Search results for ""bloomsbury publishing""

As the routed North Korean People’s Army (NKPA) withdrew into the mountainous reaches of their country and the People’s Republic of China (PRC) funneled in its massive infantry formations in preparation for a momentous counter-offensive, both lacked adequate air power to challenge US and UN. Reluctantly, Josef Stalin agreed to provide the requisite air cover, introducing the superior swept-wing MiG-15 to counter the American’s straight-wing F-80 jets. This in turn prompted the USAF to deploy its very best – the F-86A Sabre – to counter this threat. Thus began a two-and-a-half-year struggle in the skies known as “MiG Alley.” In this period, the unrelenting campaign for aerial superiority witnessed the introduction of successive models of these two revolutionary jets into combat. This meticulously researched study not only provides technical descriptions of the two types and their improved variants, complete with a “fighter pilot’s assessment” of these aircraft, but also chronicles the entire scope of their aerial duel in “MiG Alley” by employing the recollections of the surviving combatants – including Russian, Chinese, and North Korean pilots – who participated.

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This updated textbook unravels the complex issues related to methodology and theory in the study of religion. It equips students with the knowledge needed for the academic study of religion, explaining the history of the methodology, including ideas of key theorists, and discusses key issues in the field, such as gender, phenomenology, and the insider/outsider discourse. Updated throughout, additional material includes: -New chapter on colonialism and post-colonialism -New chapter on insider/outsider discourse -Coverage of ‘cyber-religion' and the internet as a research tool in religious studies Study and classroom features in each chapter include: -Chapter outlines -Case studies -Boxed key concepts -Discussion questions -Chapter bibliographies The text is illustrated throughout with 35 images, and extra resources can be found online, including additional coverage of 'levels of religion'.

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M. Cornelius Fronto was a Roman senator from North Africa, and the foremost Latin orator and legal advocate of the mid-second century A.D. Fronto’s talent and fame led to his appointment as tutor to Marcus Aurelius and Lucius Verus, the adoptive sons of the emperor Antoninus Pius, in the late 130s A.D. Fronto’s extant correspondence, discovered in the early nineteenth century, consists of around two hundred letters extending over a period of more than twenty-five years, from the late 130s to the mid-160s A.D. In this period, Fronto educated Marcus and Verus in the art of Latin rhetoric, and watched with pride as his illustrious pupils matured and ascended the throne. The correspondence includes letters Fronto exchanged with Marcus and Verus, their father Antoninus Pius, leading senators, and other influential figures at court. This collection features new English translations and commentaries on fifty-four letters from Fronto’s correspondence. The letters have been selected for the insights they provide into the political and social history of the Roman empire in the second century A.D., with particular emphasis on court politics and intrigue, the Parthian War, and family relationships among members of the Roman elite. The letters have been arranged in approximate chronological order, enabling the reader to take a journey through Fronto’s life over a quarter of a century. The introduction discusses Fronto’s life and career, Roman letter writing, the history and character of Fronto’s correspondence, and the relationship between Fronto and Marcus Aurelius. It also includes brief biographies of key individuals and family trees. The translation of fifty-four letters with contextual editorial introductions and notes is divided into the following sections: Educating Caesar; Fronto and Herodes; Fronto the Consul; Family Affairs; Politics and Patronage; The Reign of Marcus and Verus; Fronto, Verus and the Parthian War; and Fronto’s Grief.

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International Development in a Changing World introduces key issues, debates and ideas about development in the 21st century. Uniquely interweaving international relations and development studies, the authorial team examines the contested concepts of poverty, inequality and livelihood, and the emergence of 'new powers' that will affect the architecture of international development. Themes of power and agency, history and scale integrate the many stories of development covered in the book, highlighting development as a complex process of change and interaction between people as well as between people and institutions, including governments and non-governmental organizations. Interdisciplinary in character, the book incorporates theories and tools from across the social sciences to provide a more holistic understanding of the social, economic and political transformations involved than most textbooks in the field can offer. Chapters are designed to inform policy and practice, moving from the theoretical to look closely, using a series of case studies, at the deliberate actions of people to improve their livelihoods, communities and societies. International Development in a Changing World is the first of two books in The Open University's International Development series. Whether used as a stand-alone text, or alongside its companion text: New Perspectives in International Development, this is an ideal introduction to the field for students of International Development, International Relations, Global Politics and Global Social Policy.

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At the heart of South Africa’s ‘miracle’ transition from intractable ethno-racial conflict to democracy was an improvised nation born out of war weariness, hope, idealism and calculated pragmatism on the part of the elites who negotiated the compromise settlement. In the absence of any of the conventional bonds of national consciousness, the improvised nation was fixed on the civic identity and national citizenship envisaged in the new constitution. In the twentieth anniversary year of the country’s democracy, South Africa reviews the progress of nation-building in post-apartheid South Africa, assesses how well the improvised nation has been embedded in a shared life for South Africans and offers a prognosis for its future. It draws up a socio-economic profile of the population which is the raw material of nation-building. It measures the contributions of the polity and the constitution, religion and values, as well as sport and the media, to building a sense of national citizenship. The book explains the abrupt discontinuity between the contributions of Nelson Mandela and Thabo Mbeki to nation-building and goes on to note the changing focus from reconciliation between black and white to include a concern for social cohesion in a society beset by violent crime, corruption and citizen deviance and dissidence. South Africa reconsiders the short, intense life cycle of Afrikaner nationalism and portrays the ambiguous relationships between African nationalism, non-racialism, civic nationalism and ‘African tradition’ in the ideology and practice of the African National Congress. In doing so, it provides a comprehensive analysis of a crucial aspect of South Africa’s first twenty years of democracy, as well as exploring intriguing questions for the student of nationalism.

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Investigation of the Latin poetry produced by British poets from the sixteenth century onwards affords an indispensible insight into a dominant strand in the intellectual, cultural and educational life of the British Isles during this period. At this time, the composition of Latin poetry was a regular feature of school curricula and a popular leisure-time activity of the educated elite. Such examination also sheds light on the poetic principles and practice of major British poets (such as Campion, Cowley, Herbert and Milton) who penned a large quantity of neo-Latin verse in addition to their better-known vernacular works.

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'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

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The image of Eugene Delacroix as an august artist with an august oeuvre was initially frozen into place by posthumous tributes and it has continued to the present. He was one of the finest yet least understood painters of the nineteenth century, the golden age of the French Romantic movement. He is remembered best for his masterpiece, La Liberte guidant le people, but few of his works have received the kind of constant, fascinated revisiting that has sealed the iconic status of Theodore Gericault's Le Radeau de la Meduse, for example. This book is one of the first to look carefully at individual paintings by Delacroix, especially at one of his most important works - a key but often overlooked painting from early Romanticism's heyday, Scene des massacres de Scio.

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Film historian James Chapman has mined Hitchcock's own papers to investigate fully for the first time the spy thrillers of the world's most famous filmmaker. Hitchcock made his name as director of the spy movie. He returned repeatedly to the genre from the British classics of the 1930s, including The 39 Steps and The Lady Vanishes, through wartime Hollywood films Foreign Correspondent and Saboteur to the Cold War tracts North by Northwest, Torn Curtain and his unmade film The Short Night. Chapman's close reading of these films demonstrates the development of Hitchcock's own style as well as how the spy genre as a whole responded to changing political and cultural contexts from the threat of Nazism in the 1930s and 40s to the atom spies and double agents of the post-war world.

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Sir William Smith's A Dictionary of the Bible provides a truly comprehensive companion to the Bible. Its 5,000 entries and more than 3,000 pages offer detailed authoritative accounts of the people, places, cities, customs, plants and animals in the Bible and of the books that make up the Old Testament, the New Testament and the Apocrypha. Entries range from shorter accounts to major essays and provide a wealth of historical, cultural and etymological insight. The dictionary contains a complete listing of every name in the Bible, including the minor names that are not to be found in other reference works. Entries are cross-referenced to passages in the Bible. Among the leading contributors are George Grove, who collaborated with Smith on the subsequent Atlas of Ancient Geography, Biblical and Classical, and E. Stanley Poole, the noted Arabist. Illustrated and with a new introduction by leading contemporary scholar, Michael Ledger-Lomas, these handsome volumes form a unique and valuable resource.

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Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.

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Terrorism has a variety of contexts, histories and forms which have all been the focus of intense scrutiny in recent years, whilst cultural representations of the terrorist have received much less attention, which is odd when we consider that terrorism by its very nature is spectacle. Dissident organisations create images of terrorists as martyrs, heroes or avengers and international counter terrorist agencies visualise them to provide the threat with a recognisable persona. Osama bin Laden for example was variously portrayed as effeminate and sexually depraved and pictures of his dead body were banned from publication by the United States government. Terrorist Transgressions examines images of the terrorist and discusses in what way they challenge societal norms, particularly those surrounding gender. Despite the traditional alliance between terrorism and masculinity, women have been active in terrorist organisations and through tactics such as suicide bombing have used their very bodies as weapons. Such attacks have subverted cultural constructions of masculinity and femininity and have had profound repercussions for both the gendering of violence and the terrorist profile. This book explores how the terrorist is represented and the processes through which they have subsumed so many popular cultural myths. It discusses how a terrorist's capacity for destruction can be linked to their appropriation or rejection of gender stereotypes and includes essays on masculinities in post-conflict Northern Ireland, gendered insurgency, the colonial state of exception, Oedipal rivalries, the German Red Army Faction, masculinity in Fox television saga 24 and Anders Behring Breivik's sartorial code. In addition to essays that debate the broad imagery that surrounds terrorism's visual cultures it includes pages by artists who question the role of censorship and the physiognomy of evil.

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The Mongol Empire was the mightiest land empire the world has ever seen. At its height it was twice the size of its Roman equivalent. For a remarkable century and a half it commanded a population of 100 million people, while the rule of Chinggis (Genghis) Khan marched undefeated from the Pacific Ocean to the Caspian Sea. George Lane argues that the Mongols were not only subjugators who swept all before them but one of the great organising forces of world history. His book traces the rise of the Great Khan in 1206 to the dissolution of the empire in 1368 by the Ming Dynasty. He discusses the unification of the Turko-Mongol tribes under Chinggis' leadership; the establishment of a vigorous imperium whose Pax Mongolica held mastery over the Central Asian steppes; imaginative policies of religious pluralism; and the rich legacy of the Toluid Empire of Yuan China and Ilkhanate Iran. Offering a bold and sympathetic understanding of Mongol history, the author shows that commercial expansion, cultural assimilation and dynamic political growth were as crucial to Mongol success as desire for conquest.

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Over the last decade, a realist tendency has made its mark on the world cinema map. What are its main aesthetic and political characteristics? How does it relate to the realist canon and world cinema history? What are the different facets of this phenomenon as expressed in diverse cinemas across the globe? Drawing on foundational realist theories and recent takes on the body and the senses, this illuminating book aims to provide in-depth answers to these questions by examining the fascinating work of Carlos Reygadas (Mexico), Tsai Ming-liang (Taiwan) and Gus Van Sant (US), including award-winning films such "Japon", "Vive l'amour" and "Elephant". In their common allegiance to the long take, these are cinemas characterised by a sensory mode of address based on the protracted inspection of physical reality. Their hyperbolic focus on material phenomena, de Luca argues, translates into phenomenological film experiences that provide an antidote to a world saturated by simulation processes. The book demonstrates how these cinemas politically affirm new ways of being in the world.

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Sheikh Mubarak was the founder of the modern state of Kuwait. But the man who actually led Kuwait to modernity was his son Abdullah Mubarak Al-Sabah, one of the most significant figures of Kuwait from the 1940s to Kuwaiti independence in 1961. Largely responsible for the creation of the Kuwaiti defence forces, Abdullah Mubarak Al-Sabah made a point of prioritising what he saw to be Kuwait's national interests in the face of British, American and Iranian pressures during a crucial period of change. He developed carefully crafted, cautious relations with foreign oil companies and secured Kuwait's economic standing through his driven and single-minded policies. The author here presents this part-biography, part-history of modern Kuwait, with fresh new research and insights. From America's drive to build stronger connections in the region in the 1950s, when both the Cold War and Arab nationalisms were in full play, to sensitive diplomatic issues such as water, border disputes and difficult interactions with Iraq, especially following the 1958 revolution of Abd al-Karim Qasim, the author examines Kuwait's relations with its neighbours and the West, and the role played by this pivotal figure in the country's history and development. This book makes a significant contribution to understanding the complex politics of modern Kuwait and the recent history of the Gulf States.

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The greatest of Roman historians, Publius Cornelius Tacitus (56-117 CE) studied rhetoric in Rome. His rhetorical and oratorical gifts are evident throughout his most substantial works, the incomplete but still remarkable Annals and Histories. In concise and concentrated prose, marked by sometimes bitter and ironic reflections on the human capacity to misuse power, Tacitus charts the violent trajectory of the Roman Empire from Augustus' death in 14 CE to the end of Domitian's rule in 96. Victoria Emma Pagan looks at Tacitus from a range of perspectives: as a literary stylist, perhaps influenced by Sallust; his notion of time; his modes of discourse; his place in the historiography of the era; and the later reception of Tacitus in the Renaissance and early modern periods. Tacitus remains of major interest to students of the Bible, as well as classicists, by virtue of his reference to 'Christus' and Nero's persecution of the Christians after the great fire of Rome in 64 CE. This lively survey enables its readers fully to appreciate why, in holding a mirror up to venality and greed, the work of Tacitus remains eternal.

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What makes British television crime drama so perennially popular, both in the UK and abroad? The TV Detective addresses this question, examining a range of series; including A Touch of Frost, Lewis, Life on Mars and the more recent Luther in the context of their broader social meaning. Helen Piper develops a compelling argument regarding the cultural relevance of television detectives, claiming that they have privileged roles as the ‘voices’ of dissent within society. Many of the programmes studied here chart sentiments of social loss or change and accommodate contemporary concerns. The discontented TV detective, Piper suggests, may serve to express a broader sense of cultural malaise.

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Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975). Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer.

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Premiering in 2006,Ugly Betty, the award-winning US hit show about unglamorous but kind-hearted Betty Suarez (America Ferrera),is the latest incarnation of a worldwide phenomenon that started life as a Colombian telenovela,Yo soy Betty,la fea, back in 1999. The tale of the ugly duckling has since taken an extraordinary global journey and become the most successful telenovela to date. This groundbreaking book asks what the Yo soy Betty,la fea/Ugly Betty phenomenon can tell us about the international circulation of locally produced TV fictions as the Latin American telenovela is sold to,and/or re-made-officially and unofficially-for different national contexts. The contributors explore what Betty has to say about the tensions between the commercial demands of multimedia conglomerates and the regulatory forces of national broadcasters as well as the international ambitions of national TV industries and their struggle in competitive markets. They also investigate what this international trade tells us about cultural storytelling and audience experience,as well as ideologies of feminine beauty and myths of female desire and aspiration. TV's Betty Goes Global features original interviews with buyers and schedulers,writers,story editors and directors,including the creator of Yo soy Betty, la fea, Fernando Gaitan

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Cypriot pollitics are among the most contentious in Europe, and frequently attract the attention of the international community. Here, Yiannos Katsourides traces the historical development of the Cypriot party system, and in particular the growth of the Communist Party, now known as AKEL- the first formally organised political party on the island. The party was a political movement with a specific programme for radical reform that conficted both with the British Empire and the local establishment. It was treated with hostility and declared illegal. Based on new archival research, Katsorides addresses the social, religious, economic and political environment in which communist and working class politics existed on the island, and locates them within the context of a country connected inextricably with Turkey, Great Britain and Greece. This book will be of significant interest to anyone interested in the history of Cyprus, European communist movements or British colonialism and diplomacy in the Mediterranean.

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Sigmund Freud spent the final year of his life at 20 Maresfield Gardens, London, surrounded by all his possessions, in exile from the Nazis. The long-term home and workspace he left behind in Berggasse 19, Vienna is a seemingly empty space, devoid of the great psychoanalyst's objects and artefacts. Now museums, both of these spaces resonate powerfully. Since 1989, the Freud Museum London has held over 70 exhibitions by a distinctive range of artists including Louise Bourgeois, Sophie Calle, Mat Collishaw, Susan Hiller, Sarah Lucas and Tim Noble and Sue Webster. The Sigmund Freud Museum Vienna houses a small but impressive contemporary art collection, with work by John Baldessari, Joseph Kosuth, Jenny Holzer, Franz West and Ilya Kabakov. In this remarkable book, Joanne Morra offers a nuanced analysis of these historical museums and their unique relationships to contemporary art. Taking us on a journey through the `site-responsive' artworks, exhibitions and curatorial practices that intervene in the objects, spaces and memories of these museums, Joanne Morra offers a fresh experience of the history and practice of psychoanalysis, of museums and contemporary art.

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On 14 January 1930, Horst Wessel, a young and ambitious member of the SA was shot at close range at his home in Berlin. Although the crime was never completely solved, the murder was most likely committed by a group of communists with close ties to the city's gangland. Wessel later died from his injuries. Joseph Goebbels, whose attention had already been drawn to Wessel as a possible future Nazi leader, was the first to recognize the propaganda potential of the case. 'A young martyr for the Third Reich' he wrote in his diary on 23 February 1930 immediately after receiving the news of Wessel's death. This was the beginning of the myth-making that transformed an ordinary individual into a masculine role model for an entire generation. Two months later, thousands of people lined the streets for Wessel's funeral parade and Goebbels delivered a graveside eulogy. In the years that followed - and as Nazi power increased - Horst Wessel became the hero of the Nazi movement - with his elaborate memorial quickly becoming a site of pilgrimage. The song Die Fahne Hoch for which Wessel had written the lyrics (and which subsequently became popularly known as the Horst Wessel Song) became the official Nazi party anthem and the Berlin district of Friedrichshain, where Wessel was murdered was renamed Horst-Wessel-Stadt in his honour. Numerous biographies and films followed. Using previously unseen material, Daniel Siemens provides a fascinating and gripping account of the background to Horst Wessel's murder and uncovers how and why the Nazis made him a political hero. He examines the Horst Wessel 'cult' which emerged in the aftermath of Wessel's death and the murders of revenge, particularly against Communists, committed by the SA and Gestapo after 1933. At the same time, the story of Horst Wessel provides a portrait of the Nazi propaganda machine at its most effective and most chilling.

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In the eighteenth century a new subject emerged that was to capture the interest and imagination of scholars and the educated public for the next 150 years. Called 'ancient geography' or 'classical geography', its focus was the geographical study of the ancient Mediterranean, in particular the worlds of ancient Greece and Rome. Geographers, explorers, classicists and historians all contributed to its rise, as it flourished in both Britain and America. Yet in the 1920s the subject began to decline, so that its story has been lost. This pioneering volume is the first full-length study to explore the emergence of classical geography and its role in both the geographical and classical traditions. The author begins with the expeditions sponsored or undertaken by the members of the Society of Dilettanti in the second half of the eighteenth and the early nineteenth centuries. Expeditions by such figures as Richard Chandler, James Stuart and Nicholas Revett, Sir William Gell, Robert Wood and William Martin Leake, marked a new and more serious study of Greek and Near Eastern landscapes. At the same time, in post-Revolutionary America the Founding Fathers felt it important that Americans should know something of the history and geography of the ancient world, and leading figures such as Thomas Jefferson - a lifelong reader of the classics and a founding father of American geography - and Benjamin Franklin, ensured that classical geography became part of both the school and university curriculum. Professor Koelsch gives equal prominence to the story as it unfolded in both Britain and America. He explores the impact and influence of key figures and institutions over a period of almost two centuries. They range from William Ramsay, Edward Herbert Bunbury, John Linton Myres, Henry Fanshawe Tozer, William Gladstone, Edward Augustus Freeman, and Halford Mackinder in England, to Benjamin Franklin, Thomas Jefferson, Benjamin Rush, Ellen Semple, and John Kirtland Wright in America. The author relates the part that classical geography played in the rise of British geography, through the Oxford School of geography, and in the story of the early American institutions such as the College of William and Mary, the University of Virginia, Harvard University, the College of New Jersey (now Princeton) as well as later universities such as the University of California, Cornell, Johns Hopkins and the University of Chicago. In recovering the trajectory of classical geography from its adventurous beginnings, through its heyday and later decline, the author restores this almost forgotten part of the geographical and classical tradition. The result is a work of outstanding scholarship that will interest historical geographers, classicists, historians and all students of the classical tradition.

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How did Iran remain distinctively Iranian in the centuries which followed the Arab Conquest? How did it retain its cultural distinctiveness after the displacement of Zoroastrianism - state religion of the Persian empire - by Islam? This latest volume in "The Idea of Iran" series traces that critical moment in Iranian history which followed the transformation of ancient traditions during the country's conversion and initial Islamic period. Distinguished contributors (who include the late Oleg Grabar, Roy Mottahedeh, Alan Williams and Said Amir Arjomand) discuss, from a variety of literary, artistic, religious and cultural perspectives, the years around the end of the first millennium CE, when the political strength of the 'Abbasid Caliphate was on the wane, and when the eastern lands of the Islamic empire began to be take on a fresh 'Persianate' or 'Perso-Islamic' character. One of the paradoxes of this era is that the establishment throughout the eastern Islamic territories of new Turkish dynasties coincided with the genesis and spread, into Central and South Asia, of vibrant new Persian language and literatures. Exploring the nature of this paradox, separate chapters engage with ideas of kingship, authority and identity and their fascinating expression through the written word, architecture and the visual arts.

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In 2010, the eleventh Doctor, Matt Smith, first appeared on TV; in 2013, the year of the 50th anniversary of the first episode of Doctor Who, he regenerated into his successor, Peter Capaldi. This first book devoted to the era of Matt Smith and showrunner Steven Moffat is written by the experts on the Doctor. It is wide-ranging and varied in viewpoint and explores a colourful range of issues, including the performance of the Doctor, the gothic and fairy-tale genres, the portrayal of history on screen, gender and sexuality, the phenomenon of Christmas television, the transatlantic dimensions of the programme, its look and sound, promotional culture and audience response. Also discussed are Doctor Who interactive games and the spin off The Sarah Jane Adventures. Written in an accessible style, Doctor Who, the Eleventh Hour is a valuable contribution to Doctor Who watching and thinking, for all who follow or study this televisio phenomenon.

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The use of child soldiers in the Sudan Civil War has shattered the accepted understanding of why children join armies. Thousands of children signed up to participate in Africa's longest running civil war, yet so far the international community and the academic world have viewed them as victims rather than participants. In this groundbreaking new study, Christine Emily Ryan challenges preconceptions which have held back aid work and reconstruction in the Sudan region. Using face-to-face testimonies of former child soldiers, she illuminates the multi-dimensional motivations which children have for joining the Sudan Liberation Army, and unravels the complexity of their political participation. At the same time, interviews with NGO personnel illustrate the gap that exists between the West and the reality of conflict in Africa. 'Children of War' provides a powerful critique of the position taken by the international community, NGOs and academia to the phenomenon of child soldiers, and calls for a new approach to conflict resolution in Africa.

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“This book is a good idea…What I like is there will be one idea every day – and only one. Your mind will not get jumbled. Think on what you read…. Some ideas you will like. Others may not work for you. With advocacy, this is always the way. But the point is to try things out – one day at a time.” Iain Morley QC, author of The Devil’s Advocate, from the Foreword to 365 Daily Advocacy Tips 365 Daily Advocacy Tips is packed with pithy, serious, amusing, and thought-provoking tips for each day of the year, from a refreshingly diverse range of sources. Providing a fascinating insight into the principles of good advocacy, it also contains essential knowledge of related topics such as how people make decisions, indicators of credibility and the ‘rules’ of argument and rhetoric. Unlike most texts on advocacy 365 Daily Advocacy Tips provides an insight to psychology and how to break down the rules of argument and rhetoric. It also covers acronyms to help remember techniques, useful quotes from history and literature that can be used in cases and references to other texts both legal and non-legal. Lengthy and studious volumes of advocacy have their place, but sometimes just one morsel of advice is needed to change an entire day’s work. This calendar of tips and tales from the world of advocacy will prove an able companion for every advocate serious about continuous and incremental improvement in their knowledge, skill and practice.

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The brand new title that sets out the law and practice of planning applications, appeals and challenges, particularly focussing on: -The need for planning permission and the concept of development -Permitted development rights -Applying for planning permission and the consideration of applications by local authorities -Planning appeals -The role of the Secretary of State and the Welsh Ministers -Planning permission granted by development orders Dealing with why planning permission is needed, how it is obtained by permitted development, planning applications and orders, this essential new title begins with the concept of development, the need for planning permission and permitted development rights. Planning applications are then considered at the local authority, appeal and call-in stages, with advice provided for developers, local authorities, interest groups and residents, setting out clearly how each can be involved in the process. High Court challenges are considered thoroughly. Finally, complex questions regarding the interpretation and implementation of each area of this process are discussed. What does it include? Planning Permission analyses the legal rules and caselaw, including the 2015 orders. Practical advice is given on making and responding to applications, dealing with planning committees, Ministerial interventions, appeals and call-ins. The operation of the Planning Court is also addressed from the practitioner’s perspective. Helpful appendices include the relevant parts of the Town and Country Planning Act 1990, the Development Management Procedure Order 2015, the General Permitted Development Order 2015, the Use Classes Order and the appeal rules and regulations. Contents: 1 Outline of the planning system and underlying principles; 2 The meaning of development; 3 The Use Classes Order; 4 The need for planning permission; 5 Permitted development rights; 6 Planning applications; 7 Environmental Impact Assessment; 8 Determining planning applications; 9 Material Considerations 10 London; 11 Planning conditions; 12 Planning Obligations; 13 The issue of planning permission; 14 Planning permission for variations and retrospective consents: Section 73 and 73A; 15 Non-material variations; 16 Reserved matters and approval of details under conditions; 17 Call-ins and the role of Ministers; 18 Planning applications made to Ministers; 19 Planning Appeals – preliminaries and tactics; 20 Householder and minor commercial appeals; 21 Written representations; 22 Hearings; 23 Inquiries; 24 The appeal decision and costs; 25 High Court challenges; 26 Other means of obtaining planning permission – development orders, deemed planning permission and Simplified Planning Zones; 27 Community Infrastructure Levy; 28 Interpretation of planning permission; 29 Implementation This title is included in Bloomsbury Professional's Planning Law online service.

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What does it mean to be marginalized? Is it a passive condition that the disadvantaged simply have to endure? Or is it a manufactured label, reproduced and by its nature transitory? In the wake of the new uprising in Egypt, this insightful collection explores issues of power, politics and inequality in Egypt and the Middle East. It argues that the notion of marginality tends to mask the true power relations that perpetuate poverty and exclusion. It is these dynamic processes of political and economic transformation that need explanation. The book provides a revealing analysis of key areas of Egyptian political economy, such as labour, urbanization and the creation of slums, disability, refugees, street children, and agrarian livelihoods, reaching the impactful conclusion that marginalization does not mean total exclusion. What is marginalized can be called upon to play a dynamic part in the future -- as is the case with the revolution that toppled President Mubarak.

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China is a rising economic and political power. But what is the message of this rise? Tongdong Bai addresses this increasingly pressing question by examining the rich history of political theories and practices from China's past, and showing how it impacts upon the present. Chinese political traditions are often viewed negatively as 'authoritarian' (in contrast with 'Western' democratic traditions), but the historical reality is much more complex and there is a need to understand the political values shaping China's rise. Going beyond this, Bai argues that the debates between China's two main political theories - Confucianism and Legalism - anticipate themes in modern political thought and hence offer valuable resources for thinking about contemporary political problems. Part of Zed's World Political Theories series, this groundbreaking work offers a remarkable insight into the political history and thought of a nation that is becoming increasingly powerful on the world stage.

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After almost forty years of development aid most commentators agree that aid as we know it has not worked. Aid fatigue is suffered on both the donor and recipient sides, with a wide divergence between those who call for a radical overhaul of aid delivery methods, those who advocate a complete end to development aid and those who continually demand significant increases in aid flows. David Fee provides a refreshing, insightful and comprehensive analysis of how an exit may actually be possible - drawing on real experience and as such supplying a simple summary of recommended policy steps. The author thoroughly reviews aid for trade, regional integration and microfinance and a host of other solutions that have been proposed - arguing that an exit strategy for both donors and the least developed countries will have to consider the optimal combination of these specific initiatives to best satisfy the necessity of development and at the same time solve the problems of conventional aid.

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Inspiring. -MARK BITTMANOne of the best stories under the sun. -JOSÉ ANDRÉSFrom James Beard Award-winner Rowan Jacobsen, the thrilling story of the farmers, activists, and chocolate makers fighting all odds to revive ancient cacao and produce the world''s finest bar.When Rowan Jacobsen first heard of a chocolate bar made entirely from wild Bolivian cacao, he was skeptical. The waxy mass-market chocolate of his childhood had left him indifferent to it, and most experts believed wild cacao had disappeared from the rainforest centuries ago. But one dazzling bite of Cru Sauvage was all it took. Chasing chocolate down the supply chain and back through history, Jacobsen travels the rainforests of the Amazon and Central America to find the chocolate makers, activists, and indigenous leaders who are bucking the system that long ago abandoned wild and heirloom cacao in favor of high-yield, low-flavor varietals preferred by

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