Search results for ""Author Painters"

This original and lucidly written book introduces the reader to the Baroque, the richest period of Spanish literature and culture. Jeremy Robbins shows how its creativity responded directly to the unprecedented sense of uncertainty fostered by developments across Europe. He argues that it was above all this scepticism which led Spaniards to employ literature and art to question the boundaries of reality and illusion. The result was the creation of some of the most inventive, entertaining, challenging and powerful works of imagination in Europe. Currently there exists no other concise introduction to Spanish Baroque literature and culture. The book considers in detail works by the major novelists, dramatists, poets and painters. Part of its novel approach is the attention the author gives to key issues such as honour and identity, the influence of social and literary institutions like the court and the church, and the place of women as both creators and consumers of culture. It also considers neglected literary forms, such as the aphorism and the emblem, as well as the immensely popular and influential political and moral writings of the day. A comprehensive glossary to major and minor figures is included.

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Born in Italy, trained in Paris and a resident of London, John Singer Sargent (1856–1925) became Boston’s favorite painter in the 1880s. His commissions from the Museum of Fine Arts, Boston, to decorate its new building’s grand staircase and rotunda resulted in one of Sargent’s last and most ambitious works. Sargent regarded the entire space as a giant canvas and brought together all the pictorial, decorative and architectural elements with a painter’s skill and vision. This compact volume offers a guide to the murals and their surroundings, elucidating their allegorical subjects drawn from classical mythology to emphasize the museum’s role as the guardian of fine arts.

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Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus - particularly his Vision of God (1450) - this study reveals a shared epistemology of vision. And, the author argues, it is one that reflects a more deeply Christian Neoplatonic ideal than is typically accorded Alberti. Whether regarding his purpose in teaching the use of a geometric single point perspective system, or more broadly in rendering forms naturalistically, the emphasis leans toward the ideal of Renaissance art as highly rational. There remains the impression that the principle aim of the painter is to create objective, even illusionistic images. A close reading of Alberti’s text, however, including some adjustments in translation, points rather towards an emphasis on discerning the spiritual in the material. Alberti’s use of the tropes Minerva and Narcissus, for example, indicates the opposing characteristics of wisdom and sense certainty that function dialectically to foster the traditional importance of seeing with the eye of the intellect rather than merely with physical eyes. In this sense these figures also set the context for his, and, as the author explains, Brunelleschi’s earlier invention of this perspective system that posits not so much an objective seeing as an opposition of finite and infinite seeing, which, moreover, approximates Cusanus’s famous notion of a coincidence of opposites. Together with Alberti’s and Cusanus’s ideals of vision, extensive analysis of art works discloses a ubiquitous commitment to stimulating an intellectual perception of divine, essential, and unseen realities that enliven the visible material world.

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A truly mind-bending novel from an author prized for his experimental fusions of nouveau roman techniques and Oulipian constraintsAn editor at a Parisian publishing house receives a manuscript by someone calling himself Desiderioa manuscript that bears an eerie resemblance to his own life and to a book he was planning to write on a Renaissance painter of the same name. He decides to use his vacation time to visit the place from which it was sentthe quaint, historical seaside town of V.and believes he has identified the author: one Jean Morelle, himself a tourist, who disappeared the very day the manuscript was mailed. The narrator decides to play amateur detective and track down Morelle, unaware that as he becomes more deeply enmeshed in the mystery, the streets of V. will bend around him like a Möbius strip to form a loop that seems to offer no escape.A portrait of obsession, Vacated Landscape is both ingeniously fractal and exuberantly byzantine.

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Turn that old, dilapidated chair that has been sitting in your garage or basement into a decorative piece of art for your children’s bedroom or playroom. In this new DIY book, master painter Sammie Crawford takes you through seven step-by-step chair-painting projects: bear, bunny, Mother Goose, panda, puppy, Raggedy Ann and Andy, and Wild Animals. There's also a bonus Christmas Rocking Horse project. With color photographs and patterns, as well as lists of supplies and color palettes, this book gives you the details you need to replicate the designs in full or add your own creative ideas. This book is perfect for painters of all skill levels.

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A moving biography – told in vivid pictures. In five chapters, Philipp Deines traces stages in the life of the now world-famous Swedish painter Hilma af Klint. The personal and artistic development of this pioneer of abstraction is illuminated here. In this book, readers discover how the artist worked, lived, and loved, and what influenced her: from the great scientific upheavals to family history, anthroposophy, and spiritualist séances. In the depiction of her spiritual experiences, Deines’ visual language is influenced by Klint’s fantastic pictorial worlds. Julia Voss, author of the first comprehensive biography of the artist in 2020, was closely involved in the creation of this graphic novel. Biography, art history, and contemporary narrative style merge and complement each other in these magnificent visual worlds.

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Assia Donkova is a young Muscovite, idealistic and very attractive. As manager of an art gallery, she visits Paris museums and exhibitions in search of new Western talents. In front of a Monet work one day, she meets painter Julian Morgan. Very quickly the young woman falls under his spell, and they meet again. But is Julian only an aspiring painter? Why does he spy on Assia's slightest moves? And what are the mysterious appointments Assia keeps? Russian mafia and powerful financial organizations are at the centre of a diabolical machination...one that could eventually present grave danger to the new global balance.

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A clever, charmingly quirky portrayal of painter Jackson Pollock – and the first in a series of picture-book biographies of contemporary artists Jackson Pollock was unlike any other painter. Instead of sitting in front of an easel with brushes, he poured paint over canvases rolled-out across the floor, moving, splashing, and making the vivid liquid run with energy and rhythm. Pollock’s story is told here with wit and eccentricity, perfectly paired with black-line illustrations – and splatters galore. Fausto Gilberti brings movement, life, and whimsy to the true life story of one of the most important contemporary artists of our time. Ages 4-7

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Ottilie W. Roederstein, born to German parents in Zurich in 1859, was one of the leading painters in the German-speaking world during her lifetime. She also enjoyed early recognition in Paris. As one of the few women of her time, she successfully dedicated her entire life to art and led an unconventional but respected existence in Germany together with her partner, the gynecologist Elisabeth H. Winterhalter. Although Roederstein's early work adhered to the conventions of the academy, the painter increasingly opened herself up to other currents in her more mature work and in the 1920s found her way to an austere, objective visual vocabulary. Despite her international reputation as a portraitist and painter of still lifes, Roederstein fell into oblivion almost immediately after her death in 1937. Now, after several decades, the Kunsthaus Zürich and the Städel Museum in Frankfurt am Main are presenting the first monographic show of her work, accompanied by this comprehensive catalogue. EXHIBITIONS: Zurich Art Gallery December 4, 2020–April 5, 2021 Städel Museum, Frankfurt am Main May 19–September 6, 2021

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The bestselling novel from international literary phenomenon Paulo Coelho, author of The Alchemist. A chance meeting in Rio takes Maria to Geneva, where she dreams of finding fame and fortune, yet ends up working the streets as a prostitute. In Geneva, Maria drifts further and further away from love while at the same time developing a fascination with sex. Eventually, Maria's despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria has to choose between pursuing a path of darkness, ‘sexual pleasure for its own sake’, or risking everything to find her own 'inner light' and the possibility of sacred sex, sex in the context of love. A daring modern fable about the nature of love and sex.

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Outdoor painting tips and more from the best landscape painters working today. Many painters enjoy working outdoors when the weather is good, but they also need to know how to deal with it when the weather changes! This book includes the best instruction on the special challenges of painting landscapes outdoors from a variety of the best plein-air artists working today in all major media-oil, pastel, watercolor, acrylic, and gouache. It includes: - Materials, site selection, and practical tips - Values, shapes, composition, color, and elements of landscape painting - Bringing outdoor studies back into the studio - Complete start-to-finish demonstrations - Hundreds of gorgeous images - A wealth of knowledge from a variety of instructors

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In this magnificent, lavishly illustrated book, renowned art historian B. N. Goswamy opens readers’ eyes to the wonders of Indian painting, and shows them new ways of seeing art. An illuminating introductory essay, ‘A Layered World’, explains the themes and emotions that inspired famous painters, the values and influences that shaped their work, and the unique ways in which they depicted Time and Space. It describes, too, the different regional styles, the relationship between patrons and painters, the tools and techniques the painters used and the milieu in which they created their works. The second part of this book, ‘Close Encounters with 101 Works’, presents paintings carefully selected by Professor Goswamy, spanning nearly a thousand years and ranging from Jain manuscripts and Rajasthani, Mughal, Pahari and Deccani miniatures, to Company School paintings. His description and analysis of these works unlock the treasures that lie within them and show us how to ‘read’ each painting as he pours out its finest features, explains its visual vocabulary and symbolism, and recounts the story, legend or event that inspired it. Combining deep scholarship with great storytelling, this is a book of enduring value that will both educate and delight the reader.

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Murder is a work of art…When the acclaimed Cuban painter Wifredo Lam turns up dead in his Greenwich Village studio, officers Juanita Diaz and Brian Fitzgerald of the NYPD, must investigate the crime. But what they find is much more gruesome than they ever could have imagined.Suspicion soon falls on a tight-knit circle of Surrealist refugees who fled Nazi-occupied Europe during World War II, and Diaz and Fitzgerald must traverse the city, from Chinatown's underworld to Spanish Harlem's gangland, to find the truth. Did one of the artists' bizarre parlor games turn deadly? Or is there something even more sinister afoot?"Smart, witty, filled with so much history of the period, beautifully written, and suspenseful."—Jonathan Santlofer, author of The Death Artist

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For over a millennium, the Italian coastal state of the Most Serene Republic of Venice, or La Serenissima, flourished as a center for sea trade and the arts. Here an important final phase of late Baroque mythological and Biblical painting took place. Venice also became an important destination on the Grand Tour, where its aquatic setting and unique network of canals, palaces, and churches inspired a talented group of view painters, especially during the eighteenth century. Today, collections throughout North America hold many works from this prolific period.La Serenissima presents new scholarship on works that have not received due public attention in recent years and brings together approximately 65 works of art from more than 25 collections. Together, they represent important regional developments in religious and topographical painting as well as genre and portraiture. These artworks display the inimitable aspects of Venetian taste and culture in the age of the Grand Tour and through the decline of the Republic. La Serenissima also casts new light on the achievements of Venetian view painters, including master painter Antonio Canaletto, Bernardo Bellotto, Luca Carlevarijs, and Francesco Guardi.

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Many artists long to paint mountains - to capture their grandeur, their character and perhaps their tranquility. This practical book explains the key elements of portraying their magnificence and also advises how to reproduce the magic of a scene. With step-by-step instructions and clear, detailed advice throughout, it guides the painter through the techniques so you can express your own vision of the mountains and capture one of the greatest scenes of the natural landscape. The author's deep understanding and love of the mountains shines through the text and the paintings. There is advice on choosing mediums, brushes and surfaces, and using a limited colour palette both for en plein air and studio painting. Incorporates different features of the mountainscape - crags, slopes, rocks, lakes, woodland, cottages, animals and figures - to add life and interest to a painting. The author captures the transient and often dramatic effects of light on the mountain landscape, including the special magic of sunsets. Injects mood into a painting, from the excitement of a sublime storm to a sense of peace and refuge. Specific advice on painting sky, water and trees, and tips on using them in an effective composition. Finally, step-by-step, illustrated and detailed exercises show how to work down from the sky to the foreground, add detail, enrich hues, and increase contrast between light and shade. It is a handy guide for all artists and an inspiration to everyone who loves mountain scenery.

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During the early part of the Cold War, Japan emerged as a model ally, and Japanese Americans were seen as a model minority. From Confinement to Containment examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children’s author Yoshiko Uchida. The backgrounds of the four figures reveal a mixing of nationalities, a borrowing of cultures, and a combination of domestic and overseas interests.Edward Tang shows how the film, art, and literature made by these artists revealed to the American public the linked processes of U.S. actions at home and abroad. Their work played into—but also challenged—the postwar rehabilitated images of Japan and Japanese Americans as it focused on the history of transpacific relations such as Japanese immigration to the United States, the Asia-Pacific War, U.S. and Japanese imperialism, and the wartime confinement of Japanese Americans. From Confinement to Containment shows the relationships between larger global forces as well as how the artists and writers responded to them in both critical and compromised ways.

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During the early part of the Cold War, Japan emerged as a model ally, and Japanese Americans were seen as a model minority. From Confinement to Containment examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children’s author Yoshiko Uchida. The backgrounds of the four figures reveal a mixing of nationalities, a borrowing of cultures, and a combination of domestic and overseas interests.Edward Tang shows how the film, art, and literature made by these artists revealed to the American public the linked processes of U.S. actions at home and abroad. Their work played into—but also challenged—the postwar rehabilitated images of Japan and Japanese Americans as it focused on the history of transpacific relations such as Japanese immigration to the United States, the Asia-Pacific War, U.S. and Japanese imperialism, and the wartime confinement of Japanese Americans. From Confinement to Containment shows the relationships between larger global forces as well as how the artists and writers responded to them in both critical and compromised ways.

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This beautiful book is a brilliant exploration of a fascinating artist who changed the world of art in the 20th century and inspired future painters such as Picasso and Matisse, who said of Cezanne that he was "the father of us all."

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Color with your favorite collaboration: the master, Thomas Kinkade, Painter of Light and Disney Princesses. Thomas Kinkade's Disney Princess Coloring Book captures the timeless magic of classic Disney stories while letting you create your own interpretation. In this extraordinary coloring book, sixteen scenes of your favorite Disney Princesses from Thomas Kinkade's Disney Dreams Collection are presented in black line art. Enter the world of the Painter of Light as you create your own removable renditions of these paintings inspired by classic Disney movies, including Snow White and the Seven Dwarfs, Beauty and the Beast, Sleeping Beauty, and many more.

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The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama ( The Book of Kings ), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole

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A lighthearted collection of homespun wisdom from dinosaurs, featuring beautifully painted scenes from the New York Times bestselling Dinotopia books by author James Gurney.As the original dominant species on planet Earth, what advice might dinosaurs have for another species on the possible verge of extinction? And who better than to bring language to tyrant lizards than James Gurney, whose Dinotopia books have sold millions of copies over the last three decades. Gurney, a painter, instructor, and storyteller, adds a philosopher’s touch to this gift book perfect for anyone looking to bygone era for a bit of life advice and perspective. You’ll marvel at these Triassic truisms, Jurassic aphorisms, and Mesazoic meditations.  

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Would-be painter, George Finch, with lots of money and no talent, falls for lovely Molly Waddington who falls for him. Unfortunately, Molly’s snobbish stepmother, Mrs Sigsbee H. Waddington, New York society queen, has grander ideas for Molly, not least because George comes from Idaho, which is in every sense beyond the pale. Based on a 1917 musical comedy script by Wodehouse and his friend, Guy Bolton, The Small Bachelor tells the story of George’s struggle to win his girl, with the willing help of Hamilton Beamish, author of self-improvement pamphlets, and the unwitting assistance of a poetic policeman, Molly’s henpecked father, and New York’s premier female pickpocket.

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"Born in the 1360s, Andrey Rublev was a Muscovite monk and icon painter who died between 1427 and 1430 in Moscow. He is acknowledged as the supreme medieval Russian painter of icons and frescos, yet much about him remains mysterious. To date there is no volume in English on him or his work. This book addresses the gap, giving an overview of Rublev’s own times and later reputation, and taking in the most recent Rublev scholarship. It uses Russian-language material (including Old Russian), but is thoroughly accessible to the non-specialist reader. Andrey Rublev is profusely illustrated with previously unpublished images, bringing the story of Rublev’s ‘rediscovery’ right up to date.

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Romanticism, Realism, Impressionism – these are still the most important stylistic labels which acted as slogans for French painting during the 19th century. At that time Delacroix, Courbet, Manet and many others left the “straight and narrow” of painting, the academic-neo-classical manner. Highly controversial at the time, today these painters are celebrated worldwide as precursors of Modernism. The situation is very different when it comes to the Salon painters like Meissonier, Cabanel, Gérôme and Bouguereau, who were highly regarded at the time. Today they have been consigned to the fringes, especially in the German-speaking region – unjustifiably, because they play an outstanding role with regard to our understanding of developments in art at the time.

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Not sure what to do with that old, dilapidated chair that has been sitting in your garage or down your basement? How about turning it into a decorative piece of art for everyday use or for a seasonal decoration? In this new DIY book, master painter Sammie Crawford takes you through, step-by-step, seven chair-painting projects: the rose, sunflower, tiger lily, frog, butterfly, rooster, and, just in time for Christmas, the Santa chair. With color photographs and patterns, as well as lists of supplies and color palettes provided, use this book to follow along with the projects or gain inspiration for your own creative ideas. This book is perfect for painters of all skill level.

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A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation's legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure.Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors- considered by Cammie to be her circle of ""congenial souls""- included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose.In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry's passion for the preservation of words as well as for the South's material culture, including quilting, spinning, and gardening.

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Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauvists, Cubists and Surrealists.

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Using El Lissitzky’s artwork as a starting point, New York–based painter Sebastian Black (born 1985) abstracts space and graphic shapes in this slim artist's book.

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How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China?Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there.

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An inspector rages against the announcement that police HQ is to relocate - the way so many of the city's residents already have - to the mainland... An aspiring author struggles with the inexorable creep of rentalisation that has forced him to share his apartment, and life, with 'global pilgrims'... An ageing painter rails against the liberties taken by tourists, but finds his anger undermined by his own childhood memories of the place... The Venice presented in these stories is a far cry from the 'impossibly beautiful', frozen-in-time city so familiar to the thousands who flock there every year - a city about which, Henry James once wrote, 'there is nothing new to be said.' Instead, they represent the other Venice, the one tourists rarely see: the real, everyday city that Venetians have to live and work in. Rather than a city in stasis, we see it at a crossroads, fighting to regain its radical, working-class soul, regretting the policies that have seen it turn slowly into a theme park, and taking the pandemic as an opportunity to rethink what kind of city it wants to be.

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Artist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.

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Exploring the convergence of art and science in the map renderings of one of the world’s most beloved artists Marcel Proust declared View of Delft by Johannes Vermeer (1632–75) “the most beautiful painting in the world.” Indeed, viewers have been captivated by Vermeer's extraordinary art since the 19th-century rediscovery of the Dutch painter. Maps, an intricate fusion of art and science, held an important and multifaceted place in the Netherlands in the 17th century and were of particular interest to Vermeer. Of the approximately 34 paintings attributed to the Delft-based artist, wall maps and other cartographic objects are depicted in nine of them, including the renowned Officer and Laughing Girl and his masterpiece, The Art of Painting. With stunning reproductions and incisive text, this book is the most comprehensive study of the artist's depiction of wall maps to date. Drawing on rare surviving examples of the maps and other primary sources, author Rozemarijn Landsman examines this intriguing aspect of Vermeer’s work, greatly enriching and expanding our understanding of the art and life of the “Sphinx of Delft.”

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The true story of the Cambodian painter Vann Nath, who used his art to fight against barbarism and tyranny.In 1978, a young painter named Vann Nath was arrested by the Khmer Rouge, the violent and totalitarian Communist Party of Kampuchea that ruled Cambodia from 1975 to 1979. Imprisoned in the infamous Tuol Sleng prison, better known as S-21, painting became synonymous with survival for him. Ordered, like many Cambodian artists and craftsmen, to put his talent to use to glorify his captors, upon his release he continued painting—this time, to remember and pay tribute to the victims of Pol Pot's regime. A story as fascinating as it is powerful.

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Comprehensive view and new research on the fascinating painter of New Objectivity. The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material can enrich the existing knowledge of Laserstein’s life and work. Laserstein’s current reputation as a great realist has assigned her an undisputed place in the 20th-century art history. Striking portraits, self-portraits and sensual nudes demonstrate her synthesis of traditional painting style and modern subject matter in the Berlin period.

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Surveying three decades of the British painter Cecily Brown's career, with its vibrant mixture of gestural expression, canonical and pop references, and subversive themes

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In the tradition of the eminently practical, top-selling guides such as How to Make a Watercolor Paint Itself (9780823099771) and Problem Solving for Oil Painters (9780823040971), this straightforward handbook offers a fresh approach to watercolour mastery that bridges the gap between theory and practice. Through thoughtful discussion, expert instruction, and in-depth step-by-step demonstrations, Leslie Frontz shows readers how to eliminate common barriers to achieve beautiful, captivating watercolour paintings. Beginning with teaching readers how to see with an artist's eye, Frontz then establishes how watercolour painters build on this skill by making timely decisions throughout the creation process.

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Louis Bunce: Dialogue with Modernism explores and assesses the art and life of the iconic Pacific Northwest modernist painter and printmaker who engaged with American and European modern art from Surrealism to Post-Modernism. Based in Portland, Oregon, Louis Bunce maintained strong ties with artists of the New York School, counting Jackson Pollock as colleague and friend. In his fifty-year career, Bunce (1907-1983) created a wide-ranging body of work that both reflects and illuminates twentieth-century modernism. He pioneered serigraphy as a fine art in the Northwest and as a painter infused painterly abstraction with references to the topography and light of the Northwest.

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This glorious 12in x 12in, 14-month full-color calendar on glossy stock features art by Idyl creator, Jeffrey Jones; Tarzan illustrator, Roy G. Krenkel; John Carter of Mars painter, J. Allen St. John; Weird Science legend, Wally Wood; Sci-Fi illustrator, Alex Schomburg; Conan artist, John Buscema; The Shadow illustrator, Steranko; Hollywood monster painter, Basil Gogos; Red Sonja artist, Frank Brunner; Catwoman illustrator, Paul Gulacy; Spider-Man creator, Steve Ditko; Heavy Metal artist, Arthur Suydam; and Space Cowboy creator, J. David Spurlock

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Twain and Stanley Enter Paradise, the impeccably researched final novel from the author of The Mambo Kings Play Songs of Love, follows famed 19th century journalist-explorer Henry Stanley, his wife, the painter Dorothy Tennant, and Stanley's long friendship with Mark Twain, as they venture to Cuba in search of Stanley's father. Told through a fictitious manuscript and imagined correspondence between Stanley, Tennant, and Twain, Hijuelos captures not only the general style of educated 19th century, but manages to pull off the seemingly impossible task of channeling Mark Twain himself. The manuscript--in the works for decades--was found, whole and finished, by Hijuelos's widow after his death. As a companion to the novel, an ebook will be released of Hijuelos' short story "Another Spaniard in the Works" about a musician who meets John Lennon. In the '60s, Lennon had published a book of humorous writings and drawings called "A Spaniard in the Works" and now Hijuelos brings Lennon to life through music and literature.

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This stunning monograph, a long-overdue critical appraisal of Polish artist Józef Czapski (1896–1993), arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his 97th year, it’s no surprise that the artist has works dating from every decade of the 20th century but the first. As witness to the tumultuous events of that century, he found in painting ‘a refuge and a salvation’. Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolour in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatre-goers and art lovers doing what they do best – looking.

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The stunning new novel from the author of international million-copy bestseller Cold MountainHurtling past the downtrodden communities of Depression-era America, painter Val Welch travels westward to the rural town of Dawes, Wyoming. Through a stroke of luck, he's landed a New Deal assignment to create a mural representing the region for their new Post Office.A wealthy art lover named John Long and his wife Eve have agreed to host Val at their sprawling ranch. Rumors and intrigue surround the couple: Eve left behind an itinerant life riding the rails and singing in a western swing band. Long holds shady political aspirations, but was once a WWI sniperand his right hand is a mysterious elder cowboy, a vestige of the violent old west. Val quickly finds himself entranced by their lives.One day, Eve flees home with a valuable painting in tow, and Long recruits Val to hit the road with a mission of tracking her down. Journeying from ramshackle Hoovervilles to San Francisco nightclubs to the

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A miscellany of satire and law.This edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BC. Volume I. Q. Ennius (239–169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220–ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies. Volume II. L. Livius Andronicus (ca. 284–204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer’s Odyssey, and hymns; Cn. Naevius (ca. 270–ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220–ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170–ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed. Volume III. C. Lucilius (180?–102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451–450. Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.

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William Hogarth is a house-hold name across the country, his prints hang in our pubs and leap out from our history-books. He painted the great and good but also the common people. His art is comically exuberant, 'carried away by a passion for the ridiculous', as Hazlitt said.Jenny Uglow, acclaimed author of Elizabeth Gaskell, Nature's Engraver and In These Times, uncovers the man, but also the world he sprang from and the lives he pictured. He moved in the worlds of theatre, literature, journalism and politics, and found subjects for his work over the whole gamut of eighteenth century London, from street scenes to drawing rooms, and from churches to gambling halls and prisons. After striving years as an engraver and painter, Hogarth leapt into lasting fame with A Harlot's Progress and A Rake's Progress, but remained highly critical of the growing gulf between the luxurious lives of the ruling elite and the wretched poverty of the massess. William Hogarth was an artist of flamboyant, overflowing imagination, he was a satirist with an unerring eye; a painter of vibrant colour and tenderness; an ambitious professional who broke all the art-world taboos. Never content, he wanted to excel at everything - from engraving to history painting - and a note of risk runs through his life.Shortlisted for the Whitbread Prize, Hogarth: A Life and a World brings art history to life in the voices of Hogarth's own age. The result is an unforgettable portrait of a great artist and a proud, stubborn, comic, vulnerable man.

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A monograph on the work of Dorothy Eisner (1906-1984), an American painter whose career spanned more than seven decades.

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This anthology outlines a research project at the Angermuseum in Erfurt and forms the start of a new assessment of the landscape painter Friedrich Nerly (1807–1878) from Erfurt, who spent the main years of his career in Italy, particularly in Venice. If one wants to do justice to the phenomenon of Nerly, it is necessary to take a look at the changes in artistic, economic, and social contexts. Nerly’s oeuvre should be connected with the innovative painting practices and finding of motifs of the early plein-air painters as well as with sales strategies that reacted to the globalization of the art market and tourism. In line with research on cultural transfer, questions, for instance, regarding the achievements that Nerly brought to Italy or inspirations that he found in his home country emerge cross-nationally. Look inside

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Like Claude Monet s celebrated plein air landscapes at Giverny, the series collected in this book represents among the best-loved examples of Joaquin Sorolla s (1863-1923) work, and a window into the Spanish painter s quest to capture the essence of a garden. Described by Monet as the master of light, Sorolla and his landscapes, formal portraits, and historically themed canvases drew comparisons to contemporary American painter John Singer Sargent. Sorolla had achieved renown on both sides of the Atlantic for grand scenes of Spanish life when he began a personal series of garden works, presented completely for the first time in this publication. Painted at the palaces of La Granja and the Alcazar in Seville, the Alhambra and Generalife in Granada, and at the painter s home in Madrid, these Impressionist works allowed Sorolla to apply his signature loose brushwork and training as a photographer s lighting assistant to gardens and the sculptures, architecture, and sitters that frame and animate them. Sorolla depicted reflections in fountains and pools, the sunlight dappling his glamorous sitters, sprays of orange blossoms, and shaded blue-and-white tile as he endeavoured to render the radiant peace of a summer afternoon.

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Winner of the Untapped Award 2018. Fringe First and Total Theatre Award-winning Breach (Tank, The Beanfield) restage the 1612 trial of Agostino Tassi for the rape of baroque painter Artemisia Gentileschi. Based on surviving court transcripts, this new play dramatises the seven-month trial that gripped Renaissance Rome, and asks how much has changed in the last four centuries. It's True, It's True, It's True blends myth, history and contemporary commentary to tell the the story of how a woman took revenge through her art to become one of the most successful painters of her generation.

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The book ZEUG is a hybrid between an artist book and a catalogue raisonné and provides a complete overview of the works created since 2006 by the Berlin-based painter René Wirths. The works are also sorted into groups based on in part formal, in part content-related, and often surprising criteria. Wirths is a painter of things whose pictures, despite their hyper realistic attention to detail, nevertheless dissolve again into colour and abstraction. The motifs depicted are thus robbed of their “authenticity” (to quote Heidegger) and become a phenomenological examination of the things that surround us. The book pursues these examinations and supplements the astounding oeuvre by positing new aspects. Text in English, German and French.

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