Search results for ""Verso Books""

The centenary of the outbreak of the First World War may be commemorated by some as a great moment of national history. But the standard history of Britain's choice for war is far from the truth. Using a wide range of sources, including the personal papers of many of the key figures, some for the first time, historian Douglas Newton presents a new, dramatic narrative. He interleaves the story of those pressing for a choice for war with the story of those resisting Britain's descent into calamity. He shows how the decision to go to war was rushed, in the face of vehement opposition, in the Cabinet and Parliament, in the Liberal and Labour press, and in the streets. There was no democratic decision for war.The history of this opposition has been largely erased from the record, yet it was crucial to what actually happened in August 1914. Two days before the declaration of war four members of the Cabinet resigned in protest at the war party's manipulation of the crisis. The government almost disintegrated. Meanwhile large crowds gathered in Trafalgar Square to hear the case for neutrality and peace. Yet this cry was ignored by the government. Meanwhile, elements of the press, the Foreign Office, and the Tory Opposition sought to browbeat the government into a quick decision. Belgium had little to do with it.The key decision to enter the war was made before Belgium was invaded. Those bellowing for hostilities were eager for Britain to enter any war in solidarity with Russia and France - for the future safety of the British Empire. In particular Newton shows how Prime Minister H. H. Asquith, Foreign Minister Sir Edward Grey, and First Lord of the Admiralty Winston Churchill colluded to pre-empt the decisions of Cabinet, to manipulate the parliament, and to hurry the nation toward intervention by any means necessary.

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Night of the Golden Butterfly concludes the Islam Quintet-Tariq Ali's much lauded series of historical novels, over twenty years in the writing, which has been translated into a dozen languages Completing an epic panorama that began in fifteenth-century Moorish Spain, the concluding novel moves between the cities of the twenty-first century, from Lahore to London, from Paris to Beijing. The narrator is rung one morning and reminded that he owes a debt of honour. The creditor is Mohammed Aflatun-known as Plato-an irascible but gifted painter living in a Pakistan where "human dignity has become a wreckage." Plato, who once specialized in stepping back from the limelight, now wants his life story written.As the tale unravels we meet Plato's London friend Alice Stepford, now a leading music critic in New York; Mrs. "Naughty" Latif, the Islamabad housewife whose fondness for generals forces her to flee to the salons of intellectually fashionable Paris, where she becomes an overnight celebrity, hailed as the Diderot of the Islamic world; and there's Jindie, the Golden Butterfly of the title, the narrator's first love. The daughter of a Chinese family long settled in Lahore, Jindie is now married to his best friend, a Republican heart surgeon in DC, whose children cannot forgive him for saving the life of a much-despised politician.Interwoven with this chronicle of contemporary life is the turbulent history of Jindie's family. Her great forebear, Dù Wénxiù, led a Muslim rebellion in Yunnan in the nineteenth century and ruled the region from his capital Dali for almost a decade as Sultan Suleiman. Night of the Golden Butterfly shows Ali in full flight, at once imaginative and intelligent, satirical and stimulating.

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First published in 1967, Guy Debord's stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord's pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today's age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the "integrated spectacle" was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord's Comments convey the revolutionary impulse atthe heart of situationism.

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The health emergency that broke out in 2020 is a landmark event in the development of capitalism, confirming the underlying change signalled by the Great Crisis of 2007-9. The Pandemic Crisis has catapulted the state to the centre of economic activity. However, a historic impasse is steadily becoming apparent at the core of the world economy Productive accumulation is flaccid, as both profitability and labour productivity are weak. Financialisation has entered a new phase, as "shadow banking" grew relative to other banks but is entirely dependent on the state. The power of the state derives from command over fiat money and can certainly deliver enormous boosts to aggregate demand, but that is not enough to tackle the weakness of the productive sector. The rise in inflation for the first time in forty years indicates the impasse. There is a transparent need for intervention on the supply side, directly challenging capitalist property rights. There is no evidence, however, that the ruling blocs in core countries would engage in such policies.The Pandemic Crisis also brought to the fore fresh divisions of core and periphery across the world economy. Imperialism has assumed new forms, spurred by globally active financial capital and internationalised productive capital. A renewed contest for hegemony has emerged as US power declined. The economic challenge of China will unfold steadily in the years ahead, intensifying political tensions and military rivalries. This book is the work of a research collective comprising authors from several parts of the world. It analyses these vital issues from the perspective of Marxist political economy and puts forth alternative anticapitalist proposals.

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In Who Will Build the Ark?, leading radical thinkers debate left alternatives to runaway global heating, capitalist crisis and wider environmental breakdown, clarifying the stakes in today's key disputes between Green New Deal supporters and proponents of 'degrowth'. In a series of landmark texts first published by New Left Review, Herman Daly and Benjamin Kunkel discusses the possibility of an egalitarian, steady-state economy, while Robert Pollin warns against the worldwide slump 'degrowth' could bring and calls instead for a single-issue campaign - 2 per cent of global GDP dedicated to the switch to renewable energy - as the swiftest solution to the emissions crisis. Nancy Fraser envisages an eco-socialist exit from capitalism's multifold crises, while Troy Vettese advocates eco-austerity and half-earth rewilding. Lola Seaton draws out the strategic implications of these contested perspectives, in a set of unavoidable 'green questions'. In the realm of contemporary politics, Alyssa Battistoni writes on the dead-end of COP diplomacy, Cédric Durand asks whether energy shortages will derail the transition away from fossil fuels, and Thomas Meaney compares Green New Deal proposals to the pinched reality of Biden's Inflation Reduction Act.The world's major powers accept the likelihood of dangerous climate change, yet seem incapable of averting it. Can radical green models generate the social leverage needed to do so? Or, as Mike Davis puts it: Who will build the Ark?

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In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an "architectonic" unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano.

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Liberals have been arguing for nearly a century that racism is fundamentally an individual problem of extremist beliefs. Responding to Nazism, thinkers like gay rights pioneer Magnus Hirschfeld and anthropologist Ruth Benedict called for teaching people, especially poor people, to be less prejudiced. Here lies the origin of today's liberal antiracism, from diversity training to Hollywood activism. Meanwhile, a more radical antiracism flowered in the Third World. Anticolonial revolutionaries traced racism to the broad economic and political structures of modernity. Thinkers like C.L.R. James, Claudia Jones, and Frantz Fanon showed how racism was connected to colonialism and capitalism, a perspective adopted even by Martin Luther King.Today, liberal antiracism has proven powerless against structural oppression. As Arun Kundnani demonstrates, white liberals can heroically confront their own whiteness all they want, yet these structures remain.This deeply researched and swift-moving narrative history tells the story of the two antiracisms and their fates. As neoliberalism reordered the world in the last decades of the twentieth century, the case became clear: fighting racism means striking at its capitalist roots.

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If race is increasingly understood to be socially constructed, why does it continue to seem like a physiological reality? The trickery of race, Sita Balani argues, comes down to how it is embedded in everyday life through the domain we take to be most intimate and essential: sexuality. Modernity inaugurates a new political subject made legible as an individual through the nuclear family, sexual adventure and the pursuit of romantic love. By examining the regulation of sexual life at Britain's borders, in colonial India, and through the functioning of the welfare state, marriage laws, education, and counterterrorism, Balani reveals that sexuality has become fatally intertwined with the making of race.

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A thrilling and vivid work of history, Class War weaves together literature and politics to chart the making and unmaking of social class through revolutionary combat. In a narrative that spans the globe and more than two centuries of history, Mark Steven traces the history of class war from the Haitian Revolution to Black Lives Matter.Surveying the literature of revolution, from the poetry of Shelley and Byron to the novels of Émile Zola and Jack London, exploring the writings of Frantz Fanon, Che Guevara, and Assata Shakur, Class War reveals the interplay between military action and the politics of class, showing how solidarity flourishes in times of conflict. Written with verve and ranging across diverse historical settings, Class War traverses industrial battles, guerrilla insurgencies, and anticolonial resistance, as well as large-scale combat operations waged against capitalism's regimes and its interstate system.In our age of economic crisis, ecological catastrophe, and planetary unrest, Steven tells the stories of those whose actions will help guide future militants toward a revolutionary horizon.

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In Defense of Housing is the definitive statement on this crisis from leading urban planner Peter Marcuse and sociologist David Madden. Today our homes are being transformed into commodities, making the inequalities of the city ever more acute. Profit has become more important than social need. The poor are forced to pay more for worse housing. Communities are faced with the violence of displacement and gentrification. And the benefits of decent housing are only available for those who can afford it. The authors look at the causes and consequences of the housing problem and detail the need for progressive alternatives. The housing crisis cannot be solved by minor policy shifts, they argue. Rather, the housing crisis has deep political and economic roots—and therefore requires a radical response.

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Britain was once the leading economy in Europe; it is now the most unequal. In Shattered Nation, leading geographer and author of Inequality and the 1% shows that we are growing further and further apart. Visiting sites across the British Isles and exploring the social fissures that have emerged, Danny Dorling exposes a new geography of inequality. Middle England has been hit hard by the cost-of-living crisis, and even people doing comparatively well are struggling to stay afloat. Once affluent suburbs are now unproductive places where opportunity has been replaced by food banks. Before COVID, life expectancy had dropped as a result of poverty for the first time since the 1930s.Fifty years ago the UK led the world in child health; today, twenty-two of the twenty-seven EU countries have better mortality rates for newborns. No other European country has such miserly unemployment benefits; university fees so high; housing so unaffordable; or a government economically

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The rise of the new far right has left the world grappling with a profound misunderstanding. While the spotlight often shines on the actions of charismatic leaders such as Donald Trump and Jair Bolsonaro, the true peril lies elsewhere. Defeating these people will not stem the tide driving them forward. They are merely the embodiment of profound forces that are rarely understood. Propelled through the vast networks of social media and fueled by far-right influencers, enthralled by images of disaster and fantasies of doom, they have emerged from a reservoir of societal despair, fear, and isolation. Within this seething cauldron, we witness not only the surge of far-right political movements but also the sparks of individual and collective violence against perceived enemies, from ‘lone wolf’ killers to terrifying pogroms. Should a new fascism emerge, it will coalesce from these very elements. This is disaster nationalism.Richard Seymour delves deep into this alarming d

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Housing means prosperity and security for some; poverty, precarity and sickness for others. More people live in private rented accommodation than ever before, and rents rise without apparent reason. Homes are smaller every year, and nearly 20 per cent of tenants live in hazardous conditions. Homelessness is at a new high. Yet the government’s only solution is to promote homeownership.Against Landlords shows that this crisis is not the product of happenstance or political incompetence. Government policy has intentionally split British citizens into homeowners and renters, two classes set on very different financial paths. In the UK, one out of every twenty-one adults is a landlord, and it is this group, and those who aspire to join it, represented by the political class.In his radical new interpretation of the housing crisis, lawyer Nick Bano explains how this environment set the conditions for the Grenfell Tower fire and how it means a life of anxiety for t

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In What Is Cultural Criticism?, two leading critics grapple with problems of literature, politics and intellectual practice. The debate opens with Francis Mulhern’s account of what he terms ‘metacultural discourse’. This embraces two opposing critical traditions, the elite pessimism of Kulturkritik and the populist enthusiasms of Cultural Studies. Each in its own way dissolves politics into culture, Mulhern argues. Collini, on the other hand, protests that cultural criticism provides resources for genuine critical engagement with contemporary society. Tension between culture and politics there may be, but it works productively in both directions.This widely noticed encounter is that rare thing, a sustained debate in which, as Collini remarks, the protagonists not only exchange shots but also ideas. It concludes with Mulhern’s engagement with Collini’s writing on the subordination of universities to metrics and bureaucracy, and a companion re

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Every week it seems there is a fresh scandal involving abhorrent, racist, misogynist behaviour by police officers. Yet these are the very people women are supposed to approach for help when faced with violence. And many feminists, hoping to use the criminal justice system to protect women, fight for stronger laws and longer sentences for those who harm them.Why Would Feminists Trust the Police? traces the history of British feminism’s alliances and struggles with the law and its enforcers. Drawing on the legacy of Black British feminism, Leah Cowan reminds us of the vibrant and creative alternatives envisioned by those who have long known the truth: the police aren’t feminist, and the law does not keep women safe.

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Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. Honouring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essays also acknowledge a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of - and perhaps even practical betterment - of our increasingly troubled world.

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European Empires from Conquest to Collapse is a vivid anticolonial reckoning with the history of imperial warfare. Global in scope, it deftly surveys the fighting forces and military engagements of the Great Powers, from the British in India to the scramble for Africa. Victor Kiernan lays bare the doctrines and realities of colonial fighting, dispelling official legends. Europe often boasted that coloni- alism was ‘civilised’, but the facts show it could be barbaric. Kiernan traces how guerrilla insurgency against colonial oppression developed into one of the most sophisticated branches of the art of war.With a foreword by Tariq Ali, author of Winston Churchill: His Times, His Crimes.

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The Origin of German Tragic Drama is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. Georg Lukacs, an opponent of Benjamin's aesthetics, singled out The Origin of German Tragic Drama as one of the main sources of literary modernism in the twentieth century.

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Women are in a bind. In the name of consent and empowerment, they must proclaim their desires clearly and confidently. Yet sex researchers suggest that women's desire is often slow to emerge. And men are keen to insist that they know what women-and their bodies-want. Meanwhile, sexual violence abounds. How can women, in this environment, possibly know what they want? And why do we expect them to?In this elegant, searching book-spanning science and popular culture; pornography and literature; debates on Me-Too, consent and feminism-Katherine Angel challenges our assumptions about women's desire. Why, she asks, should they be expected to know their desires? And how do we take sexual violence seriously, when not knowing what we want is key to both eroticism and personhood?In today's crucial moment of renewed attention to violence and power, Angel urges that we remake our thinking about sex, pleasure, and autonomy without any illusions about perfect self-knowledge. Only then will we fulfil Michel Foucault's teasing promise, in 1976, that 'tomorrow sex will be good again'

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Matt Hern argues that the changing relationship between the urban center and the suburban periphery forces us to rethink the entire identity of the city itself. Today, most of the Western world lives on the city outskirts. Yet these neighborhoods that once offered security and respite from the perceived dangers of the city center have been radically transformed in the last few decades to poor, working-class and racialized communities. Outside the Outside maps these changes and argues for a revival of the social life of the city as a whole.Hern shows how language that relegates parts of the urban to the outside and designates other parts as the 'center' echoes colonial forms of domination. This should come as no surprise in an era when communities are forced onto the periphery and beyond by gentrification.With on-the-ground reportage in, among other places, Vancouver, Portland, London, Ferguson and Rabat, Hern demonstrates how we need to challenge our misconceptio

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The Xenofeminist Manifesto is an attempt to articulate a feminism fit for the twenty-first century. Unafraid of exploring the potentials of technology, exploring both oppressive and emancipatory possibilities, the manifesto seeks to uproot forces of oppression that have come to seem inevitable - from the family, to the body, to the idea of gender itself. The Xenofeminist Manifesto re-asserts that biology is not destiny, that no injustice should simply be accepted as 'the way things are', and looks to ways technologies can challenge our understandings of Nature - and even allow us to resist Nature itself.

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Set 16 of Verso's Radical Thinkers series.On the 200th anniversary of Karl Marx's birth, four titles that consider the life and works of Karl Marx.

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Examining a series of El Niño-induced droughts and the famines that they spawned around the globe in the last third of the 19th century, Mike Davis discloses the intimate, baleful relationship between imperial arrogance and natural incident that combined to produce some of the worst tragedies in human history. Late Victorian Holocausts focuses on three zones of drought and subsequent famine: India, Northern China; and Northeastern Brazil. All were affected by the same global climatic factors that caused massive crop failures, and all experienced brutal famines that decimated local populations. But the effects of drought were magnified in each case because of singularly destructive policies promulgated by different ruling elites. Davis argues that the seeds of underdevelopment in what later became known as the Third World were sown in this era of High Imperialism, as the price for capitalist modernization was paid in the currency of millions of peasants' lives.

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"Cities, like cats, will reveal themselves at night," wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today - home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun's down. If nightwalking is a matter of "going astray" in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city.In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets.With a foreword and afterword by Will Self, Nightwalking is a captivating literary portrait of the writers who explore the city at night and the people they meet.

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The leading art theorist takes on art in the age of the Internet In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Acclaimed art theorist Boris Groys argues this led to the development of “direct realism”: an art that would not produce objects, but practices (from performance art to relational aesthetics) that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art’s distinction. In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduc

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A giant of the political left, Rosa Luxemburg is one of the foremost minds in the canon of revolutionary socialist thought. But she was much more than just a thinker. She made herself heard in a world inimical to the voices of strong-willed women. She overcame physical infirmity and the prejudice she faced as a Jew to become an active revolutionary whose philosophy enriched every corner of an incredibly productive and creative life-her many friendships, her sexual intimacies, and her love of science, nature and art.Always opposed to the First World War, when others on the German left were swept up on a tide of nationalism, she was imprisoned and murdered in 1919 fighting for a revolution she knew to be doomed.In this beautifully drawn work of graphic biography, writer and artist Kate Evans has opened up her subject's intellectual world to a new audience, grounding Luxemburg's ideas in the realities of an inspirational and deeply affecting life.

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"It is easier to imagine the end of the world," the theorist Fredric Jameson has remarked, "than to imagine the end of capitalism." Jacobin Editor Peter Frase argues that technological advancements and environmental threats will inevitably push our society beyond capitalism, and Four Futures imagines just how this might look. Extrapolating possible futures from current changes the world is now experiencing, and drawing upon speculative fictions to illustrate how these futures might be realized, Four Futures examines communism, rentism, socialism, and exterminism-or in other words, the socialisms we may reach if a resurgent Left is successful and the barbarisms we may be consigned to if those movements fail.

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As the crisis of capitalism unfolds, the need for alternatives is felt ever more intensely. The struggle between radical movements and the forces of reaction will be merciless. A crucial battlefield, where the outcome of the crisis will in part be decided, is that of theory. Over the last twenty-five years, radical intellectuals across the world have produced important and innovative ideas. The endeavour to transform the world without falling into the catastrophic traps of the past has been a common element uniting these new approaches. This book-aimed at both the general reader and the specialist-offers the first global cartography of the expanding intellectual field of critical contemporary thought. More than thirty authors and intellectual currents of every continent are presented in a clear and succinct manner. A history of critical thought in the twentieth and twenty-first centuries is also provided, helping situate current thinkers in a broader historical and sociological perspective.

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Louis Althusser's renowned short text "Ideology and Ideological State Apparatuses" radically transformed the concept of the subject, the understanding of the state and even the very frameworks of cultural, political and literary theory. The text has influenced thinkers such as Judith Butler, Ernesto Laclau and Slavoj Zizek.The piece is, in fact, an extract from a much longer book, On the Reproduction of Capitalism, until now unavailable in English. Its publication makes possible a reappraisal of seminal Althusserian texts already available in English, their place in Althusser's oeuvre and the relevance of his ideas for contemporary theory. On the Reproduction of Capitalism develops Althusser's conception of historical materialism, outlining the conditions of reproduction in capitalist society and the revolutionary struggle for its overthrow.Written in the afterglow of May 1968, the text addresses a question that continues to haunt us today: in a society that proclaims its attachment to the ideals of liberty and equality, why do we witness the ever-renewed reproduction of relations of domination? Both a conceptually innovative text and a key theoretical tool for activists, On the Reproduction of Capitalism is an essential addition to the corpus of the twentieth-century Left.

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Miss Major Griffin-Gracy is a veteran of the infamous Stonewall Riots, a former sex worker, and a transgender elder and activist who has survived Bellevue psychiatric hospital, Attica Prison, the HIV/AIDS crisis and a world that white supremacy has built. She has shared tips with other sex workers in the nascent drag ball scene of the late 1960s, and helped found one of America's first needle exchange clinics from the back of her van. Miss Major Speaks is both document of her brilliant life-told with intimacy, warmth and an undeniable levity-and a roadmap for the challenges black, brown, queer and trans youth will face on the path to liberation today. Her incredible story of a life lived and a world survived becomes a conduit for larger questions about the riddle of collective liberation. For a younger generation, she warns about the traps of 'representation,' the politics of 'self-care,' and the frequent dead-ends of non-profit organizing; for all of us, she is a strike against those who would erase these histories of struggle. Miss Major offers something that cannot be found elsewhere: an affirmation that our vision for freedom can and must be more expansive than those on offer by mainstream institutions.

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Marxist Modernism is a comprehensive yet concise and conversational introduction to the Frankfurt School. It is also a new resource from one of the twentieth century’s most important philosophers: Gillian Rose.Her 1979 lectures on the Frankfurt School explore the lives and philosophies of a range of the school’s members and affiliates, including Adorno, Lukács, Brecht, Bloch, Benjamin, and Horkheimer, and outline the way each theorist developed Marx’s theory of commodity fetishism into a Marxist theory of culture.Edited by Robert Lucas Scott and James Gordon Finlayson

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In this acclaimed exploration of the culture of others, Rebecca Solnit travels through Ireland, the land of her long-forgotten maternal ancestors. A Book of Migrations portrays in microcosm a history made of great human tides of invasion, colonization, emigration, nomadism and tourism. Enriched by cross-cultural comparisons with the history of the American West, A Book of Migrations carves a new route through Ireland's history, literature and landscape.

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What is the contemporary legacy of Gramsci's notion of Hegemony? How can universality be reformulated now that its spurious versions have been so thoroughly criticized? In this ground-breaking project, Judith Butler, Ernesto Laclau and Slavoj Zizek engage in a dialogue on central questions of contemporary philosophy and politics. Their essays, organized as separate contributions that respond to one another, range over the Hegelian legacy in contemporary critical theory, the theoretical dilemmas of multiculturalism, the universalism-versus-particularism debate, the strategies of the Left in a globalized economy, and the relative merits of post-structuralism and Lacanian psychoanalysis for a critical social theory. While the rigor and intelligence with which these writers approach their work is formidable, Contingency, Hegemony, Universality benefits additionally from their clear sense of energy and enjoyment in a revealing and often unpredictable exchange.

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In this reissue of the 1972 classic of social anatomy, Richard Sennets adds a new introduction to shows how the injuries of class persist into the 21st century. In this intrepid, groundbreaking book, Richard Sennett and Jonathan Cobb uncover and define a new form of class conflict in America?an internal conflict in the heart and mind of the blue-collar worker who measures his own value against those lives and occupations to which our society gives a special premium.The authors conclude that in the games of hierarchical respect, no class can emerge the victor; and that true egalitarianism can be achieved only by rediscovering diverse concepts of human dignity. Examining personal feelings in terms of a totality of human relations, and looking beyond the struggle for economic survival, The Hidden Injuries of Class takes an important step forward in the sociological critique of everyday life.

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Today, it is not a question of if, but when? What we are watching is the collapse of the most successful political party in Europe. Despite winning the December 2019 General Election, the parliamentary conservative and unionist party is facing its own demise. It no longer speaks for, or to, the British people. Its leadership has sacrificed the long-standing commitment to the Union to 'Get Brexit Done'. And beyond this, it is an intellectual vacuum, propped up by half-baked doctrine and magical thinking. Burton-Cartlege's account starts with the Thatcher era, and show that swiftly the party struggled to find a popular vision for the United Kingdom. He charts the flaws an failings of each successive leader, all the way to Sunak. He also examines the state of the membership and shows that they have become increasingly old. Their values have not been adopted by the younger voters, who are unable to share the benefits. Furthermore, the coalition between the countryside and the City interests is under pressure, and the latter is split by Brexit.

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Gideon Levy is one of the most respected critics of Israel's apartheid policies against the Palestinian people. He is the outspoken award-winning journalist who has been writing on the conflict for decades. In the Destruction of Gaza, he brings together his on-the-ground perspectives of the events leading up to the 7th October and the ensuing devastation of Gaza. His clear-eyed analysis is a vital aperture into current events but he also brings essential historical and political context to the moment. He is unafraid to speak truth to power, and his work is an urgent rebuttal to the propaganda that is distributed through the mainstream liberal press, throughout the world. Levy's words should be read by anyone who wants to get the heart of this most brutal conflict and see for themselves that silence is no longer possible in the face of such atrocity.

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Algeria’s Arab Jews were renowned for their metal-working and jewellery-making skills, and these jewellers of the ummah—the Arabic community—are, for Azoulay, the symbol of a world that can still be reclaimed and repaired.In a series of letters written to her father, her great-grandmother, and her children—and to the thinkers and artists she claims as intellectual kin, such as Frantz Fanon and Hannah Arendt—Azoulaytraces the history of Arab Jewish life in Algeria, and how it was disrupted by French colonialism. She begins by asking how her family became assimilated into the identities of Israeli, Jewish, or French. As she does, she finds a whole lost world open up to her - the world of her family, the Arab Jews of Algeria. She traces how Arab Jews were severed from other Arabs, and how Arab Jews were severed from their Arabness by the Israeli vision of a Jewish diaspora, and sets out to repair those breaks and revive their world. B

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"A beautifully written and argued book." - Torrey Peters, author of Detransition, BabyThere is no shortage of voices demanding everyone pay attention to the violence trans women suffer. But one frighteningly basic question seems never to be answered: why does it happen? If men are not inherently evil and trans women do not intrinsically invite reprisal-which would make violence unstoppable-then the psychology of that violence had to arise at a certain place and time. The trans panic had to be invented.Award-winning historian Jules Gill-Peterson takes us from the bustling port cities of New York and New Orleans to the streets of London and Paris in search of the emergence of modern trans misogyny. She connects the colonial and military districts of the British Raj, the Philippines, and Hawai'i to the lively travesti communities of Latin America, where state violence has stamped a trans label on vastly different ways of life. Weaving together the stories of historical figures in a richly detailed narrative, the book shows how trans femininity emerged under colonial governments, the sex work industry, the policing of urban public spaces, and the area between the formal and informal economy.A Short History of Trans Misogyny is the first book to explain why trans women are burdened by such a weight of injustice and hatred.

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When leading scholar of Marx, Roman Rosdolsky, first encountered the virtually unknown text of Marx's Grundrisse - his preparatory work for his masterpiece Das Capital - in the 1950s in New York Public Library, he recognized it as "a work of fundamental importance," but declared "its unusual form" and "obscure manner of expression, made it far from suitable for reaching a wide circle of readers." David Harvey's Companion to Marx's Grundrisse builds upon his widely acclaimed companions to the first and second volumes of Capital in a way that will reach as wide an audience as possible. Marx's stated ambition for this text - where he was thinking aloud about some of possible metamorphoses of capitalism - is to reveal "the exact development of the concept of capital as the fundamental concept of modern economics, just as capital itself is the foundation of bourgeois society." While respecting Marx's desire to "bring out all the contradictions of bourgeois production, as well as the boundary where it drives beyond itself," David Harvey also pithily illustrates the relevance of Marx's text to understanding the troubled state of contemporary capitalism.

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Today, artists are engaged in investigation. They probe corruption, state violence, environmental destruction and repressive technologies. At the same time, fields not usually associated with aesthetics make powerful use of it. Journalists and legal professionals pore over open source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call "investigative aesthetics": mobilising sensibilities often associated with art, architecture and other such practices to find new ways of speaking truth to power.This book draws on theories of knowledge, ecology and technology, evaluates the methods of citizen counter-forensics, micro-history and art, and examines radical practices such as those of Wikileaks, Bellingcat, and Forensic Architecture. Investigative Aesthetics takes place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as it strives towards the construction of a new 'common sensing'.The book is an inspiring introduction to a new field that brings together investigation and aesthetics to change how we understand and confront power today.To Nour Abuzaid for your brilliance, perseverance, and unshaken belief in the liberation of Palestine.

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Longlisted for the 2019 Jhalak Prize. From the 1960s the UK's immigration policy - introduced by both Labour and Tory governments - has been a toxic combination of racism and xenophobia. Maya Goodfellow tracks this history through to the present day, looking at both legislation and rhetoric, to show that distinct forms of racism and dehumanisation have produced a confused and draconian immigration system. She examines the arguments made against immigration in order to dismantle and challenge them. Through interviews with people trying to navigate the system, legal experts, politicians and campaigners, Goodfellow shows the devastating human costs of anti-immigration politics and argues for an alternative.This new edition includes an additional chapter, which explores the impacts of the 2019 election and the ongoing immigration enforcement during the coronavirus pandemic.

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Everyone is a designer. But while many practitioners may be looking for solutions or ideological certainties, Easterling argues that solutions are mistakes and ideologies are unreliable markers. Instead, Medium Design speaks to anyone looking for alternative approaches to the world's unresponsive or intractable dilemmas-from climate cataclysm to inequality to concentrations of authoritarian power. Such an approach joins many disciplines in considering not only separate objects, ideas and events but also the space between them.In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes, Medium Design looks not to new innovations but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but put them together into productive combinations. And it offers forms of activism for modulating power and temperament in organization of all kinds

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In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.

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'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean.Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.

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The Common Wind is a gripping and colorful account of the intercontinental networks that tied together the free and enslaved masses of the New World. Having delved deep into the gray obscurity of official eighteenth-century records in Spanish, English, and French, Julius S. Scott has written a powerful "history from below." Scott follows the spread of "rumors of emancipation" and the people behind them, bringing to life the protagonists in the slave revolution.By tracking the colliding worlds of buccaneers, military deserters, and maroon communards from Venezuela to Virginia, Scott records the transmission of contagious mutinies and insurrections in unparalleled detail, providing readers with an intellectual history of the enslaved.Though The Common Wind is credited with having "opened up the Black Atlantic with a rigor and a commitment to the power of written words," the manuscript remained unpublished for thirty-two years. Now, after receiving wide acclaim from leading historians of slavery and the New World, it has been published by Verso for the first time, with a foreword by the academic and author Marcus Rediker.

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