Search results for ""author thomas"

‘The Château de Versailles is a real photographic challenge because it is so huge: there is an infinite number of possible points of view and they are never the same, depending on the time of day, the weather or the season… There are always new photos to take, to contemplate, to dream of. It is a demanding place that stimulates creativity and encourages you to look at it again and again’ Thomas Garnier Versailles is one of the most photographed places in the world, but only four people have the privilege of being the Palace’s official photographers. They have uniquely unfettered access to the secrets that lie within, outside and beneath this enormous domain where they spend their days – and sometimes their nights. Now, for the first time, they open their personal albums to offer a wealth of impressions and responses. Two hundred and fifty previously unpublished photographs reveal a plethora of outstanding artworks, the private apartments of Louis XIV, MarieAntoinette and Madame de Pompadour, magnificent galleries, the delightful Orangerie and more, all accompanied by texts that provide a lively introduction to daily life at the Château and its momentous history. This is a monumental volume on a scale that matches the grandeur of the worldrenowned Palace it celebrates.

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It is 1474 and England is finally at peace after 25 years of internecine bloodshed where Yorkists and Lancastrians battled for the crown. On the throne sits Edward IV with his beautiful queen, Elizabeth Woodville, at his side. But past grudges have not been forgotten and beneath the intoxicating glamour of the royal court lies a secret with death trailing in its wake. Into this glorious summer of Yorkist rule comes Cecily, Lady Harington, a wealthy young heiress, married to Thomas Grey, eldest son of the queen's first marriage - "a nothing" in the words of Cecily's mother. William Hastings, Cecily's beloved stepfather, is the king's closest friend but he is also the queen's enemy. As the mystery surrounding her mother-in-law deepens and people start dying, Cecily attempts to uncover the truth but when chaos engulfs her family and the two young princes disappear into the Tower, she finds herself alone and in danger as those she loves and once trusted, prove false. The Woodville Conspiracy is a story of love and betrayal with at its heart a secret which will forever lie buried beneath the battlefield at Bosworth.

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Potted history, quirky facts, sayings, hints and tips about Ireland's celebration and the saint it commemorates.The Little Book of St Patrick's Day will tell the story of St Patrick and how the holiday began, share the craic with a collection of sayings and describe how the festival is marked around the world (and in outer space).Separate the myths from the facts, find out how to celebrate at home and be dazzled by quirky facts and stats. Why is the shamrock the symbol of the day, did St Patrick really drive snakes out of Ireland and what should you eat and drink on March 17th?Find out in this pocket-sized guide to this Irish celebration that has enchanted people of all backgrounds across the globe.'For the whole world is Irish on the Seventeenth o' March!' The Irish-American poet Thomas Augustine Daly, as seen on Bustle.comOn St Patrick's Day 2011, the Irish-American astronaut Catherine Coleman played a 100-year-old flute belonging to the Irish band The Chieftains, while floating weightless in the space station. Her performance was later included in a track called The Chieftains in Orbit.

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A hallmark of Western culture is a massive moral confusion, rendering the very idea of virtue “exotic and incomprehensible.” McInerny here drags the conversation back to the beginning, establishing the terms and the tools of what it means to think and to do what is moral. As he asserts, the virtuous life and the moral life are one and the same. To be moral is to be good, and the goodness of one’s acts reflects the fundamentals of thought placed in the service of a pursuit of a virtuous life. Why is the concept of a virtuous life so foreign to many? We do not know the basics of a moral life. As McInerny states, “To be good we have to know what that means.” The two biggest judgments one will make during life pertain to knowing what is good, what is bad, and the difference between the two. This bleeds into a study of morality and ethics when it pertains to concrete acts, but in reality all aspects of our lives bear on these judgments. “Being ethical is not simply a state of mind, it is a state of being, a way of living one’s life that reflects the fundamental principles of ethics [...] [it is one] who lives in a certain way.” Nevertheless, the subject of this book focuses on ethics––namely, the goodness or badness of human acts. McInerny’s great reason for writing this work is to teach the reader that he or she cannot properly tackle ethical questions (even if they are not identified as such) if one is not himself or herself actually ethical (living virtuously). Writing very much as a teacher of teachers, McInerny relies on the foundations of Aristotle and Thomas Aquinas, as well as his late brother, Ralph McInerny, to reiterate the principles of ethics that inform both thought and act. To speak of ethics, then, is to admit a commitment to virtue and how the theoretical distinction of good and bad is necessarily practical. Acting well will lead to thinking better, but McInerny notes that culture has lost sight of the former and thereby the coherency to address ethical questions. Being Ethical aims to correct this disconnect in forty-eight cogent lessons. Being Ethical is fundamentally intended to serve as a sequel to D. Q. McInerny’s Being Logical (Random House, 2004), which has remained in print and has been translated into six languages. Its style lends itself to being used as a textbook in liberal studies. More generally, it is a refreshing presentation of this topic and timely and timeless exhortation to readers of the necessity of a love of virtue for ethical thought. For friends and students of Aristotle, Thomas Aquinas and Ralph McInerny, this book bears a style and manner that is both familiar and much loved.

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Law has been the missing link in modern British studies. Richard Cosgrove has begun single-handedly to change that. In unpretentious prose Cosgrove expertly guides the reader through the major works of half a dozen 'greats' as well as shrewdly assessing their current reputations. Scholars of the Law should inspire many more! --John V. Orth, The University of North Carolina School of Law Richard Cosgrove's Scholars of the Law begins with the emergence of the positivist belief that jurisprudence can solve the important social issues of the day. Legal theory in the twentieth century has become narrow and abstract, and contemporary theory, ever anxious to debunk elitism, ironically has become elitist itself. Charting the history of English jurisprudence through its key figures--William Blackstone, Jeremy Bentham, John Austin, Henry Maine, Thomas Erskine Holland, and H. L. A. Hart--Richard Cosgrove argues that jurisprudence must return to its interdisciplinary roots and draw upon economics, politics, and sociology. In short, theory and practice must be recombined.

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The fresh telling of the famous and sensational Scottish trials featured in this wide-ranging collection will enthral today's reader just as much as the drama of the original trials must have fascinated those who were following what was happening in court at the time. The people whose trials are covered in this book include: royal Scots accused of crimes against the Crown (for example, Mary Queen of Scots and Charles I) and those less noble accused of nefarious crimes such as burglary and worse (for example, Deacon Brodie and Burke and Hare); men like Joseph Knight, who today is seen as the man whose court case helped demonstrate Scotland was always against slavery, and Thomas Muir, whose actions in support of freedom for the common man were interpreted as seditious and worthy of punishment by transportation to Australia; and women like Madeleine Smith, who was accused of poisoning her lover in strict Victorian times.

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In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders.

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In The Small Book of Hip Checks Erica Rand uses multiple meanings of hip check—including an athlete using their hip to throw an opponent off-balance and the inspection of racialized gender—to consider the workings of queer gender, race, and writing. Explicitly attending to processes of writing and revising, Rand pursues interruption, rethinking, and redirection to challenge standard methods of argumentation and traditional markers of heft and fluff. She writes about topics including a trans shout-out in a Super Bowl ad, the heyday of lavender dildos, ballet dancer Misty Copeland, the criticism received by figure skater Debi Thomas and tennis great Serena Williams for competing in bodysuits while Black, and the gendering involved in identifying the remains of people who die trying to cross into the United States south of Tucson, Arizona. Along the way, Rand encourages making muscle memory of experimentation and developing an openness to being conceptually knocked sideways. In other words, to be hip-checked.

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In The Small Book of Hip Checks Erica Rand uses multiple meanings of hip check—including an athlete using their hip to throw an opponent off-balance and the inspection of racialized gender—to consider the workings of queer gender, race, and writing. Explicitly attending to processes of writing and revising, Rand pursues interruption, rethinking, and redirection to challenge standard methods of argumentation and traditional markers of heft and fluff. She writes about topics including a trans shout-out in a Super Bowl ad, the heyday of lavender dildos, ballet dancer Misty Copeland, the criticism received by figure skater Debi Thomas and tennis great Serena Williams for competing in bodysuits while Black, and the gendering involved in identifying the remains of people who die trying to cross into the United States south of Tucson, Arizona. Along the way, Rand encourages making muscle memory of experimentation and developing an openness to being conceptually knocked sideways. In other words, to be hip-checked.

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Published in 2008 and winner of the 2011 Thomas E. Skidmore Prize, Paulo Fontes's Migration and the Making of Industrial São Paulo is a detailed social history of São Paulo's extraordinary urban and industrial expansion. Fontes focuses on those migrants who settled in the suburb of São Miguel Paulista, which grew from 7,000 residents in the 1940s to over 140,000 two decades later. Reconstructing these migrants' everyday lives within a broad social context, Fontes examines the economic conditions that prompted their migration, their creation of an integrated identity and community, and their efforts to gain worker rights. Fontes challenges the stereotypes of Northeasterners as culturally backward, uneducated, violent, and unreliable, instead seeing them as a resourceful population with considerable social and political resolve. Fontes's investigations into Northeastern life in São Miguel Paulista yield a fresh understanding of São Paulo's incredible and difficult growth while outlining how a marginalized population exercised its political agency.

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This book is unique in that it provides the first-ever substantial account of the seven-centuries-old Scottish philosophical tradition. The book focuses on a number of philosophers in the period from the later-thirteenth century until the mid- twentieth and attends especially to some brilliantly original texts. The book also indicates ways in which philosophy has been intimately related to other aspects of Scotland's culture. Among the greatest philosophers that Scotland has produced are John Duns Scotus, Francis Hutcheson, David Hume, Adam Smith and Thomas Reid. But there were many other fine, even brilliant philosophers who are less highly regarded, if they are noticed at all, such as John Mair, George Lokert, Frederick Ferrier, Andrew Seth, Norman Kemp Smith and John Macmurray. All these thinkers and many others are discussed in these pages. This clearly written and approachable book gives us a strong sense of the Scottish philosophical tradition.

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In Two Faces of Liberalism, John Gray argues that liberal thought has always contained two incompatible philosophies. In one, liberalism is a theory of a universal rational consensus, which enables the achievement of the best way of life for all humankind. In the other, liberalism is the project of seeking terms of peaceful coexistence between different regimes and ways of life. John Gray argues that the liberalism of rational consensus is anachronistic in a time when most late modern societies contain several ways of life, with many people belonging to more than one. The future of liberalism lies with a project of modus vivendi, first outlined in the writings of Thomas Hobbes. In the course of his argument, Gray presents a new interpretation of liberal toleration and argues that value-pluralism in ethics can support a revised view of universal human rights. This accessible book will be of great interest to students and scholars of political thought, moral and political philosophy, social and critical theory and cultural studies.

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'A master psychologist - cycling's answer to Brian Clough.' MARK CAVENDISHThe inside story of Mark Cavendish's Rainbow Jersey Winning World Title of 2011Twenty five years ago, British road cycling was in the doldrums: today it is at the top of the world thanks to Bradley Wiggins, Chris Froome, Geraint Thomas and the sprinter who has bridged all their careers - the Manx Missile, Mark Cavendish. British cycling has become that rare beast, a story of sporting success built from the bottom up. Project Rainbow is the story of this sport's meteoric rise, told by one of its key figures, culminating in Cavendish's world road race title in 2011.As GB Elite Road Coach and former Team Sky Performance Manager, Rod Ellingworth was one of the most important men behind this incredible rise. Here, one of the chief architects of this amazing journey, tells the inside story of both teams' advance to the top.With an introduction by Mark Cavendish.

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The third volume in the Beazley Designs of the Year catalogue series, offering a snapshot of the most exciting things happening in design today. Now in its thirteenth year, the Design Museum’s Beazley Designs of the Year award and exhibition showcase the most innovative, relevant and thought-provoking projects in contemporary design. From the first iPhone to Zaha Hadid’s final building, the nominations for the award have spanned the fields of architecture, digital, fashion, graphics, product and transport. Introduced by Tim Marlow and Emily King, this illustrated book brings together all the nominated designs for 2020, along with the reasons for their selection by an international group of design experts, practitioners and critics. It is the definitive record of the year in design. Past nominees and winners include: Zaha Hadid, Gucci, SpaceX, Nike, Foster + Partners, Shepard Fairey, Comme des Garçons, Apple, OMA, Barber & Osgerby, Jasper Morrison, Thomas Heatherwick, Kanye West and David Adjaye.

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Wright's photography has been featured in National Geographic Society publications, Smithsonian, Outside, Time, Islands, and The New York Times, as well as a number of books. The recipient of the Dorothea Lange Award in Documentary Photography for covering child labor in Asia, and a two-time recipient of the Lowell Thomas Travel Journalism Award, Alison travels the globe collecting raw, thought-provoking images. This retrospective of her illustrious, ongoing career features a portfolio of striking portraits of more than 200 individuals. From Asia to Africa, to the Middle East and back, she captures the tapestry of humanity in all its diversity and splendor. Warmth, dignity, and grace emanate from the eyes of monks and geishas, nomads and cowboys, tribal warriors and even inspirational icons like His Holiness the Dalai Lama and Burmese leader Aung San Suu Kyi. Together, these stunning portraits, accompanied by written testimonials, explore the universal interconnectedness of the human spirit.

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The 10th installment in the bestselling Nathan Hale’s Hazardous Tales series tells the story of the Haitian Revolution and the Louisiana Purchase The Louisiana Purchase (1803) is today seen as one of history’s greatest bargains. But why did Napoleon Bonaparte sell this seemingly prosperous territory? At the time, France controlled Haiti, and there, slaves were used to harvest sugar. But in 1791, Toussaint Louverture led the largest slave uprising in human history, the Haitian Revolution (1791–1804). Napoleon had originally wanted to use Louisiana for trade, but with Haiti out of his control, Napoleon’s dream of making a French empire in North America seemed doomed. So when Thomas Jefferson and James Madison tried to buy New Orleans, Napoleon sold them the whole Louisiana Territory. Filled with wild and true facts and Hale’s signature humor, the latest installment in the bestselling series takes readers on another action-packed adventure through history.

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Attending the party and taking a leading role in the ensuing investigation is one of the most beloved characters from Anne Perry's Thomas Pitt series: Lady Vespasia Cumming-Gould. Lady Vespasia's friend Isobel has made a cruel remark about Gwendolen Kilmuir on the night Gwendolen was meant to have become engaged to the eligible Bertie Rosythe. Gwendolen flees the room, and the next morning her body is found in the lake in the gardens of the estate. It appears she has jumped from the bridge. The host, Omegus Jones and Vespasia decide to find who or what might have led Gwendolen to resort to such an extreme measure. They vow to make the guilty party seek forgiveness and expiation through the task of taking a sealed letter written by Gwendolen before her death to her mother up in the north of Scotland.The journey will be both physically and emotionally arduous but will bring answers to some unexpected and profound questions.

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The only series for MYP 4 and 5 developed in cooperation with the International Baccalaureate (IB)Develop your skills to become an inquiring learner; ensure you navigate the MYP framework with confidence using a concept-driven and assessment-focused approach presented in global contexts.- Develop conceptual understanding with key MYP concepts and related concepts at the heart of each chapter.- Learn by asking questions with a statement of inquiry in each chapter. - Prepare for every aspect of assessment using support and tasks designed by experienced educators.- Understand how to extend your learning through research projects and interdisciplinary opportunities.This title is also available in two digital formats via Dynamic Learning. Find out more by clicking on the links at the top of the page.Jo Thomas has been Head of History at the following IB schools: Munich International School, United World College of South East Asia (UWCSEA) and the British School of Brussels. Keely Rogers has been HOD and/or teacher of History at the following IB schools: United World College of South East Asia (UWCSEA), the International School of Brussels (ISB) and ACS Egham International School in Surrey, UK.Jo and Keely have written several textbooks for the IB diploma. They are also examiners and workshop leaders for the IB.

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Today genre studies are flourishing, and nowhere more vigorously perhaps than in the field of Renaissance literature, given the importance to Renaissance writers of questions of genre. These studies have been nourished, as Barbara Lewalski points out, by the varied insights of contemporary literary theory. More sophisticated conceptions of genre have led to a fuller appreciation of the complex and flexible Renaissance uses of literary forms.The eighteen essays in this volume are striking in their diversity of stance and approach. Three are addressed to genre theory explicitly, and all reveal a concern with theoretical issues. The contributors are James S. Baumlin, Francis C. Blessington, Morton W. Bloomfield, Barbara J. Bono, Mary Thomas Crane, Heather Dubrow, Alastair Fowler, Marjorie Garber, Claudio Guillén, Ann E. Imbrie, John N. King, John Klause, Harry Levin, Earl Miner, Janel M. Mueller, Annabel Patterson, Robert N. Watson, and Steven N. Zwicker.

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Written by 100 American poets, Isn't It Romantic offers an engaging look at how contemporary poets respond afresh to the well-trammeled territory of the love poem. Award-winning poets from across the country lend their voices to this important document of contemporary poetry. The book also features a bonus full-length audio CD of love songs by independent recording artists. Anthology Contributors include: Karen Volkman, Joe Wenderoth, Eleni Sikelianos, Juliana Spahr, Brenda Shaughnessy, Matthew Rohrer, Claudia Rankine, D.A. Powell, Hoa Nguyen, Noelle Kocot, Lisa Jarnot, Kevin Young, Brian Henry, Christine Hume, Matthea Harvey, Arielle Greenberg, Thalia Field, Thomas Sayers Ellis, Timothy Donnelly, Olena Kalytiak Davis, Stephen Burt, Joshua Beckman, and more. Contributors to the audio CD include: David Berman, Richard Buckner, Vic Chesnutt, Ida, Doug Martsch, Mark Mulcahy, Megan Reiley, Jenny Toomey and more. Editor Brett Fletcher Lauer is the poetry in motion director at the Poetry Society of America and poetry editor of CROWD Magazine. He is the co-editor of Poetry In Motion from Coast to Coast (W. W. Norton, 2002) and his poems have appeared in BOMB, Boston Review, and elsewhere. He lives in Brooklyn. Editor Aimee Kelley is the editor and publisher of CROWD Magazine. She received her BA in English from UC Berkeley and her MFA from the New School for Social Research. She has worked at non-profit organizations such as the Council of Literary Magazines & Presses and the Academy of American Poets. Her poems have appeared in Denver Quarterly, Spinning Jenny, 811 Books and elsewhere. Charles Simic (Introduction) is the author of many books of poems, including The World Doesn't End, winner of the 1990 Pulitzer Prize. He teaches writing at the University of New Hampshire.

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Human beings universally dream of a better world. For centuries they have expressed their yearning for ways of life that are free from oppression, want and fear, through philosophy, art, film and literature. In this concise and engaging book, Mark Jendrysik examines the multifarious ways utopians have posed the question of how human beings might establish justice and realize truly human values. Drawing upon a range of sources, from Plato’s Republic and Thomas More’s Utopia to Ursula Le Guin’s The Dispossessed, he argues that, though for many utopia means ‘demanding the impossible’, the goals that seemed out of reach for one generation are often realized in the next. Nonetheless, he shows that, while utopian thought points toward our most noble aspirations, it also illustrates the dangers of totalitarianism, of the surveillance state and of global climate change. This engaging book will be an invaluable guide for anyone seeking to understand how, for good or ill, utopian aspirations shape our lives, even in times that seem designed to close off dreams of a better world.

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In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton—as both commodity and material—became inexorably tied to the monetary value of Black bodies. From the production and representation of “negro cloth”—the textile worn by enslaved plantation workers—to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.

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The human impulse to religion--the drive to explain the world, humans, and humans’ place in the universe – can be seen to encompass environmentalism as an offshoot of the secular, material faith in human reason and power that dominates modern society. Faith in Nature traces the history of environmentalism--and its moral thrust--from its roots in the Enlightenment and Romanticism through the Progressive Era to the present. Drawing astonishing parallels between religion and environmentalism, the book examines the passion of the movement’s adherents and enemies alike, its concern with the moral conduct of daily life, and its attempt to answer fundamental questions about the underlying order of the world and of humanity’s place within it. Thomas Dunlap is among the leading environmental historians and historians of science in the United States. Originally trained as a chemist, he has a rigorous understanding of science and appreciates its vital importance to environmental thought. But he is also a devout Catholic who believes that the insights of religious revelation need not necessarily be at odds with the insights of scientific investigation. This book grew from his own religious journey and his attempts to understand human ethical obligations and spiritual debts to the natural world. CHOICE Outstanding Academic Title 2005

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Thomas Piketty—whose Capital in the Twenty-First Century pushed inequality to the forefront of public debate—wrote The Economics of Inequality as an introduction to the conceptual and factual background necessary for interpreting changes in economic inequality over time. This concise text has established itself as an indispensable guide for students and general readers in France, where it has been regularly updated and revised. Translated by Arthur Goldhammer, The Economics of Inequality now appears in English for the first time.Piketty begins by explaining how inequality evolves and how economists measure it. In subsequent chapters, he explores variances in income and ownership of capital and the variety of policies used to reduce these gaps. Along the way, with characteristic clarity and precision, he introduces key ideas about the relationship between labor and capital, the effects of different systems of taxation, the distinction between “historical” and “political” time, the impact of education and technological change, the nature of capital markets, the role of unions, and apparent tensions between the pursuit of efficiency and the pursuit of fairness.Succinct, accessible, and authoritative, this is the ideal place to start for those who want to understand the fundamental issues at the heart of one of the most pressing concerns in contemporary economics and politics.

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A Grim Almanac of Bristol is a day-by-day catalogue of 365 ghastly tales from the city’s past. There are murders and manslaughters, including the case of Thomas Buller, who was killed in 1875 by a man who was married only that morning, and Sarah Skinner, who was thrown out of a window in 1847. There are bizarre deaths, such as the mother who mistakenly fed her child rat poison instead of teething powders, and the deaths of a man and his wife from a gas leak, both of which occurred in 1861. There is an assortment of disasters which include devastating fires, such as the destruction of the Merchant Venturers’ College in 1907 and the fire in a city hat shop in 1876, which claimed the lives of the proprietor and two of his children, not to mention mining disasters, rail crashes, explosions, shipwrecks, cases of cruelty and neglect and a plethora of uncanny accidents. Generously illustrated, this chronicle is an entertaining and readable record of Bristol’s grim past. Read on... if you dare!

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Say goodbye to MOG in this incredibly moving and stunningly illustrated story from Judith Kerr, creator of The Tiger Who Came to Tea and the MOG series. Mog was tired. She was dead tired… Mog thought, ‘I want to sleep for ever.’ And so she did. But a little bit of her stayed awake to see what would happen next. Join the Thomas family as they say goodbye to their dear pet Mog, and get a new kitten. It could all be a disaster, but Mog is still there to help… A touching tribute to a character beloved for generations of children, Goodbye Mog is the perfect story for a gentle introduction to the subjects of grief and bereavement, with the one and only MOG herself. Mog the Forgetful Cat was first published over fifty years ago, and Mog has been delighting children all over the world with her adventures ever since. These books are the perfect gifts for boys, girls and families everywhere.

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University courses in environmental economics tend to focus almost exclusively on the role of the state in protecting the environment. However, as these essays show, some less trepid students have discovered that individuals can and do protect the environment through the use of property rights, markets and the rule of law (see especially the essay by Giuliano d'Auria). Indeed, private property is crucial for environmental protection, as testified by the human and environmental tragedy that befell the collectivized USSR (see the essay by Catherine Gillespie). Moreover, state regulation of the environment can have the perverse consequence of undermining private protection and thereby harming the environment (see the essay by Joseph Thomas). Environmentalists often claim that trade is harmful to the environment, citing the decline of the elephant as being a result of the ivory trade. As Nicola Tynan shows, however, trade itself is not usually the problem; rather it is a lack of private property rights which reduces the incentives of individuals to conserve species, be they elephants or seahorses.

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As the streetlamps flickered out and lights were obscured behind brown-paper screens, a subdued atmosphere took hold of London in 1939. Cloistered in pubs and gloomy sitting rooms, London's young writers and artists faced being sent to the front, trading their paintbrushes and pens for the weapons of war. In WRITING IN THE DARK, Will Loxley conjures up this brooding world and tells the story of the defiant magazine Horizon, which sprung up against the odds.Interweaving the personal histories of the magazine's leaders - Cyril Connolly, Stephen Spender and John Lehmann, with their friends and contemporaries Virginia Woolf, George Orwell and Dylan Thomas, as well as many more names both familiar and not - Will brings us into these writers' homes and into the little offices at 6 Lansdowne Terrace. WRITING IN THE DARK captures the literary life of WWII, fusing the exhausted melancholy in the aftermath of the Blitz with changes in the writers' own lives, as they moved from city to countryside, from youth to middle age.

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As essential to the canon as the Bible and the plays of Shakespeare, The Book of Common Prayer has been in daily use for centuries. Originally produced for the Church of England in the sixteenth century by Thomas Cranmer, who was burned at the stake upon the accession to the throne of the ardently Catholic Queen Mary, it contains the entire liturgy as first presented in English-as well as some of the oldest phrases to be used by modern English speakers. H ere are daily prayers, scripture readings, psalm recitals, and the services marking such religious milestones as baptism, confirmation, and marriage, all from the 1662 edition, whose influence can be seen in the work of some of the greatest writers in English literature, from Donne and Swift to Austen and the Brontës. This beautiful deluxe edition includes a new introduction by The New Yorker's book critic James Wood, discussing how The Book of Common Prayer has influenced the English language and literature. Its small trim size allows for easy portability as a daily devotional.

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Winner of the 2006 Thomas J. Lyon Book Award in Western American Literary Studies, presented by the Western Literature Association In The Emergence of Mexican America, John-Michael Rivera examines the cultural, political, and legal representations of Mexican Americans and the development of US capitalism and nationhood. Beginning with the Mexican-American War of 1846-1848 and continuing through the period of mass repatriation of US Mexican laborers in 1939, Rivera examines both Mexican-American and Anglo-American cultural production in order to tease out the complexities of the so-called “Mexican question.” Using historical and archival materials, Rivera's wide-ranging objects of inquiry include fiction, non-fiction, essays, treaties, legal materials, political speeches, magazines, articles, cartoons, and advertisements created by both Mexicans and Anglo Americans. Engaging and methodologically venturesome, Rivera's study is a crucial contribution to Chicano/Latino Studies and fields of cultural studies, history, government, anthropology, and literary studies.

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This final volume marks the twilight years of this American writer's life. In the seventh decade of his life, Emerson was still a prolific writer and speaker, publishing "Society and Solitude" (1870), "Parnassus" (1875), and "Letters and Societal Aims" (1876) and lecturing frequently at Harvard University. Since Columbia University Press first published Ralph L. Rusk's six-volume set of "The Letters" in 1939, some 2000 new letters have been uncovered. These letters, including many to Henry David Thoreau, William Henry Furness, Margaret Fuller, and Thomas Carlyle among others offer an intimate portrait of Emerson. In the final four volumes of this edition, Tilton provides detailed annotations to create a running documentary history of Ralph Waldo Emerson's life and times. Volume Ten includes a name index covering volumes seven through ten, supplementing the index to the first six volumes included at the end of Volume Six.

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How did one of the great inventions of the nineteenth century-Thomas Edison's phonograph-eventually lead to one of the most culturally and economically significant technologies of the twentieth and twenty-first centuries? Sound Recording traces the history of the business boom and the cultural revolution that Edison's invention made possible. Recorded sound has pervaded nearly every facet of modern life-not just popular music, but also mundane office dictation machines, radio and television programs, and even telephone answering machines. Just as styles of music have evolved, so too have the formats through which sound has been captured-from 78s to LPs, LPs to cassette tapes, tapes to CDs, and on to electronic formats. The quest for better sound has certainly driven technological change, but according to David L. Morton, so have business strategies, patent battles, and a host of other factors.

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The enclosure of the commons, space once available for communal use, was not a singular event but an act of "slow violence" that transformed lands, labor, and basic concepts of public life leading into the nineteenth century. The Afterlife of Enclosure examines three canonical British writers—Charles Dickens, George Eliot, and Thomas Hardy—as narrators of this history, the long duration and diffuse effects of which required new literary forms to capture the lived experience of enclosure and its aftermath. This study boldly reconceives the realist novel, not as an outdated artifact, but as witness to the material and environmental dispossession of enclosure—and bearer of utopian energies. These writers reinvented a commons committed to the collective nature of the social world. Illuminating the common at the heart of the novel—from common characters to commonplace events—Carolyn Lesjak reveals an experimental figuration of the lost commons, once a defining feature of the British landscape and political imaginary. In the face of privatization, climate change, new enclosures, and the other forms of slow violence unfolding globally today, this book looks back to a literature of historical trauma and locates within it a radical path forward.

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Examining works by well-known figures of the English Revolution, including John Milton, Oliver Cromwell, Margaret Fell Fox, Lucy Hutchinson, Thomas Hobbes, and King Charles I, Giuseppina Iacono Lobo presents the first comprehensive study of conscience during this crucial and turbulent period. Writing Conscience and the Nation in Revolutionary England argues that the discourse of conscience emerged as a means of critiquing, discerning, and ultimately reimagining the nation during the English Revolution. Focusing on the etymology of the term conscience, to know with, this book demonstrates how the idea of a shared knowledge uniquely equips conscience with the potential to forge dynamic connections between the self and nation, a potential only amplified by the surge in conscience writing in the mid-seventeenth-century. Iacono Lobo recovers a larger cultural discourse at the heart of which is a revolution of conscience itself through her readings of poetry, prose, political pamphlets and philosophy, letters, and biography. This revolution of conscience is marked by a distinct and radical connection between conscience and the nation as writers struggle to redefine, reimagine, and even render anew what it means to know with as an English people.

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Slavoj Zizek reaches the parts of the media that other theorists cannot. With sources ranging from Thomas Aquinas to Quentin Tarantino and Desperate Housewives to Dostoyevsky, Zizek mixes high theory with low culture more engagingly than any other thinker alive today. His prolific output includes such media friendly content as a TV series (The Pervert's Guide to Cinema) a documentary movie (Zizek!) and a wealth of YouTube clips. A celebrity academic, he walks the media talk. Zizek and the Media provides a systematic and approachable introduction to the main concepts and themes of Zizek's work, and their particular implications for the study of the media. The book: Describes the radical nature of Zizek's media politics Uses Zizekian insights to expose the profound intellectual limitations of conventional approaches to the media Explores the psychoanalytical and philosophical roots of Zizek's work Provides the reader with Zizekian tools to uncover the hidden ideologies of everyday media content; Explains the ultimate seriousness that underlies his numerous jokes. As likely to discuss Homer's Springfield as Ithaca, Zizek is shown to be the ideal guide for today's mediascape.

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Slavoj Zizek reaches the parts of the media that other theorists cannot. With sources ranging from Thomas Aquinas to Quentin Tarantino and Desperate Housewives to Dostoyevsky, Zizek mixes high theory with low culture more engagingly than any other thinker alive today. His prolific output includes such media friendly content as a TV series (The Pervert's Guide to Cinema) a documentary movie (Zizek!) and a wealth of YouTube clips. A celebrity academic, he walks the media talk. Zizek and the Media provides a systematic and approachable introduction to the main concepts and themes of Zizek's work, and their particular implications for the study of the media. The book: Describes the radical nature of Zizek's media politics Uses Zizekian insights to expose the profound intellectual limitations of conventional approaches to the media Explores the psychoanalytical and philosophical roots of Zizek's work Provides the reader with Zizekian tools to uncover the hidden ideologies of everyday media content; Explains the ultimate seriousness that underlies his numerous jokes. As likely to discuss Homer's Springfield as Ithaca, Zizek is shown to be the ideal guide for today's mediascape.

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In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.

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A sitting judge makes the compelling argument that we should simplify lawsuits to create a more humane and accessible legal system. Americans are losing faith in their courts. After long delays, judges often get rid of cases for technical reasons, or force litigants to settle rather than issue a decision. When they do decide cases, we can't understand why. The Common Flaw seeks to rid the American lawsuit of this needless complexity. The book proposes fifty changes from the filing of a complaint in court to the drafting of appellate decisions to replace the legal system’s formalism with a kind of humanism. Thomas G. Moukawsher calls for courts that decide cases promptly based more on the facts than the law, that prioritize the parties involved over lawyers, that consider the consequences for the people and the public, and that use words we can all understand. Sure to spark an important conversation about court reform, The Common Flaw makes the case for a more effective and credible legal system with warmth and humor, incorporating cartoons alongside insightful reflection.

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On March 16, 1968, American soldiers killed as many as five hundred Vietnamese men, women, and children in a village near the South China Sea. In "My Lai" William Thomas Allison explores and evaluates the significance of this horrific event. How could such a thing have happened? Who (or what) should be held accountable? How do we remember this atrocity and try to apply its lessons, if any? "My Lai" has fixed the attention of Americans of various political stripes for more than forty years. The breadth of writing on the massacre, from news reports to scholarly accounts, highlights the difficulty of establishing fact and motive in an incident during which confusion, prejudice, and self-preservation overwhelmed the troops. Son of a Marine veteran of the Vietnam War - and aware that the generation who lived through the incident is aging - Allison seeks to ensure that our collective memory of this shameful episode does not fade. Well written and accessible, Allison's book provides a clear narrative of this historic moment and offers suggestions for how to come to terms with its aftermath.

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This vivid portrait of contemporary parenting blends memoir and cultural analysis to explore evolving ideas of disability and human difference. An Ordinary Future is a deeply moving work that weaves an account of Margaret Mead's path to disability rights activism with one anthropologist's experience as the parent of a child with Down syndrome. With this book, Thomas W. Pearson confronts the dominant ideas, disturbing contradictions, and dramatic transformations that have shaped our perspectives on disability over the last century. Pearson examines his family's story through the lens of Mead's evolving relationship to disability—a topic once so stigmatized that she advised Erik Erikson to institutionalize his son, born with Down syndrome in 1944. Over the course of her career, Mead would become an advocate for disability rights and call on anthropology to embrace a wider understanding of humanity that values diverse bodies and minds. Powerful and personal, An Ordinary Future reveals why this call is still relevant in the ongoing fight for disability justice and inclusion, while shedding light on the history of Down syndrome and how we raise children born different.

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One of Nat Geo's most popular nature photographers shares 200 breathtaking images - and the stories behind them - from a wide swath of wild ocean locales around the globe. From whales plying the waters of Baja California to manta ray ballets in the Maldives to the surprisingly abundant desert shores of Arabia, National Geographic fan favorite Thomas Peschak has spent a lifetime documenting the beauty and fragility of underwater life and coastal landscapes. This awe-inspiring book of photography charts his transformation from studious marine biologist to full-time conservation advocate, armed with little more than a snorkel mask and a camera. In these vivid pages, Peschak photographs sharks in a feeding frenzy, tracks crabs the size of jack rabbits, and dodges saltwater crocs, revealing the splendor of pristine seas as well as the dark side of pollution, overfishing, and climate change. Filled with magnificent images from Galapagos, Africa, the Seychelles, and more, this illuminating collection offers an impassioned and compelling case for change. Complete your collection of National Geographic books for ocean explorers with 100 Dives of a Lifetime and Secrets of the Whales by world-renowned photographer Brian Skerry.

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The United States has seen a dramatic rise in the number of informal day labor sites in the last two decades. Typically frequented by Latin American men (mostly undocumented" immigrants), these sites constitute an important source of unskilled manual labor. Despite day laborers' ubiquitous presence in urban areas, however, their very existence is overlooked in much of the research on immigration. While standing in plain view, these jornaleros live and work in a precarious environment: as they try to make enough money to send home, they are at the mercy of unscrupulous employers, doing dangerous and underpaid work, and, ultimately, experiencing great threats to their identities and social roles as men. Juan Thomas Ordonez spent two years on an informal labor site in the San Francisco Bay Area, documenting the harsh lives led by some of these men during the worst economic crisis that the United States has seen in decades. He earned a perspective on the immigrant experience based on close relationships with a cohort of men who grappled with constant competition, stress, and loneliness. Both eye-opening and heartbreaking, the book offers a unique perspective on how the informal economy of undocumented labor truly functions in American society.

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Master teacher Thomas J. Miceli provides an introduction to law and economics that reveals how economic principles can explain the structure of the law and make it more efficient. The third edition of this seminal textbook is thoroughly updated to include recent cases and the latest scholarship, with particular attention paid to torts, contracts, property rights, and the economics of crime. A new chapter organization, ideal for quarter- or semester-long courses, strengthens the book's focus on unifying themes in the field. As Miceli tells a cohesive, analytical "story" about law from a distinctly economic perspective, exercises and problems encourage students to deepen their knowledge. A companion website is available at http://www.sup.org/economiclaw. It offers a full suite of resources for both students and professors. Key pedagogical features include cases; discussion points that provide additional analysis of topics in the book; graduate notes, which enrich the text for more advanced readers; and relevant links. Professors have access to sample syllabi for undergraduate and graduate courses and an instructor's manual, which provides answers to all of the end-of-chapter questions and problems in the book.

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Although the presidential election of 1944 placed FDR in the White House for an unprecedented fourth term, historical memory of the election itself has been overshadowed by the war, Roosevelt's health and his death the following April, Truman's ascendancy, and the decision to drop the atomic bomb. Today most people assume that FDR's reelection was assured. Yet, as David M. Jordan's engrossing account reveals, neither the outcome of the campaign nor even the choice of candidates was assured. Just a week before Election Day, pollster George Gallup thought a small shift in votes in a few key states would award the election to Thomas E. Dewey. Though the Democrats urged voters not to "change horses in midstream," the Republicans countered that the war would be won "quicker with Dewey and Bricker." With its insider tales and accounts of party politics, and campaigning for votes in the shadow of war and an uncertain future, FDR, Dewey, and the Election of 1944 makes for a fascinating chapter in American political history.

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A sweeping survey of hip hop’s resounding impact on contemporary art and culture across the past 20-plus years Accompanying a groundbreaking exhibition originating at the Baltimore Museum of Art, this book captures the extraordinary influence of hip hop, which has driven innovations in music, visual and performing arts, fashion, and technology and grown into a global phenomenon since its emergence in the 1970s. It features approximately 70 objects by both established and emerging artists, design houses, streetwear icons and musicians working in a wide range of mediums to demonstrate hip hop’s proliferation from the street to the runway, the studio to the museum gallery, and countless sites in between. The exhibition also explores how hip hop has and continues to challenge structures of power, dominant cultural narratives, and political and social systems of oppression. This fully illustrated monograph documents the exhibition and contains texts and interviews from more than 30 artists and scholars. Artists include: Nina Chanel Abney, Dionne Alexander, Maxwell Alexandre, Devin Allen, Alvaro Barrington, Jean-Michel Basquiat, Grace Wales Bonner, Mark Bradford, Jordan Casteel, Willy Chavarria, Caitlin Cherry, Troy Chew II, William Cordova, Carl Jones, Stan Douglas, John Edmonds, Gajin Fujita, Monica Ikegwu, Shabez Jamal, Kahlil Joseph, Nia June, LA II, Deana Lawson, Eric N. Mack, Emmanuel Massillon, Julie Mehretu, Murjoni Merriweather, Jayson Musson, Rashaad Newsome, Yvonne Osei, Zéh Palito, Gordon Parks, Adam Pendleton, Robert Pruitt, Rammellzee, Sheila Rashid, Rozeal, Joyce J. Scott, Tschabalala Self, Tariku Shiferaw, Devan Shimoyama, Hank Willis Thomas, Carrie Mae Weems, Vivienne Westwood and Malcolm McLaren, Abbey Williams, Pharrell Williams and Wilmer Wilson IV. Authors include: Ebony Haynes, Todd Boyd, Lester Spence, Jordana Moore Saggese, Greg Tate, Misa Hylton, Elena Romero, Ekow Eshun, Devin Allen, Michael Holman, Simone White, Salome Asega, Alphonse Pierre, David A.M. Goldberg and Tahir Hemphill, Jacolby Satterwhite, Wendel Patrick, Simon Reynolds, Seph Rodney, Jesse McCarthy, Danez Smith, Noriko Manabe, Lindsay Knight and Charity Marsh, Shaheem Sanchez, Jeffrey Q. McCune, Jr., Sekou Cooke, Jessica N. Pabón-Colón, Martha Cooper, Skeme, Alex de Mora and Lawrence Burney.

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Between Pizzagate, QAnon, and the now ubiquitous cries of “fake news,” it’s tempting to think that we’re living in an unprecedentedly fertile age for conspiracy theories. But the sad fact is that these narratives of suspicion—and the delusional psychologies that fuel them—have been a constant presence in American life for nearly as long as there’s been an America. In this sweeping book, Thomas Konda traces the country’s obsession with conspiratorial thought from the early days of the Republic up to our own anxious moment. Conspiracies of Conspiracies details centuries of sinister speculations—from anti-Semitism and anti-Catholicism to UFOs and reptilian humanoids—and their often incendiary outcomes. Rather than simply rehashing the surface eccentricities of such theories, Konda draws from his unprecedented assemblage of conspiratorial writing to crack open the mindsets that lead people toward these self-sealing worlds of denial. What is distinctively American about these theories, he argues, is not simply our country’s homegrown obsession with them but their ongoing prevalence and virulence. Konda shows that conspiracy theories are less a harmless sideshow than the dark and secret heart of American political history—one that threatens to poison the bloodstream of our increasingly sick body politic.

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The literature of monetary economics has been characterised by controversy and changes in the received wisdom throughout its history. The controversies have related not merely to the effects on incomes and prices of changes in the money supply, but even to the question of whether causality runs from money to incomes and prices or vice versa. This book begins with the pioneering work of the sixteenth century French writer Jean Bodin, followed by the celebrated John Law, and John Locke (and his eighteenth century critics). It considers both the theory and the evidence involved in the controversy between the Currency and Banking schools. Closely related to this was the work of two writers, Thomas Joplin and Walter Bagehot, both of whom provided perspectives strikingly different from those of the main controversialists and, in so doing, advanced the subject of monetary economics.The book seeks, through the examination of monetary controversies, to provide an historical perspective on modern understanding of monetary policy. It will be essential reading for economists with an interest in monetary economics and the history of economic thought.

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Thirty-four essays that take a serious look at the state of modern cinema Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.

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