Search results for ""Carnival""

If your mentally ill patient dies, are you to blame? For Dr. Françoise Davoine, a Parisian psychoanalyst, this question becomes disturbingly real as one of her patients commits suicide on the eve of All Saints' Day. She herself has a crisis, as she reflects on her thirty-year career and questions whether she should ever return to the hospital. But return she does, and thus commences a strange voyage across several centuries and countries, in which patients, fools, and the actors of medieval farces rise up from the past along with great thinkers who represent the author's own philosophical and literary sources: the humanist Erasmus, mathematician René Thom, writer Antonin Artaud, philosopher Ludwig Wittgenstein, and physicist Edwin Schrödinger, to name a few. Imaginary dialogues ensue as the analyst conjures up an interconnected world, where apiculture, wondrous rituals, theater, and language games illuminate her therapeutic practice as well as her personal history. Deeply affected by her voyage of discovery, the author becomes capable of implementing the teachings of psychotherapist Gaetano Benedetti, a mentor she visits at carnival time on a final fictional stopover in Switzerland. His advice, that the analyst become the equal of her patients and immerse herself in their madness so as to open up a space for treatment, is premised on the belief that individual illness is a reflection and result of severe historical trauma. Mother Folly, which ends on a positive note, is an important intervention in the debate about how to treat the mentally ill, particularly those with psychosis. A practicing analyst and a skilled reader of literary and philosophical texts, Davoine provides a humane antidote to our increasingly mechanized and drug-reliant system of dealing with "fools and madmen."

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Join Supertato and the gang for more hilarious supermarket silliness in the bestselling series from picture book superstars, Sue Hendra and Paul Linnet! Meet Supertato! The supermarket superhero with eyes everywhere. It’s Sports Day in the supermarket and all the veggies are in training. Everyone has been practising hard and is ready and raring to go. However, a new competitor joins the event, accompanied by The Evil Pea, and is determined to win all the prizes. Things don’t seem quite right… but will Supertato be able to foil his nemesis’ plan in time? The fabulous character from Sue Hendra and Paul Linnet, the bestselling, award-winning creators of Barry the Fish with Fingers, I Need a Wee and Norman the Slug with the Silly Shell.Perfect for fans of Oi Frog!Praise for Supertato: 'Hilarious... One of the funniest picture books this year - read it and laugh out loud!' Creative Steps Magazine 'Hendra introduces another very silly but irresistible creation in the grand tradition of Barry, Norman, Keith et al.' BooksellerPraise for Norman the Slug with the Silly Shell: 'Lovely glittery illustrations and simple text make this a must for pre-schoolers' The Daily MailPraise for No-Bot the Robot with No Bottom: 'Fabulously funny and wonderfully warm' Liverpool Echo 'Fans of Barry, Norman and Keith will absolutely adore this new wonderfully eccentric new character' MumsnetOther titles in the Supertato series:SupertatoSupertato: Veggies AssembleSupertato: Evil Pea RulesSupertato: Veggies in the Valley of DoomSupertato: Carnival CatastropeaSupertato: Books Are Rubbish (WBD)Supertato Sticker Book Supertato: Bubbly TroublySupertato Sticker Skills Supertato: Night of the Living Veg Supertato: The Great Eggscape! Supertato: Presents Jack and the BeanstalkSupertato: Mean Green Time Machine

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In 2011 the Government of Trinidad & Tobago declared a state of emergency to counter the violent crime associated with the drugs trade. Ground Level confronts the roots of the madness and chaos seething under the surface of this "crude season of curfew from ourselves" when the state becomes a jail. For Rahim, her country is a place "blind to what is going on, hooked on carnival and hedonism/ trivia in the press", where "No-one hears the measure of shadow in any rhythm". It is a place where the air is "made less fresh each year/as forests disappear". It is a place where "poets hurt enough to die". In this dread season, Rahim finds hope and consolation in the word and in those places where it is possible to find salvation in "this landscape of ever-opening doorways", such as Grand Riviere, the subject of a long, twelve-part reflection on the values that can still be found in rural Trinidad. Elsewhere she engages in dialogue with those writers who confronted the Janus face of Caribbean creativity and nihilism: poets such as Eric Roach, Victor Questel, Walcott, Brathwaite and Martin Carter, praying of the last "let his words drop on the conscience of a nation". To the late Jamaican poet Tony McNeill she confides that "The Ungod of things has not changed". This is an ambitious collection that speaks in both a prophetic and a highly literary, intertextual voice, which combines the personal and the public in mutually enriching ways. Rahim knows that it is "craft keeps every story true", that "language playing dead only/ to ambush change." This is Jennifer Rahim's fourth collection of poetry; it shows the assurance of a poet who has constantly worked at her craft, but who also takes formal risks to capture the reality of desperate times.

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If your mentally ill patient dies, are you to blame? For Dr. Françoise Davoine, a Parisian psychoanalyst, this question becomes disturbingly real as one of her patients commits suicide on the eve of All Saints' Day. She herself has a crisis, as she reflects on her thirty-year career and questions whether she should ever return to the hospital. But return she does, and thus commences a strange voyage across several centuries and countries, in which patients, fools, and the actors of medieval farces rise up from the past along with great thinkers who represent the author's own philosophical and literary sources: the humanist Erasmus, mathematician René Thom, writer Antonin Artaud, philosopher Ludwig Wittgenstein, and physicist Edwin Schrödinger, to name a few. Imaginary dialogues ensue as the analyst conjures up an interconnected world, where apiculture, wondrous rituals, theater, and language games illuminate her therapeutic practice as well as her personal history. Deeply affected by her voyage of discovery, the author becomes capable of implementing the teachings of psychotherapist Gaetano Benedetti, a mentor she visits at carnival time on a final fictional stopover in Switzerland. His advice, that the analyst become the equal of her patients and immerse herself in their madness so as to open up a space for treatment, is premised on the belief that individual illness is a reflection and result of severe historical trauma. Mother Folly, which ends on a positive note, is an important intervention in the debate about how to treat the mentally ill, particularly those with psychosis. A practicing analyst and a skilled reader of literary and philosophical texts, Davoine provides a humane antidote to our increasingly mechanized and drug-reliant system of dealing with "fools and madmen."

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In the mid-1970s in the United States as feminism gained huge momentum, three American photographers Eve Arnold, Abigail Heyman and Susan Meiselas published books of a new kind. Combining testimonies and images, they offer very original documentaries of women at work, their daily routines and their private lives. The trio brought their own style and experimented with the book format while showing women in a new light through photography. Their work sidestepped clichés to create alternative representations.This catalogue reveals their unusual approach to their works. The first, Growing Up Female by Abigail Heyman, published in 1974, is a kind of feminist personal diary. The photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, The Unretouched Woman, published by Eve Arnold in 1976, shows unknown women and celebrities in unexpected moments of their daily lives. The photos were deliberately not retouched or staged and, through them, the photographer offers a heteroclite and nuanced vision of women far from the glamour of glossy magazines. The third, Carnival Strippers, published in the same year by Susan Meiselas, is the fruit of three years of investigation into fairground striptease sideshows in the north-east of the United States. Through the performers’ long testimonies, the book gives a voice to its silent subjects, depicting their work, their dreams and their ambitions.The images provide an original perspective of female bodies, revealing their invisible make-up artistry and the staging involved behind their public appearances. In doing so it reveals a surprising, previously unseen glimpse into their sometimes prosaic, sometimes harsh private lives. It also reveals the social conventions and norms defining the status of women in society, within couples or within the domestic space to reveal working women, striving for independence and freedom.

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In Negotiating Performance, major scholars and practitioners of the theatrical arts consider the diversity of Latin American and U. S. Latino performance: indigenous theater, performance art, living installations, carnival, public demonstrations, and gender acts such as transvestism. By redefining performance to include such events as Mayan and AIDS theater, the Mothers of the Plaza de Mayo, and Argentinean drag culture, this energetic volume discusses the dynamics of Latino/a identity politics and the sometimes discordant intersection of gender, sexuality, and nationalisms.The Latin/o America examined here stretches from Patagonia to New York City, bridging the political and geographical divides between U.S. Latinos and Latin Americans. Moving from Nuyorican casitas in the South Bronx, to subversive street performances in Buenos Aires, to border art from San Diego/Tijuana, this volume negotiates the borders that bring Americans together and keep them apart, while at the same time debating the use of the contested term "Latino/a." In the emerging dialogue, contributors reenvision an inclusive "América," a Latin/o America that does not pit nationality against ethnicity—in other words, a shared space, and a home to all Latin/o Americans.Negotiating Performance opens up the field of Latin/o American theater and performance criticism by looking at performance work by Mayans, women, gays, lesbians, and other marginalized groups. In so doing, this volume will interest a wide audience of students and scholars in feminist and gender studies, theater and performance studies, and Latin American and Latino cultural studies.Contributors. Judith Bettelheim, Sue-Ellen Case, Juan Flores, Jean Franco, Donald H. Frischmann, Guillermo Gómez-Peña, Jorge Huerta, Tiffany Ana López, Jacqueline Lazú, María Teresa Marrero, Cherríe Moraga, Kirsten F. Nigro, Patrick O’Connor, Jorge Salessi, Alberto Sandoval, Cynthia Steele, Diana Taylor, Juan Villegas, Marguerite Waller

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Schumann: The Faces and the Masks is a groundbreaking account of a major composer whose life and works have been the subject of intense controversy ever since his attempted suicide and early death in an insane asylum. Schumann was a key figure in the Romanticism which swept Europe and America in the 19th century, inspiring writers, musicians and painters, delighting their enthralled audiences, and reaching to the furthest corners of the world. All the contradictions of his age enter Schumann's works, from the fantastic disguises of his carnival masquerades and his passionate love songs to his great 'Spring' and 'Rhenish' Symphonies. He was intensely original and imaginative, but he also worshipped the past-especially Shakespeare and Byron, Raphael and Michelangelo, Beethoven and Bach. He believed in political, personal and artistic freedom but struggled with the constraints of artistic form. He turned his tumultuous life into music that speaks directly to the heart, losing none of its power with the passage of time. Drawing on hitherto unpublished archive material, Chernaik sheds new light on Schumann's life and music, his sexual escapades, his fathering of an illegitimate child, the true facts behind his courtship of his wife Clara and the opposition of her monstrous father, and the ways in which the crises of his life, his dreams and fantasies, entered his music. Schumann's troubled relations with his fellow-Romantic composers Mendelssohn and Chopin are freshly explored, and the full medical diary kept at Endenich Asylum, long withheld, enables Chernaik to look again at the mystery of Schumann's final illness. Using her wide experience as a scholar of Romanticism and a novelist, Chernaik vividly brings Schumann's world and his extraordinary artistic achievement to life in all its rich complexity.

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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million-dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the infamous Venice Beach, where artists and carnival performers practice their crafts opposite cafes and ragtag tourist shops. In "Venice: A Contested Bohemia in Los Angeles", Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there. In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community. Through stories from five different parts of Venice-Oakwood, Rose Avenue, the Boardwalk, the Canals, and Abbot Kinney Boulevard-Deener identifies why Venice maintained its diversity for so long and the social and political factors that now threaten it. Drenched in the details of Venice's transformation, the themes and explanations in this book will resonate far beyond this one city. Deener reveals that Venice is not a single locale, but a collection of neighborhoods, each with its own identity and conflicts-and he provides a cultural map infinitely more useful than one that merely shows streets and intersections. Deener's Venice appears on these pages fully fleshed out and populated with a stunning array of people. Though the character of any neighborhood is transient, Deener's work is indelible, and this book will be studied for years to come by scholars across the social sciences.

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'A moving and engaging addition to the family saga and drama of The Four Streets... Vibrancy and colour warm the pages' LoveReading In equal measure gritty and tender, Coming Home to the Four Streets is the latest instalment in the Four Streets saga, from Sunday Times bestseller Nadine Dorries. Trouble is coming to the four streets, especially for its redoubtable women, who've struggled through a bitter winter to put food on the table. The Dock Queen Carnival is only weeks away, but there's no money for the usual celebrations. No sign of a tramp ship with illicit cargo to be quietly siphoned off by the dockers. Peggy Nolan, with seven boys and a husband too lazy to work, has hit rock bottom and is hiding a terrible secret. Little Paddy, her mischievous eldest, is all too often in trouble, but he'd do anything for the mother he loves. How can he save her from selling herself on the streets – or worse? Maura and Tommy Doherty always looked out for any neighbour in trouble, especially Peggy, but they're far away, running a pub in Ireland and corrupt copper, Frank the Skank, is moving into their old house on the four streets. Can anything bring them home in time? Praise for Nadine Dorries: 'A moving and engaging addition to the family saga and drama of The Four Streets... Just as warm, gossipy and familiar as I remember... Vibrancy and colour warm the pages... Coming Home to the Four Streets will appeal to anyone who loves an entertaining family saga, this is a satisfying and rewarding return to the series' LoveReading 'Charming, gutsy and full of raw emotions' Rachel Bustin 'The characters are engaging, the streets scenes cinematic and the theme of the novel – abuse, both sexual and domestic – powerful' The Times 'Angela's Ashes with a scouse accent' Irish Times

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The Binding meets The Handmaid's Tale - Discovering a book of dark and ancient power, a convent librarian must defend it with her life. Perfect for fans of dark academia and historical feminist fiction.'A wonderfully rich and absorbing tale' Observer'Expertly crafted and beautifully told' Jennifer Saint'All so good. I read it in two days flat, and wish I had spaced it out more' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEWBeatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own.But men of the faith want the book destroyed, and a zealous preacher has tracked it to her door. Her sisters' lives - or her obsession. Beatrice must decide.The book's voice is growing stronger.An ancient power uncoils.Will she dare to listen?More praise for THE BOOK OF EVE:'What an extraordinary book' Harriet Tyce 'A ravishing, erudite feminist hijack of Renaissance Florence' Alice Albinia'A beautifully written, utterly enthralling read' Karen Coles 'Mysterious, bewitching and beautiful' Elizabeth Lee'Brutal and haunting' Melissa Fu 'Erudite and bewitching' Costanza CasatiAnd some early reader reviews:'It is a tribute to female strength, power and resilience' ⭐ ⭐ ⭐ ⭐ ⭐'A very interesting take on myth, mythology and the power of women when they work together for the greater good' ⭐ ⭐ ⭐ ⭐'The writing was excellent with a compelling storyline and well developed characters and a fantastic setting' ⭐ ⭐ ⭐ ⭐ ⭐'An emotional journey, I absolutely loved the story and characters' ⭐ ⭐ ⭐ ⭐

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Featured in Wall Street Journal's 2021 Holiday Gift Books Guide2021 Marfield Prize Finalist Wallace Stegner called national parks “the best idea we ever had.” As Americans celebrate the 150th anniversary of Yellowstone, the world’s first national park, a question naturally arises: where did the idea for a national park originate? The answer starts with a look at pre-Yellowstone America. With nothing to put up against Europe’s cultural pearls—its cathedrals, castles, and museums—Americans came to realize that their plentitude of natural wonders might compensate for the dearth of manmade attractions. That insight guided the great landscape architect Frederick Law Olmsted as he organized his thoughts on how to manage the wilderness park centered on Yosemite Valley, a state-owned predecessor to the national park model of Yellowstone. Haunting those thoughts were the cluttered and carnival-like banks of Niagara Falls, which served as an oft-cited example of what should not happen to a spectacular natural phenomenon. Olmsted saw city parks as vital to the pursuit of happiness and wanted them to be established for all to enjoy. When he wrote down his philosophy for managing Yosemite, a new and different kind of park, one that preserves a great natural site in the wilds, he had no idea that he was creating a visionary blueprint for national parks to come. Dennis Drabelle provides a history of the national park concept, adding to our understanding of American environmental thought and linking Olmsted with three of the country’s national treasures. Published in time to celebrate the 150th anniversary of Yellowstone National Park on March 1, 2022, and the 200th birthday of Frederick Law Olmsted on April 26, 2022, The Power of Scenery tells the fascinating story of how the national park movement arose, evolved, and has spread around the world.

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The Binding meets The Handmaid's Tale - Discovering a book of dark and ancient power, a convent librarian must defend it with her life. Perfect for fans of dark academia and historical feminist fiction.'A wonderfully rich and absorbing tale' Observer'Expertly crafted and beautifully told' Jennifer Saint'All so good. I read it in two days flat, and wish I had spaced it out more' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEWBeatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own. But men of the faith want the book destroyed, and a zealous preacher has tracked it to her door. Her sisters' lives - or her obsession. Beatrice must decide.The book's voice is growing stronger.An ancient power uncoils.Will she dare to listen?More praise for THE BOOK OF EVE:'What an extraordinary book' Harriet Tyce 'A ravishing, erudite feminist hijack of Renaissance Florence' Alice Albinia'A beautifully written, utterly enthralling read' Karen Coles 'Mysterious, bewitching and beautiful' Elizabeth Lee'Brutal and haunting' Melissa Fu 'Erudite and bewitching' Costanza CasatiAnd some early reader reviews:'It is a tribute to female strength, power and resilience' ⭐ ⭐ ⭐ ⭐ ⭐'A very interesting take on myth, mythology and the power of women when they work together for the greater good' ⭐ ⭐ ⭐ ⭐'The writing was excellent with a compelling storyline and well developed characters and a fantastic setting' ⭐ ⭐ ⭐ ⭐ ⭐'An emotional journey, I absolutely loved the story and characters' ⭐ ⭐ ⭐ ⭐

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The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes.Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.

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To be fat in a thin-obsessed gay culture can be difficult. Despite affectionate in-group monikers for big gay men–chubs, bears, cubs–the anti-fat stigma that persists in American culture at large still haunts these individuals who often exist at the margins of gay communities. In Fat Gay Men, Jason Whitesel delves into the world of Girth & Mirth, a nationally known social club dedicated to big gay men, illuminating the ways in which these men form identities and community in the face of adversity. In existence for over forty years, the club has long been a refuge and ‘safe space’ for such men. Both a partial insider as a gay man and an outsider to Girth & Mirth, Whitesel offers an insider’s critique of the gay movement, questioning whether the social consequences of the failure to be height-weight proportionate should be so extreme in the gay community. This book documents performances at club events and examines how participants use allusion and campy-queer behavior to reconfigure and reclaim their sullied body images, focusing on the numerous tensions of marginalization and dignity that big gay men experience and how they negotiate these tensions via their membership to a size-positive group. Based on ethnographic interviews and in-depth field notes from more than 100 events at bar nights, café klatches, restaurants, potlucks, holiday bashes, pool parties, movie nights, and weekend retreats, the book explores the woundedness that comes from being relegated to an inferior position in gay hierarchies, and yet celebrates how some gay men can reposition the shame of fat stigma through carnival, camp, and play. A compelling and rich narrative, Fat Gay Men provides a rare glimpse into an unexplored dimension of weight and body image in American culture.

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To be fat in a thin-obsessed gay culture can be difficult. Despite affectionate in-group monikers for big gay men–chubs, bears, cubs–the anti-fat stigma that persists in American culture at large still haunts these individuals who often exist at the margins of gay communities. In Fat Gay Men, Jason Whitesel delves into the world of Girth & Mirth, a nationally known social club dedicated to big gay men, illuminating the ways in which these men form identities and community in the face of adversity. In existence for over forty years, the club has long been a refuge and ‘safe space’ for such men. Both a partial insider as a gay man and an outsider to Girth & Mirth, Whitesel offers an insider’s critique of the gay movement, questioning whether the social consequences of the failure to be height-weight proportionate should be so extreme in the gay community. This book documents performances at club events and examines how participants use allusion and campy-queer behavior to reconfigure and reclaim their sullied body images, focusing on the numerous tensions of marginalization and dignity that big gay men experience and how they negotiate these tensions via their membership to a size-positive group. Based on ethnographic interviews and in-depth field notes from more than 100 events at bar nights, café klatches, restaurants, potlucks, holiday bashes, pool parties, movie nights, and weekend retreats, the book explores the woundedness that comes from being relegated to an inferior position in gay hierarchies, and yet celebrates how some gay men can reposition the shame of fat stigma through carnival, camp, and play. A compelling and rich narrative, Fat Gay Men provides a rare glimpse into an unexplored dimension of weight and body image in American culture.

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For anyone who ever loved All Creatures Great and Small, Annie England Noblin’s newest novel—about a big city vet transplanted to a small Wisconsin town—is pure delight as we meet aging alpacas, stump-tailed cats, goats in tutus, a vagabond border collie named Kevin, and the people who think they own them. And through it all, Goldie McKenzie, DVM, navigating the small town of Blue Dog, Wisconsin.Welcome to Blue Dog Valley. Home of the Fighting Elk. Population 3,411. When Goldie McKenzie, DVM, vet to the L.A. pet stars, arrives from Los Angeles to Blue Dog Valley she realizes three things. Never agree to upend your life when you’re hungover Pot-belly pigs are not true farm animals She’s going to need a warmer coat At first Goldie is nothing more than a fish out of water, with few clients and few friends. But after a less than pleasant encounter with a man whose dog is suffering from a possibly fatal case of bloat, she’s finally earning the trust and goodwill from her fellow Blue Dog Valley citizens. Her clientele grows to include the many farm animals in the town, including a horse named Large Marge, a cape-wearing therapy alpaca, and a yardful of sweater-wearing goats. Add in Kevin, the “worst sheepdog in Blue Dog Valley,” and a Sphinx cat named Airport, and Goldie is having the best time a vet can have. . . aside from the annoying attractive town grump, Cohen, who seems intent on making sure she always feels like an outsider.With her newfound goodwill, Goldie comes up with an idea to reinvigorate the once flourishing Blue Dog Valley: a Christmas carnival. A petting zoo, pictures with Santa, a baking contest, what more could they want? After only some brief resistance from Cohen and his father, they begin the great plan to reinvigorate Blue Dog Valley.Will Christmas be enough to salvage this dying town—and be enough to bring Goldie closer to a certain grumpy man?

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The first Key Words with Peter and Jane book, from Ladybird.Key Words with Peter and Jane uses the most frequently met words in the English language as a starting point for learning to read successfully and confidently. The Key Words reading scheme is scientifically researched and world renowned.Book 1b follows on from 1a and introduces 16 new words, including 'toys', 'has', 'trees' and 'ball'. Once this book has been completed, the child moves on to book 3b.The Key Words with Peter and Jane books work because each of the key words is introduced gradually and repeated frequently. This builds confidence in children when they recognise these key words on sight (also known as the 'look and say' method of learning). Examples of key words are: the, one, two, he.There are 12 levels, each with 3 books: a, b, and c.Series a: Gradually introduces new wordsSeries b: Provides further practise of words featured in the 'a' series Series c: Links reading with writing and phonics. All the words that have been introduced in each 'a' and 'b' book are also reinforced in the 'c' booksThe Ladybird Key Words with Peter and Jane series:Play With Us; Reading with Sounds; Boys and Girls; Read and Write; Fun and Games; Mountain Adventure; The Carnival; Books are Exciting; Happy Holiday; Jump from the Sky; I Like to Write; We like to Help; The Big House; The Mystery on the Island; Adventure at the Castle; Sunny Days; Out in the Sun; More Sounds to Say; Learning is Fun; Say the Sound; Enjoying Reading; The Open Door to Reading; Easy to Sound; Let me Write; Adventure on the Island; Boxset; Fun with Sounds; Games We Like; Have a Go; Fun at the Farm; Where we Go; The Holiday Camp Mystery; Our Friends; We have Fun; Things We Like; Things We Do; Look at This; Flash Cards

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'His cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders' Financial Times'Like a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life' Amy Jeffs, author of Storyland: A New Mythology of Britain'Magical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever' Charles Foster, author of Being a Human and Being a BeastThe surprising origins and people behind the world's most influential magical tales: the people who told and re-shaped them, the landscapes that forged them, and the cultures that formed them and were in turn formed by them.Who were the Fairy Tellers?In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'.From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar.Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.

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At once surreal and neoclassical, Lee-Smith’s masterful compositions reflect the social alienation of mid-20th-century America Hughie Lee-Smith came of age in the midst of the Great Depression, spending his early life primarily between Cleveland and Detroit. The Midwest left an indelible impression on the artist, whose Social Realist paintings referenced its expansive gray skies and industrial architecture. Carnival imagery recurs throughout Lee-Smith’s work via the motifs of ribbons, pendants and balloons, often evoking the contrast between the carnival’s playful theatricality and its uncanny imitation of reality. He depicted abandoned, crumbling urban architecture as the sets for his existential tableaux, and even when his figures appear together, they always seem solitary. Over the course of his long career, Lee-Smith developed a distinct figurative vocabulary influenced by both Neoclassicism and Surrealism—the summation of a lifelong effort to see beyond the real. This volume, published for a 2022 show at Karma, New York, surveys the artist's practice from 1938 to 1999, tracing his development from depictions of the Midwest to his years on the East Coast in the decades following World War II. It features writing by Hilton Als, Lauren Haynes, Steve Lock and Leslie King-Hammond, as well as a conversation between Reggie Burrows Hodges, LeRonn P. Brooks and Kellie Jones. Hughie Lee-Smith (1915–99) was born in Eustis, Florida. Early in his career he was involved in several WPA projects, including Karamu House in Cleveland (the oldest running African American theater in the nation) and the Southside Community Art Center in Chicago, where he would cross paths with Charles White, Gordon Parks and Margaret Taylor-Burroughs, among others. Eventually teaching would take him to the East Coast, where he was artist in residence at Howard University in Washington, DC, and later an instructor at the Art Students League of New York. He died in Albuquerque, New Mexico.

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A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing her camera and tape recorder in her mop bucket, she not only cleans and tidies, but sorts through the evidence of the hotel guests' lives. Assigned 12 rooms on the fourth floor, she surveys the state of the guests' bedding, their books, newspapers and postcards, perfumes and cologne, traveling clothes and costumes for Carnival. She methodically photographs the contents of closets and suitcases, examining the detritus in the rubbish bin and the toiletries arranged on the washbasin. She discovers their birth dates and blood types, diary entries, letters from and photographs of lovers and family. She eavesdrops on arguments and love-making. She retrieves a pair of shoes from the wastebasket and takes two chocolates from a neglected box of sweets, while leaving behind stashes of money, pills and jewelry. Her thievery is the eye of the camera, observing the details that were not meant for her, or us, to see. The Hotel now manifests as a book for the first time in English (it was previously included in the book Double Game). Collaborating with the artist on a new design that features enhanced and larger photographs, and pays specific attention to the beauty of the book as an object, Siglio is releasing its third book authored by Calle, after The Address Book (2012) and Suite Vénitienne (2015). Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. The Whitechapel Gallery in London organized a retrospective in 2009, and her work has been shown at the Museum of Modern Art and the Whitney Museum of American Art, New York; the Carnegie Museum of Art, Pittsburgh; the Museum of Fine Arts, Boston; the Hayward Gallery and Serpentine, London; and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.

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Lonely Planet's Brazil is our most comprehensive guide that extensively covers all the country has to offer, with recommendations for both popular and lesser-known experiences. Explore the tropical Fernando de Noronha, experience wildlife watching in The Pantanal, and discover the baroque masterpieces in Ouro Preto; all with your trusted travel companion. Inside Lonely Planet's Brazil Travel Guide: Lonely Planet's Top Picks - a visually inspiring collection of the destination's best experiences and where to have them Itineraries help you build the ultimate trip based on your personal needs and interests Local insights give you a richer, more rewarding travel experience - whether it's history, people, music, landscapes, wildlife, politics Eating and drinking - get the most out of your gastronomic experience as we reveal the regional dishes and drinks you have to try Dedicated Carnival chapter Toolkit - all of the planning tools for solo travelers, LGBTQIA+ travelers, family travelers and accessible travel Color maps and images throughout Language - essential phrases and language tips Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Covers Rio de Janeiro, Minas Gerais and Espírito Santo, Sao Paulo State, Parana, Santa Catarina, Rio Grande do Sul, Brasilia and Goias, Mato Grosso and Mato Grosso do Sul, Bahia, Sergipe and Alagoas, Pernambuco, Paraiba and Rio Grande do Norte, Ceara, Piaui and Maranhao, The Amazon About Lonely Planet: Lonely Planet, a Red Ventures Company, is the world's number one travel guidebook brand. Providing both inspiring and trustworthy information for every kind of traveler since 1973, Lonely Planet reaches hundreds of millions of travelers each year online and in print and helps them unlock amazing experiences. Visit us at lonelyplanet.com and join our community of followers on Facebook (facebook.com/lonelyplanet), Twitter (@lonelyplanet), Instagram (instagram.com/lonelyplanet), and TikTok (@lonelyplanet). 'Lonely Planet. It's on everyone's bookshelves; it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

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Venture back to Grimwood in the wildly funny third book in Nadia Shireen's bestselling and brilliantly anarchic illustrated comedy-adventure series. Perfect for readers age 7+, and fans of Dog Man, Roald Dahl, David Walliams, Loki: A Bad God's Guide to Being Good, Bunny vs Monkey and anyone who likes to laugh. A Bigfoot is on the loose! Ted, Nancy, Willow and the rest of the Grimwood gang must embark on their greatest adventure yet to save their home from a nasty, thieving stink monster. Monster hunters are GO!Fully illustrated throughout and full of heart, laughs and surprises, this is the must-read third title in the bestselling and fantastically funny Grimwood series.OUT NOW! Nadia Shireen has won awards for her picture books including the UKLA Book Award for Good Little Wolf and most recently for Barbara Throws a Wobbler, which has been described as a ‘little doorway of joy’ by Caitlin Moran. She’s also been shortlisted for the Roald Dahl Funny Prize and the Waterstones Children's Book Prize, and has been Writer-Illustrator in Residence for BookTrust. Grimwood is her first series for older readers and has been shortlisted for the 2022 Branford Boase Award and the Books Are My Bag Readers Awards.Praise for the Grimwood series: 'Grimwood is where I want to be. A carnival of crazed confused comical critters that is more real than real life. Lots of things make me laugh but Grimwood makes me laugh out loudest.' Frank Cottrell-Boyce'The inside of Nadia Shireen's brain must be a fun place to be because there are SO MANY funny jokes and hilarious moments in Grimwood: Let the Fur Fly! GO read it now!' Maisie Chan, author of Branford Boase winning Danny Chung Does Not Do Maths ‘Funny, anarchic, original and gloriously silly.’ Richard Osman'Pure genius!' Louie Stowell‘Ted and Nancy are my favourite funny foxes EVER.’ Liz Pichon, author of Tom Gates

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'His cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders' Financial Times'Like a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life' Amy Jeffs, author of Storyland: A New Mythology of Britain'Magical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever' Charles Foster, author of Being a Human and Being a BeastThe surprising origins and people behind the world's most influential magical tales: the people who told and re-shaped them, the landscapes that forged them, and the cultures that formed them and were in turn formed by them.Who were the Fairy Tellers?In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'.From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar.Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.

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Energetic cities, lush rainforests and more diverse wildlife than anywhere else on Earth - this is Brazil. Whether you want to spot jaguars on the Paraguay river, tuck into regional dishes in São Paulo or party all day at Rio de Janeiro's Carnival your DK Eyewitness travel guide makes sure you experience all that Brazil has to offer.From the Amazon jungle to the immense Iguaçu Falls, South America's largest country is packed with natural wonders. But it's not all about white-sand beaches and tropical wetlands. Across Brazil, metropolises pulsate with music, restaurants serve the freshest food and museums invite visitors to examine the past and ponder the future.Our updated 2023 travel guide brings Brazil to life. DK Eyewitness Brazil is your ticket to the trip of a lifetime.Inside DK Eyewitness Brazil you will find: -A fully-illustrated top experiences guide our expert pick of Brazil's must-sees and hidden gems.-Accessible itineraries to make the most out of each and every day.-Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money.-Colour-coded chapters to every part of Brazil, from the Amazon to the Rio Grande do Sul, Salvador to São Paulo State.-Practical tips: the best places to eat, drink, shop and stay.-Detailed maps and walks to help you navigate the region country easily and confidently.-Covers: Janeiro Centro, Santa Teresa and Lapa, Ipanema and Copacabana, Flamengo and Botafogo, Rio de Janeiro and Espírito Santo Sao Paulo City, Sao Paulo State, Minas Gerais, Rio Grande do Sul, Santa Catarina and Paraná Brasília, Goiás, and Tocantins Mato Grosso and Mato, Grosso Sul, Salvador, Bahia, Sergipe, Alagoas and Pernambuco, Paraíba, Rio Grande do Norte and Ceará, Piauí and Maranhao, The Amazon.Only visiting Rio de Janeiro? Try our DK Eyewitness Top 10 Rio de Janeiro

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Level 1 Storybook Stage 3: Developing Readers Appeals to: Ages 3-7 Reading Ages: 6 to 7 Lexile Level: 300L In this easy-to-read story, Jack and Anna's family goes to a carnival. When Buddy barks at a hot dog vendor, they think he's just hungry. But it turns out that he's spotted a fire! After some excitement, firefighters put out the fire. To honour the canine hero, Buddy finally gets his hot dog. 32 full-colour pages build comprehension and endurance. This book includes: sight words, words to sound out simple sentences. This book is perfect to read alongside Bob Books: Stage 3 Developing Readers books, or on its own. ABOUT BOBS BOOKS Bob Books is America's no.1, award-winning, learning-to-read series trusted for over 40 years. Bob Books is a true first reader series, designed to make helping children learn to read simple and straightforward. The clean layout, short words, and simple phonics make learning to read a fun and natural step for a child that knows the alphabet. Companion workbooks extend children's reading journey by allowing them to practice the skills learned in the books. Bob Books is designed to give young children the tools to cross from learning letters to reading words. The award-winning beginning reader book sets start slowly and progress from books with three letter words, to books with more than one sentence per page. By meeting children at the right level, parents are often amazed at how quickly their child is able to sound out words when reading their first Bob Book. Bob Books covers four reading stages... Pre-Readings Skills Recognize shapes, patterns, and other pre-reading skills Stage 1: Starting to Read From learning the alphabet to sounding out your first words Stage 2: Emerging Readers Sentences become longer and sight words are introduced Stage 3: Developing Readers Words and sentences become longer, and new rules are introduced

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From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Pathétique, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi

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The first Key Words with Peter and Jane book, from Ladybird.Key Words with Peter and Jane uses the most frequently met words in the English language as a starting point for learning to read successfully and confidently. The Key Words reading scheme is scientifically researched and world renowned.Book 1a introduces Peter and Jane in 16 new words including 'and', 'I', 'likes' and 'has'. Once this book has been completed, the child moves on to book 1b.The Key Words with Peter and Jane books work because each of the key words is introduced gradually and repeated frequently. This builds confidence in children when they recognise these key words on sight (also known as the 'look and say' method of learning). Examples of key words are: the, one, two, he.There are 12 levels, each with 3 books: a, b, and c.Series a: Gradually introduces new wordsSeries b: Provides further practise of words featured in the 'a' series Series c: Links reading with writing and phonics. All the words that have been introduced in each 'a' and 'b' book are also reinforced in the 'c' booksThe Ladybird Key Words with Peter and Jane series:Play With Us; Reading with Sounds; Boys and Girls; Read and Write; Fun and Games; Mountain Adventure; The Carnival; Books are Exciting; Happy Holiday; Jump from the Sky; I Like to Write; We like to Help; The Big House; The Mystery on the Island; Adventure at the Castle; Sunny Days; Out in the Sun; More Sounds to Say; Learning is Fun; Say the Sound; Enjoying Reading; The Open Door to Reading; Easy to Sound; Let me Write; Adventure on the Island; Boxset; Fun with Sounds; Games We Like; Have a Go; Fun at the Farm; Where we Go; The Holiday Camp Mystery; Our Friends; We have Fun; Things We Like; Things We Do; Look at This; Flash Cards

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"I have utterly fallen in love with this beautiful book." NIGELLA LAWSON"The scholarship here is astonishing. It is an engrossing, original and beautiful book." DIANA HENRYFrom the heart of the Low Countries of northwestern Europe, Belgium has long forged a distinctive culinary identity through its seasonal feasts and festivals. In this follow-up to her internationally lauded Pride and Pudding and Oats in the North, Wheat from the South, Regula Ysewijn turns her attention to the baking traditions of this unique country - the place of her birth.Regula uses history and art to guide the reader through a fascinating period, and paints - through her stunning photography and recipes - the landscape of the region's rich baking culture. Dark Rye and Honey Cake explores a whole year of rustic bakes, unearthing long-forgotten recipes and reviving treasured favourites. There are waffles and winter breads for the 12 days of Christmas, pancakes for Candlemas and Carnival, pretzels for Lent, vlaai and fried dough for Kermis and all the special sweet treats that make up Saint Nicholas and Saint Martin.With this collection of timeless recipes, Regula reveals the origins of her country's ancient food culture and brings a little Belgian baking into every home."This is a gorgeous book; full of recipes I want to cook, foods I want to eat, and pictures I want to lose myself in for hours on end." DR ANNIE GRAY, BBC The Victorian Bakers and The Sweetmakers and author of The Greedy Queen"A rare glimpse into the rich and fascinating food culture of one of our closest neighbours - a work of scholarship, but also a work of art." FELICITY CLOAKE, Guardian and author of One More Croissant for the Road and Red Sauce Brown Sauce"An irresistibly tactile book, and a work of art in its own right, filled with detail and description, glorious photography and curious tales, surprise and satisfaction. I cannot think of a single person that it would not appeal to." CAROLINE EDEN, author of Black Sea and Red Sands

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Come on a round-the-world adventure as we explore 60 amazing places from across the globe! Packed with fascinating facts, this fully illustrated book introduces kids to some of the best places to visit on our planet. Continent by continent, they'll find out the top things to see and do: playing in Central Park, getting lost in the Amazon Jungle, climbing the Eiffel Tower, exploring the Great Wall of China, touring Sydney Harbour and much more. Fun, accessible text and lively artwork by Pippa Curnick, David Shepard and Mike Love bring each place vividly to life. Contents include: Playing in Central Park, New York (North America) Touring Mexico City during the Day of the Dead (North America) Exploring the Amazon Jungle in Brazil (South America) Climbing Machu Picchu in Peru’s Andes (South America) Taking a boat trip down the Seine in Paris (Europe) Joining the crowds at Venice’s carnival on a gondola cruise (Europe) Cruising the Nile to see the wonders of ancient Egypt (Africa) Going on Safari to see lions and elephants in Tanzania’s Serengeti Plains (Africa) Negotiating the world’s busiest road crossing in Tokyo, Japan (Asia) Wandering along the Great Wall of China (Asia) Touring Sydney Harbour (Australasia) Climbing the mountains of New Zealand’s South Island (Australasia) And lots more About Lonely Planet Kids: Lonely Planet Kids - an imprint of the world's leading travel authority Lonely Planet - published its first book in 2011. Over the past 45 years, Lonely Planet has grown a dedicated global community of travellers, many of whom are now sharing a passion for exploration with their children. Lonely Planet Kids educates and encourages young readers at home and in school to learn about the world with engaging books on culture, sociology, geography, nature, history, space and more. We want to inspire the next generation of global citizens and help kids and their parents to approach life in a way that makes every day an adventure. Come explore!

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The Jewish community of Rome is the oldest Jewish community in Europe. It is also the Jewish community with the longest continuous history, having avoided interruptions, expulsions, and annihilations since 139 BCE. For most of that time, Jewish Romans have lived in close contact with the largest continuously functioning international organization: the Roman Catholic Church. Given the church’s origins in Judaism, Jews and Catholics have spent two thousand years negotiating a necessary and paradoxical relationship. With engaging stories that illuminate the history of Jews and Jewish-Catholic relations in Rome, Intimate Strangers investigates the unusual relationship between Jews and Catholics as it has developed from the first century CE to the present in the Eternal City. Fredric Brandfon innovatively frames these relations through an anthropological lens: how the idea and language of family have shaped the self-understanding of both Roman Jews and Catholics. The familial relations are lopsided, the powerful family member often persecuting the weaker one; the church ghettoized the Jews of Rome longer than any other community in Europe. Yet respect and support are also part of the family dynamic—for instance, church members and institutions protected Rome’s Jews during the Nazi occupation—and so the relationship continues. Brandfon begins by examining the Arch of Titus and the Jewish catacombs as touchstones, painting a picture of a Jewish community remaining Jewish over centuries. Papal processions and the humiliating races at Carnival time exemplify Jewish interactions with the predominant Catholic powers in medieval and Renaissance Rome. The Roman Ghetto, the forcible conversion of Jews, emancipation from the Ghetto in light of Italian nationalism, the horrors of fascism and the Nazi occupation in Rome, the Second Vatican Council proclamation absolving Jews of murdering Christ, and the celebration of Israel’s birth at the Arch of Titus are interwoven with Jewish stories of daily life through the centuries. Intimate Strangers takes us on a compelling sweep of two thousand years of history through the present successes and dilemmas of Roman Jews in postwar Europe.

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Discover the enchanting world of The Sleeping Beauty in this musical retelling of the ballet – push the button on each beautiful scene to hear the vivid sound of an orchestra playing from Tchaikovsky's score.Guardian: ‘a lively retelling, enriched by Jessica Courtney Tickle’s luscious illustrations – each spread is like an illuminated garden’Join the King and Queen as they throw a party for their new baby, Princess Aurora. But when a terrible guest arrives and places a curse on princess, the kingdom must find the one special person who can defeat it… As you and your little one journey through the magical scenes illustrated by artist Jessica Courtney Tickle, you will press the buttons to hear 10 excerpts from the ballet’s music.Readers should press firmly on the pages to activate the sound board at the back of the book, encouraging interactive learning and introducing children to this beautiful piece of music.At the back of the book, find a short biography of the composer, Pyotr Ilyich Tchaikovsky, with details about his composition of Swan Lake. Next to this, you can replay the musical excerpts and, for each of them, read a discussion of the instruments, rhythms and musical techniques that make them so powerful. A glossary defines musical terms.The Story Orchestra series brings classical music to life for children through gorgeously illustrated retellings of classic ballet, opera and program music stories paired with 10-second sound clips of orchestras playing from their musical scores. With The Story Orchestra keyboard sound books, children can play the famous melodies themselves with the sound of a real grand piano. Also available from the Story Orchestra series: The Magic Flute, I Can Play (vol 1), Carnival of the Animals, Swan Lake, The Nutcracker and Four Seasons in One Day.Manufacturer’s note: please pull the white tab out of the back of the book before use. Sound buttons require a firm push in exact location to work, which may be hard for young children. All sound clips are 10 seconds long.The perfect primer to introduce children to classical music.

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Written by two Croatia experts, this new, thoroughly updated third edition of Bradt's Croatia: Istria, with Rijeka and the Slovenian Adriatic remains the only full-length guide to this well-heeled, varied part of former Yugoslavia to include detailed background and practical information. Catering for all types of travellers (from outdoors enthusiasts to culture vultures, foodies to oenophiles) and budgets, the guide offers revised listings for accommodation, restaurants, and what to see and do. Istria crams remarkable diversity in a conveniently compact region: it takes under an hour to drive almost anywhere on the peninsula. The region boasts some of Croatia's most famous sites, including Pula's spectacular Roman amphitheatre, Porec's UNESCO-listed Byzantine mosaics (every bit as good as Italy's Ravenna and Istanbul's Aya Sofya), picturesque medieval hill towns (such as Motovun and Draguc) and frescoes, and the Brijuni Islands National Park. In 2020, the transport hub and carnival city of Rijeka in the Kvarner region became Croatia's first ever European Capital of Culture. Istria is renowned for its cuisine, particularly pasta, game, seafood and truffles (until recently Istria held the world record for the world's largest truffle), and also produces fine wine and world-class olive oil. There is plenty of pampering on offer, too, with luxury and boutique hotels, excellent restaurants and inexpensive spa treatments. Istria makes a great base to explore nearby Capodistria on Slovenia's coast, and karst limestone areas with beautiful and uncrowded coastal towns, castles, Lipizzaner horses and the UNESCO-listed Skocjan cave. New or expanded coverage in this edition include advice and information on the Vivapa Valley, Slovenian wines, recently opened hotels, travelling to Istria by rail, and vegetarian or vegan restaurants. With extensive sections on trekking, cycling (including the Parenzana long-distance cycling route) and diving, plus information on windsurfing, paragliding, wreck diving (including sites such as the Coriolanus and the Baron Gautsch) and sailing, and detail on wildlife (30 species of orchid grow on Cape Kemenjak alone), numerous festivals (including celebrations of film, fish, truffles and prosciutto), music, travelling with children and ancient history, this Bradt guide provides everything you need to plan and enjoy a visit.

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Oxford started as an Anglo-Saxon border outpost, with a bridge replacing the 'oxen ford' from which it takes its name. It became a centre for trade and religion and developed one of the oldest universities in Europe from the late twelfth century. Since the Middle Ages its individual colleges have gone on building--chapels, halls, accommodation, libraries--in an extraordinary variety of styles from Gothic to Brutalist. Oxford also has many churches, a Covered Market, an extraordinary museum of Natural History in soaring iron, glass and stone, and a flamboyant neo-Jacobean Town Hall. In such a place, suggested W.B. Yeats, 'one almost expects the people to sing instead of speaking'. Nevertheless, Oxford has become a busy modern city. For much of the twentieth century the car industry, established in Cowley by William Morris (Lord Nuffield), dominated local life. Today there are cinemas, theatres, innumerable restaurants, shopping centres, an ice-rink, business and technology centres, close links to London by bus and train. Amidst the expanding city Oxford University retains its academic excellence, its student exuberance and its physical beauty.And it has been joined by a notably successful second university, Oxford Brookes. Martin Garrett discusses the literature Oxford has generated: from Chaucer to Lewis Carroll, Wilde, Evelyn Waugh, Barbara Pym, Tolkien and C.S. Lewis and Iris Murdoch. There are also chapters on architecture, on religion, on theatre, film and art--including Oxford's great museum of art and history the Ashmolean--and on leisure pursuits (punting and rowing, gardens, student pranks, city fairs and carnival). A chapter on commerce focuses on Victorian shops, Cornmarket and the Morris Motor Works, while a brief social history includes the former Oxford Castle and a gallery of dons as rulers--visionary or ignorant, charismatic or dull. Garrett looks at social change, especially the transformation in the position of Oxford women, and considers the city's darker side of crime. A final chapter explores its rich surroundings: the countryside where Matthew Arnold's 'black-winged swallows haunt the glittering Thames', the baroque grandeur of Blenheim Palace, the ancient windswept Ridgeway and White Horse.

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Since the mid-1960s, Gordon Rohlehr has been an incomparable recorder and analyser of Caribbean literature and culture and their intersection with history and politics. His work on the emergence of Caribbean writing from its colonial shell and his analysis of calypso as the voice of Trinidadian consciousness establishes him as essential to our time as William Hazlitt was to the early 19th century in documenting and characterising the turbulent spirit of his age. Radical, but never willing to compromise his sense of what was fraudulent or power-seeking amongst his fellow travellers, Rohlehr is the best touchstone we have for both what the Caribbean has achieved and of its struggling, neo-colonial fragility in the face of the new imperialism of economic and cultural globalism.Now – though who knows? – in putting together what he says is his last book, Gordon Rohlehr doffs the costume of the carnival figure of the “Bookman”, the recording Satan of the devil band, who walks with his book in which he writes down the names of the damned. And here we have the clue to the fact that along with the serious analysis of calypso, his summing up of what is essential in the work of Derek Walcott, Earl Lovelace and V.S. Naipaul, and the essays of remembrance for those like Walcott, Lloyd Best, Pat Bishop, Tony Martin and others who have made their earthly exits, there is a devilish humour at work. This comes out particularly in an essay that joyfully demolishes an attempt to characterise the Caribbean in any other than its own terms – as a new Mediterranean, for instance – and the subservience of Trinidad’s rulers to the neo-colonialisms of tourism, visiting American ships and the U.S. embassy. What is often salutary, if uncomfortable, is to be reminded by the long span of Rohlehr’s observations that problems seen as contemporary were being identified by the nation’s calypsonians sixty years ago. Rohlehr’s voice is always distinctively personal, though the Bookman has rarely revealed much of himself, but in one of the concluding essays he writes about his Guyanese upbringing from the 1940s to the 1960s in a way that is both very funny and sad and gives an understanding of what has shaped his vision.

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One of the most iconic characters in children’s books Join the world’s most famous travelling reporter as he gets mixed up with an aeroplane hijacking in Flight 714 to Sydney and a South American revolution in Tintin and the Picaros. The unfinished Tintin and Alph-Art is a fascinating insight into Hergé’s creative process. The final of eight volumes containing Hergé’s best loved adventure stories, with three thrilling mysteries: Flight 714 to SydneyTintin, Captain Haddock and Professor Calculus are on their way to Sydney, Australia. Through a chance meeting they are invited to travel on board the private jet of billionaire Lazlo Carreidas. But then they fall victim to a plot to kidnap Carreidas and are captured by Tintin's arch enemy Rastapopoulos. Tintin and the PicarosBianca Castafiore has been imprisoned by General Tapioca! Also accused of threatening Tapioca's dictatorship, Tintin, Calculus and Haddock jet off to the jungle HQ of the revolutionaries, and hatch a plot surrounding the upcoming carnival and Haddock's sudden and mysterious disgust for whisky. Tintin and Alph-ArtIn an interview shortly before his death, Herge wrote of the last Tintin adventure: "The plot revolves around a tale of forgers … The book is set in the world of contemporary art. The narration itself is in the course of evolution. I am still doing my research and I honestly don't know where this story will lead me." Sadly, the tale was never completed, but this unique book gives an insight into the work Herge had done on the project before he died. At the end, Tintin is about to be cast into a living sculpture by a mysterious enemy – one last cliffhanger for the world's best-loved boy journalist. Join the most iconic character in comics as he embarks on extraordinary adventures spanning historical and political events. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time.

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The 18th International Architecture Exhibition, in Venice from May 20th to November 26th, 2023, is entitled The Laboratory of the Future. Conceived as “a kind of workshop, a laboratory where architects and practitioners across an expanded field of creative disciplines draw out examples from their contemporary practices that chart a path for the audience — participants and visitors alike — to weave through, imagining for themselves what the future can hold” (Lesley Lokko). The Catalogue of the Biennale Architettura 2023 is divided into two volumes and follows the organisation of the Exhibition, accompanying visitors and architecture enthusiasts through the exhibition spaces of the Arsenale and the Giardini, and towards the other projects showing in various locations in the city of Venice and in Forte Marghera, in Mestre. Volume I of the Catalogue, divided into different sections, opens with statements from the President of La Biennale di Venezia, Roberto Cicutto, and the Artistic Director of the Architecture Department, Lesley Lokko. One section is dedicated to the events of Carnival, a cycle of lectures, debates, panel discussions and performances that explore the themes of the 18th International Architecture Exhibition, followed by a section dedicated to Special Projects. The Volume then dedicates two sections to the International Exhibition, curated by Lesley Lokko, respectively titled Force Majeure and Dangerous Liaisons. Each project on display in the Exhibition is accompanied by a critical text and a rich iconography that completes the Participants’ work. A further section is dedicated to the first edition of the Biennale College Architettura, which will hold its workshop from June 25th to July 22nd, 2023, in Venice. Threaded throughout are a series of essays developing the themes of the Exhibition and a detailed record of the works on display. Volume II of the Catalogue presents the National Participations and the Collateral Events of the 18th International Architecture Exhibition. The volume includes a series of illustrated texts that delve deeper into the projects on exhibit in the Pavilions and the Collateral Events at the Giardini, at the Arsenale and in various locations across Venice from May 20th through November 26th, 2023. The graphic identity of the Biennale Architettura 2023 and the design of the publications are the work of Die Ateljee Fred Swart.

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Discover the spellbinding magic of The Mountain King in this musical retelling of Peer Gynt—push the button on each beautiful scene to hear the vivid sound of an orchestra playing from Grieg’s score. This tale of a boy’s adventure through the valleys and mountains of the Norwegian countryside begins at a wedding feast far, far away. Peer Gynt is bored and he’s longing for adventure. After sneaking off from the party he finds himself at a peaceful lake where he meets some dairy people. When he lies about his escapades riding reindeers through the sky, they dare him to go to the lair of the Mountain King, the king of the trolls. The king’s halls are dark and spooky, and it isn’t long before Peer is captured. How will he escape? And will he learn the importance of humility and the value of friends? As you and your little one journey through the magical scenes, you will press the buttons to hear 10 excerpts from the score. Readers should press firmly on the pages to activate the sounds, encouraging interactive learning and introducing children to this beautiful piece of music. At the back of the book, find a short biography of the composer, Edvard Grieg, with details about his composition of Peer Gynt. Next to this, you can replay the musical excerpts and, for each of them, read a discussion of the instruments, rhythms and musical techniques that make them so powerful. A glossary defines musical terms.The Story Orchestra series brings classical music to life for children through gorgeously illustrated retellings of classic ballet, opera and program music stories paired with 10-second sound clips of orchestras playing from their musical scores.Also available from the Story Orchestra series: The Magic Flute, I Can Play (vol 1), Carnival of the Animals, The Sleeping Beauty, The Nutcracker and Four Seasons in One Day.Manufacturer’s note: please pull the white tab out of the back of the book before use. Sound buttons require a firm push in exact location to work, which may be hard for young children. All sound clips are 10 seconds long.The perfect primer to introduce children to classical music.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter gets caught up in a revolutionary adventure. Bianca Castafiore has been imprisoned by General Tapioca! Also accused of threatening Tapioca’s dictatorship, Tintin, Calculus and Haddock jet off to the jungle HQ of the revolutionaries, and hatch a plot surrounding the upcoming carnival and Haddock’s sudden and mysterious disgust for whiskey … Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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The updated Green Guide French Riviera presents top attractions, the most interesting towns, shopping hot spots, and great places to eat and stay for a variety of budgets. Multiple walking and driving tours reveal the historic charm and scenic landscapes of this region, while opportunities for hiking, scuba diving, sailing and fishing abound. People-watching in cosmopolitan Cannes and Nice are a must. Whether you plan in advance or decide on site, Michelin's celebrated star-rating system ensures you enjoy the best of the French Riviera. Attractions are reviewed and rated using Michelin's celebrated star-rating system, such as the 1-star Alpine mountaineering destination of St-Martin-Vésubie and a boat tour of the 3-star islands off Hyères harbor. Walk-throughs of major museums, galleries, churches and attractions; includes illustrations and floor plans. Comprehensive, illustrated sections on the region today, its art, history and culture, all written by experts in their fields. Sidebars touch on various topics ranging from the two-week long Nice Carnival with its floral parades to the world-famous Cannes film festival. Follow one of the many driving tours to discover coastal and Alpine landscapes, or take a walk back in time and explore winding streets of centuries-old villages. Discover more with Michelin's walking and driving tours with comprehensive directions and maps. Detailed visitor information given for every attraction, opening hours, entry fees, tour times, phone, website. Michelin area and city maps. Includes recommendations for great places to eat/stay for all budgets. Michelin Green Guides feature comprehensive, concise travel information for advance trip planning as well as for spontaneous decisions during the visit Perfect for travellers seeking enriching experiences and in-depth information on their destination. * Star-rated activities and detailed visitor information * Unique driving & walking tours * Colourful, easy-to-read maps throughout * Lively introductions to the area, its people & culture * Restaurant & hotel tips * Family friendly advice * Walk-through of major museums, galleries, churches and attractions Companion publications: MICHELIN Guide France for a selection of the best restaurants and hotels in the region. Michelin Provence-Alps-French Riviera Road and Tourist Map no. 527 (scale 1:200,000) and/or Michelin ZOOM French Riviera, Esterel Map no. 115 (scale 1:100,000) for navigating and planning

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This pastel belongs to a small number of works of art at the Frick by a female artist. Rosalba Carriera (Italian, 1673 1757) spent most of her life in Venice, then a popular destination for young aristocrats from all over Europe undertaking the Grand Tour-a tour of the continent that served as an educational rite of passage into adulthood. Many of these travelers would go to Rosalba's studio to have a portrait painted, and Rosalba, who began her career as a miniaturist painter in Venice, became internationally acclaimed. Rosalba's pastels are technically innovative, remarkable for their soft edges and sumptuous effects. By binding colored chalk into sticks, she obtained a much wider range of prepared colors, which ultimately expanded the visual possibilities of this medium. Little is known about this portrait, painted about 1730. Despite the fragility of the medium-pastel-it is in pristine condition. The portrayal of the man as a pilgrim, with a black cape and holding a staff, may indicate that he was a member of the Pellegrini family-pellegrini being the Italian word for pilgrims-or that he is someone who traveled on a pilgrimage. More likely, however, his attire is simply a costume related to the Venetian Carnival. Designed to foster critical engagement and interest specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. AUTHORS: Born in Lausanne in 1980, Nicolas Party is a figurative painter who has achieved critical admiration for his familiar yet unsettling landscapes, portraits, and still lifes that simultaneously celebrate and challenge conventions of representational painting. His works are primarily created in soft pastel, an idiosyncratic choice of medium in the 21st-century, and one that allows for exceptional degrees of intensity and fluidity in his depictions of objects both natural and manmade. Xavier F. Salomon is deputy director and Peter Jay Sharp Chief Curator, The Frick Collection, New York. SELLING POINTS: . New volume in the best selling Frick Diptych series that began with Holbein's Sir Thomas More by Hilary Mantel . Volume 13 focuses on an exquisite eighteenth-century Italian portrait 45 colour illustrations

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Laugh your head off in this second adventure in the bestselling, highly acclaimed Grimwood series. Your favourite fox cub siblings Ted and Nancy are back with an all-new wildly funny story that will have children (and their grown-ups) begging for more. Perfect for readers age 7+, and fans of Dog Man, Roald Dahl, David Walliams, Loki, Bunny vs Monkey and anyone who likes to laugh. Ted and Nancy love their new life in Grimwood – the forest where anything can happen. But the dastardly mayor of neighbouring town Twinklenuts is on a mission to take over Grimwood and kick everyone out. Ted and Nancy must muster up bags of courage, rally their friends, and show off their treebonking skills to save the home they’ve grown to love. Fully illustrated throughout and full of heart, laughs and surprises, this is the must-read second title in the bestselling and fantastically funny Grimwood series.Grimwood: Attack of the Stink Monster! the must-read third Grimwood adventure​ OUT NOW!Nadia Shireen has won awards for her picture books including the UKLA Book Award for Good Little Wolf and most recently for Barbara Throws a Wobbler, which has been described as a ‘little doorway of joy’ by Caitlin Moran. She’s also been shortlisted for the Roald Dahl Funny Prize and the Waterstones Children's Book Prize, and has been Writer-Illustrator in Residence for BookTrust. Grimwood is her first series for older readers.Praise for Grimwood:'Grimwood is where I want to be. A carnival of crazed confused comical critters that is more real than real life. Lots of things make me laugh but Grimwood makes me laugh out loudest.' Frank Cottrell-Boyce'The inside of Nadia Shireen's brain must be a fun place to be because there are SO MANY funny jokes and hilarious moments in Grimwood: Let the Fur Fly! GO read it now!' Maisie Chan, author of Branford Boase winning Danny Chung Does Not Do Maths ‘Funny, anarchic, original and gloriously silly.’ Richard Osman'Pure genius!' Louie Stowell‘Ted and Nancy are my favourite funny foxes EVER.’ Liz Pichon, author of Tom Gates

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Laugh your head off in this second adventure in the bestselling, highly acclaimed Grimwood series. Your favourite fox cub siblings Ted and Nancy are back with an all-new wildly funny story that will have children (and their grown-ups) begging for more. Perfect for readers age 7+, and fans of Dog Man, Roald Dahl, David Walliams, Loki, Bunny vs Monkey and anyone who likes to laugh. Ted and Nancy love their new life in Grimwood – the forest where anything can happen. But the dastardly mayor of neighbouring town Twinklenuts is on a mission to take over Grimwood and kick everyone out. Ted and Nancy must muster up bags of courage, rally their friends, and show off their treebonking skills to save the home they’ve grown to love. Fully illustrated throughout and full of heart, laughs and surprises, this is the must-read second title in the bestselling and fantastically funny Grimwood series.Grimwood: Attack of the Stink Monster! the must-read third Grimwood adventure​ OUT NOW!Nadia Shireen has won awards for her picture books including the UKLA Book Award for Good Little Wolf and most recently for Barbara Throws a Wobbler, which has been described as a ‘little doorway of joy’ by Caitlin Moran. She’s also been shortlisted for the Roald Dahl Funny Prize and the Waterstones Children's Book Prize, and has been Writer-Illustrator in Residence for BookTrust. Grimwood is her first series for older readers.Praise for Grimwood:'Grimwood is where I want to be. A carnival of crazed confused comical critters that is more real than real life. Lots of things make me laugh but Grimwood makes me laugh out loudest.' Frank Cottrell-Boyce'The inside of Nadia Shireen's brain must be a fun place to be because there are SO MANY funny jokes and hilarious moments in Grimwood: Let the Fur Fly! GO read it now!' Maisie Chan, author of Branford Boase winning Danny Chung Does Not Do Maths ‘Funny, anarchic, original and gloriously silly.’ Richard Osman'Pure genius!' Louie Stowell‘Ted and Nancy are my favourite funny foxes EVER.’ Liz Pichon, author of Tom Gates

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter gets caught up in a revolutionary adventure. Bianca Castafiore has been imprisoned by General Tapioca! Also accused of threatening Tapioca’s dictatorship, Tintin, Calculus and Haddock jet off to the jungle HQ of the revolutionaries, and hatch a plot surrounding the upcoming carnival and Haddock’s sudden and mysterious disgust for whiskey … Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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James Harvey Young, the foremost expert on the history of medical frauds, finds quackery in the 1990s to be more extensive and insidious than in earlier and allegedly more naive eras. The modern quack isn't an outrageous-looking hawker of magic remedies operating from the back of a carnival wagon, but he knows how to use antiregulatory sentiment and ingenious promotional approaches to succeed in a "trade" that is both bizarre and deceitful. In The Toadstool Millionaires and The Medical Messiahs, Young traced the history of health quackery in America from its colonial roots to the late 1960s. This collection of essays discusses more recent health scams and reconsiders earlier ones. Liberally illustrated with examples of advertising for patent medicines and other "alternative therapies," the book links evolving quackery to changing currents in the scientific, cultural, and governmental environment. Young describes varieties of quackery, like frauds related to the teeth, nostrums aimed at children, and cure-all gadgets with such names as Electreat Mechanical Heart. The case of Laetrile illustrates how an alleged vitamin for controlling cancer could be ballyhooed and lobbied into a national mania, half the states passing laws giving the cyanide-containing drug some special status. And AIDS is the most recent example of an illness that, tragically, has panicked some of its victims and members of the general public into putting their hopes in fake cures and preventives. Young discusses the complex question of vulnerability--why people fall victim to health fraud--and considers the difficulties confronting governmental regulators. From the late 1960s to the early 1990s, the annual quackery toll has escalated from two billion to over twenty-five billion dollars. Young helps us discover why. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Discover what it would be like to travel through the four seasons in one day in this musical story based on the classical masterpiece The Four Seasons – push the button in each breathtaking scene to hear the vivid sound of an orchestra playing from Vivaldi’s score. Follow a little girl called Isabelle and her dog, Pickle, as they take on the adventure of a lifetime. As a sign of the changing seasons, Isabelle carries a little apple tree with her, and we see it bud, blossom and lose its leaves. As you and your little one journey through the vibrant scenes illustrated by artist Jessica Courtney-Tickle, you will press the buttons to hear 10 excerpts from The Four Seasons violin concerti. Readers should press firmly on the pages to activate the sound board at the back of the book, encouraging interactive learning and introducing children to this beautiful piece of music. At the back of the book, find a short biography of the composer, Antonio Vivaldi, with details about his composition of The Four Seasons. Next to this, you can replay the musical excerpts and, for each of them, read a discussion of the instruments, rhythms and musical techniques that make them so powerful. A glossary defines musical terms.The Story Orchestra series brings classical music to life for children through gorgeously illustrated retellings of classic ballet, opera and program music stories paired with 10-second sound clips of orchestras playing from their musical scores. With The Story Orchestra keyboard sound books, children can play the famous melodies themselves with the sound of a real grand piano. Also available from the Story Orchestra series: The Magic Flute, I Can Play (vol 1), Carnival of the Animals, Swan Lake, The Sleeping Beauty and The Nutcracker.Manufacturer’s note: please pull the white tab out of the back of the book before use. Sound buttons require a firm push in exact location to work, which may be hard for young children. All sound clips are 10 seconds long.The perfect primer to introduce children to classical music.

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A funny little book for funny little fashionistas about choosing the right clothes and accessories for different events and occasions. Thirteen silly characters have gotten their clothes and equipment all mixed up for various events and occasions, causing them all sorts of trouble. Young readers are encouraged to pick out the correct clothing and equipment for each occasion, making for a fun, zany, and interactive experience. To save the day, kids will help the following characters in crazy outfits find the proper attire: People dressed in regal period costumes to go to the theater A woman wearing a wedding dress while playing tennis A couple in snorkeling gear attending a wedding A couple dressed like rodeo cowboys at a fancy restaurant An office worker in her work clothes attending Carnival A woman in a fancy ball gown playing soccer Kids still in their pajamas in the classroom A guy fully decked out in winter gear lying in bed A girl in a tennis outfit on a dirty farm A painter covered in paint and hiking in the rain A woman in a fancy dress figure skating A man dressed as a mermaid while swimming A man in a nice suit getting his paints everywhere while painting With these wacky and colorful illustrations depicting funny situations and crazily dressed people, kids will be drawn into various scenes and encouraged to help the zany characters pick the right clothing and accessories for each event. Along the way, they will learn about appropriate attire for different occasions. Silly questions such as, "Is it okay to go to school in pajamas?" and "What is it like to play soccer in slippers?" are explored, adding a fun and lightly educational aspect to the book, which offers an interactive experience that encourages creativity and problem-solving. This book is perfect for young readers aged 3–5 who enjoy funny situations and are interested in fashion, clothing, and what we wear in different circumstances. Equally suitable for a parent looking for a fun activity to share with their child or a teacher seeking a unique way to teach about professions, this book offers an opportunity for children to learn about different types of clothing, accessories, and events while also improving their decision-making skills. The colorful and engaging illustrations will captivate children immediately, making this book a great addition to any young reader’s collection.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The End, the siblings face a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series directed by Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Penultimate Peril, the siblings face a harpoon gun, a rooftop sunbathing salon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavoury curry… In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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