Search results for ""Author Painters"

Goya (1746-1828) is one of Spain’s most famous artists and is widely acknowledged as an outstanding painter in the European tradition, often called the last of the Old Masters and the first of the Moderns. He is appreciated as a portrait painter; a creator of menacing and melancholy images in oils; a master of enigmatic, satirical and revolutionary drawing and etching; the champion of Spanish people in their struggle against oppression and the recorder of their life and sufferings in war. This book brings out many of Goya’s moods, from the gaiety and tenderness of the tapestry cartoons to the mysterious ferocity of the Black Paintings made in his old age.

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Ottilie W. Roederstein, born to German parents in Zurich in 1859, was one of the leading painters in the German-speaking world during her lifetime. She also enjoyed early recognition in Paris. As one of the few women of her time, she successfully dedicated her entire life to art and led an unconventional but respected existence in Germany together with her partner, the gynecologist Elisabeth H. Winterhalter. Although Roederstein's early work adhered to the conventions of the academy, the painter increasingly opened herself up to other currents in her more mature work and in the 1920s found her way to an austere, objective visual vocabulary. Despite her international reputation as a portraitist and painter of still lifes, Roederstein fell into oblivion almost immediately after her death in 1937. Now, after several decades, the Kunsthaus Zürich and the Städel Museum in Frankfurt am Main are presenting the first monographic show of her work, accompanied by this comprehensive catalogue. EXHIBITIONS: Zurich Art Gallery December 4, 2020–April 5, 2021 Städel Museum, Frankfurt am Main May 19–September 6, 2021

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A writer and a painter reflect on life and nature as they embark on a shared voyage of discovery in the Catskill Mountains and Kaaterskill Falls. Includes original paintings by acclaimed artist Thomas Locker.

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An art class in a box!Learn techniques of a professional painter - like colour mixing,layering and adding shadows to apply to a partially coloured page!

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Not sure what to do with that old, dilapidated chair that has been sitting in your garage or down your basement? How about turning it into a decorative piece of art for everyday use or for a seasonal decoration? In this new DIY book, master painter Sammie Crawford takes you through, step-by-step, seven chair-painting projects: the rose, sunflower, tiger lily, frog, butterfly, rooster, and, just in time for Christmas, the Santa chair. With color photographs and patterns, as well as lists of supplies and color palettes provided, use this book to follow along with the projects or gain inspiration for your own creative ideas. This book is perfect for painters of all skill level.

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Find wisdom, inspiration, and new insight in this definitive volume of empowering quotes from the Pan African world. With over 60 quotations—carefully researched by National Black Cultural Information Trust founder, Jessica Ann Mitchell Aiwuyor—Black Voices is your go-to source for powerful words from both famous Black individuals in history and new and lesser-known voices. From this diverse spectrum of perspectives and experiences, gain a deeper understanding of Black culture and history. Some of the inspirational quotes include:“I’m very interested in, ‘What does it mean for us to cultivate together?’ Community that allows for risk, the risk of knowing someone outside your own boundaries, the risk that is love. There is no love that does not involve risk.” —bell hooks, African American feminist scholar“Our youth, our drive, our diversity and openness, our boundless capacity for risk and reinvention means that the future should be ours. But that potential will only be realized if our democracy works. Only if our politics better reflects the decency of our people.” —Barack Obama, 44th President of the United States and the first Black American president Spotlighting Black writers, artists, scholars, politicians, activists, and visionaries from all eras and backgrounds, each quote is accompanied by a short biography of its writer or speaker. This engaging and information-packed book touches on aspects and subjects relevant to Black lives, including and featuring, among many others, the voices of: Culture and History: Werewere Liking, author (Cameroon) Education and Knowledge: Mĩcere Gĩthae Mũgo, author, poet, and playwright (Kenya) Justice, Civil Rights, and Human Rights: Ida B. Wells, journalist and activist (USA) Race and Racism: Paul Stephenson, civil rights activist (UK) Gender, Feminism, and Womanism: Ketanji Brown Jackson, first Black woman to serve on the United States Supreme Court (USA) Peace and Love: Basetsana Kumalo, businesswoman and television personality (South Africa) Inspiration, Hope, and Perseverance: Dudley Laws, activist (Canada) Freedom and Liberation: Claudia Jones, political activist and cofounder of Notting Hill Carnival (UK) Politics: Francia Márquez, 13th vice president of Colombia Blackness: Walter Rodney, scholar and activist (Guyana) Pan Africanism: Amy Jacques Garvey, Pan Africanist, journalist, and civil rights activist (Jamaica) The book also features the lush, vibrant artwork of six Black artists from around the world: Affen Segun, Nigerian painter (Instagram: @affensegun) Erin K. Robinson, American illustrator (Instagram: @brooklyndolly) Gilles Mayk Navangi, Belgian painter, illustrator, and sculptor (Instagram: @ngm_world) Nicole Collie, Bahamian painter (Portfolio: nicolecollie.com) Rendani Nemakhavhani, South African illustrator, visual artist, and art director (Instagram: @prsdnthoney) Uzo Njoku, Nigerian American visual artist (Portfolio: uzonjoku.com) Black Voices is a must-have reference to Pan African culture and history.

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Bright paint, sequins, rhinestones, fabric, feathers – and time and again the artist himself in various roles: the material collages of painter Devan Shimoyama are midsummer night’s dreams of alternative masculinities. As a homosexual African-American, the artist has an intense connection to themes of the Black community and queer subculture. Shimoyama’s works are worlds of neon and glitter; Greek mythology and Black pop culture; spirituality and activism. This lavishly designed catalog is published to accompany the artis’'s first institutional solo exhibition in Europe. In addition to numerous illustrations, it includes essays by curator Amely Deiss and art critic Evan Moffitt, poetry by Alexis Pauline Gumbs, and an artist interview with author and journalist Adriano Sack.

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Why do painters sometimes wish they were poets--and why do poets sometimes wish they were painters? What happens when Rembrandt spells out Hebrew in the sky or Poussin spells out Latin on a tombstone? What happens when Virgil, Ovid, or Shakespeare suspend their plots to describe a fictitious painting? In Mute Poetry, Speaking Pictures, Leonard Barkan explores such questions as he examines the deliciously ambiguous history of the relationship between words and pictures, focusing on the period from antiquity to the Renaissance but offering insights that also have much to say about modern art and literature. The idea that a poem is like a picture has been a commonplace since at least ancient Greece, and writers and artists have frequently discussed poetry by discussing painting, and vice versa, but their efforts raise more questions than they answer. From Plutarch ("painting is mute poetry, poetry a speaking picture") to Horace ("as a picture, so a poem"), apparent clarity quickly leads to confusion about, for example, what qualities of pictures are being urged upon poets or how pictorial properties can be converted into poetical ones. The history of comparing and contrasting painting and poetry turns out to be partly a story of attempts to promote one medium at the expense of the other. At the same time, analogies between word and image have enabled writers and painters to think about and practice their craft. Ultimately, Barkan argues, this dialogue is an expression of desire: the painter longs for the rich signification of language while the poet yearns for the direct sensuousness of painting.

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'Smart, sexy, funny and so sharply written. A total freaking delight.' Carley Fortune, bestselling author of Every Summer After School librarian Alexis usually keeps out of the spotlight. But when she's dumped for being too meek in bed, she decides it's time for a change. Enter Logan, the mysterious stranger she meets at a hotel bar. Foul-mouthed, funny and forward, he's Alexis' opposite – and wow, do opposites attract. But the next day, Alexis finds her face splashed all over the news. It turns out her mysterious stranger is Logan Arthur, the hotshot candidate running for Texas governor. And they were photographed leaving the hotel together. A scandalous one-night-stand could sink Logan’s career, so there's only one thing for it: Alexis must pretend to be his long-term girlfriend until election night. A shy librarian in a fake relationship with a hot politician for two long months… What could possibly go wrong? Praise for THE BOYFRIEND CANDIDATE: 'Charming, swoony, and utterly unputdownable. I LOVE this book!' Lynn Painter, bestselling author of Better Than the Movies 'Catches fire, sizzles throughout then bursts into flames. HIGHLY recommend.' Abby Jimenez, bestselling author of The Friend Zone 'Winstead brings both hilarity and heartfelt moments to this rousing rom-com. Readers will cheer Alexis on her path to discovering her inner strength and swoon over idealistic Logan. This is a winner.' Publishers Weekly, *STARRED review*

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Artist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.

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Our Albert Racinet Ancient Egypt art is a nod to vintage art and design that helped influence Art Deco of the early 20th century. Albert-Charles-Auguste-Racinet (1825-1893) was a French costume historian, painter, illustrator, and author. Racinet's publication L'Ornement Polychrome is a monumental collection of more than 100 richly-coloured lithographic plates depicting decorative artwork from ancient civilisations through the 18th century. Standard deck of 54 playing cards including 2x joker cards Full-colour, richly-printed artwork on embossed, blue-core card stock Giftable flip-top box with magnetic closure Box measures: 95 x 68 x 25mm

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Comprehensive view and new research on the fascinating painter of New Objectivity. The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material can enrich the existing knowledge of Laserstein’s life and work. Laserstein’s current reputation as a great realist has assigned her an undisputed place in the 20th-century art history. Striking portraits, self-portraits and sensual nudes demonstrate her synthesis of traditional painting style and modern subject matter in the Berlin period.

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In "Writing Ethnographic Fieldnotes", Robert M. Emerson, Rachel I. Fretz, and Linda L. Shaw present a series of guidelines, suggestions, and practical advice for creating useful fieldnotes in a variety of settings, demystifying a process that is often assumed to be intuitive and impossible to teach. Using actual unfinished notes as examples, the authors illustrate options for composing, reviewing, and working fieldnotes into finished texts. They discuss different organizational and descriptive strategies and show how transforming direct observations into vivid descriptions results not simply from good memory but from learning to envision scenes as written. A good ethnographer, they demonstrate, must learn to remember dialogue and movement like an actor, to see colors and shapes like a painter, and to sense moods and rhythms like a poet. This new edition reflects the extensive feedback the authors have received from students and instructors since the first edition was published in 1995. As a result, they have updated the race, class, and gender section, created new sections on coding programs and revising first drafts, and provided new examples of working notes. An essential tool for budding social scientists, the second edition of "Writing Ethnographic Fieldnotes" will be invaluable for a new generation of researchers entering the field.

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Born in Italy, trained in Paris and a resident of London, John Singer Sargent (1856–1925) became Boston’s favorite painter in the 1880s. His commissions from the Museum of Fine Arts, Boston, to decorate its new building’s grand staircase and rotunda resulted in one of Sargent’s last and most ambitious works. Sargent regarded the entire space as a giant canvas and brought together all the pictorial, decorative and architectural elements with a painter’s skill and vision. This compact volume offers a guide to the murals and their surroundings, elucidating their allegorical subjects drawn from classical mythology to emphasize the museum’s role as the guardian of fine arts.

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Louis Bunce: Dialogue with Modernism explores and assesses the art and life of the iconic Pacific Northwest modernist painter and printmaker who engaged with American and European modern art from Surrealism to Post-Modernism. Based in Portland, Oregon, Louis Bunce maintained strong ties with artists of the New York School, counting Jackson Pollock as colleague and friend. In his fifty-year career, Bunce (1907-1983) created a wide-ranging body of work that both reflects and illuminates twentieth-century modernism. He pioneered serigraphy as a fine art in the Northwest and as a painter infused painterly abstraction with references to the topography and light of the Northwest.

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The 4th century BC Greek painter Parrhasius murdered his model--an old man who was his slave--to achieve, so the story goes, a more lifelike depiction of nature. The tale has inspired similar, more elaborate stories about both well known and obscure artists--including da Vinci, Michelangelo and Rubens. Elements of it have appeared in theater, literature and film, as well as in comments by painters, historians, critics and anatomists. Challenging the archetype of the artist as a sympathetic lover of nature, this book examines the artist as cruel and murderous in service of art and ambition, and indirectly addresses a different understanding of the relationship between art and life.

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A miscellany of satire and law.This edition of early Latin writings is in four volumes. The first three contain the extant work of seven poets and surviving portions of the Twelve Tables of Roman law. The fourth volume contains inscriptions on various materials (including coins), all written before 79 BC. Volume I. Q. Ennius (239–169) of Rudiae (Rugge), author of a great epic (Annales), tragedies and other plays, and satire and other works; Caecilius Statius (ca. 220–ca. 166), a Celt probably of Mediolanum (Milano) in N. Italy, author of comedies. Volume II. L. Livius Andronicus (ca. 284–204) of Tarentum (Taranto), author of tragedies, comedies, a translation and paraphrase of Homer’s Odyssey, and hymns; Cn. Naevius (ca. 270–ca. 200), probably of Rome, author of an epic on the 1st Punic War, comedies, tragedies, and historical plays; M. Pacuvius (ca. 220–ca. 131) of Brundisium (Brindisi), a painter and later an author of tragedies, a historical play and satire; L. Accius (170–ca. 85) of Pisaurum (Pisaro), author of tragedies, historical plays, stage history and practice, and some other works; fragments of tragedies by authors unnamed. Volume III. C. Lucilius (180?–102/1) of Suessa Aurunca (Sessa), writer of satire; The Twelve Tables of Roman law, traditionally of 451–450. Volume IV. Archaic Inscriptions: Epitaphs, dedicatory and honorary inscriptions, inscriptions on and concerning public works, on movable articles, on coins; laws and other documents.

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The volume, starting from the celebrated and fascinating Portrait of a Lady from the Poldi Pezzoli museum in Milan, one of the greatest masterpieces of Florentine portraiture from the latter half of the 15th century, investigates the art of the Pollaiolo brothers: Antonio, a goldsmith, painter and sculptor, and the most famous of the three; Piero, a painter; and Silvestro, who died young and was soon forgotten. Based on in- depth scientific analyses and research conducted on the methods of execution and materials used for the wide range of different works issued from the Pollaiolo brothers’ workshop, the volume presents paintings, drawings, engravings, sculptures, bronzes, and objects of applied art.

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From the bestselling author of the acclaimed novel AMERICAN GODS and the prize-winning THE OCEAN AT THE END OF THE LANE.In May 2012, Neil Gaiman delivered the commencement address at Philadelphia's University of the Arts, in which he shared his thoughts about creativity, bravery, and strength. He encouraged the fledgling painters, musicians, writers, and dreamers to break rules and think outside the box. Most of all, he urged them to make good art.The book MAKE GOOD ART, designed by renowned graphic artist Chip Kidd, contains the full text of Gaiman's inspiring speech.Praise for Neil Gaiman:'A very fine and imaginative writer' The Sunday Times'Exhilarating and terrifying' Independent'Urbane and sophisticated' Time Out'A jaw-droppingly good, scary epic positively drenched in metaphors and symbols... As Gaiman is to literature, so Antoni Gaudi was to architecture' Midweek'Neil Gaiman is a very good writer indeed' Daily Telegraph

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A gorgeous and evocative story of how the animals got their colours, from Carnegie Medal-winner Tanya Landman and V&A Illustration Award winner Laura Carlin.The earth was young and full of colour. But the animals were dull and drab. The painter decided: something must be done! With dabs and sweeps the painter's brush creates the stripes on the zebra, the sharp suit of the penguin and the bright splashes on parrots. But what can he give the nightingale when his paintbox has run dry? A beautiful and gently moving tale from the award-winning Tanya Landman and Laura Carlin.

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Combining the painting and poetry of Mexican artist Roberto Rebora (born 1963), Matter & Discourse of Faith features the painter's portraits--both monochromatic and colorful--and murals.

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The epic new novel from the internationally acclaimed and best-selling author of 1Q84.In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.A tour de force of love and loneliness, war and art – as well as a loving homage to The Great Gatsby – Killing Commendatore is a stunning work of imagination from one of our greatest writers.

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In The Picture With is an introduction to the lives and works of great painters. Along with telling the life story of these artists, it examines the techniques behind their paintings, from the best-known to the less familiar works of art.

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Assia Donkova is a young Muscovite, idealistic and very attractive. As manager of an art gallery, she visits Paris museums and exhibitions in search of new Western talents. In front of a Monet work one day, she meets painter Julian Morgan. Very quickly the young woman falls under his spell, and they meet again. But is Julian only an aspiring painter? Why does he spy on Assia's slightest moves? And what are the mysterious appointments Assia keeps? Russian mafia and powerful financial organizations are at the centre of a diabolical machination...one that could eventually present grave danger to the new global balance.

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A clever, charmingly quirky portrayal of painter Jackson Pollock – and the first in a series of picture-book biographies of contemporary artists Jackson Pollock was unlike any other painter. Instead of sitting in front of an easel with brushes, he poured paint over canvases rolled-out across the floor, moving, splashing, and making the vivid liquid run with energy and rhythm. Pollock’s story is told here with wit and eccentricity, perfectly paired with black-line illustrations – and splatters galore. Fausto Gilberti brings movement, life, and whimsy to the true life story of one of the most important contemporary artists of our time. Ages 4-7

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The stark beauty of the Southwest mountains and deserts have attracted numerous artists working in many media. Painters, sculptors, potters, jewelers, and photographers study and work in this region, which is steeped in rich heritage and natural beauty. This eye-catching book contains a thoughtfully written foreword by Julie Sasse, Chief Curator and Curator of Modern and Contemporary Art at the Tucson Museum of Art, and over 600 compelling photos of the contemporary artwork from Arizona, New Mexico, Oklahoma, and Texas. The materials used are varied, ranging from stoneware to steel and everything in between. The subject matter includes the natural landscape, wildlife, and human life, historical scenes, and whimsical imagery, in forms both realistic and abstract. Each artist provides valuable insight into their work. The author states that the book's intent is to take a fresh look at the magical and insightful ways the area's artists have interpreted life in this region. That it does.

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An ideal introduction to the painter s work, Sargent: The Masterworks features 100 of his most beloved paintings. Illustrating all aspects of his diverse oeuvre portraits, landscapes, mural commissions in oil and watercolour, this handsome new book includes works from both private and public collections, including the Metropolitan Museum of Art s infamous Madame X. Author Stephanie L. Herdrich draws on a wealth of new research to provide both an essential overview and a more nuanced understanding of the great American painter. Richly illustrated, the book s three chapters cover the artist s career from his childhood and early years in Paris, to his mid-career portraits made in England and United States, and his later years painting out of doors. An illustrated chronology contains fascinating details and archival imagery about the artist s life. Sargent s cosmopolitan upbringing and education made him perfectly suited to capture the upwardly mobile bourgeoisie and aristocrats of his era, creating sensual portraits that depict his sitters with startling vibrancy. Though he achieved tremendous success in portraiture, Sargent focused on painting outdoors after 1900, achieving the most brilliant and personal images of his career. One of the greatest portraitists and watercolourists of his time, Sargent remains one of the most well-known and well-loved of all American artists.

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Text in English & German. Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. Infernal threats, ambushes, fiery rain and other catastrophes were described even in the Bible. Pillaging and plunder were part of everyday life in the Middle Ages. Cruel deeds familiar from the Bible, or those described by other people or experienced personally, inspired painters in the transitional period from the Middle Ages to the Renaissance, and were picked out as a central theme in their pictures. In the 18th century it became fashionable to build artificial ruins in parks and landscape gardens. Ruins became an image of human inadequacy in the attempt to come to terms with nature. 18th century landscape painters used ruin motifs in order to suggest the mysterious magic of pain, the sadness of beauty, to viewers. In the first half of the last century the world had to endure two wars that costs millions of people their lives and reduced many cities to rubble. Countless ruins remained. Few of them have survived. Overgrown with grass, ivy and Virginia creeper they now tower up out of the landscape like many others from various epochs bearing witness to those who see them of the vanity of human endeavour, of transience, of death; filling them with horror, but at the same time exuding a feeling of gloom and sadness, of melancholy. In this book, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.

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"Alla Prima" is a practical and comprehensive guide to direct painting (characterised by bold, expressive brushwork and a painterly, atmospheric surface), particularly as it is expressed though the work of the author's mentor, Arthur DeCosta, the legendary master teacher. The book covers the history of the direct methods in both Europe and America. From there, it covers detailed step-by-step lessons and invaluable discussions on drawing structure, broken and smooth brushwork and colour development. Further lessons on colour mixing, palettes and materials, brush technique, drawing and paint layering, portraiture, still life, figure and landscape painting are provided, all through illustrated steps, analysis and historical information.Throughout, the book features the work of the European masters of the direct approach, from the old masters (Rubens, Rembrandt, Velazquez) and the late 19th and early 20th century masters (Degas, Renoir, Manet, Monet, Matisse, Cezanne) to the American Prime masters (Sargent, Whistler, Henri, Eakins, Bellows) who spawned such vibrant late 20th century painters as Alice Noel, Wayne Thichaud and Jim Dinc.

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A classic of modernism – a new Feininger retrospective in the light of current knowledge Lyonel Feininger (1871–1956) was a painter, graphic artist and caricaturist. From 1919 he served as one of the original masters at the Bauhaus in Weimar and later in Dessau. In 1937 he emigrated to New York, where he worked until the end of his life. In addition to his famous Expressionist images of architecture, the publication presents all the facets of his oeuvre and stations of his life based on the latest research. With some 140 paintings, drawings, caricatures, watercolours, woodcuts, photographs and objects from all creative phases, the volume presents a comprehensive picture of Feininger’s work which is also examined for its topicality. Lines of development and subjects which characterised his work are discussed in detail by means of key works in contributions by international authors. In particular his early paintings are evaluated, alongside the latest research into the significance of photography in the creative work of the Bauhaus artist.

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A haunted record of a life devoted to the visual art of the cinema and the written word, by Ireland''s greatest director and one of her finest novelists.In this vivid, moving and strange memoir, Neil Jordan the author of classic fiction like The Past, Sunrise with Sea Monster and Night in Tunisia, and the creator of celebrated movies like Angel, Mona Lisa, The Crying Game and Interview with the Vampire reaches deep into his own past and that of his family.His mother was a painter, his father an inspector of schools who was visited by ghosts, and Jordan grew up on the edge of an abandoned aristocratic estate in north Dublin whose mysterious ruins fed his imagination. Passionate about music, he played in bands and theatre groups and met, at University College Dublin, a young radical called Jim Sheridan. Together they staged unforgettable dramatic productions that hinted at their future careers. His first collection of stories and

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Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.

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The only book available on Scottish painting, this book is now in its third edition with a new introduction and final chapter that brings the book up to date with the latest developments in Scottish painting (Richard Wright's win of the Turner Prize 2009). Illustrated throughout, the work is by acknowledged authority on Scottish painting William Hardie. Scottish society has been reflected through the strong colour and energetic brushwork of its artists. The book traces the beginnings of Scottish painting from the foundation of the Foulis Academy in 1753, with William Dyce and Scott Lauder establishing themselves in the south, followed by W Q Orchardson and John Pettie around 1860. European travel ensured Scottish painters were open to new techniques, and the explosion of the Glasgow Boys and then the Colourists onto the scene meant Scotland was respected for its innovation and imagination. Charles Rennie Mackintosh today is still internationally recognised for his work, and the painting of John Byrne, Curister, and Peter Howson bring the book to the present day.

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Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauvists, Cubists and Surrealists.

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Outdoor painting tips and more from the best landscape painters working today. Many painters enjoy working outdoors when the weather is good, but they also need to know how to deal with it when the weather changes! This book includes the best instruction on the special challenges of painting landscapes outdoors from a variety of the best plein-air artists working today in all major media-oil, pastel, watercolor, acrylic, and gouache. It includes: - Materials, site selection, and practical tips - Values, shapes, composition, color, and elements of landscape painting - Bringing outdoor studies back into the studio - Complete start-to-finish demonstrations - Hundreds of gorgeous images - A wealth of knowledge from a variety of instructors

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Painting a portrait of a child is one of the most complex challenges an artist will face. In this detailed and practical book, Simon Davis opens up his studio and explains his approach. As one of the country's leading portrait painters, he gives a unique insight into how to render a sympathetic portrait in oils, which avoids sentimentality and captures the essence of a child, in oils. Topics covered include the importance of composition and balance, tonality and palette, and atmosphere and advice on the complete process, from first ideas to putting down the paintbrush. There are step-by-step examples of a range of children, including different ages, backgrounds and groups and an interview with fellow Royal Society of Portrait Painters artist Andrew James.

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Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting? By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity. A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.

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Master painter Kevin Macpherson shares his bold, direct approach to capturing nature's glorious colors and luminosity in oils in complete step-by-step demonstrations.

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The perfect Father's Day giftTolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created.The Illustrated World of Tolkien gathers together artworks and essays from expert illustrators, painters and etchers, and fascinating and scholarly writing from renowned Tolkien expert David Day, and is an exquisite reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.Published to coincide with the 40th Anniversary of the publication of the international bestseller The Tolkien Bestiary, The Illustrated World of Tolkien revisits the work of some of the original illustrators but also features works from artists who have contributed to David Day's more recent books.This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.

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In what ways did the Jesuits deploy the Baroque visual language of the time to persuade the public of their vision on humankind, religion and society? In this beautifully illustrated book, which includes numerous artworks by Peter Paul Rubens and others, diverse authors rise to the challenge of finding answers to this complex question. The setting is Antwerp in the 17th century. At that time, the city was the Jesuit Order’s headquarters in the Netherlands and a bastion against the Calvinism in the Northern Netherlands Republic. The fine arts were flourishing there like never before. Painters such as Peter Paul Rubens and Anthony van Dyck produced works for the Jesuits and participated in the Catholic community life organised by the order, with large groups of fellow believers. This publication takes a close look at the Baroque Saint Ignatius Church, now the Saint Charles Borromeo Church on Hendrik Conscienceplein, for which Rubens created magnificent ceiling paintings. The authors also show how more modest forms of art, such as religious folk prints, illustrated lives of the saints, schoolbooks, emblemata books and prayer books, were used to kindle the enthusiasm of as many believers as possible, both in their own country and in distant overseas territories. Baroque Influencers – Jesuits, Rubens and the Arts of Persuasion presents written contributions from researchers affiliated with the Universities of Antwerp, Louvain and Stuttgart and various heritage institutes.

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Turn that old, dilapidated chair that has been sitting in your garage or basement into a decorative piece of art for your children’s bedroom or playroom. In this new DIY book, master painter Sammie Crawford takes you through seven step-by-step chair-painting projects: bear, bunny, Mother Goose, panda, puppy, Raggedy Ann and Andy, and Wild Animals. There's also a bonus Christmas Rocking Horse project. With color photographs and patterns, as well as lists of supplies and color palettes, this book gives you the details you need to replicate the designs in full or add your own creative ideas. This book is perfect for painters of all skill levels.

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Sooner or later, most of us get stuck. Feel stuck. Our creativity in crisis... lost, blocked, overwhelmed by work, family, illness. How to find or recover that creative edge? How to get unstuck? For the authors, it began with cancer and stretched into the pandemic. One primarily a writer and the other a painter, they decide to walk together, to talk, write, feed back, reflect and repeat, again and again. They explore trust, openness, motherhood, their willingness to take risks and be exposed, and the particular insights they bring as women. Along the way, they walk and map their way back to creative life. This is their story, but more than that - it's a map for anyone who is feeling stuck. Whether or not you have had a creative practice before (writing/painting/making/crafting), this book will help you find your way into creative expression. The authors offer creative tasks and suggestions in each chapter, and ideas and structures to get you going. But most important, they offer warmth, friendship and inspiration from their own shared vulnerability, struggle, setbacks and muddy walking.

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"Do Not Refreeze" charts a 'lost' chapter in the history of European photography. These photographers developed their practice in the former East Germany negotiating its omnipresent secret police to create imagery, increasingly compared to that of luminaries such as Henri Cartier-Bresson, Diane Arbus and Robert Frank. The stunning images convey a glimpse of day-to-day life and evoke the claustrophobia, rage, envy and ideological pomp of the Communist era as well as its unexpected personal warmth, tenderness and exoticism. Had they been painters, sculptors, authors or playwrights, these photographers would have been arrested or imprisoned. Because photography was not considered to be 'art' however, they were able to circumnavigate a rigid system of censorship to produce the most insightful and openly critical visual arts output in East Germany's 40-year history. This book is published by Cornerhouse in association with the University of Hertfordshire.

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The true story of the Cambodian painter Vann Nath, who used his art to fight against barbarism and tyranny.In 1978, a young painter named Vann Nath was arrested by the Khmer Rouge, the violent and totalitarian Communist Party of Kampuchea that ruled Cambodia from 1975 to 1979. Imprisoned in the infamous Tuol Sleng prison, better known as S-21, painting became synonymous with survival for him. Ordered, like many Cambodian artists and craftsmen, to put his talent to use to glorify his captors, upon his release he continued painting—this time, to remember and pay tribute to the victims of Pol Pot's regime. A story as fascinating as it is powerful.

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In the light of continuing debates on Indian women’s mobility and choices, young Mithila painter from Bihar, India, Amrita Das offers a disarmingly fresh perspective on being female and an artist in the making.

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The abstract portraits of German painter Leonhard Hurzlmeier (born 1983) depict women in everyday activities and tasks, informed by contemporary feminist discourse and drawing on the formal vocabulary of modernists such as Schlemmer and Jawlensky.

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Surveying three decades of the British painter Cecily Brown's career, with its vibrant mixture of gestural expression, canonical and pop references, and subversive themes

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This beautiful book is a brilliant exploration of a fascinating artist who changed the world of art in the 20th century and inspired future painters such as Picasso and Matisse, who said of Cezanne that he was "the father of us all."

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