Search results for ""indiana university press""

Sergei Rachmaninoff A Lifetime in MusicSergei Bertensson and Jay Leyda, with the assistance of Sophia SatinaWith a new introduction by David Butler CannataAn indispensable and captivating document, now back in print!Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873–1943) was an intensely private individual. When Bertensson and Leyda's 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff's life, especially concerning the genesis of his compositions and how their critical reception affected him.The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availabilty of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson, Leyda, and were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading.Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis.Jay Leyda wrote extensively on Russian music and film, as well as on American literature.David Butler Cannata is Professor of Music at Boyer College of Music, Temple University.Sophia Satina was Rachmaninoff's sister-in-law and cousin.Russian Music Studies—Malcolm Hamrick Brown, founding editor

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.."". this is one of the few books on narrative worth reading and rereading, a study that will make -- or should make -- a difference in the way we read narrative."" -- Nineteenth Century Fiction""This is a remarkable book: original, clear-sighted, and luminously focused on a subject that has never been explored nearly so systematically or intensively.""A -- Dorrit Cohn, Harvard UniversityThis book, long out of print, is now available in a paperback edition, providing another window into one of the most exciting minds working in the areas of literary and biblical literary criticism.

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In this volume, Shannon Bell recovers the courtesan of ancient Greece as both sophistic philosopher and erotic teacher.

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"[A] surprisingly moving story." —The New Yorker"Bogdanov's novels reveal a great deal about their fascinating author, about his time and, ironically, ours, and about the genre of utopia as well as his contribution to it." —Slavic Review"Bogdanov's imaginative predictions for his utopia are both technological and social . . . Even more farsighted are [his] anxious forebodings about the limits and costs of the utopian future." —Science Fiction Studies"The contemporary reader will marvel at [Bogdanov's] foresight: nuclear fusion and propulsion, atomic weaponry and fallout, computers, blood transfusions, and (almost) unisexuality." —ChoiceA communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (1873–1928), one of the early organizers and prophets of the Russian Bolshevik party. The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out the problems that will face industrialized nations, whether socialist or capitalist.

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In the 1970s, Dr. Alan Scott sought to selectively weaken eye muscles to treat strabismus (when one or both eyes are misaligned) without surgery. After failed attempts with other agents, Scott developed a method to stabilize the bacteria that causes botulism, culminating in a drug that eventually became known as Botox. In Death to Beauty, Eugene M. Helveston, MD, follows the unlikely story of botulism's 1817 discovery in contaminated German sausages, to its use in military and research facilities, to Scott, an ophthalmologist who aimed to safely use the drug in humans. Scott struggled alone as an unknown in the pharmaceutical industry, searching for clinical trial financing and FDA approval, which he achieved at a fraction of the billions big pharma usually spends to bring a drug to market. Eventually, the company Allergan bought him out, capitalizing on the possibilities for cosmetic uses. Scott's formula was renamed "Botox" and reached annual sales in the billions. After the sale, Scott received no further compensation from Botox sales and remained the same unassuming man.A fascinating walk through the intricate history of how the world's deadliest toxin starting as a treatment for crossed eyes became a routine tool for the cosmetic industry, Death to Beauty will make you rethink success, beauty, and deadly bacteria.

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An essential introduction to the age of dinosaurs in Africa.Once Africa was referred to as the ''Lost World of the dinosaur era,'' so poorly known were its ancient flora and fauna. Worse still, many priceless fossil specimens from the Sahara Desert were destroyed during the Second World War. Fortunately, in the twentieth-first century, more researchers are now working in north Africa than ever before and making fascinating discoveries such as the dinosaur Spinosaurus. Based on a decade of study, The Desert Bones brings the world of African dinosaurs fully into the light. Jamale Ijouiher skillfully draws on the latest research and knowledge about paleoecology to paint a compelling and comprehensive portrait of the mid-Cretaceous in North Africa.

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Narrow Gauge in the Tropics is the first comprehensive history of railways and tramways in the Dutch East Indies (modern Indonesia) from breaking ground in 1864 to the invasion of the Japanese during World War II.During the mid-19th century under colonial rule, the Dutch East Indies experienced enormous increases in production of sugar, coffee, and other commodities, resulting in a great dilemma: How were these goods to be moved to port when wagons hauled by animals was the only available form of transportation? The solution was to build a railway network through some of the most challenging terrain on the planet.Lavishly illustrated, Narrow Gauge in the Tropics explores technical aspects of the construction of the railways over difficult terrain, the origin of the technicians who made the seemingly impossible happen, and the social impact of the railways on the indigenous population.

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When thinking of intrepid travelers from past centuries, we don't usually put Muslim women at the top of the list. And yet, the stunning firsthand accounts in this collection completely upend preconceived notions of who was exploring the world. Editors Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma recover, translate, annotate, and provide historical and cultural context for the 17th- to 20th-century writings of Muslim women travelers in ten different languages. Queens and captives, pilgrims and provocateurs, these women are diverse. Their connection to Islam is wide-ranging as well, from the devout to those who distanced themselves from religion. What unites these adventurers is a concern for other women they encounter, their willingness to record their experiences, and the constant thoughts they cast homeward even as they traveled a world that was not always prepared to welcome them.Perfect for readers interested in gender, Islam, travel writing, and global history, Three Centuries of Travel Writing by Muslim Women provides invaluable insight into how these daring women experienced the world—in their own voices.

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Swahili Muslim Publics and Postcolonial Experience is an exploration of the ideas and public discussions that have shaped and defined the experience of Kenyan coastal Muslims. Focusing on Kenyan postcolonial history, Kai Kresse isolates the ideas that coastal Muslims have used to separate themselves from their "upcountry Christian" countrymen. Kresse looks back to key moments and key texts—pamphlets, newspapers, lectures, speeches, radio discussions—as a way to map out the postcolonial experience and how it is negotiated in the coastal Muslim community. On one level, this is a historical ethnography of how and why the content of public discussion matters so much to communities at particular points in time. Kresse shows how intellectual practices can lead to a regional understanding of the world and society. On another level, this ethnography of the postcolonial experience also reveals dimensions of intellectual practice in religious communities and thus provides an alternative model that offers a non-Western way to understand regional conceptual frameworks and intellectual practice.

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Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.

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Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

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For nearly three decades, Umkhonto we Sizwe (MK), the armed wing of the African National Congress (ANC), waged a violent revolutionary struggle against the apartheid state in South Africa. Stephen Davis works with extensive oral testimonies and the heroic myths that were constructed after 1994 to offer a new history of this armed movement. Davis deftly addresses the histories that reinforce the legitimacy of the ANC as a ruling party, its longstanding entanglement with the South African Communist Party, and efforts to consolidate a single narrative of struggle and renewal in concrete museums and memorials. Davis shows that the history of MK is more complicated and ambiguous than previous laudatory accounts would have us believe, and in doing so he discloses the contradictions of the liberation struggle as well as its political manifestations.

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Martin Heidegger's 1925–26 lectures on truth and time provided much of the basis for his momentous work, Being and Time. Not published until 1976 as volume 21 of the Complete Works, three months before Heidegger's death, this work is central to Heidegger's overall project of reinterpreting Western thought in terms of time and truth. The text shows the degree to which Aristotle underlies Heidegger's hermeneutical theory of meaning. It also contains Heidegger’s first published critique of Husserl and takes major steps toward establishing the temporal bases of logic and truth. Thomas Sheehan's elegant and insightful translation offers English-speaking readers access to this fundamental text for the first time.

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Every month, a ragtag group of Londoners gather in the site known as Crossbones Graveyard to commemorate the souls of medieval prostitutes believed to be buried there—the "Winchester Geese," women who were under the protection of the Church but denied Christian burial. In the Borough of Southwark, not far from Shakespeare's Globe, is a pilgrimage site for self-identified misfits, nonconformists, and contemporary sex workers who leave memorials to the outcast dead. Ceremonies combining raucous humor and eclectic spirituality are led by a local playwright, John Constable, also known as John Crow. His interpretation of the history of the site has struck a chord with many who feel alienated in present-day London. Sondra L. Hausner offers a nuanced ethnography of Crossbones that tacks between past and present to look at the historical practices of sex work, the relation of the Church to these professions, and their representation in the present. She draws on anthropological approaches to ritual and time to understand the forms of spiritual healing conveyed by the Crossbones rites. She shows that ritual is a way of creating the present by mobilizing the stories of the past for contemporary purposes.

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During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online.

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The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was "the most photographed disaster in history," it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9/11 visual culture, which foregrounds the visual experience as it obscures the event in absence, erasure, and invisibility. From the spectral presence of the Tribute in Light to Art Spiegelman's nearly blank New Yorker cover, and from the elimination of the Twin Towers from television shows and films to the monumental cavities of Michael Arad's 9/11 memorial, the void became the visual shorthand for the incident. By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.

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Including over 37,000 entries compiled by a team of expert Yiddish linguists, Comprehensive Yiddish-English Dictionary surpasses all its predecessors in the number of words and rich selection of idioms, examples of usage, and coverage of stylistic levels and dialect forms. The user-friendly entries include words for standard and literary as well as contemporary colloquial and conversational usage and a wide range of terms from all sources of Yiddish, including those of Hebraic-Aramaic, Slavic, and Romance as well as Germanic origin. The lexical corpus comes directly from the highly acclaimed Dictionnaire Yiddish-Français by Yitskhok Niborski and Bernard Vaisbrot, published by the Bibliothèque Medem in Paris in 2002. Augmented by an extensive user's guide, this volume is an indispensable resource for students, teachers, translators, and readers of Yiddish.

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The essays collected in this volume take a new look at the role of language in the thought of Martin Heidegger to reassess its significance for contemporary philosophy. They consider such topics as Heidegger's engagement with the Greeks, expression in language, poetry, the language of art and politics, and the question of truth. Heidegger left his unique stamp on language, giving it its own force and shape, especially with reference to concepts such as Dasein, understanding, and attunement, which have a distinctive place in his philosophy.

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"Kearney is one of the most exciting thinkers in the English-speaking world of continental philosophy. . . . and [he] joins hands with its fundamental project, asking the question 'what'or who'comes after the God of metaphysics?'" —John D. CaputoEngaging some of the most urgent issues in the philosophy of religion today, in this lively book Richard Kearney proposes that instead of thinking of God as 'actual,' God might best be thought of as the possibility of the impossible. By pulling away from biblical perceptions of God and breaking with dominant theological traditions, Kearney draws on the work of Ricoeur, Levinas, Derrida, Heidegger, and others to provide a surprising and original answer to who or what God might be. For Kearney, the intersecting dimensions of impossibility propel religious experience and faith in new directions, notably toward views of God that are unforeseeable, unprogrammable, and uncertain. Important themes such as the phenomenology of the persona, the meaning of the unity of God, God and desire, notions of existence and différance, and faith in philosophy are taken up in this penetrating and original work. Richard Kearney is Professor of Philosophy at Boston College and University College, Dublin. He is author of many books on modern philosophy and culture, including Dialogues with Contemporary Continental Thinkers, The Wake of Imagination, and The Poetics of Modernity.

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In these spirited essays, John D. Caputo continues the project he launched with Radical Hermeneutics of making hermeneutics and deconstruction work together. Caputo claims that we are not born into this world hard-wired to know Being, Truth, or the Good, and we are not vessels of a Divine or other omnipotent supernatural force. Focusing on how various contemporary philosophers develop aspects of this fragmented view of the life world in areas such as madness, friendship, democracy, gender, science, the "end of ethics," religion, and mysticism, this animated study by one of America's leading continental philosophers shakes the foundations of religion and philosophy, even as it gives them new life.

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Now in Paperback!Muhammad and the Golden BoughReconstructing Arabic MythJaroslav StetkevychConnects pre-Islamic Arabian myth to world mythic traditions.A Choice Outstanding Academic Book"Stetkevych succeeds brilliantly in reconstructing the myth of the destruction of the Thamud, an ancient people of north Arabia. . . . This book will add a new dimension to the study of Near Eastern and Mediterranean myth and legend." —Choice"Stetkevych's critical and wide-ranging perspective reveals a wealth of insights. This book is must reading for everyone in the field of religion and one of the most important works in recent years." —Religious Studies Review"The graceful writing, interdisciplinary scope, and hermeneutical depth should make it compelling reading for those interested in the mythos of Arabia before and at the birth of Islam and in comparable myths in neighboring civilizations." —MESA Bulletin"It opens up new dimensions of how to think about, how to study, how to see interrelationships in the ancient Arabian world and their connections with the Mediterranean world in general. . . . a stunning piece of work." —Chronicle of Higher EducationThrough its development of a methodology for analyzing the mythic and folkloric traditions of pre-Islamic Arabia and the process of their incorporation into Islamic myth and Qur'anic texts, Muhammad and the Golden Bough offers compelling insights for students of Islam, comparative religion, and cultural anthropology. By linking Arabic myth with a broad range of ancient and classical texts—including Gilgamesh, Homer, and the Hebrew Bible—the book makes a provocative contribution to biblical and ancient Near Eastern studies, classics, and comparative literature.Jaroslav Stetkevych is Professor Emeritus of Arabic Literature at the University of Chicago. He is author of The Modern Arabic Literary Language: Lexical and Stylistic Developments and The Zephyrs of Najd: The Poetics of Nostalgia in the Classical Arabic Nasib. His articles on classical and modern Arabic literature have appeared in Spanish, English, Arabic, and Ukrainian.ContentsIntroduction: Reclaiming Arabian MythThe Textual PuzzleThe Thamudic Backdrop to the PuzzleThe First Answer to the Puzzle: The Raid on TabukThe Totem and the TabooPoeticizing the ThamudDemythologizing the ThamudThe ScreamThe Arabian Golden Bough and Kindred Branches: Frazer, Vergil, Homer, and GilgameshConclusion

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The vital synergy between dress and the cinema has been in place since the advent of film. Broaching topics such as vampires, noir, and Marie Antoinette looks, Fashion in Film uncovers the way in which the alliance of these two powerhouse industries use myriad cultural influences—shaping narrative, national identity, and all points in between. Contributor essays address international films from early cinema to the present, drawing on the classic and the innovative. This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way from fashion tout simple.

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How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.

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.."". a more compelling reading of Kant than any I have ever seen."" --David Farrell KrellIn this provocative book, Alphonso Lingis argues that not only our thought is governed by an imperative, as Kant had maintained, but, rather, our sensual, sensing, perceiving, and emotional life is continually regulated by imperatives that come to us from the world around us. Through a series of phenomenological sketches drawn from life experiences, Lingis shows that there are directives in the natural world and in our interactions with others that govern our thought and behavior.

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"[A] thorough and comprehensive study of this tragic, almost forgotten episode of American history." —History"What Sherman did in Georgia and Sheridan in the Valley pales in comparison. This study truly shows the horrible cost inherent in any civil war." —Civil War Courier"[A] well written and compelling account of an aspect of the Civil War which has not received sufficient attention." —Southern Historian"Compelling . . ." —Publishers Weekly"[A] fast-paced . . .absorbing discourse . . . Black Flag is a highly recommended book that transports the reader to the towns and dusty highways of Kansas and Missouri during the Civil War." —Kansas HistoryFrom 1861 to 1865, the region along the Missouri-Kansas border was the scene of unbelievable death and destruction. Thousands died, millions of dollars of property was lost, entire populations were violently uprooted. It was here also that some of the greatest atrocities in American history occurred. Yet in the great national tragedy of the Civil War, this savage warfare has seemed a minor episode.Drawing from a wide array of contemporary documents—including diaries, letters, and first-hand newspaper accounts—Thomas Goodrich presents a hair-raising report of life in this merciless guerrilla war. Filled with dramatic detail, Black Flag reveals war at its very worst, told in the words of the participants themselves. Bushwhackers and Jayhawkers, soldiers and civilians, scouts, spies, runaway slaves, the generals and the guerrillas—all step forward to tell of their terrifying ordeals.From the shocking, sensational massacres at Lawrence, Baxter Springs, and Centralia to the silent terror of a woman at home alone in the Aburnt district, Black Flag is a horrifying day-by-day account of life, death and war, told with unforgettable immediacy.

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"In this almost painfully beautiful book . . . Fishbane . . . explores the question of the kind of canon, privileged status, or Logos, the Torah actually has for the post-modern Western Jew. " —Theology Today"A book well worth reading." —The Jerusalem Post"This wonderful volume documents the intellectual and spiritual odyssey of one of North America's foremost Jewish biblical scholars." —Shofar

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What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.

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Following Moldovan women who "commute" for six to twelve months at a time to work as domestics in Istanbul, Worker-Mothers on the Margins of Europe explores the world of undocumented migrants from a postsocialist state. Leyla J. Keough examines the gendered moral economies that shape the perspectives of the migrants, their employers in Turkey, their communities in Moldova, and the International Organization for Migration. She finds that their socialist past continues to color how the women view their labor and their roles within their families, even as they are affected by the same shifts in the global economy that drive migration elsewhere. Keough puts scholarship on gender and migration into dialogue with postsocialist studies and offers a critical assessment of international anti-trafficking efforts.

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Set in the rolling hills of southern Indiana, Indiana University Bloomington is widely acknowledged to be one of the most picturesque college campuses in the United States Indiana University: New Portraits of the Bloomington Campus offers Hoosiers the chance to discover or revisit the campus for themselves and appreciate stunning new buildings and improvements in landscaping and facilities. During its two-hundred-year history, the Bloomington campus has grown out from its original core while maintaining its focus on its architectural atheistic. Indiana University Bloomington now occupies nearly 2,000 acres, and the beauty and harmony of its limestone buildings set against breathtaking natural scenery make the campus a treasure that all Hoosiers enjoy.Indiana University: New Portraits of the Bloomington Campus offers Hoosiers the chance to travel back home, relive past friendships, scholarly achievements, Little Fives, and Hoosier victories, and wander again, if just for a moment, through Dunn's Woods, the Cox Arboretum, and the iconic Sample Gates.

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""This monumental work has now become... the indispensable tool of all folk narrative scholars."" -- Southern Folklore Quarterly""A work of this kind can never be quite complete, but in this work Stith Thompson has approached perfection."" -- Volkskunde""An invaluable aid to students and scholars... "" -- Reference & Research Book NewsIndiana University Press, with the generous support of the L. J. and Mary C. Skaggs Foundation, is pleased to announce the republication of this folklore classic, in honor of the centenary of the American Folklore Society.

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"Bravo to Edel on his excellent presentation of the subject! . . . highly recommended . . . " —ARBA 96". . . filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier"Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music TeacherA descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.

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ImaginingA Phenomenological StudySecond EditionEdward S. CaseyA classic firsthand account of the lived character of imaginative experience."This scrupulous, lucid study is destined to become a touchstone for all future writings on imagination." —Library Journal"Casey's work is doubly valuable—for its major substantive contribution to our understanding of a significant mental activity, as well as for its exemplary presentation of the method of phenomenological analysis." —Contemporary Psychology". . . an important addition to phenomenological philosophy and to the humanities generally." —Choice". . . deliberately and consistently phenomenological, oriented throughout to the basically intentional character of experience and disciplined by the requirement of proceeding by way of concrete description. . . . [Imagining] is an exceptionally well-written work." —International Philosophical QuarterlyDrawing on his own experiences of imagining, Edward S. Casey describes the essential forms that imagination assumes in everyday life. In a detailed analysis of the fundamental features of all imaginative experience, Casey shows imagining to be eidetically distinct from perceiving and defines it as a radically autonomous act, involving a characteristic freedom of mind. A new preface places Imagining within the context of current issues in philosophy and psychology.[use one Casey bio for both Imagining and Remembering]Edward S. Casey is Professor of Philosophy at the State University of New York at Stony Brook. He is author of Getting Back into Place: Toward a Renewed Understanding of the Place-World (Indiana University Press) and The Fate of Place: A Philosophical History.Studies in Continental Thought—John Sallis, general editorContentsPreface to the Second EditionIntroduction The Problematic Place of ImaginationPart One: Preliminary PortraitExamples and First ApproximationsImagining as IntentionalPart Two Detailed DescriptionsSpontaneity and ControllednessSelf-Containedness and Self-EvidenceIndeterminacy and Pure PossibilityPart Three: Phenomenological ComparisonsImagining and Perceiving: ContinuitiesImagining and Perceiving: DiscontinuitiesPart Four: The Autonomy of ImaginingThe Nature of Imaginative AutonomyThe Significance of Imaginative Autonomy

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Companion to Heidegger's Contributions to PhilosophyEdited by Charles E. Scott, Susan Schoenbohm, Daniela Vallega-Neu, and Alejandro VallegaA key to unlocking one of Heidegger's most difficult and important works.The publication of the first English translation of Martin Heidegger's Beiträge zur Philosophie (Vom Ereignis) marked a significant event for Heidegger studies. Considered by scholars to be his most important work after Being and Time, Contributions to Philosophy (From Enowning) elaborates what Heidegger calls "being-historical-thinking," a project in which he undertakes to reshape what it means both to think and to be. Contributions is an indispensable book for scholars and students of Heidegger, but it is also one of his most difficult because of its aphoristic style and unusual language. In this Companion 14 eminent Heidegger scholars share strategies for reading and understanding this challenging work. Overall approaches for becoming familiar with Heidegger's unique language and thinking are included, along with detailed readings of key sections of the work. Experienced readers and those coming to the text for the first time will find the Companion an invaluable guide to this pivotal text in Heidegger's philosophical corpus.Contributors include Walter A. Brogan, David Crownfield, Parvis Emad, Günter Figal, Kenneth Maly, William McNeill, Richard Polt, John Sallis, Susan Schoenbohm, Charles E. Scott, Dennis J. Schmidt, Alejandro Vallega, Daniela Vallega-Neu, and Friedrich-Wilhelm von Herrmann.Charles E. Scott is Professor of Philosophy at Pennsylvania State University. He is author of The Question of Ethics, On the Advantages and Disadvantages of Ethics and Politics (both Indiana University Press), and The Time of Memory.Susan Schoenbohm has taught philosophy at Vanderbilt University, The University of the South, and Pennsylvania State University. She has published several articles on Heidegger, contemporary Continental thought, ancient Greek thought, and ancient Asian thought.Daniela Vallega-Neu teaches philosophy at California State University, Stanislaus. She is author of Die Notwendigkeit der Grundung in Zeitalter der Deconstruction.Alejandro Vallega teaches philosophy at California State University, Stanislaus.Studies in Continental Thought—John Sallis, general editor July 2001288 pages, 6 1/8 x 9 1/4cloth 0-253-33946-4 $44.95 L / £34.00paper 0-253-21465-3 $22.95 s / £17.50

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The celebrated English translation of this classic work of Chinese literature is now available in an updated paperback edition. Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humor of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1981, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a fully revised text of the translation, Cyril Birch and Catherine Swatek reflect on contemporary performances of the play in light of its history.

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Legend and BeliefDialectics of a Folklore GenreLinda DéghAn acclaimed folklorist asks "What is legend?"Legend and Belief is a descriptive and analytical study of the legend, the most prolific and characteristic form of folklore in contemporary Western civilization. Not that the legend does not have ancient roots; like the tale, the joke, the ballad, the proverb, and mummery, it was also a part of an archaic preindustrial tradition. But the legend—as old as conversation and debate, and similarly questioning the human condition—was able to survive technological innovations. It has remained contemporaneous, whereas many other genres succumbed to their own anachronism. The legend's concerns are universal and eternal, touching on the most sensitive areas of our existence. That is why stories about supernatural encounters, possessions, divine and infernal miracles, evil spirits, monsters, and prophetic dreams, as well as horror stories about insane and criminal agencies, inundate the urban/industrial world. Industrial advancement does not change the basic fragility of human life, while commercialization and the consumer orientation of the mass media have helped legends travel faster and farther. Legends are not only communicated orally, face-to-face, but also appear in the press, on radio and TV, on countless internet websites, and by e-mail to keep alive new waves of the "culture of fear."Linda Dégh, Distinguished Professor Emerita of Folklore at Indiana University, is a folklorist/ethnologist whose speciality is the analysis of personally observed creative processes of narration in both traditional and modern communities of Europe and North America. Her numerous publications include Four Lives: People in the Tobacco Belt; Folktales and Society; American Folklore and the Mass Media; and Narratives in Society.June 2001496 pages, 6 1/8 x 9 1/4, index, append.cloth 0-253-33929-4 $49.95 s / £38.00

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Pragmatism is America's most distinctive philosophy. Generally it has been understood as a development of European thought in response to the "American wilderness." A closer examination, however, reveals that the roots and central commitments of pragmatism are indigenous to North America. Native Pragmatism recovers this history and thus provides the means to re-conceive the scope and potential of American philosophy. Pragmatism has been at best only partially understood by those who focus on its European antecedents. This book casts new light on pragmatism's complex origins and demands a rethinking of African American and feminist thought in the context of the American philosophical tradition. Scott L. Pratt demonstrates that pragmatism and its development involved the work of many thinkers previously overlooked in the history of philosophy.

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Congo-ParisTransnational Traders on the Margins of the LawJanet MacGaffey and Rémy Bazenguissa-GangaGlobalization as practiced by Congolese traders who operate a thriving second economy linking Central Africa and Europe.Congo-Paris investigates the transnational trade between Central Africa and Europe by focusing on the lives of individual traders from Kinshasa and Brazzaville who operate across national frontiers and often outside the law. Challenging the boundaries of traditional anthropology, Janet MacGaffey and Rémy Bazenguissa-Ganga follow complex international networks to examine the ways in which the African second economy has been extended transnationally and globally on the margins of the law. Who are these traders? What strategies do they have, not only to survive but to shine? What kinds of networks do they rely on? What implications does their trade have for the study of globalization? The personal networks of ethnicity, kinship, religion, and friendship constructed by the traders fashion a world of their own. From Johannesburg to Cairo and from Dakar to Nairobi as well as in Paris, the Congolese traders are renowned and envied. This lively book shows that it is not just the multinationals who benefit from jets and mobile phones.Janet MacGaffey, Professor of Anthropology at Bucknell University, is author of Entrepreneurs and Parasites and coauthor of The Real Economy of Zaire.Rémy Bazenguissa-Ganga teaches at the Centre d'Études Africaines, École des Hautes Études en Sciences Sociales, Paris, and is author of Les Voies du politique au Congo: Essai de sociologie historique.African Issues—Alex de Waal and Stephen Ellis, editorsPublished in association with the International African Institute, LondonContentsTraders, Trade Networks, and Research MethodsResisting Exclusion and Reacting to DisorderCommodities, Commercialization, and the Structuring of IdentityContesting Boundaries: The Defiant Search for SuccessThe Organization of the Trade: The Importance of Personal TiesTo Surve and Shine: Two Oppositional CulturesConclusion: The Wider Context

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"There is hardly a page in this collection of hard-thought and brilliantly written essays that does not yield some new insight." —Hayden White" . . . de Lauretis's writing is brisk and refreshingly lucid." —International Film Guide

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In the summer of 2019, a group of kia'i, or protectors, made up of kanaka 'oiwi (Native Hawaiians) and their allies came together to prevent the construction of the Thirty-Meter Telescope (TMT) on the dormant volcano Maunakea. In Mele on the Mauna, Joseph Keola Donaghy explores how music, and especially haku mele, or Hawaiian language composers, played a crucial role in this defense. Musicians flocked to the mauna (mountain) to perform for the kia'i and a worldwide audience via social media. Haku mele created new songs at unprecedented levels, releasing many commercially with proceeds benefiting organizations providing support services and supplies to the kia'i. This book features over 30 of the author's interviews with individuals who participated in musical activities connected with this movement, including kia'i and their supporters, composers, musicians, and community leaders. Donaghy explores Indigenous Hawaiian concepts and theories like mana (power), mo'oku'auhau and pilina (gen

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Over the last half century, historic preservation has been on the rise in American cities and towns, from urban renewal and gentrification projects to painstaking restoration of Victorian homes and architectural landmarks. In this book, Nancy R. Hiller brings together individuals with distinctive styles and perspectives, to talk about their passion for preservation. They consider the meaning of place and what motivates those who work to save and care for places; the role of place in the formation of identity; the roles of individuals and organizations in preserving homes, neighborhoods, and towns; and the spiritual as well as economic benefits of preservation. Richly illustrated, Historic Preservation in Indiana is an essential book for everyone who cares about preserving the past for future generations.

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Volume 8 of this landmark edition follows Peirce from May 1890 through July 1892—a period of turmoil as his career unraveled at the U.S. Coast and Geodetic Survey. The loss of his principal source of income meant the beginning of permanent penury and a lifelong struggle to find gainful employment. His key achievement during these years is his celebrated Monist metaphysical project, which consists of five classic articles on evolutionary cosmology. Also included are reviews and essays from The Nation in which Peirce critiques Paul Carus, William James, Auguste Comte, Cesare Lombroso, and Karl Pearson, and takes part in a famous dispute between Francis E. Abbot and Josiah Royce. Peirce's short philosophical essays, studies in non-Euclidean geometry and number theory, and his only known experiment in prose fiction complete his production during these years.Peirce's 1883-1909 contributions to the Century Dictionary form the content of volume 7 which is forthcoming.

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"This study . . . is a landmark by any standards. It is thorough, wide-ranging, and well written, and clearly reflects the kind of insights that make it a classic. It is as relevant today as it was when it was first published." —John Hope FranklinA pioneering history of African Americans in a northern state from their first arrival in the eighteenth century, this classic study covers their developing legal and economic status, efforts against white racism, and the founding of distinctive African American institutions: fraternal, social, and charitable organizations; churches; schools. An epilogue surveys developments in the twentieth century.

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Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.

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Turkey is famed for a history of tolerance toward minorities, and there is a growing nostalgia for the "Ottoman mosaic." In this richly detailed study, Marcy Brink-Danan examines what it means for Jews to live as a tolerated minority in contemporary Istanbul. Often portrayed as the "good minority," Jews in Turkey celebrate their long history in the region, yet they are subject to discrimination and their institutions are regularly threatened and periodically attacked. Brink-Danan explores the contradictions and gaps in the popular ideology of Turkey as a land of tolerance, describing how Turkish Jews manage the tensions between cosmopolitanism and patriotism, difference as Jews and sameness as Turkish citizens, tolerance and violence.

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Aissata G. Sidikou and Thomas A. Hale reveal the world of women's songs and singing in West Africa. This anthology—collected from 17 ethnic traditions across West Africa—introduces the power and beauty of the intimate expressions of African women. The songs, many translated here for the first time, reflect all stages of the life cycle and all walks of life. They entertain, give comfort and encouragement, and empower other women to face the challenges imposed on them by their families, men, and society. Women's Voices from West Africa opens a new window on women's changing roles in contemporary Africa.

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In this provocative work, Alvin H. Rosenfeld contends that the proliferation of books, films, television programs, museums, and public commemorations related to the Holocaust has, perversely, brought about a diminution of its meaning and a denigration of its memory. Investigating a wide range of events and cultural phenomena, such as Ronald Reagan's 1985 visit to the German cemetery at Bitburg, the distortions of Anne Frank's story, and the ways in which the Holocaust has been depicted by such artists and filmmakers as Judy Chicago and Steven Spielberg, Rosenfeld charts the cultural forces that have minimized the Holocaust in popular perceptions. He contrasts these with sobering representations by Holocaust witnesses such as Jean Améry, Primo Levi, Elie Wiesel, and Imre Kertész. The book concludes with a powerful warning about the possible consequences of "the end of the Holocaust" in public consciousness.

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"Quite simply: these are seminal essays. . . . Distinguished scholarship, erudite, and full of innovative ways of interpreting Arabic and Persian poetry." —Omar Pound"[This book] reads Arabic and Persian poetry in a refreshingly new and significant way. . . . raises our understanding . . . to a new level." —James T. MonroeInnovative methodologies reorient critical readings of classical Middle Eastern literature.

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In Indian Cinema in the Time of Celluloid, Ashish Rajadhyaksha argues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. Taking as his timeframe the era of celluloid, which is also marked by public experiences of spectatorship and uses of cinema by the state, Rajadhyaksha examines three moments of crisis for the Indian State in which cinema played a central role.

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