone is impersonating a notorious New Zealand serial killer … the latest chilling, nerve-shredding, twisty thriller from the author of The Quiet People… ‘Paul Cleave is an automatic must-read for me’ Lee Child ‘Riveting from start to finish. Smart and twisty, this book will get under your skin’ Liz Nugent ‘Shocking and chilling. A literary ice plunge. I absolutely loved it’ Helen Fields ‘Almost three books in one! Multiple murders, dedicated detectives – past and present. Complex, detailed and oh, so clever’ Sam Holland _______________How do you catch a killer…When the only evidence is a dream? James Garrett was critically injured when he was shot following his parents’ execution, and no one expected him to waken from a deep, traumatic coma. When he does, nine years later, Detective Inspector Rebecca Kent is tasked with closing the case that her now retired colleague, Theodore Tate, failed to solve all those years ago. But between that, and hunting for Copy Joe – a murderer on a spree, who’s imitating Christchurch’s most notorious serial killer – she’s going to need Tate’s help. Especially when they learn that James has lived out another life in his nine-year coma, and there are things he couldn’t possibly know, including the fact that Copy Joe isn’t the only serial killer in town… _______________ ‘An absolute thrill ride. Precise and swift and a joy to read … storytelling at its best’ James Oswald ‘Such a unique concept, with wonderful, emotional writing ... I hooked on the story from the word go. BRILLIANT’ Lisa Hall ‘The most original and intense thriller ever!’ Michael Wood ‘I’d forgotten how good Paul Cleave is!’ Sarah Pinborough ‘You can’t be a true fan of crime fiction if you’re not reading Cleave’s books’ Tom Wood ‘Uses words as lethal weapons’ New York Times ‘Cleave writes the kind of dark, intense thrillers that I never want to end’ Simon Kernick What readers are saying… [FIVE STARS] ‘A masterpiece’ Café Thinking ‘A heart-pounding, jaw-dropping thrill ride’ Emma’s Bibliotreasures ‘A brilliantly executed thrilling, twisty, nerve-shredding serial-killer chiller’ Live & Deadly ‘A red-hot, sleep-stealing, pulse-pounding read’ Jen Med’s Book Reviews ‘An addictive trip!’ The First Eleven Minutes ‘I am absolutely lost for words’ PRDG Reads ‘Number-one TOP read of the year’ Ian Dixon ‘Cleave has made my heart pound, pulse race and jaw drop’ Little Miss Book LoverPraise for Paul Cleave ‘The sense of dread builds unstoppably in this gripping page-turner … an intense, chilling read’ Gilly Macmillan ‘You may think you know where it’s going, but you couldn’t be more wrong. A true page-turner filled with dread, rage, doubt and more twists than the Remutaka Pass’ Linwood Barclay ‘A true page-turner, with an intriguing premise, a rollercoaster plot and a cast of believably flawed characters’ Guardian ‘This merits comparison with the work of Patricia Highsmith’ Publishers Weekly STARRED REVIEW ‘Tense, thrilling, touching. Paul Cleave is very good indeed’ John Connolly ‘An intense adrenaline rush from start to finish’ S J Watson ‘A riveting and all too realistic thriller’ Tess Gerritsen ‘A gripping thriller …I couldn’t put it down’ Meg Gardiner ‘Did my head in time and again’ Michael Robotham ‘One to remember’ New York Journal of Book

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In this follow-up to their landmark first book, Deric Henderson and Ivan Little have gathered new stories from seventy journalists who have worked in Northern Ireland during the Troubles. These contributors write powerfully about the victims they have never forgotten, the events that have never left them, and the lasting impact of working through those terrible years. Reporting the Troubles 2, which includes contributions from a new generation of journalists, who came up in the years leading to the Good Friday Agreement, provides a compelling narrative of the last fifty years, and covers many of the key events in Northern Ireland’s troubled history, from Bloody Sunday in 1972 to the inquest into the Ballymurphy Massacre in 2021. Grounded in the passionate belief that good journalism and good journalists make a difference, Reporting the Troubles 2 is a profoundly moving act of remembrance and testimony. 'I am sometimes asked to identify the most important story that I dealt with while I was editor of the Irish Times … I answer that the most important story was not published in a single day but over years. And it was not put together by any one journalist but by a whole cohort of reporters, photographers, feature writers and editors … For the most part they just got by-lines and the satisfaction of knowing that what they were doing was important, that the story had to be told, day by day, hour by hour. And that telling it could make a difference. It is difficult to imagine that there could ever have been a peace process without that.’ CONOR BRADY, former editor, Irish Times Contributions from - Gordon Adair, Don Anderson, Ciaran Barnes, Colin Bateman, Jilly Beattie, Charlie Bird, David Blevins, Declan Bogue, Conor Brady, Stephen Breen, Eugene Campbell, Peter Cardwell, Mark Carruthers, Niall Carson, Paddy Clancy, Simon Cole, Liam Collins, Mark Davey, Donna Deeney, Michael Denieffe, Patricia Devlin, Michael Donnelly, Roisín Duffy, Gavin Esler, Michael Fisher, Jim Flanagan, Mike Gaston, Gareth Gordon, Jim Gracey, Paul Harris, Deric Henderson, Mark Hennessy, Gary Honeyford, Paul Johnson, Fergal Keane, Vincent Kearney, Gerry Kelly, Will Leitch, Ivan Little, Robin Livingstone, David Lynas, Darragh MacIntyre, Michael Macmillan, Kevin Magee, Stanley Matchett, Don McAleer, Roisin McAuley, Barry McCaffrey, Jonny McCambridge, Freya McClements, Sir Trevor McDonald, Lindy McDowell, Mark McFadden, Hugh McGrattan, Seamus McKee, Fearghal McKinney, Allison Morris, Rod Nawn, Malachi O’Doherty, Maggie O’Kane, Mike Parry, Lance Price, Colin Randall, Paul Reynolds, Maggie Taggart, Eric Villiers, John Ware, Nicholas Watt, Johnny Watterson, David Young.

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THE NO. 1 SUNDAY TIMES BESTSELLER AND RICHARD & JUDY PICK FROM THE BESTSELLING AUTHOR OF THE COUPLE AT NO 9'I loved this twisty novel' RICHARD OSMAN'Clever. Gripping. Terrifically compelling. Kept me glued to the page' SARAH PEARSE'An unputdownable thriller. Spine-tingling mystery' GRAZIA BOOK CLUB'Eerie, spine-tingling. Douglas is a master storyteller. The perfect immersive read' JANICE HALLETT'Douglas is the queen of the unexpected twist, and this is her best wrongfooting yet' GILLIAN MCALLISTER'A cleverly plotted dark and twisty thriller that will keep you guessing until the end' ALICE FEENEY'A chillingly dark plot with a killer twist, I was totally gripped throughout' HEIDI PERKS_________THREE GIRLS MISSINGTwenty years ago: One rainy night, Olivia Rutherford is driving three friends home when a figure in the road causes her to swerve and crash. Regaining consciousness, she finds herself alone in the car - her friends have vanished.THEY ARE NEVER SEEN AGAINNow: Journalist Jenna Halliday visits the close-knit community of Stafferbury to persuade Olivia to talk and solve the mystery of the girls' disappearance. But Olivia won't speak.What happened?Is Olivia hiding something?Why are the people of Stafferbury so frightened?How many secrets can one small town hide? _________'A deliciously dark, captivating and twisty mystery from the Queen of Gripping Pageturners' CL TAYLOR'Clever . . . Adventurous . . . Fans of Douglas's bestseller, The Couple at No 9, will enjoy her particularly lively female characters and twisty plot' DAILY MAIL'Moody, menacing and gothic . . . A chillingly atmospheric thriller' JP DELANEY'Spine-chilling . . . A twisty plot and unnerving undertones make this an unforgettable read' CULTUREFLY'A fabulous book. Brilliantly plotted, heart-wrenchingly emotional, and with a central premise to die for. This delivered by the armful. I loved it!' GYTHA LODGE'I was hooked from the first page and turned the last with my head reeling at the fiendishly clever ending. Atmospheric, haunting and endlessly surprising, I loved it' EVE CHASE'Absorbing, atmospheric . . . A tense, spine-chilling mystery' GILLY MACMILLANREADERS ARE GRIPPED BY THE GIRLS WHO DISAPPEARED:'Totally gripping from start to finish, twists and turns galore' 5***** READER REVIEW'I was gripped from the very beginning' 5***** READER REVIEW'Another great keep-you-guessing read from a fabulous author' 5***** READER REVIEW'It's getting harder and harder for thrillers to shock, but this one hit the mark. Fantastic' 5***** READER REVIEW'A gripping story which kept me awake last night as I had to finish reading it!' 5***** READER REVIEW'Masterful' 5***** READER REVIEWPraise for Claire Douglas'Devotees of domestic noir will love the multiple perspectives and shifts in time that Claire Douglas uses to complicate her nervy narrative' Sunday Times Crime Club'Few people do psychological thrillers as claustrophobic and as creepy as Claire Douglas' Tim Weaver'A gripping page-turner' Jane Fallon'Smart and atmospheric' Gillian McAllister'Spine-chilling' Sunday Times'Intriguing. Twisting. Surprising. Touching' Dorothy Koomson'Twisty, nail-biting and utterly absorbing' Louise O'Neill'Claire is a mistress at weaving the reader into a web of domestic deceit' Jane Corry'The perfect gripping holiday read' Lesley Pearse'Perfect for fans of The Girl on the Train' Marie Claire*The Girls Who Disappeared: Featured on The Sunday TImes bestsellers list December 2022*

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THE LAST THING A TWIN EXPECTS IS TO BE ALONE ...*** From the acclaimed author of THE LAST THING TO BURN comes a new thriller about identity, rivalry and deceit. ***'Dean handles his plot with skill ... Molly is an intriguing protagonist and Dean has plenty of surprises for the unwary reader' OBSERVER'The talented Mr Ripley would have enjoyed every moment of its tortuous plot. There is no higher praise' DAILY MAIL'Highly accomplished, dark and dazzling. First Born twists and deceives, and cements Will Dean's status as a truly rare talent. Pure brilliance' CHRIS WHITAKERMolly lives a quiet, contained life in London. Naturally risk averse, she gains comfort from security and structure. Every day the same.Her identical twin Katie is her exact opposite: gregarious and spontaneous. They used to be inseparable, until Katie moved to New York a year ago. Molly still speaks to her daily without fail.But when Molly learns that Katie has died suddenly in New York, she is thrown into unfamiliar territory. Katie is part of her DNA. As terrifying as it is, she must go there and find out what happened. As she tracks her twin's last movements, cracks begin to emerge. Nothing is what it seems. And a web of deceit is closing around her.Delivering the same intensity of pace and storytelling that made THE LAST THING TO BURN a word-of-mouth sensation, FIRST BORN will surprise, shock and enthral.'Powerful ... Dean takes on issues of personal identity and familial responsibility' FINANCIAL TIMES'Tiptoes into Highsmith territory here. Pacy, exhilarating and jaw-dropping, it's a meditation on identity and loneliness as well as a bloody good page-turner. New York buffets the characters about its ruthless streets, just as the reader is propelled from one twist to the next' ERIN KELLY'A superb page-turner' STEVE CAVANAGH'Will Dean writes a mean thriller, with a keen ear for what scares us. The streets of New York shine off the page, and the action rarely lets up. Highly recommended' SARAH HILARY'Will Dean manages to accomplish the rare blend of excellent writing and intriguing, ingenious plotting' LIZ NUGENT'Taut, suspenseful, chilling and surprising' GILLY MACMILLAN'Equal parts murder mystery and psychological thriller, Will Dean dazzles with FIRST BORN. A tense, taut plot that blows through unexpected twists and turns, you won't be able to look away until the final, shattering page' JULIE CLARK'Great pace, great twists, a perfect psychological thriller' B.A. PARIS'A clever and sophisticated construction...A jolly good read' SHOTS'Rather special' Sunday Times Crime Club *Star pick*'The storyline is truly original, with one of those brilliant endings only a great thriller writer can dream up' The Press Association'Spine-chilling' Irish Independent'This psychological thriller is a masterpiece' Crime Review

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THE SUSPENSE-FILLED TALE OF A CRIME NOVELIST WHOSE BOOKS ARE COMING TRUE FROM THE NO 1 SUNDAY TIMES BESTSELLER CLAIRE DOUGLASShe finally has her dream life. But someone knows the truth . . .'Her best yet. It's gripping, atmospheric, and so original' GILLIAN MCALLISTER'Thrilling, twisty and impossible to put down. Claire Douglas at her very best' TIM WEAVER'A gripping read, so cleverly plotted and brimming with tension' GILLY MACMILLAN'A tightly plotted, dazzling thriller, filled with Claire Douglas's trademark suspense. An up-all-night read' LUCY CLARKE'A whirlwind of a thriller with twists that made me gasp' CL TAYLOR'Ingenious and compelling . . . absolutely loved it' MARK EDWARDS'So many ingenious twists, so many gasp moments. I absolutely loved it' B P WALTER__________Emilia Ward lives quietly in suburban London with her husband and two children.Just an ordinary wife and mother. But also a bestselling crime writer.When she starts writing her tenth Detective Miranda Moody novel, however, life takes a frightening turn: an incident straight out of one of her novels occurs in real life.Just an unsettling coincidence, she thinks. Until it happens again.Then someone she knows dies exactly like a victim in the book she's still writing . . .Why is someone doing this?How do they know what she is writing?And how long before Emilia and her family are next?__________READERS ARE GRIPPED BY THE WOMAN WHO LIED . . .'A fantastic thriller. Fresh and original, genuinely kept me guessing and a total page turner' 5* READER REVIEW'I did not want this book to end. I read it in bed. On the sofa. In the bus. You get the picture. Did not put it down till it was done. Then felt disappointed with myself as I had gobbled it up and not spread the treat out. Best book by the author' 5* READER REVIEW'Wow, what a book. I could not put it down. Would definitely recommend' 5* READER REVIEW'Claire Douglas never disappoints, she keeps you hooked until the final page, each story she produces is better than the last with twists galore' 5* READER REVIEW'Truly tremendous, cleverly plotted with a deftly drawn cast and an enthralling one-sit read' 5* READER REVIEW'Tremendous' 5* READER REVIEWPRAISE FOR CLAIRE DOUGLAS:'I loved this twisty novel' RICHARD OSMAN'Clever. Gripping. Terrifically compelling. Kept me glued to the page' SARAH PEARSE'Eerie, spine-tingling. Douglas is a master storyteller. The perfect immersive read' JANICE HALLETT'Douglas is the queen of the unexpected twist' GILLIAN MCALLISTER'Spine-chilling' THE SUNDAY TIMES'A deliciously dark, captivating and twisty mystery from the Queen of Gripping Pageturners' CL TAYLOR*The Woman Who Lied: Sunday Times bestseller list October 2023*

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Suspicion is cast on two successful crime writers, when their seven-year-old son goes missing. Are they trying to show that they can commit the perfect crime? A mesmerisingly twisty, dark thriller from number-one bestselling New Zealand author Paul Cleave…‘You may think you know where it’s going, but you couldn’t be more wrong. A true page-turner filled with dread, rage, doubt and more twists than the Remutaka Pass’ Linwood Barclay‘Paul Cleave is an automatic must-read for me, and The Quiet People shows why – it grabbed me by the throat, shook me around, and left me breathing hard. Fantastic, and highly recommended’ Lee Child ‘A true page-turner, with an intriguing premise, a rollercoaster plot and a cast of believably flawed characters’ Guardian ‘An absolute BELTER of a book … I’d forgotten how good Paul Cleave is!’ Sarah Pinborough ________________________Can two crime writers get away with murder?Cameron and Lisa Murdoch are successful New Zealand crime writers, happily married and topping bestseller lists worldwide. They have been on the promotional circuit for years, joking that no one knows how to get away with crime like they do. After all, they write about it for a living.So when their challenging seven-year-old son Zach disappears, the police and the public naturally wonder if they have finally decided to prove what they have been saying all this time… Are they trying to show how they can commit the perfect crime?Electrifying, taut and immaculately plotted, The Quiet People is a chilling, tantalisingly twisted thriller that will keep you gripped and guessing to the last explosive page._________________________**Best Indie Novel: Crime Fiction Lover Awards**** 2021 INDIES Book of the Year Award Finalist** ‘The psychological depth of the leads bolsters the complex plot. This merits comparison with the work of Patricia Highsmith’ Publishers Weekly STARRED REVIEW ‘What is really compelling about The Quiet People is neither its neat twists nor the topical examination of mob rule, but Cleave’s portrait of Cameron as he goes rogue under pressure and tries to use his writer’s skills to save his son’ The Times‘Gripping from the first page and full of deliciously dark twists and turns. You can’t be a true fan of crime fiction if you’re not reading Cleave’s books’ Tom Wood‘The sense of dread builds unstoppably in this gripping page-turner … an intense, chilling read’ Gilly Macmillan‘I don't think I breathed from about halfway through to the end. A masterpiece from a crime genius’ Susi Holliday ‘His best book yet … by the end, readers will find themselves holding their breath’ Bolo Books‘Uses words as lethal weapons’ New York Times‘What starts out as a slow burn, quickly ratchets up the tension and the twists, sending you spiralling down a hill of depravity and desperation’ Kirsten McKenzie‘A cinematic, raging, rollercoaster of a plot … wildly entertaining, and will keep you guessing right to the end’ New Zealand Herald‘Cleave has become one of my go-to authors for a chilling slice of cleverly crafted crime’ LoveReading ‘Super-clever and properly gripping’ The Sun‘A superb novel from a champion storyteller’ Crime WatchPraise for Paul Cleave‘Cleave writes the kind of dark, intense thrillers that I never want to end. Do yourself a favour and check him out’ Simon Kernick‘Tense, thrilling, touching. Paul Cleave is very good indeed’ John Connolly‘Compelling, dark, and perfectly paced’ Booklist‘Relentlessly gripping, deliciously twisted’ Mark Billingham‘An intense adrenaline rush from start to finish’ S J Watson‘A riveting and all too realistic thriller’ Tess Gerritsen‘A gripping thriller …I couldn’t put it down’ Meg Gardiner‘This very clever novel did my head in time and again’ Michael Robotham ‘Cleave’s whirligig plot mesmerises’ People ‘This thriller is one to remember’ New York Journal of Book

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Secrets. Suspicion. Survival. No one writes relationships better than B.A. PARIS'A rollercoaster ride, with plenty of twists' OBSERVER'The explosive start of this book sets up a compelling plot [...] written in well-executed super-edgy, short, sharp chapters and the description of her confinement is full of claustrophobic detail and menace' DAILY MAIL'Paris skilfully stitches together domestic noir with a kidnap thriller and the result is a gripping read' DAILY EXPRESS'Dark, immersive, and mysterious ... locks you quickly into its claustrophobic grip and doesn't let up till the last page' LOUISE CANDLISH THENAmelie has always been a survivor, from losing her parents as a child in Paris to making it on her own in London. As she builds a career for herself in the magazine industry, she meets, and agrees to marry, Ned Hawthorne.NOWAmelie wakes up in a pitch-black room, not knowing where she is. Why has she been taken? Who are her mysterious captors? And why does she soon feel safer here, imprisoned, than she had begun to feel with her husband Ned?In true B.A. Paris style, The Prisoner is a gripping survival story, a twisted tale of love and at its dark heart a thriller to keep you up all night.'Claustrophobic, menacing and relentlessly tense, this is a fiendishly plotted thriller with a great central twist' SARAH VAUGHAN'Gripping' DAILY MIRROR'Elegant, taut, ingeniously plotted and extremely addictive. Superb!' WILL DEAN'Book of the Month: chilling, intense and frightening in places, you'll be left wondering what is real and what isn't' WOMAN & HOME''Dark and compulsive ... B.A. Paris again conjures up the tense claustrophobia of BEHIND CLOSED DOORS and delivers yet another brilliant, unputdownable read' GILLY MACMILLAN'I loved the short chapters in part one, which really added to the rising tension. You will be rooting for Amelie!' PRIMA'Dark, daring and irresistible. B.A. Paris takes a clever, sinister survival story and further elevates it with her trademark style and heart. Truly impossible to put down' CHRIS WHITAKER'Wow! What a ride! A tantalising, taut, tense thriller' JANE CORRY'Pacy, gripping from the get-go, and with so many twists! I felt so strongly for Amelie and was rooting for her the entire book. The Prisoner is a brilliant addition to BA Paris's stella stable of thrillers' L.V. MATTHEWS'Intense and gripping, The Prisoner is suffused with intrigue and menace' EMMA HAUGHTON'Clever, twisty and unusual' LOUISE BEECH'Taut, suspenseful, loaded with twists and surprises, and the true definition of a just-one-more-chapter page-turner. It's another B.A. Paris triumph -- complex, compelling and absolutely impossible to resist. C.M. EWAN 'So utterly gripping I finished it in one heart-racing afternoon. Clobbered me from the first page and kept me hostage until I'd turned the last' EMMA BAMFORD'[T]his web of fear and lies is much more complex, satisfyingly so, than Room, involving many more characters, intricate plotting, and layers of subterfuge. Paris's fans won't be disappointed and readers new to the author will be hooked' FIRST CLUE'What if being kidnapped and kept in a dark room is preferable to your marriage? A tense and clever thriller - I loved it' CATHERINE COOPER

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This Handbook is an important contribution to knowledge about employee voice which combines a variety of approaches to the subject by drawing on different disciplines, forms and philosophies. It provides new research from a wide range of national and international experience and covers both collective and individual means of expressing the views of employees in the workplace. A feature of the Handbook is that it covers not only employment relations perspectives on the subject but also draws upon human resource management as well as organizational studies. The editors are leading authors in the subject area and have brought together both established authors and emerging scholars who have fresh approaches to the role of employee voice in organizations and society. I am sure that the Handbook will become a standard reference in the future.'- Russell Lansbury, University of Sydney, Australia'Given that employee voice has become more important recently across a range of disciplines, this book is very timely indeed. It brings together contributions from 50 well-known academics from different countries who provide a comprehensive account of employee voice from a variety of historical and contemporary angles. Crucially it also raises key questions for current and future research and practice. In my view this book should be compulsory reading for academics, policy-makers, practitioners and students in the subject area.'- Michael Marchington, University of Strathclyde and University of Manchester, UKThe term 'employee voice' refers to the ways and means through which employees can attempt to have a say and influence organizational issues that affect their work and the interests of managers and owners. The concept is distinct, but related to and often overlapping with issues such as participation, involvement and, more recently, engagement. This Handbook provides an up-to-date survey of the current research into employee voice, sets this research into context and sets a marker for future research in the area.The contributors are all expert in their field. The book examines the theory and history of employee voice and what voice means to various actors, including employers, middle managers, employees, unions and policy-makers. The authors observe how these actors engage in various voice processes, such as collective bargaining, grievance procedures, task-based voice, partnership and mutual gains. The efforts that have been made to date to evaluate voice across and between firms are then assessed, before the contributors go on to open up the debate on potential new areas for voice research, with a focus on voice and its relationship to organizational inclusion and exclusion.Contributors: B. Abbott, M.M.C. Allen, A.C. Avgar, N. Balnave, A. Barnes, C. Benassi, J. Benders, C.T. Brinsfield, A. Bryson, J.W. Budd, S. Chillas, N. Cullinane, T. Dobbins, V. Doellgast, J. Donaghey, T. Dundon, J. Foley, R.B. Freeman, P.J. Gollan, R. Gomez, M.G. Menéndez, J.A. Gruman, B. Harley, E. Heery, P. Holland, S. Johnstone, S. Kaine, B.E. Kaufman, T. Kretschmer, D. Lewin, A.A. Luchak, M.M. Lucio, C. MacMillan, A. Marks, W. Nienhüser, S. Owens, M.F. Ozbilgin , G. Patmore, D.M. Pohler, S. Procter, A. Pyman, A.M. Saks, M. Sameer, J. Syed, L. Thornthwaite, K. Townsend, A. Wilkinson, S. Williams, P. Willman, Y. Xu

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This Handbook is an important contribution to knowledge about employee voice which combines a variety of approaches to the subject by drawing on different disciplines, forms and philosophies. It provides new research from a wide range of national and international experience and covers both collective and individual means of expressing the views of employees in the workplace. A feature of the Handbook is that it covers not only employment relations perspectives on the subject but also draws upon human resource management as well as organizational studies. The editors are leading authors in the subject area and have brought together both established authors and emerging scholars who have fresh approaches to the role of employee voice in organizations and society. I am sure that the Handbook will become a standard reference in the future.'- Russell Lansbury, University of Sydney, Australia'Given that employee voice has become more important recently across a range of disciplines, this book is very timely indeed. It brings together contributions from 50 well-known academics from different countries who provide a comprehensive account of employee voice from a variety of historical and contemporary angles. Crucially it also raises key questions for current and future research and practice. In my view this book should be compulsory reading for academics, policy-makers, practitioners and students in the subject area.'- Michael Marchington, University of Strathclyde and University of Manchester, UKThe term 'employee voice' refers to the ways and means through which employees can attempt to have a say and influence organizational issues that affect their work and the interests of managers and owners. The concept is distinct, but related to and often overlapping with issues such as participation, involvement and, more recently, engagement. This Handbook provides an up-to-date survey of the current research into employee voice, sets this research into context and sets a marker for future research in the area.The contributors are all expert in their field. The book examines the theory and history of employee voice and what voice means to various actors, including employers, middle managers, employees, unions and policy-makers. The authors observe how these actors engage in various voice processes, such as collective bargaining, grievance procedures, task-based voice, partnership and mutual gains. The efforts that have been made to date to evaluate voice across and between firms are then assessed, before the contributors go on to open up the debate on potential new areas for voice research, with a focus on voice and its relationship to organizational inclusion and exclusion.Contributors: B. Abbott, M.M.C. Allen, A.C. Avgar, N. Balnave, A. Barnes, C. Benassi, J. Benders, C.T. Brinsfield, A. Bryson, J.W. Budd, S. Chillas, N. Cullinane, T. Dobbins, V. Doellgast, J. Donaghey, T. Dundon, J. Foley, R.B. Freeman, P.J. Gollan, R. Gomez, M.G. Menéndez, J.A. Gruman, B. Harley, E. Heery, P. Holland, S. Johnstone, S. Kaine, B.E. Kaufman, T. Kretschmer, D. Lewin, A.A. Luchak, M.M. Lucio, C. MacMillan, A. Marks, W. Nienhüser, S. Owens, M.F. Ozbilgin , G. Patmore, D.M. Pohler, S. Procter, A. Pyman, A.M. Saks, M. Sameer, J. Syed, L. Thornthwaite, K. Townsend, A. Wilkinson, S. Williams, P. Willman, Y. Xu

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Kopenhaga is the first comprehensive collection of prose poetry by Grzegorz Wróblewski, one of Poland’s leading contemporary writers. The book offers a series of vignettes from the crossroads of politics and culture, technology and ethics, consumerism and spirituality. It combines two tropes: the emigrant’s double identity and the ethnographer’s search for patterns. While ostensibly focused on Denmark, it functions as an investigation of alterity in the post-cold war era of ethnic strife and global capitalism. Whether he writes about refugees in Copenhagen (one of Europe’s major transnational cities), or the homeless, or the mentally ill, or any other marginalized group, Wróblewski points to the moral contradictions of a world supposedly without borders. There is something strange and indecent about people who suddenly dispose of their libraries. Recently, the well-off R. appeared at my door with a carton of books; he is moving and there is no space for them in his new apartment (which is probably bigger than the previous one). This is how Formy by Tadeusz Rózewicz (Czytelnik, Warsaw, 1958, 1st edition) ended up in Christianshavn. Last sentence of the volume: Amid all this din we walk toward silence, toward explanation. Grzegorz Wróblewski, born in 1962 in Gdansk and raised in Warsaw, has been living in Copenhagen since 1985. He has published ten volumes of poetry and three collections of short prose pieces in Poland; three books of poetry, a book of poetic prose and an experimental novel in Denmark; a book of selected poems in Bosnia-Herzegovina; and a selection of plays. His work has been translated into fifteen languages. His poems in English translation appear in many journals, anthologies, and chapbooks, as well as in two collections Our Flying Objects (Equipage Press, 2007) and A Marzipan Factory (Otoliths, 2010). Translator Piotr Gwiazda has published two books of poetry, Messages (Pond Road Press, 2012) and Gagarin Street (Washington Writers’ Publishing House, 2005). He is also the author of James Merrill and W.H. Auden: Homosexuality and Poetic Influence (Palgrave Macmillan, 2007). He is an Associate Professor of English at the University of Maryland Baltimore County (UMBC). "Alien to Joycean effulgence, Kopenhaga is nonetheless a book of silence, exile, and cunning: silence instead of moralizing in the face of modernity’s indignities; exile from native land and language; cunning in cajoling these conditions to sing a new song, one lacking in all jubilation, still somehow victorious in the absolute character of defeat. Grim, glancingly beautiful, always necessary." —Joshua Clover " Wróblewski is the true poetic chronicler of our 21st century diaspora in all its absurdities and anxieties. Kopenhaga, his book of aphoristic prose poems, pulls out all the rhetorical stops to present us with a relentless, sardonic, and hilarious picture of a culture (at once highly particular and yet anyculture) as insane as it is public-spirited and kindly. Kopenhaga is a journey to the end of the night that always makes a U-turn in the middle, to take in the latest folly—and also self-rescue mission—of the transplant. Read it and weep—and then laugh!" —Marjorie Perloff "Wróblewski has written one of the most important books of our time: these are at once unsettling and comforting, timely and wryly moving poems about the laughable annoyances, limited joys, and the never fully present sorrows of cosmopolitanism, the life of the citizens of the world. Gwiazda has rendered this study in a language full of 'water and shouting and whalers.' I can think at the moment of no better book for you to read in this our immense and always new Copenhagen." —Gabriel Gudding

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