Search results for ""author manus"

This volume commemorates a new exhibition of Burmese artifacts at the Musée Guimet in Paris and showcases the vibrant art and manuscript traditions of Myanmar. The central pieces displayed in the exhibition were three richly illustrated manuscripts called parabaiks. These vivid paintings, which show lively festivals and the pageantry of daily religious and courtly life, are a window into the culture and customs of nineteenth-century Burma. Also in the exhibition were a number of other manuscripts, inscriptions, diagrams, and even an ornate wooden model of a traditional Burmese monastery. The accompanying essays—translated from the original French exhibition booklet—explore complexities of the Burmese language, manuscript production, and background of the exhibited items as well as explaining the festivities and other spirited scenes illustrated in the parabaiks.

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Primer volumen que contiene las dos primeras partes de la trilogía."El manuscrito de O es, en todos los sentidos, un libro mágico." Lars MuhlLlega por fin a nuestro país El manuscrito de O, una trilogía de culto en Escandinavia que se ha abierto paso hasta las listas de libros más vendidos de Estados Unidos y Europa.Este primer volumen, que recoge los dos primeros libros (El vidente y La magdalena) narra el encuentro del autor con un vidente español en la montaña sagrada de Montsegur, en el Pirineo francés, y su hallazgo de un manuscrito que le permitirá el acceso a un mundo superior donde todo está interconectado.Un clásico de la literatura esotérica, lo bastante ameno como para despertar el interés de los lectores de Dan Brown pero también lo suficientemente profundo como para apasionar a las personas que buscan una iniciación en los misterios gnósticos.

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Visual Translation breaks new ground in the study of French manuscripts, contributing to the fields of French humanism, textual translation, and the reception of the classical tradition in the first half of the fifteenth century. While the prominence and quality of illustrations in French manuscripts have attracted attention, their images have rarely been studied systematically as components of humanist translation. Anne D. Hedeman fills this gap by studying the humanist book production closely supervised by Laurent de Premierfait and Jean Lebègue for courtly Parisian audiences in the first half of the fifteenth century. Hedeman explores how visual translation works in a series of unusually densely illuminated manuscripts associated with Laurent and Lebègue circa 1404–54. These manuscripts cover both Latin texts, such as Statius’s Thebiad and Achilleid, Terence’s Comedies, and Sallust’s Conspiracy of Cataline and Jurguthine War, and French translations of Cicero’s De senectute, Boccaccio’s De casibus virorum illustrium and Decameron, and Bruni’s De bello Punico primo. Illuminations constitute a significant part of these manuscripts’ textual apparatus, which helped shape access to and interpretation of the texts for a French audience. Hedeman considers them as a group and reveals Laurent’s and Lebègue’s growing understanding of visual rhetoric and its ability to visually translate texts originating in a culture removed in time or geography for medieval readers who sought to understand them. The book discusses what happens when the visual cycles so carefully devised in collaboration with libraries and artists by Laurent and Lebègue escaped their control in a process of normalization. With over 180 color images, this major reference book will appeal to students and scholars of French, comparative literature, art history, history of the book, and translation studies.

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Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.

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English writer Mary Wollstonecraft Shelley’s Gothic horror novel, Frankenstein, considered to be one of the first works of science fiction, tells of a scientist who creates a sentient being in a morality-pushing experiment.The story came to life during an 1816 trip that Shelley undertook with fellow Romantic era writers. The group travelled along the Rhine, stopping near Frankenstein Castle where an alchemist was said to have engaged in mysterious experiments two centuries before, and the group’s conversations were dominated by topics such as galvanism and the occult. When Lord Byron suggested a competition to see who could write the best ghost story, Shelley drew upon these experiences, as well as her own feelings of grief and guilt over the loss of a child, to craft her story.Frankenstein tackles universal questions such as “What is my purpose” and “Why am I here” – questions that always have, and always will, resonate with reading audiences. Today, Mary Shelley’s handwritten draft of Frankenstein is held at Bodleian Libraries at the University of Oxford.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this journal we have reproduced a page from one of Marie’s laboratory notebooks.

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Published in 1969, Maya Angelou’s coming-of-age memoir, I Know Why the Caged Bird Sings, was an immediate national bestseller and a critical success. The book, the first in a series that chronicled her early life through the 1960s, helped to establish Angelou (1928–2014) as a major figure in American letters.On this manuscript page from the book, Angelou captures the moment when she and her brother, Bailey, arrived in Arkansas to be raised by their paternal grandmother and presages the personalities that she and Bailey would later develop. Today the manuscript is held at the Schomburg Center for Research in Black Culture, a part of The New York Public Library.With connections to activist, literary and expat communities in the United States and Ghana, Angelou’s work encapsulates the Schomburg Center’s strongest holdings – stories of the struggles, triumphs and fortitude in the everyday vicissitudes of Black life. We are honoured to partner with The New York Public Library to bring this fascinating document to our Paperblanks collection.

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A catalogue of the Coptic and Arabic collections at Dayr al-Suryan in Wadi al-Natrun, Egypt, to be published in multiple volumes, covering the following genre categories: Biblical Texts, along with Coptic Grammars and Lexica; Commentaries and Canons; Theology; Ascetic Discourses; Saints’ Lives and Sermons; and Liturgical Texts. In addition to introducing readers to the history and contents of the monastic library, this series collects data on approximately 1000 manuscripts, recording information on manuscript number and genre, works and contents, date, language, script, and material, scribes, patrons, and restorers, colophons and endowments, pages and numbering systems, dimensions, area of writing, and lines per page, cover and condition, and other details related to scribal practice and readers’ insertions. The result will serve as a foundation for further research on Coptic and Christian Arabic literature and on the monastery and its important library.

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Explores communities, manuscripts and their spaces of dwelling

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Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts. Michael G. Sargent's scholarship on late medieval English devotional literature has been hugely influential on the fields of Middle English literature, religious studies, and manuscript studies. His prolific work on a great range of English and French texts, including visionary writing, devotional guidance, and drama, devoting scrupulous attention to the physical forms in which these texts circulated, has established the scope and impact of religious writing across the social spectrum in England, enabling a nuanced understanding of the complex literary interactions between the cloister and the world. The essays in this volume demonstrate and pay tribute to Sargent's influence, extending and complementing his work on devotional texts and the books in which they traveled. The themes of translation, manuscript transmission and the varieties of devotional practice are to the fore. Inspired by Sargent's work on Love's Middle English translation of pseudo-Bonaventuran devotional texts, some chapters explore other Middle English translations within this tradition, considering the implications of translation strategies for shaping readers' practices, while others examine Carthusian and Birgittine texts as they appear in new contexts, probing the continuing influence of these orders on devotional life and theological controversy. Whether looking at devotional guidance, visionary texts, or hagiography, each contribution works closely with texts in their material contexts, always considering a question central to Sargent's scholarship: how texts gain distinct cultural meanings within particular circumstances of copying, transmission and ownership.

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This volume presents the surviving manuscripts, typescripts, and early printed texts for all of the poems W. B. Yeats included at one time or another in two remarkably significant and protean collections: In the Seven Woods, first published in 1903, and The Green Helmet and Other Poems, first published in 1910. It also documents the extant early record for seven poems Yeats wrote between 1899 and 1914 but either never published or never attached to one of his plays or collections of poems. During this crucial period in his career, Yeats transformed himself from a talented late-Victorian aesthete to a major modernist poet. The photographs and transcriptions provided here reveal much about how this remarkable change occurred. They are accompanied by ample supporting materials, including a descriptive bibliography of the manuscripts and an extensive critical introduction.

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The Binding meets The Handmaid's Tale - Discovering a book of dark and ancient power, a convent librarian must defend it with her life. Perfect for fans of dark academia and historical feminist fiction.'A wonderfully rich and absorbing tale' Observer'Expertly crafted and beautifully told' Jennifer Saint'All so good. I read it in two days flat, and wish I had spaced it out more' ⭐ ⭐ ⭐ ⭐ ⭐ READER REVIEWBeatrice is the convent's librarian. For years, she has shunned the company of her sisters, finding solace only with her manuscripts. Then, one carnival night, two women, bleeding and stricken, are abandoned outside the convent's walls. Moments from death, one of them presses something into Beatrice's hands: a bewitching book whose pages have a dangerous life of their own. But men of the faith want the book destroyed, and a zealous preacher has tracked it to her door. Her sisters' lives - or her obsession. Beatrice must decide.The book's voice is growing stronger.An ancient power uncoils.Will she dare to listen?More praise for THE BOOK OF EVE:'What an extraordinary book' Harriet Tyce 'A ravishing, erudite feminist hijack of Renaissance Florence' Alice Albinia'A beautifully written, utterly enthralling read' Karen Coles 'Mysterious, bewitching and beautiful' Elizabeth Lee'Brutal and haunting' Melissa Fu 'Erudite and bewitching' Costanza CasatiAnd some early reader reviews:'It is a tribute to female strength, power and resilience' ⭐ ⭐ ⭐ ⭐ ⭐'A very interesting take on myth, mythology and the power of women when they work together for the greater good' ⭐ ⭐ ⭐ ⭐'The writing was excellent with a compelling storyline and well developed characters and a fantastic setting' ⭐ ⭐ ⭐ ⭐ ⭐'An emotional journey, I absolutely loved the story and characters' ⭐ ⭐ ⭐ ⭐

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Considered one of the masters of the Italian Renaissance, Michelangelo Buonarroti (1475 1564) produced the finest frescoes and many of the most revered sculptures in the world. This letter, written in Michelangelo s own hand, demonstrates with every stroke of the pen the refinement and passion of one of the greatest artists humanity has produced. And with the Sistine Chapel s The Creation of Adam featured on the back cover, the point of creation beautifully bookends this Embellished Manuscript notebook.

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Hace cerca de seiscientos años, en 1417, un humanista italiano emprendió un viaje para visitar conventos alemanes en busca de manuscritos antiguos. En uno de ellos descubrió el único ejemplar que había sobrevivido de una obra escrita en el siglo primero antes de Cristo, De rerum natura, un poema filosófico de Tito Lucrecio Caro que desarrollaba una visión materialista del mundo, destinada a liberar al hombre del temor a los dioses. Lo copió y regresó con él a Italia, donde la difusión de sus peligrosas ideas fue una de las fuentes del giro cultural del Renacimiento, que iba a dar lugar al cambio ideológico del que surgió el mundo moderno. Aquel libro ignorado, que pudo haberse perdido, ejerció una considerable influencia sobre una línea de pensadores que va de Giordano Bruno o Montaigne hasta Freud o Einstein. Stephen Greenblatt, que a su calidad de investigador une la de ser un gran escritor, nos ofrece un apasionante relato de esta aventura de las ideas.

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Holiness Manuscripts is the first attempt to provide a substantive listing of primary sources documenting the "Holiness Movement," a major focus of recent study in American religious history. The guide covers important precursors of the Movement such as Methodist champions of Wesley's doctrine of Christian perfection, related German Pietist groups, the "Oberlin perfectionists," and the perfectionists associated with the Oneida Community. Its major focus is on important Wesley/Holiness denominations in the post-Civil War period, including the Salvation Army, Church of the Nazarene, Church of God (Anderson), and Brethren in Christ Church, and on the movement's influence on the United Methodist Church. Sources cited also provide information on the Keswick Movement; Pentacostal churches related to the Movement; the Movement's role in the spread of evangelical Christianity; key institutions such as colleges, camp meetings, and missions; and important social phenomena such as abolitionism, the temperance movement, and the role of women. Over 1,200 entries describe collections held by colleges and universities, libraries, historical societies, denominational archives, public agencies, and private individuals throughout the United States and Canada. A subject index provides access to the contents. Will benefit researchers in such fields as history, religion, theology, and genealogy.

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Handlist to the rich collection of manuscripts contained in Corpus Christi College, Cambridge, with full indices. The majority of the medieval manuscripts in Corpus Christi which contain Middle English prose came to the College as part of the bequest of Matthew Parker (1504-75), archbishop of Canterbury, who in 1568 had been given authority by the Privy Council to collect "auncient recordes and monumentes written" for "perusyng of the same". These manuscripts came from all over the south of England, having mainly originated in monastic libraries. Some were subsequently returned to their owners, but the majority appear to have remained with Parker and to have been considered his personal property, to dispose of as he wished. The majority went to Corpus Christi, where he had been Master from 1544-53. Of the 433 Parker manuscripts in the College, 48 are indexed in this Handlist. A further four manuscripts, derived from other sources, containing Middle English are also included. The texts range in length from jottings in the margin of the Bury Bible (MS 2) to a complete Wycliffite sermon cycle (MS 336). The great majority are religious texts; among those are the Ancrene Wisse, The Compendyous Treatise, Nicholas Love's Mirror of the Blessed Life of Jesus Christ, Richard Rolle's English Psalter, A Treatise of Goostely Batayle, Walter Hilton's Scale of Perfection, Beniamyn minor and the Treatise on the Seven Points of True Love and Everlasting Wisdom. There are also a large collection of fourteenth-century medical recipes, Chaucer's Treatise on the Astrolabe, Trevisa's translation of Higden's Polychronicon and William Worcester's Itineraries. Kari Anne Rand is Professor of Older English Language at the University of Oslo.

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Pioneer catalogue for one of the most important collections of English legal manuscripts. The English legal manuscripts in Cambridge University Library form one of the most important collections in the world. The principal treasures derive from the renowned library, containing over 230 volumes, collected by John Moore(d.1714), Bishop of Ely, presented to the University by King George I in 1715. It includes some of the old manuscripts collected by Francis Tate (d.1616), and the working manuscript library of Mr Justice Nicholas (d.1667). The collection also contains medieval statute-books, year-books, medieval and early modern readings and moots in the inns of court, and law reports from the Tudor period down to the reign of Charles II, together with examples of every other major type of manuscript law book in use in England prior to the eighteenth century. As well as being an essential finding-aid, this new catalogue includes a description of the contents of each manuscript, bibliographicalnotes on the text (listing hundreds of related manuscripts in other libraries), and full codicological descriptions of the medieval manuscripts by Dr Jayne Ringrose. No similar catalogue of English legal manuscripts has ever beenpublished before. Professor J.H. BAKER is Professor of English Legal History at Cambridge University.

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This volume gives the text of the contributions presented at the Second International Congress on Eastern Christianity organised in Madrid in April 2008. The focus of the conference was on the written heritage ("manuscripts, scribes and context") of Eastern Christians in different periods and from different confessional backgrounds, but it was thought appropriate to include some contributions on the Jewish written heritage as well. Part I of the volume is devoted to manuscript collections and archives in Spain, Portugal, Alexandria and St Petersburg. Part II deals with Christian Arabic, Coptic, Greek and Slavonic manuscripts written by members of different religious communities. Part III discusses a variety of contextual issues such as the Egyptian monastic environment (book binding and manuscript illumination, women readers), schools (school texts on papyri) and Christian sources in Ibn Giqatela's psalm commentary.

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`The Index of Middle English Prose when completed will be a monumental achievement' REVIEW OF ENGLISH STUDIES Cambridge University Library is one of Britain's major repositories of medieval manuscripts. Its two-letter collection (Dd-Oo) includes just over 1,000 medieval western manuscripts, and amongst these may be found examples of everytype of Middle English prose composition. Religious works predominate: there are several copies of the Wycliffite Bible, various sermon cycles, and works by Love, Hilton and Rolle; there is also a vast number of unattributed religious works. Secular texts are represented by the works of Chaucer, Mandeville's Travels, and no fewer than eight copies of the Brut. The collection is also extremely rich in Middle English prose writing in the fields of science and information, preserving medical, gynaecological, veterinary, culinary, alchemical, mathematical, heraldic and linguistic texts. Altogether the current handlist covers 207 manuscripts, and indexes more than 1250 separate items. MARGARET CONNOLLY teaches in the School of English at the University of St Andrews.

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Published by Boydell & Brewer Inc.

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Among the finest manuscripts are a 'Roman de la Rose' with 125 miniatures, a 'Piers Plowman', the 'Ormsby Psalter' and the famous 'Douce Apocalypse'.

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