Search results for ""author holly"

Growing up, Reid was confused and disturbed by the radically different opportunities his best friend received. After a childhood spent together, Jamie and Reid found themselves on opposite sides of a high school hallway that separated kids based on a misunderstanding of their supposed "potential." The gap between the two friends widened as Reid's classes enabled him to pursue an elite college degree across the country studying educational opportunity and teaching. Then, Reid became a teacher at an under-resourced South Carolina high school where efforts to serve the incredible students were stymied by internal segregation and administrative ambivalence. He was disabused of the Hollywood myth that a good teacher could simply save the day, when each false start with his students forced him to reckon with how much he didn't know. After Reid assigned students a project to create a positive change, they pushed him to figure out how he, too, could make a bigger difference. While an individual's efforts are no match against entrenched systems, Reid learned firsthand that a community of people powered by data can effect change. This lesson motivated him to found Equal Opportunity Schools (EOS), a nationwide nonprofit dedicated to finding the students who were overlooked, discouraged, or otherwise missing from higher-level classes. As EOS became more successful, partnering with major philanthropies, universities, and even the White House, Reid grappled with his role as a leader. Only through the efforts of, first, his students in South Carolina, and later his team at EOS, would he come to understand, and begin to overcome, the limitations of his vision. Informed by extensive new data on educational opportunity in America, The Kid Across the Hall is a powerful story of learning and unlearning; of leading and learning to follow.

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Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.

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Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.

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EARTH’S FURY Natural disasters are any catastrophic loss of life and/or property caused by a natural event or situation. This definition could include biologic issues such as contagion, injurious bacterial colonization, invasion of dangerous plants and infestations of insects and other vermin. However, the popular understanding of what constitutes a natural disaster still focuses on disasters involving the physical properties of the earth and its atmosphere: earthquakes, volcanoes, tsunamis, avalanches, tropical storms, tornadoes, floods and wildfires. Earth’s Fury: The Science of Natural Disasters attempts to combine the best features of a scientific textbook and an encyclopedia. It retains the organization of a textbook and adopts the highly illustrative graphics of some of the newer and more effective textbooks. The book’s unique approach is evident in its plethora of case studies: short, self-contained and well-illustrated stories of specific natural disasters that are highly engaging for both science and non-science majors. The stories incorporate the science into the event so students appreciate and remember it as part of the story. By relating the event to the impact on society and human lives, the science is placed in the context of the student’s real life. Boasting a number of striking and highly detailed double-page illustrations of disaster-producing features, including volcanoes, earthquakes, tsunamis and hurricanes, this book is as much a visual resource as a textbook. For students who are probably most familiar with natural disasters through Hollywood movies, this book’s own “widescreen presentation” is coupled with exciting stories which will enhance their interest as well as their understanding. Whether they are science or non-science majors, Earth’s Fury: The Science of Natural Disasters will appeal to all students, with its fresh approach and engaging style.

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Tropical Multiculturalism provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. Focusing on representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples in the rich tradition of Brazilian fictional feature film, Robert Stam puts Brazilian culture at the center of a wide-ranging analysis of race, representation, history, and film. Drawing parallels between the histories of colonialism, slavery, and immigration in Brazil and the United States, he also contends that questions of ethnic and racial representations are best viewed within the larger context of a comparative analysis of racially plural societies.Stam examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. His analysis moves through the comic chanchadas of the 1930s and 1940s, to the Hollywood-style films from Sao Paulo in the 1950s, and the diverse phases of Cinema Novo beginning in the 1960s. He explores a wealth of subjects, including the submerged "blackness" of Carmen Miranda, the anti-racist agenda of Orson Welles’s never-released Brazilian film It’s All True, the international background behind Black Orpheus, the career of Grande Otelo (Brazil’s greatest black film star), the allegorical "cannibalistic" films like How Tasty Was My Frenchman, and "indigenous media"—the attempt by Brazilian "indians" to use camcorders and VCRs for their own cultural and political purposes. Tropical Multiculturalism is simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formations in Brazil and the United States, and a theorized analysis of racialized representations.

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Jenna Fischer's Hollywood journey began at the age of 22 when she moved to Los Angeles from her hometown of St. Louis. With a theater degree in hand, she was determined, she was confident, she was ready to work hard. So, what could go wrong? Uh, basically everything. The path to being a professional actor was so much more vast and competitive than she'd imagined. It would be eight long years before she landed her iconic role on The Office, nearly a decade of frustration, struggle, rejection and doubt. If only she'd had a handbook for the aspiring actor. Or, better yet, someone to show her the way—an established actor who could educate her about the business, manage her expectations, and reassure her in those moments of despair. Jenna wants to be that person for you. With amusing candor and wit, Fischer spells out the nuts and bolts of getting established in the profession, based on her own memorable and hilarious experiences. She tells you how to get the right headshot, what to look for in representation, and the importance of joining forces with other like-minded artists and creating your own work—invaluable advice personally acquired from her many years of struggle. She provides helpful hints on how to be gutsy and take risks, the tricks to good auditioning and callbacks, and how not to fall for certain scams (auditions in a guy's apartment are probably not legit—or at least not for the kind of part you're looking for!). Her inspiring, helpful guidance feels like a trusted friend who's made the journey, and has now returned to walk beside you, pointing out the pitfalls as you blaze your own path towards the life of a professional actor.

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John Ford’s The Quiet Man (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home. This book contains new and original information and photographs about the film The Quiet Man. Des MacHale has found a range of unexpected new information about the film. The book opens with the letters of John Ford’s secretary, Meta Sterne, giving authentic information and commentary about what went on behind the scenes on location in Ireland. There were many rumours of a sequel to The Quiet Man but they never came off. However, a belated sequel Only the Lonely starring Maureen O’Hara was produced in 1991 and it is described and analysed. The emergence of the screenplay of The Quiet Man is a long and complicated saga. The book examines the initial rejected screenplay by the Welsh novelist Richard Llewellyn which contained much of the inspiration for the final cut of the movie. The memoirs of Maureen Coyne—Cashman, who lives in Brooklyn, New York, are published here for the first time. She is one of the few surviving bit players and she describes her experiences on set with Wayne, O’Hara, and Ford. The real-life incidents on which the ecumenical scenes in the film are based are discussed. The final part of the book covers more recent events including the Quiet Man conference held in Galway in 2004 and the opening of Pat Cohan’s bar in 2008 which featured in the film as a real bar. The book also contains dozens of previously unseen stills from the movie and many unseen photographs of locations and personalities.

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'Rich in charm and surprises' GUARDIAN'A transporting and entertaining read' THE TIMES'A triumph. Funny, mysterious, moving and ingenious - a Shakespearian knot of happiness all round' PHILIP PULLMAN One night in a remote hunting lodge with a Hollywood director causes an international scandal that wrecks Astrid's glittering stage career, and her marriage. Her ex-husband, the charismatic Scottish actor Magnus Fellowes, goes on to find global fame, while Astrid retreats to a disintegrating Sussex windmill. Now 82, she lives there still, with a troupe of dachshunds and her long-suffering friend, Mrs Baker, who came to clean twenty years ago and never left. But the past is catching up with them. There has been an 'Awful Incident' at the windmill; the women are in shock. Then Astrid hears that Magnus, now on his death bed, is writing a tell-all memoir. Outraged, she sets off for Scotland, determined to stop him. Windmill Hill is the story of two very different women, both with painful pasts, and their eccentric friendship - deep, enduring, and loyal to the last. Praise for Lucy Atkins:'Brilliantly observed. I loved it' CLAIRE FULLER'A truly memorable story, I loved it' JOANNA CANNON'An intriguing, brilliantly told story' NINA STIBBE'Charming and shocking . . . Never fails to delight' MICK HERRON'A deft display of Lucy Atkins's talents as a delicate observer of human nature' ARIFA AKBAR'Compulsive and skilfully woven' CLARE CHAMBERS'Intelligent and gripping' GOOD HOUSEKEEPING'Mesmerising . . . beautifully written' LITERARY REVIEW'Cleverly constructed' WOMAN & HOME'It was an utter joy to relish Atkins's wonderfully skilled and unobtrusive writing' SARAH PERRY 'Sly, witty and gripping . . . I loved it' NAOMI ALDERMAN 'A sinewy, supple and gorgeously satisfying triumph' LUCY MANGAN

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'The book of the year' SUNDAY TIMES'One of the very best biographies I have ever read' STEPHEN FRY'A hot thunderstorm of a book' DAVID HARE'Erotic Vagrancy gave me a week of pure joy' CRAIG BROWN'Unputdownable' TONY PALMER'A genius writer' LYNN BARBER'ABSOLUTE MASTERPIECE . . . ONE OF THE GREAT READING EXPERIENCES OF MY LIFE' MARINA HYDEA TOP 25 BEST BOOK OF 2023 (INDEPENDENT)Thirteen years in the writing, Erotic Vagrancy doesn't only surpass every other biography of Elizabeth Taylor and Richard Burton yet to appear, this rich, vital and passionately articulated book, which is as extravagant and wayward as its two subjects, is also about celebrity, creativity, being flawed, being brilliant, sexuality, the intermingling of a low and a highbrow existence, pride, insecurity, attraction and repulsion, and devilry.We see Taylor the child actress exchanging dogs and horses for husbands. We see Burton emerging from the mists and brimstone of Wales to be the greatest theatrical animal of his generation. The pair come together in Rome during the making of Cleopatra, which gives Lewis the opportunity for a major farcical set-piece. We then enter a world of jewels and private jets, vodka, yachts and furs - the splendid vulgarity of the Sixties, where the narrative of Taylor and Burton becomes a Pop Art story.Then, inevitably, it all goes wrong, with alcoholism, violence, recrimination and divorce ( twice ) - with Burton, whom Lewis depicts as a Faustus figure, damned by fame, dead at fifty-eight.Stephen Fry has said, 'It is one of the very best biographies I have ever read. One of the best books about fame, desire, Hollywood and mid-to-late twentieth century culture ever written. Inside which, brilliant, hilarious and sensitive insights on all manner of subjects fizz and froth. Magnificent, terrible, tragic, triumphant.'

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First runner-up for the 2019 John Leo and Dana Heller Award from the Popular Culture Association Surprisingly, Hollywood is still clumsily grappling with its representation of sexual minorities, and LGBTQ filmmakers struggle to find a place in the mainstream movie industry. However, organizations outside the mainstream are making a difference, helping to produce and distribute authentic stories that are both by and for LGBTQ people. Turning the Page introduces readers to three nonprofit organizations that, in very different ways, have each positively transformed the queer media landscape. David R. Coon takes readers inside In the Life Media, whose groundbreaking documentaries on the LGBTQ experience aired for over twenty years on public television stations nationwide. Coon reveals the successes of POWER UP, a nonprofit production company dedicated to mentoring filmmakers who can turn queer stories into fully realized features and short films. Finally, he turns to Three Dollar Bill Cinema, an organization whose film festivals help queer media find an audience and whose filmmaking camps for LGBTQ youth are nurturing the next generation of queer cinema. Combining a close analysis of specific films and video programs with extensive interviews of industry professionals, Turning the Page demonstrates how queer storytelling in visual media has the potential to empower individuals, strengthen communities, and motivate social justice activism.

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Alpha C Chiang, a renowned economist, and Professor Emeritus of Economics at the University of Connecticut, is best-known for his classic textbook — Fundamental Methods of Mathematical Economics.In this memoirs, he tells the entertaining, scary, embarrassing, glorifying and surreal tales that colored his life.On the academic side, Alpha describes in detail his scholastic journey, including why and how he created one of the most popular books on mathematical methods in economics, as well as the experiences of his teaching career. On the nonacademic side, he describes his ventures into his many hobbies, the spices of his life, including Chinese opera, ballroom dancing, painting and calligraphy, photography, piano, music composition, playwriting, and even magic. Such tales round out the depiction of a colorful life.What's behind his unusual name, Alpha? What schooling disaster tripped him at a young age? What surreal occurrence did he experience at a cliff at age 8? What major miracle changed his family? How did he become a loan shark when he was a graduate student at Columbia University? What Hollywood glamour star mysteriously materialized within inches of him when he was working on a TV show in his student days? How did he conquer a serious phobia and eventually become an acclaimed professor? What motivated his writing of his celebrated book? And what funny, embarrassing, and memorable events occurred in his teaching career?This book is a unique story about a unique life.

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Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought.Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.

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What has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era? In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time low, cinema buildings were in a state of disrepair and home video had yet to flourish. Since then, while many business challenges - especially for independent producers and distributors - remain, the industry overall has developed beyond recognition. In recent years, as British films have won Oscars, Cannes Palms and Venice Golden Lions, releases such as Love Actually, Billy Elliot, Skyfall, Paddington and the Harry Potter series have found enormous commercial as well as critical success. The UK industry has encouraged, and benefitted from, a huge amount of inward investment, much of it from the Hollywood studios, but also from the National Lottery via the UK Film Council and BFI. This book portrays the visionaries and officials who were at the helm as a digital media revolution began to reshape the industry. Through vivid accounts based on first-hand interviews of what was happening behind the scenes, film commentator and critic Geoffrey Macnab provides in-depth analysis of how and why the British film industry has risen like a phoenix from the ashes.

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Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St. Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The second of three volumes, Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook, traces how the genre of the stage-to-screen musical has evolved, focusing in particular of issues of race, gender and sexuality. Enduringly popular adaptations such as Kiss Me Kate and Pal Joey are considered through the lens of identity, while several chapters consider how different adaptations of the same stage musical reflect shifting historical contexts. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies. Volume I: The Politics of the Musical Theatre Screen Adaptation Volume II: Race, Sexuality, and Gender and the Musical Screen Adaptation Volume III: Stars, Studios, and the Musical Theatre Screen Adaptation

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It is never too late to reshape an area of your life that is no longer serving you! And, with the new book by Ali Landry, Reshape Your Life, you will learn how making small, intentional changes to your current life can transform it into a masterpiece.The truth is, when it comes to your health, your mind, your soul, and your heart, you should not settle for what isn’t working. After all, you only have one life to live, and you are worthy of making it the best one possible.After years working in Hollywood on TV and movie sets, starring in iconic Doritos commercials, and gracing the covers of various magazines, Ali landed her dream job as a talk-show host on a popular network. However, after only a few weeks on the job, she began feeling out of sorts. Exhaustion, brain fog, thinning hair, slow digestion, and sleep issues took over. Instead of excusing the chronic discomfort as "aging," Ali decided to take back her life. Through research, prayer, interviews, and product-testing, she made dramatic lifestyle changes, creating a new brand called RE/SHAPE along the way, to show other women how to live to their fullest in mind, health, beauty, and soul, and remind them that it is never too late to rewrite your story.In Reshape Your Life you’ll find inspiration from Ali’s vulnerable narrative describing the challenges and hard lessons she faced on her journey to physical, emotional, mental, and spiritual renewal; tips on how you can change the trajectory of your life and reclaim confidence, purpose, and wholeness; research-based strategies for your health, skincare, diet, sleeping habits, and more; advice that will nourish your faith, refocus your mindset, and align your heart, soul, health, and beauty with your core value; and practical information on goal setting. While it’s hard work, it’s necessary work, and Reshape Your Life, from actress, model, and 1996’s Miss USA Ali Landry, will guide your journey to reignite the fulfillment that’s missing in your life. If you are ready to reclaim your dreams and fire for life, Reshape Your Life is the book for you. Start today because you are worth it!

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For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

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Latinx Files 2022 Best Books, Los Angeles Times L.A. Taco’s 2022 Best Books 2022 Porchlight Business Book Awards Longlist2023 PROSE Award North American & US History Finalist, Association of American University PressesMacArthur Genius Natalia Molina unveils the hidden history of the Nayarit, a restaurant in Los Angeles that nourished its community of Mexican immigrants with a sense of belonging. In 1951, Doña Natalia Barraza opened the Nayarit, a Mexican restaurant in Echo Park, Los Angeles. With A Place at the Nayarit, historian Natalia Molina traces the life’s work of her grandmother, remembered by all who knew her as Doña Natalia––a generous, reserved, and extraordinarily capable woman. Doña Natalia immigrated alone from Mexico to L.A., adopted two children, and ran a successful business. She also sponsored, housed, and employed dozens of other immigrants, encouraging them to lay claim to a city long characterized by anti-Latinx racism. Together, the employees and customers of the Nayarit maintained ties to their old homes while providing one another safety and support. The Nayarit was much more than a popular eating spot: it was an urban anchor for a robust community, a gathering space where ethnic Mexican workers and customers connected with their patria chica (their “small country”). That meant connecting with distinctive tastes, with one another, and with the city they now called home. Through deep research and vivid storytelling, Molina follows restaurant workers from the kitchen and the front of the house across borders and through the decades. These people's stories illuminate the many facets of the immigrant experience: immigrants' complex networks of family and community and the small but essential pleasures of daily life, as well as cross-currents of gender and sexuality and pressures of racism and segregation. The Nayarit was a local landmark, popular with both Hollywood stars and restaurant workers from across the city and beloved for its fresh, traditionally prepared Mexican food. But as Molina argues, it was also, and most importantly, a place where ethnic Mexicans and other Latinx L.A. residents could step into the fullness of their lives, nourishing themselves and one another. A Place at the Nayarit is a stirring exploration of how racialized minorities create a sense of belonging. It will resonate with anyone who has felt like an outsider and had a special place where they felt like an insider.

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"Who doesn’t know Paul Newman? The man with the beautiful blue eyes, the chiselled face and body, the 50-plus years of memorable acting and directing roles, the awards, the movie-star marriage. Well, it turns out, there is lots more to know." — Parade Magazine "Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express "Hollywood Hunk Paul Newman as you've never seen him before." — Yahoo! News "Paired with raw and unvarnished commentary from the photographers themselves, Newman's incomparable authenticity and appealing persona bleed through each page." — Newsweek Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool. Paul Newman: Blue Eyed Cool is a must-have for fans who see in Newman’s work and in his life a true hero.

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Bill Cosby's decades-long career as a sweater-wearing, wholesome TV dad came to a swift and stunning end on April 26, 2018, when he was convicted of drugging and sexually assaulting Andrea Constand. The mounting allegations against Bill Cosby--more than 60 women have come forward to accuse him of similar crimes--and his ultimate conviction were a shock to Americans, who wanted to cleave to their image of Cosby as a pudding-pop hero. Award-winning journalist and former People magazine senior writer Nicki Weisensee Egan was the first reporter to dig into the story when Constand went to the police in 2005. Other news organizations looked away, but Egan doggedly investigated the case, developing ties with entrenched sources and discovering incriminating details that would ultimately come to influence the prosecution.In her debut book, Chasing Cosby, Egan shares her firsthand account of Cosby's 13-year run from justice. She tells us how Cosby planned and executed his crimes, and how Hollywood alliances and law enforcement knew what Cosby was doing but did nothing to stop him. A veteran crime reporter, Egan also explores the cultural and social issues that influenced the case, delving into the psychological calculations of a serial predator and into the psyche of a nation that fervently wanted to put their faith in the innocence of "American's Dad."Rich in character and rife with dramatic revelations about popular culture, media power, and our criminal system, Egan's account will inform and fascinate readers with its candid telling of humanity's most enduring tale: the rise and fall of a cultural icon.

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Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild.With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.

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Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

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Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

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In wildlife circles, Mike Tomkies is a legend - called 'The Wilderness Man'. But here he tells the story of the very different first half of his life - before the wilderness years. He describes his boyhood, both idyllic and traumatic, his days with an extraordinary gamekeeper, his first love of nature, and running away from home to join the Coldstream Guards where he became an army athlete and saw active service in Palestine. Then follows his years as a cub reporter and successful amateur cycle racer - with hilariously funny narrative. An attempt to sail around the world in 1952 with a motley crew ended in shipwreck with an arduous 400-mile tramp from Lisbon to Madrid. He describes his first real love, his provincial reporter years and progress to Fleet Street where, having landed a major scoop by gaining an interview with Ava Gardner after her divorce from Frank Sinatra, he was elevated into writing for a best-selling magazine's show business column. From then on he flies the world - Paris, Rome, Vienna, Madrid, Hollywood - getting 'scoop' interviews and having adventures with major movie stars. He has an amazing encounter with Mario Lanza, tracks down and spends three days with Elvis Presley at the time when he was an American soldier in Germany, and under strict orders not to speak to the press. He admits he became, for a time, a complete hedonist and was 'arrogant, conceited and totally insufferable', going through sports cars like a frustrated racing driver. His racy anecdotes about the other stars he met are fascinating - Sophia Loren, Errol Flynn, Burt Lancaster, Kirk Douglas, Yul Brynner, Clark Gable, Dean Martin, Rock Hudson, Frank Sinatra, Jayne Mansfield, Cary Grant, Paul Newman, Joan Collins, Peter O'Toole and Sean Connery are just a few who either reveal some of their secrets or give him unusual encounters. Tomkies describes how disillusionment finally sets in with both his work and himself - and why, at 38 he decides to start a new life and flies off to Canada. Long-demanded by Mike's numerous fans, this searingly-honest and wide-ranging adventurous tale of his first life, will be of huge appeal to a very wide audience including anyone interested in the stars, celebrities and their biographies. This is a book which has it all - true-life adventures and stories of the stars all laced with exceptionally funny anecdotes.

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This sweeping history of twentieth-century America follows the changing and often conflicting ideas about the fundamental nature of American society: Is the United States a social melting pot, as our civic creed warrants, or is full citizenship somehow reserved for those who are white and of the "right" ancestry? Gary Gerstle traces the forces of civic and racial nationalism, arguing that both profoundly shaped our society. After Theodore Roosevelt led his Rough Riders to victory during the Spanish American War, he boasted of the diversity of his men's origins- from the Kentucky backwoods to the Irish, Italian, and Jewish neighborhoods of northeastern cities. Roosevelt's vision of a hybrid and superior "American race," strengthened by war, would inspire the social, diplomatic, and economic policies of American liberals for decades. And yet, for all of its appeal to the civic principles of inclusion, this liberal legacy was grounded in "Anglo-Saxon" culture, making it difficult in particular for Jews and Italians and especially for Asians and African Americans to gain acceptance. Gerstle weaves a compelling story of events, institutions, and ideas that played on perceptions of ethnic/racial difference, from the world wars and the labor movement to the New Deal and Hollywood to the Cold War and the civil rights movement. We witness the remnants of racial thinking among such liberals as FDR and LBJ; we see how Italians and Jews from Frank Capra to the creators of Superman perpetuated the New Deal philosophy while suppressing their own ethnicity; we feel the frustrations of African-American servicemen denied the opportunity to fight for their country and the moral outrage of more recent black activists, including Martin Luther King, Jr., Fannie Lou Hamer, and Malcolm X. Gerstle argues that the civil rights movement and Vietnam broke the liberal nation apart, and his analysis of this upheaval leads him to assess Reagan's and Clinton's attempts to resurrect nationalism. Can the United States ever live up to its civic creed? For anyone who views racism as an aberration from the liberal premises of the republic, this book is must reading. Containing a new chapter that reconstructs and dissects the major struggles over race and nation in an era defined by the War on Terror and by the presidency of Barack Obama, American Crucible is a must-read for anyone who views racism as an aberration from the liberal premises of the republic.

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THE NEW YORK TIMES AND TIMES BESTSELLER_______________________'A gripping historical adventure that feels sharp, fresh and modern' STYLIST'So beautiful, so daring, so complete' TAYLOR JENKINS REID'A masterpiece' NIGELLA LAWSON'Extraordinary' NEW YORK TIMES'Wonderful' GOOD HOUSEKEEPING MAGAZINE_______________________A soaring, breathtakingly ambitious novel that weaves together the astonishing lives of a 1950s vanished female aviator and the modern-day Hollywood actress who plays her on screen.Marian Graves is driven by a need for freedom and danger. From her days as a wild child in prohibition America to the blitz and glitz of wartime London, she is determined to live an independent life.But it is an obsession with flight that consumes her most.Having become one of the most fearless pilots in her time, she sets out to do what no one has done before: to circumnavigate the globe from pole to pole.But shortly before completing the journey, her plane disappears, lost to history.Over half a century later, troubled film star Hadley Baxter is offered to play Marian in the comeback role of a lifetime. From the first pages of the script, Hadley is drawn inexorably to the female pilot.It is a role that will lead her to an unexpected discovery, throwing fresh and spellbinding light on the story of the unknowable Marian Graves._______________________WATERSTONES FICTION BOOK OF THE MONTH JUNE 2022SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2022SHORTLISTED FOR THE BOOKER PRIZE 2021A ROYAL READING ROOM PICK 2023SHORTLISTED FOR THE HWA GOLD CROWN 2022TIME MAGAZINE BOOK OF THE YEAR 2021NEW YORK TIMES BESTSELLER MAY 2021TIMES BESTSELLER JUNE 2022_______________________'Full of adventure, passion and tragedy' THE TIMES'Soars from the very first page' SUNDAY EXPRESS'Luminous, masterful. Glides seamlessly through the 20th century' TELEGRAPH, Best Fiction of 2021'Breathtaking' OBSERVER'Truly exceptional storytelling, combining a sweeping arc of history with writing that, at sentence level, is near-flawless.' THE BOOKSELLER'A tour-de-force' DAILY EXPRESS'Impressive and gripping' SUNDAY TIMES'Surprising and moving at every turn' GUARDIAN'Audacious and Immersive' DAILY MAIL'Accomplished and ambitious' FINANCIAL TIMESReaders love GREAT CIRCLE:***** What a read! Immense story with beautifully created characters***** The story is so well researched and planned; historical fiction standing side by side with history itself***** This is a stunning achievement, my perspective feels fundamentally transformed through reading it***** A wonderful saga, covering a large chunk of the twentieth century

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"Bob Dylan" provides a short introduction to the music of Bob Dylan including an examination of the impact of his work over time and key critical responses. This book starts by locating Dylan's work within a much broader context of the history of the American popular song and its various antecedents, examining how his music draws on a rich heritage of folk, blues, country, r'n'b as well as ballads, standards, nursery rhymes and pop tunes. Focusing on a selection of songs, it examines how his use of words, voice, instruments, melody and timbre, can be understood within the context of various traditions.Much of the writing about Bob Dylan tends to privilege a few recordings, and a limited range of recurring stylistic themes, placing considerable emphasis on Dylan's early career as a 'protest' singer, and then his surrealistic, stream of consciousness mid-1960s music. Yet, the vast majority of Dylan's musical output has been somewhat less radical (but not necessarily less imaginative) and concerned with questions of romantic desire, lust and loss.Negus shows how these thematic concerns are frequently woven into a narrative style that draws from a range of storytelling traditions as diverse as broadside ballads, modern novels and Hollywood cinema. Negus then considers Bob Dylan's enduring impact on new generations of artists in various musical traditions and different parts of the world as well as the influences upon Dylan's changing style and performing identity, from the turn to electric guitars in the 1960s, to the embracing of Christianity and gospel influences in the late 1970s, and increasing explicit use of folk, ballad, blues and country styles in his later work. In assessing some of the key critical responses to Dylan, and in considering his canonisation within a specific popular music tradition, Negus finally asks how claims for Bob Dylan's genius might be assessed. Why is Dylan's work accorded so much value within the popular music canon, and is this justified?

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Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.

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The astonishing story of the Sassoons, one of the nineteenth century's preeminent commercial families and 'the Rothschilds of the East'The Sassoons were one of the great business dynasties of the nineteenth century, as eminent as traders as the Rothschilds were bankers. This book reveals the secrets behind the family's phenomenal success: how a handful of Jewish exiles from Ottoman Baghdad forged a mercantile juggernaut from their new home in colonial Bombay, the vast network of agents, informants and politicians they built, and the way they came to bridge East and West, culturally as well as commercially. As one competitor remarked, 'silver and gold, silks, gums and spices, opium and cotton, wool and wheat - whatever moves over sea or land feels the hand or bears the mark of Sassoon & Co.'Drawing for the first time on the vast family archives, Joseph Sassoon brings vividly to life a succession of remarkable characters. From a single generation: Flora, the first woman to steer a major global business, Siegfried, the poet, and Victor, the tycoon who drew the stars of Hollywood's silent era to his skyscraper in Shanghai. Through the lives these ambitious figures built for themselves in London, Bombay and beyond, the reader is drawn into a captivating world of politics and power, innovation and intrigue, high society and empire.The Global Merchants is thus at once an intimate portrait of a single family and a panorama of the hundred and thirty years of their prominence: from the Opium Wars and opening of China to the American Civil War, the establishment of the British Raj to India's independence. Together these give a fresh perspective on the evolution of one of the defining forces of their age and the present: globalization. The Sassoons were variously its agents, advocates and casualties, and watching them moving through the world, we perceive the making of our own.

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If you have ever wanted to dig around in the archives for that perfect Sunday afternoon DVD and first turned to a witty weekly column in the New York Times, then you are already familiar with one of our nation’s premier film critics. If you love movies—and the writers who engage them—and just happen to have followed two of the highest circulating daily papers in the country, then you probably recognize the name of the intellectually dazzling writer who has been penning pieces on American and foreign films for over thirty years. And if you called the City of the Big Shoulders home in the 1970s or 1980s and relied on those trenchant, incisive reviews from the Chicago Reader and the Chicago Tribune to guide your moviegoing delight, then you know Dave Kehr. When Movies Mattered presents a wide-ranging and illuminating selection of Kehr’s criticism from the Reader—most of which is reprinted here for the first time—including insightful discussions of film history and his controversial Top Ten lists. Long heralded by his peers for both his deep knowledge and incisive style, Kehr developed his approach to writing about film from the auteur criticism popular in the ’70s. Though Kehr’s criticism has never lost its intellectual edge, it’s still easily accessible to anyone who truly cares about movies. Never watered down and always razor sharp, it goes beyond wry observations to an acute examination of the particular stylistic qualities that define the work of individual directors and determine the meaning of individual films.From current releases to important revivals, from classical Hollywood to foreign fare, Kehr has kept us spellbound with his insightful critical commentaries. When Movies Mattered will secure his place among our very best writers about all things cinematic.

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The volume tells the stories of eighteen parishes in the southern part of Holderness wapentake, the wedge of Yorkshire between the North Sea and the Humber. The low--lying landscape has changed repeatedly during the historical period, with lands along the north bank of the Humber being washed away or growing, lesser watercourses silting up, new drains being made, the steady erosion of the cliff along the sea coast, and the cyclical breaching, destruction,and redeposit of the long spit of land at Spurn Head. The church of Kilnsea and several small settlements have gone with the receding cliff. Sunk Island, which forms part of the Crown Estate, is a parish consisting entirely of newground thrown up by the Humber. In the Middle Ages the land comprised the liberty of Holderness, with a centre at Burstwick manor house, and belonged to the counts of Aumale before passing to the Crown. The counts' extensive privileges in Holderness included the right to exclude the royal sheriff. Within the parish of Preston a medieval borough was established by the count at Hedon, but access for ships from the Humber was difficult and the town later decayed; it is noteworthy for its magnificent church, dubbed 'the king of Holderness'. Another borough and port established by the count was Ravenser Odd, at Spurn head, but that was later destroyed by the sea. There was a haven alsoat Patrington, a large village distinguished by its fine 14th-century church, 'the queen of Holderness'. In the part of the area near Hull, Thorngumbald, in Paull parish, and Keyingham have grown into large dormitory villages. Withernsea, in Hollym and Owthorne parishes, was developed from the 1850s as a seaside resort used mainly by residents of Hull. Other places of which the volume contains accounts are Easington, Halsham, Holmpton, Ottringham, Skeffling, Welwick, and Winestead.

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An inspiring and illuminating guide to true self care, from the sage teacher and breakout star of the critically acclaimed drama, Queen Sugar, from Executive Producers Oprah Winfrey and Ava DuVernay for OWN.Featured on Essence Magazine's Culture ListIn all your years of schooling, did you ever take a single class that explained how to navigate the hurt, drama, and fear that come with living? Tina Lifford sure didn’t. She learned the hard way—through experience as both a Hollywood actress and as the founder of the personal development network The Inner Fitness Project. Now, she brings together her own hard-won insights as well as those of her clients in this helpful and transformative guide. A blend of personal anecdotes and meaningful, practical—and most important, actionable—advice, The Little Book of Big Lies is the life skills class you need to nurture the inner you and move beyond the past.In fourteen raw, personal stories, Tina teaches you how to change your self-perception—to see yourself in the best possible light, to love and honor what you see, and to forge a new sense of what’s possible in every aspect of your life. But make no mistake, The Little Book of Big Lies is not a “rah-rah” quick fix for fear and pain. Like physical fitness, building and maintaining emotional strength requires continued effort. This invaluable book is the foundation you need to start building inner health and well-being so you can thrive. Tina guides you on a journey of self-discovery that will help you turn shame into self-acceptance, self-rejection into self-love, blame into freedom, and old hurt into power. Wise and powerful, The Little Book of Big Lies will completely change how you think and live.

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From one of the most respected figures in the dog rescue community come the harrowing, funny, and inspiring stories of nine incredible dogs that shaped her life.Tia Torres, beloved underdog advocate and star of Animal Planet's hit show Pit Bulls & Parolees, chronicles her roller-coaster life in this heartwarming memoir featuring some of her best-loved dogs. With inimitable honesty and characteristic brashness, Tia captures the spirit and heart of these intelligent and loving canines, while carrying us behind the scenes of her TV show, into the heart of post-Katrina New Orleans, onto the soundstages of Hollywood films, and even to the jungles of Sri Lanka.Tia has devoted her life to shattering the stereotype that pit bulls are dangerous, vicious predators. As the top dog at the Villalobos Rescue Center in New Orleans, the largest pit bull rescue in the United States, she and her team have rescued, rehabilitated, and rehomed hundreds of animals that might otherwise have been destroyed. As she puts it, "Most of the stories in this book are about animals (and a few humans) that needed someone to believe in them and a purpose in order to show their true nobility." Each dog Tia writes about here has overcome abuse, trauma, neglect, or just bad luck to become a stalwart, loving companion to Tia and her family. You'll meet Duke, whose intelligence and matinee-idol looks made him a star in movies and music videos; Junkyard Joe, whose single-minded passion for tennis balls was channeled into expertise as a drug-sniffing dog; Bluie, the unswerving protector of Tia's daughter Tania; and a host of other unforgettable canines. My Life Among the Underdogs is above all a love story--one that is sure to grip the heart of anyone who has ever loved a dog.

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For readers of Hideous Kinky, Dadland and Bad Blood; the astonishing, beguiling story of Sarah Aspinall’s harum scarum childhood, and a love letter to a woman who defied convention to live a life less ordinary. My Mother attracted unusual people and events to her, and she made things happen…. Sarah Aspinall grew up in the glittering wake of her irrepressible mother Audrey. Born into poverty in 1930s Liverpool, Audrey had always known that she was destined for better things and was determined to shape that destiny for herself. From the fading seaside glamour of Southport, to New York and Hollywood, to post-war London and the stately homes of the English aristocracy, Audrey stylishly kicked down every door she encountered, on a ceaseless quest for excitement – and for love. Once Sarah was born, she became Audrey’s companion on her adventures, travelling the world, scraping together an education for herself from the books found in hotels or given to her by strangers, and living on Audrey’s charm as they veered from luxury to poverty – an accessory to her mother’s desperate search for ‘the one’. As Sarah grew older, she realised that theirs was a life hung about with mysteries. Why, for instance, had they spent ages living in a godforsaken motel in the Kill Devil Hills, North Carolina? Who was the charming Sabet Sabescue, and what was his hold over Audrey during several months in Cairo? And what on earth happened to the heirlooms that an ancient heiress, Miss Gillette, gave Sarah when they visited her in Palm Springs? And why, when they returned to Southport was Audrey ostracised by the society she so longed to be part of? Diamonds at the Lost and Found tells the story of how Sarah eventually pulled free of her mother’s gravitational pull to carve out a destiny of her own. It is a beguiling testament to dreams, defying convention and exasperated love.

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Famed for its thrilling theme parks, Orlando offers enjoyment way beyond roller coaster rides - think stunning natural reserves, luxurious spas, and lively nightlife.Make the most of your trip to this magical wonderland with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Orlando has to offer and ensuring that you don't miss a thing. Best of all, the pocket-friendly format is light and easily portable; the perfect companion while out and about. Our updated 2022 travel guide brings Orlando to life. DK Eyewitness Top 10 Orlando is your ticket to the trip of a lifetime. Inside DK Eyewitness Top 10 Orlando you will find: - Top 10 lists of Orlando's must-sees, including Disney's Hollywood Studios®,Universal Studios Florida™, Merritt Island, and LEGOLAND®- Orlando's most interesting areas, with the best places for sightseeing, food and drink, and shopping- Themed lists, including the best thrill rides, family restaurants, parks and preserves, museums, and much more- Easy-to-follow itineraries, perfect for a day trip, a weekend, or a week- A laminated pull-out map of Orlando, plus five full-colour area mapsLooking for more on Florida's culture, history and attractions? Try our DK Eyewitness Florida.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Now a major Hollywood film starring Daniel Radcliffe: read it first, if you dare ...Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with one hell of a hangover, a raging headache ... and a pair of horns growing from his temples.Once, Ig lived the life of the blessed: born into privilege, the second son of a renowned American musician, and the younger brother of a rising late-night TV star, Ig had security and wealth and a place in his community. Ig had it all, and more - he had the love of Merrin Williams, a love founded on shared daydreams, mutual daring, and unlikely midsummer magic.Then beautiful, vivacious Merrin was gone - raped and murdered, under inexplicable circumstances - with Ig the only suspect. He was never tried for the crime, but in the court of public opinion, Ig was and always would be guilty.Now Ig is possessed with a terrible new power - with just a touch he can see people's darkest desires - to go with his terrible new look, and he means to use it to find the man who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge; it's time the devil had his due.Readers love Horns:'Truly scary and disturbing . . . I also loved the devilish humour inserted throughout the story' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'it wasn't hard to get into the story because Joe Hill's writing has this dark humour to it . . . he created such an amazing book with a concept that just blows my mind just think about it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This brutal and edgy story is a dark fantasy full of mystery and tension. The characters in this story are human, they're likeable and they have their faults . . . What an incredible talent. Highly Recommend' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Hill crafts one fiery tale that is compact, emotional, and darkly fantastic . . . It's a very easy, yet compelling read . . . if you like horror, dark fantasy or a thriller that's a little bit out there, give this a try' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Becomes a unique mystery, love story, coming of age tale that brings all the characters to vivid life. It's horrible, beautiful, emotional, darkly humorous and one of the best books I've read' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'I am so pleased to say that Joe Hill has followed in the footsteps of his father, the King of horror (see what I did there?!), and has adopted a writing style that keeps you engrossed . . . your heart will be ripped from your chest and squeezed until you sob over the pages of the book' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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Louis Bromfield was a World War I ambulance driver, a Paris expat, and a Pulitzer Prize–winning novelist as famous in the 1920s as Hemingway or Fitzgerald. But he cashed in his literary success to finance a wild agrarian dream in his native Ohio. The ideas he planted at his utopian experimental farm, Malabar, would inspire America’s first generation of organic farmers and popularize the tenets of environmentalism years before Rachel Carson’s Silent Spring. A lanky Midwestern farm boy dressed up like a Left Bank bohemian, Bromfield stood out in literary Paris for his lavish hospitality and his green thumb. He built a magnificent garden outside the city where he entertained aristocrats, movie stars, flower breeders, and writers of all stripes. Gertrude Stein enjoyed his food, Edith Wharton admired his roses, Ernest Hemingway boiled with jealousy over his critical acclaim. Millions savored his novels, which were turned into Broadway plays and Hollywood blockbusters, yet Bromfield’s greatest passion was the soil. In 1938, Bromfield returned to Ohio to transform 600 badly eroded acres into a thriving cooperative farm, which became a mecca for agricultural pioneers and a country retreat for celebrities like Humphrey Bogart and Lauren Bacall (who were married there in 1945). This sweeping biography unearths a lost icon of American culture, a fascinating, hilarious and unclassifiable character who—between writing and plowing—also dabbled in global politics and high society. Through it all, he fought for an agriculture that would enrich the soil and protect the planet. While Bromfield’s name has faded into obscurity, his mission seems more critical today than ever before.

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Celebrate a year in the life of the Cat Named Carrot, as she goes from humble beginnings in a shelter to a loving home with a family of three adorable little girls and internet stardom.Bailey was certainly no ordinary cat—an orange tabby who gained fans around the world when his humanlike antics went viral. Sadly, when 14-year-old Bailey died, his family grieved their loss. They’d never find a cat quite like him—or would they? Then along came Carrot, an orange tabby kitten born as a stray, who appeared just as Erin Merryn and her young girls Abby, Hannah, and baby Claire were mending their broken hearts. Written in the voice of Carrot, follow her remarkable journey from shelter cat to top Instagram celebrity feline. Much like Bailey did, she loves spending time with her human family: making mischief with her girl gang; going joyriding in a pint-sized pink Barbie Jeep; doing arts-and-crafts projects; modeling a pink tutu and flowery headband; enjoying a spa day complete with fluffy robe and cucumber eye treatments; celebrating Christmas, Easter, and every holiday in between. It’s no wonder that Carrot’s videos have gone viral—garnering millions of views on Ellen, the Dodo, Good Morning America, Access Hollywood, People, and many more. Complete with four-color photos that will leave readers purring with delight, the journal of this sweet, adorable kitty with personality to spare shows us that the human-animal bond runs more than fur deep. It is love that will last a lifetime!

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Meghan Misunderstood is a pioneering book that sets the record straight on the most talked about, unfairly vilified and misrepresented woman in the world. Meghan Markle was eleven when she first advocated for women’s rights; a teenager when she worked in a soup kitchen feeding the homeless; a popular actress when she campaigned for clean water in Africa and passionately championed gender equality in a speech to a United Nations Women’s Conference. Even before she met Prince Harry, hers was an extraordinarily accomplished life. Meghan’s wedding to Harry was a joyful occasion, marking happiness at last for the Queen’s grandson who had captured our hearts twenty years earlier when he bravely walked behind his mother Diana’s coffin. Theirs was a story that the screenwriters of Hollywood – where Meghan had made her name – could scarcely have imagined. The rom-com fantasy, however, soon turned into disturbing drama: any expectation of a life happily-ever-after was cruelly dashed by bullying tabloid newspapers and their allies, both on social media and within the walls of the Palace itself. Meghan was targeted for her gender, her race, her nationality and her profession. The abuse became so bad that seventy-two female MPs signed a letter of solidarity against the ‘often distasteful and misleading press’, calling out the ‘outdated colonial undertones’ of the stories. Now, Sean Smith, the UK’s leading celebrity biographer, pulls no punches as he reveals the remarkable and powerful story of this self-made, intelligent American woman with a strong social conscience who has made such an impact on our lives.

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‘I adored this book. It’s so Geena and so inspiring and such a wonderful read’ Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman’s journey to fight for herself, and ultimately fighting for women all around the globe.

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The first comprehensive illustrated book on the Cyclades archipelago, which also includes the well-known islands of Santorini, Naxos, Paros and Mykonos. The islands are currently among the trendiest travel destinations in the world. There is no Hollywood or Instagram star who has not been photographed in front of the white cities of the Greek islands. This illustrated book attempts to capture the islands' attitude to life in an undisguised way. In doing so, the volume does not aim at the big tourist hotspots and Instagram shots that can be seen everywhere else, but would like to capture the Greek island world as a whole - with all its discrepancies. Lonely bays and half-ruined towns stand next to the glossy world of the rich and famous who spend the summer on the islands. Highlife in summer next to almost deserted streets in winter. Greek tradition next to modern mass tourism. It is precisely these discrepancies that make the volume so distinctive. In addition, each individual island has its own exciting peculiarities that are worth discovering. The volume also portrays in pictures and text local Greeks who pursue an exciting profession: The last fishermen of the island, the priest of a mountain church on Naxos, the last local beekeeper, etc. Rudi Sebastian has spent many weeks on the islands over several years in all seasons and has followed the soul of the country and its people. He was at least once on every single island of the region, so he attaches importance to completeness. The result is a probably unique collection of images that reflects the island life in all its facets. Text in English and German.

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From the very beginnings of cinema in America the Western has been a central genre. The hazardous lives of the settlers, their conflict with Native Americans ('the Indians'), the lawless frontier towns, outlaws and cattle rustlers, all found their way into the new medium of film. Folk heroes and heroines, such as Jesse and Frank James, Wild Bill Hickok, Wyatt Earp, Calamity Jane and Annie Oakley, were all eagerly seized on by filmmakers. Writers, from the very popular to the very literary, from Zane Grey to Owen Wister and James Fennimore Cooper, were plundered for storylines. The Western became popular worldwide too because it offered escape, adventure, stunning landscapes and romance; also themes that concerned people everywhere including survival, law and order, defence of family, and dreams of a new and better world. David Carter's book, The Western, starts with an introduction to the real American West and its famous historical figures, and traces the development of the genre from popular literature, through the early silent films, the sound era, the Golden Age of classic Westerns, TV and 'spaghetti westerns', to the self-reflexive and revisionist Westerns of recent decades. This book provides a basic work of reference for all the major directors and noteworthy films of the genre. The great Hollywood directors are all here, such as John Ford, Howard Hawks, Raoul Walsh, Michael Curtiz, Sam Peckinpah and Henry Hathaway, and great stars including John Wayne, James Stewart, Gary Cooper, Barbara Stanwyck, Jane Russell and Clint Eastwood.

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Chairman at the Board is an intimate, funny, and absorbing look at the music business by an insider who has recorded a host of the greatest musical artists of the twentieth century. Bill Schnee takes the reader inside the studio—behind the curtain—and through the decades with a cavalcade of famous artists as he helped them to realize their vision. After his high school band was dropped by Decca Records, Schnee began his quest to learn everything he could about making records. Mentored by recording legend Richie Podolor at his American Recording Studio and mastering guru Doug Sax, he immediately began recording the top acts of the day as a freelance engineer/producer in Hollywood. Clive Davis soon hired him to work for CBS where he partnered with famed music producer Richard Perry. Schnee went on to record and/or mix most of Perry's biggest albums of the '70s and '80s, including those by Barbra Streisand, Carly Simon, Ringo Starr, Art Garfunkel, and the Pointer Sisters. With his deft personal touch with musicians, he continued to engineer and produce the likes of Marvin Gaye, Thelma Houston (the Grammy-nominated, direct-to-disc album I've Got the Music in Me), Pablo Cruise, Neil Diamond, Boz Scaggs, the Jacksons, Huey Lewis & the News, Dire Straits, and Whitney Houston. With over 125 gold and platinum records, and two Grammys for Steely Dan's Aja and Gaucho, Schnee has been called a living legend—recognized and respected in the industry as the consummate music man with an incomparable career that he lovingly shares with his readers in humorous detail.

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We remember the 1980s as the era of Ronald Reagan, a conservative decade populated by preppies and yuppies dancing to a soundtrack of electronic synth pop music (the "MTV generation"). But the decade also produced some of the most creative works of punk rock - not just the music of bands like the Minutemen and the Dead Kennedys, but also visual arts, literature, poetry, and film. Kevin Mattson documents what Kurt Cobain once called a "punk rock world." He shows just how widespread the movement became, and how democratic (not at all New York-centric), due to its commitment to Do-It-Yourself (DIY) ethics. Mattson puts this movement into a wider context, telling about a culture war that punks opened up against the sitting president. Reagan's talk about end days and nuclear warfare made kids panic; his tax cuts for the rich and simultaneous slashing of school lunch program funding made punks seethe at his meanness. The anger went deep, since punks saw Reagan as the country's entertainer-in-chief - his career (from radio to Hollywood and television) synched to the very world punks rejected. Through deep archival research, Mattson reignites the heated debates that punk's opposition generated - about everything from "straight edge" ethics to anarchism to the art of dissent. By reconstructing the world of punk, Mattson shows that it was more than just a style of purple hair and torn jeans. And in so doing, he reminds readers of its importance and its challenge to simplistic assumptions about the 1980s as a one-dimensional, conservative epoch.

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SHORTLISTED FOR THE CAPITAL CRIME AWARDS MYSTERY BOOK OF THE YEARBeneath the beauty of Havana, she will find a bed of lies...'Transports us to another time and place. I loved it' PRIMA MAGAZINE'Iris is a heroine you'll absolutely root for in this gripping tale of murder, intrigue and romance' RED MAGAZINELondon 1957: Iris Bailey is bored to death of working in the typing pool and living with her parents in Hemel Hempstead. A gifted portraitist with a talent for sketching party guests, she dreams of becoming an artist. So she can't believe her luck when socialite Nell Hardman invites her to Havana to draw at the wedding of her Hollywood director father.Far from home, she quickly realizes the cocktails, tropical scents and azure skies mask a darker reality. As Cuba teeters on the edge of revolution and Iris's heart melts for troubled photographer Joe, she discovers someone in the charismatic Hardman family is hiding a terrible secret. Can she uncover the ugly truth behind the glamour and the dazzle before all their lives are torn apart?______________________________OUTSTANDING PRAISE FOR RACHEL RHYS:'Intoxicating' SANTA MONTEFIORE'Tantalising' DINAH JEFFRIES'Heart-pounding' GOOD HOUSEKEEPING'Transporting' SUNDAY TIMES'A fabulous summer read' DAILY EXPRESSREADERS ADORE RACHEL RHYS:'I absolutely adore Rachel Rhys' books, historical mystery with so much added glitz and glamour''Unputdownable. Wonderful characterization and very well researched''A captivating and fascinating read''Recommended for anyone who loves historical fiction with a bit of mystery and a dash of romance''Oh my goodness, I absolutely adored this book!'

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THE NEW YORK TIMES BESTSELLER 'Busy is a legit writer with a voice as clear as a bell' Tina Fey 'Funny, refreshingly candid memoir about Hollywood, motherhood and BFFhood' Cosmopolitan'Judy Blume meets Karl Ove Knausgaard meets one brave woman from Arizona' Miranda JulyA memoir by the beloved comedic actress known for her roles on Freaks and Geeks, Dawson's Creek, and Cougartown who has become 'the breakout star on Instagram stories . . . imagine I Love Lucy mixed with a modern lifestyle guru' (New Yorker).Busy Philipps's autobiographical book offers the same unfiltered and candid storytelling that her Instagram followers have come to know and love, from growing up in Scottsdale, Arizona and her painful and painfully funny teen years, to her life as a working actress, mother, and famous best friend.Busy is the rare entertainer whose impressive arsenal of talents as an actress is equally matched by her storytelling ability, sense of humor, and sharp observations about life, love, and motherhood. Her conversational writing reminds us what we love about her on screens large and small. From film to television to Instagram, Busy delightfully showcases her wry humor and her willingness to bare it all.'I've been waiting my whole life to write this book. I'm just so grateful someone asked. Otherwise, what was the point of any of it??''Candid, painful and extremely wryly funny' Stylist'Like most women, famous or not, bad things have happened to Busy Philipps - as well as weird stuff, jawdropping stuff and heartwarming stuff' Refinery29'This Will Only Hurt a Little has stopped me in my tracks completely' Sophie Heawood, Observer

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The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history. From early masterpieces such as The Cabinet of Dr. Caligari (1920) and Metropolis (1927) to the post-1945 films of Fassbinder, Herzog, and Wenders, German film constitutes a crucial part of the history of world cinema. It helped to shape Hollywood cinema and had a major impact on other cinemas as well. This tried and tested book, popular in college classrooms and among general-interest readers, is the most comprehensive and readable introduction to the history of German cinema, specifically designed to meet the needs of those who want a comprehensible, accessible introduction to the subject. There is no other book that covers the history of German cinema in the same depth and also explores the genesis and meaning of the most important masterpieces in German film history. It does so in chapters devoted to each of thirty-two individual films and in seven interchapters that provide context for historical periods from early German cinema to postunification. The book now appears in an improved, expanded, and up-to-date second edition that covers five additional films, expands the coverage of women's cinema, and brings the history of filmmaking in Germany up to the present moment. The book is specifically designed to appeal to cinema aficionados and for use in college classrooms, where it has been greeted with acclaim by students and teachers alike. Stephen Brockmann is Professor of German at Carnegie Mellon University.

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An unconventional take on the corpse challenges traditional conceptions of who—and what—counts as human, while offering bold insights into the modernist project Too often regarded as the macabre endpoint of life, the corpse is rarely discussed and largely kept out of the public eye. In The Modernist Corpse, Erin E. Edwards unearths the critically important but previously buried life of the corpse, which occupies a unique place between biology and technology, the living and the dead. Exploring the posthumous as the posthuman, Edwards argues that the corpse is central to understanding relations between the human and its “others,” including the animal, the machine, and the thing.From photographs of lynchings to documentation of World War I casualties, the corpse is also central to the modernist project. Edwards turns critical attention to the corpse through innovative, posthumanist readings of canonical thinkers such as William Faulkner, Jean Toomer, W. E. B. Du Bois, Mina Loy, Djuna Barnes, and Gertrude Stein, offering new insights into the intersections among race, gender, technical media, and matter presumed to be dead. Edwards’s expansive approach to modernism includes diverse materials such as Hollywood film, experimental photography, autopsy discourses, and the comic strip Krazy Kat, producing a provocatively broad understanding of the modernist corpse and its various “lives.”The Modernist Corpse both establishes important new directions for modernist inquiry and overturns common thought about the relationship between living and dead matter.

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'My dears: this is but a brief note to welcome you to the new world, where you are now no longer all too far away from us. ‘ So begins Adorno’s letter to his parents in May 1939, welcoming them to Cuba where they had just arrived after fleeing from Nazi Germany at the last minute. At the end of 1939 his parents moved again to Florida and then to New York, where they lived from August 1940 until the end of their lives. It is only with Adorno’s move to California at the end of 1941 that his letters to his parents start arriving once more, reporting on work and living conditions as well as on friends, acquaintances and the Hollywood stars of his time. One finds reports of his collaborations with Max Horkheimer, Thomas Mann and Hanns Eisler alongside accounts of parties, clowning around with Charlie Chaplin, and ill-fated love affairs. But the letters also show his constant longing for Europe: Adorno already began to think about his return as soon as the USA entered the war. Adorno’s letters to his parents – surely the most open and direct letters he ever wrote – not only afford the reader a glimpse of the experiences that gave rise to the famous Minima Moralia, but also show Adorno from a previously unknown, very personal side. They end with the first reports from the ravaged Frankfurt to his mother – who remained in New York – and from Amorbach, Adorno’s childhood paradise

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