Search results for ""author thomas"

National Geographic Primary Readers is a high-interest series of beginning reading books that have been developed in consultation with education experts. The books pair magnificent National Geographic photographs with lively text by skilled children’s book authors across four reading levels. Learn all about Thomas Edison, one of the most important figures in American history, in this colourful, inviting, and entertaining biography. This carefully levelled reader is written in an easy-to-grasp style to encourage the inventors of tomorrow! Level 3: Becoming independentBest suited to kids who are ready for complex sentences and more challenging vocabulary, but still draw on occasional support from adults. They are ideal for readers of Purple and Gold books.

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Poplar Forest is one of two personal residences that Thomas Jefferson designed for himself, the other being Monticello. Jefferson’s wife, Martha Wayles Skelton Jefferson, inherited the land--originally a 6,861-acre parcel--at her father’s death in 1773, but Jefferson did not begin construction on the house until 1806, and at his death in 1826, he was still working on his little "getaway." Despite its audacious design--it was the first documented octagonal residence in America--and the fact that it is one of the very few extant Jeffersonian structures, Poplar Forest is not nearly so well-known today as its sibling seventy miles to the northeast. Undoubtedly, this is due in large part to its more remote location in Bedford County. Additionally, the house remained in private hands until 1984.Travis McDonald situates the site in its rightful position as a historically important Virginia house, and he documents its story as central to Jefferson’s life and approach to architecture, including details of the enslaved community at his western retreat. This new, informed account will appeal to architectural historians and visitors to the villa retreat, as well as to those interested in Jefferson’s work and legacy.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag. Thomas Crane (1843–1903) was the son of painter Thomas Crane (1808–1859) and brother of the renowned children’s illustrator Walter Crane (1845–1915). He channeled his inborn artistic talents into illustration and design, and as art director at Marcus Ward & Co., producing highly regarded greeting cards, embroidery designs and illustrations. Particularly exquisite are his floral patterns designed for Art Embroidery: a Treatise on the Revived Practice of Decorative Needlework (1878).

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The return of Thomas Covenant the Unbeliever!In 1977, with the publication of THE CHRONICLES OF THOMAS COVENANT THE UNBELIEVER, Stephen Donaldson created a true phenomenon: an epic fantasy instant bestseller that has now sold millions and millions of copies across the world.Thomas Covenant is mysteriously struck down by a disease believed eradicated; abandoned by his wife and young son, he becomes a pariah. Alone, despairing, Covenant falls - and is drawn into a mysterious new world where gentle people work magic and the earth itself brings healing. He is welcomed as the reincarnation of a legendary saviour, but Covenant is convinced he's having delusions. At the end of the sixth book, as Covenant battles to save the world, he is killed - in both worlds - as Dr Linden Avery, his horrified companion, looks on.Now comes the book every fantasy reader has been waiting for. It's ten years later and Linden Avery thought she would never see the Land, or Covenant, her beloved, again. But Lord Foul has stolen her adopted son, and is unmaking the very laws of nature.And though she believes Covenant dead, he keeps sending Linden messages: 'Find me', 'You're the only one who can do this' and 'Remember that I'm dead'. The Land is in turmoil, and Lord Foul has plans for them all ...

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Thomas Kinkade, the Painter of LightTM, emphasized simple pleasures and inspirational messages through his art – and the branded products created from that art. From textiles, to collectibles, to music and books, Thom believed that both the ability and the inspiration to create his paintings had been given to him as a gift. His goal as an artist was to touch people of all faiths and to bring peace and joy into their lives through the images he had created. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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This critical study of Hardy's short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts. It relates the formal choices imposed on Hardy as contributor to Blackwood's Magazine and other periodicals to the methods he employed to encode in fiction his troubled attitude towards the social politics of the West Country, where most of the stories are set. No previous criticism has shown how the powerful challenges to the reader mounted in Hardy's later stories reveal the complexity of his motivations during a period when he was moving progressively in the direction of exchanging fiction for poetry. Features * The only book to provide comprehensive criticism of Hardy's entire output of short stories. * The provision of extremely full, extremely detailed, close readings of a number of key stories enhances the book's attractiveness as a potential teaching resource. * Draws on the work of social historians to make clear the background of social and political unrest in Dorset that is partly uncovered and partly hidden in Hardy's portrayals of his fictional Wessex. * Offers fascinating insights into Hardy's near-obsession in his mature phase with the marriage contract, and with its legal binding of erratic men and women.

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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

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William Hannibal Thomas (1843–1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act.Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary "Negro problem" and argued that the race required radical redemption based on improved "character," not changed "color." Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas.Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book’s significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on selfhatred, to assess Thomas’s metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas’s life history of exposure to white racism and intense physical pain.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Art by Thomas Kinkade Studios. Thomas Kinkade, the Painter of LightTM, emphasized simple pleasures and inspirational messages through his art – and the branded products created from that art. From textiles, to collectibles, to music and books, Thom believed that both the ability and the inspiration to create his paintings had been given to him as a gift. His goal as an artist was to touch people of all faiths and to bring peace and joy into their lives through the images he had created. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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For the first time, Monticello has an official guidebook that reflects the unique statesman and inventor Thomas Jefferson, his home, and his world. Created to showcase recent restoration of the home and plantation, it features new information about the slaves of Mulberry Row, and the state of the art visitor and education center. Each of the guide's 144 pages is designed to showcase the topics in its five chapters: Thomas Jefferson, Before Your Visit, The House, The Plantation, and the Neighborhood. A lively layout combines photographs, art and cutaways, maps, and short text blocks with floating number callouts, quotes, and sidebars featuring stories both iconic and little-known from Monticello's curators.

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St. Thomas Aquinas’s holiness did not flower alongside his endeavour as a theologian or in isolation from it. Rather, it was a fruit of his practice of theology and the asceticism proper to magnanimous souls who dare to examine the mystery of God. Theological affectivity—charity present through a living faith—is necessary for an authentic practice of theology. The experience of God, which is essential to the mystical life, is at the heart of Aquinas’s study and life.The studies in this volume investigate themes of particular spiritual relevance in Aquinas’s theology: friendship, charity, prayer, configuration to Christ, priesthood, preaching. They also reveal Aquinas’s entire approach to theology to be guided by the desire to grow spiritually through theologising. The Angelic Doctor here appears as a Dominican friar whose theology flows from his faith and prayer.Desiring to underscore the Trinitarian character of the Christian life, Aquinas pays careful attention to the human being as created in the image of God. In this light, Aquinas presents Christ as the Exemplar after which we are fashioned and as the model we are to imitate. Christ thus appears in the Summa not only as the way by which the human being must travel toward God but also as the head who leads the rational creature’s return to the Creator.

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The Letter Book of Thomas Hill forms one of the most significant survivals of English merchant papers for the seventeenth century. It provides fascinating insights into the world of English merchants at the time of the Restorationof Charles II. It shows not just the importance of family relationships to commerce within the South West of England, but also how these relationships were crucial to conducting trade with continental Europe and across the Atlantic. Thomas Hill's acquaintances included not only other merchants but also well-known men such as Samuel Pepys.

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This book presents a privileged insight into the design and construction of the award-winning Thomas P. Murphy Design Studio Building through a series of interviews with the main professionals responsible for its conception, design and construction: the lead architects Bernardo Fort-Brescia, Raymond Fort-Brescia and Thomas Westberg; the builders Thomas C. Murphy, Erin Murphy, Nick Duke and Jason Anderson; the curtain wall manufacturers Jose Daes and Carmen L. Guerrero, and the University of Miami Project Manager, Gary Tarbe. It also offers sumptuous, detailed photography to provide a thorough understanding of a building that is not just a brilliant work of architecture in its own right but that also provides an inspiring, tailor-made environment in which to educate the architects of the future.

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Thomas Kinkade Studios carries on the artist''s legacy of creating and sharing beautiful images that evoke a sense of peace, inspiration, and gratitude, reminding us of home, family, and the places and things that bring us joy. Each monthly spread of this calendar features an image such as Mountain Memories, Sunflower Fields, and Moonlight Over Manhattan. Features include: Matching plastic-free envelope 13.5 x 12 (13.5 x 24 open) Printed on FSC certified paper with soy-based ink Planning spread for SeptemberDecember 2024 Spans JanuaryDecember 2025 Generous grid space to add appointment and reminders Lined area for notes each month Official major world holidays and observances Moon phases, based on Universal Time Images from paintings ofscenic landscapes and cities by Thomas Kinkade Studios

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From the time they first met as undergraduates at Columbia College in New York City in the mid-1930s, the noted editor Robert Giroux (1914–2008) and the Trappist monk and writer Thomas Merton (1915–1968) became friends. The Letters of Robert Giroux and Thomas Merton capture their personal and professional relationship, extending from the time of the publication of Merton's 1948 best-selling spiritual autobiography, The Seven Storey Mountain, until a few months before Merton's untimely death in December 1968. As editor-in-chief at Harcourt, Brace & Company and then at Farrar, Straus & Giroux, Giroux not only edited twenty-six of Merton's books but served as an adviser to Merton as he dealt with unexpected problems with his religious superiors at the Abbey of Our Lady of Gethsemani in Kentucky, as well as those in France and Italy. These letters, arranged chronologically, offer invaluable insights into the publishing process that brought some of Merton's most important writings to his readers. Patrick Samway, S.J., had unparalleled access not only to the materials assembled here but to Giroux's unpublished talks about Merton, which he uses to his advantage, especially in his beautifully crafted introduction that interweaves the stories of both men with a chronicle of their personal and collaborative relationship. The result is a rich and rewarding volume, which shows how Giroux helped Merton to become one of the greatest spiritual writers of the twentieth century.

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As its subtitle "Skepticism, Individuality and Chastened Politics" indicates, this book is an exploration of and a largely favorable engagement with salient elements in the thinking of a theorist who is widely regarded as the greatest Anglophone political thinker and among the top rank of philosophical writers generally. In emphazing Hobbes's skepticism, Richard Flathman goes against the grain of much of the literature concerning Hobbes. The theme of individuality is more familiar, particularly from the celebrated writings on Hobbes by Michael Oakeshott, but the idea of a chastened politics challenges the widely influential view that Hobbes was not only an authoritarian but an incipient or proto-totalitarian. Although primarily an account of Hobbes's thinking, Flathman contends that Hobbes's formulation speaks valuably to issues that remain very much with us. For this reason Thomas Hobbes will be of interest to a wider audience than Hobbes specialists.

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Thomas Heatherwick: Designer is an inspiring biography of one of the UK's greatest living designers, whose work includes the 2012 Olympic cauldron. TreeTops inFact is a non-fiction series that aims to engage children in reading for pleasure as powerfully as fiction does. The variety of topics means there are books to interest every child in this compelling series. The series is written by top children's authors and subject experts. The books are carefully levelled, making it easy to match every child to the right book.

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Best known for his interiors and landscapes featuring beautiful women in artful poses and subtly related color harmonies, Thomas Wilmer Dewing (1851–1938) lived and worked at the forefront of developments in modern American art. His paintings, which navigate a course between the bravura of John Singer Sargent and the attenuated aestheticism of James McNeill Whistler, convey a sensuous beauty that remains uniquely his and that represents an exceptional phase in American painting. Featuring a comprehensive biography and engaging, narrative commentaries, this elegant, 2-volume catalogue raisonné is an essential and much-needed reference. Included here are more than 550 works of art as well as previously unpublished photographs from the artist’s own albums; each work is accompanied by a full provenance, exhibition histories, and literature—both published and archival.

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Thomas Hutchinson was the leading spokesman in colonial America for opposition to the Revolutionary movement. His logical and cogent prose as well as the stature he gained through his long and varied public service to Massachusetts gave weight to his arguments and insured a wide audience for his ideas in both England and the colonies. Because of his Loyalist sympathies, however, his letters have until now languished unpublished in the Massachusetts Archives.This first volume of the only fully annotated edition of his correspondence begins with his emergence on the political stage in 1740 and covers the events of the French and Indian War, his controversial appointments as lieutenant-governor and chief justice, and the Stamp Act riots (including the looting of his own home).Distributed for the Colonial Society of Massachusetts.

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Like Shakespeare and Joyce before him, Dylan Thomas expanded our sense of what the English language can do. Rhythmically forceful yet subtly musical and full of memorable lines, his poems are anthology favourites; his 'play for voices' Under Milk Wood a modern classic. Much loved by The Beatles and Bob Dylan, he is a cultural icon and continues to inspire artists today.This new edition, released to commemorate the centenary of Thomas's birth, collects more of his poems together in a single volume than ever before. With recently discovered material and accessible critique from Dylan Thomas expert John Goodby, it looks at Thomas's body of work in a fresh light, taking us to the beating heart of his poetry.

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Thomas Sankara: A Revolutionary in Cold War Africa offers the first complete biography in English of the dynamic revolutionary leader from Burkina Faso, Thomas Sankara. Coming to power in 1983, Sankara set his sights on combating social injustice, poverty, and corruption in his country, fighting for women's rights, direct forms of democracy, economic sovereignty, and environmental justice. Drawing on government archival sources and over a hundred interviews with Sankara's family members, friends, and closest revolutionary colleagues, Brian J. Peterson details Sankara's political career and rise to power, as well as his assassination at age 37 in 1987, in a plot led by his close friend Blaise Compaoré. Thomas Sankara: A Revolutionary in Cold War Africa offers a unique, critical appraisal of Sankara and explores why he generated such enthusiasm and hope in Burkina Faso and beyond, why he was such a polarizing figure, how his rivals seized power from him, and why T-shirts sporting his image still appear on the streets today.

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The Summa contra gentiles is perhaps the most peculiar work of St. Thomas Aquinas, due to Thomas's decision to structure the work first according to what humans can say about God without revelation and then what humans can say about God once revelation is explicitly introduced. Such an approach to the human pursuit of the divine is otherwise unheard of in Thomas's own day, and this unusual structure has provided a fertile seedbed for a wide range of interpretations. Matthew Kostelecky's book shows the integral relationship between the conceptions of human nature and God operative throughout the Summa contra gentiles such that the text is always in a twofold movement, at once describing what humans can say about God while also reflecting human nature back on itself by delineating its limits and capabilities with respect to the possible human knowledge of God. As a result, the Summa contra gentiles is presented as a mirror of human nature as that nature is directed to its most noble object.

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In 1739, the London Foundling Hospital opened its doors to take in the abandoned children of the city. It was the culmination of seventeen years of campaigning by Captain Thomas Coram, driven by his horror at seeing children die in the streets. He was supported in his endeavours by a royal charter and by William Hogarth and George Frideric Handel. The Hospital would continue as both home and school for over 215 years, raising thousands of children until they could be apprenticed out.London’s Forgotten Children is a fascinating history of the first children’s charity, charting the rise of this incredible institution and examining the attitude towards illegitimate children over the years. The story comes alive with the voices of children who grew up in the Hospital, and the concluding, fully updated, account of today’s children’s charity Coram is an ongoing testament to the vision of its founder.

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Whether in football or in the law, Illinois Supreme Court Justice Robert Thomas has always had the "best view from the bench." Bob Thomas got his start in football at the University of Notre Dame, kicking for the famed "Fighting Irish" in the early 1970s. Claimed off waivers by the Chicago Bears in 1975, Thomas helped to take the franchise from their darkest days to their brightest. Yet, on the cusp of the team's greatest moment, he was struck with a shocking blow that challenged his fortitude. In this dramatic retelling of Bob Thomas's fascinating life, renowned sports writer Doug Feldmann shows how neither football nor the law was part of Thomas's dreams while growing up the son of Italian immigrants in Rochester, New York, in the 1960s. Chasing excellence on both the gridiron and in the courtroom, however, would require resilience in ways he could not have imagined. As A View from Two Benches shows us, Bob Thomas reached the top of two separate and distinct professions, guided by a bedrock of faith that has impacted his decisions and actions as both a football player and a judge, helping him navigate the peaks and valleys of life. As Doug Feldmann reveals, Bob Thomas has always stayed true to the values he learned in his earliest days. Doug Feldmann's rich biography of an accomplished kicker and a proud justice of the law shows us that determination and resilience go a long way to a successful and impactful life.

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Throughout the history of Thomas’s critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet’s schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas’s early poetry can be articulated without reductive simplification.

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Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.

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This Norton Critical Edition seeks to give readers a full understanding of Thomas Jefferson’s importance to the intellectual development of the United States, particularly in political theory and scientific learning; of Jefferson’s role in the expansion of the territory and sovereignty of the United States; and of Jefferson’s controversial relation to slavery and race as key issues in American history. The editor has selected Jefferson’s most important published texts—A Summary View of the Rights of British America, the Declaration of Independence, and Notes on the State of Virginia—along with An Appendix to the Notes on Virginia Relative to the Murder of Logan’s Family and his Message to Congress on the Lewis and Clark Expedition. In addition, more than one hundred of Jefferson’s letters (1760–1826) have been judiciously selected from his rich body of correspondence, allowing readers to see Jefferson as a person as well as a public figure. All texts are accompanied by detailed explanatory annotations. “Contexts” reprints contemporary documents that place Jefferson and his writings within the early American Republic, including works by Thomas Paine, John Adams, François-Jean de Beauvoir, and Luther Martin. Also included are diverse and early responses to Jefferson and his writings by, among others, John Quincy Adams, William Cullen Bryant, Washington Irving, James Fenimore Cooper, and Elizabeth Cady Stanton. "Criticism" provides representative works of modern interpretation and analysis that confirm Jefferson's continuing relevance. Included are twelve thought-provoking assessments from several disciplinary perspectives by, among others, Annette Gordon Reed, Peter Onuf, and Douglas L. Wilson. A Selected Bibliography is also included.

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‘Comparable to Tolkien at his best’ – WASHINGTON POST Instantly recognised as a modern fantasy classic, Stephen Donaldson’s uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre. Twice before, Thomas Covenant had been summoned to a strange, magical other-world. Twice he had been forced to join with the Lords of Revelstone in their war against Lord Foul, the ancient enemy of the Land. Now, Covenant returns once more to find the Lords besieged and helpless while the forces of Lord Foul ravage the Land. In this darkest hour, Covenant gathers his allies for a desperate journey to the very heart of the enemy’s power.

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Thomas Kinsella began writing in the early 1950s when Irish poets were struggling to emerge from what he identified as the ""double shadow of Yeats and English verse"". Throughout his career, Kinsella has sought to establish his identity as an Irish poet writing in English, and to determine his place within the dual Irish tradition, Gaelic and English. This comprehensive study explores the poet's development within both the Irish and the English contexts, and defines the nature of his poetic achievement. It also offers a new reading of Kinsella's evolving relationship to one of his major literary forebears, W.B. Yeats. What becomes clear is the formidable accomplishment of a poet, now writing at the height of his powers, whose substantial body of work warrants comparison with the grand masters of 20th-century literature in English, Yeats, Joyce and Beckett. Beginning with Kinsella's first volume of poetry in 1956 and concluding with his most recent work, ""From Centre City"" (1994), the book traces the evolution of the poet's style and vision from the formal lyricism of his early volumes, through the long narrative poems of his middle period, to his later sequences of spare, laconic poems that are increasingly rich in polyphony and intertextuality. It finds that the formal structure and mellifluous cadence of Kinsella's early poetry, indebted to the works of past masters, such as Auden, Eliot and Yeats, give way to experimentalism, to a dislocated poetry that is often lacking closure. In his later writing, diverse exemplars, ranging from the early Irish literature and myth and the 18th-century Irish poet Aogan O Rathaille to the psycholoanalysis of Carl Jung and the music of Gustav Mahler and Sean O Riada, aid Kinsella in tracing his personal and poetic inheritance. This book illuminates poetry often regarded as difficult, and offers a useful evaluation of a major poet who continues to contribute to contemporary Irish poetry.

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‘Comparable to Tolkien at his best’ WASHINGTON POST Returning millions of readers to the Land and continuing the epic story of the anti-hero fated to be its saviour, THE SECOND CHRONICLES OF THOMAS COVENANT secured Stephen Donaldson’s reputation as a master of modern fantasy. Knowing that the fabled One Tree may hold the only means of breaking Lord Foul’s power, Thomas Covenant and Linden Avery embark on a perilous voyage to discover its location. On their journey, Covenant and Avery will explore new realms and meet new peoples. Even far from the Land, however, the grip of evil is strong and there are many who would see them fail. Soon, Covenant and Avery’s quest becomes a desperate fight for survival.

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