Search results for ""Author Fredericks"

Los Angeles 1951 – Frederick Underhill, an ambitious rookie of the Los Angeles Police Department, want to become the most celebrated detective of his time. He is also sexually promiscuous. His two drives are brought together by the slaying of Maggie Cadwallader, a lonely woman whom Underhill slept with shortly before her death.Using his inside knowledge, Underhill gets himself on the case, which is being handled by LA’s most fearsome investigator: Lieutenant Dudley Smith. But instead of the celebrity status he was hoping for, Underhill finds himself on the edge of the abyss, his whole life and future about to take a fall.

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A collection of six volumes that have shaped America—from colonial times to the present day. Since its founding, the United States of America has represented freedom, whether it be that of the state or the individual. This boxed set of six special-edition Word Cloud Classics includes The U.S. Constitution and Other Key American Writings, Selected Works of Alexander Hamilton, The Autobiography of Benjamin Franklin, Common Sense and The Rights of Man, Narrative of the Life of Frederick Douglass and Other Works, and Presidential Inaugural Addresses. Readers with an interest in American history will be proud to display these works on their bookshelf—and a montage of the American flag on the spines is sure to provoke many an interesting conversation.

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Now available in paperback, William C. Banfield’s acclaimed collection of interviews delves into the lives and work of forty-one Black composers. Each of the profiled artists offers a candid self-portrait that explores areas from training and compositional techniques to working in a exclusive canon that has existed for a very long time. At the same time, Banfield draws on sociology, Western concepts of art and taste, and vernacular musical forms like blues and jazz to provide a frame for the artists’ achievements and help to illuminate the ongoing progress and struggles against industry barriers. Expanded illustrations and a new preface by the author provide invaluable added context, making this new edition an essential companion for anyone interested in Black composers or contemporary classical music. Composers featured: Michael Abels, H. Leslie Adams, Lettie Beckon Alston, Thomas J. Anderson, Dwight Andrews, Regina Harris Baiocchi, David Baker, William C. Banfield, Ysaye Maria Barnwell, Billy Childs, Noel DaCosta, Anthony Davis, George Duke, Leslie Dunner, Donal Fox, Adolphus Hailstork, Jester Hairston, Herbie Hancock, Jonathan Holland, Anthony Kelley, Wendell Logan, Bobby McFerrin, Dorothy Rudd Moore, Jeffrey Mumford, Gary Powell Nash, Stephen Newby, Coleridge-Taylor Perkinson, Michael Powell, Patrice Rushen, George Russell, Kevin Scott, Evelyn Simpson-Curenton, Hale Smith, Billy Taylor, Frederick C. Tillis, George Walker, James Kimo Williams, Julius Williams, Tony Williams, Olly Wilson, and Michael Woods

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An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the civilian population suffers.The minstrel was a professional story-teller, and his livelihood likely depended on his ability to captivate an audience. Beyond would-be objective reporting, the minstrel dramatizes events through dialogue, while he delves into the motives and intentions of important figures, and imparts traditional moral guidance. We follow the deeds of many prominent women and witness striking episodes in the lives of Eleanor of Aquitaine, Richard the Lionhearted, Blanche of Castile, Frederick the Great, Saladin, and others. These tales survive in several manuscripts, suggesting that they enjoyed significant success and popularity in their day.Samuel N. Rosenberg produced this first scholarly translation of the Old French tales into English. References that might have been obvious to the minstrel's original audience are explained for the modern reader in the indispensable annotations of medieval historian Randall Todd Pippenger. The introduction by eminent medievalist William Chester Jordan places the minstrel's work in historical context and discusses the surviving manuscript sources.

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them?In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms.Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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A new facsimile edition of a classic work on New York’s architectural masterpiece—Central Park Central Park receives millions of visitors every year, tourists and locals alike. A Description of the New York Central Park, published in 1869, is recognized today as the most important book about the park to appear during its early years. The lively, often wry, text was written by Clarence C. Cook, a distinguished Victorian art critic, while the illustrations were drawn by the popular Albert Fitch Bellows. The author and artist examine many sites in the park that survive to this day as well as features that have vanished over time. In a new Introduction, Maureen Meister reveals how the book came about. In the mid-1860s, the park’s designers, Frederick Law Olmsted and Calvert Vaux, were battling to defend their plan. Of greatest concern was a proposal to build ornate entrances, suggestive of French imperialism. If realized, the gates would have undermined the park’s natural and democratic image. At the same time, the park was threatened by a proliferation of monuments. Meister tells how Olmsted and Vaux advised Cook on what he wrote, and she has found evidence to suggest that they initiated the book’s publication. This book is their book. While the original volume offers much to delight the modern reader, Meister’s Introduction sheds light on how the book served a greater purpose. It was published to champion Olmsted and Vaux and to advocate for their vision—a dream for a magnificent public park that has come to be regarded as New York City’s achievement and a model for the nation.

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Eight years ago, Anne Elliot and Frederick Wentworth fell head over heels in love. But Anne's snobbish family put a stop to their engagement, believing the young naval captain wasn't good enough for her. Pretty, intelligent Anne soon realises it was a terrible mistake, and spends her twenties in the shadow of her father and her selfish sisters. But she never forgets.Then Captain Wentworth - by now a successful, wealthy man, looking for a wife - walks back into her life. Can he forgive her? Does he still love her? And could they ever be happy, after all this time?

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Within these pages are accounts of Robert James Lees, the Ilfracombe spiritualist who claimed to have unmasked Jack the Ripper; Charles De Ville Wells, the Plymouth-based fraudster who famously broke the bank at Monte Carlo; Herbert Rowse Armstrong, the former Newton Abbot solicitor who remains the only member of his profession to be executed for murder; Lord Frederick Cavendish, the Duke of Devonshire's son who was assassinated in Dublin; Oscar Wilde, whose downfall was initiated by an incriminating letter sent from Babbacombe; and Robert Hichens, the helmsman of the Titanic who later in life was jailed for attempted murder in Torquay.

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First published as End of Term under A. C. Koning. Cambridge, 1935. Frederick Rowlands, blind war veteran, is attending an event at St Gertrude's College. However, the festivities are harshly interrupted when when a research student is found dead in suspicious circumstances. As one of the last people to see the student alive, Rowlands finds himself at the heart of the murder investigation. On the hunt to identify the killer, Rowlands is shocked to learn of the hidden secrets of this seemingly idyllic city. As the violence escalates and the body count increases, Rowlands must act quickly to save St Gertrude's reputation, and his own, before it is too late ...

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The Shenandoah Valley is famous for its role in Civil War history and for its great natural beauty. But there is something else: it is a tremendous place to fish. Fishing the Shenandoah Valley: An Angler's Guide is the latest stop in author M. W. Smith's continuing tour of the Commonwealth's great fishing spots. Surveying the entire Shenandoah River drainage system, including the Allegheny Mountains to the west, Smith looks in depth at these remarkably diverse waters. The book takes you by county through many of the region's stocked trout streams, as well as the wild trout streams of Shenandoah National Park, with advice for both spinning and fly-fishing. The area's largest impoundments, Lakes Frederick and Shenandoah, are thoroughly covered, from access points and contact information to the best techniques for landing largemouth bass, crappie, bluegill, and catfish. The book also devotes an entire chapter to the Shenandoah River, and includes more than just sound advice on catching smallmouth bass - you also get details on float trips, including tips on the river's rapids, as well as adjustments for winter and spring fishing. As with all of M. W. Smith's fishing guides, Fishing the Shenandoah Valley takes your complete fishing trip into account, answering questions about guide services, tackle shops, campsites - as well as providing detailed descriptions of the various species, so you know what you're catching, not simply how to catch it. There's always more to fishing than just getting a line wet.

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In eighteenth-century Germany, the aesthetician Friedrich Wilhelm Basileus Ramdohr could write of the phenomenon of men who evoke sexual desire in other men; Johann Joachim Winckelmann could place admiration of male beauty at the center of his art criticism; and admirers and detractors alike of Frederick the Great, King of Prussia, felt constrained to comment upon the ruler's obvious preference for men over women. In German cities of the period, men identified as "warm brothers" wore broad pigtails powdered in the back, and developed a particular discourse of friendship, classicism, Orientalism, and fashion. There is much evidence, Robert D. Tobin contends, that something was happening in the semantic field around male-male desire in late eighteenth-century Germany, and that certain signs were coalescing around "a queer proto-identity." Today, we might consider a canonical author of the period such as Jean Paul a homosexual; we would probably not so identify Goethe or Schiller. But for Tobin, queer subtexts are found in the writings of all three and many others. Warm Brothers analyzes classical German writers through the lens of queer theory. Beginning with sodomitical subcultures in eighteenth-century Germany, it examines the traces of an emergent homosexuality and shows the importance of the eighteenth century for the nineteenth-century sexologists who were to provide the framework for modern conceptualizations of sexuality. One of the first books to document male-male desire in eighteenth-century German literature and culture, Warm Brothers offers a much-needed reappraisal of the classical canon and the history of sexuality.

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This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century. Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the 'American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history. The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White. Key texts used to illustrate the narrative include: *Owen Wister's The Virginian *Jack Schaefer's Shane *Cormac McCarthy's Blood Meridian *Ishmael Reed's Yellow Back Radio Broke Down *Films from Edwin Porter's The Great Train Robbery to Fred Zinneman's High Noon and from Clint Eastwood's Unforgiven to the post 9/11 Westerns Open Range, The Alamo and Brokeback Mountain This book is an essential and comprehensive analysis of the significance and enduring legacy of the American Western. Key Features: *Includes chapters on Western history, literature and film *Shows the interconnections between the Western (in all its forms) and 20th-century American history, politics, culture and society *The only book to take a multi-disciplinary approach to the subject.

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This intriguing book gathers together the stories of 120 criminals hanged at both Lincoln Castle Prison and HMP Lincoln on Greetwell Road between 1203 and 1961. The condemned featured here range from coiners and forgers, to thieves, highwamen and poisoners. Among those executed at Lincoln were Richard Insole, hanged in 1887 for murdering his wife; child killer Frederick Nodder, hanged in 1937; and Herbert Leonard Mills, who failed to commit the perfect murder and was hanged in 1951 by Albert Pierrepoint. Fully illustrated with photographs, drawings, news cuttings and documents, Hanged at Lincoln will appeal to everyone interested in the shadier side of Lincoln's history.

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Two men: One discovers the cost of keeping secrets, of building a career within a government agency where secrets are the operational basis. Noel Leonard works for the Defense Intelligence Agency, mapping coordinates for military actions halfway around the world. One morning he learns that an error in his office is responsible for the bombing of a school in Pakistan. And he knows suddenly that he is as alone as he is wrong. From his windowless office in DC to an intelligence conference in Switzerland, and back to his daughter's college in Virginia, Noel claws his way toward a more personally honest life in which he can tell his family everything every day. Another man learns that family secrets have kept him from who he is and from the ineluctable ways he is attached to a world he has always disdained. This unnamed narrator, a cartographer, is the son of a career diplomat whose activities in Southeast Asia during the Vietnam War and then in Europe during the Cold War may not have been what they were said to be. He, too, travels to Switzerland, but his quest is not to release himself from secrecy--it is to learn how deep the secrets in his own life go. With a voice like John le Carre's and the international sensibility of Graham Greene, Frederick Reuss examines the unavoidably covert nature of lives that make their circles through Washington, DC. A Geography of Secrets is a novel of the time from an acclaimed author who knows the lay of the land.

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Employing close reading of a kind usually associated with the study of lyric poetry, this book offers a general framework for reading African-American (and American) literature. This book springs from two premises. The first is that, with a nod toward Marianne Moore, America is - has always been - an imaginary place with real people living in it. The second is that slavery and its legacies explain how and why this is the case. The second premise assumes that slavery - and, after that fell, white supremacy generally - have been necessary adjuncts to American capitalism. Mark Richardson registers these two premises at the level of style and rhetoric - in the texture as much as in the "arguments" of the books he engages. His book is written to appeal to a general reader. It begins with Frederick Douglass, continues with W. E. B. Du Bois, Charles Chesnutt, and Richard Wright, and treats works by writers not often discussed in books concerning race in American literature - for example, Stephen Crane and Jack Kerouac. It brings to bear on such books as Douglass's My Bondage and My Freedom, Du Bois's The Souls of Black Folk, and Crane's The Red Badge of Courage a degree and quality of attention one usually associates with the study of lyric poetry. The book offers a general framework within which to read African-American (and American) literature. Mark Richardson is Professor of English at Doshisha University, Kyoto, Japan. He is co-editor of The Letters of Robert Frost (Harvard University Press) and author of The Ordeal of Robert Frost (University of Illinois Press, 1997).

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All the best practices a manager and an executive need-in a one-stop, comprehensive reference Praise for Corporate Management, Governance, and Ethics Best Practices "If you want a comprehensive compendium of best practices in corporate governance, risk management, ethical values, quality, process management, credible financial reporting, and related issues like the SOX Act all in one place spanning both breadth and depth, Vallabhaneni's book is the source of insightful thoughts as a reference manual. A must-read and a should-own for all institutions and libraries around the globe; I am pleased I read it and use it in my classes." -Professor Bala V. Balachandran, Kellogg School of Management, Northwestern University "Mr. Vallabhaneni has an excellent grasp of corporate governance principles. In particular, he shows how these principles can mitigate a broad range of corporate risks." -Steven M. Bragg, author of Accounting Best Practices and Inventory Best Practices "Professor Vallabhaneni provides an excellent analysis of the corporate governance landscape. His discussion and categorization of risks confronting an organization will be very helpful to boards of directors." -Frederick D. Lipman, President of the Association of Audit Committee Members, Inc. and Partner, Blank Rome LLP Representing a single and collective voice for the entire business management profession, Corporate Management, Governance, and Ethics Best Practices provides a cohesive framework for organization-wide implementation of the best practices used by today's leading companies and is an authoritative source on best practices covering all functions of a business corporation, including governance and ethics.

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De massa call me and tell me, "Woman, I’s pay big money for you, and I’s done dat 'cause I wants you to raise me chillum. I’s put you to live with Rufus for dat purpose. Now, if you doesn’t want whippin’ at de stake, you do what I wants." I thinks ‘bout Massa buyin’ me off de block and savin’ me from bein’ separated from my folks, and ‘bout bein’ whipped at de stake. Dere it am. What am I to do? So asks Rose Williams of Bell County, Texas, whose long-ago forced cohabitation remains as bitter at age 90 as when she was “just a ingnoramus chile” of 16. In all her years after freedom, she never had any desire to marry. Firsthand accounts of female slaves are few. The best-known narratives of slavery are those of Frederick Douglass and other men. Even the photos most people have seen are of male slaves chained and beaten. What we know of the lives of female slaves comes mainly from the fiction of authors like Toni Morrison and movies like Gone With the Wind. Far More Terrible for Women seeks to broaden the discussion by presenting 27 narratives of female ex-slaves. Editor Patrick Minges combed the WPA interviews of the 1930s for those of women, selecting a range of stories that give a taste of the unique challenges, complexities, and cruelties that were the lot of females under the “peculiar institution.” Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Black Indian Slave Narratives.

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In May 1908 William James, a gifted and popular lecturer, delivered a series of eight Hibbert Lectures at Manchester College, Oxford, on “The Present Situation in Philosophy.” These were published a year later as A Pluralistic Universe.During the preceding decade James, as he struggled with deep conflicts within his own philosophic development, had become increasingly preoccupied with epistemological and metaphysical issues. He saw serious inadequacies in the forms of absolute and monistic idealism dominant in England and the United States, and he used the lectures to attack the specific form that “vicious intellectualism” had taken. In A Pluralistic Universe James captures a new philosophic vision, at once intimate and realistic. He shares with his readers a view of the universe that is fresh, active, and novel. The message conveyed is as relevant today as it was in his time.This is the fourth volume of The Works of William James in an authoritative edition sponsored by the American Council of Learned Societies. Prepared according to modern standards of textual scholarship, this series utilizes all available published and unpublished materials; its texts have been awarded the seal of approval of the Center for Editions of American Authors. Frederick Burkhardt is General Editor; Fredson Bowers, Textual Editor; Ignas K. Skrupskelis, Associate Editor.

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'A tour de force' - Guardian'Forensic ... Strong on financial detail' - Financial TimesA Financial Times Book of the Year 2023The untold story of post-war Britain. Told through the lives of the two men who helped shape it: Sir David Barclay and Sir Frederick Barclay.You May Never See Us Again is the only definitive story of David and Frederick Barclay - commonly known as the Barclay brothers. Born poor, these enigmatic twins built one of the biggest fortunes in Britain together from scratch and spent six decades at the epicentre of British business, media and politics. Their empire, said to be worth £7bn at its height, included Littlewoods, the Ritz Hotel, The Daily Telegraph and the channel island of Brecqhou. They were major advocates for Brexit and well-connected with influential politicians including Margaret Thatcher, Boris Johnson and Nigel Farage.And yet despite their fortune and influence, their fiercely guarded desire for privacy has meant that their story remained largely unknown - until a very public family dispute pitched Barclay against Barclay in the High Court.Journalist Jane Martinson unravels the fascinating story of these once inseparable billionaire brothers. Through their lives she offers compelling insights into post-war Britain, from the conditions that enabled their way of doing business to thrive through to the tightly enmeshed webs of influence between capitalism, politics and the media that shape Britain today.

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The Rev. Jermain Wesley Loguen was a pioneering figure in early nineteenthcentury abolitionism and African American literature. A highly respected leader in the AME Zion Church, Rev. Loguen was popularly known as the ""Underground Railroad King"" in Syracuse, where he helped over 1,500 fugitives escape from slavery. With a charismatic and often controversial style, Loguen lectured alongside Frederick Douglass and worked closely with well-known abolitionists such as Harriet Tubman, William Wells Brown, and William Lloyd Garrison, among others. Originally published in 1859, The Rev. J. W. Loguen chronicles the remarkable life of a tireless young man and a passionate activist. The narrative recounts Loguen’s early life in slavery, his escape to the North, and his successful career as a minister and abolitionist in New York and Canada. Given the text’s third-person narration and novelistic style, scholars have long debated its authorship. In this edition, Williamson uncovers new research to support Loguen as the author, providing essential biographical information and buttressing the significance of his life and writing. The Rev. J. W. Loguen represents a fascinating literary hybrid, an experiment in voice and style that enlarges our understanding of the slave narrative.

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Ahl's translations of three Senecan tragedies will gratify and challenge readers and performers. With stage performance specifically in mind, Ahl renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies. In this powerful and imaginative translation of Medea, Frederick Ahl retains the compelling effects of the monologues, as well as the special feeling and pacing of Seneca's choruses.

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Mama Liszt, Papa Liszt, Winifred, Edward, Frederick and Grandpa Liszt make lists all day long. So does their cat. Then one day a visitor arrives. He's not on anyone's list. Will the Liszts be able to make room on their lists for this new visitor? What will they do when something unexpected happens? Kyo Maclear's quirky, whimsical story is perfectly brought to life with the witty, stunning illustrations of debut picture book artist Júlia Sardà. Discover this humorous, poignant and unforgettable celebration of spontaneity.

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Winner of the Scribes Book Award“As brilliantly imaginative as it is urgently timely.”—Richard H. Fallon, Jr., Harvard Law School“At no time more than the present, a defense of expertise-based governance and administration is sorely needed, and this book provides it with gusto.”—Frederick Schauer, author of The ProofA highly original framework for restoring confidence in a government bureaucracy increasingly derided as “the deep state.”Is the modern administrative state illegitimate? Unconstitutional? Unaccountable? Dangerous? America has long been divided over these questions, but the debate has recently taken on more urgency and spilled into the streets. Cass Sunstein and Adrian Vermeule argue that the administrative state can be redeemed so long as public officials are constrained by morality and guided by stable rules. Officials should make clear rules, ensure transparency, and never abuse retroactivity, so that current guidelines are not under constant threat of change. They should make rules that are understandable and avoid issuing contradictory ones.These principles may seem simple, but they have a great deal of power. Already, they limit the activities of administrative agencies every day. In more robust form, they could address some of the concerns of critics who decry the “deep state” and yearn for its downfall.“Has something to offer both critics and supporters…a valuable contribution to the ongoing debate over the constitutionality of the modern state.”—Review of Politics“The authors freely admit that the administrative state is not perfect. But, they contend, it is far better than its critics allow.”—Wall Street Journal

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From water birds to birds of prey to the complex order of perching birds, Oklahoma is remarkable for the variety and extent of its bird life. Ornithologists, students, and amateur birders alike will welcome this comprehensive and lavishly illustrated guide to birds in the state by Frederick M. Baumgartner and A. Marguerite Baumgartner.Fifty-one color plates and 58 line drawings of Oklahoma birds by artist Wallace Hughes as well as more than 150 black-and-white photographs compiled by Herbert Chezem, including numerous remarkable photographs of birds in action, illustrate the text.

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Investigates how culture in the Age of Goethe shaped and was shaped by a sustained and multifaceted debate about the place of religion in politics, philosophy, and culture. The eighteenth century is usually considered to be a time of increasing secularization in which the primacy of theology was replaced by the authority of reason, yet this lofty intellectual endeavor played itself out in a social and political reality that was heavily impacted by religious customs and institutions. This duality is visible in the literature and culture of late eighteenth- and early nineteenth-century Germany. On the one hand, authors such asGoethe, Schiller, and Kleist are known for their distance from traditional Christianity. On the other hand, many canonical texts from the late eighteenth and early nineteenth centuries -- from Goethe's Faust to Schiller's Die Jungfrau von Orleans to Kleist's Michael Kohlhaas -- are not only filled with references to the Bible, but invoke religious frameworks. Religion, Reason, and Culture in the Age of Goethe investigates how culture in the Age of Goethe shaped and was shaped by a sustained and multifaceted debate about the place of religion and religious difference in politics, philosophy, and culture, enriching our understanding of the relationship between religion and culture during this foundational period in German history. Contributors: Frederick Amrine, Claire Baldwin, Lisa Beesley, Jane K. Brown, Jeffrey L. High, Elisabeth Krimmer, Helmut J. Schneider, Patricia Anne Simpson, John H. Smith, Tom Spencer. Elisabeth Krimmer is professor of German at the University of California, Davis. Patricia Anne Simpson is professor of German at Montana State University.

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Fans of Andy McNab, Orphan X and Frederick Forsyth, will love this unputdownable and action-packed debut thriller. 'BREATHLESS, COMPLEX AND SERIOUSLY HARDCORE' LEE CHILDOfficially Max McLean doesn't exist. Sniper. Spy. Assassin. His job is top secret, deadly... and often Max is the only thing keeping his country safe. Fortunately, he's bloody good at it.But Max is growing tired of unquestioned loyalty to his political masters. And when his latest job takes him deep into West African jungle, where a remote village has been quarantined after a sinister virus takes hold, it's time for answers.As the mission darkens further than he ever thought possible, Max faces a perilous, breath-taking quest for the truth, that will call into question everything that he once believed in, and leave the fate of humanity itself in his hands . . .The Break Line drips with authenticity, menace and first-hand knowledge of the frontline. Smart, unputdownable and packed with jaw-dropping plot twists, this is a thriller like no other._______________'Beautifully written and extensively researched, The Break Line is a riveting page-turner, a gruesome delight, and a study of what lies in the shadowed corners of the human heart' Gregg Hurwitz, author of Orphan X 'A thriller of an unusually classy calibre. Eloquently written, intensively researched ... Brabazon has crafted hugely gripping, thought-provoking yarn' Financial Times 'War correspondent James Brabazon brings his experience of the world's most dangerous places to this brutally compelling thriller . . .' Mail on Sunday'A taut, razor-edged thriller, packed with granular detail and authenticity' James Swallow, bestselling author of Nomad'It is insanely immersive, brilliantly blurring the lines between fiction and reality. I couldn't put it down' Tom Marcus, bestselling author of Soldier Spy

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Eight years ago, Anne Elliot broke off her engagement to the dashing young naval officer Frederick Wentworth on the advice of a friend. Now twenty-seven and considered a faded beauty, she is resigned to a spinster's life when she learns that Wentworth, now a captain and wealthy with prize money from the Napoleonic Wars, has returned. While Anne visits her married younger sister Mary, Wentworth pays frequent calls on Mary's two charming sisters-in-law. Although Anne tries to avoid him she cannot, and although she knows he has not forgiven her, his presence is a constant reminder of what she has lost. Published posthumously in 1818, Persuasion is both a delightful romantic comedy and an insightful exploration of our need to persuade, and be persuaded, by others. This volume is one of Barnes & Noble's Collectible Editions classics. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed foil-stamped binding, with distinctive coloured edging and an attractive ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for any home library.

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In a brilliantly conceived and elegantly written book, Rogan Kersh investigates the idea of national union in the United States. For much of the period between the colonial era and the late nineteenth century, he shows, "union" was the principal rhetorical means by which Americans expressed shared ideals and a common identity without invoking strong nationalism or centralized governance. Through his exploration of how Americans once succeeded in uniting a diverse and fragmented citizenry, Kersh revives a long-forgotten source of U.S. national identity. Why and how did Americans perceive themselves as one people from the early history of the republic? How did African Americans and others at the margins of U.S. civic culture apply this concept of union? Why did the term disappear from vernacular after the 1880s? In his search for answers, Kersh employs a wide range of methods, including political-theory analysis of writings by James Madison, Frederick Douglass, and Abraham Lincoln and empirical analysis drawing on his own extensive database of American newspapers. The author's findings are persuasive—and often surprising. One intriguing development, for instance, was a strong resurgence of union feelings among Southerners—including prominent former secessionists—after the Civil War. With its fascinating and novel approach, Dreams of a More Perfect Union offers valuable insights about American political history, especially the rise of nationalism and federalism. Equally important, the author's close retracing of the religious, institutional, and other themes coloring the development of unionist thought unveils new knowledge about the origination and transmittal of ideas in a polity.

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Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on Goethe and visual culture. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 23 features a special section on visual culture with contributions on the visual aesthetics of Goethe's 1815 production ofProserpina (Bersier); on the Farbenlehre (Lande); on Tableaux Vivants in Goethe's Die Wahlverwandtschaften (Solanki); on the relationship between Goethe and C. G. Carus and their respective views on the representation of nature in art and science (Allert); and on visual and verbal bricolage in Clemens Brentano's Gockel, Hinkel und Gackeleia (MacLeod). There are also articles on Goethe and ancient mystery religions (Amrine); on Goethe's fairy-tale aesthetics (Brown); on the concept of neutrality (Holland); on the concept of the mathematical infinite (Smith); on virginity and maternity in Werther (Nossett); on the Classical aesthetics of Schlegel'sLucinde (ter Horst); and on motherless creations in Faust (Nielsen). Contributors: Beate Allert, Frederick Amrine, Gabrielle Bersier, Jane K. Brown, Jocelyn Holland, Joel B. Lande, Catriona MacLeod, WendyC. Nielsen, Lauren Nossett, John H. Smith, Tanvi Solanki, Eleanor ter Horst. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Bookreview editor Birgit Tautz is Associate Professor of German at Bowdoin College.

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