Search results for ""The University of Chicago Press""

The story of a successful professional woman and a reflection on the meaning of existentialism, this autobiography of Hazel E. Barnes is an account of a woman's psychological liberation and the development of a personal philosophy. A translator and adherent of Sartre, Barnes recounts her battles with some publishers and critics. Espousing Sartre's belief that an individual is both the product and the unique expression of his or her period, Barnes describes how she made existentialism her own - introducing it in writing, in speaking and in a television series. Barnes embraced a philosophy initially regarded as scandalous, and became involved in a movement which left its mark on a changing century.

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"Demands of the Day" asks about the logical standards and forms that should guide ethical and experimental anthropology in the twenty-first century. Anthropologists Paul Rabinow and Anthony Stavrianakis do so by taking up Max Weber's notion of the "demands of the day." Just as the demand of the day for anthropology decades ago consisted of thinking about fieldwork, today, they argue, the demand is to examine what happens after, how the experiences of fieldwork are gathered, curated, narrated, and ultimately made available for an anthropological practice that moves beyond mere ethnographic description. Rabinow and Stavrianakis draw on experiences from an innovative set of anthropological experiments that investigated how and whether the human and biological sciences could be brought into a mutually enriching relationship. Conceptualizing the anthropological and philosophic ramifications of these inquiries, they offer a bold challenge to contemporary anthropology to undertake a more rigorous examination of its own practices, blind spots, and capacities, in order to meet the demands of our day.

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"Made to be Seen" brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to "Made to be Seen" reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more. The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, "Made to be Seen" will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.

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"Challenges to Globalization" evaluates the arguments of proglobalists and anti-globalists regarding issues such as globalization's relationship to democracy, its impact on the environment and on labor markets and wage levels, and the associated expansion of trade and its effects on prices. The contributors to this volume present surprising findings that often run counter to the claim that multinational firms primarily seek countries with low-wage labor.

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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In "Of What One Cannot Speak", Bal leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a 'theoretical object' that invites - and demands - certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo's work, from "Salcedo's Atrabiliarios" series - in which the artist uses worn shoes to retrace los desaparecidos ('the disappeared') from nations like Argentina, Chile, and Colombia - to Shibboleth, Salcedo's once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall's concrete floor. In each instance, Salcedo's installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo's powerful sculptures and installations. An unforgettable fusion of art and essay, "Of What One Cannot Speak" takes us to the very core of events we are capable of remembering - yet still uncomfortably cannot speak aloud.

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First published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry. This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.

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Subject classification:- Black Studies; Literature and Literary Criticism: American and Canadian

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In this book, I. Ya. Bakel'man introduces inversion transformations in the Euclidean plane and discusses the interrelationships among more general mathematical concepts. The author begins by defining and giving examples of the concept of a transformation in the Euclidean plane, and then explains the "point of infinity" and the "stereographic projection" of the sphere onto the plane. With this preparation, the student is capable of applying the theory of inversions to classical construction problems in the plane. The author also discusses the theory of pencils of circles, and he uses the acquired techniques in a proof of Ptolemy's theorem. In the final chapter, the idea of a group is introduced with applications of group theory to geometry. The author demonstrates the group-theoretic basis for the distinction between Euclidean and Lobachevskian geometry.

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The eighteenth century saw the creation of a number of remarkable mechanical androids: at least ten prominent automata were built between 1785 and 1810 by clockmakers, court mechanics, and other artisans from France, Switzerland, Austria, and the German lands. Designed to perform sophisticated activities such as writing, drawing, or music making, these "Enlightenment automata" have attracted continuous critical attention from the time they were made to the present, often as harbingers of the modern industrial age, an era during which human bodies and souls supposedly became mechanized. In "Androids in the Enlightenment", Adelheid Voskuhl investigates two such automata - both depicting piano-playing women. These automata not only play music, but also move their heads, eyes, and torsos to mimic a sentimental body technique of the eighteenth century: musicians were expected to generate sentiments in themselves while playing, then communicate them to the audience through bodily motions. Voskuhl argues, contrary to much of the subsequent scholarly conversation, that these automata were unique masterpieces that illustrated the sentimental culture of a civil society rather than expressions of anxiety about the mechanization of humans by industrial technology. She demonstrates that only in a later age of industrial factory production did mechanical androids instill the fear that modern selves and societies had become indistinguishable from machines.

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How did Puerto Ricans, Mexicans, and Cubans become known as "Hispanics" and "Latinos" in the United States? How did several distinct cultures and nationalities become portrayed as one? Cristina Mora answers both these questions and details the scope of this phenomenon in Making Hispanics. She uses an organizational lens and traces how activists, bureaucrats, and media executives in the 1970s and '80s created a new identity category-and by doing so, permanently changed the racial and political landscape of the nation. Some argue that these cultures are fundamentally similar and that the Spanish language is a natural basis for a unified Hispanic identity. But Mora shows very clearly that the idea of ethnic grouping was historically constructed and institutionalized in the United States. During the 1960 census, reports classified Latin American immigrants as "white," grouping them with European Americans. Not only was this decision controversial, but also Latino activists claimed that this classification hindered their ability to portray their constituents as under-represented minorities. Therefore, they called for a separate classification: Hispanic. Once these populations could be quantified, businesses saw opportunities and the media responded. Spanish-language television began to expand its reach to serve the now large, and newly unified, Hispanic community with news and entertainment programming. Through archival research, oral histories, and interviews, Mora reveals the broad, national-level process that led to the emergence of Hispanicity in America.

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With extraordinary concision and clarity, A. J. Ayer gives an account of the major incidents of Bertrand Russell's life and an exposition of the whole range of his philosophy. "Ayer considers Russell to be, except possibly for Wittgenstein, the most influential philosopher of our time. In this book [he] gives a lucid account of Russell's philosophical achievements."—James Rachels, New York Times Book Review"I am sure [this] is the best introduction of any length to Russell, and I suspect that it might serve as one of the best introductions to modern philosophy. . . . Ayer begins with a brief, austere, and balanced account of Russell's life: as in Russell's autobiography this means his thought, books, women, and politics. Tacitus (and Russell) would have found the account exemplary. Ayer ends with a sympathetic and surprisingly detailed survey of Russell's social philosophy. But the bulk of this book consists of a chapter on Russell's work in logic and the foundations of mathematics, followed by a chapter on his epistemological views and one on metaphysics. . . . I find it impossible to imagine that this book will not remain indefinitely the very best book of its sort."—Review of Metaphysics"The confrontation or conjunction of Ayer and Russell is a notable event and has produced a remarkable book—brilliantly argued and written."—Martin Lebowitz, The Nation

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In this era of tweets and blogs, it is easy to assume that the self-obsessive recording of daily minutiae is a recent phenomenon. But Americans have been navel-gazing since nearly the beginning of the republic. The daily planner - variously called the daily diary, commercial diary, and portable account book - first emerged in colonial times as a means of telling time, tracking finances, locating the nearest inn, and even planning for the coming winter. They were carried by everyone from George Washington to the soldiers who fought the Civil War. And by the twentieth century, this document had become ubiquitous in the American home as a way of recording a great deal more than simple accounts. In this appealing history of the daily act of self-reckoning, Molly McCarthy explores just how vital these unassuming and easily overlooked stationery staples were to those who used them. From their origins in almanacs and blank books through the nineteenth century and on to the enduring legacy of written introspection, McCarthy has penned an exquisite biography of an almost ubiquitous document that has borne witness to American lives in all of their complexity and mundanity.

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In this text, the author raids the borders of contemporary criticism to show how debilitating "protectionist" stances can be and how much might be gained by crossing cultural boundaries. From Spike Lee's "She's Gotta Have It" to Michael Jackson's physical transmutations, from male scholars' investments in feminism to white scholars' in black texts - Awkward explores cultural moments that challenge the exclusive critical authority of race and gender. In each instance he asks: What do artists, scholars and others concerned with representations of Afro-American life make of the view that gender, race and sexuality circumscribe their own and others' lives and narratives? In pursuing a black male/feminist criticism, the study acknowledges the complexities of interpretation in an age when a variety of powerful discourses have proliferated on the subject of racial, gendered and sexual difference. It also identifies this proliferation as an opportunity to negotiate seemingly fixed cultural and critical positions.

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The history of Haiti has been marked by oppression at the hands of colonial and dictatorial overlords, but there has also been a history of resistance and sometimes triumph. This study aims to show that Haiti's vibrant and expressive music has been a important element in the struggle, in which power, politics and resistance have been inextricably fused. The text explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, "konpa", "mini-djaz", new generation, and roots music. Averill examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements spanning the political spectrum. With first-hand accounts by musicians, photographs, song texts and ethnographic descriptions, this book examines the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.

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The takeover boom that began in the mid-1980s has exhibited many phenomena not previously observed, such as hostile takeovers and takeover defenses, a widespread use of cash as a means of payment for targeted firms, and the acquisitions of companies ranking among the largest in the country. With the aim of more fully understanding the implications of such occurances, contributors to this volume consider a broad range of issues as they analyze mergers and acquisitions and study the takeoveer process itself.

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"A Monastery in Time" is the first book to describe the life of a Mongolian Buddhist monastery - the Mergen Monastery in Inner Mongolia - from inside its walls. From the Qing occupation of the eighteenth and nineteenth centuries through the Cultural Revolution, Caroline Humphrey and Hurelbaatar Ujeed tell a story of religious formation, suppression, and survival over a history that spans three centuries. Often overlooked in Buddhist studies, Mongolian Buddhism is an impressively self-sustaining tradition whose founding lama, the Third Mergen Gegen, transformed Tibetan Buddhism into an authentic counterpart using the Mongolian language. Drawing on fifteen years of fieldwork, Humphrey and Ujeed show how lamas have struggled to keep Mergen Gegen's vision alive through tremendous political upheaval, and how such upheaval has inextricably fastened politics to religion for many of today's practicing monks. Exploring the various ways Mongolian Buddhists have attempted to link the past, present, and future, Humphrey and Ujeed offer a compelling study of the interplay between the individual and the state, tradition and history.

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A testament to the ingenuity of scholarly presses, One Book/Five Ways is a fascinating experiment in comparative publishing. This book records the history of a single manuscript, entitled No Time for Houseplants, submitted to five different university presses—Chicago, MIT, North Carolina, Texas, and Toronto—and then actually published by the University of Oklahoma Press. Each of the five model publishers agreed to treat the book as a real project accepted for publication and to compile a log of procedures they followed. These logs include correspondence, budgets, forms, layouts, and specifications, providing an insider's look at the path a manuscript takes through the various departments of each press, from editorial to marketing. With a new Foreword discussing changes in publishing since 1978 and an Afterword commenting on the actual publication of No Time for Houseplants, One Book/Five Ways is a unique educational tool for anyone interested in the publishing process.

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Along with its painful economic costs, the financial crisis of 2008 raised concerns over the future of international policy making. As in recessions past, new policy initiatives emerged that placed greater importance on protecting national interests than promoting international economic cooperation. Whether in fiscal or monetary policies, the control of currencies and capital flows, the regulation of finance, or the implementation of protectionist policies and barriers to trade, there has been an almost worldwide trend toward the prioritizing of national economic security. But what are the underlying economic causes of this trend, and what can economic research reveal about the possible consequences? Prompted by these questions, Robert C. Feenstra and Alan M. Taylor have brought together top researchers with policy makers and practitioners whose contributions consider the ways in which the global economic order might address the challenges of globalization that have arisen over the last two decades and that have been intensified by the recent crisis. Chapters in this volume consider the critical linkages between issues, including exchange rates, global imbalances, and financial regulation, and plumb the political and economic outcomes of past policies for what they might tell us about the future of global economic cooperation.

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Border fixity - the proscription of foreign conquest and the annexation of homeland territory - has, since World War II, become a powerful norm in world politics. This development has been said to increase stability and peace in international relations. Yet, in a world in which it is unacceptable to challenge international borders by force, sociopolitically weak states remain a significant source of widespread conflict, war, and instability. In this book, Boaz Atzili argues that the process of state building has long been influenced by external territorial pressures and competition, with the absence of border fixity contributing to the evolution of strong states - and its presence to the survival of weak ones. What results from this norm, he argues, are conditions that make internal conflict and the spillover of interstate war more likely. Using a comparison of historical and contemporary case studies, Atzili sheds light on the relationship between state weakness and conflict. His argument that under some circumstances an international norm that was established to preserve the peace may actually create conditions that are ripe for war is sure to generate debate and shed light on the dynamics of continuing conflict in the twenty-first century.

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Adam Ashforth, an Australian who has spent many years in Soweto, finds his longtime friend Madumo in dire circumstances: his family has accused him of using witchcraft to kill his mother and has thrown him out on the street. Convinced that his life is cursed, Madumo seeks help among Soweto's bewildering array of healers and prophets. An inyanga, or traditional healer, confirms that he has indeed been bewitched. Ashforth, skeptical yet supportive, remains by Madumo's side as he embarks upon a physically grueling treatment regimen that he follows religiously - almost to the point of death. Asforth's beautifully written account of Madumo's struggle shows that the problem of witchcraft is not simply superstition but a complex response to spiritual insecurity in a troubling time of political and economic upheaval. Through Madumo's story, Ashforth opens up a world that few have seen, a deeply unsettling place where the question, "Do you believe in witchcraft?" is not a simple one at all. The insights that emerge as Ashforth accompanies his friend on an odyssey through Soweto's supernatural perils have profound implications even for those of us who live in worlds without witches.

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Dismissing oversimplified and politically-charged views of the politics of Shi'ite Islam, Said Amir Arjomand offers a richly researched sociological and historical study of Shi'ism and the political order of premodern Iran that exposes the roots of what became Khomeini's theocracy.

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Humans are plagued by shortsighted thinking, preferring to put off work on complex, deep-seated, or difficult problems in favor of quick-fix solutions to immediate needs. When short-term thinking is applied to economic development, especially in fragile nations, the results - corruption, waste, and faulty planning - are often disastrous. In "Bringing in the Future", William Ascher draws on the latest research from psychology, economics, institutional design, and legal theory to suggest strategies to overcome powerful obstacles to long-term planning in developing countries. Drawing on cases from Africa, Asia, and Latin America, Ascher applies strategies such as the creation and scheduling of tangible and intangible rewards, cognitive exercises to increase the understanding of longer-term consequences, self-restraint mechanisms to protect long-term commitments and enhance credibility, and restructuring policy-making processes to permit greater influence of long-term considerations. Featuring theoretically informed research findings and sound policy examples, this volume will assist policy makers, activists, and scholars seeking to understand how the vagaries of human behavior affect international development.

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The term "feminism" conjures up the promise of resistance to the various forms of oppression women face. But feminism's ability to fulfil this promise has been undermined by its failure to deal adequately with the difference that race makes for gender. In this book, Ellen T. Armour forges an alliance between deconstruction and feminist theology and theory by demonstrating deconstruction's usefulness in addressing feminism's trouble with race. Armour shows how the writings of Jacques Derrida and Luce Irigaray can be used to uncover feminism's white presumptions so that race and gender can be thought of differently. In concise terms she explores the possibilities and limitations for feminist theology of Derrida's conception of "woman" and Irigaray's "multiple woman," as well as Derrida's thinking on race and Irigaray's work on religion. Armour then points a way beyond the race/gender divide with the help of African-American theorists such as bell hooks, Hortense Spillers, and Patricia Hill Collins.

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Unlike many social movements, the gay and lesbian struggle for visibility and rights has succeeded in combining a unified group identity with the celebration of individual differences. In "Forging Gay Identities", Elizabeth Armstrong explores how this happened, developing a new approach that draws on both social movement and organizational theory. She traces the evolution of gay life, gay organizations and gay identity in San Francisco from the 1950s to the mid-1990s, identifying two events as pivotal in their evolution. First, in 1969 the encounter between early homophile organizing and the New Left produced gay liberation and its signature contribution - coming out. Second, the sudden decline of the New Left in the early 1970s reduced the viability of the radical gay-liberation goal of societal transformation and prompted gay activists to redirect their movement to the affirmation of gay identity and the pursuit of gay rights. "Forging Gay Identities" should be valuable for anyone studying social movements, culture, identity politics or ogranizational theory.

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Hannah Arendt began her scholarly career with an exploration of Saint Augustine's concept of caritas, or neighborly love, written under the direction of Karl Jaspers and the influence of Martin Heidegger. After her German academic life came to a halt in 1933, Arendt carried her dissertation into exile in France, and years later took the same battered and stained copy to New York. During the late 1950s and early 1960s, as she was completing or reworking her most influential studies of political life, Arendt was simultaneously annotating and revising her dissertation on Augustine, amplifying its argument with terms and concepts she was using in her political works of the same period. The disseration became a bridge over which Arendt traveled back and forth between 1929 Heidelberg and 1960s New York, carrying with her Augustine's question about the possibility of social life in an age of rapid political and moral change.In Love and Saint Augustine, Joanna Vecchiarelli Scott and Judith Chelius Stark make this important early work accessible for the first time. Here is a completely corrected and revised English translation that incorporates Arendt's own substantial revisions and provides additional notes based on letters, contracts, and other documents as well as the recollections of Arendt's friends and colleagues during her later years.

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Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel. More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, "Enlightenment Orientalism" is sure to be welcomed as a landmark work in eighteenth-century studies.

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Even within anthropology, a discipline that strives to overcome misrepresentations of peoples and cultures, colonialist depictions of the so-called Dark Continent run deep. The grand narratives, tribal tropes, distorted images, and "natural" histories that forged the foundations of discourse about Africa remain firmly entrenched. In "Beyond Words", Andrew Apter explores how anthropology can come to terms with the "colonial library" and begin to develop an ethnographic practice that transcends the politics of Africa's imperial past. The way out of the colonial library, Apter argues, is by listening to critical discourses in Africa that reframe the social and political contexts in which they are embedded. Apter develops a model of critical agency, focusing on a variety of language genres in Africa situated in rituals that transform socio-political relations by self-consciously deploying the power of language itself. To break the cycle of Western illusions in discursive constructions of Africa, he shows, we must listen to African voices in ways that are culturally and locally informed. In doing so, Apter brings forth what promises to be a powerful and influential theory in contemporary anthropology.

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In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a "war on women," while Republicans countered that Democratic policies actually undermined women's rights. The women of the Senate wielded particular power throughout, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights. The first book to examine the impact of gender differences in the Senate, "Women in the Club" is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women's rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party's position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams.

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In this incisive look at early modern views of party politics, Harvey C. Mansfield examines the pamphlet war between Edmund Burke and the followers of Henry St. John, First Viscount Bolingbroke during the mid-eighteenth century. In response to works by Bolingbroke published posthumously, Burke created his most eloquent advocacy of the party system. Taking an interdisciplinary approach to the material, Mansfield shows that present-day parties must be understood in the light of the history of party government. The complicated organization and the public actions of modern parties are the result, he contends, and not the cause of a great change in opinion about parties. Mansfield points out that while parties have always existed, the party government that we know today is possible only because parties are now considered respectable. In Burke's day, however, they were thought by detractors to be a cancer in a free polity. Burke, however, was an early champion of the party system in Britain and made his arguments with a clear-eyed realism. In "Statesmanship and Party Government", Mansfield provides a skillful evaluation of Burke's writings and sheds light on present-day party politics.

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By the middle of the nineteenth century, the public had had enough of sex and death. The lurid penny presses of the industrial East had been mixing a potent cocktail of sensationalism to tempt the American public and increase newspaper circulation, but that steady diet of sexual scandals and murders was growing increasingly unpalatable to readers. When investigative journalists William T. Stead and George Kibbe Turner launched their soon-to-be infamous investigations into global sex trafficking, they were met with skepticism and allegations of fraud - and eventually the two newspapermen saw a fundamental change in their craft, a shift from sensationalism to journalistic objectivity. In "Sex Trafficking, Scandal, and the Transformation of Journalism", Gretchen Soderlund offers a new way to understand sensationalism in both newspapers and reform movements. Moving beyond an awareness of sensationalism as either overt emotionalism or attributed critique, Soderlund explains how the social and political realities of late nineteenth- and early twentieth-century society changed, slowly marginalizing this kind of journalism in favor of a new, more ethical style that demonstrated the significance of race, gender, and sexuality to its readers.

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First published in 1999, Mary Pattillo's "Black Picket Fences" explores an American demographic group too often ignored by both scholars and the media: the black middle class. Nearly fifteen years later, this book remains a groundbreaking study of a group still under represented in the academic and public spheres. The result of living for three years in "Groveland," a black middle-class neighborhood on Chicago's South Side, "Black Picket Fences" explored both the advantages the black middle class has and the challenges they still face. Despite arguments that race no longer matters, Pattillo showed a different reality, one where black and white middle classes remain separate and unequal. Stark, moving, and still timely, the book is updated for this edition with a new epilogue by the author that details how the neighborhood and its residents fared in the recession of 2008, as well as new interviews with many of the same neighborhood residents featured in the original. Also included is a new foreword by acclaimed University of Pennsylvania sociologist Annette Lareau.

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A noted philosopher and one of the most gifted and prolific novelists of the twentieth century, Iris Murdoch has anticipated and shaped many of the issues central to current ethics. These include the relation between human identity and ideas of the good, the effect of the modern critique of religion on moral thought, the relation between ethics and literature, and the contemporary debate about liberalism. In the most comprehensive engagement with Murdoch's work to date, this volume gathers contributions from philosophers, theologians, and a literary critic to explore the significance of her ideas for contemporary thought.Inspired by Murdoch's tenacious wrestling with basic questions of human existence, these essays not only clarify her thoughts on human goodness, but also move beyond the academy to reflect on how we can and ought to undertake the human adventure in our daily lives.Contributors are Charles Taylor, Martha Nussbaum, David Tracy, Cora Diamond, Maria Antonaccio, Elizabeth Dipple, Franklin I. Gamwell, Stanley Hauerwas, and William Schweiker. This volume also includes "Metaphysics and Ethics," a classic essay by Iris Murdoch.

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With radical formal innovations that scandalized the European art world, cubism revolutionized modern art and opened the path toward pure abstraction. Documenting the heady first years of this profoundly influential movement, "A Cubism Reader" presents the most comprehensive collection of cubist primary sources ever compiled for English-language publication.This definitive anthology covers the historical genesis of cubism from 1906 to 1914, with documents that range from manifestos and poetry to exhibition prefaces and reviews to articles that address the cultural, political, and philosophical issues related to the movement. Most of the texts Mark Antliff and Patricia Leighten have selected are from French sources, but their inclusion of carefully culled German, English, Czech, Italian, and Spanish documents speaks to the international reach of cubist art and ideas. Equally wide-ranging are the writers represented - a group that includes Guillaume Apollinaire, Gertrude Stein, Jean Metzinger, Albert Gleizes, Fernand Leger, Francis Picabia, Andre Salmon, Raymond Duchamp-Villon, Henri Le Fauconnier, and many others.These diverse selections - unabridged and freshly translated - represent a departure from the traditional view of cubism as shaped almost exclusively by Picasso and Braque. Augmented by Antliff and Leighten's insightful commentary on each entry, as well as many of the articles' original illustrations, "A Cubism Reader" ultimately broadens the established history of the movement by examining its monumental contributions from a variety of contemporary perspectives.

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A noted philosopher and one of the most gifted and prolific novelists of the twentieth century, Iris Murdoch has anticipated and shaped many of the issues central to current ethics. These include the relation between human identity and ideas of the good, the effect of the modern critique of religion on moral thought, the relation between ethics and literature, and the contemporary debate about liberalism. In the most comprehensive engagement with Murdoch's work to date, this volume gathers contributions from philosophers, theologians, and a literary critic to explore the significance of her ideas for contemporary thought. Inspired by Murdoch's tenacious wrestling with basic questions of human existence, these essays not only clarify her thoughts on human goodness, but also move beyond the academy to reflect on how we can and ought to undertake the human adventure in our daily lives. Contributors are Charles Taylor, Martha Nussbaum, David Tracy, Cora Diamond, Maria Antonaccio, Elizabeth Dipple, Franklin I. Gamwell, Stanley Hauerwas, and William Schweiker. This volume also includes "Metaphysics and Ethics," a classic essay by Iris Murdoch.

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Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries.Tracing this preoccupation through the period's films - as well as its legal, medical, and literary texts - Andriopoulos pays particular attention to the terrifying notion of murder committed against one's will. He returns us to a time when medical researchers described the hypnotized subject as a medium who could be compelled to carry out violent crimes, and when films like "The Cabinet of Dr. Caligari" and "Dr. Mabuse, the Gambler" famously portrayed the hypnotist's seemingly unlimited power on the movie screen. Combining theoretical sophistication with scrupulous archival research and insightful film analysis, "Possessed" adds a new dimension to our understanding of today's anxieties about the onslaught of visual media and the expanding reach of vast corporations that seem to absorb our own identities.

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In 1974 India joined the elite roster of nuclear world powers when it exploded its first nuclear bomb. But the technological progress that facilitated that feat was set in motion many decades before, as India sought both independence from the British and respect from the larger world. Over the course of the twentieth century, India metamorphosed from a marginal place to a serious hub of technological and scientific innovation. It is this tale of transformation that Robert S. Anderson recounts in "Nucleus and Nation". Tracing the long institutional and individual preparations for India's first nuclear test and its consequences, Anderson begins with the careers of India's renowned scientists - Meghnad Saha, Shanti Bhatnagar, Homi J. Bhabha, and their patron Jawaharlal Nehru - in the first half of the twentieth century before focusing on the evolution of the large and complex scientific community - especially Vikram Sarabhi - in the later part of the era. By contextualizing Indian debates over nuclear power within the larger conversation about modernization and industrialization, Anderson homes in on the thorny issue of the integration of science into the framework and self-reliant ideals of Indian nationalism. In this way, "Nucleus and Nation" is more than a history of nuclear science and engineering and the Indian Atomic Energy Commission; it is a unique perspective on the history of Indian nationhood and the politics of its scientific community.

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In Sappho in Early Modern England, Harriette Andreadis examines public and private expressions of female same-sex sexuality in sixteenth- and seventeenth-century England. Before the language of modern sexual identities developed, a variety of discourses in both literary and extraliterary texts began to form a lexicon of female intimacy. Looking at accounts of non-normative female sexualities in travel narratives, anatomies, and even marital advice books, Andreadis outlines the vernacular through which a female same-sex erotics first entered verbal consciousness. She finds that "respectable" women of the middle classes and aristocracy who did not wish to identify themselves as sexually transgressive developed new vocabularies to describe their desires; women that we might call bisexual or lesbian, referred to in their day as tribades, fricatrices, or "rubsters," emerged in erotic discourses that allowed them to acknowledge their sexuality and still evade disapproval.

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Anticorruption reforms provide political cover for public officials, but do they really work? This text seeks to show how the proliferating regulations and oversight mechanisms designed to prevent or root out corruption seriously undermine the ability to govern. Over the last century, the authors argue, society has become enmeshed in alternating cycles of corruption and reform. Governments attribute the absence of scandal to existing regulations, and see their reoccurrence as proof of the need of additional laws. Using the anticorruption efforts in New York City to illustrate their argument, the authors seeks to deomonstrate the costly inefficiencies of pursuing absolute integrity. They assert that by constraining decision makers' discretion, shaping priorities, and causing delays, corruption control - no less than corruption itself - has contributed to the contemporary crisis in public administration.

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Historically Nicaragua has been mired in poverty and political conflict, yet the country has become a model for the successful emergence of democracy in a developing nation. Learning Democracy tells the story of how Nicaragua overcame an authoritarian government and American interventionism by engaging in an electoral revolution that solidified its democratic self-governance. By analyzing nationwide surveys conducted during the 1990, 1996, and 2001 Nicaraguan presidential elections, Leslie E. Anderson and Lawrence C. Dodd provide insight into one of the most unexpected and intriguing recent advancements in third world politics. They offer a balanced account of the voting patterns and forward-thinking decisions that led Nicaraguans to first support the reformist Sandinista revolutionaries, only to replace them with a conservative democratic regime a few years later. Addressing issues largely unexamined in Latin American studies, Learning Democracy is a unique and probing look at how the country's mass electorate moved beyond revolutionary struggle to establish a more stable democratic government by realizing the vital role of citizens in democratization processes.

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Over a lifetime of studying Cuban Santeria and other religions related to Orisha worship - a practice also found among the Yoruba in West Africa - Stephan Palmie has grown progressively uneasy with the assumptions inherent in the very term Afro-Cuban religion. In "The Cooking of History" he provides a comprehensive analysis of these assumptions, in the process offering an incisive critique both of the anthropology of religion and of scholarship on the cultural history of the Afro-Atlantic World. Understood largely through its rituals and ceremonies, Santeria and related religions have been a challenge for anthropologists to link to a hypothetical African past. But, Palmie argues, precisely by relying on the notion of an aboriginal African past, and by claiming to authenticate these religions via their findings, anthropologists - some of whom have converted to these religions - have exerted considerable influence upon contemporary practices. Critiquing widespread and damaging simplifications that posit religious practices as stable and self-contained, Palmie calls for a drastic new approach that properly situates cultural origins within the complex social environments and scholarly fields in which they are investigated.

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This paperback edition of A Place on the Corner marks the twenty-fifth anniversary of Elijah Anderson's sociological classic, a study of street corner life at a local barroom/liquor store located in the ghetto on Chicago's South Side. Anderson returned night after night, month after month, to gain a deeper understanding of the people he met, vividly depicting how they created—and recreated—their local stratification system. In addition, Anderson introduces key sociological concepts, including "the extended primary group" and "being down." The new preface and appendix in this edition expand on Anderson's original work, telling the intriguing story of how he went about his field work among the men who frequented Jelly's corner.

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At a glance, most species seem adapted to the environment in which they live. Yet species relentlessly evolve, and populations within species evolve in different ways. Evolution, as it turns out, is much more dynamic than biologists realized just a few decades ago. In "Relentless Evolution", John N. Thompson explores why adaptive evolution never ceases and why natural selection acts on species in so many different ways. Thompson presents a view of life in which ongoing evolution is essential and inevitable. Each chapter focuses on one of the major problems in adaptive evolution: How fast is evolution? How strong is natural selection? How do species co-opt the genomes of other species as they adapt? Why does adaptive evolution sometimes lead to more, rather than less, genetic variation within populations? How does the process of adaptation drive the evolution of new species? How does coevolution among species continually reshape the web of life? And, more generally, how are our views of adaptive evolution changing? "Relentless Evolution" draws on studies of all the major forms of life - from microbes that evolve in microcosms within a few weeks to plants and animals that sometimes evolve in detectable ways within a few decades. It shows evolution not as a slow and stately process, but rather as a continual and sometimes frenetic process that favors yet more evolutionary change.

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In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the "exact proportions" of sea monsters - all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London's emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul's Cathedral. Offering an innovative approach to the scientific image-making of the time, Matthew C. Hunter demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called "wicked intelligence." Hunter uses episodes involving specific visual practices-for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet-to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England. The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain's imperial power and artistic efflorescence.

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This text presents the results of a research project carried out on foraging behaviour among African baboons and its consequences for survival and reproduction. Detailed data is provided on the feeding habits of each baboon, with an analysis of its nutrient intake. These figures are then compared with those in optimum diets. The most striking result of this study is that the baboon's subsequent survival and reproductive success could be accurately predicted from what they had eaten as yearlings. The animals with energy intakes closest to the optimum and protein intakes furthest above their requirements were most likely to survive to adulthood and to successfully produce offspring.

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In recent decades, Oliver Wendell Holmes has been praised as "the only great American legal thinker" and "the most illustrious figure in the history of American law." In this volume, Albert Alschuler paints a much darker picture of Justice Holmes as a distasteful man who, among other things, espoused Social Darwinism, favored eugenics, and as he himself acknowledged, came "devilish near to believing that might makes right." Alschuler begins by examining Holmes's power-focused philosophy and then turns to Holmes the person, describing how the horrors he experienced in the Civil War would transform his outlook into one of moral skepticism and profoundly color his decisions, both personal and legal. This skepticism, Alschuler argues, was at the root of his personal indifference to others, his romanticization of war and struggle, his persistent efforts to substitute power metaphors for judgments of right and wrong, and his "bad man" concept of law. His pernicious legacy, according to Alschuler, is evident in twentieth-century legal thought, whether one takes an economic or a critical legal approach. Contrary to the perception of many modern lawyers and scholars, Holmes's legacy was not a "revolt against formalism," or against a priori reasoning; it was a revolt against the objective concepts of right and wrong--against values. Alschuler's thoroughgoing, no-holds-barred debunking of Holmes, together with his scathing critique of contemporary legal scholarship, will be a lightning rod for discussion and debate.

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In recent decades, Oliver Wendell Holmes has been praised as "the only great American legal thinker" and "the most illustrious figure in the history of American law." But in Albert Alschuler's critique of both Justice Holmes and contemporary legal scholarship, a darker portrait is painted - that of a man who, among other things, espoused Social Darwinism, favored eugenics, and, as he himself acknowledged, came "devilish near to believing that might makes right."

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In "When Buildings Speak", Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression.Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts. By looking through Alofsin's eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.

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Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE 65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. The first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. This second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator's introduction offering reflections on the work's context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.

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