Search results for ""author dick"

'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick HornbyPatrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell.West Kensington - grey area of rot, and caretaking, and cat-slinking basements. West Kensington - drab asylum for the driven and cast-off genteel!' Patrick Hamilton was acutely conscious that his third novel (first published in 1928) was longer and 'much grimmer' than his previous and well-received productions. Twopence Coloured is the story of nineteen-year-old Jackie Mortimer, who leaves Hove in search of a life on the London stage, only to become entangled in 'provincial theatre' and complex affairs of the heart with two brothers, Richard and Charles Gissing. The novel, unavailable for many years, is a gimlet-eyed portrait of the theatrical vocation, and fully exhibits Hamilton's celebrated gift for conjuring London - the 'vast, thronged, unknown, hooting, electric-lit, dark-rumbling metropolis.

Read more less

‘Love set you going’. The opening words of Sylvia Plath’s poem for her newborn daughter are true of each one of us. Love is fundamental to our being, our growth, our development and our happiness. Love enables us to make meaning of our lives in the world, and it gives us hope for what lies beyond. It is completely humdrum and ordinary – yet mysterious beyond words. Beginning in the body, it points us to eternity. Life offers, and asks of us, many different kinds of love, and poets have reflected on this truth with insight and acute observation. As Janet Morley explores love ‘up and down the generations’, ‘grown up love’ and love between ‘God and the human heart’, she reveals what our hearts eventually discern – love has its seasons and ambiguities, its certainties and passions. Love is never simple at all. W. H. Auden * Rupert Brooke * Charles Causley * John Clare * Gillian Clarke * Samuel Taylor Coleridge * Christine De Luca * Imtiaz Dharker * Emily Dickinson * John Donne * Carol Ann Duffy * Ruth Fainlight * U. A. Fanthorpe * Seamus Heaney * George Herbert * Gerard Manley Hopkins * Ted Hughes * John of the Cross * Jane Kenyon * D. H. Lawrence * Edwin Morgan * Sinéad Morrissey * Sylvia Plath * Christina Rossetti * Siegfried Sassoon * E. J. Scovell * William Shakespeare * R. S. Thomas * Rosemary Tonks * Andrew Waterhouse * Charles Wesley * Rowan Williams * Thomas Wyatt

Read more less

A study of the journalistic and academic reception of the writings of one of the great American writers of the late twentieth century. When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that Becoming John Updike pursues by examining the journalistic and academic response tohis writings. Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out atleast one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book about his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.

Read more less

Traces Hemingway's critical fortunes over the ninety years of his prominence, telling us something about what we value in literature and why scholarly reputations rise and fall. Hemingway burst on the literary scene in the 1920s with spare, penetrating short stories and brilliant novels. Soon he was held as a standard for modern writers. Meanwhile, he used his celebrity to create a persona like the stoic,macho heroes of his fiction. After a decline during the 1930s and 1940s, he came roaring back with The Old Man and the Sea in 1952. Two years later he received the Nobel Prize. While his popularity waxed and waned during his lifetime, Hemingway's reputation among scholars remained strong as long as traditional scholarship dominated. New approaches beginning in the 1960s brought a sea change, however, finding grave fault with his work and making him a figure ripe for vilification. Yet during this time scholarship on him continued to appear. His works still sell well, and several are staples on high-school and college syllabi. A new scholarly edition of his letters is drawing prominent attention, and there is a resurgence in scholarly attention to - and approbation for - his work. Tracing Hemingway's critical fortunes tells us something about what we value in literature and why reputations rise and fall as scholars find new ways to examine and interpret creative work. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson, Updike,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.

Read more less

The Ethics of Mourning dramatically shifts the critical discussion of the lyric elegy from psychological economy to ethical responsibility. Beginning from a reevaluation of famously inconsolable mourners such as Niobe and Hamlet, R. Clifton Spargo discerns the tendency of all grief to depend at least temporarily upon the refusal of consolation. By disrupting the traditional social and psychological functions of grief, resistant mourners transform mourning into a profoundly ethical act. Spargo finds such examples of ethical mourning in opposition to socially acceptable expressions of grief throughout the English and American elegiac tradition. Drawing on the work of Paul Ricoeur, Bernard Williams, and Emmanuel Levinas, his book explores the ethical dimensions of anti-consolatory grief through astute readings of a wide range of texts-including treatments of Hamlet, Milton, and Renaissance elegists, extended readings of Dickinson, Shelley, and Hardy, and final chapters on American Holocaust elegies by Sylvia Plath and Randall Jarrell. Spargo argues that, to the extent that elegies are melancholic, to the extent that they resist the history of consolation and the strategies of commemoration implicit in elegiac conventions, they make an extraordinary ethical demand on us, asking that we remain in relationship to the other, even past the point of all usefulness. In the wake of the atrocities of the twentieth century, particularly the Holocaust, Spargo finds the crisis in the project of commemoration to be an event already inscribed with ethical meaning. He argues for the particular capacity of literature to undertake an imaginative risk on behalf of another that seems the very ground of ethics itself.

Read more less

The Roman poet Statius called the Via Appia "the Queen of Roads," and for nearly a thousand years that description held true, as countless travelers trod its path from the center of Rome to the heel of Italy. Today, the road is all but gone, destroyed by time, neglect, and the incursions of modernity; to travel the Appian Way today is to be a seeker, to walk in the footsteps of ghosts. Our guide to those ghosts - and the layers of history they represent - is Robert A. Kaster. In "The Appian Way", he brings a lifetime of studying Roman literature and history to his adventures along the ancient highway. A footsore Roman soldier pushing the imperial power south; craftsmen and farmers bringing their goods to the towns that lined the road; pious pilgrims headed to Jerusalem, using stage-by-stage directions we can still follow - all come to life once more as Kaster walks (and drives - and suffers car trouble) on what's left of the Appian Way. Other voices help him tell the story: Cicero, Goethe, Hawthorne, Dickens, James, and even Monty Python offer commentary, insight, and curmudgeonly grumbles, their voices blending like the ages of the road to create a telescopic, perhaps kaleidoscopic, view of present and past. To stand on the remnants of the Via Appia today is to stand in the pathway of history. With "The Appian Way", Kaster invites us to close our eyes and walk with him back in time, to the campaigns of Garibaldi, the revolt of Spartacus, and the glory days of Imperial Rome. No traveler will want to miss this fascinating journey.

Read more less

Escape to Norfolk with the Time Out Norfolk guide and uncover the best this wonderful county has to offer. We’ve used our local knowledge to reveal the best of the county and while we’ve included all the big attractions, we’ve gone beneath the surface to uncover plenty of small or hidden treasures too. With miles of magnificent coastline, walks and cycle trails galore, wonderful wildlife and nature reserves, exquisite towns and villages and a vibrant cultural scene, historic houses and gardens aplenty, Time Out Norfolk will help you uncover the best of this beautiful region. About the Time Out Norfolk guide: Grouped by region – all the information for each region is grouped together so you can easily plan your day, weekend or short break Detailed overview map of each region – each region is illustrated with a super-clear map so you can start to plan your route Beautiful photographs – be inspired by all the amazing sights with these gorgeous photos that bring the region to life before you’ve even left home Packed with recommendations – discover the best places to eat and drink, where to stay, what to see and do while you’re in that region Cultural connections – stand on the beach where Shakespeare in Love was filmed, walk in the footsteps of Alan Partridge, see where Dickens set David Copperfield and you can’t miss where Dad’s Army was filmed plus so many more iconic locations Handy thematic index – here you can see at-a glance all the attractions grouped by theme so if your interest is Farms, Festivals, Food or Film Sets, you can quickly access the activities to suit you So, maybe it’s your first time to Norfolk, maybe you haven't had a chance sift through hundreds of reviews online or get advice from your friends. No worries. Your Time Out guide to Norfolk is here to help. With all the key information neatly put together in this handy, pocket sized guide, you're good to go.

Read more less

The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was a bit tongue-in-cheek, but we meant it to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? Since then, we've been enormously gratified by the response that LARB has generated from readers, writers, academics, editors, publishers. We are a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting and disseminating the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.Today, we've created a new institution for writers and readers that is unlike anything else on the web. Our new LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. One question these people have continually asked us, though, is: When are you going to put out a print edition? Even though we've been (and remain) committed to the internet as both a space of conversation and a place of commerce, we've always wanted to have something physical, tangible, to be able to show for our work. We never really believed that books would die, or magazines either. The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The new LARB print quarterly will build on the best aspects of the current website. As we do now, we'll publish book reviews that strive to do something more than recommend or discourage a purchase; we're most interested in pieces that push the form of the book review into other genres, such as memoir, polemic, or short story. We are excited to explore the possibilities of this new format, and feel confident that the audience we've attracted over the past two years on the web will follow us. We know that our peers at Harper's, Bookforum, n+1, The Believer, and the New York and London Review of Books -- all of whom have expressed support and goodwill for this latest venture -- welcome a new voice from the West, as will subscribers. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

Read more less

"English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design, to printed letters--"black riders" on a blank page--that create language for the eye. He sketches the relation of modernist writing to key developments in book design, beginning with the nineteenth-century renaissance of printing, and demonstrates the continued interest of postmodern writers in the "visible language" of modernism. McGann then offers a philosophical investigation into the relation of knowledge and truth to this kind of imaginative writing. Exploring the work of writers like William Morris, Emily Dickinson, W. B. Yeats, Ezra Pound, and Gertrude Stein, as well as Laura Riding and Bob Brown, he shows how each exploits the visibilities of language, often by aligning their work with older traditions of so-called Adamic language. McGann argues that in modernist writing, philosophical nominalism emerges as a key aesthetic point of departure. Such writing thus develops a pragmatic and performative "answer to Plato" in the matter of poetry's relation to truth and philosophy.

Read more less

Charlie Chaplin once said, "Life is a tragedy when seen in close-up, but a comedy in long shot."Chaplin released the first of his four autobiographies in 1916 when he was on top of the world. He had just signed to appear in films for Mutual Company for the massive sum of $670,000. Three years earlier, he was earning $150 per week.However, within weeks of its release, his autobiography was withdrawn by its publisher, and all copies were thought to have been destroyed due to accusations of "ghost-writing" and Chaplin being less than accurate with the truth of his life.Charlie Chaplin's Own Story covers Chaplin's earliest life through his first brushes with fame and depicts Chaplin as he wished to be seen in 1916. Its naivete and pseudo-Dickensian portrayal of Chaplin's childhood give us an invaluable glimpse into the psyche of the man behind "The Little Tramp."Honoring the 130th anniversary of Chaplin's birth, this unique edition is illustrated with more than 20 black-and-white photographs. Professor Harry M. Geduld provides a unique and authoritative introduction to Chaplin's earliest theatrical career, which Chaplin himself discussed only sporadically.

Read more less

A Dickensian tale of two young boys from opposite sides of the track who form a bond of brotherhood and friendship as they survive the streets of Lagos. Temilola is a kind-hearted boy from the upper echelons of Nigerian society who wakes up alone in the middle of Lagos and discovers that he has lost his memory. He soon finds that this is the least of his problems, as he must now attempt to survive the dangerous streets of Lagos. Vipaar, who has been making a living as a hawker of random necessities on the streets of Lagos, finds Temilola and, after a violent first encounter, reluctantly takes him under his wing. They form a strong bond as they strive to make a meagre living selling mobile phone chargers to passing motorists on the dangerous highways of Lagos. The boys navigate the ruthless underbelly of Lagos and learn just how far they will go to protect themselves and each other. When tragedy strikes, their bond is broken and they are forced to separate from each other. Will the two friends find each other again after they both face increasing brutality, pain and sorrow? Or will their destinies have diverged enough to tear them apart forever?

Read more less

THE SUNDAY TIMES NUMBER ONE BESTSELLING MEMOIR OF SPY-WRITING LEGEND JOHN LE CARRÉ'As recognizable a writer as Dickens or Austen' Financial TimesFrom his years serving in British Intelligence during the Cold War to a career as a writer, John le Carré has lived a unique life.In this, his first memoir, le Carré is as funny as he is incisive - reading into the events he witnesses the same moral ambiguity with which he imbues his novels. Whether he's interviewing a German terrorist in her desert prison or watching Alec Guinness preparing for his role as George Smiley, this book invites us to think anew about events and people we believed we understood. Best of all, le Carré gives us a glimpse of a writer's journey over more than six decades, and his own hunt for the human spark that has given so much life and heart to his fictional characters.'No other writer has charted - pitilessly for politicians but thrillingly for readers - the public and secret histories of his times' Guardian'When I was under house arrest I was helped by the books of John le Carré . . . These were the journeys that made me feel that I was not really cut off from the rest of humankind' Aung San Suu Kyi

Read more less

“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton “An exceptional swan song for a beloved character.” —Kirkus Reviews (starred review) Third time’s a charm! Nate Foster returns home to Jankburg, Pennsylvania, to face his biggest challenge yet—high school—in this final novel in the Lambda Literary Award–winning Nate trilogy, which The New York Times calls “inspired and inspiring.”When the news hits that E.T.: The Musical wasn’t nominated for a single Tony Award—not one!—the show closes, leaving Nate both out of luck and out of a job. And while Nate’s cast mates are eager to move on (the boy he understudies already landed a role on a TV show!), Nate knows it’s back to square one, also known as Jankburg, Pennsylvania. Where horror (read: high school) awaits. Desperate to turn his life from flop to fabulous, Nate takes on a huge freshman English project with his BFF, Libby: he’s going to make a musical out of Charles Dickens’s Great Expectations. (What could possibly go…right?) But when Nate’s New York crush ghosts him, and his grades start to slip, he finds the only thing harder than being on Broadway is being a freshman — especially when you’ve got a secret you’re desperate to sing out about. This magical conclusion to Tim Federle’s beloved Nate series is a love letter to theater kids young and not-so-young—and for anyone who ever wondered if they could truly go home again. Especially when doing so means facing everything you thought you’d left behind.

Read more less

In a remarkable deed of original scholarly research and detailed detective work, Anne Weise recreates sketches of a lost life - of one of the millions of forgotten souls whose lives came to a violent end in the Holocaust. Her focus is Alfred Bergel (1902-1944), an artist and teacher from Vienna who was a close associate of Karl Koenig - the founder of the Camphill Movement for people with special needs - who wrote of Bergel in his youthful diaries as his best friend 'Fredi'. After the annexation of Austria, Alfred Bergel found himself unable to escape the horror of the National Socialist regime. Subsequently, in 1942 he was deported to the Theresienstadt camp. Imprisoned there, he produced numerous artistic works of the inmates of the ghetto and taught drawing, art history and art appreciation - sometimes in collaboration with the Bauhaus artist Friedl Dicker-Brandeis. During this period, he was also forced by the Nazis to produce forgeries of classic art works. One of the central figures of cultural life in the Theresienstadt ghetto, Bergel was eventually transported to the Auschwitz concentration camp in 1944 where, tragically, he was murdered. His name and his work are largely forgotten today, even amongst Holocaust researchers, but Weise succeeds in honouring the life of the Jewish artist by lovingly piecing together his biography, based on numerous personal testimonies by friends and contemporaries and supplemented with documents and many dozens of photos and colour reproductions of Bergel's artistic works. This invaluable recreation of a life provides insight not only into the desperate plight of a single individual, but also illustrates the human will and determination to survive in the context of one of the darkest periods of recent history.

Read more less

Passionfood is a feast of classic and contemporary love poems. There are a hundred flavours in this four-course celebration of love, passion and desire. Compiled by Staying Alive editor Neil Astley, its menu is distinctively different from that of other anthologies of love poetry. There are no broken hearts here. Passionfood is a celebration of true love - love that grows into love that lasts, love that fills every part of our lives, love that never leaves us. Passionfood opens with a starter selection of poems about attraction, desire and longing. Passion is the main course: the excitement of love, being and staying in love, including many of the greatest poems in our literature - by writers such as Shakespeare, John Donne, Elizabeth Barrett Browning, Emily Dickinson, Yeats and Auden. For dessert, the book offers deliciously saucy poems by leading contemporary poets. But like love, Passionfood is a feast which doesn't have to end. The fruit that follows dessert offers still more poetry to savour: poems about deepening love and friendship, love that never leaves us, poems celebrating closeness, trust and mutual understanding, poems of joy, wisdom and shared recognition. Passionfood is a book of positive, provocative and witty love poems for everyone whose life has been nourished and sustained by love, mixing passion with food for thought. It's also a book which holds out hope, and as such, a perfect gift for the person you love, for weddings and engagements, birthdays, anniversaries and Valentine's Day. This new edition is beautifully presented in a quarter-bound hardback gift format.

Read more less

The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence.Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader.The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.

Read more less

Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Grim Grotto, the siblings face mushrooms, a desperate search for something lost, a mechanical monster, a distressing message from a lost friend, and tap dancing… In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

Read more less

There is nothing to be found in the pages of A Series of Unfortunate Events but misery and despair. You still have time to choose another international best-seller to read. But if you must know what unpleasantries befall the charming and clever Baudelaire children read on … The Carnivorous Carnival contains such a distressing story that consuming any of its contents would be far more stomach-turning than even the most imbalanced meal. To avoid causing discomfort, it would be best if I didn’t mention any of the ingredients of this story, particularly a confusing map, an ambidextrous person, an unruly crowd, a wooden plank and Chabo the Wolf Baby. Your time might be better filled with something more palatable such as eating your vegetables or feeding them to someone else. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, 'A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All The Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

Read more less

Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Hostile Hospital the siblings face a suspicious shopkeeper, unnecessary surgery, heart-shaped balloons, and some very startling news about a fire. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

Read more less

‘Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.’ Simon SchamaSir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world’s foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging – from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama’s tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world’s most respected publications - the Times, the Guardian, the New Yorker, Harper’s Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world’s foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

Read more less

Biles' first-rate primer on the state's history will be a useful resource for anyone curious about a state whose residents have played crucial roles in almost every major episode in the nation's history.―Chicago Tribune Featuring 67 illustrations, Illinois will captivate readers of all ages and interests. Crossroads of the continent, Land of Lincoln, hub of commerce—or, as Charles Dickens viewed it, a landscape "oppressive in its barren monotony"—Illinois boasts a rich and varied past. In this far-reaching but compact history, Roger Biles provides a much-needed, up-to-date account of the state's development, from the early native settlements to the present. Focusing on Illinois' demographic changes over time, he highlights the key figures who contributed to the state's government, economy, culture, and the arts. While devoting attention to the touchstones of history, Illinois illuminates also the achievements of ordinary people, including the women, the African Americans, and the other minorities who—along with the politicians, the captains of industry, and the military heroes—contributed to the state's growth and prosperity. National events shaped the state as well, and Biles explores the impact of such crises as the Civil War and World War II on the people of Illinois. No history of Illinois can ignore the state's largest city, the dynamic metropolis on Lake Michigan—Chicago. Drawing on extensive research, Biles illuminates Chicago's past—its outbursts of labor unrest and racial tensions as well as the splendors of two world's fairs and an artistic renaissance—while at the same time relating Chicago to the larger story of Illinois and its people. Connecting lesser-known stories with the main events of the state's past, Biles writes in an accessible style that is at once entertaining and enlightening.

Read more less

An entertaining mathematical exploration of the heat equation and its role in the triumphant development of the trans-Atlantic telegraph cableHeat, like gravity, shapes nearly every aspect of our world and universe, from how milk dissolves in coffee to how molten planets cool. The heat equation, a cornerstone of modern physics, demystifies such processes, painting a mathematical picture of the way heat diffuses through matter. Presenting the mathematics and history behind the heat equation, Hot Molecules, Cold Electrons tells the remarkable story of how this foundational idea brought about one of the greatest technological advancements of the modern era.Paul Nahin vividly recounts the heat equation’s tremendous influence on society, showing how French mathematical physicist Joseph Fourier discovered, derived, and solved the equation in the early nineteenth century. Nahin then follows Scottish physicist William Thomson, whose further analysis of Fourier’s explorations led to the pioneering trans-Atlantic telegraph cable. This feat of engineering reduced the time it took to send a message across the ocean from weeks to minutes. Readers also learn that Thomson used Fourier’s solutions to calculate the age of the earth, and, in a bit of colorful lore, that writer Charles Dickens relied on the trans-Atlantic cable to save himself from a career-damaging scandal. The book’s mathematical and scientific explorations can be easily understood by anyone with a basic knowledge of high school calculus and physics, and MATLAB code is included to aid readers who would like to solve the heat equation themselves.A testament to the intricate links between mathematics and physics, Hot Molecules, Cold Electrons offers a fascinating glimpse into the relationship between a formative equation and one of the most important developments in the history of human communication.

Read more less

During the early 1990s, the diet drugs fen-phen and Redux achieved tremendous popularity. The chemical combination was discovered by chance, marketed with hyperbole, and prescribed to millions. But as the drugs' developer, pharmaceutical giant American Home Products, cashed in on the miracle weight-loss pills, medical researchers revealed that the drugs caused heart valve disease. This scandal was, incredibly, only the beginning of an unbelievable saga of greed and graft.In Fat Chance, Rick Christman recounts a story that a judicial tribunal member later described as "a tale worthy of the pen of Charles Dickens." As class action lawsuits against American Home Products began to be filed, four avaricious attorneys saw an irresistible opportunity. Bill Gallion, Shirley Cunningham, Melbourne Mills, and Stan Chesley contrived to a bring a class action suit to trial in Covington, Kentucky, where their hired trial consultant, Mark Modlin, had a manipulative relationship with the presiding judge, Jay Bamberger. Their efforts were rewarded with a $200 million settlement - a sum that the four lawyers immediately set out to plunder and misappropriate. Ultimately, two of the attorneys received long prison sentences, another was acquitted after claiming to be unaware of the grift due to his alcoholism, and one managed to escape criminal charges; all four were disbarred, and Bamberger was disbarred and disrobed.Recounting a dramatic affair that bears conspicuous similarities to opioid-related class action litigation against the pharmaceutical industry, Christman offers an engaging if occasionally horrifying account of one of America's most prominent product liability cases and the settlement's aftermath.

Read more less

“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton Third time’s a charm! Nate Foster returns home to Jankburg, Pennsylvania, to face his biggest challenge yet—high school—in this final novel in the Lambda Literary Award–winning Nate trilogy, which The New York Times calls “inspired and inspiring.”When the news hits that E.T.: The Musical wasn’t nominated for a single Tony Award—not one!—the show closes, leaving Nate both out of luck and out of a job. And while Nate’s cast mates are eager to move on (the boy he understudies already landed a role on a TV show!), Nate knows it’s back to square one, also known as Jankburg, Pennsylvania. Where horror (read: high school) awaits. Desperate to turn his life from flop to fabulous, Nate takes on a huge freshman English project with his BFF, Libby: he’s going to make a musical out of Charles Dickens’s Great Expectations. (What could possibly go…right?) But when Nate’s New York crush ghosts him, and his grades start to slip, he finds the only thing harder than being on Broadway is being a freshman — especially when you’ve got a secret you’re desperate to sing out about. This magical conclusion to Tim Federle’s beloved Nate series is a love letter to theater kids young and not-so-young—and for anyone who ever wondered if they could truly go home again. Especially when doing so means facing everything you thought you’d left behind.

Read more less

A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains.Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel.

Read more less

The Tooth that Nibbles at the Soul brings together Marshall Brown’s new and previously published writings on literature and music. These essays engage questions that are central to the development of literature, music, and the arts in the period from Romanticism at the end of the eighteenth century to the avant-garde movements of the early twentieth, a period in which the modern evolution of the arts is coupled with a rise in the significance of music as artistic form. With a special focus on lyric poetry and canonical composers including Mozart, Bach, Beethoven, Brahms, and Schubert, Brown ties the growing prominence of music in this period to the modernist principle of abstraction. Music, as Brown provocatively notes, conveys meaning without explicitly saying anything. This principle of abstraction could be taken as the overriding formula for modernist art in general; and it explains why in this period music becomes the model to which all the other arts, in particular painting and literature, aspire. Brown’s title, taken from a poem by Emily Dickinson, reminds us that abstraction -- musical and artistic – is anything but toothless; indeed, it “nibbles at the soul” in subtle and enduring ways. Throughout his wide-ranging and erudite analysis, Brown’s goal is to pinpoint the nature of music’s bite and to illuminate the shared elements of literature and music. While there are many previous comparisons of music and poetry, few are systematic or based on a solid knowledge of both literary criticism and musicology. Brown’s essays can be enjoyed by a general, well-read public not trained in either music or eighteenth-century literature, as well as by an audience steeped in sophisticated (if not technical) musical analysis.

Read more less

“Extraordinary...beautifully precise...[an] earnestly ambitious debut.” —The New York Times Book Review “A wild, angry, and devastating masterpiece of a book.” —NPR “[A] descendent of the Dickensian ‘social novel’ by way of Jonathan Franzen: epic fiction that lays bare contemporary culture clashes, showing us who we are and how we got here.” —O, The Oprah Magazine “A book that has stayed with me ever since I put it down.” —Seth Meyers, host of Late Night with Seth MeyersOne sweltering night in 2013, four former high school classmates converge on their hometown in northeastern Ohio. There’s Bill Ashcraft, a passionate, drug-abusing young activist whose flailing ambitions have taken him from Cambodia to Zuccotti Park to post-BP New Orleans, and now back home with a mysterious package strapped to the undercarriage of his truck; Stacey Moore, a doctoral candidate reluctantly confronting her family and the mother of her best friend and first love, whose disappearance spurs the mystery at the heart of the novel; Dan Eaton, a shy veteran of three tours in Iraq, home for a dinner date with the high school sweetheart he’s tried desperately to forget; and the beautiful, fragile Tina Ross, whose rendezvous with the washed-up captain of the football team triggers the novel’s shocking climax. Set over the course of a single evening, Ohio toggles between the perspectives of these unforgettable characters as they unearth dark secrets, revisit old regrets and uncover—and compound—bitter betrayals. Before the evening is through, these narratives converge masterfully to reveal a mystery so dark and shocking it will take your breath away.

Read more less

Explore the sensation of tart, fruity and refreshing Gose-style beers, popular in Germany centuries ago and experiencing a renaissance today. Follow the development of this lightly sour wheat beer as it grew, then bordered on extinction, before surging into popularity due to the enthusiasm and experimentation of American craft brewers. Gose explores the history of this lightly sour wheat beer style, its traditional ingredients and special brewing techniques. Discover brewing methods from the Middle Ages and learn how to translate them to modern day beer. Learn about salinity, spices, and lactic acid as you experiment with Gose recipes from some of the best-known craft brewers of our time. This refreshing journey captures the innovation and experimentation that is occurring within the style and help you brew your own Gose-style beers."There is more to Gose than just coriander and salt. Fal Allen reveals its rich history while giving the reader an in-depth introduction to both modern and historic Gose-style beers, their ingredients, and their quirks. Follow Gose on its journey from the imperial city of Goslar into the Gosenschaenke of Leipzig and on to craft breweries in the US and the world." --Benedikt Rausch, Wilder Walt, wilder-wald.comFal takes us on a Dickensian journey through time, detailing what was, what is, and what may become of our beloved and mostly misunderstood Gose. Fal covers the depth and breadth of brewing Gose, with tips, cleaver tricks, and tasty anecdotes along the way. Whether you're a beer newbie or a master brewer, this book is required reading for all." --Kristen England, Head Brewer, Bent Brewstillery

Read more less

In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.

Read more less

Half of the world’s population today lives in coastal regions lapped by tidal waters. But the tide rises and falls according to rules that are a mystery to almost all of us. In The Tide, celebrated science writer Hugh Aldersey-Williams weaves together centuries of scientific thinking with the literature and folklore the tide has inspired to explain the power and workings of this most remarkable force. Here is the epic story of the long search to understand the tide: from Aristotle, who is said to have drowned himself in his efforts to figure out the Greek tides, to the pioneering investigations into the role of the moon by Galileo and Newton, to the quest to understand and even control the tide in our own time. Throughout, Aldersey-Williams whisks the reader along on his travels in search of the most remarkable tidal phenomena. He visits the Bay of Fundy in Nova Scotia, where the tides are the strongest in the world; arctic Norway, home of the raging tidal whirlpool known as the maelstrom; and Venice, to investigate efforts to defend the city against flooding caused by the famed acqua alta. Along the way, Aldersey-Williams delves into classic literary portrayals of the tide from Shakespeare to Dickens, Melville to Jules Verne. And he reveals the tidal truths behind the Homeric tale of Scylla and Charybdis, the biblical story of Moses parting the Red Sea, the conquests of Julius Caesar, the Boston Tea Party, and the D-Day landings in Normandy.

Read more less

'Show me another pleasure like dinner which comes every day and lasts an hour.' – Talleyrand 'He was a bold man that first ate an oyster.' – Jonathan Swift ‘There is no love sincerer than the love of food’ wrote George Bernard Shaw in 1903. Poets, novelists, chefs and gourmands before and after him would seem to agree. Collected in this anthology is a mouth-watering selection of excerpts on the subject of eating, drinking, cooking and serving food, guaranteed to whet every reader’s appetite. Themed sections group together poetry and prose on grapes and bottles, the ideal cuisine, hangover cures and vivid vignettes of dinner-party behaviour, including Mrs Gaskell eating peas with a knife. There are stories about food fit for kings, a duchess’s ‘rumblings abdominal’, fine dining, eating abroad, cooking at home and gastronomic excesses. A section on food and travel features Edmund Hillary’s meal at the summit of Everest, Ernest Shackleton’s dish of penguin in the Antarctic and Joshua Slocum on the unfortunate effects of cheese and plums while sailing solo around the world. Also on the menu are limericks, short-tempered cooks, recipes, fantasy food, special feasts, iron rations, tips on opening oysters and the uses and abuses of coffee. Featuring writers as diverse as Brillat-Savarin, Edward Lear, John Keats, Collette, Charles Dickens, Maria Edgeworth and Marcel Proust and interspersed with a generous helping of cartoons, this is a perfect gift for foodies, chefs, picnickers and epicurean explorers.

Read more less

In 1859, the S.S. Great Eastern departed from England on her maiden voyage. She was a remarkable wonder of the nineteenth century: an iron city longer than Trafalgar Square, taller than Big Ben's tower, heavier than Westminster Cathedral. Her paddles were the size of Ferris wheels; her decks could hold four thousand passengers bound for America, or ten thousand troops bound for the Raj. Yet she ended her days as a floating carnival before being unceremoniously dismantled in 1889. Steamships like the Great Eastern occupied a singular place in the Victorian mind. Crossing oceans, ferrying tourists and troops alike, they became emblems of nationalism, modernity, and humankind's triumph over the cruel elements. Throughout the nineteenth century, the spectacle of a ship's launch was one of the most recognizable symbols of British social and technological progress. Yet this celebration of the power of the empire masked overconfidence and an almost religious veneration of technology. Equating steam with civilization had catastrophic consequences for subjugated peoples around the world. Engines of Empire tells the story of the complex relationship between Victorians and their wondrous steamships, following famous travelers like Mark Twain, Charles Dickens, and Jules Verne as well as ordinary spectators, tourists, and imperial administrators as they crossed oceans bound for the colonies. Rich with anecdotes and wry humor, it is a fascinating glimpse into a world where an empire felt powerful and anything seemed possible—if there was an engine behind it.

Read more less

The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers. The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe. Here are Rumi and Rilke on the rose; Herrick and Louise Glück on the lily; Chaucer, Emily Dickinson and Jon Silkin on the daisy; Mary Robinson and Ted Hughes on the snowdrop; Lorenzo de Medici, John Clare and Alice Oswald on the violet; Hugo and Roethke on carnations; Ovid and Goethe on poppies; Blake and Eugenio Montale on the sunflower; Christina Rossetti on heartsease and forget-me-nots; Emily Brontë on harebells and heather, Seamus Heaney on lupins, Pasternak on night-scented stock... Eastern cultures, rich in flower associations, are well represented: there are Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, roses, tulips and narcissi from Persia, the Ottoman empire and the Arabic world. Flowers are arranged by season, with roses and lilies in a section of their own. In a final section poets comment directly or indirectly on the language of flowers itself. The book concludes with a selected glossary drawn from several celebrated Victorian collections.

Read more less

‘Spellbinding. Once you start reading you don’t want to put it down. It is emotional and your heart will go out to these children… I loved it. I couldn’t put it down’ NetGalley review ⭐⭐⭐⭐⭐ The USA Today Bestseller Two sisters. One secret. A daring wartime journey… Desperate to escape their stepfather’s house, sisters Amy and Lillian stow away aboard a train full of children being evacuated from London and the threat of Hitler’s bombs. Arriving in the seaside town of Worthing, they are taken in by kindly Norah and her husband Jim. With their future now entrusted to strangers, can the girls finally find a safe harbour in these dark days of war? And will they find the strength to confront what they have been running from, when their past finally catches up with them? An absolutely heartbreaking and uplifting wartime story of courage, sisterhood and the power of love. Perfect for fans of Shirley Dickson, Glynis Peters and Lisa Wingate. Don’t miss the next chapter of the sisters’ story, The Lost Orphan, available to pre-order now! Readers love The Runaway Orphans: ‘Read this book in ONE sitting… Heartbreak, love… A story to lift your heart. Wonderful’ NetGalley review ⭐⭐⭐⭐⭐ ‘Impossible to put down… Heart-breaking and heart-warming all at the same time’ NetGalley review ⭐⭐⭐⭐⭐ ‘A very emotional book and had me in tears… Excellent 5*’ NetGalley review ⭐⭐⭐⭐⭐ ‘So emotional that will touch your heart… A wonderful atmospheric journey and I enjoyed every single chapter ’ NetGalley review ⭐⭐⭐⭐⭐ ‘Gripping and emotional… Once I started it, I didn't want to put it down and read it in two sittings’ NetGalley review ⭐⭐⭐⭐⭐ ‘Oh this book had me on the edge of my seat so many times! I was rooting for those poor girls’ NetGalley review ⭐⭐⭐⭐⭐ ‘Wow… Loved all the characters… I enjoyed it so much I finished it within 24hrs. Would highly recommend’ NetGalley review ⭐⭐⭐⭐⭐ ‘What a beautiful book. I couldn't stop reading until the last page’ NetGalley review ⭐⭐⭐⭐⭐ ‘I loved this… Gripping and emotional. Once I started it, I didn't want to put it down and read it in two sittings’ NetGalley review ⭐⭐⭐⭐⭐

Read more less

The Canadian Charter of Rights and Freedoms became an entrenched part of the Canadian Constitution on April 17, 1982. The Charter represented a significant change in Canadian constitutional order and carried the courts, and the Supreme Court in particular, decisively into some of the biggest controversies in Canadian politics. Although the impact of the Charter on Canadian law and society was profound, a new status quo has been established. Even though there will be future Charter surprises and decisions that will claim news headlines, Peter J. McCormick argues that these cases will be occasional rather than frequent, and that the Charter "revolution" is over. Or, as he puts it in his introduction, "I will tell a story about the Charter, about the big ripples that have gradually but steadily died away such that the surface of the pond is now almost smooth." The End of the Charter Revolution explores the Canadian Charter of Rights and Freedoms, beginning with a general historical background, followed by a survey of the significant changes brought about as Charter decisions were made. The book addresses a series of specific cases made before the Dickson, Lamer, and McLachlin Courts, and then provides empirical data to support the argument that the Charter revolution has ended. The Supreme Court has without question become "a national institution of the first order," but even though the Charter is a large part of why this has happened, it is not Charter decisions that will showcase the exercise of this power in the future.

Read more less

Never has the Victorian novel appeared so perverse as it does in these pages—and never his its perversity seemed so fundamental to its accomplishment. Whether discussing George Eliot’s lesbian readers, Anthony Trollope’s whorish heroines, or Charles Dickens’s masturbating characters, William A. Cohen’s study explodes the decorum of mainstream nineteenth-century fiction. By viewing this fiction alongside the most alarming public scandals of the day, Cohen exposes both the scandalousness of this literature and its sexiness.Scandal, then as now, makes public the secret indiscretions of prominent people, engrossing its audience in salacious details that violate the very code of propriety it aims to enforce. In narratives ranging from Great Expectations to the Boulton and Park sodomy scandal of 1870–71, from Eliot’s and Trollope’s novels about scandalous women to Oscar Wilde’s writing and his trials for homosexuality, Cohen shows how, in each instance, sexuality appears couched in coded terms. He identifies an assortment of cunning narrative techniques used to insinuate sex into Victorian writing, demonstrating that even as such narratives air the scandalous subject, they emphasize its unspeakable nature. Written with an eye toward the sex scandals that still whet the appetites of consumers of news and novels, this work is suggestive about our own modes of imagining sexuality today and how we arrived at them. Sex Scandal will appeal to scholars and general readers interested in Victorian literature, the history of sexuality, gender studies, nineteenth-century Britain, and gay, lesbian, and queer studies.

Read more less

In eighteenth-century England, the encounter between humans and other animals took a singular turn with the discovery of the great apes and the rise of bourgeois pet keeping. These historical changes created a new cultural and intellectual context for the understanding and representation of animal-kind, and the nonhuman animal has thus played a significant role in imaginative literature from that period to the present day. In Homeless Dogs and Melancholy Apes, Laura Brown shows how the literary works of the eighteenth century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, affording a uniquely flexible perspective on difference, hierarchy, intimacy, diversity, and transcendence. Writers of this first age of the rise of the animal in the modern literary imagination used their nonhuman characters—from the lapdogs of Alexander Pope and his contemporaries to the ill-mannered monkey of Frances Burney's Evelina or the ape-like Yahoos of Jonathan Swift—to explore questions of human identity and self-definition, human love and the experience of intimacy, and human diversity and the boundaries of convention. Later literary works continued to use imaginary animals to question human conventions of form and thought. Brown pursues this engagement with animal-kind into the nineteenth century—through works by Mary Shelley, Charles Dickens, and Elizabeth Barrett Browning—and into the twentieth, with a concluding account of Paul Auster's dog-novel, Timbuktu. Auster's work suggests that—today as in the eighteenth century—imagining other animals opens up a potential for dissonance that creates distinctive opportunities for human creativity.

Read more less

Jonna lives in an orphanage whose manager is strict and obsessed with cleanliness. Like all the other children, Jonna has only one dream: to be adopted by a well-dressed mother who smells of perfume. But one day, a beat-up old car pulls up. The door opens and out step two thick hairy legs with muddy boots, followed by a belly as round as a barrel, and finally, a head like an overgrown pear. It's a gorilla! Surely the orphanage won't let a gorilla adopt a child. But, to Jonna's horror, the gorilla chooses her... Jonna sleeps in a hammock, and in the evenings the gorilla reads Dickens in her worn armchair. It turns out Jonna and the gorilla have a lot in common. But just when they’ve started to get along, a man from the council threatens to send Jonna back to the orphanage. The Ape Star is a heartwarming and unconventional chapter book about love, adoption, friendship, and seeing from different perspectives. An animated adaption starring Stellan Skarsgård (Thor: Ragnarok, Mamma Mia) is now showing worldwide. “Nilsson has a peculiar power to make you remember exactly what it was like to be small, fierce, disempowered and six.” The Times UK on Hattie “A sparkling story” Kirkus Reviews on Hattie and Olaf “The Ice Sea Pirates is a wild adventure with a huge heart…a beautiful book singing with hope and justice.” Sarah Driver of The Huntress

Read more less

There may be eight million stories in the Naked City, but there are also nearly three million dwelling places, ranging from Park Avenue palaces to Dickensian garrets and encompassing much in between. The doorways to these residences are tantalizing portals opening onto largely invisible lives. Habitats offers 40 vivid and intimate stories about how New Yorkers really live in their brownstones, their apartments, their mansions, their lofts, and as a whole presents a rich, multi-textured portrait of what it means to make a home in the world’s most varied and powerful city. These essays, expanded versions of a selection of the Habitats column published in the Real Estate section of The New York Times, take readers to both familiar and remote sections of the city—to history-rich townhouses, to low-income housing projects, to out-of-the-way places far from the beaten track, to every corner of the five boroughs—and introduce them to a wide variety of families and individuals who call New York home. These pieces reveal a great deal about the city’s past and its rich store of historic dwellings. Along with exploring the deep and even mystical connections people feel to the place where they live, these pieces, taken as a whole, offer a mosaic of domestic life in one of the world’s most fascinating cities and a vivid portrait of the true meaning of home in the 21st-century metropolis.

Read more less

The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.

Read more less

The field of lesbian studies is often framed in terms of the relation between lesbianism and invisibility. Annamarie Jagose here takes a radical new approach, suggesting that the focus on invisibility and visibility is perhaps not the most productive way of looking at lesbian representability. Jagose argues that the theoretical preoccupation with metaphors of visibility is part of the problem it attempts to remedy. In her account, the regulatory difference between heterosexuality and homosexuality relies less on codes of visual recognition than on a cultural adherence to the force of first order, second order sexual sequence. As Jagose points out, sequence does not simply specify what comes before and what comes after; it also implies precedence: what comes first and what comes second. Jagose reads canonical novels by Charles Dickens, Henry James, Virginia Woolf, and Daphne du Maurier, drawing upon their elaboration of sexual sequence. In these innovative readings, tropes such as first and second, origin and outcome, and heterosexuality and homosexuality are shown to reinforce heterosexual precedence. Inconsequence intervenes in current debates in lesbian historiography, taking as its pivotal moment the fin-de-siècle phenomenon of the sexological codification of sexual taxonomies and concluding with a reading of a post-Kinsey pulp sexological text. Throughout, Jagose reminds us that categories of sexual registration are always back-formations, secondary, and belated, not only for those who identify as lesbian but also for all sexual subjects.

Read more less

The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.

Read more less

In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also presents the latest run of Logan’s infamous poetry chronicles and reviews, which for twenty-five years have bedeviled American verse. Logan believes that poetry criticism must be both adventurous and forthright—and that no reader should settle for being told that every poet is a genius. Among the poets under review by the “preeminent poet-critic of his generation” and “most hated man in American poetry” are Anne Carson, Jorie Graham, Paul Muldoon, John Ashbery, Geoffrey Hill, Louise Glück, John Berryman, Marianne Moore, Frederick Seidel, Les Murray, Yusef Komunyakaa, Sharon Olds, Johnny Cash, James Franco, and the former archbishop of Canterbury.Logan’s criticism stands on the broken ground of poetry, soaked in history and soiled by it. These essays and reviews work in the deep undercurrents of our poetry, judging the weak and the strong but finding in weakness and strength what endures.

Read more less

A dozen years into austerity, statistical warning lights are flashing to suggest a return to types of deprivation we once imagined we had consigned to history. In the decade up to the pandemic, the official count of rough sleepers and recorded malnutrition in hospital patients both doubled, while recourse to food banks rocketed by an order of magnitude. And yet it has never been statistics but rather individual human stories - from the fictionalised accounts of Dickens to the faithful reporting of Orwell and Priestley - that have seared the reality of hard times into the public imagination. In Broke, Tom Clark assembles today's masters of social reportage to go deep into the communities so often ignored by politicians, introducing us to those at the hardest end of the poverty crisis. Contributions from Jem Bartholomew, Cal Flyn, Dani Garavelli, Frances Ryan, Samira Shackle, Daniel Trilling and Jennifer Williams, and a foreword by Kerry Hudson, unflinchingly reveal the contemporary experience of cold, hunger, homelessness, disease, debt, disability, punishing work and an immigration system that makes people destitute by design. With Joel Goodman's photography bringing the characters to life, and some of the writers having had first-hand experience of the issues raised, Broke blends powerful human stories with analysis of the policies that have led us to this point - and the reforms we urgently need. All royalties will be donated to Leeds Asylum Seekers' Support Network

Read more less

Night Boat to New York: Steamboats on the Connecticut, 1824-1931, is a portrait of the vanished steamboat days–when a procession of stately sidewheelers plied between Hartford and New York City, docking at Peck’s Slip on the East River in the shadow of the Brooklyn Bridge. At one time, Hartford could boast two thousand steamboat arrivals and departures in a year. Altogether, some thirty-five large steamboats were in service on the Connecticut River in these years, largely on the Hartford to New York City route. These Long Island Sound steamers, unlike the tubby, wedding cake dowagers of Western waters, were long, sleek craft, with sharp prows cutting a neat wake as they cruised along. Departing each afternoon from State Street or Talcott Street wharf in Hartford, the “night boats” reached New York at daybreak, inaugurating a pattern of city commuting that continues to this day. Steamboating not only brought people and goods—Colt’s firearms and Essex’s pianos—down river to New York for export to world markets, but also helped America’s inland “spa Culture” transplant itself to the seashore, making steamboating not just convenient transportation but also a social phenomenon noted by such writers as Charles Dickens and Mark Twain. No wonder crowds wept in the fall of 1931, when the last steamboats, made obsolete by the automobile, churned away from the dock and headed downriver—never to return.

Read more less

A Washington Post 2021 Non-Fiction Book of the Year New York Times Review of Books Editors' Choice Non-Fiction Title Longlisted for the 2022 PEN / Jacqueline Bograd Weld Award for Biography 'Beautifully told. It is high time Elizabeth Barrett Browning and Aurora Leigh were once again household names.' Mail on Sunday 'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. Elizabeth was born in 1806, a time when women could neither attend university nor vote, and yet she achieved lasting literary fame. She remains Britain's greatest woman poet, whose work has inspired writers from Emily Dickinson to George Eliot and Virginia Woolf. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself: a literary giant and a high-profile activist for the abolition of slavery who believed herself to be of mixed heritage; and a writer who defied chronic illness and long-term disability to change the course of cultural history. It holds up a mirror to the woman, her art - and the art of biography itself.

Read more less

Wrap up warm and explore the breath-taking beauty of a remote Scottish island and an old house waiting to unlock enchanting family secrets. Fans of Jill Mansell and Milly Johnson will love this irresistible new winter novel from Jo Thomas. Do you need to find out where you've come from before you can know what the future holds?Ruby's singing career is on the verge of hitting the big time, when her voice breaks. Fearing her career is over, she signs up for a retreat in Tenerife to recover.But an unexpected call from a stranger on a remote Scottish island takes her on a short trip to sort out some family business. It's time to go and see the grandfather she's never met.City girl Ruby knows she will be happy to leave the windswept beaches behind as quickly as she can, especially as a years-old family rift means she knows she won't be welcome at Teach Mhor.But as she arrives at the big house overlooking the bay, she finds things are not as straightforward as she might have thought. There's an unexpected guest in the house and he's not planning on going anywhere any time soon ...Praise for Jo Thomas:'Magically romantic...best read in front of a crackling log fire' Milly Johnson'The characters went straight to my heart' Katie Fforde'A sparkling, heartwarming hug of a story' Miranda Dickinson'Like the best kind of holiday' Lucy Diamond

Read more less

Clerkenwell and Islington are two of London’s most historic districts; areas where radicalism once thrived and heavy industry flourished, and where poverty and lawlessness were commonplace. This diverse and colourful history can be traced in the area’s many pubs. The ancient parish of Clerkenwell, located just outside the City of London’s walls, was historically the home of the Knights Hospitallers of St John of Jerusalem. Later, it became famous for its watchmaking and printing industry. Dickens knew Clerkenwell, and it features in Oliver Twist, while it was here that Vladimir Lenin sowed the nascent seeds of Communism and in Little Italy Garibaldi was welcomed as a hero. But revolution and picking pockets is thirsty work, and the area’s pubs were plentiful and varied. Islington, further north, was once a country retreat far away from the noise and industry of the city, but today this once solidly working-class area, now favoured by the rich and the famous, is boisterous and busy and boasts a mixture of traditional hostelries, gastropubs and craft beer bars. Clerkenwell and Islington Pubs takes an historical, and sometimes contemporary, look at some of the area’s most interesting watering holes; drinking destinations that down the years have played host to a varied cast of characters that includes the likes of Samuel Pepys, Joe Orton, The Clash, U2, George Orwell and even James I.

Read more less