Search results for ""Alma Books Ltd""

Charles Dickens wrote a number of supernatural and horror stories, some of which were included in his longer works, while others were published in magazines. This collection provides an invaluable insight into the author's storytelling apprenticeship and his steady growth towards excellence. As well as offering a further dimension to the world of his better-known masterpieces, these tales - from `The Story of the Goblins Who Stole a Sexton' to the celebrated `The Signalman' - illustrate Dickens's well-known love of a spooky story told around a blazing fire, the pastime of a bygone age to be rediscovered for our own delight.

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When the ambitious but inept clerk Frans Laarmans is offered a job managing an Edam distribution company in Antwerp, he jumps at the chance, despite his professed dislike for cheese in all its forms. He soon finds himself submerged in a bureaucratic nightmare as his complete incompetence becomes apparent. Meanwhile, his offices fill up with a seemingly infinite supply of the distinctive red-skinned cheeses, which he has no idea how to sell. Skewering the pomposity of big business while revealing how an entrepreneurial spirit can often be a mask for buffoonery, Willem Elsschot’s Cheese combines comedy and pathos in its depiction of a man trying to progress beyond his limited skill set. As poignant as it is funny, Cheese will appeal to anyone who has suffered the endless indignities of office life.

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Traumatized by an accident which ‘involved something falling from the sky’ and leaves him eight and a half million pounds richer but hopelessly estranged from the world around him, Remainder’s hero spends his time and money obsessively reconstructing and re-enacting vaguely remembered scenes and situations from his past: a large building with piano music in the distance, the familiar smells and sounds of liver frying and spluttering, lethargic cats lounging on roofs until they tumble off them... But when this fails to quench his thirst for authenticity, he starts re-enacting more and more violent events, as his repetition addiction spirals out of control. A darkly comic meditation on memory, identity and history, Remainder is a parable for modern times.

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Now a major motion picture starring Eddie Redmayne as Stephen Hawking and Felicity Jones as his wife Jane. It chronicles their relationship, from his early development of ALS to his success in physics In this compelling memoir, Jane Hawking, Stephen Hawking’s first wife, relates the inside story of their extraordinary marriage. As Stephen’s academic renown soared, his body was collapsing under the assaults of motor-neuron disease, and Jane’s candid account of trying to balance his twenty-four-hour care with the needs of their growing family will be inspirational to anyone dealing with family illness. The inner strength of the author and the self-evident character and achievements of her husband make for an incredible tale that is always presented with unflinching honesty; the author’s candour is no less evident when the marriage finally ends in a high-profile meltdown, with Stephen leaving Jane for one of his nurses, while Jane goes on to marry an old family friend. In this exceptionally open, moving and often funny memoir, Jane Hawking confronts not only the acutely complicated and painful dilemmas of her first marriage, but also the fault lines exposed in a relationship by the pervasive effects of fame and wealth. The result is a book about optimism, love and change that will resonate with readers everywhere.

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An acclaimed author of novels and short stories, Tim Parks - who was described in a recent review as "one of the best living writers of English" - has delighted audiences around the world with his finely observed writings on all aspects of Italian life and customs. This volume contains a selection of his best essays on the literature of his adopted country. From Boccaccio and Machiavelli through to Moravia and Tabucchi, from the Stil Novo to Divisionism, across centuries of history and intellectual movements, these essays will give English readers, and lovers of the Bel Paese and its culture, the lay of the literary land of Italy.

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The first of Roussel’s two major prose works, Impressions of Africa is not, as the title may suggest, a conventional travel account, but an adventure story put together in a highly individual fashion and with an unusual time sequence, whereby the reader is even made to choose whether to begin with the first or the tenth chapter. A veritable literary melting pot, Roussel’s groundbreaking text makes ample use of wordplay and the surrealist techniques of automatic writing and private allusion.

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Set in a big Dublin hotel of the mid-nineteenth century, The Singular Life of Albert Nobbs is a total theatre creation. In it, we discover that Albert, the perfect waiter – who never drinks, smokes or flirts with the chambermaids – is in fact a woman who once dressed as a man to avoid poverty and is now trapped in the role. Based on a short story by George Moore, which was recently adapted into a major Hollywood film starring Glenn Close, Benmussa’s story releases a string of disturbing questions about the nature of women and society, and is one of the most powerful and groundbreaking plays of the 1970s.

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Poland, January 1945. Two women and four men escape from a Nazi death march. Each is from a different background and a different country, but all have endured the horrors of imprisonment in Auschwitz. They find refuge in an abandoned factory, and suddenly they realize that they are no longer mere numbers. Even in their wild euphoria at being free, however, they can have no certainty about their future. This is a tale of exploding joy within a hothouse of fear, a tale of human beings erupting into life after breaking free of the embrace of death – an unusual and moving tale that cements Albert Maltz’s reputation as a compassionate observer of character and one of the finest storytellers of his generation.

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When Mathias, a travelling watch salesman, returns after many years to the island of his birth, a young girl is found dead on the rocks. As Mathias makes an increasingly tense recapitulation of his movements on the day of the event, tiny details slowly and inexorably accumulate. Through the warped screen of his distorted mind, the remembered images pile up until the reader is caught in his web of desperation. And yet in the end reality has lost all meaning, as the distinction between the narrator’s recollections and the underlying facts are more and more blurred. This brilliantly executed novel, which showcases all the techniques that have secured Robbe-Grillet’s place in the canon of Western literature, leaves behind a disturbing sense of unrest.

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Above a disused bar, in a dilapidated Parisian hotel that houses an assortment of indigent, marginalized lost souls, one of the inhabitants, a mysterious, reclusive holy man, is the subject of much speculation from some of his fellow occupants and respectful reverence from others. As the tale unfolds, the dynamics of this precarious microcosm are laid bare, in a powerful portrayal of those society has forgotten. Written when the author of Cain’s Book was at the height of his creative powers and enjoying an increasing reputation in avant-garde literary circles, ‘The Holy Man’ is here presented with ‘A Being of Distances’, ‘Peter Pierce’ and ‘A Meeting’, stories which similarly tackle themes of loneliness and disenfranchisement.

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Based, like the earlier Impressions of Africa, on uniquely eccentric principles of composition, this book invites the reader to enter a world which in its innocence and extravagance is unlike anything in the literature of the twentieth century. Cantarel, a scholarly scientist, whose enormous wealth imposes no limits upon his prolific ingenuity, is taking a group of visitors on a tour of "Locus Solus", his secluded estate near Paris. One by one he introduces, demonstrates and expounds the discoveries and inventions of his fertile, encyclopaedic mind. An African mud-sculpture representing a naked child; a road-mender's tool which, when activated by the weather, creates a mosaic of human teeth; a vast aquarium in which humans can breathe and in which a depilated cat is seen stimulating the partially decomposed head of Danton to fresh flights of oratory. By each item in Cantarel's exhibition there hangs a tale - a tale such as only that esteemed genius Roussel could tell. As the inventions become more elaborate, the richness and brilliance of the author's stories grow to match them; the flow of his imagination becomes a flood and the reader is swept along in a torrent of wonder and hilarity.

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A distressed young man murders the woman he loves in a cafe, watched by a large crowd. Fascinated by the crime she has witnessed, Anne Desbaresdes returns several times to the scene, forming a relationship with a man who also saw the murder, and drinking through the afternoon with him as he patiently answers her eager questions. Slowly, they find themselves being taken over by forces which threaten their own stability. Moderato Cantabile is a carefully woven tapestry of emotion, in which the characters' inner lives are reflected by the story's spaces and landscapes.

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Set in the author's native Swansea in South Wales, the ten autobiographical stories in this much-loved collection chart his journey from boyhood movingly and at times comically evoked in tales such as The Peaches' and A Visit to Grandpa's' to early adulthood. Along the way, in Extraordinary Little Cough', among others, the vicissitudes of adolescence and a burgeoning sexuality are explored with characteristic tenderness and candour, while Where Tawe Flows' and One Warm Saturday' affectionately document the evolution of the young writer's literary sensibility. Young love, male friendship, death, religion the gamut of youthful experience is here encapsulated, inflected throughout with Thomas's typical humanity.Presented in this volume alongside the rest of the body of fiction produced by the Welsh poet in his short and turbulent life, Portrait of the Artist as a Young Dog (1940), which has proven to be second in popularity only to Thomas's masterpiece, Under Milk Wood, demonstrates th

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On 17th September 1820, accompanied by his friend Joseph Severn, John Keats left London for Italy on board the Maria Crowther in a desperate bid to restore his health. Anguished at the thought of having to part, possibly for ever, from his fiancee and his friends, troubled by money worries and broken in body and mind, the young poet launched on his last journey on earth with both a sense of hope and a deep foreboding that his efforts would be in vain. Despite Keats's own assertion that by then he no longer felt a citizen of the world and was leading a "posthumous life", his final five months were filled with events of great biographical interest, and deserve to be examined much more carefully. Using exclusively primary sources and first-hand accounts, Keats's editor and translator Alessandro Gallenzi has pieced together all the available material - adding newly discovered and previously unpublished documents - to help the reader follow the poet step by step from his departure and tumultuous voyage to Naples, through to his arduous journey to Rome and harrowing death in his lodgings by the Spanish Steps in February 1821. The result is a gripping narrative packed with detail and new revelations, one that invites us to strip away the Romantic patina that has formed over the story of Keats's short life, offering a wider picture that enhances our understanding of both poet and man.

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In the Midwestern city of Zenith, the middle-aged estate agent George F. Babbitt appears to have achieved the American dream to its fullest: he is successful at work, comfortably off, exceedingly well fed, has a wife and children, a motor car and a neat house with a neat yard, and is a proud member of all the right clubs - in short, he lacks nothing to be happy. Or does he? As we follow his humdrum daily routine and startling events begin to unfold around him, we discover that all is not well in Babbitt's world: his moral foundations are shaking, and he can't help harbouring rebellious dreams of escape and romance. A trenchant satire on consumeristic society and an indictment of the fatuous ideals of middle America in the Roaring Twenties, Babbitt - the crowning achievement of Sinclair Lewis, winner of the 1930 Nobel Prize in Literature - questions the attractions of materialistic fulfilment, at the same time laying bare the hollowness of social respectability and blind conformism.

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George Bowling, a forty-five-year-old insurance salesman with a wife and two children, is overweight, depressed and haunted by ever-present portents of imminent global conflict. Dreaming of escaping the staid suburban rut in which he has become embedded, he reminisces about his home town in Oxfordshire, Lower Binfield. But as he seeks refuge in the rural idyll of his treasured childhood memories, the rapacious forces of “progress” continue their relentless march, eventually forcing George to reflect on the folly of nostalgia and the impossibility of reliving the past. By turns comic and melancholy, Orwell’s fourth novel – published in 1939 to critical and commercial acclaim by Victor Gollancz – is Wellsian in its exploration of the frustrations and helplessness of a lower-middle-class protagonist faced with the indifference of a rapidly changing world, and a vital record of a society on the verge of war.

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Goncharov was the leading Russian writer of the 1850s and, as the author of The Same Old Story, was regarded as “the real heir to Nikolai Gogol”. But the publication of Turgenev’s first full-length novel, A Nest of the Gentry, in 1859, at around the same time as Goncharov’s Oblomov, which had been more than ten years in the making, suddenly changed the public’s perception. Turgenev’s success was eyed with suspicion by his rival, who started to believe that his work in progress, Malinovka Heights, had been plagiarized by his former friend. Goncharov had in fact discussed in detail with Turgenev the plot of his new novel, and the latter later admitted that, being very impressionable, he may have been influenced by some of its elements, but his friend’s charges went further: he accused the younger writer of stealing his ideas, his characters and even some of his plotlines. As Turgenev’s success increased over the years, so did Goncharov’s resentment, and the two novelists, although later reconciled, stopped communicating with each other. An Uncommon Story, published posthumously in 1924, contrary to its author’s wishes, is an extraordinary document that lays bare the jealousies felt but rarely expressed by writers, and an eternal monument to literary paranoia.

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