Search results for ""speak""

I was told to come alone. I was not to carry any identification, and would have to leave my cell phone, audio recorder, watch, and purse at my hotel . . .For her whole life, Souad Mekhennet, a reporter for the Washington Post who was born and educated in Germany, has had to balance the two sides of her upbringing - Muslim and Western. She has also sought to provide a mediating voice between these cultures, which too often misunderstand each other.In this compelling and evocative memoir, we accompany Mekhennet as she journeys behind the lines of jihad, starting in the German neighbourhoods where the 9/11 plotters were radicalised and the Iraqi neighbourhoods where Sunnis and Shia turned against one another, and culminating on the Turkish/Syrian border region where ISIS is a daily presence. In her travels across the Middle East and North Africa, she documents her chilling run-ins with various intelligence services and shows why the Arab Spring never lived up to its promise. She then returns to Europe, first in London, where she uncovers the identity of the notorious ISIS executioner 'Jihadi John', and then in France, Belgium and her native Germany, where terror has come to the heart of Western civilisation.Mekhennet's background has given her unique access to some of the world's most wanted men, who generally refuse to speak to Western journalists. She is not afraid to face personal danger to reach out to individuals in the inner circles of Al Qaeda, the Taliban, ISIS and their affiliates; when she is told to come alone to an interview, she never knows what awaits at her destination.Souad Mekhennet is an ideal guide to introduce us to the human beings behind the ominous headlines, as she shares her transformative journey with us. Hers is a story you will not soon forget.

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A princess in exile. Six enchanted cranes. An unspeakable curse.A beautiful and immersive YA fantasy retelling of the Grimm brothers' The Six Swans fairytale, set in an East-Asian inspired world, by the author of Spin the Dawn.'A dazzling fairy tale full of breathtaking storytelling' Stephanie Garber, Sunday Times bestselling author of Caraval Shiori'anma, the only princess of Kiata, has a secret. Forbidden magic runs in her veins. And on the morning of her betrothal ceremony, Shiori loses control. At first, her mistake seems like a stroke of luck, forestalling the wedding she never wanted, but it also catches the attention of Raikama, her stepmother. A sorceress in her own right, Raikama banishes the young princess, turning her brothers into cranes, and warning Shiori that she must speak of it to no one: for with every word that escapes her lips, one of her brothers will die. Penniless, voiceless, and alone, Shiori searches for her brothers, and uncovers a dark conspiracy to seize the throne. Only Shiori can set the kingdom to rights, but to do so she must place her trust in a paper bird, a mercurial dragon, and the very boy she fought so hard not to marry. And she must embrace the magic she's been taught all her life to contain - no matter what it costs. Praise for Six Crimson Cranes'An unputdownable, sweeping fairytale that thrills as much as it delights' Kerri Maniscalco, #1 New York Times bestselling author of Kingdom of the Wicked'This book is magic!' Kristin Cashore, New York Times bestselling author of Graceling'A stunning remake of a fairytale' Chloe Gong, New York Times bestselling author of These Violent Delights'This is a gem for all lovers of whimsical fantasy!' Natasha Ngan, New York Times bestselling author of Girls of Paper and Fire

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‘So pacy and addictive. Just brilliant!’ – Claire Douglas, author of The Couple at No.9The House Hunt is a heart-pounding, claustrophobic thriller from C. M. Ewan, acclaimed author of The Interview, A Window Breaks and the half-a-million-copy bestseller Safe House.Your estate agent calls.She’s running late and needs you to show a man around your home.You let him in and begin the tour.But something about him feels wrong. . .You ask him to leave and he refuses.Then he tells you something about you. Something inconceivable.And then you realize. . .He doesn't want your house. He wants YOU.What authors are saying about The House Hunt:‘The tension mounts with every chapter in this edge-of-the-seat, tense and twisty thriller. Don't miss it!’ – B. A. Paris, author of The Therapist‘Truly impossible to put down’ – Chris Whitaker, author of We Begin at the End‘Be prepared to put everything else on hold until you've finished The House Hunt, because once it grips you it doesn't let go’ – Jane Casey, author of Let the Dead Speak‘Nobody does heart-thumping, dry-mouth, claustrophobic thrillers like C. M. Ewan. The House Hunt is exceptional’ – Sharon Bolton, author of The Pact‘Unbearably tense, effortlessly plotted and packed with twists’ – Tim Weaver, author of No One HomeWhat readers are saying about The House Hunt:‘WOW WOW WOW !! The twists in this story had my head spinning. I had no idea where it was leading. What a brilliant book’‘I lost so much sleep reading this book but it was so worth it. Brilliant!’‘The twists and turns are superb and the ultimate unravelling very satisfying. I loved it!’

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Charlie and his family are about to embark on another trip, to another out-of-the-way place off the beaten path. This time they are heading to an island in Croatia, a country Charlie has never even heard of. An incredibly beautiful country that lives in the shadow of war and conflict.Even for a seasoned traveler like Charlie, Croatia is a very different experience. To travel in a country where the language is completely unfamiliar and half the words have no vowels. To visit remote villages where the Internet is so slow, you might as well not have it at all. Where goats are a traffic-calming device, red cliffs loom like fortresses over an impossibly blue sea, and luggage porters are a line of women pushing wheelbarrows.Still, Charlie and his little brother, Max, manage to find adventure wherever they go. There’s cliff diving, pigs on spits, hair-raising ferry crossings and snake juice for breakfast (“Breakfast in Croatia — at your own risk!”). And there’s a sober side to their adventures this time, too. A friend who was sentenced to Croatia’s version of Alcatraz, despite committing no crime. An unsettling encounter with the Hermit of Vrgada. The sight of a half-destroyed village divided by a war that nobody won. Charlie finds out that this area of the world has a long and troubled history, that wars are complicated, and that long-time feuds can continue to divide neighbors generations later. But he also discovers that you don’t need to speak the same language to communicate with people. Not when you’re having a party in a field, surrounded by goats and dancing in the glow of car headlights with the radio blaring out Croatian music. A warm, funny and thought-provoking book that celebrates a child’s love of adventure and boundless curiosity about the world.

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The “affectionate…charming” (Kirkus Reviews) story of Tim Shanahan’s remarkable and little-known forty-year friendship with boxing legend Muhammad Ali, filled with stories never told as well as never-before-published personal photos.In 1975, Tim Shanahan was a medical instruments salesman living in Chicago and working with a charity that arranged for pro athletes to speak to underprivileged kids. Muhammad Ali had just reclaimed his title as heavyweight champion of the world by defeating George Foreman (the “Rumble in the Jungle”) and then successfully defended it in a rematch against Joe Frazier (the “Thrilla in Manila”). When Shanahan learned Ali was planning a move to Chicago, he contacted the Champ to ask whether he would participate in the charity program. Not only did Ali agree, he invited Shanahan to his new home, where the two spent a night talking, laughing, and bonding over bowls of ice cream—the beginning of an incredible friendship. Ali soon enlisted Shanahan as his early morning running partner. Quickly, Shanahan became a trusted confidant and travel companion, and Ali often stunned strangers by introducing Shanahan as his cousin. The two grew even closer over family dinners with Shanahan’s wife, Helga, and Ali’s wife, Veronica. Shanahan was with Ali as the Champ trained for his legendary battles with Ken Norton, Earnie Shavers, Leon Spinks, and Larry Holmes, and moved to Los Angeles with Ali when the Champ prepared for a life after boxing. Shanahan was a recipient of and witness to Ali’s tremendous generosity, and as Ali’s health began to deteriorate, Shanahan had a chance to return the favor, encouraging and comforting his ailing friend. Running with the Champ is an insightful personal portrait of the Greatest of All Time. But, above all, it is a touching, candid narrative of an extraordinary friendship that continued until Ali's death.

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James Salter’s exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all.Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature’s master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey.Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is ""like a handful of radium""), Dreiser, Céline, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons.Salter raises the question, Why does one write? For wealth? For admiration, or a sense of ""importance""? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away.Kapnick Foundation Distinguished Writer-in-Residence Lectures

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The West Bank has been a vital part of greater New Orleans since the city's inception, serving as its breadbasket, foundry, shipbuilder, railroad terminal, train manufacturer, and even livestock hub. At one time it was the Gulf South's St. Louis, boasting a diversified industrial sector as well as a riverine, mercantilist, and agricultural economy. Today the mostly suburban West Bank is proud but not pretentious, pleasant if not prominent, and a distinct, affordable alternative to the more famous neighborhoods of the East Bank. Richard Campanella is the first to examine the West Bank holistically, as a legitimate subregion with its own story to tell. No other part of greater New Orleans has more diverse yet deeply rooted populations: folks who speak in local accents, who exhibit longstanding cultural traits, and, in some cases, who maintain family ownership of lands held since antebellum times- even as immigrants settle here in growing numbers. Campanella demonstrates that West Bankers have had great agency in their own place ­-making, and he challenges the notion that their story is subsidiary to a more important narrative across the river. The West Bank of Greater New Orleans is not a traditional history, nor a cultural history, but rather a historical geography, a spatial explanation of how the West Bank's landscape formed: its terrain, environment, land use, jurisdictions, waterways, industries, infrastructure, neighborhoods, and settlement patterns, past and present. The book explores the drivers, conditions, and power structures behind those landscape transformations, using custom maps, aerial images, photographic montages, and a detailed historical timeline to help tell that complex geographical story. As Campanella shows, there is no ""greater New Orleans"" without its cross ­-river component. The West Bank is an essential part of this remarkable metropolis.

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Now available in a gorgeous hardcover slipcase edition, this "object d'art" will be sure to add grace and elegance to tea shelves, coffee tables and bookshelves. A keepsake enjoyed by tea lovers for over a hundred years, The Book of Tea Classic Edition will enhance your enjoyment and understanding of the seemingly simple act of making and drinking tea.In 1906 in turn-of-the-century Boston, a small, esoteric book about tea was written with the intention of being read aloud in the famous salon of Isabella Gardner, Boston's most notorious socialite. It was authored by Okakura Kakuzo, a Japanese philosopher, art expert, and curator. Little known at the time, Kakuzo would emerge as one of the great thinkers of the early 20th century, a genius who was insightful, witty—and greatly responsible for bridging Western and Eastern cultures. Okakura had been taught at a young age to speak English and was more than capable of expressing to Westerners the nuances of tea and the Japanese Tea Ceremony.In The Book of Tea Classic Edition, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that tea-induced simplicity affected the culture, art and architecture of Japan.Nearly a century later, Kakuzo's The Book of Tea Classic Edition is still beloved the world over, making it an essential part of any tea enthusiast's collection. Interwoven with a rich history of Japanese tea and its place in Japanese society is a poignant commentary on Asian culture and our ongoing fascination with it, as well as illuminating essays on art, spirituality, poetry, and more. The Book of Tea Classic Edition is a delightful cup of enlightenment from a man far ahead of his time.

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While American leaders wage war on extremists in the Middle East, they are dangerously detached from a potentially greater threat closer to home. In Breeding Bin Ladens, Zachary Shore asserts that the growing ambivalence of Europe's Muslims poses risks to national identities, international security, and the transatlantic alliance. Europe's failure to integrate its Muslim millions, combined with America's battered image in the Muslim world, have left too many Western Muslims easy prey for violent dogmas. Until America and Europe adopt new strategies, Shore argues, Europe will increasingly become the incubation ground for breeding new Bin Ladens. The United States continues to spend billions of dollars and lose thousands of its young men and women to combat Islamic extremists, a group estimated to be as small as fifty thousand. What Western leaders have not done, says Shore, is seek to understand the millions of moderate Muslims who live peacefully in the United States and Europe. Many in this extraordinarily diverse group are deeply ambivalent toward perceived Western values. Although they may admire America's economic or technological might, many are appalled by its crass consumerism, sexualization of women, lack of social justice, and foreign policies. Shore taps into this oft-ignored perspective through in-depth interviews with Muslims living across the European Union. He gives voice to people of deep faith who speak of the conflict between their desire to integrate into their adopted societies and the repulsion they feel toward some of what the West represents. Shore offers a deeply nuanced and hopeful consideration of Islam's future in the West. Cautioning Western leaders against an anti-terrorist tunnel vision that could ultimately backfire, Shore proposes bold, creative, and controversial solutions for attracting the hearts and minds of moderate Muslims living in the West.

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Short fiction was an immensely innovative art in the medieval Arab world, providing the perfect vehicle for transmitting dazzling images of life and experiences as early as pre-Islamic times. These works also speak to the urbanization of the Arab domain after Islam, mirroring the bustling life of the Muslim Arabs and Islamized Persians and reflecting the sure stamp of an urbanity that had settled very staunchly after big conquests. All the noises and voices of the Umayyads and Abbasids are here. One can taste the flavor of Abbasid food, witness the rise of slave girls and singers, and experience the pride of state. Reading these texts today illuminates the wide spectrum of early Arab life and suggests the influences and innovations that flourished so vibrantly in medieval Arab society. The only resource of its kind, Salma Khadra Jayyusi's Classical Arabic Stories selects from an impressive corpus, including excerpts from seven seminal works: Ibn Tufail's novel, Hayy ibn Yaqzan; Kalila wa Dimna by Ibn al-Muqaffa; The Misers by al-Jahiz; The Brethren of Purity's The Protest of Animals Against Man; Al-Maqamat (The Assemblies) by al-Hamadhani and al-Hariri; Epistle of Forgiveness by al-Ma'arri; and the epic romance, Sayf Bin Dhi Yazan. Jayyusi organizes her anthology thematically, beginning with a presentation of pre-Islamic tales, stories of rulers and other notables, and thrilling narratives of danger and warfare. She follows with tales of love, religion, comedy, and the strange and the supernatural. Long assumed to be the lesser achievement when compared to Arabic literature's most celebrated genre-poetry-classical Arabic fiction, under Jayyusi's careful eye, finally receives a proper debut in English, demonstrating its unparalleled contribution to the evolution of medieval literature and its sophisticated representation of Arabic culture and life.

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A rally cry for working mothers everywhere that demolishes the "distracted, emotional, weak" stereotype and definitively shows that these professionals are more focused, decisive, and stronger than any other force. Working mothers aren't a liability. They are assets you-and every manager and executive-want in your company, in your investment portfolio, and in your corner. There is copious academic research showing the benefits of working mothers on families and the benefits to companies who give women longer and more flexible parental leave. There are even findings that demonstrate women with multiple children actually perform better at work than those with none or one. Yet despite this concrete proof that working mothers are a lucrative asset, they still face the "Maternal Wall"-widespread unconscious bias about their abilities, contributions, and commitment. Nearly eighty percent of women are less likely to be hired if they have children-and are half as likely to be promoted. Mothers earn an average $11,000 less in salary and are held to higher punctuality and performance standards. Forty percent of Silicon Valley women said they felt the need to speak less about their family to be taken more seriously. Many have been told that having a second child would cost them a promotion. Fortunately, this prejudice is slowly giving way to new attitudes, thanks to more women starting their own businesses, and companies like Netflix, Facebook, Apple, and Google implementing more parent-friendly policies. But the most important barrier to change isn't about men. Women must rethink the way they see themselves after giving birth. As entrepreneur Sarah Lacy makes clear in this cogent, persuasive analysis and clarion cry, the strongest, most lucrative, and most ambitious time of a woman's career may easily be after she sees a plus sign on a pregnancy test.

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First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones. J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’. This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.

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Even more than the occasional and fleeting right to vote, citizens' equal and peremptory prerogatives of expression within public discourse distinguish post-World War II democracies from all earlier and rival forms of government. In fundamentally transforming public discourse, electronic media transform the very conditions of political legitimacy. Ian Cram continues to innovate at the forefront of the free speech debates by exploring that historical shift in the way we speak, and therefore in the way we govern ourselves.'- Eric Heinze, Queen Mary, University of London, UKThis monograph explores the phenomenon of 'citizen journalism' from a legal and constitutional perspective. It describes and evaluates emerging patterns of communication between a new and diverse set of speakers and their audiences. Drawing upon political theory, the book considers the extent to which the constitutional and legal frameworks of modern liberal states allow for a 'contestatory space' that advances the scope for non-traditional speakers to participate in policy debates and to hold elites to account.Topics covered include the regulation of offensive, abusive and anonymous speech, online defamation, compelled disclosure of 'journalists'' sources, private online research by jurors and analysis of the application of pre-Web 2.0 laws to non-traditional media speakers and outlets. After surveying a range of criminal and civil law provisions that impair the communicative reach of non-mainstream speakers, the broad conclusion casts doubt upon the capacity of 'citizen journalists' to effect a significant shift towards republican self-rule.Offering an original analysis of the phenomenon of 'citizen journalism' with developments from a broad range of jurisdictions, this book is a valuable resource for students, academics, policymakers and law reform agencies in the fields of constitutional law, human rights, media freedom, journalism and comparative media regulation.

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Filipino comic artist and three-time National Book Awardee Manix Abrera, in cooperation with ABLAZE, presents "12". Twelve remarkable stories, weird and surreal, thought-provoking yet funny, sometimes disturbing, others terrifying, but nonetheless always enchanting. Twelve genuinely touching stories, all drawn in Manix’s simplistic style, devoid of words, but communicate loudly and resonate wildly with your emotions. Each story presents itself in its own charm, with intriguing twists – a young man spends his entire life searching for answers but shock awaits when he finally gets that eureka moment; someone finds love that unexpectedly finds somebody else; two men argue over who goes first on an escalator; a mother and daughter fight over a cockroach; a drunk man urinates on a tree and gets a big surprise – making you wonder how these mundane plots can turn out bizarrely, prompting you to reflect and crave for more! One story reveals a mysterious horror encountered in gloomy desolate highways. Another shows how some group of scientists acquire superpowers because someone hesitated to dissect a frog. A young girl attaches her eyes to a balloon so she can look for her mother above a crowd. What is the meaning of life? Is finding happiness worth it when you lose what really matters the most? Would you even know what matters the most? Embrace pain and sorrow. Hope for love and will for hope. Manix Abrera’s 12 breaks all language barriers in the world of storytelling, but cuts straight into your soul, touches your heart in several dimensions you can and cannot imagine. Allow this collection of wordless comic stories speak to you in your own voice and transport you into a whole new exciting universe, at your own pace and power.

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In January 1978, I slept in my bed at the Chi Omega sorority house at Florida State University as Ted Bundy stalked nearby. He grabbed an oak log from a stack of firewood, slipped through an unlocked door, and headed up the back steps where he found my door unlocked. I remember the attack vividly. Bundy bashed me once in the head with the log and then attacked my roommate. He heard me moaning and came to finish me off. He never let his victims live. But he stopped suddenly when a bright light filled the room. He fled the sorority house and the light disappeared. Bundy wasn’t my first brush with death, and he wasn’t my last. I’ve long been a survivor. I was born into a Cuban American family in 1957 in Florida. I had a happy childhood until I received my first death sentence at the age of thirteen. Physicians weren’t sure why I was always so exhausted and running a low-grade fever. The prognosis was grim after my left kidney started to fail. Then, a physician from Cuba saved my life with a surprise diagnosis—lupus—and treatment plan, chemotherapy. I endured chemotherapy again in my early thirties when I was diagnosed with stage-two breast cancer. This is my story of surviving three death sentences and finding love and happiness along the way. I was saved by a bright light, and I hope my story is one for people who are experiencing their own dark times. I am a victim, but I am also a survivor and I want to speak up for all the women and girls who Bundy murdered. He has become a legend, and our voices have been muted or ignored. It’s time we were heard.

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Seeing new media art as an entry point for better understanding of technology and worldmaking futures In this challenging work, a leading authority on new media art examines that curatorial and aesthetic landscape to explore how art resists and rewires the political and economic structures that govern technology. How do inventive combinations of artistic and theoretical improvisation counter the extent to which media art remains at risk, not just from the quarantines of a global pandemic but also from the very viral and material conditions of technology? How does global media art speak back to the corporate closures of digital euphoria as clothed in strategies of digital surveillance, ecological deprivation, and planned obsolescence? In Technics Improvised, Timothy Murray asks these questions and more. At the intersection of global media art, curatorial practice, tactical media, and philosophy, Murray reads a wide range of creative performances and critical texts that envelop artistic and digital materials in unstable, political relations of touch, body, archive, exhibition, and technology. From video to net art and interactive performance, he considers both canonical and unheralded examples of activist technics that disturb the hegemony of biopolitical/digital networks by staging the very touch of the unsettling discourse erupting from within. In the process, critical dialogues emerge between a wide range of artists and theorists, from Hito Steyerl, Ricardo Dominguez, Joan Jonas, Isaac Julien, Ryoji Ikeda, and Shadi Nazarian to Gilles Deleuze, Jean-Luc Nancy, Elizabeth Povinelli, Jean-François Lyotard, Erin Manning, Achille Mbembe, and Samuel Weber.Brilliantly conceived and argued and eloquently written, Technics Improvised points the way to how artistic and theoretical practice can seize on the improvisational accidents of technics to activate creativity, thought, and politics anew.

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"Fitzgerald's work has always deeply moved me," writes John T. Irwin. "And this is as true now as it was fifty years ago when I first picked up The Great Gatsby. I can still remember the occasions when I first read each of his novels; remember the time, place, and mood of those early readings, as well as the way each work seemed to speak to something going on in my life at that moment. Because the things that interested Fitzgerald were the things that interested me and because there seemed to be so many similarities in our backgrounds, his work always possessed for me a special, personal authority; it became a form of wisdom, a way of knowing the world, its types, its classes, its individuals." In his personal tribute to Fitzgerald's novels and short stories, Irwin offers an intricate vision of one of the most important writers in the American canon. The third in Irwin's trilogy of works on American writers, F. Scott Fitzgerald's Fiction resonates back through all of his previous writings, both scholarly and poetic, returning to Fitzgerald's ongoing theme of the twentieth-century American protagonist's conflict between his work and his personal life. This conflict is played out against the typically American imaginative activity of self-creation, an activity that involves a degree of theatrical ability on the protagonist's part as he must first enact the role imagined for himself, which is to say, the self he means to invent. The work is suffused with elements of both Fitzgerald's and Irwin's biographies, and Irwin's immense erudition is on display throughout. Irwin seamlessly ties together details from Fitzgerald's life with elements from his entire body of work and considers central themes connected to wealth, class, work, love, jazz, acceptance, family, disillusionment, and life as theatrical performance.

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Take charge of your career and create a life full of learning, adventure, joy, and success utilizing these never-before-shared leadership principles Ann Hiatt learned working alongside the world’s top tech CEOs—Google’s Eric Schmidt, Amazon’s Jeff Bezos, and Yahoo!'s Marissa Mayer. Whether you’re stuck in your current job, starting your first job and wondering how you can use it as a steppingstone towards your dream career, or mid-career and wanting to finally be recognized for promotion or a leadership role, this book is for you.For the first time, Ann Hiatt shares both the daily habits and long-game strategies she learned working side-by-side for decades with the giants of technology at Amazon and Google.Through clear guidance and incredible stories, Bet on Yourself will teach you: How to define your abilities and speak up so that you can be recognized for the work that you do and the unique capabilities you bring to the table. How to create opportunities for yourself when options appear limited and build a purposeful career regardless of your seniority or industry. What it takes to build the confidence you need to build your dream career. How to exchange your frustration over not getting the recognition you deserve for an empowered, actionable plan for taking control of your professional identity and get promoted. These tried-and-true methods to take ordinary opportunities and create something extraordinary, and the leadership principles that guide the work of these celebrity CEOs, are directly applicable to your goals.With a few consistent, daily habits you can build a future that exceeds your wildest expectations. No matter the opportunities available to you in your particular community or career stage, there is a path for you.

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A Guide for English communication amongst international professionals Leading in English provides a valuable resource for more effective international business communication. Whether you're a non-native English speaker working in English every day, or a native speaker working with non-native speakers, this book levels the playing field with a host of insights and tips using real-time examples. Through shared experiences and an engaging narrative, you'll gain confidence as you build the skills you need to communicate more effectively in the workplace. Impart information, relate to coworkers, or just have a friendly chat—this book helps remove uncertainty and streamline interactions. Whether language is a small stumbling block or a large hurdle in your workplace, this book can help you overcome the issues and be happier, more confident, and more effective at your job. Communication is tremendously important in the workplace. When English presents a barrier, removing that obstacle must be priority number one. This book helps you do that, with expert insight, practical tips, and a bit of humor to help shift your perspective. Boost your confidence as a non-native English speaker Work more effectively with coworkers and clients Speak more confidently to an international audience Strengthen your communication skills in all areas In the course of a single work day, you have many one-to-one conversations, several group conversations, and maybe even a presentation or two–wouldn't it be nice to know that you've been heard, understood, and correctly interpreted? English is a tricky language, but there are ways around the issues that tend to trip up non-native speakers. Leading in English shows you how to clear the air and communicate more effectively at any level of English proficiency.

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When Nazism swept Germany, how did religious leaders respond to attacks not only on their fellow citizens and their government but on their faith as well? Despite charges of complacency, most of the Catholic clergy of the Berlin diocese in fact maintained a quiet resistance to the Nazi regime by offering their parishioners an alternative to National Socialism. In thus broadening the definition of resistance, Kevin Spicer shows why Nazism was so powerfully alluring in the first place. It provided—indeed demanded—a total way of life, encompassing rituals and social belonging, personal identity and charismatic leadership, moral values and a sense of purpose. In a word, it was a religion. Spicer juxtaposes Catholicism and Nazism to provide a clear, balanced understanding of the challenges the clergy faced simply by celebrating the sacraments and teaching the faithful. By following individual priests in their day-to-day ministries, he documents how effectively they guarded their flock from a predatory ideology. Along the way, he highlights the leadership of Bishop Konrad von Preysing of Berlin, who enabled the diocesan clergy to speak out against Nazi violations of Catholic doctrine and practice, and Monsignor Bernhard Lichtenberg, who was sentenced to prison for publicly praying for Jews and other victims of Nazi oppression. Yet the clergy's opposition to Nazism did not, for the most part, inspire them to act on behalf of the oppressed. Spicer explores the reasons why one group—the so-called "Brown Priests"—even chose to support National Socialism and what that choice meant for the Church. Resisting the Third Reich will appeal to historians, religious studies scholars, and readers with an interest in Germany during World War II and in the Catholic tradition.

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Reified Life addresses the most pressing political question of the 21st century: what forms of life are free and what forms are perceived legally and economically as surplus or expendable, human and otherwise. The 2008 economic crisis solidified the dominion of neoliberal and financial capital to organize human societies much to the detriment of the world’s populations. Reified Life theorizes the dangerous social implications of a posthuman future, whereby human agency is secondary to algorithmic processes, digital protocols, speculative financial instruments, and nonhuman market and technological forces. Employing new readings of Deleuze, Guattari, Foucault, Marx, Vico, Gramsci, Berardi, and Gilbert Simondon, Narkunas contends that it is premature to speak of a posthuman or inhuman future, or employ an ‘ism, given how dynamic and contingent human practices and their material figurations can be. Over several chapters he diagnoses the rise of “market humans,” the instrumentalization of culture to decide the life worth living along utilitarian categories, and the varied ways human rights and humanitarianism actually throw members of the species like refugees outside the human order. To combat this, Reified Life argues against Reified Life calls to abandon the human and humanism, and instead proposes the ahuman to think alongside the human, what philosopher Gilbert Simondon calls the transindividuation of ontogentic processes rather than subjectivity. To aid the “figurating animal,” Reified Life elaborates speculative fictions as critical mechanisms for envisioning alternative futures and freedoms from the domineering forces of speculative capital, whose fictions have become our realities. Narkunas offers, to that end, a novel interpretation of the post-anthropocentric turn in the humanities by linking the diminished centrality of humanism to the waning dominion of nation-states over their populations and the intensification of financial capitalism, which reconfigures politics along economic categories of risk management.

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Coming to Life: Philosophies of Pregnancy, Childbirth and Mothering is a superlative collection of essays that does what too few scholarly works have dared: it takes seriously the philosophical significance of women’s lived experience. Every woman, regardless of her own reproductive story, is touched by the often restrictive beliefs and norms governing discourses about pregnancy, childbirth and mothering. Thus the concerns of this anthology are relevant to all women and central to any philosophical project that takes women’s lives seriously. In this volume 16 authors- including both established feminists and some of today’s most innovative new scholars- engage in sustained reflection on the experiences of pregnancy, childbirth and mothering, and on the beliefs, customs, and political institutions by which those experiences are informed. Many of the topics in this collection, though familiar, are here taken up in a new way: contributors think beyond the traditional pro-choice/pro-life dichotomy, speak to the manifold nature of mothering by considering the experiences of adoptive mothers and birthmothers, and upend the belief that childrearing practices must be uniform despite psycho-sexual differences in children. Many chapters reveal the radical shortcomings of conventional philosophical wisdom by placing trenchant assumptions about subjectivity, gender, power and virtue in dialogue with women’s experience. The volume is diverse both in its content and in its scholarly approach; certain of the essays are informed by their authors’ own experiences, others draw from extant narratives; many engage such canonical thinkers as Plato, Aristotle, Nietzsche and Heidegger, while others draw from the works of contemporary feminists including Sara Ruddick, Iris Marion Young, Virginia Held, Julia Kristeva and Luce Irigaray. All readers, regardless of their philosophical training and commitments, will find much to appreciate in this volume.

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What could it mean to speak of philosophy as “the education of grownups”? This book takes Stanley Cavell’s much-quoted, yet enigmatic phrase as the provocation for a series of explorations into themes of education that run throughout his work – through his response to Wittgenstein, Austin and ordinary language philosophy, through his readings of Thoreau and of the moral perfectionism he identifies with Emerson, through his discussions of literature and film. Hilary Putnam has described Cavell not only as one of the most creative thinkers of today but as amongst the few contemporary philosophers to explore the territory of philosophy as education. Yet in mainstream philosophy his work is apt to be referred to rather than engaged with, and the full import of his writings for education is still to be appreciated. Cavell engages in a sustained exploration of the nature of philosophy, and this is not separable from his preoccupation with what it is to teach and to learn, with the kinds of transformation these might imply, and with the significance of these things for our language and politics, for our lives as a whole. In recent years Cavell’s work has been the subject of a number of books of essays, but this is the first to address directly the importance of education in his work. Such matters cannot fail to be of significance not only for the disciplinary fields of philosophy and education, but in politics, literature, and film studies – and in the humanities as a whole. A substantial introduction provides an overview of the philosophical purchase of questions of education in his work, while the essays are framed by two new pieces by Cavell himself. The book shows what it means to read Cavell, and simultaneously what it means to read philosophically, in itself a part of our education as grownups.

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In the late fourth century, the world of Christianity was torn apart by debate over the teachings of the third-century theologian Origen and his positions on the incorporeality of God. In the year 400, Archbishop Theophilus of Alexandria convened a council declaring Origen's later followers as heretics. Shortly thereafter, Theophilus banished the so-called Tall Brothers, four Origenist monks who led monastic communities in the western Egyptian desert, along with hundreds of their brethren. In some accounts, Theophilus leads a violent group of drunken youths and enslaved Ethiopians in sacking and desecrating the monastery; in others, he justly exercises his episcopal duties. In some versions, Theophilus' violent actions effectively bring the Golden Age of desert monasticism to an end; in others, he has shown proper respect for the desert fathers, whose life of asceticism is subsequently destroyed by bands of barbarian marauders. For some, the desert came to be inextricably connected to violence and trauma, while for others, it became a site of nostalgic recollection. Which of these narratives subsequent generations believed depended in good part on the sources they were reading. In Death of the Desert, Christine Luckritz Marquis offers a fresh examination of this critical juncture in Christian history and brings into dialogue narrative strands that have largely been separated in the scholarly tradition. She takes the violence perpetrated by Theophilus as a turning point for desert monasticism and considers how monks became involved in acts of violence and how that violence came back to haunt them. More broadly, her careful attention to the dynamic relations between memory practices, the rhetorical constructions of place, racialized discourse, and language and deeds of violence speak to us in our own time.

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The Politics of Canonicity sheds new light on the dynamics of canon formation in modern Hebrew literature. It explores the ways in which literary culture—as site and as tool—participates in the production of national identity. The aesthetic paradigms, political ideologies, and social interests that privilege certain texts and literary modes are reexamined within the framework of the conscious and deliberate practices of Zionism to formulate a national discourse. As the author shows, the suppressed, the marginal, the undesired "others" of the nation demonstrate the limits of both the literary canon and society's own self-understanding. The book combines the specific questions of Hebrew literature with a critical inquiry of the theoretical debates surrounding the notion of canon. It begins by examining the formative debate in both Hebrew letters and European discourses of modernity at the end of the nineteenth century which address the tension between writing the nation and writing the self. It moves on to the equally constitutive question within Jewish nationalism of the relation between diaspora and homeland in literary writing. While international modernism tends to glorify exile, Hebrew modernism demonstrated a fierce antagonism toward a "diaspora mentality." In his analysis of the suppressed margins of the Hebrew literary canon, the author outlines the specific aesthetic fault lines of the new national community. In chapters devoted to the poets David Fogel and Avot Yeshurun, and the poetics of a feminine voice in Rachel Bluvstein, Esther Raab, and Anda Pinkerfeld, he analyzes the historical tensions between margin and canon, highlighting the ways in which these marginalized poets were able to speak within a discursive system that suppressed their voices. We are grateful for support from the Koret Jewish Studies Publication Program.

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Athens' democracy developed during the sixth and fifth centuries and continued into the fourth; Athens' defeat by Macedon in 322 began a series of alternations between democracy and oligarchy. The democracy was inseparably bound up with the ideals of liberty and equality, the rule of law, and the direct government of the people by the people. Liberty meant above all freedom of speech, the right to be heard in the public assembly and the right to speak one's mind in private. Equality meant the equal right of the male citizens (perhaps 60,000 in the fifth century, 30,000 in the fourth) to participate in the government of the state and the administration of the law. Disapproved of as mob rule until the nineteenth century, the institutions of Athenian democracy have become an inspiration for modern democratic politics and political philosophy. P. J. Rhodes's reader focuses on the political institutions, political activity, history, and nature of Athenian democracy and introduces some of the best British, American, German and French scholarship on its origins, theory and practice. Part I is devoted to political institutions: citizenship, the assembly, the law-courts, and capital punishment. Part II explores aspects of political activity: the demagogues and their relationship with the assembly, the manoeuvrings of the politicians, competitive festivals, and the separation of public from private life. Part III looks at three crucial points in the development of the democracy: the reforms of Solon, Cleisthenes and Ephialtes. Part IV considers what it was in Greek life that led to the development of democracy. Some of the authors adopt broad-brush approaches to major questions; others analyse a particular body of evidence in detail. Use is made of archaeology, comparison with other societies, the location of festivals in their civic context, and the need to penetrate behind what the classical Athenians made of their past.

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A Business Week, New York Times Business, and USA Today Bestseller"Ambitious and readable . . . an engaging introduction to the oddsmakers, whom Bernstein regards as true humanists helping to release mankind from the choke holds of superstition and fatalism."—The New York Times"An extraordinarily entertaining and informative book."—The Wall Street Journal"A lively panoramic book . . . Against the Gods sets up an ambitious premise and then delivers on it."—Business Week"Deserves to be, and surely will be, widely read."—The Economist"[A] challenging book, one that may change forever the way people think about the world."—Worth"No one else could have written a book of such central importance with so much charm and excitement."—Robert Heilbroner author, The Worldly Philosophers"With his wonderful knowledge of the history and current manifestations of risk, Peter Bernstein brings us Against the Gods. Nothing like it will come out of the financial world this year or ever. I speak carefully: no one should miss it."—John Kenneth Galbraith Professor of Economics Emeritus, Harvard UniversityIn this unique exploration of the role of risk in our society, Peter Bernstein argues that the notion of bringing risk under control is one of the central ideas that distinguishes modern times from the distant past. Against the Gods chronicles the remarkable intellectual adventure that liberated humanity from oracles and soothsayers by means of the powerful tools of risk management that are available to us today."An extremely readable history of risk."—Barron's"Fascinating . . . this challenging volume will help you understand the uncertainties that every investor must face."—Money"A singular achievement."—Times Literary Supplement"There's a growing market for savants who can render the recondite intelligibly-witness Stephen Jay Gould (natural history), Oliver Sacks (disease), Richard Dawkins (heredity), James Gleick (physics), Paul Krugman (economics)-and Bernstein would mingle well in their company."—The Australian

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As citizens of capitalist, free-market societies, we tend to celebrate choice and competition. However, in the 21st century, as we have gained more and more choices, we have also become greater targets for persuasive messages from advertisers who want to make those choices for us. In Sold on Language, noted language scientists Julie Sedivy and Greg Carlson examine how rampant competition shapes the ways in which commercial and political advertisers speak to us. In an environment saturated with information, advertising messages attempt to compress as much persuasive power into as small a linguistic space as possible. These messages, the authors reveal, might take the form of a brand name whose sound evokes a certain impression, a turn of phrase that gently applies peer pressure, or a subtle accent that zeroes in on a target audience. As more and more techniques of persuasion are aimed squarely at the corner of our mind which automatically takes in information without conscious thought or deliberation, does 'endless choice' actually mean the end of true choice? Sold on Language offers thought-provoking insights into the choices we make as consumers and citizens – and the choices that are increasingly being made for us. Click here for more discussion and debate on the authors’ blog: http://www.psychologytoday.com/blog/sold-language [Wiley disclaims all responsibility and liability for the content of any third-party websites that can be linked to from this website. Users assume sole responsibility for accessing third-party websites and the use of any content appearing on such websites. Any views expressed in such websites are the views of the authors of the content appearing on those websites and not the views of Wiley or its affiliates, nor do they in any way represent an endorsement by Wiley or its affiliates.]

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Levinas and the Philosophy of ReligionJeffrey L. KoskyReveals the interplay of phenomenology and religion in Levinas's thought."Kosky examines Levinas's thought from the perspective of the philosophy of religion and he does so in a way that is attentive to the philosophical nuances of Levinas's argument. . . . an insightful, well written, and carefully documented study . . . that uniquely illuminates Levinas's work." —John D. CaputoFor readers who suspect there is no place for religion and morality in postmodern philosophy, Jeffrey L. Kosky suggests otherwise in this skillful interpretation of the ethical and religious dimensions of Emmanuel Levinas's thought. Placing Levinas in relation to Hegel and Nietzsche, Husserl and Heidegger, Derrida and Marion, Kosky develops religious themes found in Levinas's work and offers a way to think and speak about ethics and morality within the horizons of contemporary philosophy of religion. Kosky embraces the entire scope of Levinas's writings, from Totality and Infinity to Otherwise than Being, contrasting Levinas's early religious and moral thought with that of his later works while exploring the nature of phenomenological reduction, the relation of religion and philosophy, the question of whether Levinas can be considered a Jewish thinker, and the religious and theological import of Levinas's phenomenology. Kosky stresses that Levinas is first and foremost a phenomenologist and that the relationship between religion and philosophy in his ethics should cast doubt on the assumption that a natural or inevitable link exists between deconstruction and atheism.Jeffrey L. Kosky is translator of On Descartes' Metaphysical Prism: The Constitution and the Limits of Onto-theo-logy in Cartesian Thought by Jean-Luc Marion. He has taught at Williams College.Indiana Series in the Philosophy of Religion—Merold Westphal, general editor May 2001272 pages, 6 1/8 x 9 1/4, bibl., index, append. cloth 0-253-33925-1 $39.95 s / £30.50

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Created in 1964 as part of the Mississippi Freedom Summer, the Mississippi Freedom Schools were launched by educators and activists to provide an alternative education for African American students that would facilitate student activism and participatory democracy. The schools, as Jon N. Hale demonstrates, had a crucial role in the civil rights movement and a major impact on the development of progressive education throughout the nation. Designed and run by African American and white educators and activists, the Freedom Schools counteracted segregationist policies that inhibited opportunities for black youth. Providing high-quality, progressive education that addressed issues of social justice, the schools prepared African American students to fight for freedom on all fronts. Forming a political network, the Freedom Schools taught students how, when, and where to engage politically, shaping activists who trained others to challenge inequality. Based on dozens of first-time interviews with former Freedom School students and teachers and on rich archival materials, this remarkable social history of the Mississippi Freedom Schools is told from the perspective of those frequently left out of civil rights narratives that focus on national leadership or college protestors. Hale reveals the role that school-age students played in the civil rights movement and the crucial contribution made by grassroots activists on the local level. He also examines the challenges confronted by Freedom School activists and teachers, such as intimidation by racist Mississippians and race relations between blacks and whites within the schools. In tracing the stories of Freedom School students into adulthood, this book reveals the ways in which these individuals turned training into decades of activism. Former students and teachers speak eloquently about the principles that informed their practice and the influence that the Freedom School curriculum has had on education. They also offer key strategies for further integrating the American school system and politically engaging today's youth.

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There are many Lhasas. One is a grid of uniform boulevards lined with plush hotels, all-night bars, and blue-glass-fronted offices. Another is a warren of alleyways that surround a seventh-century temple built to pin down a supine demoness. A web of Stalinist, rectangular blocks houses the new nomenklatura. Crumbling mansions, once home to noble ministers, famous lovers, nationalist spies, and covert revolutionaries, now serve as shopping malls and faux-antique hotels. Each embodiment of the city partakes of the others' memories, whispered across time and along the city streets. In this imaginative new work, Robert Barnett offers a powerful and lyrical exploration of a city long idealized, disregarded, or misunderstood by outsiders. Looking to its streets and stone, Robert Barnett presents a searching and unforgettable portrait of Lhasa, its history, and its illegibility. His book not only offers itself as a manual for thinking about contemporary Tibet but also questions our ways of thinking about foreign places. Barnett juxtaposes contemporary accounts of Tibet, architectural observations, and descriptions by foreign observers to describe Lhasa and its current status as both an ancient city and a modern Chinese provincial capital. His narrative reveals how historical layering, popular memory, symbolism, and mythology constitute the story of a city. Besides the ancient Buddhist temples and former picnic gardens of the Tibetan capital, Lhasa describes the urban sprawl, the harsh rectangular structures, and the geometric blue-glass tower blocks that speak of the anxieties of successive regimes intent upon improving on the past. In Barnett's excavation of the city's past, the buildings and the city streets, interwoven with his own recollections of unrest and resistance, recount the story of Tibet's complex transition from tradition to modernity and its painful history of foreign encounters and political experiment.

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In 1938, with the Japanese army approaching from Nanking, Huan Hsu’s great-great grandfather, Liu, and his five granddaughters, were forced to flee their hometown on the banks of the Yangtze River. But before they left a hole was dug as deep as a man, and as wide as a bedroom, in which was stowed the family heirlooms. The longer I looked at that red chrysanthemum plate, the more I wanted to touch it, feel its weight, and run my fingers over its edge, which, like its country’s – and my family’s – history, was anything but smooth. 1938. The Japanese army were fast approaching Xingang, the Yangtze River hometown of Huan Hsu’s great-great-grandfather, Liu. Along with his five granddaughters, Liu prepares to flee. Before they leave, they dig a hole and fill it to the brim with family heirlooms. Amongst their antique furniture, jade and scrolls, was Liu’s vast collection of prized antique porcelain. A decades-long flight across war-torn China splintered the family over thousands of miles. Grandfather Liu’s treasure remained buried along with a time that no one wished to speak of. And no one returned to find it – until now. Huan Hsu, a journalist raised in America and armed only with curiosity, returned to China many years later. Wanting to learn more about not only his lost ancestral heirlooms but also porcelain itself, Hsu set out to separate the layers of fact and fiction that have obscured both China and his heritage and finally completed his family’s long march back home. Melding memoir and travelogue with social and political history, The Porcelain Thief is an intimate and unforgettable way to understand the bloody, tragic and largely forgotten events that defined Chinese history in the nineteenth and twentieth centuries.

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An inspirational yet practical guide to clothes, shopping more effectively and discovering and developing a strong sense of personal style. With modern, minimal page design and four-colour photography throughout, this pragmatic and practical book should be required reading for anyone familiar with staring at a closet full of clothes and still feeling like they don't have anything to wear.'This chic, thoughtful book is full of genius methods for taking control of your look, your habits, your budget, and your wardrobe.' -- Alison Freer, author of How to Get Dressed'A smart, straightforward manual that encourages readers to discover what they like and to develop a wardrobe that makes getting dressed easier.' -- Erin Boyle, author of Simple Matters'I loved this book. I've been trying for years to put together a capsule wardrobe...' -- ***** Reader review'If you want a well organised wardrobe then this is your book!' -- ***** Reader review'A wonderful, engaging and practical guide' -- ***** Reader review'The best style book ever' -- ***** Reader review'Legitimately changed my life (and bank balance) !!!' -- ***** Reader review***********************************************************************************************************Get the wardrobe you've always wanted, filled with only those pieces that you love to put on and that make you look and feel amazing.Berlin-based style blogger Anuschka Rees will change your attitude and approach to clothes and shopping with her new minimal method. She rejects the clichéd fashion rules and instead encourages you to look in your wardrobe and at your life, as well as in the mirror.Using interactive prompts, infographic-style questionnaires and helpful check lists, all beautifully illustrated with photography and mood boards, create your own individual style guidelines that truly speak to you.A must-have guide that will help you shop in a more cost-effective and efficient way and discover and develop a strong sense of personal style.

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What does it mean to be a westerner? With all the mythology that has grown up about the American West, is it even possible to describe "how it was, how it is, here, in the West—just that," in the words of Lynn Stegner? Starting with that challenge, Stegner and Russell Rowland invited several dozen members of the western literary tribe to write about living in the West and being a western writer in particular. West of 98 gathers sixty-six literary testimonies, in essays and poetry, from a stellar collection of writers who represent every state west of the 98th parallel—a kind of Greek chorus of the most prominent voices in western literature today, who seek to "characterize the West as each of us grew to know it, and, equally important, the West that is still becoming." In West of 98, western writers speak to the ways in which the West imprints itself on the people who live there, as well as how the people of the West create the personality of the region. The writers explore the western landscape—how it has been revered and abused across centuries—and the inescapable limitations its aridity puts on all dreams of conquest and development. They dismantle the boosterism of manifest destiny and the cowboy and mountain man ethos of every-man-for-himself, and show instead how we must create new narratives of cooperation if we are to survive in this spare and beautiful country. The writers seek to define the essence of both actual and metaphoric wilderness as they journey toward a West that might honestly be called home. A collective declaration not of our independence but of our interdependence with the land and with each other, West of 98 opens up a whole new panorama of the western experience.

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Today sees the rise of nationalism, the return of totalitarian parties in Europe to electoral success, and the rise of the alt-right and white supremacists in the US. Thus, there is urgency for psychoanalysts, with their understanding of cruelty, sadomasochism, perversion, and other mental mechanisms, to speak out. Jonathan Sklar has risen to the challenge with this timely, thought-provoking, and, at times, upsetting work. Dark Times starts with a look at European history in terms of monuments and mourning, before moving into storytelling and the elision of thought and history at this current time, including harrowing detail of the brutalities inflicted by ISIS on the Yazidi, and concludes with a meditation on the relationship between cruelty in the early environment and hatred of the other within society, with particular focus on racism in the US. Sklar goes against the grain of brief sound bites, which are an aid to quickly pass over painful knowledge. Instead, he goes into detail to give extremely dark, horrid occurrences, and the human beings on the receiving end, respect and understanding, which enables the reader greater access to allowing unconscious things to be made more conscious, highlighting the quality of humanity in human beings. Also, listening to these stories enables us to become more aware, not only of what is going on over there, but also what is happening here, because in our increasingly joined-up world, here is always implicated and affected too. By ridding ourselves of the illusions of our political times, we can find greater freedom to think, develop, challenge, and create hope, for the future of our children and our grandchildren, as well as for ourselves. Dark Times is a timely, thought-provoking, and, at times, upsetting work that is a must- read for all those looking for a deeper understanding of today’s world.

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One of the most important texts in the Western magical tradition for nearly 500 years, Heinrich Cornelius Agrippa’s 1533 work Three Books of Occult Philosophy collates a multitude of sources from the Classical, Medieval, and Renaissance periods and organizes them into a coherent explanation of the magical world. Divided into three parts--the natural world, the celestial world, and the divine world--the book systematically explains the philosophy, logic, and methods of magic and astrology and how they work, offering numerous examples, diagrams, techniques, and analogies. Agrippa’s seminal masterpiece provided the basis for 19th-century magical orders such as the Golden Dawn and has been a primary source for countless books on magical uses of stones, herbs, incense, and astrology. Additionally, Agrippa’s many lists and diagrams, especially the planetary seals and magic squares, have proven invaluable to magicians since the 16th century. Yet, up until now, all English editions of Agrippa’s Three Books were based on the same flawed 1651 translation from the mysterious “J.F.” In this new translation from the original 1533 Latin edition, Eric Purdue corrects the many mistranslations, copyist mistakes, and errors introduced from other editions, as well as restores all of Agrippa’s original illustrations. He notates every correction from earlier editions and offers commentary to rectify the original translator’s mistranslations. Drawing on major developments in the research of older magical and astrological texts since the 1990s, Purdue also presents a nearly complete bibliography of Agrippa’s primary sources, revealing how Agrippa was not writing from missing or secret texts but was a mainstream scholar of his day. Presenting the first new English translation of Three Books of Occult Philosophy in more than 350 years, this three-volume hardcover boxed set repairs the gaps in knowledge pervasive in the original translation as well as restores the magical spirit of Agrippa’s masterpiece, allowing us to hear Agrippa speak again.

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He wasn't even supposed to speak; his office in Atlanta had made that very clear. Yet there he was, in the heart of Newcastle upon Tyne: Martin Luther King, Jr., the foremost figure in the US civil rights movement, making an impromptu speech in which he linked the African American freedom struggle to developments in British race relations and issued a call for all people of goodwill to meet the global challenges of war, poverty and racism. The date was November 13, 1967. The occasion was the award to King of an Honorary Doctorate in Civil Law by the University of Newcastle upon Tyne. This book tells the inside story of King's visit. It explains why he was invited, describes the events of the day itself, and investigates why King flew across the Atlantic to spend less than eleven hours in a city that he knew little about in the midst of his brutal work schedule and at a time of enormous professional strain and personal doubt. It also reveals how film of King's `lost speech' was rediscovered, puts his spellbinding words into the context of 1960s British and US race relations, and argues for their continued importance half a century later. Finally, the book places King's visit within another lost history: the history of links between the African American freedom struggle and the North East. It not only shows how King was one of many distinguished African American visitors to the region, including Olaudah Equiano and Frederick Douglass before him and Muhammad Ali and Harry Belafonte afterwards, but also explains how those connections influenced the development of race relations in the region. Exhaustively researched, engagingly written and, by turns, moving, sobering and inspiring, Martin Luther King in Newcastle brings alive the historic significance and contemporary relevance of this fascinating episode in North East, British and US history.

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A vivid, groundbreaking history of the legacies of slavery in an elite Northern town as told by its Black residents I Hear My People Singing shines a light on a small but historic Black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns—Princeton, New Jersey. The vivid first-person accounts of more than fifty Black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton’s African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation’s current conversations on race.Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of Black Princetonians—including the famed Paul Robeson—and highlights the community’s remarkable achievements. The introductions to each chapter provide historical context, as does the book’s foreword by noted scholar, theologian, and activist Cornel West.An intimate testament of the Black community’s resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant Black experience to an American narrative that needs to be heard now more than ever.

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The catastrophic events at the beginning of the sixth century BCE resulted in a theological crisis for the Judean elite. The end of the only surviving Hebrew kingdom was explained by a theology of divine abandonment, a motif widely understood in the ancient Near East. Many years later Jewish exiles would return to rebuild and settle Jerusalem. During their time in Babylonia and in the Persian period this group redefined the traditional understanding of divine presence and developed various new understandings that could explain YHWH's commitment to Jerusalem as well as the cataclysmic events that they had experienced. This collection of essays from a conference held in Göttingen in May 2011 examines changing ideas of divine presence and absence in late biblical texts. The essays tackle subjects such as the understanding of divine presence in Deuteronomy, Ezekiel, the Psalms and Ezra-Nehemiah, as well as topics such as divine abandonment, aniconism, the exaltation of Torah and the spirit of God. These Judean perspectives are contextualized by essays that examine ideas of divine presence elsewhere in the ancient Levant and the Near East, and modern theological and philosophical attempts to speak about the presence or absence of God. This volume is the first publication in the context of the Sofja-Kovalevskaja Research Group under the leadership of Nathan MacDonald. This research group seeks to examine the considerable diversity in Israelite and Jewish monotheistic thought and practice during the exilic and Persian periods, particularly through an examination of the relevant biblical texts. The project consists of a small team of post-doctoral and doctoral researchers based at the Georg-August Universität Göttingen. The project has a strong contemporary resonance because of concerns expressed about the relationship between monotheism, hegemony and violence.

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Towards the end of 1974, a stranger arrived in the small town of Sheerness on the Isle of Sheppey in Kent. He could often be found sitting at the bar in the Napier Tavern, drinking lager and smoking Gauloises while flicking through the pages of the Kent Evening Post. "Charles" was the name he offered to his new acquaintances. But this unexpected immigrant was actually Uwe Johnson, originally from the Baltic province of Mecklenburg in the GDR, and already famous as the leading author of a divided Germany. What caused him to abandon West Berlin and spend the last nine years of his life in Sheerness, where he eventually completed his great New York novel Anniversaries in a house overlooking the outer reaches of the Thames Estuary? And what did he mean by detecting a “moral utopia” in a town that others, including his concerned friends, saw only as a busted slum on an island abandoned to “deindustrialisation” and a stranded Liberty ship full of unexploded bombs? Patrick Wright, who himself abandoned north Kent for Canada a few months before Johnson arrived, returns to the “island that is all the world” to uncover the story of the East German author’s English decade, and to understand why his closely observed Kentish writings continue to speak with such clairvoyance in the age of Brexit. Guided in his encounters and researches by clues left by Johnson in his own “island stories”, the book is set in the 1970s, when North Sea oil and joining the European Economic Community seemed the last hope for bankrupt Britain. It opens out to provide an alternative version of modern British history: a history for the present, told through the rich and haunted landscapes of an often spurned downriver mudbank, with a brilliant German answer to Robinson Crusoe as its primary witness.

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The world is facing a great dilemma due to despicable, inhumane and barbaric acts of terrorism, indiscriminate killings, warfare, anarchy, disorder and suicide bombings over the past two decades. It is not only destroying the peace of any specific region, group or country but has become a major threat to world peace. Young People and Students living in various western countries who do not have conceptual clarity regarding Islam are wronglyconsidering terrorism and indiscriminate killing to be Jihad and are being drawn towards it.A further disturbing issue with regards to this is that the terrorists declare their evil goals to be part of the Islamic concept of Jihad. Furthermore they speak of enforcing the Islamic Shariah according to their extremist and terrorist ideology. They call for the re-establishment of the Caliphate as part of their ideology; and they use the Islamic terminologies and concepts of Fiqh (Islamic Jurisprudence) to legally justify their claims. By quoting the Qur'an, hadith and texts from the books of Islamic Law out of context, they influence common Muslims who are not acquainted with the true teachings of Islam, especially youngsters.There is a need to provide authentic, comprehensive material against extremism to all people, from every walk of life, according to their needs, so that the conceptual and ideological confusions which may lead to terrorismcan be eliminated. The Islamic Curriculum on Peace and Counter-Terrorism was prepared for this purpose. This curriculum has 3 parts and aims to provide resources from the Holy Qur'an, Hadith and authoritative books to provide a comprehensive ideological and theological background to all the key areas that are utilised to brainwash youngsters.The Islamic Curriculum on Peace and Counter-Terrorism has been compiled under the supervision and guidance of Shaykh-ul-Islam Dr Muhammad Tahir-ul-Qadri - who is the author of the Fatwa on Terrorism and Suicide Bombings.

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"Tomorrow we ride. that's what my brother Louison and I used to say as we arranged to meet: every day while we were racing cyclists, and then just on Sundays when we weren't competing any more. We kept on riding until the end of his life, because even then - especially then, perhaps - we always understood each other best on bikes. We had always needed a bike beneath us. In the words of the song, we took the high road and the low road: in cycling, the glory days always have less glorious ones on their tail. Thanks to Louison, I had the good fortune to ride with him through the golden years, the 50s: the years of post-war reconstruction, of Coppi and Bartali, of Kubler and Koblet, of Gaul and Van Steenbergen, Anquetil and Darrigade. These are names that speak of the aristocracy of cycling, and the fierceness of the competition. Every day, Louison and I took pleasure in cycling together, whether on our intimate journeys through Brittany or the Alps, or in the frenzy of the Tour de France or Giro d'Italia." Jean Bobet. Jean Bobet's book is not so much a biography of his superstar brother Louison, nor his own autobiography, but rather an account of the intermingling of their two lives. And what lives - Louison, triple Tour de France winner and World Champion and Jean (no mean rider himself) who gave up an academic career to ride in the service of his brother in pursuit of sporting glory. Set in the period after the war, this story brings alive the romance of the great races and the star riders of the day whose exploits lifted the public spirit after years of conflict and economic hardship.

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Can they stand the heat...?Maggie’s in the running to be the next head chef at Michelin-starred Manhattan restaurant, Jean-Sébastien’s. Unfortunately, she’s competing against notoriously arrogant Ethan to prove she’s the best chef for the job.Food critic Emily can make or break a chef’s career. When she visits the restaurant to see what interim head chef, Maggie, has to offer, Emily is having a particularly bad day…Single mum Nayomi needs a job and Jean-Sébastien’s needs a kitchen porter – perfect! She just has to keep her head down and money coming in. But she’s desperate to speak up and help struggling chef Maggie – Nayomi's own skills might be just the recipe to save Maggie’s career and impress Emily.A delicious story of unexpected friendship and risking it all, for fans of Zara Stoneley and Lauren Weisberger.Praise for The Kitchen 'I thoroughly enjoyed this read! Loved how the main characters were all women whom were strong and independent! A gem of a story.' ⭐⭐⭐⭐⭐ Reader'Delicious. The menus. The food. The characters. The plot. Simply delicious. Maggie, Emily and Nayomi are strong characters and you quickly become involved with their stories.' ⭐⭐⭐⭐⭐ Reader review'This book epitomizes what can occur when women support each other and cheer on their victories!' ⭐⭐⭐⭐⭐ Reader review'I really enjoyed seeing their individual stories join together, the friendships that developed, and how they were able to forge ahead and be the change that they were hoping for. Highly recommend this book for any women’s fiction fan or for book club reading.' ⭐⭐⭐⭐⭐ Reader review

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A Minnesota Book Award Finalist in Poetry A CLMP Firecracker Award Finalist in Poetry A Bustle Best Book of 2020 A Refinery29 Best New Book of Fall 2020 “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw. Additional recognition: A New York Times Book Review “New & Noteworthy Poetry Collection” An NBC Out “Best LGBTQ Book to Gift This Holiday Season” A Book Marks “Most Anticipated Poetry Collection of Fall/Winter 2020” A Lambda “Most Anticipated LGBTQ Book of December 2020” A Chicago Review of Books “Must-Read Book of December 2020”

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A master class on investing featuring conversations with the biggest names in finance, from the legendary cofounder of The Carlyle Group, David M. Rubenstein.What do the most successful investors have in common? David M. Rubenstein, cofounder of one of the world’s largest investment firms, has spent years interviewing the greatest investors in the world to discover the time-tested principles, hard-earned wisdom, and indispensable tools that guide their practice.​ Rubenstein, who has spent more than three decades in the hypercompetitive world of private equity, now distills everything he’s learned about the art and craft of investing, from venture capital, real estate, private equity, hedge funds, to crypto, endowments, SPACs, ESG, and more. -How did Stan Druckenmiller short the British pound in one trade for a profit of $1 billion dollars? -What made Sam Zell the smartest, toughest investor the world of real estate has ever seen? -How did Mike Novogratz make $250 million off crypto in one year? -How did Larry Fink build BlackRock from scratch into a firm that manages more than $10 trillion? -How did Mary Callahan Erdoes rise to the top of J.P. Morgan’s wealth management division to manage more than $4 trillion for individuals and families all over the world? -How did Seth Klarman perfect value investing to consistently deliver net returns of nearly 20 percent? With unprecedented access to global leaders in finance, Rubenstein has assembled the most authoritative book of its kind. How to Invest reveals the thinking of the most successful investors in the world, many of whom rarely speak publicly. Whether you’re brand-new to investing or a seasoned professional, this book will transform the way you approach investing forever.

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'Theatre is the greatest of collaborative art forms, and Shakespeare its greatest exponent: he used the form better than anyone else ever has to speak truth about the world.' In Exploring Shakespeare, acclaimed theatre director Bill Alexander takes us inside the rehearsal room to reveal – in unprecedented and captivating detail – exactly what happens there. He examines the key relationship between the actors and the director, how they work together to bring Shakespeare's vision to life, and how choices are made that will shape every aspect of the play in production. Full of acute observations and perceptions drawn from a long and brilliant career, the book covers the essential aspects of any Shakespeare production, from understanding the world of the play, to preparing and cutting the text, deciding on costumes and set design, handling soliloquies, and considering character and backstory. There are detailed studies of eight plays spanning the full length and breadth of the Shakespearean canon, from Titus Andronicus and The Shrew to The Tempest, via Othello, Hamlet, Lear, The Merchant of Venice and Twelfth Night. Alexander also provides first-hand case studies of three of his own productions, including his famous Richard III starring Antony Sher. Personal, forthright, and full of pragmatic advice, Exploring Shakespeare is a masterclass for directors and actors, and a fascinating insight for anyone interested in Shakespeare. Bill Alexander was an Associate Director of the Royal Shakespeare Company, and then Artistic Director of Birmingham Rep. His landmark productions include Richard III and The Merry Wives of Windsor (both Olivier Award-winners), The Merchant of Venice, The Taming of the Shrew, Titus Andronicus and King Lear with Corin Redgrave. 'Bill Alexander is a brilliant director, whose work has powerfully shaped my understanding of Shakespeare's plays, Richard III most of all' James Shapiro, author of 1599: A Year in the Life of William Shakespeare

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Once the darling of the Left, British journalist Melanie Phillips was “mugged by reality” to become a controversial champion of national and cultural identity. Guardian Angel is that rare memoir that grabs you by the shoulders with an urgency that screams, “PAY ATTENTION!” It leaps off the page with an immediacy and relevance that few books achieve. Beginning with her solitary childhood in London, it took years for Melanie Phillips to understand her parents’ emotional frailties and even longer to escape from them. But Phillips inherited her family’s strong Jewish values and a passionate commitment to freedom from oppression. It was this moral foundation that ultimately turned her against the warped and tyrannical attitudes of the Left, requiring her to break away not only from her parents—but also from the people she had seen as her wider political family. Through her poignant story of transformation and separation, we gain insight into the political uproar that has engulfed the West. Britain’s vote to leave the EU, the rise of far-Right political parties in Europe, and the stunning election of US president Donald Trump all involve a revolt against the elites by millions. It is these disdained masses who have been championed by Melanie Phillips in a career as prescient as it has been provocative. Guardian Angel is not only an affecting personal story, but it provides a vital explanation why the West is at a critical crossroads today. “Melanie Phillips has been one of the brave and necessary voices of our time, unafraid to speak the language of moral responsibility in an age of obfuscation and denial. This searing account of her personal journey is compelling testimony to her courage in speaking truth to power.”—Rabbi Lord Jonathan Sacks

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A new edition of the much-loved perennial meditation diary whose messages radiate spiritual wisdom, encouragement and serenity throughout the year • Provides messages of spiritual insight and guidance for every day of the year from Eileen Caddy, co-founder of the Findhorn Community • Offers specific suggestions for your daily spiritual growth and development • Includes a new introduction by Jonathan Caddy, one of Eileen’s sons, who adds a fresh perspective to the profound influence this guidance can have One of the much-loved books of Eileen Caddy (1917-2006), co-founder of the Findhorn Community in Scotland, Opening Doors Within is a perennial meditation diary offering down-to-earth inspirational messages of spiritual guidance for every day of the year. For over 35 years, people have used these practical teachings that offer advice on achieving stillness, faith, and fulfillment. Specific suggestions for your daily spiritual growth and development enhance the impact of the supportive words. Eileen’s brief messages, from what she called “the still, small voice within,” offer inspirational, uplifting, and powerful words of love and support. Her daily guidance was the bedrock of the early Findhorn Community, and the concept of “inner listening” is still very much part of individual and community practice there today. The encouraging and practical messages speak to those embarking upon the journey to find their divine inner self and spiritual truth. Anyone who meditates--whether inexperienced or seasoned--will find the wisdom shared both insightful and heartening. A new foreword by Jonathan Caddy, Eileen’s son who lives in the Findhorn Community, adds a fresh perspective to the profound influence this guidance can have. No matter how you use the wisdom shared in this small book, take these teachings into yourself and carry them within you, until they have done their silent, gentle, and loving work of opening the doors within.

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