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“a welcome addition to a growing body of scholarly writing… a comprehensive critical survey of the literature on cultural heritage and tourism and associated issues in the fields of cultural and media studies over the previous decade. These concepts and issues are clearly presented and exemplified in the case studies of numerous sites of cultural display…” Southern Review Why is culture so widely on display? What are the major characteristics of contemporary cultural display? What is the relationship between cultural display and key features of contemporary society: the rise of consumerism; tourism; ‘identity-speak’; globalization? What can cultural display tell us about current relations of self and other, here and there, now and then? Culture on Display invites the reader to visit culture. Reflecting on the contemporary proliferation of sites displaying culture in visitable form, it offers fresh ways of thinking about tourism, leisure and heritage. Bella Dicks locates diverse exhibitionary locations within wider social, economic and cultural transformations, including contemporary practices of tourism and travel, strategies of economic development, the staging of identities, globalization, interactivity and relations of consumerism. In particular, she critically examines how culture becomes transformed when it is put on display within these contexts. In each chapter, key theoretical issues of debate, such as authenticity, commodification and representation, are discussed in a lively and accessible manner.This is an important book for undergraduate and postgraduate students of cultural policy, cultural and media studies and sociology, as well as academic researchers in this field. It will also be of considerable value to students of sociology of culture, cultural politics, arts administration and cultural management.

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The first anthology of Instagram poetry, Instagram Poetry for Every Day, collates over 100 poems by some of the top handles to follow in the exciting world of digital poetry.A must-have for fans of Rupi Kaur, Atticus and R.H. Sin and the perfect introduction to the wide scope of Insta-poetry for newcomers to the genre.The first of its kind, this anthology brings together work of popular Insta-poets as well as up-and-coming talent. Short, relatable and hard-hitting, the poems embrace contemporary themes of mental health, women's empowerment, racial prejudice, gender diversity and political turmoil, as well as the perennial poetic preoccupations of love, nature and loss. With a wide range of voices, themes and visual approaches, there is something here that will speak to all of us.Instagram poetry has become a massive phenomenon in recent years and is credited with introducing and popularising verse with a new generation. Insta-poets are dominating not only the poetry charts, but the bestseller lists and bringing poetry books to prime front of shop display in bookshops. The accessibility and shareable nature of the Instagram poem has hit a nerve and offers an emotional release with the modern, online audiences.Including works from Instagram sensations:• Nikita Gill @nikita_gill• Travis @travisalabanza• M.ivy @ivyatmidnight• Christopher Poindexter @christopherpoindexterInstagram Poetry for Every Day is curated by editors Chris McCabe and Jessica Atkinson from the National Poetry Library. Founded in 1953 and opened by poets T.S. Eliot and Herbert Read, the National Poetry Library is home to the most comprehensive collection of poetry in the UK. In 2017, the National Poetry Library curated the world's first Instagram poetry exhibition.

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THE INSTANT #1 INTERNATIONAL BESTSELLERThe final novel in the Seven Sisters series is here. Spanning a lifetime of love and loss, crossing borders and oceans, Atlas: The Story of Pa Salt, co-authored by her son Harry Whittaker, draws Lucinda Riley's saga to its stunning, unforgettable conclusion.1928, Paris. A boy is found, moments from death, and taken in by a kindly family. Gentle, precocious, talented, he flourishes in his new home, and the family show him a life he hadn’t dreamed possible. But he refuses to speak a word about who he really is.As he grows into a young man, falling in love and taking classes at the prestigious Conservatoire de Paris, he can almost forget the terrors of his past, or the promise he has vowed to keep. But across Europe an evil is rising, and no-one’s safety is certain. In his heart, he knows the time will come when he must flee once more.2008, the Aegean. The seven sisters are gathered together for the first time, on board the Titan, to say a final goodbye to the enigmatic father they loved so dearly.To the surprise of everyone, it is the missing sister who Pa Salt has chosen to entrust with the clue to their pasts. But for every truth revealed, another question emerges. The sisters must confront the idea that their adored father was someone they barely knew. And even more shockingly: that these long-buried secrets may still have consequences for them today.In this epic conclusion to the Seven Sisters series, everything will be revealed.

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Winner, 2021 Ray and Pat Browne Edited Collection Award, given by the Popular Culture Association How popular culture is engaged by activists to effect emancipatory political change One cannot change the world unless one can imagine what a better world might look like. Civic imagination is the capacity to conceptualize alternatives to current cultural, social, political, or economic conditions; it also requires the ability to see oneself as a civic agent capable of making change, as a participant in a larger democratic culture. Popular Culture and the Civic Imagination represents a call for greater clarity about what we’re fighting for—not just what we’re fighting against. Across more than thirty examples from social movements around the world, this casebook proposes “civic imagination” as a framework that can help us identify, support, and practice new kinds of communal participation. As the contributors demonstrate, young people, in particular, are turning to popular culture—from Beyoncé to Bollywood, from Smokey Bear to Hamilton, from comic books to VR—for the vernacular through which they can express their discontent with current conditions. A young activist uses YouTube to speak back against J. K. Rowling in the voice of Cho Chang in order to challenge the superficial representation of Asian Americans in children’s literature. Murals in Los Angeles are employed to construct a mythic imagination of Chicano identity. Twitter users have turned to #BlackGirlMagic to highlight the black radical imagination and construct new visions of female empowerment. In each instance, activists demonstrate what happens when the creative energies of fans are infused with deep political commitment, mobilizing new visions of what a better democracy might look like.

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Amber L. Hollibaugh is a lesbian sex radical, ex-hooker, incest survivor, gypsy child, poor-white-trash, high femme dyke. She is also an award-winning filmmaker, feminist, Left political organizer, public speaker, and journalist. My Dangerous Desires presents over twenty years of Hollibaugh’s writing, an introduction written especially for this book, and five new essays including “A Queer Girl Dreaming Her Way Home,” “My Dangerous Desires,” and “Sexuality, Labor, and the New Trade Unionism.”In looking at themes such as the relationship between activism and desire or how sexuality can be intimately tied to one’s class identity, Hollibaugh fiercely and fearlessly analyzes her own political development as a response to her unique personal history. She explores the concept of labeling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. The volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherríe Moraga. From the groundbreaking article “What We’re Rollin’ Around in Bed With” to the radical “Sex Work Notes: Some Tensions of a Former Whore and a Practicing Feminist,” Hollibaugh charges ahead to describe her reality, never flinching from the truth. Dorothy Allison’s moving foreword pays tribute to a life lived in struggle by a working-class lesbian who, like herself, refuses to suppress her dangerous desires.Having informed many of the debates that have become central to gay and lesbian activism, Hollibaugh’s work challenges her readers to speak, write, and record their desires—especially, perhaps, the most dangerous of them—“in order for us all to survive.”

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Christian Gauss Award ShortlistWinner of the ASAP Book PrizeA Literary Hub Book of the Year“Makes the case that the gimmick…is of tremendous critical value…Lies somewhere between critical theory and Sontag’s best work.”—Los Angeles Review of Books“Ngai exposes capitalism’s tricks in her mind-blowing study of the time- and labor-saving devices we call gimmicks.”—New Statesman“One of the most creative humanities scholars working today…My god, it’s so good.”—Literary Hub“Ngai is a keen analyst of overlooked or denigrated categories in art and life…Highly original.”—4Columns“It is undeniable that part of what makes Ngai’s analyses of aesthetic categories so appealing…is simply her capacity to speak about them brilliantly.”—Bookforum“A page turner.”—American Literary HistoryDeeply objectionable and yet strangely attractive, the gimmick comes in many guises: a musical hook, a financial strategy, a striptease, a novel of ideas. Above all, acclaimed theorist Sianne Ngai argues, the gimmick strikes us both as working too little (a labor-saving trick) and working too hard (a strained effort to get our attention).When we call something a gimmick, we register misgivings that suggest broader anxieties about value, money, and time, making the gimmick a hallmark of capitalism. With wit and critical precision, Ngai explores the extravagantly impoverished gimmick across a range of examples: the fiction of Thomas Mann, Helen DeWitt, and Henry James; the video art of Stan Douglas; the theoretical writings of Stanley Cavell and Theodor Adorno. Despite its status as cheap and compromised, the gimmick emerges as a surprisingly powerful tool in this formidable contribution to aesthetic theory.

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A sophisticated look into the eight Greek myths that remain the most relevant to us today, exploring their powerful cultural impact from their ancient origins to the present. The Greek myths have been retold countless times, first by the conquering Romans, then through the medieval and Renaissance eras of Europe, and finally finding new expression in masterworks of art, literature and cinema on the global stage. Classical scholar Richard Buxton explores the stories at the heart of this ancient mythology and how they have come to influence our society today. The Greek legends seem to speak to us universally, their deities tantalizingly human - often indulging in behaviours morally ambiguous at best and obscene at worst - and their heroes dealing with dilemmas and destinies that echo, if exaggeratedly, conflicts in our own lives. The dramatic choices that such figures as Prometheus, Medea and Oedipus face have resonated with audiences over thousands of years. Each chapter focuses on a mythical character and the powerful stories and interpretations that surround them. Yet the myths’ relevance has not been uniform; they shift with the cultural tide. They have endured moments of censure, criticism, and even ridicule, but now their influence can be recognized almost everywhere, from opera to psychology, from fashion to contemporary art. How is it that these tales have retained their power to connect with our own fascinations, fears and desires, though they came from a world very different from our own? Here Buxton charts their cultural impact through a rich variety of re-imaginings, examining the many guises they have taken through the ages and the profound truths that they continue to illuminate.

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One of the finest players football has ever seen, Alan Hudson is still revered at Chelsea, Stoke City, Arsenal and Seattle Sounders, and yet his professional success was dogged by injuries and enormous personal challenges. His love of the glitzy 'footballer lifestyle', dominated by hard-drinking and glamorous women, saw Alan descend into rampant alcoholism, depression, and frequent brushes with authority. Huddy - his official biography - reveals for the first time, the full story of the real Alan Hudson, the man behind the lurid newspaper headlines and booze-fuelled anecdotes. A straight-speaker who doesn't suffer fools gladly, he has as many enemies as close friends. Speak to either and you'll get a vastly differing perspective on just who the man is. Even his team-mates were evenly split; they either loved or loathed him. The one thing that couldn't be taken away from him, however, was his talent for the beautiful game. Some years after retiring from the sport he loved, Alan embarked on a new career in the media but, on December 15, 1997, he was the victim of a 'hit-and-run' car accident near his East London home and his 'life well-lived' changed forever. He sustained injuries that the medical profession thought would kill him. Huddy, lovingly written by his friend Jason Pettigrove, describes Alan's determined fight for life and how his single-mindedness enabled him, along with the brilliance of the NHS and the support of his closest family and friends, to recover from his horrendous injuries and rebuild his life. Alan Hudson's fascinating story is one that has never been fully told ...until now.

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In Say Goodbye to Anxiety, Elle Limebear and Jane Kirby help you find real, lasting freedom from anxiety. If you are one of the 301 million people that live with anxiety every day then this book is for you. Elle and Jane have both been in your shoes. They understand the impacts of living with anxiety and they know that there is a way forward and a better future. As they honestly share their stories, supporting and cheering us on with God-given practical tools and strategies to overcome anxiety. Be encouraged, through these 40 devotional thoughts and journaling reflections, to take daily steps with God’s help to move past anxiety and live life to the full. How will Saying Goodbye to Anxiety help me? This 40-day devotional journal will provide practical tools to help you drive worry, fear and anxiety out of your life, and replace these negative emotions with truth and confidence. • 40 days of Bible readings, reflections, prayers, songs and journaling questions are also ideal for small groups or lent study groups. • Has journal spacing to record your thoughts • Provides both practical and spiritual tools to overcome anxiety • Helps you Say goodbye to Anxiety and say hello to joy • Helps you discover the hope and peace that Jesus can bring • Encourages you to speak out biblical truths over your life • Helps you develop your true potential by breaking free from the chains of worry and fear Saying Goodbye to Anxiety has been written by authors have personal experience with anxiety and provides the ideal resource or gift for anyone working to break free from anxious thoughts for good.

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You Deserve Great SexWhen it comes to relationships, our society has plenty of expectations. We're supposed to know how to speak up for ourselves in bed, be caring partners, and, of course, love ourselves first. But no one tells us how to actually do all those things, and we are left feeling unsatisfied, confused, and ashamed when we don't measure up.Former Deputy District Attorney Rena Martine was in that position. After rejecting the ideal white-picket fence life, she embarked on a journey to redefine intimacy in a way that felt true. In the years that followed, Rena defied all of society's sexual norms, built a presence as a global women's intimacy coach, and created the intimate life she craved.Now she brings those experiences to you! With no-holds-barred honesty, stories from real-life women, and sparkling humor, THE SEX YOU WANT will help you: Build a secure relationship with your most important partner—YOURSELF Get in touch with YOUR expectations for relationships so you can date more intentionally Demystify lifestyle practices outside of the heterosexual-monogamous-vanilla box with frank discussions of female sexual fluidity, kink, and ethical non-monogamy Find apps, products, and communities to satisfy any curiosity Bring deep intimacy and exciting variety into your bedroom and beyond When it comes to intimacy, vulnerability, and connection, you'll find that no two women are alike. THE SEX YOU WANT replaces cookie-cutter advice with powerful self-discovery tools to help you make friends with your own confidence and curiosity, build rock-solid relationships, and embrace what YOU love!

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The ICB Holy Bible, published in a translation perfect for elementary-age kids, is filled with dozens of beautifully designed, color illustrations to help children visualize popular Bible characters and events.The International Children’s Bible®, created especially for children in the third grade and up, provides the ideal blend of readability and accuracy to the original meaning of the Scripture texts. While the large print and bold subheadings make it easy to read, this edition is also filled with features that speak directly to children’s hearts and minds. Boldfaced keywords are linked to the Bible’s robust dictionary to help increase a child’s comprehension of Scripture.The beautiful illustrations set alongside Bible text are sure to delight your child’s imagination as they “see” popular Bible stories come to life. This Bible includes study helps designed specifically for beginning Bible readers, such as Scripture memorization, “Miracles of Jesus,” and “Kids in the Bible,” which will help strengthen their knowledge of Scripture.Features include: A convenient “Where Do I Find It?” index to track down special biblical characters and events Study helps designed specifically for beginner Bible readers, including Scripture memorization, “Miracles of Jesus,” “Names of God,” “Kids in the Bible,” and the importance of reading the Bible A listing of God’s promises on practical topics such as love, peace, protection, and health Detailed ICB Dictionary describing key Bible characters and terms Reading Plans provide an easy framework to help guide kids through God’s word Full-color Bible maps help to visualize historical events and where they happened Readable 10-point print size displayed in a double-column format

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Marcel Proust’s seven-volume masterpiece, In Search of Lost Time (A la recherche du temps perdu), has inspired many superlatives, among them “the greatest novel ever written” and “the greatest novel of the first half of the twentieth century.” Swann’s Way, the first volume of the Recherche and the most widely read and taught of all the volumes, is the ideal introduction to Proust’s inventive genius. This Norton Critical Edition is based on C. K. Scott Moncrieff’s translation, which introduced the English-speaking world to Proust and was published during the author’s lifetime. It is accompanied by Susanna Lee’s introduction, note on the text, and explanatory annotations. Marcel Proust was forty-two years old when Swann’s Way was published, but its foundational ideas and general shape had been evolving for decades. “Contexts” includes a 1912 reader’s report of the manuscript that exemplifies publishers’ complicated reactions to Proust’s new form of writing. Also included are three important post-publication reviews of the novel, by Elie-Joseph Bois, Lucien Daudet, and Paul Souday, as well as André Arnyvelde’s 1913 interview with Proust. The fourteen critical essays and interpretations of Swann’s Way in this volume speak to the novel’s many facets—from the musical to the artistic to its representations of Judaism and homosexuality. Contributors include Gérard Genette, whose “Metonymy in Proust” appears here in English translation for the first time, along with Gilles Deleuze, Roger Shattuck, Claudia Brodsky, Julia Kristeva, Margaret E. Gray, and Alain de Botton, among others. The edition also includes a Chronology of Proust’s Life and Work, a Selected Chronology of French Literature from 1870 to 1929, and a Selected Bibliography.

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'An absolutely unputdownable read' Grimdark MagazineThe Tyranny of Faith is the epic sequel to the Sunday Times bestselling debut The Justice of Kings, where Sir Konrad Vonvalt - the most powerful and feared of the Emperor's Justices - must face down a growing threat to the Empire. A Justice's work is never done.The Battle of Galen's Vale is over, but the war for the Empire's future has just begun. Concerned by rumours that the Magistratum's authority is waning, Sir Konrad Vonvalt returns to Sova to find the capital city gripped by intrigue and whispers of rebellion. In the Senate, patricians speak openly against the Emperor, while fanatics preach holy vengeance on the streets. Yet facing down these threats to the throne will have to wait, for the Emperor's grandson has been kidnapped - and Vonvalt is charged with rescuing the missing prince. His quest will lead Vonvalt - and his allies Helena, Bressinger and Sir Radomir - to the Empire's southern frontier, where they will once again face the puritanical fury of Bartholomew Claver and his templar knights . . . and a dark power far more terrifying than they could have imagined.Praise for the Empire of the Wolf series 'Utterly compelling, thoroughly engrossing and written with such skilful assurance I could barely put it down' Nicholas Eames'The Justice of Kings is equal parts heroic fantasy and murder mystery . . . Richard Swan's sophisticated take on the fantasy genre will leave readers hungry for more' Sebastien de Castell'Great characters, compelling and wonderfully written. A brilliant debut and fantastic start to the series' James IslingtonThe Empire of the Wolf seriesThe Justice of Kings The Tyranny of Faith The Trials of Empire

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Of those raised Catholic, just 13% still attend Mass weekly, and 37% say they have 'no religion'. But is this all the fault of Vatican II, and its runaway reforms? Or are wider social, cultural, and moral forces primarily to blame? In 1962, Pope John XXIII opened the Second Vatican Council with the prophecy that 'a new day is dawning on the Church, bathing her in radiant splendour'. Desiring 'to impart an ever increasing vigour to the Christian life of the faithful', the Council Fathers devoted particular attention to the laity, and set in motion a series of sweeping reforms. The most significant of these centred on refashioning the Church's liturgy--'the source and summit of the Christian life'--in order to make 'it pastorally efficacious to the fullest degree'. Over fifty years on, however, the statistics speak for themselves. In America, only 15% of cradle Catholics say that they attend Mass on a weekly basis; meanwhile, 35% no longer even tick the 'Catholic box' on surveys. In Britain, the signs are direr still. Catholicism is not the only Christian group to have suffered serious declines since the 1960s. If anything Catholics exhibit higher church attendance, and better retention, than most Protestant churches do. If Vatican II is not the cause of Catholicism's crisis, might it instead be the secret to its comparative success? Mass Exodus is the first serious historical and sociological study of Catholic lapsation and disaffiliation. Drawing on a wide range of theological, historical, and sociological sources, Stephen Bullivant offers a comparative study of secularization across two famously contrasting religious cultures: Britain and the USA.

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The Queen of Twists, bestselling author of Daisy Darker and Rock Paper Scissors, Alice Feeney returns with another gripping mystery filled with drama and her trademark surprises in Good Bad Girl.'One of the best psychological thriller writers' - The SunSometimes bad things happen to good people, so good people have to do bad things . . .Twenty years after a baby is stolen from her push-chair, a woman is murdered in a care home. The two crimes are somehow linked, and a good bad girl may be the key to discovering the truth.Edith may have been tricked into a nursing home, but at eighty-years-young, she’s planning her escape. Patience works there, cleaning up mess and bonding with Edith, a kindred spirit. But Patience is lying to Edith about almost everything.Edith’s own daughter, Clio, won’t speak to her. And someone new is about to knock on Clio’s door . . . and their intentions aren’t good.With every reason to distrust each other, the women must solve a mystery with three suspects, two murders, and one victim. If they do, they might just find out what happened to the baby who disappeared, the mother who lost her, and the connections that bind them . . .'An author you need to check out' - Harlan Coben***************PRAISE FOR ALICE FEENEY'I was totally hooked from the first sentence' – Peter James, author of the Roy Grace series.‘Compelling, confounding and absolutely delicious' – Lisa Jewell, bestselling author of The Family Upstairs'I was on the edge of my seat the whole time' – Taylor Jenkins Reid, author of Daisy Jones and the Six

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‘This is a quite simply a marvellous book. I couldn’t find a trace of po-faced sanctimony nor yet the patronising tones of an expert attempting to speak to mortals. The conversational style – the beguiling marriage between accessible science and conspiratorial whispers which make it OK not to know everything – is really uplifting ... may everyone get the rush of pleasure from it that I have done.’ Sir Tim Smit, co-founder of the Eden Project'As someone who is passionate about nature and a proud eco nerd, I love this book and you will too!' Ellie Goulding, singer-songwriter and UN Environment Ambassador_______________________________________How much do you know about the state of our planet and the journey we’re on to reach a more sustainable future? Journalist and broadcaster Lucy Siegle tackles ten big topics involved in our quest to reach net zero and, through stories and revealing questions, probes your understanding of what we can all do to get there.Divided into ten important topics, and including revealing questions on recycling and reusing, the importance of flora and fauna and planet-friendly food, find out how much you really know about how our consumer habits and lifestyles are affecting the environment, and the positive changes we can make now to ensure we're all true friends of the earth. Packed full of stories and tips that show the people, the projects and the places that are already living as if this planet was precious, this is an essential handbook for anyone looking to improve their understanding of how we can all have a positive impact on Planet Earth.

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'[Under Currents] is brilliantly plotted and unrelentingly propulsive. It is a beautifully written story about the fragility of life and the power of the past and the need to fight back... a highly recommended novel for this summer.' The Washington Book Review'...full of powerful, magnetic characters' - Publishers Weekly Reader Reviews: 'started with a bang and was nearly impossible to put down' 'I read it in one sitting through the night''The story grabs you'Every town has its ugly little secrets...From the outside, the house in Lakeview Terrace looks perfect and the Bigelows seem like the perfect family: the respected surgeon father, the glamorous, devoted mother and two beautiful children. A perfect family, in a perfect house living their perfect lives. But perfect surfaces can hide dark undercurrents and behind closed doors lies a very different story. Teenager Zane and his younger sister, Britt, are terrorised by their violent father and dysfunctional mother. Too afraid to speak out, Zane does his best to protect his sister and counts the days until they can finally be free. One dark, brutal night when their father's temper takes a horrifying turn for the worse, the perfect fa ade is exposed for the lie it is and Zane and Britt manage to escape. With the help of their beloved aunt, they rebuild their lives a day at a time, creating new families and putting their past behind them. But a childhood like that can cast a shadow the length of a lifetime. Can Zane and Britt ever be free of their past? Or will those dark undercurrents rise to the surface, forcing them to fight for their lives once again...

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A brilliantly curated book of mid-20th Century found photographs collected and arranged by acclaimed photographer Jonah Samson. Yes Yes We're Magicians is a compilation of anonymous, vintage black-and-white photographs mostly found on eBay from the personal collection of the Canadian artist, collector and writer Jonah Samson. Titled after a line from Samuel Beckett's play, "Waiting for Godot", the dominant mood of the book recalls Beckett's take on human existence as tragicomic. Samson, too, reflects on the absurdity of life through slapstick and dark humor, and a warmhearted affection for the mysteries of human gestures. Involved in all aspects of making the book, Samson has created a carefully orchestrated narrative flow between various kinds of vernacular photographs. Whether a blurry snapshot or a formal portrait, the images draw out the uncanny and magical qualities of photographs. Free of any description, the compelling pictures are allowed to speak for themselves. They are often imperfect, with figures disappearing into misty and watery surfaces, and the details of time and place becoming obscured. Establishing the mood at the beginning with a mysterious color photograph of an erupting volcano, the book interweaves forgotten moments from the past where incidents of the celebratory, melancholic, surreal and bizarre are put into dialogue. As an artist who often reworks found photographs, Jonah Samson brings a distinctive sensibility to this book and treats the form as an artwork in itself. AUTHOR: Jonah Samson lives on Cape Breton Island in eastern Canada. His photographic artworks have been exhibited widely and he has produced several artist books, including Another Happy Day published by Presentation House Gallery.

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The irreverent, tweetable, ludicrous, painful, wondrous work of the L.A. punk poet—widely available for the first time. In Punk Rock Is Cool for the End of the World, David Trinidad brings together a comprehensive selection of Ed Smith’s work: his published books; unpublished poems; excerpts from his extensive notebooks; photos and ephemera; and his timely “cry for civilization,” “Return to Lesbos”: put down that gun / stop electing Presidents. Ed Smith blazed onto the Los Angeles poetry scene in the early 1980s from out of the hardcore punk scene. The charismatic, nerdy young man hit home with his funny/scary off-the-cuff-sounding poems, like “Fishing”: This is a good line. / This is a bad line. This is a fishing line. Ed’s vibrant “gang” of writer and artist friends—among them Amy Gerstler, Dennis Cooper, Bob Flanagan, Mike Kelley, and David Trinidad—congregated at Beyond Baroque in Venice, on LA’s west side. They read and partied and performed together, and shared and published each others’ work. Ed was more than bright and versatile: he worked as a math tutor, an animator, and a typesetter. In the mid-1990s, he fell in love with Japanese artist Mio Shirai; they married and moved to New York City. Despite productive years and joyful times, Ed was plagued by mood disorders and drug problems, and at the age of forty-eight, he took his own life. Ed Smith’s poems speak to living in an increasingly dehumanizing consumer society and corrupt political system. This “punk Dorothy Parker” is more relevant than ever for our ADD, technology-distracted times.

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★★★★ FOUR STARRED REVIEWS! New from the award-winning author/illustrator team behind Memphis, Martin, and the Mountaintop! Who was Coretta Scott King? Her black-veiled image at the funeral of her husband, Dr. Martin Luther King Jr., was moving and iconic. This book introduces readers to the woman behind the veil—a girl full of spunk and pluck, bravery and grit.“Corrie, you are a brave soldier. I don’t know what I would do without you.” —Dr. Martin Luther King Jr.Much more than just a wife, Coretta Scott King was Martin’s partner in the fight for justice. It wasn’t always easy. From an early age, she stood strong against white violence toward her family in the South, and against discrimination as a music student in the North. Coretta found her voice as a classical singer, but she struggled mightily to speak out as an activist in the face of men who thought she should be seen and not heard. But she never wavered. When Martin died, it was Coretta who carried on the struggle, and preserved his legacy so that his voice would be heard by future generations. This important story, told in poetry and prose, is a riveting introduction to an important and instrumental figure in the history of activism and civil rights. Awards for Memphis, Martin, and the Mountaintop… Coretta Scott King Illustrator Honor Book • School Library Journal Best Book of the Year • Booklist Editors' Choice • Kirkus Reviews Best Children's Book • Booklist Top 10 Diverse Books for Middle Grade or Older Readers • Chicago Public Library Best of the Best Books

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a In this story illustrating the reality of childhood hunger and food insecurity, Lulu invites kids into her world to help them understand what it's like to battle the Hunger Monster. Lulu and the Hunger Monster delivers the right message at the right time, helping readers recognize the problem of childhood hunger and moving them to find solutions.a ?a Jeff Bridges, actor and anti-hunger advocateWhen Lulua s mothera s van breaks down, money for food becomes tight and the Hunger Monster comes into their lives. Only visible to Lulu, Hunger Monster is a troublemaker who makes it hard for her to concentrate in school. How will Lulu help her mom and defeat the Monster when Lulu has promised never to speak the monstera s name to anyone?This realistica and hopefula story of food insecurity builds awareness of the issue of childhood hunger, increases empathy for people who are food insecure, and demonstrates how anyone can help end hunger. Lulu and the Hunger Monstera empowers children to destigmatize the issue of hunger before the feeling turns into shame.The author combines years of experience fighting hunger as a food bank CEO with an MFA in writing for young children to craft an honest story of how poverty and food insecurity can affect adults and their children. Lulua s story addresses the effects of hunger on learning and can be used in group settings to address social justice issues in an accessible and encouraging way.Lulu and the Hunger Monster has been awarded the International Literacy Associationa s 2021 Social Justice Literature Award and a 2020 Foreword INDIES Honorable Mention, Picture Books, Early Reader (Children's).

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My Heart Is Not Blind: On Blindness and Perception is a collection of stunning portraits of blind and visually impaired people taken by photographer Michael Nye. Each image is accompanied by an intimate story told by the subject concerning his or her experiences and unique perspective. The causes of vision loss range from genetic predispositions (retinitis pigmentosa) or disease (glaucoma) to external circumstances such as accidents (struck by a train) or violence (gunshot wound). The people in this diverse group differ not only in their particular conditions and losses but also in their cultural and socio-economic backgrounds. Taken as a whole, however, the accounts of adapting to changing modes of perception are bound by a common theme of resilience, revealed in shared reactions and unexpected insights. The subjects depicted in My Heart Is Not Blind share their experiences and unique perspectives in a personal narratives that accompany their respective portraits. Most speak of the transition from sight to vision loss, and how that has changed—and not changed—their ability to perceive the surrounding world. Some question the classification of blindness as a disability. One participant proposes that blindness may, in some ways, even aid in perception, musing, “if you can always see the sun, you can never discover the stars.” My Heart Is Not Blind offers a window into the world of the blind and visually impaired, revealing surprising similarities and fascinating differences alongside compelling accounts of survival, adaptation, and heightened understanding. The collection invites us to reconsider what we think we know about blindness in order to gain a deeper understanding of vision and perception.

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The perfect tool to comfort and educate children whose parents may be separating or divorcing. If My Parents Are Divorced provides parents, grandparents, teachers, and caregivers the opportunity to speak with children about this important topic.What happens when parents separate?The idea of parents taking a break from or ending their relationship is scary and sad for children of all ages. The subject arises when Marie tells her kindergarten class that her neighbor's parents are going to separate. It's not an easy topic to discuss, and some kids around the table don't like to talk about what's happening, but Marie and her friends soon learn that they're not alone in their feelings or experiences and realize that they can share their fears and worries with their friends.If My Parents Are Divorced shows how different families can deal with a separation and which insecurities may arise in the minds of children. The author gently conveys how important each child's feelings are and illustrates ways that the the child may feel better as time passes. This book is the ideal starting point for talking to preschoolers and grade schoolers about separations, divorce, and break-ups. It is designed to help children with their emotional development and to help process and understand their parents' decisions.In If My Parents Are Divorced, award-winning author and illustrator Dagmar Geisler draws attention to this sensitive subject and provides advice for not only the children who are experiencing their parents' divorces, but also those who are witnessing their friends in these situations and want to provide listening ears and support.

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A kid who considers himself an epic fail discovers the transformative power of love when he deals with adoption in this novel from Cynthia Kadohata, winner of the Newbery Medal (Kira-Kira) and the National Book Award (The Thing About Luck).Eleven-year-old Jaden is adopted, and he knows he’s an “epic fail.” That’s why his family is traveling to Kazakhstan to adopt a new baby—to replace him, he’s sure. And he gets it. He is incapable of stopping his stealing, hoarding, lighting fires, aggressive running, and obsession with electricity. He knows his parents love him, but he feels...nothing. When they get to Kazakhstan, it turns out the infant they’ve traveled for has already been adopted, and literally within minutes are faced with having to choose from six other babies. While his parents agonize, Jaden is more interested in the toddlers. One, a little guy named Dimash, spies Jaden and barrels over to him every time he sees him. Jaden finds himself increasingly intrigued by and worried about Dimash. Already three years old and barely able to speak, Dimash will soon age out of the orphanage, and then his life will be as hopeless as Jaden feels now. For the first time in his life, Jaden actually feels something that isn’t pure blinding fury, and there’s no way to control it, or its power. From camels rooting through garbage like raccoons, to eagles being trained like hunting dogs, to streets that are more pothole than pavement, the vivid depictions in Half a World Away create “an inspiring story that celebrates hope and second chances” (Publishers Weekly, starred review).

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How would you create a winning pitch for your latest investment idea? Or persuasively argue for a major policy change? Or successfully ask your boss for a raise? The answer: clear and effective communication, whether in writing or through a presentation. Best-selling author Charles Wheelan has spent decades mastering effective communication skills in his work as a writer, college professor, journalist, speechwriter, political candidate, and public speaker. In Write for Your Life, he shares his best tips. Taking readers through all the steps required to arrive at a coherent first draft, he then explains the best ways to improve and fine-tune your writing. He covers how to organize and present information, why it’s necessary to adapt your tone to different audiences, and when to use summaries, sidebars, bullet points, and other tools for making information more digestible. He explores the truth behind popular clichés like "Show, don’t tell" and "Kill your darlings," and discusses the proper use and attribution of quotations from secondary sources. And he goes on to cover how to speak effectively, providing helpful advice for preparing a winning presentation or delivering a speech. Writing with his signature wit and humor, Wheelan illustrates his points with entertaining examples from his own life, as well as memorable anecdotes from leading magazine and newspaper writers, political figures from Winston Churchill to Barack Obama and Elena Kagan, and a diverse array of the best communicators from the worlds of culture, sports, and politics. Write for Your Life is an essential guide for anyone needing to get their ideas across whether in an email, memo, report, presentation, fund-raising letter, or speech.

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When Dr. Paul Garfinkel started his career in psychiatry in the 1970s, psychoanalysis dominated the profession. Then the pendulum swung the other way. Psychoanalysis was discredited and drugs became the treatment of choice for mental illness. Throughout his career, Garfinkel has struggled to find a balance between these two poles, between compassion and human touch on one hand and the rigour of science and the prescribed drugs that have revolutionized psychiatry on the other. Though it was sometimes not popular, he held steadfast to his belief that medicines combined with psychotherapy are often better than either one alone. In this deeply personal memoir, Garfinkel writes about his journey through a 40-year career and life devoted the to the understanding, care, and advocacy of the mentally ill. He takes us through the many stages in his life, from his humble beginnings in Winnipeg as the son of Jewish immigrants, to his life as the first CEO of Toronto's Centre for Addiction and Mental Health (CAMH). With candour, Garfinkel gives us insights into the life of a psychiatrist and reveals the challenges facing many practitioners, including "burn out" and the intense pain they feel when a patient commits suicide. He probes some of the most controversial subjects in the profession, such as the outrageous sexual abuse of patients. He shares his thoughts on the qualities needed to be a good psychiatrist and a good leader. Garfinkel passionately urges his colleagues to speak out, support the patients, and work toward removing the stigma of mental illness, hopeful for the day when people with mental illness are treated like anyone else who is suffering and in pain.

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Contemporaries hailed the preacher and reformer Robert of Arbrissel (c 1045-1116) as a thunderclap of holy eloquence that lit up the Church - or they castigated him as a sponsor of sexual license. Robert has remained a controversial figure ever since, seen as a missionary to all manner of Christians, a heretic, a feminist, a founder of the ideal of courtly love, or a libertine. His preaching was so renowned that he was invited to speak before Pope Urban II; many were inspired to take up religious life after exposure to his charismatic asceticism and evangelical gifts. Best known as the founder of Fontevraud, a monastery for women and men in Western France that became the prosperous head of an order of nearly 100 religious houses, Robert of Arbrissel never became a saint. Gathering the major medieval sources for the first time in any modern language, this book traces Robert of Arbrissel's multifaceted life from humble origins to dramatic death and burial. Two short biographies, Robert's one surviving letter, an account of Robert's preaching in a brothel, and two highly critical letters addressed to Robert together illustrate his activities, personality and impact. The documents explore themes of reform, preachers and preaching, monasticism, patronage, literary genre, gender and sexuality in a dynamic era of historical and cultural change. The translations are highly readable and the book is abundantly annotated with an introduction, thorough notes to each document, a map and a chronology. ""Robert of Arbrissel: A Medieval Religious Life"" invites students and teachers of the Middle Ages and general readers to draw their own conclusions about this fascinating medieval holy man.

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Daniel C. Dennett, preeminent philosopher and cognitive scientist, has spent his career considering the thorniest, most fundamental mysteries of the mind. Do we have free will? What is consciousness and how did it come about? What distinguishes human minds from the minds of animals? Dennett’s answers have profoundly shaped our age of philosophical thought. In I’ve Been Thinking, he reflects on his amazing career and lifelong scientific fascinations. Dennett’s relentless curiosity has taken him from a childhood in Beirut and the classrooms of Harvard, Oxford, and Tufts, to “Cognitive Cruises” on sailboats and the fields and orchards of Maine, and to laboratories and think tanks around the world. Along the way, I’ve Been Thinking provides a master class in the dominant themes of twentieth-century philosophy and cognitive science—including language, evolution, logic, religion, and AI—and reveals both the mistakes and breakthroughs that shaped Dennett’s theories. Key to this journey are Dennett’s interlocutors—Douglas Hofstadter, Marvin Minsky, Willard Van Orman Quine, Gilbert Ryle, Richard Rorty, Thomas Nagel, John Searle, Gerald Edelman, Stephen Jay Gould, Jerry Fodor, Rodney Brooks, and more—whose ideas, even when he disagreed with them, helped to form his convictions about the mind and consciousness. Studded with photographs and told with characteristic warmth, I’ve Been Thinking also instills the value of life beyond the university, one enriched by sculpture, music, farming, and deep connection to family. Dennett compels us to consider: What do I really think? And what if I’m wrong? This memoir by one of the greatest minds of our time will speak to anyone who seeks to balance a life of the mind with adventure and creativity.

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Indigenous sociology makes visible what is meaningful in the Indigenous social world. This core premise is demonstrated here via the use of the concept of the Indigenous Lifeworld in reference to the dispossessed Indigenous Peoples from Anglo-colonized first world nations. Indigenous lifeworld is built around dual intersubjectivities: within peoplehood, inclusive of traditional and ongoing culture, belief systems, practices, identity, and ways of understanding the world; and within colonized realties as marginalized peoples whose everyday life is framed through their historical and ongoing relationship with the colonizer nation state. The Oxford Handbook of Indigenous Sociology is, in part, a response to the limited space allowed for Indigenous Peoples within the discipline of sociology. The very small existing sociological literature locates the Indigenous within the non-Indigenous gaze and the Eurocentric structures of the discipline reflect a continuing reluctance to actively recognize Indigenous realities within the key social forces literature of class, gender, and race at the discipline's center. But the ambition of this volume, its editors, and its contributors is larger than a challenge to this status quo. They do not speak back to sociology, but rather, claim their own sociological space. The starting point is to situate Indigenous sociology as sociology by Indigenous sociologists. The authors in The Oxford Handbook of Indigenous Sociology, all leading and emerging Indigenous scholars, provide an authoritative, state of the art survey of Indigenous sociological thinking. The contributions in this Handbook demonstrate that the Indigenous sociological voice is a not a version of the existing sub-fields but a new sociological paradigm that uses a distinctively Indigenous methodological approach.

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Using a time-tested approach that has helped millions of students around the world, Fundamentals of English Grammar blends direct grammar instruction with carefully sequenced practice to developspeaking, writing, listening, and reading skills. The fifth edition has been extensively revised to keep pace with advances in theory and practice, particularly from cognitive science. Now more than ever, teachers will find an extensive range of presentations, activities, and tasks to meet the specific needs of their classes. New to This Edition • A pretest at the start of each chapter allows learners to assess what they already know and orient themselves to the chapter material. • Practice, spaced out over time, helps students learn better. Numerous exercises have been added to provide more incremental practice. • New charts and exercises show patterns to help learners make sense of the information. • Meaning-based practice is introduced at the sentence level. Students do not have to wait for longer passages to work with meaning. • Frequent oral exercises encourage students to speak more naturally and fluidly. • Step-by-step writing activities promote written fluency. All end-of-chapter tasks include writing tips and editing checklists. • A wide range of contextualized exercises, frequently including life skills vocabulary, encourages authentic language use. • Updated grammar charts based on corpus research reflect current usage and highlight the differences between written and spoken English in formal and informal contexts. • The BlackBookBlog focuses on student success, cultural differences, and life-skills strategies. • End-of-the-chapter Learning Checks help students assess their learning. • A Pearson Practice English app with end-of-chapter learning checks, Student Book audio, and guided PowerPoint videos. • Revised MyEnglishLab for a fully blended program.

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Zone Eleven is a reference to Ansel Adams’ Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams’ photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing page relationships, and sequence. Zone Eleven is the product of Mike Mandel’s research of over 50,000 Adams images located within four different archives to present a body of Adams’ work that was unknown until now. Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published Evidence in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. Conceptually, Zone Eleven is a companion book to Evidence. As Evidence reframes the institutional documentary photograph with new context and meaning, Zone Eleven responds to the audience expectation of “the iconic Ansel Adams nature photograph.” But Mandel selects images that do not fit that expectation. Zone Eleven is a book of Ansel Adams images that surprisingly speak to issues of the social relations, the built environment, and alienation.

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‘Astonishing’ Emily Perkins, author of Lioness ‘Beautifully lyrical’ Mat Osman, bassist of Suede and author of The Ghost Theatre A lyrical and ambitious exploration of madness and what it is like to experience the world differently, from the Booker Prize–longlisted author of The Chimes. In Ueno Park, Tokyo, as workers and tourists gather for lunch, the pollen blows, a fountain erupts, pigeons scatter, and two women meet, changing the course of one another’s lives. Dinah has come to Japan from New Zealand to teach English and grieve the death of her brother, Michael, a troubled genius who was able to channel his problems into music as a classical pianist — until he wasn’t. In the seemingly empty, eerie apartment block where Dinah has been housed, she sees Michael everywhere, even as she feels his absence sharply. Yasuko is polished, precise, and keenly observant — of her students and colleagues at the language school, and of the natural world. When she was thirteen, animals began to speak to her, to tell her things she did not always want to hear. She has suppressed these powers for many years, but sometimes she allows them to resurface, to the dismay of her adult son, Jun. One day, she returns home, and Jun has gone. Even her special gifts cannot bring him back. As these two women deal with their individual traumas, they form an unlikely friendship in which each will help the other to see a different possible world, as Smaill teases out the tension between our internal and external lives and asks what we lose by having to choose between them.

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Steve Biko, father of the black consciousness philosophy, was killed in prison on 12 September 1977. Biko was only 30 years old, but his ideas and political activities changed the course of South African history and helped hasten the end of apartheid. This year, 2007, saw the 30th anniversary of Biko's death. To mark the occasion, the Minister of Science and Technology and President of Azapo, Dr. Mosibudi Mangena, commissioned Chris van Wyk to compile an anthology of essays as a tribute to the great South African son. Among the contributors are Minister Mangena himself, President Thabo Mbeki, writer Darryl Accone, journalists Lizeka Mda and Bokwe Mafuna, academics Jonathan Jansen, Achille Mbembe, Mandla Seleoane and Saths Cooper, a friend of Biko's and former president of Azapo. The essays cover a wide range of key moments in a significant time in South African history, both personal and public - being on trial with Biko, talking with him about his philosophy and his vision, listening to him speak from a podium. Some of the contributors never met Biko face to face but their accounts are nevertheless interesting as they describe the moment when Biko's philosophy captured their imaginations, as it swept through a generation hungry and eager for a new and dynamic way to fight oppression. We write what we like proudly echoes the title of Biko's seminal I write what I like. It is a gift to a new generation which enjoys freedom, from one that was there when this freedom was being fought for. And it celebrates the man whose legacy is the freedom to think and say and write what we like.

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'Large temptations will emanate from these machine-animals, produced by people themselves, and it will be the task of a spiritual science that explores the cosmos to ensure all these temptations do not exert any damaging influence on human beings.'In an increasingly digitised world, where both work and play are more and more taking place online and via screens, Rudolf Steiner's dramatic statements from 1917 appear prophetic. Speaking of 'intelligent machines' that would appear in the future, Steiner presents a broad context that illustrates the multitude of challenges human beings will face. If humanity and the Earth are to continue to evolve together with the cosmos, and not be cut off from it entirely, we will need to work consciously and spiritually to create a counterweight to such phenomena.In the lectures gathered here, edited with commentary and notes by Andreas Neider, Rudolf Steiner addresses a topic that he was never to speak of again: the secret of the 'geographical' or the 'ahrimanic' doppelganger. The human nervous system houses an entity that does not belong to its constitution, he states. This is an ahrimanic being which enters the body shortly before birth and leaves at death, providing the basis for all electrical currents that are needed to process and coordinate sense perceptions and react to them.Based on his spiritual research, Rudolf Steiner discusses this doppelganger or 'double' in the wider context of historic occult events relating to 'spirits of darkness'. Specific brotherhoods seek to keep such knowledge to themselves in order to exert power and spread materialism. But this knowledge is critical, says Steiner, if the geographical doppelganger and its challenges are to be understood.

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Sturge Town is a stunning collection of poems that connects with the earliest days of Kwame Dawes’ work as a poet, from the roots of childhood in Ghana to the reflections of a man turned sixty who is witnessing his children occupying the space he once considered his own. It ranges from poems that make something special of the everyday, to poems of the most astonishing imaginative leaps. There are poems that speak most movingly of moments of acute self-reflection, family crises and losses through death, and there are the inventive poems of the dramatist drawn to create the stories of a rich variety of characters, many springing from the observation of paintings. Metrically careful and sonorous, these poems engage in a personal dialogue with the reader, serious, confessional, alarmed and sometimes teasing. They create highly visualised spaces, observed, remembered, imagined, the scenes of both outward and inner journeys. Organised in five sections, Sturge Town is a collection of finely shaped individual poems with the architecture of a densely interconnected whole, with the soaring grandeur and intimacy of a cathedral – both above and below ground. As the site of the ruined ancestral home of the Dawes, in one of the earliest post-slavery free villages in Jamaica, Sturge Town is both an actual place, a place of myth and a metaphor of the journeying that has taken Kwame Dawes from Ghana, through Jamaica, through South Carolina and now to Nebraska. It parallels a journeying through time, both personal, family and ancestral in which a keen sense of mortality makes life all the more precious.

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Set in the same universe as the acclaimed All the Murmuring Bones and The Path of Thorns (one of Oprah Daily's Top 25 Fantasy Novels of 2022), this beautifully told Gothic fairy tale of ghosts, witches, deadly secrets and past sins, will be perfect for fans of Hannah Whitten and Ava Reid. Ellie Briar is the first non-witch to be born into her family for generations. The Briar family of witches run the town of Silverton, caring for its inhabitants with their skills and magic. In the usual scheme of things, they would be burnt for their sorcery, but the church has given them dispensation in return for their protection of the borders of the Darklands, where the much-feared Leech Lords hold sway. Ellie is being trained as a steward, administering for the town, and warding off the insistent interest of the church. When her grandmother dies suddenly, Ellie's cousin Audra rises to the position of Briar Witch, propelling Ellie into her new role. As she navigates fresh challenges, an unexpected new ability to see and speak to the dead leads her to uncover sinister family secrets, stories of burnings, lost grimoires and evil spells. Reeling from one revelation to the next, she seeks answers from the long dead and is forced to decide who to trust, as a devastating plot threatens to destroy everything the Briar witches have sacrificed so much to build. Told in the award-winning author's trademark gorgeous, addictive prose, this is an intricately woven tale of a family of witches struggling against the bonds of past sins and persecution.

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In his insightful book, Holy Shit: Managing Manure to Save Mankind, contrary farmer Gene Logsdon provides the inside story of manure — our greatest, yet most misunderstood, natural resource. He begins by lamenting a modern society that not only throws away both animal and human manure, worth billions of dollars in fertilizer value, but that spends a staggering amount of money to do so. This wastefulness makes even less sense as the supply of mined or chemically synthesized fertilizers dwindles and their cost skyrockets. In fact, he argues, if we do not learn how to turn our manures into fertilizer to keep food production in line with the increasing population, our civilization, like so many that went before it, will inevitably decline. With his trademark humor, years of experience writing about both farming and waste management, and uncanny eye for the small but important details, Logsdon artfully describes how to manage farm manure, pet manure and human manure to make fertilizer and humus. He covers the field, so to speak, discussing topics like: How to select the right pitchfork for the job and use it correctly How to operate a small manure spreader How to build a barn manure pack with farm animal manure How to compost cat and dog waste How to recycle toilet water for irrigation purposes, and How to get rid ourselves of our irrational paranoia about feces and urine. Gene Logsdon does not mince words. This fresh, fascinating and entertaining look at an earthy, but absolutely crucial subject, is a small gem destined to become a classic of our agricultural literature.

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Life Under the Baobab Tree: Africana Studies and Religion in a Transitional Age is a compendium of innovating essays meticulously written by early and later diaspora people of African descent. Their speech arises from the depth of their experiences under the Baobab tree and offers to the world voices of resilience, newness/resurrection, hope, and life. Resolutely journeying on the trails of their ancestors, they speak about setbacks and forward-looking movements of liberation, social transformation, and community formation. The volume is a carefully woven conversation of intellectual substance and structure across time, space, and spirituality that is quintessentially “Africana” in its centering of methodological, theoretical, epistemological, and hermeneutical complexity that assumes nonlinear and dialogical approaches to developing liberating epistemologies in the face of imperialism, colonialism, racism, and religious intolerance. A critical part of this conversation is a reconceptualization and reconfiguration of the concept of religion in its colonial and imperial forms. Life Under the Baobab Tree examines how Africana peoples understand their corporate experiences of the divine not as “religion” apart from its intimate connections to social realities of communal health, economics, culture, politics, environment, violence, war, and dynamic community belonging. To that end Afro-Pessimistic formulations of life placed in dialogic relation Afro-Optimism. Both realities constitute life under the Baobab tree and represent the sturdiness and variation that anchors the deep ruptures that have affected Africana life and the creative responses. The metaphor and substance of the tree resists reductionist, essentialist, and assured conclusions about the nature of diasporic lived experiences, both within the continent of Africa and in the African Diaspora.

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FLAMES OF FREEDOM is an American Gothic horror tabletop role-playing game, Powered by ZWEIHÄNDER RPG.It is the dawn of the American Revolutionary War of 1776. A tangled web of conspiracy spans North America. It does not matter what your creed, color, culture, faith or gender is—all stand together in the war for survival. Every Rebel patriot holds Thomas Paine’s Common Sense aloft as they take up arms against the British Empire. The city of Boston is occupied by the Red Coats, surrounded by Rebel militias. But as the revolution has begun, something far more mysterious stirs.Agents of the occult entreat both the Continental Army and British Empire. Freemasons conspire in the City of Brotherly Love. Maryland is in the throes of a witch hunt by the Knights Templar. Amid the chaos, other grim fairy tales have emerged.Ghouls have been tunneling beneath Boston. There are sightings of witches in the Great Dismal Swamp. Indigenous sachem speak of devils who walk among the living. The Leeds Devil haunts the Pine Barrens of New Jersey. And worse still, a shadowy collective called “The Mandoag” seeks to consume all, Loyalists and Rebels alike.In this game, most people have either chosen to deny the supernatural or rationalize it away. A rare few accept it for what it is to act. You are among those heroes and destined for greatness… or death. This alternative history game includes most of what you need to play: a player’s handbook, a game master’s guide, a bestiary, and an introductory adventure set in Boston. All that’s left are a few friends, pencils, and a handful of dice.

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A laugh-out-loud testament to Cave Dada's prehistoric-sized love for his picky eater. It's a peaceful prehistoric morning for Cave Dada and his Baba. But wait! Baba wants breakfast. And not just any breakfast. Baba wants an egg. Dada does not have an egg. Does Baba want something else? NO! Baba wants an egg! What's a tired Dada to do? Author/illustrator Brandon Reese returns to the prehistoric world of Cave Dada in this lovable tale of picky Babas, devoted Dadas, and accidental inventions that might change the course of history—or at least the course of breakfast. Packed with relatable Dada-approved humor, this playful Stone Age story is perfect for picky eaters and their parents. • FATHER'S DAY GIFTING: This loving portrait of the father-child bond illustrates the lengths to which fathers will go for their kids. A sweet way to show appreciation to the tough-to-buy-for Dada all year round, and especially on Father's Day! • DAD HUMOR: The caveman-speak and general silliness feels like "Dad jokes" embodied! This is sure to be a fun read-aloud for fathers and their little ones. • PICKY EATERS: This book lovingly depicts a struggle almost every parent knows: dealing with a picky eater. Perfect for fans of The Seven Silly Eaters and Little Pea, this relatable portrayal shows the challenges of mealtime—and with a sense of humor. Perfect for: • Anyone looking for resources for picky eaters • Anyone looking for a Father's Day gift or new dad gifts • Anyone looking for books with healthy, loving male role models • Fans of dad humor and funny picture books • Teachers and librarians • Fans of prehistoric, Stone Age stories

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Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home. Nell’s mother, Carmel McDaragh, knows the magic of her Daddo’s poetry too well—the kind of magic that makes women in their nighties slip outside for a kiss and then elope, as her mother Terry had done. In his poems to Carmel, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile “the poet” with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother. To distance herself from this betrayal, Carmel turns inward, raising Nell, her daughter, and one trusted love, alone. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances—of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Their other, stronger inheritance is a sustaining love that is “more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood.” In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.

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From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls “commissioned criticism.” In this intimate account of dissidence in Asad’s Syria, cooke describes how intellectuals attempted to navigate between charges of complicity with the state and treason against it.A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country’s literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of “prison literature.” She shares what she learned in Dissident Syria. She describes touring a sculptor’s studio, looking at the artist’s subversive work as well as at pieces commissioned by the government. She relates a playwright’s view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers’ experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders.

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The headscarf is an increasingly contentious symbol in countries across the world. Those who don the headscarf in Germany are referred to as "integration-refusers." In Turkey, support by and for headscarf-wearing women allowed a religious party to gain political power in a strictly secular state. A niqab-wearing Muslim woman was denied French citizenship for not conforming to national values. And in the Netherlands, Muslim women responded to the hatred of popular ultra-right politicians with public appeals that mixed headscarves with in-your-face humor. In a surprising way, the headscarf—a garment that conceals—has also come to reveal the changing nature of what it means to belong to a particular nation. All countries promote national narratives that turn historical diversities into imagined commonalities, appealing to shared language, religion, history, or political practice. The Headscarf Debates explores how the headscarf has become a symbol used to reaffirm or transform these stories of belonging. Anna Korteweg and Gökçe Yurdakul focus on France, Germany, and the Netherlands—countries with significant Muslim-immigrant populations—and Turkey, a secular Muslim state with a persistent legacy of cultural ambivalence. The authors discuss recent cultural and political events and the debates they engender, enlivening the issues with interviews with social activists, and recreating the fervor which erupts near the core of each national identity when threats are perceived and changes are proposed. The Headscarf Debates pays unique attention to how Muslim women speak for themselves, how their actions and statements reverberate throughout national debates. Ultimately, The Headscarf Debates brilliantly illuminates how belonging and nationhood is imagined and reimagined in an increasingly global world.

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Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of any political status or protection. But even decades on, most people speak of this rule—both in everyday political discussion and in legal and academic debates—as temporary, as a state of affairs incidental and external to the Israeli regime. In The One-State Condition, Ariella Azoulay and Adi Ophir directly challenge this belief. Looking closely at the history and contemporary formation of the ruling apparatus—the technologies and operations of the Israeli army, the General Security Services, and the legal system imposed in the Occupied Territories—Azoulay and Ophir outline the one-state condition of Israel/Palestine: the grounding principle of Israeli governance is the perpetuation of differential rule over populations of differing status. Israeli citizenship is shaped through the active denial of Palestinian citizenship and civil rights. Though many Israelis, on both political right and left, agree that the occupation constitutes a problem for Israeli democracy, few ultimately admit that Israel is no democracy or question the very structure of the Israeli regime itself. Too frequently ignored are the lasting effects of the deceptive denial of the events of 1948 and 1967, and the ways in which the resulting occupation has reinforced the sweeping militarization and recent racialization of Israeli society. Azoulay and Ophir show that acknowledgment of the one-state condition is not only a prerequisite for considering a one- or two-state solution; it is a prerequisite for advancing new ideas to move beyond the trap of this false dilemma.

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The essays in this volume are united by their attention to the many ways in which residents of Greece’s southern Argolid peninsula have attempted to shelter, feed, and advance the economic situation of their families over the last three centuries. This work juxtaposes a series of research projects undertaken in various communities, projects that, taken together, have made the southern Argolid the focus of more ethnographic and ethnohistorical study than any other comparable region of Greece. Ethnographic, geographic, historical, and archaeological methodologies are integrated to yield an image of the southern Argolid as a contingent countryside whose boundaries, character, people, and external connections have been reconfigured time and again. Such notions strengthen general reformulations occurring within Greek ethnography and speak directly to archaeological attempts to connect the Greek past and present. This volume, the fourth in a series of books deriving from the Argolid Exploration Project conducted by Stanford University, sets forth the material conditions of rural Greek life as mutable and negotiated in ways that complement archaeological interest in the repeated settlement fluctuations of the Greek past. It also exemplifies recent ethnographic shifts in conceiving other aspects of modern Greek life. The volume replaces assumptions of village longevity with inquiry into what causes settlements to form and grow or to decline. It places idealized inheritance patterns alongside records of actual land transactions. Houses expand, contract, and change over time. The social boundaries among shepherds, farmers, and sailors blur through an exploration of personal occupation histories. In short, the book reexamines and questions many of the categories and concepts by which rural Greece has long been represented.

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Henry David Thoreau is generally remembered as the author of Walden and "Civil Disobedience," a recluse of the woods and a political protester who once went to jail. To his contemporaries he was a minor disciple of Emerson; he has since joined the ranks of America's most respected and beloved writers. Few, however, really know the complexity of the man they revere--wanderer and scholar, naturalist and humorist, teacher and surveyor, abolitionist and poet, Transcendentalist and anthropologist, inventor and social critic, and, above all, individualist. In this widely acclaimed biography, the eminent Thoreau scholar Walter Harding presents all of these Thoreaus. Scholars will find here the culmination of a lifetime of research and study, meticulously documented, while general readers will find an absorbing story of a remarkable man. Writing with supreme lucidity, Harding has marshaled all the facts so as best to "let them speak for themselves." Thoreau's thoughtfulness and stubbornness, his more than ordinarily human amalgam of the earthy and sublime, his unquenchable vitality emerge to the reader as they did to his own family, friends, and critics. The new afterword evaluates new scholarship about Thoreau. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A Dominican-born academic tells the story of how the Great Books transformed his life—and why they have the power to speak to people of all backgroundsWhat is the value of a liberal education? Traditionally characterized by a rigorous engagement with the classics of Western thought and literature, this approach to education is all but extinct in American universities, replaced by flexible distribution requirements and ever-narrower academic specialization. Many academics attack the very idea of a Western canon as chauvinistic, while the general public increasingly doubts the value of the humanities. In Rescuing Socrates, Dominican-born American academic Roosevelt Montás tells the story of how a liberal education transformed his life, and offers an intimate account of the relevance of the Great Books today, especially to members of historically marginalized communities.Montás emigrated from the Dominican Republic to Queens, New York, when he was twelve and encountered the Western classics as an undergraduate in Columbia University’s renowned Core Curriculum, one of America’s last remaining Great Books programs. The experience changed his life and determined his career—he went on to earn a PhD in English and comparative literature, serve as director of Columbia’s Center for the Core Curriculum, and start a Great Books program for low-income high school students who aspire to be the first in their families to attend college.Weaving together memoir and literary reflection, Rescuing Socrates describes how four authors—Plato, Augustine, Freud, and Gandhi—had a profound impact on Montás’s life. In doing so, the book drives home what it’s like to experience a liberal education—and why it can still remake lives.

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Political intrigue and treachery, heroism and brutal violence, victory and defeat – all this is depicted in the Bayeux Tapestry, an epic account of one of the pivotal episodes in English history embroidered on a strip of linen. Famously, it shows the stricken Anglo-Saxon king Harold dying on the battlefield of Hastings in 1066 amid a shower of arrows, as axes clash, spears fly and fallen warriors are trampled beneath charging hooves. However, there is much more to this remarkable historical and artistic treasure, which tells its tale with an intensity and immediacy that speak to our modern world, almost 1,000 years after its creation. Many mysteries and questions still surround this unique embroidery and not all is as it might appear at first glance. Who made it, when, why, where and what for? David Musgrove and Michael Lewis skilfully lead us through the full story of the Tapestry and the history it relates, providing illuminating insight into a world of fascinating details that might otherwise be overlooked or their significance missed. They set the events in the context of the machinations on either side of the English Channel in the years leading up to the Norman Conquest, and tease out what the Tapestry tells us of the deeds of kings as well as aspects of everyday life in medieval Europe. A complete and accessible up-to-date account, illustrated throughout in colour with new photography, this is the definitive guide to the Bayeux Tapestry and its legacy, exploring the rich narrative behind its stitches and the turbulent times in which it was created.With 145 illustrations in colour

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