Search results for ""author john c."

I love anything by artist John Derian, whose decoupage pieces can be kinda pricey. Get in on the action with these adorable John Derian Jigsaw Puzzles. Bonus: With some puzzle glue and a frame, it's ready to hang.Rachael Ray In Season John Derian is an artist and designer whose work with printed images from the past transports the viewer to another world. In Calm Cat, get lost in the mesmerizing gaze of its regal subject, perched on a silk cushion like an artist's model and utterly indifferent to the two going at each other in the background, backs and tails raised in an attitude familiar to every cat lover. Adapted from a nineteenth-century print, the image has the delight and mystery of a scene half remembered from an old children's book.Featuring: 750 full-color interlocking pieces Art print with puzzle image Finished puzzle is 26 3/8 x 18 7/8

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John Milton is widely known as the poet of liberty and freedom. But his commitment to justice has been often overlooked. As Alison A. Chapman shows, Milton’s many prose works are saturated in legal ways of thinking, and he also actively shifts between citing Roman, common, and ecclesiastical law to best suit his purpose in any given text. This book provides literary scholars with a working knowledge of the multiple, jostling, real-world legal systems in conflict in seventeenth-century England and brings to light Milton’s use of the various legal systems and vocabularies of the time—natural versus positive law, for example—and the differences between them. Surveying Milton’s early pamphlets, divorce tracts, late political tracts, and major prose works in comparison with the writings and cases of some of Milton’s contemporaries—including George Herbert, John Donne, Ben Jonson, and John Bunyan—Chapman reveals the variety and nuance in Milton’s juridical toolkit and his subtle use of competing legal traditions in pursuit of justice.

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First published in Latin in 1699, John Craige's Theology represents a rare early attempt to introduce mathematical reasoning into moral and theological dispute.Craige's effort to determine the earliest possible date of the Apocalypse earned him ridicule as an eccentric and a crank. Yet, Richard Nash argues, the intensity of the response to Craige's work testifies to how widely felt the conflict was between the old and newly emergent notions of probability.

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The twelfth Inspector Rebus bestseller - a powerfully gripping novel where past and present collide...From the No.1 bestselling author of A SONG FOR THE DARK TIMES'This is, quite simply, crime writing of the highest order' DAILY EXPRESS'The unopposed champion of the British police procedural' GUARDIANA student has gone missing in Edinburgh. She's not just any student, though, but the daughter of well-to-do and influential bankers. There's almost nothing to go on until DI John Rebus gets an unmistakable gut feeling that there's more to this than just another runaway spaced out on unaccustomed freedom. Two leads emerge: a carved wooden doll in a toy coffin, found in the student's home village, and an internet role-playing game. The ancient and the modern, brought together by uncomfortable circumstance...

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In this life of painter John Singleton Copley, Jane Kamensky untangles the web of principles and interests that shaped the age of America’s revolution. Copley’s talent earned him the patronage of Boston’s leaders but he did not share their politics and painting portraits failed to satisfy his lofty artistic goals. A British subject who lamented America’s provincialism, Copley looked longingly across the Atlantic. When resistance escalated into war, he was in London. A painter of America’s revolution as Britain’s American War, the magisterial canvases he created made him one of the towering figures of the British art scene. Kamensky brings Copley’s world alive and explores the fraught relationships between liberty and slavery, family duty and personal ambition, legacy and posterity—tensions that characterised the era of the American Revolution and that beset us still.

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This volume brings together a diverse group of Reformation scholars to examine the life, work, and enduring significance of John Jewel, bishop of Salisbury from 1560 to 1571.A theologian and scholar who worked with early reformers in England such as Peter Martyr Vermigli, Martin Bucer, and Thomas Cranmer, Jewel had a long-lasting influence over religious culture and identity. The essays included in this book shed light on often-neglected aspects of Jewel’s work, as well as his standing in Elizabethan culture not only as a priest but as a leader whose work as a polemicist and apologist played an important role in establishing the authority and legitimacy of the Elizabethan Church of England. The contributors also place Jewel in the wider context of gender studies, material culture, and social history. With its inclusion of a short biography of Jewel’s early life and a complete list of his works published between 1560 and 1640, Defending the Faith is a fresh and robust look at an important Reformation figure who was recognized as a champion of the English Church, both by his enemies and by his fellow reformers.In addition to the editors, contributors to this volume are Andrew Atherstone, Ian Atherton, Paul Dominiak, Alice Ferron, Paul A. Hartog, Torrance Kirby, W. Bradford Littlejohn, Aislinn Muller, Joshua Rodda, and Lucy Wooding.

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John Henry Newman's decision to become a Roman Catholic was confirmed by his work on one of his major contributions to theology, Essay on the Development of Christian Doctrine. Ironically, the writings that brought him into the Catholic Church were viewed so suspiciously by Church officials that from his very first days as a Catholic he experienced distance, avoidance, distrust, and even cynicism in his relationship with the hierarchy. In hope of obtaining an honest and competent critique of his views on the development of doctrine, he conceived the idea of a presentation of his ideas, not in English, but in Latin, and in the style not of a historical essay, but of a Scholastic treatise. The result was De catholici dogmatis evolutione, here translated into the author's native tongue as On The Development of Catholic Dogma

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Are 'Dear John' letters lethal weapons in the hands of men at war? Many US officers, servicemen, veterans, and civilians would say yes. Drawing on personal letters, oral histories, and psychiatric reports, as well as popular music and movies, Susan L. Carruthers shows how the armed forces and civilian society have attempted to weaponize romantic love in pursuit of martial ends, from World War II to today. Yet efforts to discipline feeling have frequently failed. And women have often borne the blame. This sweeping history of emotional life in wartime explores the interplay between letter-writing and storytelling, breakups and breakdowns, and between imploded intimacy and boosted camaraderie. Incorporating vivid personal experiences in lively and engaging prose – variously tragic, comic, and everything in between – this compelling study will change the way we think about wartime relationships.

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The John Charles Story

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In 1801, a 45-year-old Revolutionary War veteran and politician, slovenly, genial, brilliant, and persuasive, became the fourth chief justice of the United States, a post he would hold for a record thirty-four years. Before John Marshall joined the Court, the judicial branch was viewed as the poor sister of the federal government, lacking in dignity and clout. After his passing, the Supreme Court of the United States would never be ignored again. John Marshall is award-winning and bestselling author Richard Brookhiser's definitive biography of America's longest-serving Chief Justice.Marshall (1755-1835) was born in Northern Virginia and served as a captain during the Revolutionary War and then as a delegate to the Virginia state convention. He was a friend and admirer of George Washington, and a cousin and enemy of Thomas Jefferson. His appointment to the Supreme Court came almost by chance-Adams saw him as the last viable option, after previous appointees declined the nomination. Yet he took to the court immediately, turning his sharp mind toward strengthening America's fragile legal order.Americans had inherited from their colonial past a deep distrust of judges as creatures of arbitrary royal power; in reaction, newly independent states made them pawns of legislative whim. The result was legal caprice, sometimes amounting to chaos. Marshall wanted a strong federal judiciary, led by the Supreme Court, to define laws, protect rights, and balance the power of the legislative and executive branches. However, America's legal system, he believed, was threatened by specific individuals-namely Thomas Jefferson and the early Republican Party-who were intent on undermining the Constitution and respect for law in order to empower themselves.As a Federalist and a follower of Washington and Hamilton, he also wanted a strong national government, favorable to business. In his three decades on the court, Marshall accomplished just that. As Brookhiser vividly relates, in a string of often-colorful cases involving businessmen, educators, inventors, scoundrels, Native Americans, and slaves, Marshall clipped the power of the states vis-à-vis the federal government, established the Supreme Court's power to correct or rebuke Congress or the president, and bolstered commerce and contracts. John Marshall's modus operandi was charm and wit, frequently uniting his fellow justices around unanimous decisions in even the most controversial cases. For better and for worse, he made the Supreme Court a central part of American life.John Marshall is the definitive biography of America's greatest judge and most important early Chief Justice.

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A lifetime of letters, collected for the first time, from the legendary The Beatles musician and songwriter John LennonJohn Lennon is one of the world's greatest-ever song writers, creator of 'Help!', 'Lucy in the Sky with Diamonds', 'Imagine' and dozens more. Now, his letters have been collected and published, illuminating as never before the intimate side of a private genius.Hunter Davies, author of the only authorised biography of The Beatles, has tracked down almost three hundred of Lennon's letters and postcards - to relations, friends, fans, strangers, lovers and even to the laundry. Some of the letters are tender, informative, funny, angry and abusive, and some are simply heart-breaking - from his earliest surviving thank-you note, written when he was ten, to his last scribbled autograph given on 8 December 1980, the day he was shot, aged forty.

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John Owen (1616-1683) is regarded as one of the greatest theologians Britain ever produced. Owen has had an important historical and theological influence, and his significance is widely recognized today. As a revival in Owen studies and reprints has taken place, this much-needed companion by an international group of leading scholars, helpfully explores key questions related to Owen's method, theology, and pastoral practice. Examining his thought through such topics as his epic work on the Holy Spirit, his developed view of faith and reason, and his contribution to the place of toleration, this book offers an authoritative exploration of one of Britain's greatest theologians.

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This study guide introduces gospel of John, also known as the Fourth Gospel, from an ideological perspective. First, Lozada deals with the key historical questions about how we come to understand John’s historical identity. Lozada explores debates around how scholars construct a picture of who, where, when, and why John was written helping readers to recognize how scholars construct an historical identity for John. Second, Lozada introduces literary questions related to John such as its structure, plot, and narrative development, showing readers on how an ideological reading is constructed. Finally Lozada devotes three chapters to key ideological themes in the gospel related to otherness, such as the portrayal of women, the Samaritan woman, and “the Jews.”

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Applied C# in Financial Markets covers all the aspects of C# relevant to practitioners working in financial sector. It contains a practical workshop which builds on the material in the book, guiding you through all the stages of building a multiple model options calculator. An accompanying website features examples, illustrations and solutions to the workshops and a downloadable application to complement the book. Features examples and illustrations taken from a sample trading application, making the book relevant to those working in the financial markets. Provides a quick start to C# for financial professionals to hit the ground running in building financial applications. Workshops illustrate building an options calculator, exploring the various elements in C# as they progress.

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This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare’s plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

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John Adams—second president of the United States and one of the great figures in American history—was a remarkable, outspoken political philosopher with ideas reaching far beyond his time. This superb collection of writing and letters explores the personal side of John Adams, offering firsthand accounts and analysis of the events of his era as well as insight into the man behind the public face.

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Although his film career extended from the early days of sound to the British New Wave and beyond, Sir John Mills is nonetheless remembered as the archetypal hero of the Second World War. Regarded as an English 'everyman', his performances crossed the class divide and, in his easy transition from below decks to above, he came to represent a newly democratic masculine ideal. But what was this exemplary masculinity and what became of it in the aftermath of war? John Mills and British Cinema asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change. Through detailed analysis of a wide range of classic British films, John Mills and British Cinema exposes the shifting constructions of 'national' masculinity, arguing that the screen persona of the actor is a fundamental, and often overlooked, dimension of British cinema. Features * Provides the first critical examination of the film career of Sir John Mills. * Uses contemporary feminist and gender theories to examine the body of the actor as a crucial dimension of the film text. * Explores the concept of a 'national cinema' from an innovative new perspective. * Provides stimulating new readings of key British films, including Forever England, The Way to the Stars, Great Expectations, Scott of the Antarctic, Hobson's Choice, Ice Cold in Alex, Tunes of Glory, The Family Way and Ryan's Daughter.

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A Schools Edition of The Slab Boys by Scottish playwright John Byrne, a popular set text for SQA Higher English.A semi-autobiographical work, The Slab Boys is set in the slab room of A.F. Stobo & Co Carpet Manufacturers in Paisley and the action takes place on one day in 1957. It explores themes such as rebellion and conformity, social class and social mobility, youth, deception, and frustrated ambition and achievement.This edition includes:- An introduction by John Byrne, who was a 'slab boy' himself before becoming a playwright and artist- The full playscript- Notes, quotations and questions to improve students' understanding of the play and support study/revision- Tasks and activities that build the skills of analysis and evaluation that students must demonstrate in the exam- Assessment advice for the Critical Reading question paperThis is the only single-volume version of The Slab Boys, taken from The Slab Boys Trilogy.

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From the burning of Byron's memoirs, Jane Austen's clipped businesslike manner, and the lucrative controversy caused by the publication of Darwin's Origin of Species, through to the discovery of the new young poet John Betjeman, the name John Murray has for more than two hundred years been synonymous with challenging, intelligent and progressive publishing. From its birth in 1768, when the first John Murray of Edinburgh came down to London, each of its seven leaders has made his own contribution to the dissemination of literature and the understanding of the world. One became Byron's publisher and confidante; another began the revolutionary series of Murray handbooks which transformed world travel in the early years of the railways; a third broke controversial new ground with the publication of Queen Victoria's letters. So the tradition progressed to the end of the twentieth century, and a list of literary giants including Patrick Leigh Fermor, Osbert Lancaster, Francoise Sagan and Poet Laureate, John Betjeman.Written in Carpenter's rollicking and iconoclastic style, it is an affectionate and vibrant account of the longest-surviving publishing house in the world.

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A combination of oxidation methods and C‒H bond functionalization, this book emphasizes mechanistic understanding and critical analysis of synthetic reactions to offer a guide or manual for practicing chemists.• Combines oxidation methods and C‒H bond functionalization, two of the most important aspects of organic synthesis• Deals with C‒H bonds, an area of dynamic and continuous research across chemistry and catalysis• Helps readers understand the fundamental and applied differences among various oxidation methods and reactions• Covers mechanistic details, conditions, oxidation reagents, and practical aspects of different reactions

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This accessible book draws on unique evidence from oral histories and little-known archive material to shed new light on the working relationships which led to John Bowlby’s shift from psychoanalysis to ethology as a frame of reference – and ultimately to the development of attachment theory. A unique exploration of the origins of Bowlby’s ideas and the critical transformation in his thinking – offers an alternative to standard accounts of the origin of attachment theory Explores the significance of Bowlby’s influential working relationships with Robert Hinde, Harry Harlow, James Robertson and Mary Ainsworth Provides students, academics, and practitioners with clear insights into the development of attachment theory Accessible to general readers interested in psychology and psychoanalysis

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Commander Edward John Smith's career had been a remarkable example of how a man from a humble background could get far in the world. Born to a working-class family in the landlocked Staffordshire Potteries, he went to sea at the age of 17 and rose rapidly through the ranks of the merchant navy, serving first in sailing vessels and later in the new steamships of the White Star Line. By 1912, he as White Star's senior commander and regarded by many in the shipping world as the 'millionaire's captain'. In 1912, Smith was given command of the new RMS Titanic for her maiden voyage, but what should have been among the crowning moments of his long career at sea turned rapidly into a nightmare following Titanic's collision with an iceberg. In a matter of hours the supposedly unsinkable ship sank, taking over 1,500 people with her, including Captain Smith.

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Drawing on published and previously unpublished manuscript sources in poetry and prose, John Berryman's Public Vision offers an original reappraisal of an important twentieth-century American poet's work. Challenging the confessional labelling of him that has dominated his critical reception and popular perception for decades, the book argues that Berryman (1914-72) had a far greater concern for developments in the public sphere than has previously been acknowledged. It reassesses the poet's engagements with W.B. Yeats and Robert Bhain Campbell in the 1940s and offers radical re- contexualisations of Berryman's work from every stage of his career. Concluding with an account of Berryman's influence on contemporary writing on both sides of the Atlantic, John Berryman's Public Vision provides a detailed and comprehensive reconsideration of the poet's achievement in his centenary year.

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As the only book of its kind in the New Testament, Revelation can be difficult to understand, and for readers without specialized training, the historical-critical approach used in many commentaries can provide more complication than illumination. Here James Resseguie applies the easily understandable tools introduced in his primer on narrative criticism to this challenging book. He shows how Revelation uses such features as rhetoric, setting, character, point of view, plot, symbolism, style, and repertoire to construct its meaning. This literary approach draws out the theological and homiletical message of the book and highlights its major unifying themes: the need to listen well, an overwhelmingly God-centered perspective, and the exodus to a new promised land. Here is a valuable aid for pastor and serious lay reader alike.

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Spanning almost seven centuries, this anthology encapsulates the foundation and consolidation of literature written in English, culminating in some of the finest works produced in English in the high Middle Ages. New edition of this widely-used anthology of Old and Middle English literature Now extended to include newly-edited versions of Old English Wonders of the East, of Poema Morale, extracts from Julian of Norwich and Margery Kempe Full translations are offered for the Old and earlier Middle English material, along with marginal glosses for the later texts A general introduction gives an outline of key works and the historical context in which they are written

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Winner, Best First Monograph, British Association of Film, Television and Screen Studies In the 1980s and 1990s, John Hughes was one of Hollywood's most reliable hitmakers, churning out beloved teen comedies and family films such as The Breakfast Club and Home Alone, respectively. But was he an artist? Hughes, an adamantly commercial filmmaker who was dismissed by critics, might have laughed at the question. Since his death in 2009, though, he has been memorialized on Oscar night as a key voice of his time. Now the critics lionize him as a stylistic original. Holly Chard traces Hughes's evolution from entertainer to auteur. Studios recognized Hughes's distinctiveness and responded by nurturing his brand. He is therefore a case study in Hollywood's production not only of movies but also of genre and of authorship itself. The films of John Hughes, Chard shows, also owed their success to the marketers who sold them and the audiences who watched. Careful readings of Hughes's cinema reveal both the sources of his iconic status and the imprint on his films of the social, political, economic, and media contexts in which he operated. The first serious treatment of Hughes, Mainstream Maverick elucidates the priorities of the American movie industry in the New Hollywood era and explores how artists not only create but are themselves created.

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Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.

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Unconquerable is John Milton Oskison’s biography of John Ross, written in the 1930s but unpublished until now. John Ross was principal chief of the Cherokees from 1828 to his death in 1866. Through the story of John Ross, Oskison also tells the story of the Cherokee Nation through some of its most dramatic events in the nineteenth century: the nation’s difficult struggle against Georgia, its forced removal on the Trail of Tears, its internal factionalism, the Civil War, and the reconstruction of the nation in Indian Territory west of the Mississippi. Ross remains one of the most celebrated Cherokee heroes: his story is an integral part not only of Cherokee history but also of the history of Indian Territory and of the United States. With a critical introduction by noted Oskison scholar Lionel Larré, Unconquerable sheds light on the critical work of an author who deserves more attention from both the public and scholars of Native American studies.

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On September 3, 1783, John Adams, Benjamin Franklin, and John Jay signed the definitive Anglo-American peace treaty. Adams and his colleagues strived to establish a viable relationship between the new nation and its largest trading partner but were stymied by rising British anti-Americanism. Adams’ diplomatic efforts were also complicated by domestic turmoil. Americans, in a rehearsal for the later Federalist-Antifederalist conflict over the United States Constitution, were debating the proper relationship between the central government and the states. Adams, a Federalist as early as 1783, argued persuasively for a government that honored its treaties and paid its foreign debts. But when bills far exceeding the funds available for their redemption were sent to Europe, he was forced to undertake a dangerous winter journey to the Netherlands to raise a new loan and save the United States from financial disaster.None of the founding fathers equals the candor of John Adams’ observations of his eighteenth-century world. His letters, always interesting, reveal with absolute clarity Adams’ positions on the personalities and issues of his times.

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This year marks the centenary publication of John Dewey's magnum opus, Democracy and Education. Despite its profound importance as a foundational text in education, it is notoriously difficult and dare we say it a little dry. In this charming and often funny companion, noted philosopher of education D. C. Phillips goes chapter by chapter to bring Dewey to a twenty-first-century audience. Drawing on over fifty years of thinking about this book and on his own experiences as an educator he lends it renewed clarity and a personal touch that proves its lasting importance. Phillips bridges several critical pitfalls of Democracy and Education that often prevent contemporary readers from fully understanding it. Where Dewey sorely needs a detailed example to illustrate a point and the times are many Phillips steps in, presenting cases from his own classroom experiences. Where Dewey casually refers to the works of people like Hegel, Herbart, and Locke common knowledge, apparently, in 1916 Phillips fills in the necessary background. And where Dewey gets convoluted or is even flat-out wrong, Phillips does what few other scholars would do: he takes Dewey to task. The result is a lively accompaniment that helps us celebrate and be enriched by some of the most important ideas ever offered in education.

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Many contemporary constructivists are particularly attuned to Dewey's penetrating criticism of traditional epistemology, which offers rich alternatives for understanding processes of learning and education, knowledge and truth, and experience and culture. This book, the result of cooperation between the Center for Dewey Studies at Southern Illinois University Carbondale, and the Dewey Center at the University of Cologne, provides an excellent example of the international character of pragmatist studies against the backdrop of constructivist concerns. As a part of their exploration of the many points of contact between classical pragmatism and contemporary constructivism, its contributors turn their attention to theories of interaction and transaction, communication and culture, learning and education, community and democracy, theory and practice, and inquiry and methods. Part One is a basic survey of Dewey's pragmatism and its implications for contemporary constructivism. Part Two examines the implications of the connections between Deweyan pragmatism and contemporary constructivism. Part Three presents a lively exchange among the contributors, as they challenge one another and defend their positions and perspectives. As they seek common ground, they articulate concepts such as power, truth, relativism, inquiry, and democracy from pragmatist and interactive constructivist vantage points in ways that are designed to render the preceding essays even more accessible. This concluding discussion demonstrates both the enduring relevance of classical pragmatism and the challenge of its reconstruction from the perspective of the Cologne program of interactive constructivism.

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This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.

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The renowned scholar-poet John of Garland wrote the Integumenta Ovidii (“Allegories on Ovid”) in early thirteenth-century Paris at a time of renewed interest in Classical Latin literature. In this short poem, John offers a series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses. The text is here edited and translated for the first time in 90 years, drawing on the evidence of over two dozen manuscripts. The edition presents the original Latin text with facing-page modern English translation. Comprehensive explanatory notes help readers to understand John’s condensed allegories in their medieval context. Textual notes discuss the various difficulties in the transmitted text of the poem, and offer several improvements on the texts of the older editions.

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