Search results for ""Graphic Novels""

A Kirkus Reviews Best YA Book of 2022 A USBBY 2023 Outstanding International BookA 2022 Foreword INDIES Bronze Winner (Graphic Novels & Comics Category)Honorable mention, 2023 Children's Africana Book Awards2022 VLA Graphic Novel Diversity Award Overfloweth honoreeNominated for the TLA Maverick List All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country’s colonial government in the years leading up to Apartheid. In six parts—each of which is illustrated by a different South African artist—All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations. This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories—true stories of grit, compassion, and hope, now being told for the first time in print.

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"A grown-up gothic fairy tale" — The Guardian's "five best young adult books of 2023""With its silver-sprinkled jacket, this elegiac story . . . is perfect"Children's Book of the Week – The Sunday TimesThe award-winning, bestselling Frances Hardinge and Emily Gravett unite for the first time to conjure up a thrilling fairy tale of ghosts and magic, highly illustrated throughout with a luscious blue ink.On the island of Merlank, the Dead must not be allowed to linger. The very sight of their ghosts can kill you. When young Milo is thrust into the role of Ferryman following his father’s sudden death, he is the one who must carry away the Dead.Pursued by a vengeful lord and two malignant magicians, Milo must navigate strange and perilous seas where untold threats whisper in the mist. Does he have the courage and imagination to complete his urgent mission?From the Costa Book Award-winning Frances Hardinge, author of The Lie Tree and Unraveller, with spectacular illustrations from double Kate Greenaway Medal winner Emily Gravett, this riveting coming-of-age tale will sweep you away on an unforgettable journey.Island of Whispers is a beautiful hardback glittering all over with silver moths, making the most exquisite gift for anyone who loves mysterious fantasy worlds and graphic novels. Perfect for fans of Neil Gaiman and Kiran Millwood Hargrave.

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Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

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Sociology in Pictures: Theories and Concepts Self-Study and Teacher Guide provides a series of questions and suggested answers for each of the topics in the student book. It includes an evaluation of each theory and concept and, where appropriate, a short biography of major sociologists. Sociology in Pictures: Theories and Concepts is a fresh and exciting publication based on styles from graphic novels and comics. The Self-Study and Teacher Guide provides a series of questions and suggested answers for each of the topics in the student book. These can be used for individual work, group work or class discussions, for homework or for self study. The Guide also includes an evaluation of each theory and concept and, where appropriate, a short biography of major sociologists. Contents1. Culture2. Social control3. Marxism4. Alienation5. Emile Durkheim6. Anomie7. Functionalism8. Functions of religion9. Max Weber10. Rational action11. Stratification12. The Chicago School13. Symbolic interactionism14. Interaction processes15. Acting the part16. Ethnomethodology17. Phenomenology18. Feminism19. Gender20. Michel Foucault21. Pierre Bourdieu22. Postmodern society23. Late modernity24. The second modernity25. Liquid modernity26. Globalisation27. The network society28. The reinvention society29. Common sense30. References A companion book, Sociology in Pictures: Theories and Concepts Self-Study and Teacher’s Guide, is also available.

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For fans of Minecraft and graphic novels, an epic, full-color adventure—Phoenix must save her village from the ghost of Herobrine.This full-color, graphic novel adventure, with over 750 color images, is created especially for readers who love the fight of good vs. evil, magical academies like Hogwarts in the Harry Potter saga, and games like Minecraft, Terraria, and Pokemon GO.The redstone dust has barely settled after Phoenix’s epic battle against the Defender when word of a new threat arises: the legendary ghost of Herobrine has been sighted in Phoenix’s village, and under cover of darkness, he’s terrorizing a new family each night.Phoenix and T.H. rush to the village, where they discover a tangled string of clues. Just as the friends-turned-sleuths are sure they’ve unraveled the mystery of Herobrine’s griefing, they uncover a secret that makes them question everything they’ve learned.And when a new, stronger enemy appears, their hunt for Herobrine is turned on its end once again. Can a ghost be in danger? And could Herobrine cease to be their enemy and instead become . . . their ally?Fans of Minecraft won’t want to miss this gripping, mysterious addition to the series that began with Quest for the Golden Apple!

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The first book in the New York Times bestselling series with over ten million copies in print! ‘Terrifyingly fun! Max Brallier’s The Last Kids on Earth delivers big thrills and even bigger laughs.’ Jeff Kinney, author of Diary of a Wimpy Kid Now an award-winning Netflix show! It’s still TOTAL MONSTER ZOMBIE CHAOS on the streets, but now Jack has a gang of friends to help him through – science genius and best friend Quint, super-strong Dirk and all-round coolest girl ever, June. Not to mention Rover, Jack’s awesome monster pet! Plus the treehouse is more souped up than ever, chockablock with defensive gizmos and ready to withstand anything that the monster apocalypse can throw at it.Which is just as well, because there’s something extra-big and extra-monstrous marching right around the corner … The second book in a hilarious monster adventure series. With fresh, funny illustrations on every page, this is perfect for fans of comics and graphic novels aged 8 and over. The Last Kids on Earth series: The Last Kids on Earth The Last Kids on Earth and the Zombie Parade The Last Kids on Earth and the Nightmare King The Last Kids on Earth and the Cosmic Beyond

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The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was "the most photographed disaster in history," it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9/11 visual culture, which foregrounds the visual experience as it obscures the event in absence, erasure, and invisibility. From the spectral presence of the Tribute in Light to Art Spiegelman's nearly blank New Yorker cover, and from the elimination of the Twin Towers from television shows and films to the monumental cavities of Michael Arad's 9/11 memorial, the void became the visual shorthand for the incident. By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.

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Take flight to this post-apocalyptic utopia filled with birds. Long after the demise of humankind, birds roam freely around a new earth complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from the moon threatens to change everything. Michael DeForge s post-apocalyptic reality brings together the author s quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge s prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.

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Why would two Eastern European meatboys want to whack an innocent cab driver? That's the question that occurs to Gilrein as Raban and Blumfeld press the gun barrel into his mouth. Does it have something to do with the ritual death-by-flencing of Leo Tani? Or does the answer involve Gilrein's ex-lover, now working as a librarian for a bibliomaniac gangster. Or maybe the whole thing has something to do with the Inspector, inventor of the notorious Methodology? And how does Bobby Oster figure in the mix, with his crew of murder-for-hire rogue cops who call themselves The Magicians? To find the answers, Gilrein will drive the night streets of his hometown and face down more than one demon from his past. From the Vacuum, where child-artists are held captive in veal pens and forced to forge graphic novels, to the Houdini Lounge, where the second annual immigrant death-match is being marketed, Gilrein will wander the underworld, collecting stories and looking for absolution. In the end, he'll brush up against "Alicia's Tale" and learn new truths about the terrifying negotiations always taking place between the storyteller and the audience in the city of Quinsigamond.

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Designed for the classroom, this resource book contains activities and exercises to help the teaching of Charles Dickens’s A Christmas Carol. Although it was designed to be used alongside the Classical Comics graphic novels, this teaching guide uses the novel as a springboard for learning and it can be used with any version of the book. The exercises have been approached from a cross-curriculum perspective so that they cover not only literature and literacy, but also history, technology, drama, reading, speaking, writing and art. The book is divided into such categories as Charles Dickens: His Place in English, Understanding the Novel, Character, Language, and Creative Writing. Students get to design their own Christmas card, write a modern version of the story, write a book review, color pages, solve anagrams, and more while they learn. The age range is 10 to 17 (Grade 5 and up), but of course within that span exists a broad spectrum of skill levels. Therefore, this study guide includes activities for all, providing many opportunities for differentiated teaching and for the tailoring of lessons to meet individual needs. Examples of some of the activities include: Background, Character, Language, Understanding, Drama/Art. A CD is included that contains the pages in PDF format so that they can be used on any whiteboard or local intranet system.

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New York Times and New Yorker illustrator Jillian Tamaki is best known for co-creating the award-winning young adult graphic novels Skim and This One Summer -- moody and atmospheric bestsellers. SuperMutant Magic Academy, which Jillian has been serializing online for the past four years, paints a teenaged world filled with just as much ennui and uncertainty, but also with a sharp dose of humor and irreverence. Jillian deftly plays superhero and high school Hollywood tropes against what adolescence is really like: the SuperMutant Magic Academy is a prep-school for mutants and witches but their paranormal abilities take a back seat to everyday teen concerns. Science experiments go awry, bake sales are upstaged, and the new kid at school is a cat who will determine the course of human destiny. In one strip, lizard-headed Trixie frets about her non-existent modeling career; in another the immortal Everlasting Boy tries to escape this mortal coil to no avail. Throughout it all, closeted Marsha obsesses about her unrequited crushee, the cat-eared Wendy. Whether the magic is mundane or miraculous, Jillian's jokes are precise and devastating. SuperMutant Magic Academy has won two Ignatz Awards. This volume combines the most popular content from the webcomic with a selection of all-new, never-before-seen strips that conclude Jillian's account of life at the Academy.

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How can we foster a more inclusive, responsible, and communicative future? What if illustrated scholarship is one way to get there? Organized around eight terms in the study of religion, the groundbreaking, multifaceted book A Universe of Terms: Religion in Visual Metaphor combines text and image to examine the human as both catalyst of crisis and principal agent for its mitigation. Mona Oraby and Emilie Flamme—a professor and an illustrator—were spurred to create an alternative form for scholarly communication, one that stages conversations between thinkers who likely would not all find themselves in the same room. This graphic nonfiction book acknowledges the significance of certain terms to the social sciences and the humanities, narrates their limitations, and shows why we need a structure and style for thinking them otherwise. It further urges the iterative rethinking of any new terms this exercise yields. Through its unique visual lexicon, A Universe of Terms explores religious media in postcolonial and secular contexts, performances of religious feeling, the political economy of religion, sacred presence, and human striving amid social inequality and climate change. Beautifully illustrated and inspired by a range of media from graphic novels to podcasts, A Universe of Terms is a visual experiment, one that invites readers to think again and anew about how the visual is integral to thought.

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Many of the most inspiring characters in comics and graphic novels began their epic journeys as orphaned or abandoned children. In these stories, the loss of a parent inflicts challenges that even superpowers cannot easily resolve. For over a century and millions of readers, the comic strip is a space in which this narrative has been continuously reimagined. Superheroes, Orphans & Origins: 125 Years in Comics offers a richly illustrated and thought-provoking exploration of the representation of orphans, foundlings, adoptees and foster children in sequential art. Surveying 125 years of creative practice and an international cast of characters, this book examines how care-experience is depicted in early comic strips like Little Orphan Annie, celebrated superhero narratives including Superman and Batman, and popular Japanese manga, among other examples. The complex issues and identities that feature in these stories are considered from a variety of perspectives, ranging from art historical to activist. Contributing authors include Lemn Sissay, MBE and award-winning artists Carlos Giménez and Lisa Wool- Rim Sjöblom, all drawing inspiration from their own experiences in care. Bringing together critical essays, candid conversations and outstanding artwork, this book encourages a new way to experience comics. This book is published on the occasion of the first major exhibition to focus on the representation of care experience in comics, produced by the Foundling Museum in London (April – August 2022).

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Crack the case with the InvestiGators! Join Mango and Brash in InvestiGators Braver and Boulder for another wacky adventure in the laugh-out-loud full colour comic book series by John Patrick Green, perfect for fans of Bunny vs Monkey. **Don't miss Mango and Brash in their World Book Day adventure - High Rise Hijinks!**'Fast, fabulous, and fantastically funny, the InvestiGators books are instant classics!' - Jamie Smart, creator of Bunny vs Monkey.The InvestiGators are having a hard time keeping a low profile – their new headquarters are in a giant robot towering over the city! How can they be SECRET agents if everyone recognizes them?But with their ears to the ground, Mango and Brash hear rumblings about Boulder Buddies - mysterious glowing rocks turning up in the city! Could a rocky relationship from the InvestiGators' past be behind this strange scheme? Find out in their most stone-cold dangerous mission yet!The InvestiGators series is a hit with readers of all ages and covers positive themes like:- Fun teamwork- Never giving up- Pesky problem-solvingCollect all the books in the hilarious series of graphic novels for kids! InvestiGators, InvestiGators: Take the Plunge, InvestiGators: Off the Hook and tons more – and don't miss Agents of S.U.I.T., the spin off series featuring Mango and Brash's colourful coworkers!

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Crack the case with the InvestiGators! Join Mango and Brash in InvestiGators Ants in Our P.A.N.T.S. for another wacky adventure in the laugh-out-loud full colour comic book series by John Patrick Green, perfect for fans of Bunny vs Monkey. **Don't miss Mango and Brash in their World Book Day adventure - High Rise Hijinks!**'Fast, fabulous, and fantastically funny, the InvestiGators books are instant classics!' - Jamie Smart, creator of Bunny vs Monkey.With Brash in the hospital, Mango teams up with his robot replacement Robo-Brash to fight crime. Their mission is to stop crime before it even starts. With Crackerdile out of action that will be easy right?WRONG!Soon the city is over run by giant ants, an evil astronaut and a triceratops on a rampage. The InvestiGators will need all the help they can get to save the city before it’s turned to rubble! Will Brash wake up in time to help save the day?The InvestiGators series is a hit with readers of all ages and covers positive themes like:- Fun teamwork- Never giving up- Pesky problem-solvingCollect all the books in the hilarious series of graphic novels for kids! InvestiGators, InvestiGators: Take the Plunge, InvestiGators: Off the Hook and tons more – and don't miss Agents of S.U.I.T., the spin off series featuring Mango and Brash's colourful coworkers!

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Few would question that Albert Camus (1913-1960), novelist, playwright, philosopher and journalist, is a major cultural icon. His widely quoted works have led to countless movie adaptions, graphic novels, pop songs, and even t-shirts. In this Very Short Introduction, Oliver Gloag chronicles the inspiring story of Camus' life. From a poor fatherless settler in French-Algeria to the winner of the Nobel Prize for Literature, Gloag offers a comprehensive view of Camus' major works and interventions, including his notion of the absurd and revolt, as well as his highly original concept of pure happiness through unity with nature called "bonheur". This original introduction also addresses debates on coloniality, which have arisen around Camus' work. Gloag presents Camus in all his complexity a staunch defender of many progressive causes, fiercely attached to his French-Algerian roots, a writer of enormous talent and social awareness plagued by self-doubt, and a crucially relevant author whose major works continue to significantly impact our views on contemporary issues and events. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Winner of the Best Book Award in Comics History from the Grand Comics Database Honorable Mention, 2019-2020 Research Society for American Periodicals Book Prize The term “graphic novel” was first coined in 1964, but it wouldn’t be broadly used until the 1980s, when graphic novels such as Watchmen and Maus achieved commercial success and critical acclaim. What happened in the intervening years, after the graphic novel was conceptualized yet before it was widely recognized? Dreaming the Graphic Novel examines how notions of the graphic novel began to coalesce in the 1970s, a time of great change for American comics, with declining sales of mainstream periodicals, the arrival of specialty comics stores, and (at least initially) a thriving underground comix scene. Surveying the eclectic array of long comics narratives that emerged from this fertile period, Paul Williams investigates many texts that have fallen out of graphic novel history. As he demonstrates, the question of what makes a text a ‘graphic novel’ was the subject of fierce debate among fans, creators, and publishers, inspiring arguments about the literariness of comics that are still taking place among scholars today. Unearthing a treasure trove of fanzines, adverts, and unpublished letters, Dreaming the Graphic Novel gives readers an exciting inside look at a pivotal moment in the art form’s development.

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The world of James Bond is complex and ever growing. The British secret agent started off life as a semi-fictional, part-biographical character in Ian Fleming's 1953 novel, Casino Royale. Since then, 007 has captured the minds and hearts of a worldwide audience, and the franchise is now available over multiple media platforms, including movie, comic strips, games, graphic novels and fashion statements. This edited collection examines the role that gender has played across the platforms that the James Bond franchise now occupies. Each chapter investigates gender-approaches through a variety of case studies, including Bond, his boss M, and Miss Moneypenny, the songs and title sequences, the villains, computer games, 'Lad's Mags', and the fashions of the era. Looking beyond the Bond Girl, expert editor Steven Gerrard brings together a cast of contributors that investigate not only femininity, but also masculinity when it comes to the world's best-known agent - a man with a license to kill. In a rapidly changing world where gender boundaries are being eroded, this edited collection investigates the changing and challenging roles that gender has undergone in the franchise. By using a series of case studies, and employing theoretical modes linked to close analysis, each chapter clearly demonstrates how and why the world of James Bond is important in reflecting the changing gender roles within modern society.

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An international collaboration involving 26 writers and illustrators from 14 different countries have transformed 15 of Cixin Liu's – 'China's answer to Arthur C. Clarke' (New Yorker) – award-winning stories into graphic novels. Yuanyuan was five months old when she saw bubbles for the first time. In that moment, her eyes lit up with a radiance that outshone the sun and stars, and she felt she truly saw the world for the first time. From that day on, her life's one dream was to blow the biggest bubbles possible. Yuanyuan's father doesn't approve of her dream. He fears his daughter's obsession is childish and too fleeting for his daughter, and longs for her to turn her intelligence to a calling that might help people. Their city is dying, but Yuanyuan focuses solely on blowing bigger and bigger bubbles. But when Yuanyuan learns to create a bubble the size of a city – greater even – it may be that her obsession isn't so unhelpful after all. Praise for Cixin Liu: 'Your next favourite sci-fi novel' Wired 'Immense' Barack Obama 'Unique' George R.R. Martin 'SF in the grand style' Guardian 'Mind-altering and immersive' Daily Mail 'A milestone in Chinese science-fiction' New York Times 'China's answer to Arthur C. Clarke' New Yorker Winner of the Hugo and Galaxy Awards for Best Novel

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Manga from the Floating World is the first full-length study in English of the kibyōshi, a genre of woodblock-printed comic book widely read in late-eighteenth-century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist Santō Kyōden (1761–1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyōshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened.Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections. It serves as an introduction not only to the kibyōshi but also to the genre’s readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese manga and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history—and anyone interested in the global history of comics, graphic novels, and manga.

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This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic. He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.

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The zombie craze has infected popular culture with the intensity of a viral outbreak, propagating itself through text, television, film, video games, and many other forms of media. As a metaphor, zombies may represent political notions, such as the return of the repressed violence of colonialism, or the embodiment of a culture obsessed with consumerism. Increasingly, they are understood and depicted as a medicalized phenomenon: creatures transformed by disease into a threatening vector of contagion.The Walking Med brings together scholars from across the disciplines of cultural studies, medical education, medical anthropology, and art history to explore what new meanings the zombie might convey in this context. These scholars consider a range of forms—from comics disseminated by the Centers for Disease Control and Prevention to graphic novels and television shows such as The Walking Dead—to show how interrogations of the zombie metaphor can reveal new perspectives within the medical humanities. An unprecedented forum for dialogue between cultural studies of zombies and graphic medicine, The Walking Med is an invaluable contribution to both areas of study, as well as a potent commentary on one of popular culture’s most invasive and haunting figures.In addition to the editors, the contributors are Tully Barnett, Gerry Canavan, Daniel George, Michael Green, Ben Kooyman, Sarah Juliet Lauro, Juliet McMullin, Kari Nixon, Steven Schlozman, Dan Smith, and Darryl Wilkinson.

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New York Times Bestseller Nathan Hale, the author’s historical namesake, was America’s first spy, a Revolutionary War hero who famously said “I regret that I have but one life to give for my country” before being hanged by the British. In the Nathan Hale’s Hazardous Tales series, author Nathan Hale channels his namesake to present history’s roughest, toughest, and craziest stories in the graphic novel format.One Dead Spy tackles the story of Hale himself, who was an officer and spy for the American rebels during the Revolutionary War. Author Hale highlights the unusual, gruesome, and just plain unbelievable truth of historical Nathan Hale—from his early unlucky days at Yale to his later unlucky days as an officer—and America during the Revolutionary War. Get One Dead Spy and two other Hazardous Tales in the Nathan Hale's Hazardous Tales 3-Book Boxed Set, available now!Praise for Nathan Hale's Hazardous Tales: One Dead Spy "An innovative approach to history that will have young people reading with pleasure." —Kirkus Reviews "Readers interested in American history will enjoy these graphic novels... Comic panels of varying sizes enhance the real-life events and support the stories’ over-the-top humor... the writing is accessible and entertaining; author Hale’s style gives readers an insider-y, you-are-there-type scoop." —Horn Book

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Sex, drugs, and murder in 1980s Los Angeles... And the best new twist on paperback pulp heroes since The Punisher or Jack Reacher. Ed Brubaker and Sean Phillips, the modern masters of crime noir, bring us the last thing anyone expected from them - a good guy - in a bold new series of original graphic novels, with three books releasing over the next year, each a full-length story that stands on its own. Meet Ethan Reckless: Your trouble is his business, for the right price. But when a fugitive from his student radical days reaches out for help, Ethan must face the only thing he fears... his own past. "Imagine Redford at his peak, ambling through sun-drenched, eighties L.A. in a serpentine plot that is equal parts Long Goodbye and Point Break. No one does crime fic like Brubaker and Phillips and their collaboration has never felt more new. Explosive. Vital. And yes... reckless. I love this book." - Damon Lindelof (Lost, HBO's Watchmen) "Reckless is an absolute rush: on the same level as golden age Travis McGee novels and the hardest-hitting Richard Stark stories. This one comes at you as fast as Steve McQueen in a souped-up Mustang and as hard as Charles Bronson with a baseball bat. You gotta have it." - Joe Hill (Locke & Key, N0S4A2) Look for book 2 in the Reckless series in April 2021!

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Newsweek's Best Comic Books of 2018Thrillist's Best Comics & Graphic Novels of 2018 ED BRUBAKER and SEAN PHILLIPS-the bestselling creators of CRIMINAL, KILL OR BE KILLED, THE FADE OUT, and FATALE-present their first original graphic novel in paperback for the very first time! Teenage Ellie has always romanticized drug addicts, those tragic artistic souls drawn to needles and pills, ever since the death of her junkie mother ten years ago. But when Ellie lands in an upscale rehab clinic where nothing is as it appears to be, she'll find another-more dangerous-romance, and discover how easily drugs and murder go hand-in-hand. MY HEROES HAVE ALWAYS BEEN JUNKIES is a seductive coming-of-age story, a pop and drug culture-fueled tale of a young girl seeking darkness... and what she finds there. “Readers of postmodern pulp will enjoy this intense story and unapologetically cunning character.” -Publishers Weekly (starred review) “Provides plenty of truly twisted twists and wraps up with a pulpy punch of an ending that's satisfying-and heartbreaking... a fine addition to a staggering body of work.” -Library Journal (starred review) “Like most CRIMINAL stories, there's a darkness, along with twists that cut to the core. Phillips' art utilizes a limited color palette that makes you feel the ideas that run through each scene, each of the narrator's thoughts and memories.” -LAist

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One of Amazon.com's Top 10 Graphic Novels of the year'[My Brother's Husband] arrives in the UK garlanded with praise from, among others, Alison Bechdel. It's not hard to see why. Not only is it very touching; it's also, for the non-Japanese reader, unexpectedly fascinating' Rachel Cooke, Observer, Graphic Novel of the Month'When a cuddly Canadian comes to call, Yaichi - a single Japanese dad - is forced to confront his painful past. With his young daughter Kana leading the way, he gradually rethinks his assumptions about what makes a family. Renowned manga artist Gengoroh Tagame turns his stunning draftsmanship to a story very different from his customary fare, to delightful and heartwarming effect' Alison Bechdel, author of Fun HomeYaichi is a work-at-home suburban dad in contemporary Tokyo; formerly married to Natsuki, father to their young daughter, Kana. Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented and heartbreaking look at the state of a largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it.

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'Her voice is unique and powerful and I, for one, am addicted to it.' GUILLERMO DEL TORO 'Mind-bending . . . a taut, toothy drama and a chillingly muted psychological horror.'Irish Times, 'Best Graphic Novels of 2023''Carroll's talent is immense.' Observer, Graphic Novel of the Month'Emily is the master, I die for her books' KATE BEATON'Carroll knows when to shock on the turn of a page and when to leave her horrors lurking' IndependentA contemporary gothic horror and comics classic, perfect for fans of Neil Gaiman, Joe Hill, Stranger Things and The Haunting of Hill HouseI used to dream of Dragons. . . Abby is settling into married life: making coffee, cooking for David and her stepdaughter Crystal, spending evenings curled up together in front of the TV. For a quiet woman without many friends, she's proud of the life she has built, and desperately wants to believe they will all be happy.But what really happened to Crystal's mother, the artist who no-one speaks of? What secrets does their strange house by the water harbour, and what of Abby's old dreams and fears, of Lady Grey, the Knight and the Dragons?In her chilling return - a story of grief, ghosts, and the struggle to be true to oneself - Emily Carroll casts another unforgettable spell.

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In Sketching Men, veteran art instructor Koichi Hagawa, PhD explains how to quickly capture the dynamic male form through two distinct styles of sketching: Very rapid (1-3 minute) line drawings that capture the essence of the subject's posture and movement—perfect for recording athletic action poses in the moment More finished tonal drawings, which take a bit longer to render (7-10 minutes), but fill in lots of interesting texture and wonderfully realistic details and nuances, including the play of light and shadow, three-dimensional form and a sense of mass and balance Learn to sketch the following: Individual body parts and their bones and muscles Objects held in the hands and with both arms Standing and sitting poses Transitions from prone and sitting poses to a standing pose Bending, reaching and leaning poses Pushing, throwing and dancing poses Folds, gathers and drape of clothing This book contains hundreds of detailed studies and helpful examples. Your sketches will improve rapidly as you learn all about how human anatomy—the skeleton, muscles and posture—all come together to express the uniquely male form. When you hone your line and tonal drawing skills with this book, all of your artwork will improve as a result, no matter the application: storyboarding, cartooning and graphic novels, illustration, formal drawings, painting and more!

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An international collaboration involving 26 writers and illustrators from 14 different countries have transformed 15 of Cixin Liu's – 'China's answer to Arthur C. Clarke' (New Yorker) – award-winning stories into graphic novels. The Sun is dying. Helium will soon permeate its core, triggering a violent explosion, and its burning-hot diameter will increase until it has consumed everything that stands in its way. As long as we remain in its path, humanity stands no chance. Interstellar emigration is the only way out. Reaching a consensus on a destination has been easy: the only viable target is Proxima Centauri. It is the star closest to our own, a mere 4.3 light-years away. How to reach our new solar system is more difficult. Spaceships stand no chance in open space, and the nearest inhabitable planet lies hundreds of thousands of years away. If humanity leaves Earth behind, our continued existence is impossible. The only way to survive is to find a way to propel Earth out of its orbit. But how? Praise for Cixin Liu: 'Your next favourite sci-fi novel' Wired 'Immense' Barack Obama 'Unique' George R.R. Martin 'SF in the grand style' Guardian 'Mind-altering and immersive' Daily Mail 'A milestone in Chinese science-fiction' New York Times 'China's answer to Arthur C. Clarke' New Yorker Winner of the Hugo and Galaxy Awards for Best Novel

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Winner, Charles Hatfield Book Prize, Comic Studies Society, 2020 A CHOICE Outstanding Academic Title, 2019The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this:Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement.In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.

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From Brian Fies, the acclaimed graphic novelist of Mom’s Cancer, Whatever Happened to the World of Tomorrow?, and A Fire Story, comes a classic comic book adventure for all agesDecades after being imprisoned for threatening his city with an army of giant robots, an elderly scientist reenters society, only to discover he needs help navigating life in the 21st century. Experiencing real kindness and friendship for the first time ever, his new relationships challenge the inventor’s single-minded devotion for vengeance—just as his plans threaten to spiral out of his control. An homage to the classic cartoons of the 1940s, The Last Mechanical Monster is about ambition, creativity, mortality, friendship, and legacy. How do we want to be remembered? And what will we leave behind? This latest graphic novel from Brian Fies (Mom’s Cancer, Whatever Happened to the World of Tomorrow?, and A Fire Story) already has a fanbase and a considerable history of accomplishment. Initially published online as a webcomic, it was nominated for an Eisner Award for Best Digital Comic in both 2014 and 2015. It is also a pivot from Fies’s more serious graphic novels, created at a time when he was between large, demanding projects, and needing to remind himself that comics could and should be fun and provide a joyful escape—something we can all use a little more of these days.

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How can we foster a more inclusive, responsible, and communicative future? What if illustrated scholarship is one way to get there? Organized around eight terms in the study of religion, the groundbreaking, multifaceted book A Universe of Terms: Religion in Visual Metaphor combines text and image to examine the human as both catalyst of crisis and principal agent for its mitigation. Mona Oraby and Emilie Flamme—a professor and an illustrator—were spurred to create an alternative form for scholarly communication, one that stages conversations between thinkers who likely would not all find themselves in the same room. This graphic nonfiction book acknowledges the significance of certain terms to the social sciences and the humanities, narrates their limitations, and shows why we need a structure and style for thinking them otherwise. It further urges the iterative rethinking of any new terms this exercise yields. Through its unique visual lexicon, A Universe of Terms explores religious media in postcolonial and secular contexts, performances of religious feeling, the political economy of religion, sacred presence, and human striving amid social inequality and climate change. Beautifully illustrated and inspired by a range of media from graphic novels to podcasts, A Universe of Terms is a visual experiment, one that invites readers to think again and anew about how the visual is integral to thought.

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“a tour de force of comics” (Ed Park, The New York Times)One of the Top Ten Graphic Novels of 2020, as chosen by the American Library AssociationOne of the Best Books of 2020, as chosen by Publishers Weekly“Fortunately for readers of this raw and intimate graphic memoir, Terry never fully lets go of his youthful vulnerability. . . . Reckoning with sobriety requires connection and humility, as Terry makes the case for with sincerity and beauty, as he ties his recovery to his spiritual homecoming.” —Starred Review, Publishers WeeklyA brutally honest but charming look at the pain of childhood and the alienation and anxiety of early adulthood.In his memoir, we are invited to walk through the life of the author, Jim Terry, as he struggles to find security and comfort in an often hostile environment. Between the Ho-Chunk community of his Native American family in Wisconsin and his schoolmates in the Chicago suburbs, he tries in vain to fit in and eventually turns to alcohol to provide an escape from increasing loneliness and alienation. Terry also shares with the reader in exquisite detail the process by which he finds hope and gets sober, as well as the powerful experience of finding something to believe in and to belong to at the Dakota Access Pipeline resistance at Standing Rock.

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A beautifully rendered graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Nazi Invasion, 1944, with text adapted by Georgia Ball and art by Álvaro Sarraseca. It's been years since the Nazis invaded Max Rosen's home country of Poland. All the Jewish people, including Max's fam­ily, have been forced to live in a ghetto. At least Max and his sister, Zena, had Papa with them … until two months ago, when the Nazis took him away. Now Max and Zena are on their own. One day, with barely enough food to survive, the siblings make a dar­ing escape from Nazi soldiers into the nearby forest. They are found by Jewish resistance fighters, who take them to a safe camp. But soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion? With art by Álvaro Sarraseca and text adapted by Georgia Ball, Lauren Tarshis's New York Times bestselling I Survived series takes on vivid new life in this explosive graphic novel edition. Includes non-fiction back matter with historical photos and facts about World War II and the Holocaust. Perfect for: readers who prefer the graphic novel format existing fans of the I Survived chapter book series I Survived graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages.

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Sarah Glidden is a progressive Jewish American twenty-some- thing who is both vocal and critical of Israeli politics in the Holy Land. When a debate with her mother prods her to sign up for a Birthright Israel tour, Glidden expects to find objective facts to support her strong opinions. During her two weeks in Israel, Glidden takes advantage of the opportunity to ask the people she meets about the fraught and complex issue of the Israeli-Palestinian conflict, but their answers only lead her to question her own take on the conflict. Simple linework and gorgeous watercolors spotlight Israel's countryside, urban landscapes, and religious landmarks. With straightforward sincerity, lovingly observed anecdotes, and a generous dose of self-deprecating humor, How to Understand Is-rael in 60 Days or Less is accessible while retaining Glidden's distinctive perspective. Over the course of this touching memoir, Glidden comes to terms with the idea that there are no easy answers to the world's problems, and that is okay. Glidden's debut book, How to Understand Israel in 60 Days or Less landed on several best of the year lists, including Entertainment Weekly; earned a YALSA Great Graphic Novels for Teens distinction; and won an Ignatz Award. Her second book, Rolling Blackouts, which documents her experience shadowing journalists in Turkey, Iraq, Lebanon, and Syria, will also come out this fall from Drawn and Quarterly

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Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.The Railway Children, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.Bobbie, Peter, Phyllis and their mother have to leave London and live in the countryside. Their new house is next to the railway, and the children visit it every day. Slowly, the children begin to love their new life.Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

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The third book in the New York Times bestselling series with over ten million copies in print! ‘Terrifyingly fun! Max Brallier’s The Last Kids on Earth delivers big thrills and even bigger laughs.’ Jeff Kinney, author of Diary of a Wimpy Kid Now an award-winning Netflix show! In their third zombie-tastic adventure, Jack Sullivan and his friends June, Quint and Dirk discover that they might not be the last kids on Earth after all … And everyone is thrilled – except Jack. Living in a tree house with his best friends, battling monsters and escaping certain death – he's been having the most awesome time of his life. Somehow he's got to persuade his friends that life is perfect just the way it is … then they won't leave him. But that's not so easy when there's a new monster hunting them. A monster who's bigger and badder than anything they've come across in the monster zombie apocalypse (AKA Very Big and Very Bad). And he seems to be able to get inside Jack's head. What does the Nightmare King want? The third book in a hilarious monster adventure series. With fresh, funny illustrations on every page, this is perfect for fans of comics and graphic novels aged 8 and over. The Last Kids on Earth series: The Last Kids on EarthThe Last Kids on Earth and the Zombie ParadeThe Last Kids on Earth and the Nightmare KingThe Last Kids on Earth and the Cosmic Beyond

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Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.The Happy Prince, a Starter level Reader, is A1 in the CEFR framework. Starter level is ideal for readers who are learning English for the first time. Short sentences contain a maximum of two clauses, using the present simple and continuous tenses, possessives, regular and irregular verbs, and simple adjectives. Illustrations support the text throughout, and many titles at this level are graphic novels.In an old town in England, there is a statue of a happy prince. But the prince is not happy. He can see the sad things in the town. Then he meets a swallow. They help the people.Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

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Graphic Lives is a series of highly engaging graphic novels for young people who may need counselling and psychotherapy. Each book introduces the difficulties faced by a teenage character and follows them as they travel on their therapeutic journey with a skilled and creative therapist.The key aims of these books are: to demystify counselling and psychotherapy so that it is more appealing and accessible to young people to destigmatise emotional and mental health problems so that young people are better able to accept help to encourage young people to embark upon their own healing journeys, equipped with the sense that there is a way forward. The Essential Support Guide, designed to be used alongside the Graphic Lives novels, provides therapists and counsellors with a range of support resources, linked to the stories and the issues covered. For each graphic novel, this guide offers: clear and concise coverage of risk factors and warning signs relating to the issue covered in the story detailed exploration of each therapeutic session in the story so that you can devise you own sessions that link to the therapy in the story an up-to-date summary of research around the issue covered in the book professional guidance on working with that issue to help you achieve the best possible outcomes for the young people you work with.

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Graphic novels and comics have launched characters and stories that play a dominant role in contemporary popular culture throughout the world. The extensive revisions in this second edition of Comic Art, Creativity and the Law update the author’s analysis of important changes at the intersection of law and comics, featuring an examination of how recent cases will affect the creative process as applied to comic art.Throughout, Marc H. Greenberg examines the impact of contract law, copyright law (including termination rights, parody and ownership of characters), tax law and obscenity law on the creative process. He considers how these laws enhance and constrain the process of creating comic art by examining the effect their often inconsistent and incoherent application has had on the lives of creators, retailers and readers of comic art. Thoroughly revised and updated, there are new chapters featuring a discussion of important new cases in copyright work-for-hire and fair use doctrines; the intersection of law and fan-based creations, such as fan fiction, fan art, fan film and cosplay; as well as a new chapter on licensing comics for motion pictures and television.Designed for academics, practitioners, students of law and fans of comic art, the book offers proposals for changes in those laws that constrain the creative process, as well as a glimpse into the future of comic art and the law.

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A charming high school romance between a tender hooligan and an orphaned girl with enchanting artwork by Amu Meguro. Little did Nao Kogure realize back in middle school that when she left an umbrella and a box of bandages in the rain for injured delinquent Taiga Onise that she would meet him again in high school. Nao wants nothing to do with the gruff and frightening Taiga, but he suddenly presents her with a huge bouquet of flowers and asks her to date him—with marriage in mind! Is Taiga really so scary, or is he a sweetheart in disguise? Although Nao Kogure was once afraid of the delinquent Taiga Onise, she was soon touched by his kind soul. Their close friends, Kayo Yashiro and Ayumu Misaki, have been flirting and fighting together for a while, but does Kayo want Ayumu to be her boyfriend? Find out what the future holds for everyone! * An adorable romance featuring enchanting, whimsical artwork by new creator Amu Meguro. * Releases 4 times a year for 8 volumes. Series ends at 8. * A BookScan Top 50 Graphic Novels Bestseller (10/16). * A story about love and friendship in high school with an ensemble cast similar to Kimi ni Todoke. * “Honey So Sweet is every bit as adorable as its name.” –Otaku USA

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The zombie craze has infected popular culture with the intensity of a viral outbreak, propagating itself through text, television, film, video games, and many other forms of media. As a metaphor, zombies may represent political notions, such as the return of the repressed violence of colonialism, or the embodiment of a culture obsessed with consumerism. Increasingly, they are understood and depicted as a medicalized phenomenon: creatures transformed by disease into a threatening vector of contagion.The Walking Med brings together scholars from across the disciplines of cultural studies, medical education, medical anthropology, and art history to explore what new meanings the zombie might convey in this context. These scholars consider a range of forms—from comics disseminated by the Centers for Disease Control and Prevention to graphic novels and television shows such as The Walking Dead—to show how interrogations of the zombie metaphor can reveal new perspectives within the medical humanities. An unprecedented forum for dialogue between cultural studies of zombies and graphic medicine, The Walking Med is an invaluable contribution to both areas of study, as well as a potent commentary on one of popular culture’s most invasive and haunting figures.In addition to the editors, the contributors are Tully Barnett, Gerry Canavan, Daniel George, Michael Green, Ben Kooyman, Sarah Juliet Lauro, Juliet McMullin, Kari Nixon, Steven Schlozman, Dan Smith, and Darryl Wilkinson.

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Featuring hundreds of carefully hand-crafted illustrations by the internationally renowned production designer Hans Bacher, Sketchbook - Composition Studies for Film is a unique journey through the mind and creative process of one of the artistic legends in animation film design. Having shaped such films as The Lion King, Mulan and Beauty and the Beast to name a few, Hans’s work is a part of the very cultural fabric of our age. Here the artist puts on display the rarely discussed first part of image making for film, the conceptual thumbnail. Exquisitely beautiful in themselves, these small illustrations represent the birth of what eventually becomes the iconic images we experience on the silver screen. Essential to anyone interested in understanding the skeletal structure that exists underneath stunning imagery in all forms of media, this book is especially relevant today with the dramatic increase of interest in film and game design. Although students today have ready access to and an understanding of technical aspects of the craft using associated software, the area most lacking in accessible information is this quintessential first part of thumb-nailing an image. This unique book will provide the student and professional with the fundamentals of conceptualizing images, and how these can be used in composition in the related fields of illustration, graphic novels, 2D animation, 3D animation, photography and cinematography.

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Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world s most revered and critically- acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You re All Just Jealous of My Jet- pack and Mooncop, Gauld s fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work. Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath s side of the Valley of Elah. Goliath of Gath isn t much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: Choose a man. Let him come to me that we may fight. Quiet moments in Goliath s life as an iso- lated soldier are accentuated by Gauld s trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail. Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line - a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld s very own.

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From the creative team of GIDEON FALLS and PRIMORDIAL comes the first book in a bold and ambitious new shared horror universe! When a geologist is sent to a remote lighthouse to investigate strange phenomenon he finds a seemingly endless pit in the rocks. But what lurks within and how will he escape its pull?THE PASSAGEWAY is the first of a dozen new interconnected projects making up THE BONE ORCHARD MYTHOS from LEMIRE and SORRENTINO!The Bone Orchard Mythos is an ambitious expansion for the powerhouse creative team and will span multiple books and across a variety of different storytelling formats. Each title will tell its own unique, self-contained tale some as stand-alone hardcover graphic novels, some as miniseries comics, and some as longer format maxiseries comics but they will all be set within the same world and add to the overall Bone Orchard mythology.The team plans to release at least two new titles each year, for the next several years. In Summer 2022 the horrors begin with a hardcover graphic novel titled, The Passageway which follows a geologist sent to a remote lighthouse to investigate a strange phenomenon. In 2023 Lemire and Sorrentino will follow up with a miniseries collection titled, Ten Thousand Black Feathers, and then another original graphic novel hardcover in 2023 titled Tenement.

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An International Research Society for Children's Literature (IRSCL) Honour Book for 2023 This book is a comprehensive and thorough introduction to children’s and young adult literature in English language education. Reading is promoted as central to language education in order to experience perspectives from around the world, and the book demonstrates the many opportunities for teaching with compelling story, encouraging an active and engaged community of second language readers through challenging picturebooks, motivating graphic novels, dynamic plays, enchanting verse novels and compelling young adult fiction. Using many examples of literary texts that are well suited to the primary or secondary classroom, the book focuses on the advantages of deep reading and the vital importance of in-depth learning. In-depth learning is an approach that involves the students as motivated participants, working collaboratively and with empathy while preparing for and confronting the challenges of the 21st century. Illustrating the approach with a Deep Reading Framework based in research and theory, Janice Bland guides the reader to discover and learn how to make use of literary texts in a way that challenges students to become involved in interculturality, creativity and critical literacy. Throughout the book the emphasis is on an approach that puts the reader and language learner in the centre – not a study of literature but a study of how readers learn through compelling story.

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Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.The Knight's Tale, a Starter level Reader, is A1 in the CEFR framework. Starter level is ideal for readers who are learning English for the first time. Short sentences contain a maximum of two clauses, using the present simple and continuous tenses, possessives, regular and irregular verbs, and simple adjectives. Illustrations support the text throughout, and many titles at this level are graphic novels.The Knight's Tale is a very old story about two knights, Arcita and Palamon. The two men love the Queen's sister, Emily. Do they fight for her?Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

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Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.Dynasties: Wolves, a Level 1 Reader, is A1 in the CEFR framework. Short sentences contain a maximum of two clauses, introducing the past simple tense and some simple modals, adverbs and gerunds. Illustrations support the text throughout, and many titles at this level are graphic novels.In 2018, the BBC filmed a family of painted wolves in Mana Pools National Park in Zimbabwe. Sometimes life is good, and sometimes it is difficult. It is the same for painted wolves, and for all animal families. Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

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