Search results for ""Flux""

A Washington Post Notable Work of Nonfiction“Imagining the End suggests, in a sober yet hopeful spirit, how mourning, rightly understood, can give meaning to our lives in the disenchanted times in which we find ourselves. In exploring the hopes that have failed us, the projects that have run into the sand, the loves we have lost, the attachments that have come to an end—a work of what amounts to creative mourning—we can develop a stance in the here and how from which the psyche can look outward and flourish. As he did earlier in his explorations of what it can mean to hope, Jonathan Lear here expands and deepens our understanding of what it can mean to mourn.”—J. M. Coetzee, Nobel LaureateA leading philosopher explores the ethics and psychology of flourishing during times of personal and collective crisis.Imagine the end of the world. Now think about the end—the purpose—of life. They’re different exercises, but in Jonathan Lear’s profound reflection on mourning and meaning, these two kinds of thinking are also connected: related ways of exploring some of our deepest questions about individual and collective values and the enigmatic nature of the good.Lear is one of the most distinctive intellectual voices in America, a philosopher and psychoanalyst who draws from ancient and modern thought, personal history, and everyday experience to help us think about how we can flourish, or fail to, in a world of flux and finitude that we only weakly control. His range is on full display in Imagining the End as he explores seemingly disparate concerns to challenge how we respond to loss, crisis, and hope.He considers our bewilderment in the face of planetary catastrophe. He examines the role of the humanities in expanding our imaginative and emotional repertoire. He asks how we might live with the realization that cultures, to which we traditionally turn for solace, are themselves vulnerable. He explores how mourning can help us thrive, the role of moral exemplars in shaping our sense of the good, and the place of gratitude in human life. Along the way, he touches on figures as diverse as Aristotle, Abraham Lincoln, Sigmund Freud, and the British royals Harry and Meghan.Written with Lear’s characteristic elegance, philosophical depth, and psychological perceptiveness, Imagining the End is a powerful meditation on persistence in an age of turbulence and anxiety.

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This is a distinct new era for UNIT. Set in the late 1990s, the Cold War is over and the geopolitical landscape is in flux. Brigadier Bambera is deemed the right candidate to lead UNIT into the 21st century. But in this shadowy, unpredictable world of deadly threats and hidden enemies, Bambera and her new team - including sarcastic second-in-command, Sergeant Jean-Paul Savarin and tough scientific advisor, Dr Louise Rix - will need to prove their mettle. The stakes are higher than ever. 1. Rogue State by Robert Valentine In the war-torn republic of Valge Maja, Brigadier Bambera is hot on the trail of arms-dealing terrorist Roman Krojac, when she's ordered back to Geneva. Her old sponsor, Dame Lydia Kingsley, offers her a job as the new head of UNIT. Reluctant to accept, she nevertheless teams up with sarcastic UNIT officer Sergeant Jean-Paul Savarin to prevent a monstrous Soviet-era weapon from falling into Krojac's hands. 2. Time Flies by Alison Winter Bambera and Savarin are summoned to a secretive genetic research facility by Dr Louise Rix, UNIT's rebellious new scientific adviser. Two scientists have vanished in mysterious circumstances, and despite the assurances of the sinister Dr Grange, UNIT suspects there's something very wrong with the centre's caterpillar population. Can they survive the fruits of Dr Grange's experiments? And will Savarin survive Bambera and Rix's rocky new relationship? 3. Dark Side of the Moon by Alfie Shaw A new British space station, the Britannia, is due to be launched at the end of the week, but Bambera, Rix and Savarin fear that some kind of psychic entity is trying to sabotage it. Is it really the spirit of Helena McNamara, deceased astronaut and old friend of Rix? And does it speak the truth when it warns that something terrible is waiting for humanity on the dark side of the moon? CAST: : Angela Bruce (Brigadier Winifred Bambera), Alex Jordan (Sergeant Jean-Paul Savarin), Yemisi Oyinloye (Dr Louise Rix), Silas Carson (Dr Winston Grange), Simone Lahbib (Sylvia Brooks/DI Alison Lees), Simon Ludders (Dr Andrews/Control/Colin Carter), Lorne MacFadyen (McManis), Debra Michaels (Dr Megan Hollands), Wilf Scolding (Roman Krojač/Professor Ian Fenning), Liz SutherlandLim (Dame Lydia Kingsley), Homer Todiwala (Trooper 1/Astronaut 1/UNIT Medic), George Watkins (Eyrie Six (Bragg)/Chuchuna), Tracy Wiles (Trooper 2/Astronaut 2/Cleaner/Helena). Other parts played by members of the cast.

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THE NEW YORK TIMES BESTSELLER'I've been wondering who might fill the intellectual void after James Baldwin died. Clearly it is Ta-Nehisi Coates' Toni Morrison'Searing. One of the foremost essayists on race in the West... [He] is responsible for some of the most important writing about what it is to be black in America today' Nikesh Shukla, editor of The Good ImmigrantAn essential account of modern America, from Obama to Trump, from black lives matter to white supremacists rising - by the bestselling author of Between the World and MeObama's presidency was a watershed moment in American history. From 2008-2016, the leader of the free world was a black man. In those eight years, Obama transformed the conversation around race, gender, class and wealth - inspiring hope but also attracting criticism and breeding discontent.In this unflinching book, Ta-Nehisi Coates takes stock of Obama's eight years in power, through such iconic, unmissable essays as 'Fear of a Black President' and 'The Case for Reparations'. His account traverses the intersections of the political, the ideological and the cultural, presenting an America in radical flux and yet still in the grip of racial injustice, class warfare and institutional conspiracy. And it reflects on the author's own journey through these eight years, charting the public through the private in passages of startling intimate and piercingly relevant memoir.Ta-Nehisi Coates is one of our most brilliant, most fearless and most essential living writers - and his work is crucial to understanding race in America today.Finalist for the Los Angeles Book Prize 2018Longlisted for the Andrew Carnegie Medal for Excellence 2018RAVE READER REVIEWS:'Brilliantly written, incisive, and extremely relevant. Read it with your families, use it in your classrooms, give copies to your friends' (Liz)'Coates thinks more deeply and writes more clearly about the national tragedy and disgrace that is our collective failure to confront the legacy of White Supremacy than just about anyone... I can't recommend it highly enough' (Worddancer Redux)'Every white person who wants to really know how it looks from 'the other side' should take on the responsibility of reading Coates' eye-opening, informative book... A must read for everyone of every colour' (Indy JV)'A masterful understanding of how the USA really works' (shedgirl)'If you want to know the wellsprings of racism in America - then read this book!' (David C. R. Hancock)

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The Portuguese Jewish diaspora was born out of a double tragedy: the expulsion of the Jews from Spain in 1492 and the forced conversion/expulsion of the Jews from Portugal in 1497. The potent combination of expulsion, Inquisition, and crypto-Judaism left people neither wholly Jewish nor wholly Christian in their identity. Subsequently many left the Iberian peninsula; some found refuge in the Caribbean, but succeeded in maintaining strong connections with Portuguese Jews in western Europe, the Ottoman empire, and the Far East, while they also forged ties with the surrounding peoples and cultures. This book looks at many different aspects of this complex past. Its interdisciplinary approach allows a wealth of new information to be brought together to create a comprehensive picture. Part I sets the context, and also considers the relationship of Caribbean Jewry to European trading systems; its special ties to Amsterdam and Dutch-ruled Curaçao; and the role of Jewish merchants in Jamaica’s commerce. Part II examines the material and visual culture of Jews in the British and Dutch Caribbean, while Part III looks at Caribbean Jewish identity and heritage and their modern manifestations. Part IV contains archival studies that illuminate other subjects of importance—adventure and piracy, Jewish participation in a nineteenth-century revolt of black slaves and in the first Jamaican elections after Jews were granted the right to vote, and questions of concubinage and sexual relations between Jews and blacks. Part V moves from the local to the international, in particular the connection with mainland America. In their diversity, the contributions to this volume suggest the many ways in which the formation of the Caribbean Jewish diaspora can be understood today: as a Jewish diaspora dispersed under different European colonial empires; as a Jewish cultural entity created by a set of shared traditions and historical memories; and as one component in a web of relationships that characterized the Atlantic world. Defining it is no simple matter: like all diaspora identities it was constantly in flux, reinventing itself under changing historical circumstances. CONTRIBUTORS: Aviva Ben-Ur, Miriam Bodian, Judah M. Cohen, Eli Faber, Rachel Frankel, Noah L. Gelfand, Jane S. Gerber, Josette Capriles Goldish, Matt Goldish, Jonathan Israel, Stanley Mirvis, Gérard Nahon, Joanna Newman, Ronnie Perelis, Jackie Ranston, James Robertson, Jessica Roitman, Dale Rosengarten, Barry L. Stiefel, Hilit Surowitz-Israel, Karl Watson, Swithin Wilmot

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The words most commonly associated with the environmental movement—save, recycle, reuse, protect, regulate, restore—describe what we can do to help the environment, but few suggest how we might transform ourselves to better navigate the sudden turns of the late Anthropocene. Which words can help us to veer conceptually along with drastic environmental flux? Jeffrey Jerome Cohen and Lowell Duckert asked thirty brilliant thinkers to each propose one verb that stresses the forceful potential of inquiry, weather, biomes, apprehensions, and desires to swerve and sheer. Each term is accompanied by a concise essay contextualizing its meaning in times of resource depletion, environmental degradation, and global climate change.Some verbs are closely tied to natural processes: compost, saturate, seep, rain, shade, sediment, vegetate, environ. Many are vaguely unsettling: drown, unmoor, obsolesce, power down, haunt. Others are enigmatic or counterintuitive: curl, globalize, commodify, ape, whirl. And while several verbs pertain to human affect and action—love, represent, behold, wait, try, attune, play, remember, decorate, tend, hope—a primary goal of Veer Ecology is to decenter the human. Indeed, each of the essays speaks to a heightened sense of possibility, awakening our imaginations and inviting us to think the world anew from radically different perspectives. A groundbreaking guide for the twenty-first century, Veer Ecology foregrounds the risks and potentialities of living on—and with—an alarmingly dynamic planet.Contributors: Stacy Alaimo, U of Texas at Arlington; Joseph Campana, Rice U; Holly Dugan, George Washington U; Lara Farina, West Virginia U; Cheryll Glotfelty, U of Nevada, Reno; Anne F. Harris, DePauw U; Tim Ingold, U of Aberdeen; Serenella Iovino, U of Turin; Stephanie LeMenager, U of Oregon; Scott Maisano, U of Massachusetts, Boston; Tobias Menely, U of California, Davis; Steve Mentz, St. John’s U; J. Allan Mitchell, U of Victoria; Timothy Morton, Rice U; Vin Nardizzi, U of British Columbia; Laura Ogden, Dartmouth College; Serpil Opperman, Hacettepe U, Ankara; Daniel C. Remein, U of Massachusetts, Boston; Margaret Ronda, U of California, Davis; Nicholas Royle, U of Sussex; Catriona Sandilands, York U; Christopher Schaberg, Loyola U; Rebecca R. Scott, U of Missouri; Theresa Shewry, U of California, Santa Barbara; Mick Smith, Queen’s U; Jesse Oak Taylor, U of Washington; Brian Thill, Golden West College; Coll Thrush, U of British Columbia, Vancouver; Cord J. Whitaker, Wellesley College; Julian Yates, U of Delaware.

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London in the dark end-times of the late noughties; escaped war criminals and their hired thugs scavenge like hyenas amid the city's smut and glitter, the system appears in nonchalant free-fall and words drop cheaply as grimy metropolitan rain. With this dystopian backdrop, where language is spun, redacted and renditioned, McCabe and Reed's gritty riposte performs an angry and elegant resistance. The result of this psychogeographic collaboration between two of modern poetry's most distinct voices is this - a poetry chain-letter that seeks to interrogate the city at one of the most peculiar and sinister points in contemporary history and to map the capital on foot, under their own light; poems as foundlings; the weight of language and place obsessively and voraciously explored. Beneath flagstones, in river silt and on the top decks of buses, the strange, dark energies of the city find their way into this electrifying exchange of poems."McCabe and Reed's wide-eyed, X-rayed Cubist vision of London is more than a cultural mapping. It is a significant addition to the poetry of London. Partly a response to Whitehall's warring, it uncovers deeper historical and pyschogeographical interplay within the city. Horizontal and vertical layers of story are contextualized and abstracted to reveal multifarious states of being, control and flux. These anchored, edgy scripts of multiverse unearth deposits in angular localised texts that make you smile, laugh, wonder and leave you wanting more. A tour de force in every way." David Caddy"This book is both a celebration and a dark critique, appropriate for the dark times we inhabit. Intense and uncompromising and I'm already looking forward to reading Part Two!"Steve Spence, Stride MagazineChris McCabe was born in Liverpool in 1977. His poetry collections are The Hutton Inquiry, Zeppelins and The Restructure, all published by Salt. He has recorded a CD with The Poetry Archive and written a play Shad Thames, Broken Wharf, which was performed at the London Word Festival and subsequently published by Penned in the Margins in 2010. He works as Poetry Librarian at The Poetry Library, London, and teaches for The Poetry School.Jeremy Reed has been described by the Independent as "British poetry's glam, spangly, shape-shifting answer to David Bowie." He has published over 40 books of poetry, fiction and non-fiction, winning prestigious literary prizes like the Somerset Maugham Award.

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The Power of Alignment Misaligned companies, like cars out of alignment, can develop serious problems if not corrected quickly. They are hard to steer and don’t respond well to changes in direction. This groundbreaking book shows you how to get—and keep—all the vital elements of your organization aligned and headed in the same direction at the same time. Managers must now keep their people centered in the midst of change, deemphasize hierarchy, and distribute leadership by distributing authority, information, knowledge, and customer data throughout their organization. Alignment is a response to the new business reality where customer requirements are in flux, where competitive forces are turbulent, and where the bond of loyalty between an organization and its people has been weakened. The old linear approach to management has given way to one of simultaneity—to alignment. As pioneers of the alignment concept, the authors have developed this unique approach based on their work with leading companies throughout the world. The Power of Alignment is packed with war stories and the firsthand perspectives of industry leaders. You’ll learn how world-class organizations, including Federal Express, the Jet Propulsion Laboratory, Columbia/HCA Healthcare, Citizens Utilities, AirTouch, and UNUM achieved extraordinary business results. Now, through the authors’ expertise, you’ll see how alignment can work for your organization. In essence, alignment links the five key elements of an organization—people, process, customers, business strategies, and, of course, leadership—to obtain breakthrough results, chief among them, sustained growth and profit, loyal customers, and a high-performing work force. The Power of Alignment: Offers a clear framework for aligning and linking the crucial elements that build and sustain a company’s success Provides self-assessment tools as well as bench-marking measures for evaluating an organization’s critical competencies Enables managers to create a work force where each employee can relate his or her activities to the goals and strategic objectives of the company Helps a company determine when and where it is out of alignment, and gives descriptions of such common company pathologies as “The Phantom Limb Syndrome,” “Strategy Interruptus,” and “Dead Man Walking” Prescribes specific steps for getting an organization back on track toward a single, shared vision of its goals Essential reading for all managers and executives, The Power of Alignment offers a new way to reestablish focus and sustained energy, and is a dynamic approach for staying balanced and achieving extraordinary levels of performance.

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Exploring Lincoln's Evolving Views of Citizenship At its most basic level, citizenship is about who belongs to a political community, and for Abraham Lincoln in nineteenth-century America, the answer was in flux. The concept of 'fellow citizens,' for Lincoln, encompassed different groups at different times. In this first book focused on the topic, Mark E. Steiner analyzes and contextualizes Lincoln's evolving views about citizenship over the course of his political career. As an Illinois state legislator, Lincoln subscribed to the by-then-outmoded belief that suffrage must be limited to those who met certain obligations to the state. He rejected the adherence to universal white male suffrage that had existed in Illinois since statehood. In 1836 Lincoln called for voting rights to be limited to white people who had served in the militia or paid taxes. Surprisingly, Lincoln did not exclude women, though later he did not advocate giving women the right to vote and did not take women seriously as citizens. The women at his rallies, he believed, served as decoration. For years Lincoln presumed that only white men belonged in the political and civic community, and he saw immigration through this lens. Because Lincoln believed that white male European immigrants had a right to be part of the body politic, he opposed measures to lengthen the time they would have to wait to become a citizen or to be able to vote. Unlike many in the antebellum north, Lincoln rejected xenophobia and nativism. He opposed black citizenship, however, as he made clear in his debates with Stephen Douglas. Lincoln supported Illinois's draconian Black Laws, which prohibited free black men from voting and serving on juries or in the militia. Further, Lincoln supported sending free black Americans to Africa-the ultimate repudiation and an antithesis of citizenship. Yet, as president, Lincoln came to embrace a broader vision of citizenship for African Americans. Steiner establishes how Lincoln's meetings at the White House with Frederick Douglass and other black leaders influenced his beliefs about colonization, which he ultimately disavowed, and citizenship for African Americans, which he began to consider. Further, the battlefield success of black Union soldiers revealed to Lincoln that black men were worthy of citizenship. Lincoln publicly called for limited suffrage among black men, including military veterans, in his speech about Reconstruction on April 11, 1865. Ahead of most others of his era, Lincoln showed just before his assassination that he supported rights of citizenship for at least some African Americans.

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Transforming Brazil explores the complex web of policies, ideas, institutions, social forces, and political actors behind recent Brazilian reforms. By placing them in a broader analytical framework, it sets the backdrop for a better understanding of the character, timing, and sequencing of the reform process. The focus is on the complex reform efforts during the post-1985 democratization era. The introductory chapters place Brazilian reform in comparative perspective and explore theories and accounts of the political, social and institutional context in which the reforms took place, the political process leading up to reforms, and the actors that influenced them, including elites, business, government, institutions and interest groups. The analysis of stabilization and economic liberalization weaves in accounts of policies and of Fernando Henrique CardosoOs election as president in 1994 and his re-election in 1998. The detailed study of privatization, deregulation, trade liberalization and opening of the economy, state and administrative reform, agrarian reform, changes in social security system, fiscal reforms, and related reforms during the eight years of the Cardoso government show that they amount to a turning point in Brazilian politics, even if several reforms remain incomplete. The analysis also points to factors shaping the reform process and the relationship between the reforms and vulnerability to external financial crises and shocks. Transforming Brazil explores the rise and flux of a restructured industrial economy, with expanding service and agricultural sectors. It traces social and economic indicators from the 70Os to present, highlighting spatial and social differences. The chapter on social policy and collective action traces the history of the labor and landless movements. More broadly, it sheds light on how civil society and collective action influence agrarian reform and other reform process. The analysis also clarifies the nature of elite and popular support for the reform process. BusinessO cordial, tentative and sometimes accusatory relationship with the reforming government, leading up to and throughout the post-1994 reform process, is analyzed, together with businessO newfound interest in social policy and philanthropy. The volume assesses the extent to which this reform process represents a new development model or strategy and its relationship to democratization. The reform process has dismantled the statist regime in place since the VargasO era and sets the stage for a new, liberalizing one inspired by Social Democratic ideas. The impact of government efforts on social, economic, and human development is assessed. This study closes with a thoughtful discussion of the relationship between reform and democracy and advances a structural realignment model to highlight the centrality of political processes in reform and development.

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Investment Management provides a powerful package of systematic principles and cutting-edge applications for intelligent-and profitable-investing in the new world of finance. Its authoritative approach to the investment process is indispensable for coming to grips with today's rapidly changing investment environment-an environment that bombards the investor with an oversupply of information, with novel and complex strategies, with a globalized trading arena in a constant state of flux, and with radical innovations in the development of new financial instruments. Traditional investment methods no longer suffice for investors managing their own funds or for professionals entrusted with the wealth of individual and fiduciary institutions. Edited by Peter Bernstein and Aswath Damodaran, widely respected experts in the field, this authoritative resource brings together an all-star team that combines Wall Street savvy with profound theoretical skills. The hands-on professionals who have contributed to this volume command high respect among academics in finance; the academic contributors, in turn, are also experienced in the rough-and-tumble of the Wall Street scene. Together, they have designed the book to look at investing as a process-a series of steps, taken in the proper sequence, that provides the tools and strategies for optimal balancing of the interaction of risk and return. The analysis is at all points comprehensive and lucid as it moves from setting investment objectives to the best methods for selecting securities, from explaining how to measure risk to how to measure performance, from understanding derivatives to minimizing taxes, and from providing the essentials of portfolio strategy to the basic principles of asset allocation. In a unique chapter, the book also offers a searching evaluation of management and governance structures in the modern corporation. One form of risk management is to make such successful investments that losses do not matter. Only luck can achieve that result; the real world requires decisions whose outcomes are never known in advance. That is what risk is all about. Every stage of the investment process-from executing a trade to optimizing diversification-must focus on making rational choices under conditions of uncertainty. The successful investor's toolkit has more inside of it than just the essential apparatus for selecting securities and allocating assets. The successful investor is also the one who has the knowledge, the confidence, and the necessary control systems to deal with the inevitable moments when forecasts go wrong. Investment Management explores the investment process from precisely this viewpoint. It is a comprehensive and accessible introduction to investing in today's challenging marketplace-an ideal resource for serious investors and students.

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Hogarth’s Britons explores how the English painter and graphic satirist William Hogarth (1697–1764) set out to define British nationhood and identity at a time of division at home and conflict abroad. With notions of community cohesion, good citizenship and patriotism, wrapped up in a unifying idea of British national character and spirit in all its variety, and set alongside the ongoing national debate on Britain’s past, present and future within European and World affairs, Hogarth and his art has never been more relevant.In the summer of 1745, Prince Charles Edward Stuart ‘Bonnie Prince Charlie’ landed with his supporters, the ‘Jacobites’, in a remote corner of Scotland. This signalled the start of his audacious military campaign, with the backing of Britain’s global adversary France andduring a Europe-wide war, to topple the Hanoverian, Protestant monarch George II and restore the Catholic Stuarts, exiled in France and then Rome since 1688, to the throne. The country descended into turmoil, with regional, local and family loyalty for these rival royal dynasties severely tested, and opposing visions for the new nation of Great Britain – since the Union of England and Scotland in 1707 – laid bare. By early December the prince and his 6,000 troops arrived in Derby, just 120 miles and five days’ march from London. For both sides everything was at stake.From the 1720s, through the crises of the early 1740s, to the civil war called the 1745 Jacobite Rebellion or Rising, Prince Charles’s defeat at Culloden in April 1746 and beyond, Hogarth created some of the most iconic images in British and European art, including Marriage A-La-Mode, O the Roast Beef of Old England (The Gate of Calais) and The March of the Guards to Finchley. Through such vibrant scenes, rich in topical commentary, he conveyed a sense of external threat (real and imagined) from foreign powers and internal political, social and cultural upheaval. At the same time he offered his fellow Britons a confident, reassuring idea of the rights and liberties they enjoyed under King George and his government: a flawed status quo, as Hogarth would readily admit, yet certainly better, he would argue, than the regime that would replace it under the ‘popish’ Stuarts as client monarchs of the self-serving French king, Louis XV.With British society and politics in flux, and the Union between Scotland and England arguably more vulnerable now than at any moment since 1746, the themes explored in Hogarth’s Britons have profound resonance with our own time.

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The world's climate is in constant flux: on time-scales from days to millennia, global and regional temperature, wind and rainfall patterns are changing. Over periods of decades and centuries, the most significant factor affecting climate appears to be changes in the output of the sun. Man's emissions of 'greenhouse gases' (GHGs) also play a role in altering climate. However, estimates suggest that only 30 to 40 per cent of the warming seen over the past century was caused by GHGs. Predictions made by the Intergovernmental Panel on Climate Change (IPCC) assume that most of the warming of the past century was caused by man's emissions and therefore overestimate the likely effect of future emissions. Better estimates suggest that if CO2 concentrations double, global-mean temperatures would rise by about 1.3 degrees centigrade with an upper limit of 2 degrees centigrade. Estimates by some of the world's most respected climate scientists suggest that even if a warming of 2 degrees centigrade does occur the impact on humankind will not be catastrophic; indeed agricultural productivity is likely to increase in many parts of the world, due to longer growing seasons and increases in uptake of CO2. IPCC lead authors have exaggerated the likely impacts of climate change in order to heighten public perception of the issue and thereby encourage governments to spend more on climate research. Between 1990 and 1995, annual US Government spending on climate research rose from $600m to $1.8bn. Estimates suggest that the cost of reducing CO2 emissions to 1990 levels by 2010 could be around 1 per cent of global output. Even assuming costs were only half that, the result would be less investment in the development of new technologies and considerable industrial downsizing, with consequent job losses. Furthermore, if significant natural climate change does occur in the next century - as it has over the past 100 years - then the cost of imposing limits on emissions of carbon dioxide and other trace gases might be even greater. Whether this natural climate variation causes the Earth to warm or to cool, the consequence of emission limits would be that fewer resources would be available for taking adaptive action (such as installing air conditioning units or heaters) Given the uncertainty about climate change, the precautionary principle implies that we should improve our understanding of the world's climate and do what we can to ensure that we are able to adapt most effectively. This means collecting better data, encouraging scientists to develop and test competing theories about the causes and consequences of climate change, freeing up the world's markets, and eliminating subsidies.

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Working in rural China is unlike other countryside: it is full of contradiction, neither rural nor urban, both traditional and modern, abandoned in some areas and yet others are becoming cities overnight. It is in fact a laboratory for new ways of living. And it has become our laboratory for new ways of making architecture. Whereas contemporary architecture since the advent of modernism has developed increasingly controlled, prototypical, and standardised mechanisms for building, our experiments embrace the opposite: a lack of control, taking place within the flux of political, social and economic uncertainties. The experiments presented here are examples taken from a series of design and build projects conducted from the Department of Architecture at the University of Hong Kong over the past 10 years. They are remarkable in their diffuse explorations and situations. Some were urgent post-earthquake reconstructions, often adapting to extreme topographies or taking place in the midst of major urbanising transformations, whereas other experiments occurred in forgotten villages with left-behind craftspeople and their disappearing building cultures. These forays and what can be best described as adventures in building, left us with varied and novel (sometimes failed) experiments with structure and program. But they are presented here for the trait they have in common: an exploration of the limits of material, geometry, construction methods, and even historical context. The diversity manifested in this collection of projects is a direct reflection of the incredible diversity of climates, locations, and conditions that underlie the ongoing Chinese urbanisation experiment. The focus here is not on the what but the how, as each project engages with its own set of limiting factors or unideal conditions. They are stories of design, overcoming and even embracing adverse situations in order to discover some hidden advantage. Each chapter explores a different attempt to revert seemingly challenging limitations (particularly those which the architect cannot exert control over) and turn these into novel building approaches. As often occurs for architects working in a foreign landscape, the differences in language and culture have proven to be a source of constant miscommunication and surprising discovery. The lack of a common spoken language—these remote areas speak their own dialects—has placed an emphasis on drawing as another means of communication. Through drawing we have explored a means of design and a means of building. Therefore, this is also a book about ways of drawing that represent ways of control and, inversely perhaps, what not to control.

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It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado’s own words, to temper our behaviors in a “new regimen of coexistence.”

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Foreword by Michael J. Fox Preface by Christopher LloydGreat Scott! Go Back to the Future with Doc Brown and Marty McFly and celebrate the film’s 35th anniversary with this visually stunning look at the creation of one of the most beloved movie trilogies of all time.Few films have made an impact on popular culture like the Back to the Future trilogy. This revised and expanded edition with officially licensed content goes behind the scenes to tell the complete story of the making of these hugely popular movies and how the adventures of Marty McFly and Doc Brown became an international phenomenon.Back to the Future: The Ultimate Visual History Revised and Expanded Edition is a stunning journey into the creation of this beloved time-traveling saga and features hundreds of never-before-seen images from all three movies, along with rare concept art, storyboards, and other visual treasures.The revised and expanded 35th anniversary edition includes incredible new features such as: 16 additional pages of new behind-the-scenes content USA Today front page insert from the original movie The book also features exclusive interviews with key cast and crew members—including Michael J. Fox, Christopher Lloyd, Lea Thompson, Robert Zemeckis, Bob Gale, Steven Spielberg, Frank Marshall, Kathleen Kennedy, and more—and tells the complete story of the production of the movies, from the initial concept to the staging of iconic scenes such as the “Enchantment Under the Sea” dance and the hoverboard sequence. The book also delves into the wider Back to the Future universe, exploring the animated television show and Back to the Future: The Ride.Written by Michael Klastorin—the production publicist on the second and third movies—with Back to the Future expert Randal Atamaniuk, this book delivers a range of surprises from the Universal Pictures archives and also includes a wealth of special removable items.Comprehensive, compelling, and definitive, Back to the Future: The Ultimate Visual History Revised and Expanded Edition is the book that die-hard fans have been waiting for.Removable items include: Hill Valley High School Tardy Slip Back to the Future The Ride security pass Save the Clocktower leaflet Sepia photograph of Marty and Doc from Part III Marty’s note to Doc from the first film with the envelope George McFly’s book Jaws 19 movie poster George and Lorraine’s prom photo Doc’s flux capacitor sketch from the first film Doc’s note to Marty from 1885 Biff one dollar bill from Part II Blast from the Past receipt from Part II Lenticular version of the iconic McFly family photo from the first film © 2020 Universal City Studios LLC and Amblin Entertainment, Inc. All Rights Reserved.

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Is there such a thing as Latin American Art? Does it need this label in a global art world? It is, of course, clear that there is no such thing, just as there is no African nor European art. It would be interesting though to include Caribbean art (which of course doesn't exist either) and talk about specific forms of creolization in the way that Edouard Glissant means it from a global perspective that is not just Western. If we look at different artistic expressions in different local contexts within a geographic and linguistic area called Latin America, the insights we get are very interesting. It might remind us of a kaleidoscope, an ever changing, glittering flux of perspectives on a fluid carrier medium. Through extensive field research involving travel in Argentina, Brazil, Colombia, Honduras, Mexico and Peru, I have been seeking to answer these questions and go into the Looking Glass. Those journeys have included connecting as much as possible with locals and investigating the subject of visual culture through them. In order to learn about local traditions, I have explored a small portion of the Amazonas on the border of Tres Fronteras, and stayed with an indigenous family on one of the Islands of Lake Titicaca. Additionally, in Peru I visited the art school in Cusco which is famous for the Cuzco School paintings. Whether in rural settings or the urban landscapes of Latin America, my approach has always been to be humble, to listen and learn, aware that my perspective is that of a Western woman. The discovery of immense cultural diversity intensely broadened my horizons. In order to develop an understanding of Latin American art, I have realized that attempting to describe it requires an open mind that stretches beyond any pre-conceived Eurocentric notions. Only then it is possible to appreciate the enormous variety of artistic expressions and contexts throughout multiple Latin American regions. The projects described here reflect fifteen collaborations that were carried out, over a period of six years involving thirty-four artists. In some cases, the exchanges included galleries in various Latin American countries. The themes explored were diverse and varied. They ranged from the abstract and highly conceptual to the more tangible and material. Together, the culminating exhibitions have each contributed to exploring essential questions about Latin American Art. The answers, however, are far from simple or complete. Beyond the collection gathered here, the process of discovery continues. So far, I have only witnessed the seedlings of my understanding beginning to emerge. During the process of trying to better understand Latin American Art and through producing exhibitions in Switzerland, as well as curating content in Mexico City and Brazil, it has become clear that cultural bridges can be built through the universal interests that inform artistic expression. These successful projects have demonstrated enormous potential for future artistic collaborations of all sorts. The possibilities are endless. - Andrea Hinteregger De Mayo, 2018. Text in English and Spanish.

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A comprehensive guide to effective strategic management of health care organizations. Strategic Management of Health Care Organizations provides essential guidance for leading health care organizations through strategic management. This structured approach to strategic management examines the processes of strategic thinking, consensus building and documentation of that thinking into a strategic plan, and creating and maintaining strategic momentum – all essential for coping with the rapidly evolving health care industry. Strategic Management of Health Care Organizations fully explains how strategic managers must become strategic thinkers with the ability to evaluate a changing industry, analyze data, question assumptions, and develop new ideas. The book guides readers through the strategic planning process demonstrating how to incorporate strategic thinking and create and document a clear and coherent plan of action. In addition, the all-important processes of creating and maintaining the strategic momentum of the organization are fully described. Finally, the text demonstrates how strategic managers in carrying out the strategic plan, must evaluate its success, learn more about what works, and incorporate new strategic thinking into operations and subsequent planning. This strategic management approach has become the de facto standard for health care management as leadership and strategic management are more critical than ever in coping with an industry in flux. This book provides heath care management students as well as health care administrators with foundational guidance on strategic management concepts and practices, tailored to the unique needs of the health care industry. Included are a clear discussion of health services external analysis, organizational internal analysis, the development of directional strategies, strategy alternative identification and evaluation, and the development and management of implementation strategies providing an informative and insightful resource for anyone in the field. This new eighth edition has been fully updated to reflect new insights into strategic thinking, new methods to conceptualize and document critical environmental issues, practical steps for carrying out each of the strategic management processes, industry and management essentials for strategic thinkers , and new case studies for applying the strategic management processes. More specifically, readers of this edition will be able to: Create a process for developing a strategic plan for a health care organization. Map and analyze external issues, trends, and events in the general environment, the health care system, and the service area. Conduct a comprehensive service area competitor analysis. Perform an internal analysis and determine the competitive advantages and competitive disadvantages. Develop directional strategies. Identify strategic alternatives and make rational strategic decisions for a health care organization. Develop a comprehensive strategy for a health care organization. Create effective value-adding service delivery and support strategies. Translate service delivery and support plans into specific action plans. The health care industry’s revolutionary change remains ongoing and organizational success depends on leadership. Strategic management has become the single clearest manifestation of effective leadership of health care organizations and the strategic management framework’s strengths are needed now more than ever. The Strategic Management of Health Care Organizations provides comprehensive guidance and up-to-date practices to help leaders keep their organizations on track.

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"Tout est sur la terre dans un flux continuel qui ne permet a rien d'y prendre une forme constante. Tout change autour de nous. Nous changeons nous-memes et nul ne peut s'assurer qu'il aimera demain ce qu'il aime aujourd'hui (...) C'est une suite naturelle du pouvoir des sensations sur (nos) sentiments internes" (J.J. Rousseau, Reveries du promeneur solitaire, 9). Cet aveu rousseauiste fait en decembre 1777, indexe la resignation de la culture classique devant l'impurete congenitale de l'humaine condition. Quand, en 1670, Mme de Lafayette impose a sa Princesse de Cleves, jalouse, de se poser la question : "Que veux-je?", essentielle au sens qu'elle risque de trahir, cette derniere decide, malgre le sacrifice que son geste implique, de renoncer immediatement a Nemours : la reinscription du sens dans son histoire s'effectue par le renoncement au sens, si ce mot peut se prendre pour un equivalent du desir amoureux dont la princesse, a son grand etonnement (Marivaux recourra au terme de "surprise") a fait une experience bouleversante et troublante. Ce schema narratif symbolise le classicisme dans toute sa force. Il n'en ira plus de meme au XVIIIe siecle. C'est ce que les etudes rasemblees ici montrent, chacune a sa maniere et dans les domaines varies de la prose fictionnelle, narrative ou dramatique (la comedie, le roman, le conte et les memoires) et de la prose d'idee, theorique ou polemique (les essais philosophiques, la critique litteraire ou la reflexion esthetique). S'appuyant sur le Misanthrope de Moliere (1666), les Illustres Francaises de Robert Challe (1713), les Campagnes philosophiques de l'abbe Prevost (1741), la Vie de Marianne de Marivaux (1734-1737), les Memoires du Cardinal de Bernis (1715-1794), les Contes moraux de Marmontel (1750-1793), sur l"uvre de Voltaire, et surtout ses Contes (1734-1778), ses Lettres philosophiques (1734) et son Dictionnaire philosophique (1764-1769), sur les 'uvres critiques de Pierre-Valentin Faydit (1700), de Lenglet du Fresnoy (1734), d'Aubert de la Chesney des Bois (1743), de Jacquin (1755), de Jean Charpentier (1751) entre autres et enfin sur la Lettre sur les sourds et muets, le Discours sur la poesie dramatique ( le Salon de 1767 et le Reve de d'Alembert (1769)), la Satire premiere (1773-1778) de Diderot, l'ouvrage parcourt de nombreux territoires culturels, entre 1660 et 1778 (de Moliere a Voltaire). Il constate la modification profonde qu'instaurent les 'uvres de fiction et de reflexion dans la conscience esthetique et morale de leur temps qui tente de mettre fin a l'idealisme anterieur, source de beautes et de grandeurs impressionnantes certes, mais de plus en plus percu comme un donquichottisme vaniteux ou un academisme sterile. Les sens ne seront plus ecartes de l'affirmation du sens. La volonte sortira affaiblie de ce devenir impur de la morale. La volonte ne definissant plus l'ideal humain, le sens devient instable et fragile. S'entame ainsi, sourdement, une marche qui, malgre les efforts du deisme (voltairien ou rousseauiste), se poursuit actuellement dans notre modernite occidentale, perplexe devant la disparition de la reference divine, ancienne garante du sens et legitimation transcendante de la volonte.

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Mariele Neudecker is a German-born, Bristol-based artist working at the crossover of art and science. Her multimedia practice, which incorporates sculpture, video, painting and sound, explores the processes and effects of perception, the complexities and contradictions of landscapes and visuality, and the politics of representation and territorialisation. The influence of the nineteenth-century German romantic sublime is interwoven alongside inspiration from Neudecker’s work with scientists, as a guest artist on the Arts at CERN programme, her trips to the Arctic and travel elsewhere.This major monograph, published following an exhibition of the same name at Limerick City Gallery of Art – Neudecker’s first comprehensive solo exhibition in Ireland - presents more than 200 works from a 35-year-long career. In addition to a foreword by Úna McCarthy, the gallery's Director and Curator, essays by distinguished academics and curators from across the fields of art and science address diverse areas of Neudecker’s practice. A 'timeline' that Neudecker made specially for 'SEDIMENT' concludes the publication.Greer Crawley, an Honorary Research Fellow in the Department of Drama, Theatre and Dance at Royal Holloway, University of London, considers Neudecker’s archive, studio and her working processes, while Ariane Koek, an international expert in the field of arts, science and technology, suggests that the contemporary sublime Neudecker is so often described as seeking is, for her, the very process of perception itself. Her comprehensive introduction to Neudecker’s practice also discusses the tank works, for which the artist is best known, in which fibreglass landscapes are suspended in chemical solutions.James Peto, from the Wellcome Collection, London, focuses on issues of representation, post-colonialism and ‘time’, while Alice Sharp, Artistic Director of Invisible Dust, looks at Neudecker’s work and collaborations concerning the deep sea.Klaus Dodds, Professor of Geopolitics at Royal Holloway, University of London, returns to questions of territorialisation in and around the Arctic, and Professor Kerstin Mey, Interim President of the University of Limerick, considers the genre of still life in Neudecker’s photographic series 'Plastic Vanitas' (2015).Dominic Gray, Projects Director at Opera North, offers insight into Neudecker’s work with sound and music, addressing issues of performance, translation and scale; while Pontus Kyander, an independent writer and curator based in Helsinki, returns to the motif of the forest, arguing that any reading of Neudecker's work might be taken beyond an interest in landscape and the sublime to incorporate contemporary ecological questions. Finally, Crawley's second offering returns to Neudecker's use of sound - its juxtaposition and superimposition, alongside the notion of the window as a device, considering how each creates 'temporal turbulences' and 'an entanglement of materiality, space, form and position,' foregrounding the artist’s desire for viewers to see everything as eternally in flux.The publication, which is released to coincide with a new iteration of Neudecker's exhibition 'SEDIMENT' at Hestercombe, Somerset, in summer 2021, has been edited by Greer Crawley, designed by Herman Lelie and Stefania Bonelli, and printed by EBS Verona. It is published by Anomie Publishing, London.Mariele Neudecker (b. 1965, Dusseldorf, Germany) undertook a BA at Goldsmiths College, London (1987–90), and an MA in sculpture at Chelsea College of Art and Design, London (1990-1). She has shown widely in international solo and group exhibitions. Neudecker is Professor of Fine Art at Bath School of Art, where she runs the research cluster Making | Art | Science | Environment. She is on the Arts at CERN’s guest programme, the European Commission’s JRC SciArt advisory panel and the steering committee of Centre of Gravity, UK. Neudecker works with Pedro Cera, Lisbon; In Camera Gallery, Paris; and Thomas Rehbein Galerie, Cologne.

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Au sortir de la Seconde Guerre mondiale, des millions d’étrangers se trouvent sur le sol allemand : anciens travailleurs forcés, rescapés des camps nazis ou déracinés aux profils multiples. La plupart d’entre eux sont rapatriés après la capitulation allemande, mais presque un million de personnes déplacées (Displaced Persons – DPs), effrayés par l’antisémitisme à l’Est de l’Europe, ou redoutant la montée des régimes communistes, refusent de rentrer dans leur patrie. C’est donc dans les trois zones occidentales de l’Allemagne occupée, exsangue et traversée par des flux incessants, que les DPs vivent pendant plusieurs mois ou années. Leur histoire est multiple et ils en sont à la fois les objets et les acteurs. Cet ouvrage, rassemblant des contributions en trois langues (français, anglais, allemand), croise les perspectives entre histoire politique et internationale, histoire des migrations, analyses culturelles et études des représentations. Il permet de saisir les interactions entre les décisions internationales, les impératifs des pays d’origine des DPs mais aussi ceux des pays d’immigration, les réalités de l’Allemagne occupée et les besoins et espérances des DPs eux-mêmes. Entre sortie du conflit mondial et début de guerre froide se nouent autour des DPs les grandes problématiques politiques et humaines qui forgent l’histoire des déplacements et du refuge. In the aftermath of the Second World War, millions of foreign civilians found themselves in the German territory. Among them, there were former forced laborers, survivors from the Nazi camps, many uprooted migrants who had all experienced the war in different ways. Most of them were repatriated after the German capitulation. However, almost one million of these «Displaced Persons» (DPs) refused to go back to their homeland. They were scarred by anti-Semitic violence, or by the rise of communist regimes in Eastern Europe. For a few months, even a few years, they remained mostly in the Western zones of occupied Germany, facing the harsh post-war conditions of defeated Germany. DPs became both targets and actors of global politics dealing with the refugee problem. This book puts together articles in three languages (French, English, and German). The contributions reveal the DPs’ history from different points of view. They rely on the history of international relations at the end of the war and of the various states involved in the DP question, as well as on social and cultural studies. The diversity of methodological patterns allows for a broad comprehension of this singular story at different scales, from the international debates and tensions to the needs and the hopes of the DPs themselves, in the social and political context of post-war occupied Germany. As the end of the war led to the Cold War, the DP question raised most of the political and humanitarian issues that would continue to interfere with the management of population displacements and refugees until the present day. Am Ende des Zweiten Weltkrieges befanden sich einige Millionen Ausländer auf deutschem Boden: ehemalige Zwangsarbeiter, Überlebende der NS-Lager und andere entwurzelte Personen. Die meisten von ihnen kehrten nach der deutschen Kapitulation in ihre Heimat zurück; zurück blieben hingegen fast eine Million Displaced Persons (DPs), die den Antisemitismus in Osteuropa oder den Aufstieg der kommunistischen Regime in diesen Ländern fürchteten, so dass sie sich weigerten, in ihre Ursprungsländer zurückzukehren. Sie fanden sich schließlich für mehrere Monate oder gar Jahre in den drei westdeutschen Besatzungszonen wieder, die von den Kriegsfolgen gezeichnet waren und mehrere Millionen von Flüchtlingen aufnehmen mussten. Ihre Geschichte ist vielfältig; bisweilen wird

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'An intelligent, beautifully written story about a dysfunctional family in a sinister paradise' The TimesOceania 1879. A family of settlers from New Zealand are the sole inhabitants of a remote volcanic island.For two years they have struggled with the harsh reality of trying to make this unforgiving place a paradise they can call their own. At last, a ship appears. The six Pacific Islanders on board have travelled eight hundred miles across the ocean in search of work and new horizons. Hopes are high for all, until a vulnerable boy vanishes. In their search for the lost child, settlers and newcomers together uncover far more than they were looking for. The island's secrets force them all to question their deepest convictions.Praise for Mr Peacock's Possessions:'Syson's novel, a modern take on the literary genre known (after Robinson Crusoe) as the robinsonade, is a haunting exploration of Lizzie's disillusion with her father's dreams and their damaging consequences' The Sunday Times 'Syson's novel is richly evocative of a Pacific world in flux, as cultures clash and individuals battle to find their place amid the ensuing confusion . . . a very moving story of fathers and children, of faith and disillusion, and of the dangerous consequences of trying to take possession of people as well as land'BBC History Magazine'Lushly written, with immaculate historical detail, it worked for me on many levels' Women and Home'As compelling, mysterious and haunting as the troubled tropical paradise it portrays . . . Syson doesn't just write about the past, she transports us there. A tour de force'Piers Torday'A wonderful book full of drama, courage and aspirations. The language is rich and the characters so humanely drawn' Carol Drinkwater'A thrilling story of love and courage, brutality and hope all told with equal measures of deep humanity, imagination and élan. Lydia Syson has an amazing gift of bringing history alive through richness of language, dramatic pace and fabulous visual imagery. This is better than watching a film!'Anne Sebba'With its chorus of vivid voices, Lydia Syson's novel reminds us why we consumed The Poisonwood Bible and The Underground Railway so avidly'Michelle Lovric'What a powerful, rich and fascinating book. Dark historical events are interwoven with the mystery of a missing child on a remote Pacific island in 1879. Highly compelling' Anna Mazzola'Swiss Family Robinson meets Lord of the Flies in Lydia Syson's superb and engrossing book. This scintillating story evokes an island paradise which descends into a nightmarish hell as Mr Peacock's Possessions builds towards a shocking revelation and a thrilling climax'Wendy Moore'A tense, evocative, richly imagined novel' Emma Darwin'Lydia Syson writes very well about the natural world . . . [and] the dark tensions in family life that overwhelm the Peacocks'Miranda Miller'Dazzling . . . A vividly realised, compelling novel'Linda Newberry'Mr Peacock's Possessions - one of those rare novels which keeps you up much later than you'd planned - is everything I love in a book. What starts out as a wonderful adventure slowly reveals itself as something altogether darker. Then you realise you can't put it down until you discover the truth. Swallows and Amazons for grown-ups'Alex Monroe'That's perhaps the greatest achievement of this novel: it stays with you. I've been haunted by it since I finished reading it. I hope very much that it gets the attention and praise it deserves . . . This novel is pleasurable on so many levels'The History Girls'Syson's eye for character is immediate - her narrative voice reaching out from the page and grabbing the reader from the off. They're drawn into a small but compelling community, one full of interesting characters and complicated relationships that only becomes more intriguing as the book goes on . . . Syson brings things to a climax that's as rewarding as it is moving - and allows her to examine community, youth and family in a beautifully drawn setting'The Bookbag'This certainly is one of the most powerful, brilliantly written books'Breakaway Reviews

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