Search results for ""Skira""

The first book of photography that portrays Angola as it exists today. For a place that few can pin-point on a map or in their minds, Angola is quickly emerging as the most important economic leader in Africa. After almost three decades of civil war, the Angola of today is an anomaly – the country is not only aggressively rebuilding, but economically blooming in the midst of a global financial crisis. Having become the number one producer of oil and the third in the diamond sector in all of the Sub-Sahara, Angola is the first African country that China has invested in heavily. As a result, in 2008 alone the economy rose 27.5%.

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A selection of drawings, aquarelles, paintings, sculptures and installations to give reader an insightful experience and better understanding of Bjarne Melgaard artistic projects. In the heyday on neo-conceptualism in the middle of the 90ties Bjarne Melgaard entered the Norwegian art scene with expressionistic and chaotic paintings, sculptures and installations full of desire and fearful longings staged between fiction and reality. For more then 15 years the artist has been traveling extensively, residing in different countries and cities, creating multiples worlds and breaking artistic boundaries, questioning moral limits and exhibiting his visions in galleries and museum and most of the time creating provoking extreme strong reactions. This book is also the catalogue of a mid carrier retrospective exhibition at the Astrup Fearnley Museum of Modern Art, Oslo (2010).

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Beauty, life’s triumph, is fleeting. It heightens the body’s sublime aspect, but beneath its effigy lies the spectre of passing time, and so the figure beauty has within it the spectre of decay. Gastel, the great fashion photographer who has been portraying and exalting beauty for years, challenges himself in this work by confronting one of the deepest philosophical and literary themes. Characterised by a formal exactness, Gastel photography is an interweaving of experimentation and glamour: indeed he was the first to introduce “old mix” techniques, the “criss-cross” technique and pictorial reworking. The images in this catalogue demonstrate the direction of his current work in which the body of models is cut and metamorphose, resulting in a delicate balance between attraction and repulsion. Colour nuances and the manipulation of details through digital technology are extreme, creating fascinating and innovative images. Giovanni Gastel, who is among the best known international photographers, boasts thirty years of experience in the fashion world. He has published his photographs in such influential magazines as Vanity Fair Italia, Vogue Italia and Elle. He has also held a solo show at Triennale, Milan in 1997.

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An essential tool for a deeper understanding of the multifaceted reality of Asian visual arts. A true catalogue raisonné, Contemporary Photography from the Far East presents the works of twenty-one of Asia’s most important contemporary artists who have made their mark on the international contemporary art scene in the fields of photography, video and film. It features works by Hiroshi Sugimoto, Yang Fudong, Cao Fei, Kimsooja, Nobuyoshi Araki, Yasumasa Morimura, Daido Moriyama, Tabaimo, Rirkrit Tiravanija, Ai Weiwei, among others, accompanied by in-depth biographies and artists statements and introduced by critical essays by Filippo Maggia and Taro Amano, Chief Curator at Yokohama Museum of Art.

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A host of snapshots from all over the world to capture the true life of the Luceplan collections. A comprehensive study of 30 years of work, this book examines the highly original Luceplan design that boasts an array of prizes and acknowledgements. Dozens of creations distributed all over the world, in places of work, study or daily living. A heterogeneous landscape of large and small Italian and non-Italian works of architecture by ‘starchitects’ and promising young talents. Among them Marco Zanuso, Luciano Baldessarri, Dante Donegani, Jan Ejhed, Ross Lovegrave, Diego Rossi, Hugo Timmermans, Riccardo Sarfatti.

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The fashion archive of Enrico Quinto and Paolo Tinarelli has been painstakingly assembled over the last twenty years and traces the international evolution of costume from the mid-19th century to the present day. This quintessential volume on Italian Style narrates the development of fashion through around three hundred dresses, chronologically ordered and selected from an international collection of over six thousand pieces, enriched by commentary by historians, journalists and fashion designers, but also by photography, film and personal testimony: a concrete resource for historians of costume, students and passionates. The idea of departing from a purely chronological sequence springs from a desire to demonstrate the vitality and ongoing relevance of historical pieces through their juxtaposition with contemporary examples. Most of the displayed dresses were documented by photographers when they first appeared worn by famous actresses, models and jet set personalities of the time: from the Duchess of Windsor to Queen Paola of Belgium, from Princess Grace of Monaco to Ava Gardner, Marilyn Monroe, Sophia Loren, Audrey Hepburn, Veruschka, Marisa Berenson, Grace Jones amongst many others.

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Beautifully illustrated, this is the first volume in a world first series of volumes dedicated to the ‘Contemporary Masters of Bangladesh’. Kazi Ghiyasuddin (Madaripur, Bangladesh, 1951) has been living between Bangladesh and Japan since 1975, when he took up a scholarship at the National University of Fine Arts and Music in Tokyo. He draws his inspiration from nature to project his desire for harmony and peace on richly textured canvases, which resonate with delicate, inwardly expanding applications of paint. While Ghiyasuddin has consistently displayed a refined urban sensibility which is at home in any international environment, he has put a premium value on expropriating colours, motifs and themes that typify the essential Bengali aesthetic. His early works employ bustling colours with rich tonal variations and bright visual fields. About 20 years ago, he adopted a new style. At that stage he erased his earlier canvases by painting over them with white, light grey and light blue. He is concerned as peace wanes in urbanised parts of the world and believes that nature is the ultimate destination for peace. Ghiyasuddin’s genre of work is abstract, with finely sketched figures or objects on the canvas.

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After Baby Cashmere and The Lotus Flower, Loro Piana tells us the story of the vicuña and its coveted fibre. The vicuña is a small camelid that lives in the high alpine areas of the Andes. Prized since the time of the Incas for its extraordinarily soft and fine wool, and deeply venerated by the ancients, the vicuña was long threatened with extinction, being hunted indiscriminately for its coveted fibres. Only in recent times, thanks partially to the efforts of Loro Piana, the small camelid has returned from the brink of extinction and now lives protected in strictly regulated reserves in the high Andes. This book tells the story of the vicuña, portraying the graceful animal in its natural habitat, underscoring its aura of legend and its role in the life and economy of the local communities, and focusing on the complexities of its existence and the efforts to save it.

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Art and design historian, author and curator, Marco Meneguzzo teaches History of contemporary art and Museology and Management of exhibition systems at Accademia di Brera, Milan. He is member of the scientific committee of the official archives of Mario Schifano, Vincenzo Agnetti, Marcello Morandini, Letizia Battaglia, Ugo La Pietra and is president of the Giò Pomodoro Archive. Enrico Morteo, architect, critic and historian of design and architecture, collaborates with major international design magazines.

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Serubiri Moses is an author and curator, adjunct assistant Professor in the Department of Art and Art History at Hunter College, New York. Recently he curated the Greater New York exhibition at MoMA PS1 in 2021. Bjorn Stern is an art historian, independent art advisor and artists manager. He is the founder of SternArts Stjarna, a bespoke fine art service based in London.

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Stefanie Hessler is a contemporary art curator, writer, editor and director of Swiss Institute in New York. Knut Ljøgodt, art historian, is director of the Nordic Institute of Art, Oslo. Susanne Østby Sæther is curator of photography and new media at the Henie Onstad Kunstsenter in Oslo.

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The General Catalogue is curated by Fondazione Luciano Ventrone and Miranda Gibilisco ETS, presided over by the artist's wife Miranda Gibilisco and founded in 2021 to promote, support, disseminate and protect the knowledge and study of the work of the Maestro Luciano Ventrone.

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Kim Hyunsook, art critic and author, serves as the Director of the Lee Ungno Research Institute. Marco Scotini, Italian curator, writer and art critic, is artistic director of the FM Center for Contemporary Art and Head of the Visual Arts and Curatorial Studies Department at NABA. Park Choon Ho has served as the Director of the Kim Jong-young Museum since 2012.

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Manuela Lietti is an independent art critic and curator specialized in contemporary Asian art. In 2003, she graduated from the department of Oriental Languages and Civilizations at the Ca' Foscari University of Venice, having written her bachelors' thesis on contemporary Chinese artist Yang Shaobin. After her graduation, she moved to Beijing where in 2007, she obtained her master's degree in Chinese Histo-ry of Art and Art Criticism from the Academy of Art and Design of Tsinghua University. Since 2003, Manuela has been active as a curator, critic, and coordinator in the field of gallery and museum exhibitions as well as public art projects, in China and abroad. Manuela usually participates in international panels, workshops, consulting and re-search programs and her essays and interviews appear in numerous magazines worldwide, such as Arte e Critica, Art Asia Pacific, Flash Art International, Frieze, Artforum, Artribune, artforum.com.cn, artron.net as well as in exhibition catal

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Cécile Girardeau is conservator and curator at the Musée dell'Orangerie in Paris. Stefano Zuffi, an Italian art historian and exhibition curator, has published numerous volumes on art from the Renaissance to the 18th century.

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Domitille d'Orgeval is an art historian, specializing in abstract art from the 1950s and 1960s and the relationship between art and architecture in the twentieth century. As an exhibition curator, she has contributed to numerous exhibition catalogues, including François Morellet, réinstallations (Centre Pompidou, 2011), Georges Vantongerloo 1886-1965. A pioneer of modern sculpture (Matisse Departmental Museum, Le Cateau-Cambrésis, 2007).

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