Search results for ""author fred"

In 1947, the American School of Classical Studies at Athens commissioned a colour movie (Triumph over Time) to accompany its fundraising campaign. Directed by the archaeologist Oscar Broneer and produced by numismatist Margaret Thompson with the aid of staff from Fox Studios, the documentary shows Greece rebounding from the horrors of World War II and the staff of the American School hard at work preparing archaeological sites for presentation to post-war tourists. Footage of excavations at the Athenian Agora and ancient Corinth are mixed with scenes from everyday agricultural life. Famous people in the history of the School and Greece move in and out of the film's frames: King Paul and Queen Frederica attend a public lecture; the Librarian of the Gennadius Library, Shirley H. Weber, shows donor Helene Stathatou some of its priceless manuscripts; Homer A. Thompson, newly appointed Director of the Agora Excavations, displays treasures from the site. Such scenes from the American School's academic and social year show an institution at the forefront of Greece's march back to normality after almost a decade of unrest. In an accompanying essay, Natalia Vogeikoff-Brogan, the American School's Archivist, describes the making of the movie, the historical background to its production, and its place in both the institutional history of the ASCSA and the political history of Greece. She presents fascinating excerpts from previously unpublished correspondence and memoirs, as well as contemporary photographs. (This is the North American edition, with NTSC format DVD.)

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A New York Times Book Review "New & Noteworthy Poetry" Selection A Library Journal "Poetry Title to Watch 2021" A Chicago Review of Books "Poetry Collection to Read in 2021 A Reader's Digest "14 Amazing Black Poets to Know About Now" Selection A Books Are Magic "Recommended Reading" Selection “Sometimes,” writes Michael Kleber-Diggs writes in this winner of the Max Ritvo Poetry Prize, “everything reduces to circles and lines.” In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor. But Worldly Things refuses to “offer allegiance” to this centuries-old status quo. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.” Sonorous and measured, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics.

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In 1947, the American School of Classical Studies at Athens commissioned a colour movie (Triumph over Time) to accompany its fundraising campaign. Directed by the archaeologist Oscar Broneer and produced by numismatist Margaret Thompson with the aid of staff from Fox Studios, the documentary shows Greece rebounding from the horrors of World War II and the staff of the American School hard at work preparing archaeological sites for presentation to post-war tourists. Footage of excavations at the Athenian Agora and ancient Corinth are mixed with scenes from everyday agricultural life. Famous people in the history of the School and Greece move in and out of the film's frames: King Paul and Queen Frederica attend a public lecture; the Librarian of the Gennadius Library, Shirley H. Weber, shows donor Helene Stathatou some of its priceless manuscripts; Homer A. Thompson, newly appointed Director of the Agora Excavations, displays treasures from the site. Such scenes from the American School's academic and social year show an institution at the forefront of Greece's march back to normality after almost a decade of unrest. In an accompanying essay, Natalia Vogeikoff-Brogan, the American School's Archivist, describes the making of the movie, the historical background to its production, and its place in both the institutional history of the ASCSA and the political history of Greece. She presents fascinating excerpts from previously unpublished correspondence and memoirs, as well as contemporary photographs. (This is the European edition, including a PAL format DVD.)

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Charles Frederick Algernon Portal was born in Hungerford, England, in 1893\. One of seven brothers, Portal developed a fierce competitive streak and a steely determination from an early age. Known by all who knew him as Peter', Portal enlisted in the Army at the outbreak of the First World War as a despatch rider, being mentioned in General French's very first despatch. Portal's abilities were quickly recognised, and he gained a commission in short order. It was in the air that Portal saw his future, and he subsequently transferred to the Royal Flying Corps, initially as an observer, before training as a pilot. In this latter role, Portal proved a courageous and instinctive leader, garnering the rare accolade of a DSO and Bar for his wartime service. His meteoric rise continued in the inter-war period, and when Hitler's forces invaded Poland, Portal had already ascended to the Air Force Board. He then took the RAF's top command post at Bomber Command during the battles of France and Britain, before replacing Cyril Newall as Chief of Air Staff, aged just 47, in October 1940. Charles Portal was, in General Eisenhower's words, Britain's greatest wartime leader, including Churchill'. Portal was a strategist, a diplomat and an outstanding leader of the RAF in the Second World War. He built productive and enduring relationships with the most powerful Allied leaders - some of which, including Churchill, Bomber Harris, and Hap Arnold, are explored here. Portal helped direct the UK's strategy from the darkest days of 1940 through to Allied victory in 1945\. He never lost his calm, even under the most extreme pressure, and approached the war with a cool logic that defied the chaos of the day. Despite his enormous achievements, and being showered with post-war accolades, Portal is little known today. His historical anonymity is a reflection of his disinterest in his own legacy. He neither kept wartime diaries, nor penned an egotistical autobiography to cash in on his post-war fame. He retired as he had served, with dignity and humility, traits that made him particularly influential with American allies. As Wing Commander Rich Milburn reveals in this long-overdue second biography, Charles Portal was a hero in every sense; a heroic battlefield leader in one global conflict, and one of the men most directly responsible for Allied victory in a second.

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A condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement in a bid to help us make sense of the emotions, demands, and arguments of present-day activists and public thinkers. Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement is only a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that "Black Lives Matter" comes out of a much older and richer tradition arguing for the equal dignity--and not just equal rights--of black people. In this updated edition, The Making of Black Lives Matter presents a condensed and accessible intellectual history of the #BlackLivesMatter movement and expands on the movement's relevancy. This edition includes a new introduction that explores how the movement's core ideas have been challenged, re-affirmed, and re-imagined during the white nationalism of the Trump years, as well as a new chapter that examines the ideas and importance of Angela Davis and Amiri Baraka as significant participants in the Black Power Movement and Black Arts Movement, respectively. Drawing on the work of these revolutionary black public intellectuals, as well as Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that "Black Lives Matter" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression, and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America.

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In a remarkable deed of original scholarly research and detailed detective work, Anne Weise recreates sketches of a lost life - of one of the millions of forgotten souls whose lives came to a violent end in the Holocaust. Her focus is Alfred Bergel (1902-1944), an artist and teacher from Vienna who was a close associate of Karl Koenig - the founder of the Camphill Movement for people with special needs - who wrote of Bergel in his youthful diaries as his best friend 'Fredi'. After the annexation of Austria, Alfred Bergel found himself unable to escape the horror of the National Socialist regime. Subsequently, in 1942 he was deported to the Theresienstadt camp. Imprisoned there, he produced numerous artistic works of the inmates of the ghetto and taught drawing, art history and art appreciation - sometimes in collaboration with the Bauhaus artist Friedl Dicker-Brandeis. During this period, he was also forced by the Nazis to produce forgeries of classic art works. One of the central figures of cultural life in the Theresienstadt ghetto, Bergel was eventually transported to the Auschwitz concentration camp in 1944 where, tragically, he was murdered. His name and his work are largely forgotten today, even amongst Holocaust researchers, but Weise succeeds in honouring the life of the Jewish artist by lovingly piecing together his biography, based on numerous personal testimonies by friends and contemporaries and supplemented with documents and many dozens of photos and colour reproductions of Bergel's artistic works. This invaluable recreation of a life provides insight not only into the desperate plight of a single individual, but also illustrates the human will and determination to survive in the context of one of the darkest periods of recent history.

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'A riotous delve into the dark medical world of Restoration London' - S.G. MACLEAN 'An infectious read, packed with atmosphere and colourful characters' - OSCAR DE MURIEL 'A gripping whodunnit with a sinister twist' - JENNIFER RYAN ________________________________________ WHO WOULD MURDER THE DYING... London, 1665. Hidden within the growing pile of corpses in his churchyard, Rector Symon Patrick discovers a victim of the pestilence unlike any he has seen before: a young woman with a shorn head, covered in burns, and with pieces of twine delicately tied around each wrist and ankle. Desperate to discover the culprit, Symon joins a society of eccentric medical men who have gathered to find a cure for the plague. Someone is performing terrible experiments upon the dying, hiding their bodies amongst the hundreds that fill the death carts. Only Penelope - a new and mysterious addition to Symon's household - may have the skill to find the killer. Far more than what she appears, she is already on the hunt. But the dark presence that enters the houses of the sick will not stop, and has no mercy... This hugely atmospheric and entertaining historical thriller will transport readers to the palaces and alleyways of seventeenth-century London. Perfect for fans of Laura Shepherd-Robinson, Andrew Taylor and C.J. Sansom. ________________________________________ 'A sickening, desperate London, wonderfully evoked. A terrific read!' - ALIX NATHAN 'A rollicking, roistering tale with humour horror and human decency at its dark heart' - KATE GRIFFIN 'Brilliantly convincing and thrillingly infectious' - S.W. PERRY 'A gorgeous, darkly witty novel that transports readers to the London of Charles II' - MARIAH FREDERICKS 'Dark, haunting and unexpectedly witty' - SUSAN ELIA MACNEAL

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An authoritative account of the long battle between exclusionary and inclusive versions of the American story Was the United States founded as a Christian nation or a secular democracy? Neither, argues Philip Gorski in American Covenant. What the founders actually envisioned was a prophetic republic that would weave together the ethical vision of the Hebrew prophets and the Western political heritage of civic republicanism. In this ambitious book, Gorski shows why this civil religious tradition is now in peril--and with it the American experiment. Gorski traces the historical development of prophetic republicanism from the Puritan era to the present day. He provides close readings of thinkers such as John Winthrop, Thomas Jefferson, Frederick Douglass, W.E.B. Du Bois, and Hannah Arendt, along with insightful portraits of recent and contemporary religious and political leaders such as Jerry Falwell, Pat Robertson, Ronald Reagan, George W. Bush, and Barack Obama. Gorski shows how the founders' original vision for America is threatened by an internecine struggle between two rival traditions, religious nationalism and radical secularism. Religious nationalism is a form of militaristic hyperpatriotism that imagines the United States as a divine instrument in the final showdown between good and evil. Radical secularists fervently deny the positive contributions of the Judeo-Christian tradition to the American project and seek to remove all traces of religious expression from the public square. Gorski offers an unsparing critique of both, demonstrating how half a century of culture war has drowned out the quieter voices of the vital center. American Covenant makes the compelling case that if we are to rebuild that vital center, we must recover the civil religious tradition on which the republic was founded.

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Winner of the Frederick Jackson Turner AwardWinner of the George Perkins Marsh PrizeWinner of the John Brinckerhoff Jackson Book Prize“A major work of history that brings together African-American history and environmental studies in exciting ways.”—Davarian L. Baldwin, Journal of Interdisciplinary HistoryBetween 1915 and 1940, hundreds of thousands of African Americans left the rural South to begin new lives in the urban North. In Chicago, the black population quintupled to more than 275,000. Most historians map the integration of southern and northern black culture by looking at labor, politics, and popular culture. An award-winning environmental historian, Brian McCammack charts a different course, considering instead how black Chicagoans forged material and imaginative connections to nature.The first major history to frame the Great Migration as an environmental experience, Landscapes of Hope takes us to Chicago’s parks and beaches as well as to the youth camps, vacation resorts, farms, and forests of the rural Midwest. Situated at the intersection of race and place in American history, it traces the contours of a black environmental consciousness that runs throughout the African American experience.“Uncovers the untold history of African Americans’ migration to Chicago as they constructed both material and immaterial connections to nature.”—Teona Williams, Black Perspectives“A beautifully written, smart, painstakingly researched account that adds nuance to the growing field of African American environmental history.”—Colin Fisher, American Historical Review“If in the South nature was associated with labor, for the inhabitants of the crowded tenements in Chicago, nature increasingly became a source of leisure.”—Reinier de Graaf, New York Review of Books

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Les collections d'œuvres d'art racontent des histoires qui reflètent les intérêts du collectionneur et de son époque. Chefs-d'œuvre de la Galerie d'art Beaverbrook relate la vie rocambolesque de sir William Maxwell (Max) Aitken, aussi connu sous le nom de lord Beaverbrook, magnat de la presse multimillionnaire, éditeur de journaux arrogant, habile politicien, maître de la propagande, auteur et grand philanthrope.En 1959, sir Max Aitken inaugure À Fredericton, au Nouveau-Brunswick, la Galerie d'art Beaverbrook pour abriter une collection exemplaire de tableaux. Constitué par lord Beaverbrook lui-même et son entourage de conservateurs et de collègues, ce noyau initial d'œuvres deviendra l'une des plus belles et des plus importantes collections d'art britannique en Amérique du Nord. Il comprend notamment des œuvres de J.M.W. Turner, Lucian Freud, Graham Sutherland et Walter Sickert, ainsi que des tableaux représentatifs de Thomas Gainsborough, John Constable, John Singleton Copley, Eugène Delacroix, Joshua Reynolds et Salvador Dalí, qui témoignent du caractère distinctif et de la qualité de la remarquable collection de la Galerie.Ces œuvres importantes sont réunies pour la première fois dans cette publication luxueuse comprenant plus de 75 reproductions en couleur, ainsi que des essais sur l'histoire de la collection et les chefs-d'œuvre, signés par six critiques renommés?: Elliott H. King, historien de l'art et spécialiste de Dalí James Hamilton, auteur de Turner: A Life; Richard Calvocoressi, directeur de la fondation Henry Moore; l'auteur et conservateur Angus Stewart; l'historienne de l'art Katharine Eustace; ainsi que Terry Graff, conservateur de la Galerie d'art Beaverbrook et principal auteur de cet ouvrage.Pour clore l'ouvrage, le journaliste Marty Klinkenberg et le directeur général de la Galerie d'art Beaverbrook, Bernard Riordon, retracent les péripéties du différend opposant le musée et les deux fondations Beaverbrook.

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Beloved Saturday Night Live alum Kevin Nealon shares original full-color caricatures and insightful personal essays about his famous friendsIn I Exaggerate, famed comedian and actor Kevin Nealon pairs his artwork with sweet, funny, and endearing stories about the subjects he paints. From reminiscences about Saturday Night Live hosts to an excerpt from the eulogy he gave at his dear friend Garry Shandling’s funeral, the writing in this book is warm and nostalgic, and the list of subjects Kevin wants to cover is everyone you could hope for. In addition to Nealon’s paintings, the book includes doodles on SNL scripts, early artwork drafts, and insights into his relationship with art, which he likens to his relationship to comedy. This is a charming project from a comedy all-star. Subjects include: Budd Friedman, Robin Williams, Johnny Carson, David Letterman, Andy Kaufman, Jim Carey, Buzz Aldrin, Tilda Swinton, Dana Carvey, Lorne Michaels, Steve Martin, Chris Farley, Chris Rock, Daisy Edgar Jones, Timothée Chalamet, James Taylor, Arnold Schwarzenegger, Christopher Walken, Lauren Bacall, Humphrey Bogart, Howard Stern, Carrie Fisher, Elizabeth Taylor, Eddie Vedder, Kurt Cobain, Billie Eilish, John Travolta, Harry Dean Stanton, The Pointer Sisters, Garry Shandling, Tom Petty, Tiffany Haddish, Peyton Manning, Eli Manning, Emma Stone, Prince Rogers Nelson, Maggie Gyllenhaal, Freddie Mercury, Brian May, Robert Plant, Rami Malik, Jennifer Aniston, Matt LeBlanc, Dave Chappelle, Lady Gaga, Jeff Daniels, Norm MacDonald, Arnold Palmer, Brad Paisley, Ken Jeong, Ruth Bader Ginsberg, Joaquin Phoenix, Anya-Taylor Joy, Lin-Manuel Miranda, Whitney Houston, and Anthony Bourdain.

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This volume is an important contribution to our understanding of global pandemics in general and Covid-19 in particular. It brings together the reflections of leading social and political scientists who are interested in the implications and significance of the current crisis for politics and society. The chapters provide both analysis of the social and political dimensions of the Coronavirus pandemic and historical contextualization as well as perspectives beyond the crisis. The volume seeks to focus on Covid-19 not simply as the terrain of epidemiology or public health, but as raising fundamental questions about the nature of social, economic and political processes. The problems of contemporary societies have become intensified as a result of the pandemic. Understanding the pandemic is as much a sociological question as it is a biological one, since viral infections are transmitted through social interaction. In many ways, the pandemic poses fundamental existential as well as political questions about social life as well as exposing many of the inequalities in contemporary societies. As the chapters in this volume show, epidemiological issues and sociological problems are elucidated in many ways around the themes of power, politics, security, suffering, equality and justice. This is a cutting edge and accessible volume on the Covid-19 pandemic with chapters on topics such as the nature and limits of expertise, democratization, emergency government, digitalization, social justice, globalization, capitalist crisis, and the ecological crisis. Contents Notes on Contributors Preface Gerard Delanty1. Introduction: The Pandemic in Historical and Global Context Part 1 Politics, Experts and the State Claus Offe2. Corona Pandemic Policy: Exploratory Notes on its ‘Epistemic Regime’ Stephen Turner3. The Naked State: What the Breakdown of Normality Reveals Jan Zielonka4. Who Should be in Charge of Pandemics? Scientists or Politicians? Jonathan White5. Emergency Europe after Covid-19 Daniel Innerarity6. Political Decision-Making in a Pandemic Part 2 Globalization, History and the Future Helga Nowotny7. In AI We Trust: How the COVID-19 Pandemic Pushes us Deeper into Digitalization Eva Horn8. Tipping Points: The Anthropocene and COVID-19 Bryan S. Turner9. The Political Theology of Covid-19: a Comparative History of Human Responses to Catastrophes Daniel Chernilo10. Another Globalisation: Covid-19 and the Cosmopolitan Imagination Frédéric Vandenberghe & Jean-Francois Véran11. The Pandemic as a Global Total Social Fact Part 3 The Social and Alternatives Sylvia Walby12. Social Theory and COVID: Including Social Democracy Donatella della Porta13. Progressive Social Movements, Democracy and the Pandemic Sonja Avlijaš14. Security for Whom? Inequality and Human Dignity in Times of the Pandemic Albena Azmanova15. Battlegrounds of Justice: The Pandemic and What Really Grieves the 99% Index

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Jane Austen's?Persuasion?is now available in a fine exclusive collector's edition featuring beautiful cover art from artist Laci Fowler and distinctive interior treatments, making it ideal for fiction lovers and book collectors alike. Each collectible volume will be the perfect addition to any well-appointed library.The Harper Muse Classics: Painted Edition of?Persuasion?is perfect for special-edition book collectors, Jane Austen lovers, fans of literary fiction and classic literature, and people who love both the book and the cinematic adaptations it inspired.Persuasion?is Austen's final completed novel, published six months after her death in 1817. The story revolves around Anne Elliot who at 27 is no longer considered young enough for worthy romantic prospects. Eight years earlier, she had been persuaded to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What transpires when they reunite is movingly told in this remarkable love story tinged with the heartache of missed opportunities.Whether you're buying this as a gift or for yourself, this remarkable edition features: A beautiful high-end hardcover featuring Laci Fowler's distinctive hand-painted art, perfect for standing out on any discerning fiction-lover's bookshelf Embossed cover art and gold foiling? Decorative interior pages featuring pull quotes distributed throughout Matching ribbon marker and gold page edges Part of a 4-volume collection including?Jane Eyre, Little Women,?and?The Mysterious Affair at Styles. Persuasion?by Jane Austen?is a title in the Harper Muse Classics: Painted Editions collection and is being released alongside?Jane Eyre?(Charlotte Brontë),?Little Women?(Louisa May Alcott), and?The Mysterious Affair at Styles?(Agatha Christie).

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**THE TRUE STORY BEHIND MAJOR ITV DRAMA WHITE HOUSE FARM, NOW ON NETFLIX**'An extraordinary book . . . both deeply moving and quietly inspiring' FREDDIE FOX'A beautiful, very moving book' CRESSIDA BONASIn 1985, the shocking murder of a family of five in a quiet country house in Essex rocked the nation. The victims were Nevill and June Bamber; their adopted daughter Sheila Caffell, divorced from her husband Colin; and Sheila and Colin's twin sons, Nicholas and Daniel. Only one survivor remained: the Bamber's other adopted child, Jeremy Bamber. Following his lead, the police - and later the press - blamed the murders on Sheila, who, so the story went, then committed suicide.Written by Sheila's ex-husband Colin and originally published in 1994, In Search of the Rainbow's End is the first and only book about the White House Farm murders to have been written by a family member. It is the inside story of two families into whose midst the most monstrous events erupted. When Jeremy Bamber is later convicted on all five counts of murder, Colin is left to pick up the pieces of his life after not only burying his ex-wife, two children and parents-in-law, but also having to cope with memories of Sheila almost shattered by a predatory press hungry for stories of sex, drugs and the high life. Colin's tale is not just a rare insider's picture of murder, but testimony to the strength and resilience of one man in search of healing after trauma: he describes his process of recovery, a process that led to his working in prisons, helping to rehabilitate,among others, convicted murderers. By turns emotive, terrifying, and inspiring, Colin Caffell's account of mass murder and its aftermath will not fail to move and astonish.

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A showcase of Britain's most extraordinary gardens and landscapes from the twentieth century to present day. 100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens. Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe. The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

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Sir Ronald Harwood (1934-2020) was one of the most prolific playwrights and screenwriters of his generation. His acclaimed play, The Dresser, has been constantly revived since its premiere in 1980 and has been adapted for both cinema and television, most recently the 2015 BBC production starring Sir Anthony Hopkins and Sir Ian McKellen. Harwood’s other notable film adaptations included Roman Polanski’s haunting depiction of life in the Warsaw Ghetto, The Pianist (2002), Baz Luhrmann’s frontier epic, Australia (2008), and Dustin Hoffman’s poignant celebration of old age, Quartet (2012). His many awards included an Oscar for The Pianist and a BAFTA for The Diving Bell and the Butterfly (2007). Speak Well of Me turns the focus onto Harwood himself. Based on extensive interviews with the playwright during his final years, the biography recounts Harwood’s gradual transformation from lacklustre South African schoolboy to doyen of theatreland and Hollywood. While dissecting each of his major works, the book candidly explores Harwood’s friendships with the likes of Harold Pinter, J. B. Priestley, André Previn, Sir Donald Wolfit (who inspired The Dresser) and, most controversially, Roman Polanski. The result is a biography as gripping and morally complex as one of Harwood’s own dramas. This new paperback edition includes memoirs and assessments of Harwood by Gyles Brandreth, Sir Tom Courtenay, Lady Antonia Fraser, Frederic Raphael, Sir Antony Sher and the playwright’s oldest friend, Gerald Masters.

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Presents a fully interdisciplinary approach with a stronger emphasis on polymers and composites than traditional materials books Materials science and engineering is an interdisciplinary field involving the properties of matter and its applications to various areas of science and engineering. Polymer materials are often mixed with inorganic materials to enhance their mechanical, electrical, thermal, and physical properties. Materials: Introduction and Applications addresses a gap in the existing textbooks on materials science. This book focuses on three Units. The first, Foundations, includes basic materials topics from Intermolecular Forces and Thermodynamics and Phase Diagrams to Crystalline and Non-Crystalline Structures. The second Units, Materials, goes into the details of many materials including Metals, Ceramics, Organic Raw Materials, Polymers, Composites, Biomaterials, and Liquid Crystals and Smart Materials. The third and final unit details Behavior and Properties including Rheological, Mechanical, Thermophysical, Color and Optical, Electrical and Dielectric, Magnetic, Surface Behavior and Tribology, Materials, Environment and Sustainability, and Testing of Materials. Materials: Introduction and Applications features: Basic and advanced Materials concepts Interdisciplinary information that is otherwise scattered consolidated into one work Links to everyday life application like electronics, airplanes, and dental materials Certain topics to be discussed in this textbook are more advanced. These will be presented in shaded gray boxes providing a two-level approach. Depending on whether you are a student of Mechanical Engineering, Electrical Engineering, Engineering Technology, MSE, Chemistry, Physics, etc., you can decide for yourself whether a topic presented on a more advanced level is not important for you—or else essential for you given your professional profile Witold Brostow is Regents Professor of Materials Science and Engineering at the University of North Texas. He is President of the International Council on Materials Education and President of the Scientific Committee of the POLYCHAR World Forum on Advanced Material (42 member countries). He has three honorary doctorates and is a Member of the European Academy of Sciences, Member of the National Academy of Sciences of Mexico, Foreign Member of the National Academy of Engineering of Georgia in Tbilisi and Fellow of the Royal Society of Chemistry in London. His publications have been cited more than 7200 times. Haley Hagg Lobland is the Associate Director of LAPOM at the University of North Texas. She is a Member of the POLYCHAR Scientific Committeee. She has received awards for her research presented at conferences in: Buzios, Rio de Janeiro, Brazil; NIST, Frederick, Maryland; Rouen, France; and Lviv, Ukraine. She has lectured in a number of countries including Poland and Spain. Her publications include joint ones with colleagues in Egypt, Georgia, Germany, India, Israel, Mexico, Poland, Turkey and United Kingdom.

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Discover, or return to, the world's greatest heroic fantasy artist, Frank Frazetta in this landmark art collection entitled, Fantastic Paintings of Frazetta. The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels" Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potency, but rendered with a panache seldom seen outside of major works of Fine Art. Despite his fantastic subject matter, the quality of Frazetta’s work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth but, even to the most brilliant of fine artists including Rembrandt and Michelangelo and, major Frazetta works sell for millions of dollars, breaking numerous records. This innovator’s work has not only inspired generations of artists, but also movies and directors including the Conan films, John Carter of Mars, the sensationally successful Lord of the Rings trilogy, Robert Rodriguez’ films including From Dusk Till Dawn, Ralph Bakshi films, the epic, award-winning Game of Thrones series, Tim Burton’s Sleepy Hollow, Disney’s animated Tarzan films, Francis Ford Coppola’s Apocalypse Now and George Lucas’ Star Wars series. The Forbes magazine article Schwarzenegger's Sargent led with the line, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians." J. David Spurlock started crafting this book by reviving the original million-selling 1970s mass market art book, Fantastic Art of Frank Frazetta. But, he expanded and revised to include twice as many images and, presents them at a much larger coffee-table book size of 10.5 x 14.625”! The collection is brimming with both classic and previously unpublished works of the subjects Frazetta is best remembered for including barbarians, beasts, and buxom beauties. Game of Thrones creator George R. R. Martin said, “Though he bears only a passing resemblance to the Cimmerian as Robert E. Howard described him, Frazetta’s covers of the Conan paperback collections became the definitive picture of the character… still is.” Schwarzenegger said, “I have not been intimidated that often in my life. But when I looked at Frazetta’s paintings, I tell you, it was intimidating.” Game of Thrones, Conan and Aquaman film star Jason Momoa said, “I am a huge Frank Frazetta fan. Both of my parents are painters, so I'd known Frazetta's paintings, that's what I wanted to bring to life.” See the revolutionary art that helped inspire Schwarzenegger, Momoa, the Lord of the Rings films and Game of Thrones: FRAZETTA!

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In The Allure of Blackness among Mixed-Race Americans, 1862–1916, Ingrid Dineen-Wimberly examines generations of mixed-race African Americans after the Civil War and into the Progressive Era, skillfully tracking the rise of a leadership class in Black America made up largely of individuals who had complex racial ancestries, many of whom therefore enjoyed racial options to identity as either Black or White. Although these people might have chosen to pass as White to avoid the racial violence and exclusion associated with the dominant racial ideology of the time, they instead chose to identify as Black Americans, a decision that provided upward mobility in social, political, and economic terms. Dineen-Wimberly highlights African American economic and political leaders and educators such as P. B. S. Pinchback, Theophile T. Allain, Booker T. Washington, and Frederick Douglass as well as women such as Josephine B. Willson Bruce and E. Azalia Hackley who were prominent clubwomen, lecturers, educators, and settlement house founders. In their quest for leadership within the African American community, these leaders drew on the concept of Blackness as a source of opportunities and power to transform their communities in the long struggle for Black equality.The Allure of Blackness among Mixed-Race Americans, 1862–1916 confounds much of the conventional wisdom about racially complicated people and details the manner in which they chose their racial identity and ultimately overturns the “passing” trope that has dominated so much Americanist scholarship and social thought about the relationship between race and social and political transformation in the nineteenth and twentieth centuries.

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The rediscovery of a pivotal figure in Black history and his importance and influence in the struggle against slavery and discrimination “A masterful biography. . . . Ward’s struggles to find freedom, equality, peace, and belonging are still shared by many African Americans today.”—Kellie Carter Jackson, The Nation Born on the Eastern Shore of Maryland, Samuel Ringgold Ward (1817–c. 1869) escaped enslavement and would become a leading figure in the struggle for Black freedom, citizenship, and equality. He was extolled by his contemporary Frederick Douglass for his “depth of thought, fluency of speech, readiness of wit, logical exactness.” Until now, his story has been largely untold. Ward, a newspaper editor, Congregational minister, and advocate for the temperance movement, was considered one of the leading orators of his time. After the passage of the Fugitive Slave Act of 1850 he fled to Canada, where he lectured widely to improve conditions for formerly enslaved people who had settled there. Ward then went to Britain as an agent of the Canadian Antislavery Society and published his influential book Autobiography of a Fugitive Negro. He never returned to the United States, and he died in obscurity in Jamaica. Despite Ward’s prominent role in the abolitionist movement, his story has been lost because of the decades he spent in exile. In this book, R. J. M. Blackett brings light to Ward’s life and his important role in the struggle against slavery and discrimination, and to the personal price he paid for confronting oppression.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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A MOVEMENT IN WORDS AND IMAGESAward-winning photographer Devin Allen has devoted the last six years to documenting the protests of the Black Lives Matter movement, from its early days in Baltimore, Maryland, up to the present day. The riveting images in No Justice, No Peace provide a lens on the resistance that has empowered Black lives generation after generation. Allen's signature black-and-white photos bear witness to the profound history of African Americans and allies in the fight for social justice and portray the collective action over decades in stunning, timeless portraits.Allen's remarkable photos of today's Black Lives Matter protests, which have been featured in the New York Times, the Washington Post, and twice on the cover of Time magazine, were inspired by Gordon Parks of the Civil Rights Movement, and create a vision of the past and future of Black activism and leadership in America. With contributions from twenty-six bestselling and influential writers and activists of today such as Clint Smith, DeRay Mckesson, D. Watkins, Jacqueline Woodson, Emmanuel Acho, Keeanga-Yamahtta Taylor, and more, alongside the words of past writers and activists such as Martin Luther King Jr, Frederick Douglass, Malcolm X, Maya Angelou, and John Lewis, No Justice, No Peace is a reminder of the moral responsibility of Americans to break unjust laws and take direct action.In words and pictures, No Justice, No Peace honors the connection between activism today and that of the past. If indeed hindsight is 20/20, this artistic look back is a lens on history that enlarges our understanding of the lasting predicament of racism in the United States of America. At once deeply intimate and profoundly uplifting, No Justice, No Peace is a visual tribute to Black resistance and a stern missive on the tough, but necessary, road that lies ahead.

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The edge-of-your-seat thriller from the #1 bestseller. ‘A gripping tale that will have you turning the pages well into the night’ MARK DAWSON A DEADLY TERROR PLOT. A RACE AGAINST THE CLOCK. WILL EVIL PREVAIL? Following a chance encounter with a terrified young woman in the streets of Paris, former SAS soldier Ben Hope finds himself hurled into a violent new mission involving murder, international terrorism and stolen historic artifacts. A mission made even more perilous by the reappearance of an old enemy from Ben’s military past. A man he knew and fought years ago. A man he thought was dead. Teaming up with the enigmatic ex-Delta Force warrior Tyler Roth, Ben travels from the seedy underworld of Paris to the islands of the Caribbean in his quest to piece together the puzzle. As the death toll quickly mounts, he unmasks a vicious terror plot that could bring about the slaughter of millions of innocent people. Mass destruction seems just a hair’s breadth away … and only Ben Hope can prevent the unthinkable. ‘Thrilling. Scott Mariani is at the top of his game’ ANDY MCDERMOTT ‘A high level of realism … the action scenes come thick and fast. Like the father of the modern thriller, Frederick Forsyth, Mariani has a knack for embedding his plots in the fears and preoccupations of their time’ SHOTS MAGAZINE ‘House of War has it all – history, action, devious scheming and eye-opening detail. Mariani delivers a twisting storyline and raises the terrifying question: how would we survive if this really happened?’ DAVID LEADBEATER A gripping must-read for fans of the Jack Reacher and John Milton books. Whilst the Ben Hope thrillers can be read in any order, this is the twentieth book in the series.

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Ever since the founders drafted "We the People," "we" have been at pains to work out the contradictions in their formulation, to fix in words precisely what it means to be American. Constituting Americans rethinks the way that certain writers of the mid-nineteenth and early twentieth century contributed to this project; in doing so, it revises the traditional narrative of U.S. literary history, restoring an essential chapter to the story of an emerging American cultural identity. In diverse ways, very different writers—including Frederick Douglass, Herman Melville, Harriet Wilson, W. E. B. Du Bois, and Gertrude Stein—participated in the construction and dissemination of an American identity, but none was entirely at ease in the culture they all helped to define. Evident in their work is a haunting sense of their telling someone else’s story, a discomfort that Priscilla Wald reads in the context of legal and political debates about citizenship and personhood that marked the emergence of the United States as a nation and a world power.From early-nineteenth-century Supreme Court cases to turn-of-the-century Jim Crow and immigration legislation, from the political speeches of Abraham Lincoln to the historical work of Woodrow Wilson, nation-builders addressed the legal, political, and historical paradoxes of American identity. Against the backdrop of their efforts, Wald shows how works such as Douglass’s autobiographical narratives, Melville’s Pierre, Wilson’s Our Nig, Du Bois’s The Souls of Black Folks, and Stein’s The Making of Americans responded, through formal innovations, to the aggressive demands for literary participation in the building of that nation. The conversation that emerges among these literary works challenges the definitions and genres that largely determine not only what works are read, but also how they are read in classrooms in the United States today.Offering insight into the relationship of storytelling to national identity, Constituting Americans will compel the attention of those with an interest in American literature, American studies, and cultural studies.

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Constance Lindsay Skinner made a living as a writer at a time when few men, and fewer women, managed the feat. Born in 1877 on the British Columbia frontier, she worked as a journalist in Vancouver, Los Angeles, and Chicago, before moving to New York City in 1912, where she supported herself by her pen until her death in 1939. Despite a prolific output - poetry, plays, short stories, histories, reviews, adult and children's novels - and in contrast to her reputation in the United States, she remains virtually unknown in the country of her birth. Reconstructing Constance Lindsay Skinner's writing life from her papers in the New York Public Library and from her publications, Jean Barman argues for three bases to her success. As well as a capacity to respond to market forces by moving between genres, she possessed an aura of authenticity by virtue of her Canadian frontier heritage. As a literary device, the frontier gave a freedom to tackle contentious issues of Aboriginal and hybrid identities, gender and sexuality, that might otherwise have been far more difficult to get into print. Third, and very important, was her willingness to subordinate a private self to the life of the imagination. Barman ponders Constance Lindsay Skinner's absence from the Canadian literary canon. She mixed with such twentieth-century personalities as Jack London, Harriet Monroe, Frederick Jackson Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and Margaret Mitchell, yet was unrecognized in her own country. Her sex mattered, just as it did for fellow Canadian women writers. So did her facility at multiple genres, a talent that, even as it made possible a writing life, prevented her from achieving a major breakthrough in any one of them. Perhaps most responsible was her identification with the frontier of a nation whose centre long shaped literary matters in its own image. Constance Lindsay Skinner makes a significant contribution to Canadian and American history and to literary and gender studies.

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'Beguiling ... Limpidly written, effortlessly learned' William Boyd, TLS, Books of the YearIn November 1838 Frédéric Chopin, George Sand and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma, where Chopin finished what would eventually be recognised as one of the great and revolutionary works of musical Romanticism - his 24 Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, which remained in their monastic cell for seventy years after he and Sand had left.This brilliant and unclassifiable book traces the history of Chopin's 24 Preludes through the instruments on which they were played, the pianists who interpreted them and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which during the Second World War assumed an astonishing cultural potency as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own.The unexpected hero of the second part of the book is the great keyboard player and musical thinker Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential musical figures of the twentieth century. Kildea shows how her story - a compelling account based for the first time on her private papers - resonates with Chopin's, while simultaneously distilling part of the cultural and political history of Europe and the United States in the central decades of the century. Kildea's beautifully interwoven narratives, part cultural history and part detective story, take us on an unexpected journey through musical Romanticism and allow us to reflect freshly on the changing meaning of music over time.

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Winner - 2023 John Brinkerhoff Jackson Book Prize, UVA Center for Cultural LandscapesWith more than eight hundred sprawling green acres in the middle of one of the world’s densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms, businesses, churches, wars, and burial grounds—and home to many different kinds of New Yorkers.This book is the authoritative account of the place that would become Central Park. From the first Dutch family to settle on the land through the political crusade to create America’s first major urban park, Sara Cedar Miller chronicles two and a half centuries of history. She tells the stories of Indigenous hunters, enslaved people and enslavers, American patriots and British loyalists, the Black landowners of Seneca Village, Irish pig farmers, tavern owners, Catholic sisters, Jewish protesters, and more. Miller unveils a British fortification and camp during the Revolutionary War, a suburban retreat from the yellow fever epidemics at the turn of the nineteenth century, and the properties that a group of free Black Americans used to secure their right to vote. Tales of political chicanery, real estate speculation, cons, and scams stand alongside democratic idealism, the striving of immigrants, and powerfully human lives. Before Central Park shows how much of the history of early America is still etched upon the landscapes of Central Park today.

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Big ideas sometimes come from the strangest places. In this wide ranging introduction, James M Russell takes the fear out of philosophy and selects seventy-six works - from Plato, Descartes and Wittgenstein to Philip K Dick and the Moomins as well as contemporary thinkers such as Peter Singer and John Rawls. Dividing into accessible sections - history, contemplation, happiness, and -isms, Russell gives us the lives as well as the lessons of the great thinkers, including a digest of their key ideas. A perfect antidote to the complex life. The topics and books covered include: Traditional Philosophy: The Republic, Plato; The Confessions, St Augustine; The Leviathan, Thomas Hobbes; On Liberty, John Stuart Mill; Philisophical Investigations, Ludwig Wittgenstein; Critique of Pure Reason, Immanuel Kant. Outsiders: Fear and Trembling, Soren Kierkegaard; Beyond Good and Evil, Frederick Nietzsche; The Outsider, Albert Camus; Doors of Perception, Aldous Huxley. Contemplation as Philosophy: The Prophet, Kahil Gibran; Jonathan Livingston Seagull, Richard Bach; Zen and the Art of Motorcycle Maintenance, Robert Pirsig; The Tao of Pooh, Benjamin Hoff. The Continental Tradition: The Prison Notebooks, Antonio Gramsci; The History of Sexuality, Michel Foucault; Symbolic Exchange and Death, Jean Baudrillard. How to Live Your Life: The Art of War, Sun Tzu; Maxims, La Rouchefoucauld; Memories, Dreams, Reflections, Carl Jung; On Sexuality, Sigmund Freud; On Becoming a Person, Carl Rogers. Political and Personal Issues: Das Kapital, Karl Marx; Being and Nothingness, Jean Paul Sartre; Gaia, James Lovelock. Modern Philosophy: A Theory of Justice, John Rawls; Darwin's Dangerous Idea, Daniel Dennett; After the Terror, Ted Honderich.

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How being “nice” in school and university settings works to reinforce racialized, gendered, and (dis)ability-related inequities in education and society Being nice is difficult to critique. Niceness is almost always portrayed and felt as a positive quality. In schools, nice teachers are popular among students, parents, and administrators. And yet Niceness, as a distinct set of practices and discourses, is not actually good for individuals, institutions, or communities because of the way it maintains and reinforces educational inequity. In The Price of Nice, an interdisciplinary group of scholars explores Niceness in educational spaces from elementary schools through higher education to highlight how this seemingly benign quality reinforces structural inequalities. Grounded in data, personal narrative, and theory, the chapters show that Niceness, as a raced, gendered, and classed set of behaviors, functions both as a shield to save educators from having to do the hard work of dismantling inequity and as a disciplining agent for those who attempt or even consider disrupting structures and ideologies of dominance. Contributors: Sarah Abuwandi, Arizona State U; Colin Ben, U of Utah; Nicholas Bustamante, Arizona State U; Aidan/Amanda J. Charles, Northern Arizona U; Jeremiah Chin, Arizona State U; Sally Campbell Galman, U of Massachusetts; Frederick Gooding Jr., Texas Christian U; Deirdre Judge, Tufts U; Katie A. Lazdowski; Román Liera, U of Southern California; Sylvia Mac, U of La Verne; Lindsey Malcolm-Piqueux, California Institute of Technology; Giselle Martinez Negrette, U of Wisconsin–Madison; Amber Poleviyuma, Arizona State U; Alexus Richmond, Arizona State U; Frances J. Riemer, Northern Arizona U; Jessica Sierk, St. Lawrence U; Bailey B. Smolarek, U of Wisconsin–Madison; Jessica Solyom, Arizona State U; Megan Tom, Arizona State U; Sabina Vaught, U of Oklahoma; Cynthia Diana Villarreal, U of Southern California; Kristine T. Weatherston, Temple U; Joseph C. Wegwert, Northern Arizona U; Marguerite Anne Fillion Wilson, Binghamton U; Jia-Hui Stefanie Wong, Trinity College; Denise Gray Yull, Binghamton U.

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In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

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In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity—Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké—worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake—including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve—used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation."

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Tracing the development of progressive Catholic approaches to political and economic modernization, Catholic Intellectuals and the Challenge of Democracy disputes standard interpretations of the Catholic response to democracy and modernity in the English-speaking world—particularly the conventional view that the Church was the servant of right-wing reactionaries and authoritarian, patriarchal structures. Starting with the writings of Bishop Wilhelm von Ketteler of Germany, the Frenchman Frédérick Ozanam, and England’s Cardinal Henry Edward Manning, whose pioneering work laid the foundation of the Catholic "third way," Corrin reveals a long tradition within Roman Catholicism that championed social activism. These visionary writers were the forerunners of Pope John XXIII’s aggiornamento, a call for Catholics to broaden their historical perspectives and move beyond a static theology fixed to the past. By examining this often overlooked tradition, Corrin attempts to confront the perception that Catholicism in the modern age has invariably been an institution of reaction that is highly suspicious of liberalism and progressive social reform. Catholic Intellectuals and the Challenge of Democracy charts the efforts of key Catholic intellectuals, primarily in Britain and the United States, who embraced the modern world and endeavored to use the legacies of their faith to form an alternative, pluralistic path that avoided both socialist collectivism and capitalism. In this sweeping volume, Corrin discusses the influences of Cecil and G. K. Chesterton, H. A. Reinhold, Hilaire Belloc, and many others on the development of Catholic social, economic, and political thought, with a special focus on Belloc and Reinhold as representatives of reactionary and progressive positions, respectively. He also provides an in-depth analysis of Catholic Distributists’ responses to the labor unrest in Britain prior to World War I and later, in the 1930s, to the tragedy of the Spanish Civil War and the forces of fascism and communism.

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Few Canadians realize how close the colony of Nova Scotia came to joining the American Revolutionary War in 1775. Many Nova Scotians were immigrants from New England, including the Planters who, some twenty years earlier, had taken over the farms of the expelled Acadians. Between family ties and unrestrained privateering, there was much sympathy in Nova Scotia for the American Patriots. In Hope Restored, Robert Dallison tells the story of how the British raised two regiments and sent their members to the area that, as a result, became New Brunswick, thus overcoming the groundswell and fending off Patriot attacks. These soldiers had two jobs: to fight the Americans, and to settle the land as a bulwark against invasion. Spem reduxit (hope restored) became their motto and the motto of the province they founded. As well as telling the story of the Loyalist regiments, Hope Restored describes many Loyalist and Revolutionary War sites, some of which can be visited today. Among them are the Loyalist Encampment and Cemetery in Fredericton, Saint John's Fort Howe, and the MacDonald Farm Provincial Historic Park in Northumberland County.Hope Restored is the second book in the New Brunswick Military Heritage Series published by Goose Lane Editions in collaboration with the New Brunswick Military Heritage Project. Written by historians and military personnel, the books in this series will explore subjects ranging from New Brunswick's pivotal role in the American Revolution to one veteran's account of caring for World War I cavalry horses. All of the volumes will be fully illustrated with modern and archival maps, photos, and works of art and are available at all bookstores in New Brunswick.

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A powerful new account of what a group of nineteenth- and twentieth-century African American activists, intellectuals, and artists can teach us about democracyCould the African American political tradition save American democracy? African Americans have had every reason to reject America’s democratic experiment. Yet African American activists, intellectuals, and artists who have sought to transform the United States into a racially just society have put forward some of the most original and powerful ideas about how to make America live up to its democratic ideals. In The Darkened Light of Faith, Melvin Rogers provides a bold new account of African American political thought through the works and lives of individuals who built this vital tradition—a tradition that is urgently needed today.The book reexamines how figures as diverse as David Walker, Frederick Douglass, Anna Julia Cooper, Ida B. Wells, W.E.B. Du Bois, Billie Holiday, and James Baldwin thought about the politics, people, character, and culture of a society that so often dominated them. Sharing a light of faith darkened but not extinguished by the tragic legacy of slavery, they resisted the conclusion that America would always be committed to white supremacy. They believed that democracy is always in the process of becoming and that they could use it to reimagine society. But they also saw that achieving racial justice wouldn’t absolve us of the darkest features of our shared past, and that democracy must be measured by how skillfully we confront a history that will forever remain with us.An ambitious account of the profound ways African Americans have reimagined democracy, The Darkened Light of Faith offers invaluable lessons about how to grapple with racial injustice and make democracy work.

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The Habsburg Empire’s grand strategy for outmaneuvering and outlasting stronger rivals in a complicated geopolitical worldThe Empire of Habsburg Austria faced more enemies than any other European great power. Flanked on four sides by rivals, it possessed few of the advantages that explain successful empires. Its army was not renowned for offensive prowess, its finances were often shaky, and its populace was fragmented into more than a dozen ethnicities. Yet somehow Austria endured, outlasting Ottoman sieges, Frederick the Great, and Napoleon. The Grand Strategy of the Habsburg Empire tells the story of how this cash-strapped, polyglot empire survived for centuries in Europe's most dangerous neighborhood without succumbing to the pressures of multisided warfare.Taking readers from the War of the Spanish Succession in the early 1700s to the Austro-Prussian War of 1866, A. Wess Mitchell argues that the Habsburgs succeeded not through offensive military power or great wealth but by developing strategies that manipulated the element of time in geopolitical competition. Unable to fight all their enemies at once, the Habsburgs learned to use the limited tools at their disposal—terrain, technology, and treaty allies—to sequence and stagger their conflicts, drive down the costs of empire, and concentrate scarce resources against the greatest threat of the moment. Rarely holding a grudge after war, they played the "long game" in geopolitics, corralling friend and foe alike into voluntarily managing the empire's lengthy frontiers and extending a benign hegemony across the turbulent lands of middle Europe.A study in adaptive statecraft, The Grand Strategy of the Habsburg Empire offers lessons on how to navigate a messy geopolitical map, stand firm without the advantage of military predominance, and prevail against multiple rivals.

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Edited by SPLIA’s former director, Dr. Robert B. MacKay, Gardens of Eden is an exploration of a distinct type of suburban development that proliferated across the region before zoning regulations were developed to manage land use in New York City and its environs. While the onset of suburbia on Long Island is often believed to be a post-World War II phenomena, it actually began a half century earlier when greater affluence, improved railroad service, and new methods of financing made the dream of country living a greater reality for a growing urban middle class. Luminaries such as Grosvenor Atterbury, Charles W. Leavitt Jr., and Frederick Law Olmsted designed dozens of high-end, carefully conceived communities on New York’s Long Island. Touted as an antidote to the complexities of urban living, these “residential parks” were characterized by significant investment in landscaping and infrastructure and employed concepts introduced by the Garden City movement in England. Gardens of Eden covers the history and development of more than twenty of these remarkable communities and the colorful, at times unscrupulous personalities behind them—like Plandome, designed “for teachers only,” and the Metropolitan Museum’s Munsey Park, where all the streets were named for artists—with writings from their most knowledgeable historians. Other featured communities include: Garden City, Forest Hills Gardens, Long Beach, Great Neck Estates, Brightwaters, Montauk Beach, Prospect Park South in Brooklyn, and many more. About the Society for the Preservation of Long Island Antiquities SPLIA is a not-for-profit organization dedicated to understanding, celebrating, and preserving Long Island’s cultural heritage. Founded in 1948, SPLIA engages its mission through a variety of activities that include interpreting historic houses, creating exhibitions and educational programs, providing preservation advisory services, and publishing works that explore the history of architecture and design on Long Island.

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On a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamored to cover the ensuing “girl lovers” murder trial. Lisa Duggan locates in this sensationalized event the emergence of the lesbian in U.S. mass culture and shows how newly “modern” notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day.Situating this story alongside simultaneously circulating lynching narratives (and its resistant versions, such as those of Memphis antilynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity. While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalization of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media—and in particular their tendency toward sensationalism—Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall’s The Well of Loneliness. Sapphic Slashers concludes with two appendices, one of which presents a detailed summary of Ward’s murder, the trial, and Mitchell’s eventual institutionalization. The other presents transcriptions of letters exchanged between the two women prior to the crime.Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, Sapphic Slashers provides the first history of the emergence of the lesbian in twentieth-century mass culture.

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“When it comes to living, there’s no getting out alive. But books can help us survive, so to speak, by passing on what is most important about being human before we perish. In The Existentialist’s Survival Guide, Marino has produced an honest and moving book of self-help for readers generally disposed to loathe the genre.” —The Wall Street JournalSophisticated self-help for the 21st century—when every crisis feels like an existential crisisSoren Kierkegaard, Frederick Nietzsche, Jean-Paul Sartre, and other towering figures of existentialism grasped that human beings are, at heart, moody creatures, susceptible to an array of psychological setbacks, crises of faith, flights of fancy, and other emotional ups and downs. Rather than understanding moods—good and bad alike—as afflictions to be treated with pharmaceuticals, this swashbuckling group of thinkers generally known as existentialists believed that such feelings not only offer enduring lessons about living a life of integrity, but also help us discern an inner spark that can inspire spiritual development and personal transformation. To listen to Kierkegaard and company, how we grapple with these feelings shapes who we are, how we act, and, ultimately, the kind of lives we lead. In The Existentialist's Survival Guide, Gordon Marino, director of the Hong Kierkegaard Library at St. Olaf College and boxing correspondent for The Wall Street Journal, recasts the practical takeaways existentialism offers for the twenty-first century. From negotiating angst, depression, despair, and death to practicing faith, morality, and love, Marino dispenses wisdom on how to face existence head-on while keeping our hearts intact, especially when the universe feels like it’s working against us and nothing seems to matter. What emerges are life-altering and, in some cases, lifesaving epiphanies—existential prescriptions for living with integrity, courage, and authenticity in an increasingly chaotic, uncertain, and inauthentic age.

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"A lush, illustrated book shows the "Equestrian Life" in the rich paradise around New York - and is also great fun for non-equestrians." — Monopol "His book overflows with breathtaking imagery and rich history." — Frederic Equestrian life has an enduring appeal for many of us, but it has a special place in the hearts of Hamptonites. Written by renowned fashion and lifestyle editor, Blue Carreon — an avid equestrian who lives and breathes the Hamptons when not in Manhattan — this luxurious book is his photographic showcase of the glamorous, often exclusive, and intriguing horse-sporting life in the Hamptons. This is a place dotted by bucolic barns and exclusive stables, coexisting with the shingle-style mansions with sweeping manicured lawns and modernist beach houses with uninterrupted views of the dunes and ocean beyond. Wending and looping through the picturesque hills and townships of the Hamptons are horseback-riding trails, world-class public and private equestrian facilities and estates, and premier blue-ribbon horse shows, polo competitions, and more. Blue Carreon also explores the hard work that comes with the glamour that comes with the sport. The thrill and danger that come with the sound of a horse’s galloping steps; the frustration of falls and ecstasy of big wins. Equestrian Life in the Hamptons offers an historic framework to the evolution of equestrian culture in the region, provides details on stables and how they are designed, barn and tack room tours, and the fashions on and off the field (both human and equine) as well as interiors inspired by all things equestrian. These pages are jam-packed with stories and interviews with not only the wealthy weekenders but with those who have devoted their life to their equine passions and the equestrian life.

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London in the 1840s was sprawling and smoke-filled, a city of extreme wealth and abject poverty. Some streets were elegant with brilliantly gas-lit shop windows full of expensive items, while others were narrow, fetid, muddy, and in many cases foul with refuse and human filth. Railways, stations and sidings were devouring whole districts and creating acres of slums or 'rookeries' into which the poor of the city were jammed and where crime, disease and prostitution were rife. The most sensational crime of the epoch, the murder of Patrick O'Connor by Frederick and Maria Manning, filled the press in the summer and autumn of 1849. Michael Alpert uses the trial record of this murder, accompanied by numerous other contemporary sources, among them journalism, diaries and fiction, to show how day-to-day lives, birth, death, sickness, work, shopping, cooking, and buying clothes, were lived in the crowded, noisy capital in the early decades of Victoria's reign. These sources illustrate how ordinary people lived in London, their incomes, entertainments, religious practice, reading and education, their hopes and anxieties. Life in Early Victorian London reveals how ordinary people like the Mannings and thousands of others experienced their multifaceted lives in the greatest capital city of the world. Early Victorian London lived on the cusp of great improvements, but it was a city which in some aspects was mediaeval. Its inhabitants enjoyed the benefit of the Penny Post and the omnibus, and they were protected to some extent by a police force. The Mannings fled their crime on the railway, were trapped by the recently-invented telegraph and arrested by 'detectives' (a new concept and word), but they were hanged in public as murderers had been for centuries, watched by a baying, drunken and swearing mob.

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Architecture in Context analyzes the work of contemporary international architects through the presentation of projects that exemplify their architectural vision and their connection with the spaces with which they work. It explains how the interaction between architecture and landscape is a pivotal aspect, and it describes the design strategies that architects use to insert buildings into the landscape with minimal environmental impact. At the center of designers' work, we find an attention to the identity of the place and the environment, consideration of cultural and social values, and observation of the intrinsic characteristics of the local site and materials. Presenting projects of different scales and sizes, from airports to museums, schools, private houses, public buildings, hotels, and industrial sites, this volume offers up a wide array of the most significant architectural projects by the most respected contemporary architects around the world. Projects: Azerbaijan: Autoban, Heydar Aliyev International Airport (Baku). China: Li Xiaodong Atelier, Liyuan Library (Beijing). Chile: Cazu Zegers Arquitectura, Tierra Patagonia Hotel (Torres del Paine); Rodrigo Duque Motta, Elqui Domos Astronomical Hotel (Pisco Elqui, Paihuano). Colombia: El Equipo Mazzanti, Parque Biblioteca Espana (Medellin). Denmark: 3XN, Frederiksberg Courthouse (Copenhagen). France: 5+1AA Alfonso Femia Gianluca Peluffo, Renovation of Les Docks (Marseille). Italy: Diverserighestudio, Opificio Golinelli (Bologna); Pietro Carlo Pellegrini Architetto, Secondary School (Riccione); MCA Mario Cucinella Architects, Municipal Nursery School (Guastalla); Enzo Eusebi + Partners, Salpi Plant (Preci). Portugal: ANDRE, Casa do Vigario (Paredes). Senegal: Toshiko Mori Architect, Thread Artist Residency and Cultural Center (Sinthian). South Africa: Peter Rich Architects, Mapungubwe Interpretation Centre (Limpopo). The Netherlands: Neutelings Riedijk Architects, Rozet Cultural Center (Arnhem). UK: Steven Holl Architects, Reid Building, Glasgow School of Art (Glasgow). USA: Diller Scofidio + Renfro, The Roy and Diana Vagelos Education Center (New York); Michael Maltzan Architecture, Star Apartments (Los Angeles); Thomas Phifer and Partners, Corning Museum of Glass Extension (Corning).

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The gripping new Ben Hope thriller from the Sunday Times bestseller. THEY THOUGHT HE WAS AN EASY TARGET. THEY THOUGHT WRONG. It’s a snowy, peaceful Christmas at Le Val, the rural haven that is home to ex-SAS soldier Ben Hope and his associates. With most of the team away for the festive holiday, Ben, recovering from an accident, is one of the skeleton crew guarding the compound. That’s when a ruthless Corsican crime gang, knowing that Ben is injured and out of action, target the location for a violent raid. With help from his faithful canine companion, Storm, Ben thwarts the attack – but not before the raiders claim several victims among his best friends. Now he must embark on a personal revenge mission to catch the sole remaining killer, the psychopathic Petru Navarro. Ben’s quest takes him across France into the lawless gangland of Corsica, his only real lead a priceless historic gold cross that is now in Navarro’s hands. If Ben can find it, he’ll find his enemy. But taking down this murderous psycho is another matter . . . People can’t get enough of the Ben Hope series: ‘Compelling from the first page until the last, Mariani and his fabulous protagonist Ben Hope entertain in a gripping tale that will have you turning the pages well into the night’ Mark Dawson ‘Thrilling. Scott Mariani is at the top of his game’ Andy McDermott ‘A high level of realism … the action scenes come thick and fast. Like the father of the modern thriller, Frederick Forsyth, Mariani has a knack for embedding his plots in the fears and preoccupations of their time’ Shots Magazine ‘James Bond meets Jason Bourne meets The Da Vinci Code’ J. L. Carrell ‘History, action, devious scheming and eye-opening detail. Mariani delivers a twisting storyline’ David Leadbeater 'Non-stop action – this book delivers’ Steve Berry

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As a Man Thinketh is James Allen's third book, first published in 1903. In it, he details how man is the creator and shaper of his destiny by the thoughts which he thinks. He rises and falls in exact accordance with the character of the thoughts which he entertains. His environment is the result of what he has thought and done in the past, and his circumstances in the future are being shaped and built by his present desires, aspirations, thoughts and actions. He therefore who chooses and pursues a particular line of thought, consciously builds his own destiny. Part of the New Thought Movement, Allen reveals the secrets to having the most fulfilling existence possible, and it’s easier than any of us could have imagined. The title for the essay comes from the Bible: “As a man thinketh in his heart, so is he,” Proverbs, chapter 23, verse 7. In more than a century, As A Man Thinketh has become an inspirational classic, selling millions of copies worldwide and bringing faith, inspiration, and self healing to all who have encountered it. In this new edition of As A Man Thinketh, readers will be enthralled by James Allen’s thoughts and direction to take charge of their own destiny, as it has for over 100 years. In the series Classic Thoughts and Thinkers, explore some of the most influential texts of our time along with the inner workings of its greatest thinkers. With works from great American figures such as Theodore Roosevelt and Emily Dickinson and seminal documents including the Constitution of the Unites States, this series focuses on the most reflective and thought-provoking writings of the last two centuries. These beautiful hardcovers are the perfect historical perspective for meeting the challenges of the modern world. Other titles in this series include: Autobiography of Benjamin Franklin, Collected Poems of Robert Frost, Common Sense, Constitution of the United States with the Declaration of Independence, Helen Keller, Narrative of the Life of Frederick Douglass, Selected Poems of Emily Dickinson, and Theodore Roosevelt’s Words of Wit and Wisdom.

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Jane Austen’s Persuasion is now available in an exclusive collector’s edition featuring a delicate laser-cut jacket on a textured book with foil stamping and ribbon marker, ideal for fiction lovers and book collectors alike.The Persuasion Jane Austen Collection Edition: Presents Jane Austen’s final fully completed novel, viewed by many literary scholars as her most maturely written work; its 1817 posthumous publication helped established Austen’s iconic place in literature’s pantheon of great writers Explores such important themes as social mobility, class rigidity, the gender-centric skills required to navigate between public life and domestic life, and the ramifications of remaining true to one’s convictions vs being open to the suggestions of others Is ideal for special-edition book collectors, Jane Austen aficionados, fans of literary fiction and classic literature, and people who love both the book and the movies it inspires Whether you’re buying this as a gift or for yourself, this remarkable limited edition features: Beautiful hardcover with a distinctive one-of-a-kind, high-end/high-treatment laser-cut jacket, perfect for standing out on any discerning fiction lover’s bookshelf Decorative interior pages featuring pull quotes distributed throughout Part of a 6-volume Jane Austen series including Northanger Abbey, Pride and Prejudice, Sense and Sensibility, Mansfield Park, and Emma At twenty-seven, Anne Elliot is no longer considered young enough for worthy romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What transpires when they encounter each other again is movingly told in Jane Austen's last completed novel. A brilliant satire of vanity and pretension, Persuasion is, above all, a love story tinged with the heartache of missed opportunities.Persuasion by Jane Austen is one of six titles completing the Jane Austen collection, which includes Emma, Sense and Sensibility, Pride and Prejudice, Mansfield Park, and Northanger Abbey.

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How being “nice” in school and university settings works to reinforce racialized, gendered, and (dis)ability-related inequities in education and society Being nice is difficult to critique. Niceness is almost always portrayed and felt as a positive quality. In schools, nice teachers are popular among students, parents, and administrators. And yet Niceness, as a distinct set of practices and discourses, is not actually good for individuals, institutions, or communities because of the way it maintains and reinforces educational inequity. In The Price of Nice, an interdisciplinary group of scholars explores Niceness in educational spaces from elementary schools through higher education to highlight how this seemingly benign quality reinforces structural inequalities. Grounded in data, personal narrative, and theory, the chapters show that Niceness, as a raced, gendered, and classed set of behaviors, functions both as a shield to save educators from having to do the hard work of dismantling inequity and as a disciplining agent for those who attempt or even consider disrupting structures and ideologies of dominance. Contributors: Sarah Abuwandi, Arizona State U; Colin Ben, U of Utah; Nicholas Bustamante, Arizona State U; Aidan/Amanda J. Charles, Northern Arizona U; Jeremiah Chin, Arizona State U; Sally Campbell Galman, U of Massachusetts; Frederick Gooding Jr., Texas Christian U; Deirdre Judge, Tufts U; Katie A. Lazdowski; Román Liera, U of Southern California; Sylvia Mac, U of La Verne; Lindsey Malcolm-Piqueux, California Institute of Technology; Giselle Martinez Negrette, U of Wisconsin–Madison; Amber Poleviyuma, Arizona State U; Alexus Richmond, Arizona State U; Frances J. Riemer, Northern Arizona U; Jessica Sierk, St. Lawrence U; Bailey B. Smolarek, U of Wisconsin–Madison; Jessica Solyom, Arizona State U; Megan Tom, Arizona State U; Sabina Vaught, U of Oklahoma; Cynthia Diana Villarreal, U of Southern California; Kristine T. Weatherston, Temple U; Joseph C. Wegwert, Northern Arizona U; Marguerite Anne Fillion Wilson, Binghamton U; Jia-Hui Stefanie Wong, Trinity College; Denise Gray Yull, Binghamton U.

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Though he lived throughout much of the South-and even worked his way into parts of the North for a time-Jim Crow was conceived and buried in Maryland. From Chief Justice Roger Brooke Taney's infamous decision in the Dred Scott case to Thurgood Marshall's eloquent and effective work on Brown v. Board of Education, the battle for black equality is very much the story of Free State women and men. Here, Baltimore Sun columnist C. Fraser Smith recounts that tale through the stories, words, and deeds of famous, infamous, and little-known Marylanders. He traces the roots of Jim Crow laws from Dred Scott to Plessy v. Ferguson and describes the parallel and opposite early efforts of those who struggled to establish freedom and basic rights for African Americans. Following the historical trail of evidence, Smith relates latter-day examples of Maryland residents who trod those same steps, from the thrice-failed attempt to deny black people the vote in the early twentieth century to nascent demonstrations for open access to lunch counters, movie theaters, stores, golf courses, and other public and private institutions-struggles that occurred decades before the now-celebrated historical figures strode onto the national civil rights scene. Smith's lively account includes the grand themes and the state's major players in the movement-Frederick Douglass, Harriett Tubman, Thurgood Marshall, and Lillie May Jackson, among others-and also tells the story of the struggle via several of Maryland's important but relatively unknown men and women-such as Gloria Richardson, John Prentiss Poe, William L. "Little Willie" Adams, and Walter Sondheim-who prepared Jim Crow's grave and waited for the nation to deliver the body.

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Communities in Fiction reads six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out (contradictorily) by Raymond Williams, Martin Heidegger, and Jean- Luc Nancy. The book’s topic is the question of how communities or noncommunities are represented in fictional works. Such fictional communities help the reader understand real communities, including those in which the reader lives. As against the presumption that the trajectory in literature from Victorian to modern to postmodern is the story of a gradual loss of belief in the possibility of community, this book demonstrates that communities have always been presented in fiction as precarious and fractured. Moreover, the juxtaposition of Pynchon and Cervantes in the last chapter demonstrates that period characterizations are never to be trusted. All the features both thematic and formal that recent critics and theorists such as Fredric Jameson and many others have found to characterize postmodern fiction are already present in Cervantes’s wonderful early-seventeenth-century “Exemplary Story,” “The Dogs’ Colloquy.” All the themes and narrative devices of Western fiction from the beginning of the print era to the present were there at the beginning, in Cervantes Most of all, however, Communities in Fiction looks in detail at its six fictions, striving to see just what they say, what stories they tell, and what narratological and rhetorical devices they use to say what they do say and to tell the stories they do tell. The book attempts to communicate to its readers the joy of reading these works and to argue for the exemplary insight they provide into what Heidegger called Mitsein— being together in communities that are always problematic and unstable.

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In the years between the American Revolution and the U.S. Civil War, as legal and cultural understandings of citizenship became more racially restrictive, black writers articulated an expansive, practice-based theory of citizenship. Grounded in political participation, mutual aid, critique and revolution, and the myriad daily interactions between people living in the same spaces, citizenship, they argued, is not defined by who one is but, rather, by what one does. In The Practice of Citizenship, Derrick R. Spires examines the parallel development of early black print culture and legal and cultural understandings of U.S. citizenship, beginning in 1787, with the framing of the federal Constitution and the founding of the Free African Society by Absalom Jones and Richard Allen, and ending in 1861, with the onset of the Civil War. Between these two points he recovers understudied figures such as William J. Wilson, whose 1859 "Afric-American Picture Gallery" appeared in seven installments in The Anglo-African Magazine, and the physician, abolitionist, and essayist James McCune Smith. He places texts such as the proceedings of black state conventions alongside considerations of canonical figures such as Frances Ellen Watkins Harper and Frederick Douglass. Reading black print culture as a space where citizenship was both theorized and practiced, Spires reveals the degree to which concepts of black citizenship emerged through a highly creative and diverse community of letters, not easily reducible to representative figures or genres. From petitions to Congress to Frances Harper's parlor fiction, black writers framed citizenship both explicitly and implicitly, the book demonstrates, not simply as a response to white supremacy but as a matter of course in the shaping of their own communities and in meeting their own political, social, and cultural needs.

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