Search results for ""Author Glenn"

A compelling history of the German ethnologists who were inspired by Prussian polymath and explorer Alexander von HumboldtThe Berlin Ethnological Museum is one of the world's largest and most important anthropological museums, housing more than a half million objects collected from around the globe. In Humboldt's Shadow tells the story of the German scientists and adventurers who, inspired by Alexander von Humboldt's inclusive vision of the world, traveled the earth in pursuit of a total history of humanity. It also details the fate of their museum, which they hoped would be a scientists' workshop, a place where a unitary history of humanity might emerge.H. Glenn Penny shows how these early German ethnologists assembled vast ethnographic collections to facilitate their study of the multiplicity of humanity, not to confirm emerging racist theories of human difference. He traces how Adolf Bastian filled the Berlin museum in an effort to preserve the records of human diversity, yet how he and his supporters were swept up by the imperialist currents of the day and struck a series of Faustian bargains to ensure the growth of their collections. Penny describes how influential administrators such as Wilhelm von Bode demanded that the museum be transformed into a hall for public displays, and how Humboldt's inspiring ideals were ultimately betrayed by politics and personal ambition.In Humboldt's Shadow calls on museums to embrace anew Bastian's vision while deepening their engagement with indigenous peoples concerning the provenance and stewardship of these collections.

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The first monograph on the iconic independent New York street fashion label Supreme. In April 1994, Supreme opened its doors on Lafayette Street in downtown Manhattan and became the home of New York City skate culture. Challenging the dominance of the established Wes Coast skater scene and the new conservatism of 1990s New York, Supreme defined the aesthetic of an era of rebellious cool that reached from skaters to fashionistas and hip hop heads.Over the last sixteen years, the brand has stayed true to its roots while collaborating with some of the most groundbreaking artists and designers of its generation, and with stores in Los Angeles and Japan has become an international icon of independent counter-cultural style.This definitive monograph - with written contributions from contrasting arbiters of style, Aaron Bondaroff and Glenn O'Brien, and including an interview between founder James Jebbia and the artist KAWS - brings together the disparate elements of the brand's output, from legendary advertising campaigns to especially commissioned skateboard designs, photographs, and artworks, and a comprehensive index of their products to date.Including collaborations with Jeff Koons, Richard Prince, Damien Hirst, Public Enemy, Lou Reed, and Futura 2000 among many others, this richly illustrated book is a survey of sixteen years of contemporary street fashion and culture reflected in the pioneering work of one of New York's most influential independent labels.

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“Sampson and Sharlee’s message of the power of positivity, hard work, and resilience is one that we need to hear right now.” —Chris Gardner, #1 New York Times bestselling The Pursuit of Happyness Everyone has difficult moments in life. But everyone also has the Stuff to overcome hardships, to survive and thrive.Learn how to better access and hone the eleven core elements of the Stuff and be inspired by the real-world stories of triumph in this practical book by New York Times bestselling author Dr. Sampson Davis (The Pact, Living and Dying in Brick City) and Sharlee Jeter (Turn 2 Foundation). Everyone has those moments in life when they’re truly tested, when they wonder if they have the strength to overcome the challenges before them. We’ve all heard stories of people who have risen up in the face of the unimaginable. But not everyone believes that they have what it takes to do the same. However, what we need to realize our own potential—to fight for what we want our lives to be—already resides within each of us. You already have the Stuff. Learning how to develop and harness it is the key. Survivors themselves, Dr. Sampson Davis and Sharlee Jeter have created The Stuff Movement, interviewing dozens of people to find the common threads that enabled them to triumph over their challenges. Through the powerful stories of people who overcame cancer, poverty, toxic relationships, racism, violence, career roadblocks, and other obstacles big and small—The Stuff highlights eleven core elements that will help you not only survive but thrive in spite of life’s difficulties. These elements are as easy to understand as they are to enact—presented in plain talk, without judgment, and with compassion for the everyday challenges people face. As Dr. Davis and Sharlee share stories of the amazing people who’ve shown their Stuff, you’ll find that unearthing the same Stuff within yourself is a process as rewarding as it is important—and you’ll never say you can’t do it again. Read the book, and join the conversation at TheStuffMovement.com. Featuring stories about John O’Leary (On Fire), Mercy Alexander, Rich Ruffalo, Mindee Hardin, Glenn and Cara O’Neill, Sean Swarner, Traci Micheline, Wess Stafford (Too Small to Ignore), Austin Hatch, Debra Peppers, Christine Magnus Moore, Martha Hawkins, Ali Stroker (Glee), Susan Scott Krabacher, Deval Patrick, and more.

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What’s new, now and next from contemporary Black artists A New York Times 2020 holiday gift guide pick This book surveys the work of a new generation of Black artists, and also features the voices of a diverse group of curators who are on the cutting edge of contemporary art. As mission-driven collectors, Bernard I. Lumpkin and Carmine D. Boccuzzi have championed emerging artists of African descent through museum loans and institutional support. But there has never been an opportunity to consider their acclaimed collection as a whole until now. Edited by writer Antwaun Sargent (author of The New Black Vanguard: Photography Between Art and Fashion), Young, Gifted and Black draws from this collection to shed new light on works by contemporary artists of African descent. At a moment when debates about the politics of visibility within the art world have taken on renewed urgency, and establishment voices such as the New York Times are declaring that “it has become undeniable that African American artists are making much of the best American art today,” Young, Gifted and Black takes stock of how these new voices are impacting the way we think about identity, politics and art history itself. Young, Gifted and Black contextualizes artworks with contributions from artists, curators and other experts. It features a wide-ranging interview with Bernard Lumpkin and Thelma Golden, director and chief curator of the Studio Museum in Harlem; and an in-depth essay by Antwaun Sargent situating Lumpkin in a long lineage of Black art patrons. A landmark publication, this book illustrates what it means (in the words of Nina Simone) to be young, gifted and Black in contemporary art. Artists include: Mark Bradford, David Hammons, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Adam Pendleton, Pope.L, LaToya Ruby Frazier, Henry Taylor, Mickalene Thomas, Lynette Yiadom-Boakye, Tunji Adeniyi-Jones, Sadie Barnette, Kevin Beasley, Jordan Casteel, Jonathan Lyndon Chase, Bethany Collins, Noah Davis, Cy Gavin, Allison Janae Hamilton, Tomashi Jackson, Samuel Levi Jones, Deana Lawson, Norman Lewis, Eric N. Mack, Arcmanoro Niles, Jennifer Packer, Christina Quarles, Jacolby Satterwhite, Paul Mpagi Sepuya, Sable Elyse Smith, Chanel Thomas, Stacy Lynn Waddell, D’Angelo Lovell Williams, Brenna Youngblood, and more.

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Containing newly updated versions of existing entries and adding several important new entries, this second edition of the Elgar Encyclopedia of Comparative Law takes stock of present-day comparative law scholarship. Written by leading authorities in their respective fields, the contributions in this accessible book cover and combine not only questions regarding the methodology of comparative law, but also specific areas of law (such as administrative law and criminal law) and specific topics (such as accident compensation and consideration). In addition, the Encyclopedia contains reports on a selected set of countries' legal systems and, as a whole, presents an overview of the current state of affairs. Providing its readers with a unique point of reference, as well as stimulus for further research, this volume is an indispensable tool for anyone interested in comparative law, especially academics, students and practitioners. Contributors: M. Abe, D. Bradley, W. Bull, W.E. Butler, R. Caterina, M. Claes, H. Cousy, E. Dacoronia, G.-R. de Groot, M.J. de Waal, H. Dedek, M. Deturbide, R. Dotevall, J.E. du Plessis, M.G. Faure, B. Fauvarque-Cosson, J. Fedtke, F. Ferrari, A. Fournier, J. Fu, D. Geradin, H.P. Glenn, M. Gondek, J. Gordley, J. Hage, B. Havel, J.H. Herbots, V. Heutger, G. Howells, E.J. Hughes, M. Hunter-Henin, J. Husa, N. Jansen, M.T. Kamminga, A.J. Kanning, S.M. Kroll, P. Letto-Vanamo, S.D. Lindenbergh, G. Lubbe, B. Lurger, L. Macgregor, H.L. MacQueen, U. Magnus, K. Mayer, R. Michaels, J.M. Milo, H. Muir Watt, J. Neethling, H.P. Nehl, D. Nelken, L. Nottage, C. O'Cinneide, A.E. Orucu, V.V. Palmer, F. Pennings, P. Pichonnaz, B. Pozzo, L. Rademacher, G. Samuel, M.J. Schermaier, M. Schmidt-Kessel, E. Schrage, G. Shalev, L. Slepaite, D. Smith, J.M. Smits, Z.D. Tarman, V. Thuronyi, M. Torsello, J.H.M. van Erp, N. Van Leuven, C.H. van Rhee, L. van Vliet, A. Vaquer, R. Verhagen, R. Verkerk, D. Visser, S. Vogenauer, M. Vranken, S. Weatherill, T. Weigend, B. Wessels, C.A. Williams, J. Ziller, P. Zumbansen

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In their history of Cornell since 1940, Glenn C. Altschuler and Isaac Kramnick examine the institution in the context of the emergence of the modern research university. The book examines Cornell during the Cold War, the civil rights movement, Vietnam, antiapartheid protests, the ups and downs of varsity athletics, the women's movement, the opening of relations with China, and the creation of Cornell NYC Tech. It relates profound, fascinating, and little-known incidents involving the faculty, administration, and student life, connecting them to the "Cornell idea" of freedom and responsibility. The authors had access to all existing papers of the presidents of Cornell, which deeply informs their respectful but unvarnished portrait of the university. Institutions, like individuals, develop narratives about themselves. Cornell constructed its sense of self, of how it was special and different, on the eve of World War II, when America defended democracy from fascist dictatorship. Cornell’s fifth president, Edmund Ezra Day, and Carl Becker, its preeminent historian, discerned what they called a Cornell "soul," a Cornell "character," a Cornell "personality," a Cornell "tradition"—and they called it "freedom." "The Cornell idea" was tested and contested in Cornell’s second seventy-five years. Cornellians used the ideals of freedom and responsibility as weapons for change—and justifications for retaining the status quo; to protect academic freedom—and to rein in radical professors; to end in loco parentis and parietal rules, to preempt panty raids, pornography, and pot parties, and to reintroduce regulations to protect and promote the physical and emotional well-being of students; to add nanofabrication, entrepreneurship, and genomics to the curriculum—and to require language courses, freshmen writing, and physical education. In the name of freedom (and responsibility), black students occupied Willard Straight Hall, the anti–Vietnam War SDS took over the Engineering Library, proponents of divestment from South Africa built campus shantytowns, and Latinos seized Day Hall. In the name of responsibility (and freedom), the university reclaimed them. The history of Cornell since World War II, Altschuler and Kramnick believe, is in large part a set of variations on the narrative of freedom and its partner, responsibility, the obligation to others and to one’s self to do what is right and useful, with a principled commitment to the Cornell community—and to the world outside the Eddy Street gate.

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Part of the practical, highly illustrated Operative Techniques series, this fully revised title by Drs. Glenn B. Pfeffer, Mark Easley, Beat Hintermann, Andrew Sands, and Alastair Younger brings you up to speed with must-know surgical techniques in today's foot and ankle surgery. Step-by-step, evidence-based guidance, including numerous videos online, walks you through new procedures and modifications to existing procedures, as well as tips for improving patient outcomes and much more. Provides expert coverage of total ankle arthroplasty, revision surgery, and post-operative care and expected outcomes. Focuses on quick access to essential information, using an up-to-date, clean layout; a bulleted, highly templated format; and large, full-color intraoperative photos and illustrations. Presents essential information often overlooked in other procedural guides, such as positioning, exposures, instrumentation, and implants. Discusses pearls and pitfalls with an emphasis on optimizing outcomes to refine your technique and learn the experts' approach to getting the best results. Covers more than 25 new procedures, including Revision Hallux Valgus Surgery, Arthroscopic Fusion of the Great Toe, and Peroneal Tendinopathy with Allograft. Expert ConsultT eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, Q&As, and references from the book on a variety of devices.

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Obscenity is central to an understanding of medieval culture, and it is here examined in a number of different media. Obscenity is, if nothing else, controversial. Its definition, consumption and regulation fire debate about the very meaning of art and culture, law, politics and ideology. And it is often, erroneously, assumed to be synonymous with modernity. Medieval Obscenities examines the complex and contentious role of the obscene - what is offensive, indecent or morally repugnant - in medieval culture from late antiquity through to the end of the Middle Ages in western Europe. Its approach is multidisciplinary, its methodologies divergent and it seeks to formulate questions and stimulate debate. The essays examine topics as diverse as Norse defecation taboos, the Anglo-Saxon sexual idiom, sheela-na-gigs, impotence in the church courts, bare ecclesiastical bottoms, rude sounds and dirty words, as well as the modern reception and representation of the medieval obscene. They demonstrate not only the vitality of medieval obscenity, but its centrality to our understanding of the Middle Ages and ourselves. Contributors: MICHAEL CAMILLE, GLENN DAVIS, EMMA DILLON, SIMON GAUNT, JEREMY GOLDBERG, EAMONN KELLY, CAROLYNE LARRINGTON, NICOLAMCDONALD, ALASTAIR MINNIS, DANUTA SHANZER

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How can pastors become resilient in a rapidly changing world? Is it possible to love well and lead faithfully? In the wake of crises that have exposed and accelerated massive cultural shifts, we see more clearly the seismic shifts of post-Christendom, the surging storms of a new paganism and pluralism, and the scattered debris of the cultural aftermath. Drawing on new research from the Barna Group, Scripture, and church history, pastor, theologian, and researcher Glenn Packiam addresses some of the most pressing questions for today's leaders, including - What is a pastor's calling and vocation? - How do church leaders regain credibility in a disillusioned world? - How do church leaders cultivate a deeper life with God? - How do pastors develop meaningful relationships? - Why does the church gather in worship? Does it still matter if we do? - How do we actually make disciples in this new landscape? - How can we face the challenges to unity presented by nationalism and racism? - What is the church's mission in the world? - How do we welcome the presence and power of God in our churches? This book is for all who are burdened by the challenges facing the church as well as the turbulence of our times. With infographics, enlightening data, and insights from other ministry leaders, this book is the perfect resource for church leaders who want to cultivate resilience in their ministry today.

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Con Mademoiselle, Bruno Monsaingeon nos ofrece?como ya hizo en Glenn Gould. No, no soy en absoluto un excéntrico?el testimonio de un personaje excepcionalmente lúcido y fascinante, Nadia Boulanger, la Música personificada según Paul Valéry. Pianista, directora de orquesta, mentora de Stravinski y maestra, durante sus casi setenta años de carrera formó a un buen número de notables compositores, directores e intérpretes del siglo xx, desde Gardiner, Markévich, Barenboim, Glass, Bernstein o Menuhin hasta Piazzolla o Quincy Jones. A partir de los materiales reunidos durante las conversaciones con Boulanger en sus últimos seis años de vida, Monsaingeon recopila y ordena las entrevistas para recrear la voz y evocar la presencia de la gran maestra de maestros. Un conmovedor homenaje a una figura admirable, sumamente influyente por sus indiscutibles dotes musicales y por su inolvidable magisterio.

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There are few football clubs in the world that attract as much interest in the modern game as Chelsea. Whether it is the latest observations from former coach Maurizio Sarri, his successor Frank Lampard, big-money transfer targets, the style of play or results in Europe, everybody thinks they know what's happening – or at least has an opinion on it. The arrival in 2003 of Russian billionaire tycoon Roman Abramovich as owner turned a glamorous club with a long history of under-achievement, into an international powerhouse. After one championship in 99 years, the Blues have, in a dozen years, won five Premier League titles, plus the UEFA Champions League, two UEFA Europa League titles, five FA Cups and three Football League Cups. The club always was a magnet for well-known names – vaudeville legend George Robey played for the Pensioners in the club's earliest days – and, in the modern era, Stamford Bridge has become home to a dazzling array of world stars. From Ron 'Chopper' Harris and Ken Bates through Ruud Gullit, Roberto Di Matteo and Glenn Hoddle to Jose Mourinho, John Terry, Zola, Diego Costa and Eden Hazard, there is no lack of characters to draw on for quotes.

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A celebration of over 100 years of queer creativity, featuring 70 outstanding works of drawing, painting, photography, sculpture and installation. Over the last century, many artists have made works that challenge dominant models of gender and sexuality. The results can be sexy or serious, satirical or tender, discreetly coded or defiantly outspoken. This beautiful book illustrates the wide variety of queer art from around the world – exploring bodies and identity, love and desire, prejudice and protest through drawing, painting, photography, sculpture and installation. 70 outstanding works - from 1900 to the present – reveal how queer experiences have differed across time and place, and how art has been part of a story of changing attitudes and emerging identities. Featuring works by, among others, Egon Schiele, Duncan Grant, Claude Cahun, Hannah Hoch, Frida Kahlo, David Hockney, Glenn Ligon, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki – all of whom subverted the norms of their day via bold, new forms of expression, A Queer Little History of Art is a celebration of over 100 years of queer creativity.

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A complete history of White Hart Lane, the home of Tottenham Hotspur from 1899 to 2017 and the setting for some of their greatest successes.For a football supporter, a real fan, there is nothing more evocative than the journey to their home ground, a place where they have experienced the highs and lows that the game brings - delight, despair, hope, pain and, occasionally, pure joy. But while those stadiums seem permanent, they are not.In May 2017, White Hart Lane, the backdrop to more than a century of Spurs history, staged its final game. With the active support and endorsement of the club, who have granted him exclusive access to senior figures and historical documents, Martin Lipton pays fitting tribute to the glory days at the Lane. He has talked to, among others, Jimmy Greaves, Martin Chivers, Pat Jennings, Glenn Hoddle, Ossie Ardiles, Chris Waddle, Teddy Sheringham, Jurgen Klinsmann, David Ginola, Gareth Bale and Harry Kane. And he has also interviewed fans, support staff, managers and board members in order to provide the complete and definitive story of White Hart Lane.

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Discover the joyously funny and charming novel from Dawn French, number one bestselling author of A Tiny Bit Marvellous and Oh Dear Silvia'I adored it. So charming, wise and brilliantly written' MARIAN KEYES'Think the Vicar of Dibley, without the dog collar. YES YES YES indeed' IndependentThe Foreign Land of the Very Wealthy - otherwise known as Manhattan's Upper East Side - has its own rigid code of behaviour. It's a code strictly adhered to by the Wilder-Bingham family.Emotional displays - unacceptable.Unruly behaviour - definitely not welcome.Fun - no thanks.This is Glenn Wilder-Bingham's kingdom. A beautifully displayed, impeccably edited fortress of restraint.So when Rosie Kitto, an eccentric thirty-eight-year-old primary school teacher from England, bounces into their lives with a secret sorrow and a heart as big as the city, nobody realises that she hasn't read the rule book.Because after a lifetime of saying no, what happens when everyone decides to start saying . . . yes?'There is lots of fun to be had reading this book. It's impossible not to warm to Rosie. There's something quite joyous about the way she unashamedly romps her way through the novel, changing the lives of those around her for the better' ExpressPraise for Dawn French:'A fantastic slam-dunk pageturner. Funny, enriching . . . page after page I laughed out loud' Mail on Sunday'A hilarious snapshot of family life in the twenty-first century' Sunday Express'Extremely funny' Sunday Times'Dawn tackles the big ones - love, death, grief, childhood, motherhood, parenthood - head on' Guardian'Makes you laugh on every page' The Times'A brilliantly observed, very funny novel of family life' Woman and Home'Funny, really enjoyable, highly recommended. A wonderful writer - witty, wise, poignant' Daily Mail

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The ideas and policies that are percolating down from 1600 Pennsylvania Avenue and Capitol Hill--increased government intervention, calls to "spread the wealth around," onerous regulations, and bailouts for all--are not new. We've been down this road before. We know where it leads. It is that forlorn byway that Friedrich von Hayek called the Road to Serfdom. The good news is we don't have to go down that road again. Resurrecting 18th-century style pamphleteering, Encounter Broadsides provide the intellectual ammunition for the battle over America's future. From the folly of Obamacare, to the politicization of the Justice Department, or disastrous efforts to nationalize our education system, each Encounter Broadside assaults a new tentacle of the rising statism. Now, for the first time, The New Leviathan collects these salvos in one essential handbook. The New Leviathan is edited by Roger Kimball with contributions from John R. Bolton, Daniel DiSalvo, Richard A. Epstein, Peter Ferrara, John Fund, Victor Davis Hanson, Andrew C. McCarthy, Betsy McCaughey, Stephen Moore, Michael B. Mukasey, Glenn Harlan Reynolds, Rich Trzupek, and Kevin D. Williamson. Together, they make the definitive case for liberty and democratic capitalism at a time when they are under siege from the resurgence of collectivist sentiment.

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It began with plutonium, the first element ever manufactured in quantity by humans. Fearing that the Germans would be the first to weaponise the atom, the United States marshalled brilliant minds and seemingly inexhaustible bodies to find a way to create a nuclear chain reaction of inconceivable explosive power. In a matter of months, the Hanford nuclear facility was built to produce the enigmatic and deadly new material that would fuel atomic bombs. In the desert of eastern Washington State, far from prying eyes, scientists Glenn Seaborg, Enrico Fermi and thousands of others—the physicists, engineers, labourers and support staff at the facility—manufactured plutonium for the bomb dropped on Nagasaki, and for the bombs in the current American nuclear arsenal, enabling the construction of weapons with the potential to end human civilisation. With his characteristic blend of scientific clarity and storytelling, Steve Olson asks why Hanford has been largely overlooked in histories of the Manhattan Project and the Cold War. Olson, who grew up just twenty miles from Hanford’s B Reactor, recounts how a small Washington town played host to some of the most influential scientists and engineers in American history as they sought to create the substance at the core of the most destructive weapons ever created. The Apocalypse Factory offers a new generation this dramatic story of human achievement and ultimately, of lethal hubris.

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The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and '60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC's public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, "What's Fair on the Air?" charts the rise and fall of four of the most prominent right-wing broadcasters: H.L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC's Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.

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What does American pragmatism contribute to contemporary debates about human-animal relationships? Does it acknowledge our connections to all living things? Does it bring us closer to an ethical treatment of all animals? What about hunting, vegetarianism, animal experimentation, and the welfare of farm animals? While questions about human relations with animals have been with us for millennia, there has been a marked rise in public awareness about animal issues—even McDonald's advertises that they use humanely treated animals as food sources. In Animal Pragmatism, 12 lively and provocative essays address concerns at the intersection of pragmatist philosophy and animal welfare. Topics cover a broad range of issues, including moral consideration of animals, the ethics of animal experimentation, institutional animal care, environmental protection of animal habitat, farm animal welfare, animal communication, and animal morals. Readers who interact with animals, whether as pets or on a plate, will find a robust and fascinating exploration of human-nonhuman relationships.Contributors are James M. Albrecht, Douglas R. Anderson, Steven Fesmire, Glenn Kuehn, Todd Lekan, Andrew Light, John J. McDermott, Erin McKenna, Phillip McReynolds, Ben Minteer, Matthew Pamental, Paul Thompson, and Jennifer Welchman.

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Develop a core understanding of the concepts of modern computer science Computer Science: An Overview, 13th edition, Global Edition, by J. Glenn Brookshear, and Dennis Brylow, is written for students from all backgrounds, giving you a bottom-up, concrete-to-abstract foundation in the subject. Its broad coverage encourages a practical and realistic understanding of computer science, covering all the major concepts. The book's broad background exposes beginning computer science students to the breadth of the subject they plan to major in and teaches students from other backgrounds how to relate to the technical society in which they live. Learn in a flexible way with independent chapters you can study in any order with full-colour design to help you engage with the information. The text also uses Python to provide programming tools for exploration and experimentation in your learning. This 13th edition has been corrected and updated in each chapter to refine your learning experience. With more than 1,000 questions and exercises, the book trains your thinking skills with useful chapter review problems and contains questions surrounding social issues to reinforce core concepts. This text is comprehensive and highly accessible, making it ideal for undergraduate studies in computer science. This title has a Companion Website.

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On the Ambivalent Simultaneity of Things – Freedom and Oppression, Racism and Recognition In the midst of the Cold War, legendary African American jazz musician Louis Armstrong was the first US artist to tour through the GDR. Taking this historic event in 1965 as a starting point, DAS MINSK Kunsthaus in Potsdam examines the ambivalence of this official invitation against the backdrop of the Civil Rights Movement in the United States, the Vietnam War, and the Iron Curtain in Europe. While Armstrong avoided expressing forthright political opinions during his tour, he played (What Did I Do To Be So) Black and Blue, a composition he had not played in a decade, at every performance. Paintings, photographs, archival material, and installations by Terry Adkins, Louis Armstrong, Pina Bausch, Romare Bearden, Peter Brötzmann, Darol Olu Kae, Volkhard Kühl, Norman Lewis, Glenn Ligon, Jason Moran, Gordon Parks, Dan Perjovschi, Adrian Piper, Evelyn Richter, Lorna Simpson, Willi Sitte, Wadada Leo Smith, Rosemarie Trockel, Andy Warhol, Ruth Wolf-Rehfeldt, and others provide multiple perspectives on the complexity of politics, jazz music, and racism.

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The study of theatre is of great value to psychologists because it is a vital part of life. This thoroughly revised and updated second edition provides a unique and up-to-date analysis of what psychology has to offer for actors, musicians, singers and dancers. It makes suggestions about how the particular stresses that performers are under can be managed. Newly provided examples, or Spotlights, give focused explanations of interesting topics that are self-contained within the text. Drawing on numerous practical examples from the arts as well as scientific and clinical research, this book has proven to be an invaluable resource for student, professional and amateur alike.Modern psychology has much to offer performing artists in terms of understanding themselves and optimizing their art: it examines the unique two-way relationship between audience and performer, describes the way in which emotions are communicated to an audience by non-verbal processes such as posture and facial expression, and explains the instinctual origins of the impulse to perform. Dr Glenn Wilson PhD, FBPS, CPsychol is Senior Lecturer in Psychology at the Institute of Psychiatry, University of London, and has previously held visiting professorships at Stanford University, San Francisco State and the University of Nevada, Reno. He trained as a baritone at the Guildhall School of Music, and now is an established stage director and opera singer who makes frequent appearances on British TV. He has published several papers on psychology as applied to the performing arts, and in London in 1990 and 1993 organized the first and second international conferences on Psychology and the Performing Arts.

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An engagement with the huge growth in neomedievalism forms the core of this volume, with other essays testing its conclusions. The focus on neomedievalism at the 2007 International Conference on Medievalism, in ever more sessions at the annual International Congress on Medieval Studies, and by many recent or forthcoming publications has left little doubtof the importance of this new, provocative area of study. In response to a seminal essay defining medievalism in relationship to neomedievalism [published in volume 18 of this journal], this book begins with seven essays definingneomedievalism in relationship to medievalism. Their positions are then tested by five articles, whose subjects range from modern American manifestations of Byzantine art, to the Vietnam War as refracted through non-heterosexual implications in the 1976 movie Robin and Marian, and versions of abjection in recent Beowulf films. Theory and practice are thus juxtaposed in a volume that is certain to fuel a central debate in not one but two of the fastest growing areas of academia. Contributors: Amy S. Kaufman, Brent Moberley, Kevin Moberley, Lesley Coote, Cory Lowell Grewell, M.J. Toswell, E.L. Risden, Lauryn S. Mayer, Glenn Peers, Tison Pugh, David W. Marshall,Richard H. Osberg, Richard Utz

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The verb esperar means to wait. It also means to hope.—“The Past Was a Small Notebook, Much Scribbled-Upon”, Cora Siré Waiting, that most human of experiences, saturates all of our lives. We spend part of each day waiting—for birth, death, appointments, acceptance, forgiveness, redemption. This collection of thirty-two personal essays is as much about hope as it is about waiting. Featuring literary voices from the renowned to the emerging, this anthology of contemporary creative nonfiction will resonate with anyone who has ever had to wait. Contributors: Samantha Albert, Rona Altrows, Sharon Butala, Jane Cawthorne, Weyman Chan, Rebecca Danos, Patti Edgar, John Graham-Pole, Leslie Greentree, Edythe Anstey Hanen, Vivian Hansen, Jane Harris, Richard Harrison, Elizabeth Haynes, Lee Kvern, Anne Lévesque, Margaret Macpherson, Alice Major, Wendy McGrath, Stuart Ian McKay, Lorri Neilsen Glenn, Susan Olding, Roberta Rees, Julie Sedivy, Kathy Seifert, Cora Siré, Steven Ross Smith, Anne Sorbie, Glen Sorestad, Kelly S. Thompson, Robin van Eck, Aritha van Herk

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I Saw Mommy Biting Santa Claus is a new spin on a holiday classic that tells the story of a suburban zombie outbreak and the little boy who knows just what to do. When Johnny finds out that his mother has turned into a zombie and has attacked Santa Claus, he knows that it’s up to him to put the living dead (back) to rest.While the chaos spreads from the mall to the Christmas parade, Johnny finds his friends Glenn, Barb, and Ben, and they devise a plan to not only protect themselves—and their dog—but to make sure to get to Grandma’s house before the zombies take over town. While they’ve planned for the worst, nothing could prepare them for watching jolly old Saint Nick get devoured by mindless zombies.This clever take on a Christmas tradition is right up the alley of anyone who ever wondered what would happen if a zombie outbreak took place during the holiday season. I Saw Mommy Biting Santa Claus is a beautifully gory tale that’s sure to become a classic for fans of the holidays and the living dead.

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Andy Nyman's first book, The Golden Rules of Acting, has become a bestseller in the acting world. Now he returns to bring you more priceless nuggets gleaned from more than thirty years in the acting business. This book will help you to... Learn to love auditions and self-tapes (yes, really!) Look after your mental health Deal with success and failure Burst a few bubbles that need bursting Written with the same candid wit as his first book, this is every actor's new best friend – in handy paperback form. 'With great humour, wisdom and panache, Andy Nyman presents tasty advice for any actor. He knows that the more rules and craft under your belt, the more daring and original you will be as an artist' Glenn Close 'As with the first volume, this book gets to the heart of what being a working actor is about. No faff, no mystery, just practicalities that are always worth being reminded of' Martin Freeman 'One man shouldn't be so wise and entertaining, but Andy Nyman somehow is. His latest Golden Rules are exactly that — and wild fun, to boot. I recommend this book not just to actors, but to anyone who has ever seen an actor act. Nyman's insights apply to us all' J.J. Abrams

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“Mixing Romance and Mystery in a Fizzy 1930s Cocktail!”In this seventh book of the series, Clive and Henrietta return to England to find Castle Linley in financial ruin. When Clive’s cousin, Wallace, invites an estate agent in to assess the home’s value, the agent is later found poisoned, throwing all of the Castle’s guests into suspicion. Clive and Henrietta are soon drawn into an investigation, which is slowed by an incompetent local inspector and several unexplained phenomena—the cause of which many, especially the frail Lady Linley, believe to be the workings of the ghost of a hanged maid.Meanwhile, Gunther and Elsie have begun life on a farm in Omaha. Circumstances are difficult, but they are content—until Oldrich Exely appears, proposing an option Elsie finds difficult to ignore. Melody Merriweather, still masquerading as a nun to aid Elsie’s escape, likewise finds it difficult to ignore a letter with tragic news from home, while Julia, on the other hand, receives a very different sort of letter from Glenn Forbes.Back in England, Clive is called away to London on suspicious business, leaving Henrietta to carry on with the investigation alone. When she is mysteriously locked in the study one night, however, things take on a more deadly, supernatural feel, leaving her to fear that Lady Linley's “ghost” might just be real after all…

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The OS Landranger Map series covers Great Britain with 204 detailed maps, perfect for day trips and short breaks. Each map provides all the information you need to get to know your local area and includes places of interest, tourist information, picnic areas and camp sites, plus Rights of Way information for England and Wales. OS Landranger now includes a digital version of the paper map, accessed through the OS smartphone app, OS Maps.

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Conduct Becoming examines a new genre of late medieval writing that focuses on a wife's virtuous conduct and ability of such conduct to alter marital and social relations in the world. Considering a range of texts written for women—the journées chrétiennes or daily guides for Christian living, secular counsel from husbands and fathers such as Le Livre du Chevalier de La Tour Landry and Le Menagier de Paris, and literary narratives such as the Griselda story—Glenn D. Burger argues that, over the course of the long fourteenth century, the "invention" of the good wife in discourses of sacramental marriage, private devotion, and personal conduct reconfigured how female embodiment was understood. While the period inherits a strongly antifeminist tradition that views the female body as naturally wayward and sensual, late medieval conduct texts for women outline models of feminine virtue that show the good wife as an identity with positive influence in the world. Because these manuals imagine how to be a good wife as necessarily entangled with how to be a good husband, they also move their readers to consider such gendered and sexed identities in relational terms and to embrace a model of self-restraint significantly different from that of clerical celibacy. Conduct literature addressed to the good wife thus reshapes how late medieval audiences thought about the process of becoming a good person more generally. Burger contends that these texts develop and promulgate a view of sex and gender radically different from previous clerical or aristocratic models—one capable of providing the foundations for the modern forms of heterosexuality that begin to emerge more clearly in the fifteenth and sixteenth centuries.

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Despite American education’s recent mania for standardized tests, testing misses what really matters about learning: the desire to learn in the first place. Curiosity is vital, but it remains a surprisingly understudied characteristic. The Hungry Mind is a deeply researched, highly readable exploration of what curiosity is, how it can be measured, how it develops in childhood, and how it can be fostered in school.“Engel draws on the latest social science research and incidents from her own life to understand why curiosity is nearly universal in babies, pervasive in early childhood, and less evident in school…Engel’s most important finding is that most classroom environments discourage curiosity…In an era that prizes quantifiable results, a pedagogy that privileges curiosity is not likely to be a priority.”—Glenn C. Altschuler, Psychology Today“Susan Engel’s The Hungry Mind, a book which engages in depth with how our interest and desire to explore the world evolves, makes a valuable contribution not only to the body of academic literature on the developmental and educational psychology of children, but also to our knowledge on why and how we learn.”—Inez von Weitershausen, LSE Review of Books

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The war is drawing to a close, but life for the Caldwell sisters is far from peaceful…Still waiting for her fiancé, James, to return from fighting in North Africa, Imogen focuses her attention on driving for the Auxiliary Territorial Service General. Between work and looking out for her sisters, she soon finds she has very little time left over to worry.Meanwhile, Elsie continues to nurse her husband back to health, finally content with her quiet family life in Yorkshire. But she is nostalgic for happier times, before the war, and longs to be reunited with her sisters again.Daisy is also desperate for an end to the war – she fears for her love, Glenn, and longs to see him return home safely. In these uncertain times, she needs all the support Imogen and Elsie can give to her.When yet another tragedy befalls the Caldwell family, will the sisters be able to lift each other up to carry on?The captivating finale to the Second World War set Caldwell Sisters series, perfect for fans of Emma Hornby, Elaine Everest and Katie Flynn.

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THE INTERNATIONAL BESTSELLER Coming November 2020 as a major motion picture from Netflix starring Amy Adams and Glenn Close ‘The political book of the year’ Sunday Times ‘A frank, unsentimental, harrowing memoir … A superb book’ New York Post ‘I bought this to try to better understand Trump’s appeal … but the memoir is so much more than that. A gripping, unputdownable page-turner’ India Knight, Evening Standard J. D. Vance grew up in the hills of Kentucky. His family and friends were the people most of the world calls rednecks, hillbillies or white trash. In this deeply moving memoir, Vance tells the story of his family’s demons and of America ’ s problem with generational neglect. How his mother struggled against, but never fully escaped, the legacies of abuse, alcoholism, poverty and trauma. How his grandparents, ‘dirt poor and in love’, gave everything for their children to chase the American dream. How Vance beat the odds to graduate from Yale Law School. And how America came to abandon and then condescend to its white working classes, until they reached breaking point.

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Gay uncles have become one of the most beloved family members (not to mention amazing role models), and National Guncles Day has even become a social media-approved holiday, inspiring adorable Instagram photo ops.The family dynamic in the 21st century has become anything but typical. With the progress of social awareness in our society, there comes a new, ever-changing, diverse face of America. But one thing that's almost universal with the American family is the guncle!Introductory material from Daniel Franzese (Mean Girls, Looking, Party Monster) and Johnny Sibilly (Pose, The Deuce, Liza on Demand) sets the tone for this fun, interactive guide all guncles will enjoy. Packed with relateable and sometimes surprising stories, you'll also find:• Quotes from famous guncles like James Baldwin, Oscar Wilde, RuPaul Charles, Ian McKellen, Harvey Milk, Lil Nas X, and more• Guncle Wisdom boxes containing takeaways from the chapters• Advice on how to talk to your nieces and nephews about being gay and coming out (you or them!)• Stats on LGBTQ youth and mental health• The ultimate guncle bucket list• How to spoil your nieces and nephews• Photo tips for being the best insta-guncle around• And more!In The Guncle Guide, Glenn Garner, who has gained a lifetime of knowledge as a gay uncle to twenty-two nieces and nephews, imparts some of that wisdom through heartwarming anecdotes and useful tips and tricks. This book will make the perfect gift for your own beloved guncle.

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OS Explorer is the Ordnance Survey's most detailed map and is recommended for anyone enjoying outdoor activities like walking, horse riding and off-road cycling. The OS Explorer range now includes a digital version of the paper map, accessed through the OS smartphone app, OS Maps. Providing complete GB coverage the series details essential information such as youth hostels, pubs and visitor information as well as rights of way, permissive paths and bridleways.

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Final Resting Places brings together some of the most important and innovative scholars of the Civil War era to reflect on what death and memorialization meant to the Civil War generation—and how those meanings still influence Americans today. In each essay, a noted historian explores a different type of gravesite—including large marble temples, unmarked graves beneath the waves, makeshift markers on battlefields, mass graves on hillsides, neat rows of military headstones, university graveyards, tombs without bodies, and small family plots. Each burial place tells a unique story of how someone lived and died; how they were mourned and remembered. Together, they help us reckon with the most tragic period of American history. CONTRUBUTORS: Terry Alford, Melodie Andrews, Edward L. Ayers, DeAnne Blanton, Michael Burlingame, Katherine Reynolds Chaddock, John M. Coski, William C. Davis, Douglas R. Egerton, Stephen D. Engle, Barbara Gannon, Michael P. Gray, Hilary Green, Allen C. Guelzo, Anna Gibson Holloway, Vitor Izecksohn, Caroline E. Janney, Michelle A. Krowl, Glenn W. LaFantasie, Jennifer M. Murray, Barton A. Myers, Timothy J. Orr, Christopher Phillips, Mark S. Schantz, Dana B. Shoaf, Walter Stahr, Michael Vorenberg, and Ronald C. White

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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T'Challa faces the gods of his parents. Vampires stalk Shuri and a Dora Milaje in voodoo-laced New Orleans. Erik Killmonger grapples with racism, Russian spies, and his own origins. Eighteen brand-new tales of Wakanda, its people, and its legacy. The first mainstream superhero of African descent, the Black Panther has attracted readers of all races and colors who see in the King of Wakanda reflections of themselves. Storytellers from across the African Diaspora-some already literary legends, others who are rising stars-have created for this collection original works inspired by the world of the Panther and its inhabitants. With guest stars including Storm, Monica Rambeau, Namor, and Jericho Drumm, these are stories of yesterday and today, of science and magic, of faith and love. These are the tales of a king and his country. These are the legends whispered in the jungle, myths of the unconquered men and women and the land they love. These are the Tales of Wakanda. Featuring stories by Linda D. Addison, Maurice Broaddus, Christopher Chambers, Milton J. Davis, Tananarive Due, Nikki Giovanni, Harlan James, Danian Jerry, Kyoko M., L.L. McKinney, Temi Oh, Suyi Davies Okungbowa, Glenn Parris, Alex Simmons, Sheree Renee Thomas, Cadwell Turnbull and Troy L. Wiggins.

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Simulating the marvellous presents important new research on Surrealism and the culture from which it arose. Offering fresh interpretations of Surrealist art and literature based around the theme of simulation, the book shows, in the late nineteenth and early twentieth centuries, that the notion of simulation arose in a number of discrete contexts, in relation to hysteria and war neuroses; more broadly it shadows the emergence of our concept of ‘the unconscious’. Acknowledging simulation’s relevance to Surrealism, this book argues, radically alters our understanding of the Surrealists' project and the terms in which one gauges its success or failure. It leads one to question the naïve assumption that automatic writing or drawing represent an authentic outpouring of the unconscious and gives renewed significance to a figure such as Salvador Dalí who embraced simulation and made it the basis of his art and aesthetic. Resonances are also explored with postmodern theory and art practice, around the themes of simulation and the simulacrum.It also points to one of the ways in which Surrealism chimes with a core preoccupation of contemporary art and theory. Written accessibly, and ranging across many of the core ideas of Surrealism, David Lomas balances coverage of both Surrealist art and literature, looking at such figures as Dalì, Eluard, Masson, Desnos, Brouillet, Picasso, Tanning and Janet, as well as Glenn Brown, Douglas Gordon and Sarah Lucas. The book will interest not only art historians and theorists, but also students and those with a general interest in Surrealism.

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The Rococo style dominated the 18th century from the Régence (1715-1723) until the end of the reign of King Louis XV (1774). Despite its many achievements, people frequently describe it with adjectives meant to be disparaging: cloying, lovely, kitschy etc. However, its triumphant progress, which took off in France and spread all over Europe, as well as the coincidence in time and the relationship between the Rococo and the enlightenment can still be traced in contemporary art. For the first time ever, this book extensively examines the enduring impact of this major European style on contemporary art. But the Rococo was far more than just a form of art, its ideas permeated all areas of society. Therefore, the selection of contemporary approaches presented here does not only show a formal connection with the Rococo period, it also reveals thematic similarities. In addition, it explores the current relevance of the style as a symbol of our own hyped up and disoriented age. With works by Leonor Antunes, Cornelia Badelita, Karla Black, Thierry Boutemy, Glenn Brown, Alice Channer, Edith Dekyndt, Anke Eilergerhard, Katharina Grosse, Jeppe Hein, Rachel Kneebone, Alexej Koschkarow, Anri Sala, Markus Schinwald, Anj Smith and Pia Stadtbäumer. Text in English and German.

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An enthralling appreciation of the monumentally gifted popular artist and cultural icon who challenged Hollywood’s standards of beauty and glamour Barbra Streisand has been called the “most successful...talented performer of her generation” by Vanity Fair, and her voice, said pianist Glenn Gould, is “one of the natural wonders of the age.” Streisand scaled the heights of entertainment—from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director. But she has also become a cultural icon who has transcended show business. To achieve her success, Brooklyn-born Streisand had to overcome tremendous odds, not the least of which was her Jewishness. Dismissed, insulted, even reviled when she embarked on a show business career for acting too Jewish and looking too Jewish, she brilliantly converted her Jewishness into a metaphor for outsiderness that would eventually make her the avenger for anyone who felt marginalized and powerless. Neal Gabler examines Streisand’s life and career through this prism of otherness—a Jew in a gentile world, a self-proclaimed homely girl in a world of glamour, a kooky girl in a world of convention—and shows how central it was to Streisand’s triumph as one of the voices of her age.

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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Reveals the proprietary framework used by an exclusive community of top money managers and value investors in their never-ending quest for untapped investment ideas Considered an indispensable source of cutting-edge research and ideas among the world's top investment firms and money managers, the journal The Manual of Ideas boasts a subscribers list that reads like a Who's Who of high finance. Written by that publication’s managing editor and inspired by its mission to serve as an "idea funnel" for the world's top money managers, this book introduces you to a proven, proprietary framework for finding, researching, analyzing, and implementing the best value investing opportunities. The next best thing to taking a peek under the hoods of some of the most prodigious brains in the business, it gives you uniquely direct access to the thought processes and investment strategies of such super value investors as Warren Buffett, Seth Klarman, Glenn Greenberg, Guy Spier and Joel Greenblatt. Written by the team behind one of the most read and talked-about sources of research and value investing ideas Reviews more than twenty pre-qualified investment ideas and provides an original ranking methodology to help you zero-in on the three to five most compelling investments Delivers a finely-tuned, proprietary investment framework, previously available only to an elite group of TMI subscribers Step-by-step, it walks you through a proven, rigorous approach to finding, researching, analyzing, and implementing worthy ideas

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In this scintillating sequel to Sabotage! Black Sabbath in the Seventies, Martin Popoff blows up the kaleidoscopic narrative of the Sabs over the ensuing twenty years, dissecting each and every of the band's ten studio albums and two (and-a-half) live albums produced over that time period. So this is the book where we hear the gripes, snipes, swipes and thumbs-up likes from Ronnie James Dio, Ian Gillan, Glenn Hughes, Tony Martin and finally once more Ozzy Osbourne, as they remark upon this institution coddled by the anchor of the band Tony Iommi, who valiantly held Black Sabbath together through many years of blood, sweat and Tyrs. Heaven and Hell, Mob Rules, Live Evil, Born Again, Seventh Star, The Eternal Idol, Headless Cross, Tyr, Dehumanizer, Cross Purposes, Forbidden and finally, extensively broken down, Reunion... they're all here, song by song, the hirings and the firings highlighted and explained. Incorporating talk from over 60 interviews conductive with band members and other relevant parties over 25 years, make no mistake-this is the most in-depth examination of the band during this timeframe ever executed. So come one and all, re-love modern-era Black Sabbath all over again-you'll be pleasantly surprised at how much dastardly doom there is from Tony Iommi that you need to know and embrace once again.

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A richly illustrated exploration of Hannah Wilke’s provocative art and trailblazing feminismOne of the most groundbreaking artists to emerge in American art in the 1960s, Hannah Wilke consistently challenged the prevailing narratives of women’s bodies and their representation throughout her career, until her untimely death in 1993. Wilke established a uniquely feminist iconography in virtually all of the mediums she engaged with—painting, sculpture, photography, video, and performance art—and offered a life-affirming expression of vitality and bodily pleasure in her work.Hannah Wilke: Art for Life’s Sake highlights the artist’s full range of expression, bringing together photographs, works on paper, video, and examples of Wilke’s sculptures in clay and other, nonconventional materials such as latex, kneaded erasers, and chewing gum. New object photography brings clarity to Wilke’s boundary-crossing art practice, making many of her rarely shown works accessible to readers for the first time. The book features a previously unpublished 1975 interview with Wilke by art critic and historian Cindy Nemser as well as a narrative chronology of Wilke’s art and life with many previously unpublished archival photographs. It includes essays by Glenn Adamson, Connie Butler, and Tamara Schenkenberg, and responses to Wilke’s work by contemporary artists Hayv Kahraman, Nadia Myre, Jeanine Oleson, and Catherine Opie.Offering fresh perspectives on this influential artist, Hannah Wilke: Art for Life’s Sake sheds new light on Wilke’s technical and formal virtuosity, her important role in shaping postwar American art, and the nuance and poignancy of her feminist subject matter.Published in association with the Pulitzer Arts FoundationExhibition SchedulePulitzer Arts Foundation, St. LouisJune 4, 2021–January 16, 2022

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' satyr-drama "The Trackers". New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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