Search results for ""connections""

Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base. Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive. Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate.

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Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.

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The last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections to their homelands, Arab-Americans contest the blanket representations of themselves as dictated by the US nation-state. Deploying a multidisciplinary framework at the intersection of Middle-Eastern studies, US ethnic studies, and diaspora studies, Fadda-Conrey argues for a transnational discourse that overturns the often rigid affiliations embedded in ethnic labels. Tracing the shifts in transnational perspectives, from the founders of Arab-American literature, like Gibran Kahlil Gibran and Ameen Rihani, to modern writers such as Naomi Shihab Nye, Joseph Geha, Randa Jarrar, and Suheir Hammad, Fadda-Conrey finds that contemporary Arab-American writers depict strong yet complex attachments to the US landscape. She explores how the idea of home is negotiated between immigrant parents and subsequent generations, alongside analyses of texts that work toward fostering more nuanced understandings of Arab and Muslim identities in the wake of post-9/11 anti-Arab sentiments.

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Illuminates our understanding of the soul as a historically and philosophically vital concept through Shakespearean drama Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimately—and counterintuitively—theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the soul’s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winter’s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespeare’s era and in our own. Key Features Provides understanding of the soul as not only a religious, cultural, and literary concept, but also a theatrical one Discusses genealogy of the philosophical and theological traditions that inform the soul’s placement in the early modern era, from Plato to Protestantism Includes novel readings of key works of Shakespearean drama along with substantial analyses of other Shakespeare plays (King Lear, Hamlet) as well as other early modern works (by John Donne, Christopher Marlowe, John Foxe, John Stow, Thomas Middleton, John Milton, and others) Draws new interdisciplinary connections among theatre studies, Shakespeare, critical theory, and religious studies

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Understanding Educational Leadership guides you through critical perspectives and approaches across the world, taking in the global north and south, and explores the ways in which educational leadership is currently understood, theorised, researched, modelled and practised. The book also covers contemporary issues including gender, sexual identity and race, as well as topics such as governance, performativity and corporatisation. It brings together evidence and ideas that illuminate the power structures and relations in educational leaders, leading and leadership and helps you to consider the impact on policy and practice, and to think about changes needed to mitigate the issues identified. The book showcases a wide range of theorists, including Bourdieu, Foucault and Fraser. Its impressive scope includes analyses of collectivist, neoliberal and historical influences on educational leadership. It explores forensically leadership styles, with an explicit focus on distributed, instructional, democratic, autocratic, laissez-faire and organisational forms. Carefully curated by the editors, the world-leading contributors draw on their wealth of knowledge about research and practice to provide you with an overview of educational leadership today, looking at global research, evidence, arguments and conceptualisations. Each chapter is written in an engaging and inspiring way, following a consistent approach to help you to develop your understanding in each of the areas covered. Full pedagogical features throughout include chapter summaries, key questions, case studies, questions for readers and further reading suggestions with questions on key texts. A companion website provides links to open-access outputs, research-project outcomes, and networking seminars, conferences with links to local, national and global events and connections.

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An accessible and straightforward intro to cell biology In the newly revised Fourth Edition of Cell Biology: A Short Course, a distinguished team of researchers delivers a concise and accessible introduction to modern cell biology, integrating knowledge from genetics, molecular biology, biochemistry, physiology, and microscopy. The book places a strong emphasis on drawing connections between basic science and medicine. Telling the story of cells as the units of life in a colorful and student-friendly manner, Cell Biology: A Short Course takes an “essentials only” approach. It conveys critical points without overburdening the reader with extraneous or secondary information. Clear diagrams and examples from current research accompany special boxed sections that focus on the importance of cell biology in medicine and industry. A new feature, “BrainBoxes” describes some of the key people who created the current understanding of Cell Biology. The book has been thoroughly revised and updated since the last edition and includes: Thorough introduction to cells and tissues, membranes, organelles, and the structure of DNA and genetic code Explorations of DNA as a data storage medium, transcription and the control of gene expression, and recombinant DNA and genetic engineering Discussion of the manufacture of proteins, protein structure, and intracellular protein trafficking Description of ions and voltages, intracellular and extracellular signaling Introduction to the cytoskeleton and cell movement Discussion of cell division and apoptosis Perfect for undergraduate students seeking an accessible, one-stop reference on cell biology, Cell Biology: A Short Course is also an ideal reference for pre-med students.

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A comprehensive review of World War II that offers a global-level analysis Written for academics and students of history, World War II in Global Perspective, 1931-1953 presents a dynamic and global account of the historical events prior to, during, and after World War II. The author—a noted expert on the topic—explores the main theaters of the war and discusses the connections between them. He also examines the impact of the war on areas of the world that are often neglected in historical accounts, including Latin America, sub-Saharan Africa, and the so-called ‘neutral’ countries. This comprehensive text clearly shows how in the struggle against the Axis powers, the United States replaced Britain as the global superpower. The author discusses the Japanese invasion of Manchuria in 1931 and the Korean War (1950-1953) and argues that the core years of the war (1939-1945) cannot be understood without considering the turbulent events that framed them. The text puts World War II in context as a series of large regional conflicts that intersected and overlapped, finally emerging as a genuine “world war” with the formal entry of the United States in late 1941. This vital text: Offers a comprehensive review of World War II that frames it in a global context Gives weight to the economic and political developments of the war Provides a robust account of the main military campaigns Contains illustrations and maps that themselves highlight little-known aspects of the global war

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The definitive exploration of C.S. Lewis’s philosophical thought, and its connection with his theological and literary work Arguably one of the most influential writers of the twentieth century, C.S. Lewis is widely hailed as a literary giant, his seven-volume Chronicles of Narnia having sold over 65 million copies in print worldwide. A prolific author and scholar whose intellectual contributions transcend the realm of children’s fantasy literature, Lewis is commonly read and studied as a significant theological figure in his own right. What is often overlooked is that Lewis first loved and was academically trained in philosophy. In this newest addition to the Blackwell Great Minds series, well-known philosopher and Lewis authority Stewart Goetz discusses Lewis’s philosophical thought and illustrates how it informs his theological and literary work. Drawing from Lewis’s published writing and private correspondence, including unpublished materials, C.S. Lewis is the first book to develop a cohesive and holistic understanding of Lewis as a philosopher. In this groundbreaking project, Goetz explores how Lewis’s views on topics of lasting interest such as happiness, morality, the soul, human freedom, reason, and imagination shape his understanding of myth and his use of it in his own stories, establishing new connections between Lewis’s philosophical convictions and his wider body of published work. Written in a scholarly yet accessible style, this short, engaging book makes a significant contribution to Lewis scholarship while remaining suitable for readers who have only read his stories, offering new insight into the intellectual life of this figure of enduring popular interest.

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People are inseparable from natural ecosystems, and understanding how people think about, experience, and interact with nature is crucial for promoting environmental sustainability as well as human well-being. This is the new edition of what is now the leading textbook in conservation psychology, the field that explores connections between the study of human behavior and the achievement of conservation goals. Completely updated, this book summarizes theory and research on ways in which humans experience nature; it explores people’s conceptions of nature and environmental problems, their relationship with nature, and their moral lenses on nature; and examines ways to encourage conservation-oriented behavior at both individual and societal levels. Throughout, the authors integrate a wide body of research demonstrating the role of psychology in promoting a more sustainable relationship between humans and nature. New sections cover human perceptions of environmental problems, new examples of community-based conservation, and a “positive psychology” perspective that emphasizes the relevance of nature to human resilience. Additional references are to be found throughout this edition along with some new examples and a reorganisation of chapters in response to reader feedback. This fascinating volume is used for teaching classes to senior undergraduate and graduate students of Conservation Psychology, Environmental Psychology and Conservation Science in departments of Psychology, Geography, Environmental Science, and Ecology and Evolution. It is equally suitable as a starting point for other researchers and practitioners - psychologists, conservation biologists, environmental scientists, and policy-makers - needing to know more about how psychological research can inform their conservation work.

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Escape London's bustle by bike with this unique cycling guide. In this boxed collection of 35 pocket-size cards you'll find a happy mix of specially-devised cycling routes around London and the surrounding countryside. The cycle-route cards include peaceful inner city rides, rides that start out in the city then head out into the countryside, and routes that start outside the capital and can be easily reached by a short train journey. Inspirational bike rides - handy, pocket size cards that brim with photos and artwork that bring the tour to life Box includes transparent sleeve - if it rains you can pop the card into the sleeve to protect it from the elements Memorable expeditions these ingeniously thought-out routes make clever use of green lanes, cycle paths and bridleways. Did you know that you can cycle from Wapping to Hertford using traffic-free paths and only a handful of quiet city streets? Little-known routes will seamlessly transport you from the city to secluded country lanes and villages Routes for everyone most of the routes take one day, making a cycle escape ideal for clearing your head but knowing you ll be back by teatime! The rides are mainly easy, great for families, as well as a few that are longer and more challenging All the planning is done for you - each card has a map, route instructions, points of interest and essential information including train connections Pocket a card, leave the box on your bookshelf and enjoy a glorious day out on your bike.

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We live in a world saturated by futures. Our lives are constructed around ideas and images about the future that are as full and as flawed as our understandings of the past. This book is a conceptual toolkit for thinking about the forms and functions that the future takes. Exploring links between panic and nostalgia, waiting and utopia, technology and messianism, prophecy and trauma, it brings together critical meditations on the social, cultural, and intellectual forces that create narratives and practices of the future. The prognosticators, speculators, prophets, and visionaries have their say here, but the emphasis is on small narratives and forgotten conjunctures, on the connections between expectation and experience in everyday life.In tightly linked studies, the contributors excavate forgotten and emergent futures of art, religion, technology, economics, and politics. They trace hidden histories of science fiction, futurism, and millennialism and break down barriers between far-flung cultural spheres. From the boardrooms of Silicon Valley to the forests of Java and from the literary salons of Tokyo to the roadside cafés of the Nevada desert, the authors stitch together the disparate images and stories of futures past and present. Histories of the Future is further punctuated by three interludes: a thought-provoking game that invites players to fashion future narratives of their own, a metafiction by renowned novelist Jonathan Lethem, and a remarkable graphic research tool: a timeline of timelines.Contributors. Sasha Archibald, Susan Harding, Jamer Hunt, Pamela Jackson, Susan Lepselter, Jonathan Lethem, Joseph Masco, Christopher Newfield, Elizabeth Pollman, Vicente Rafael, Daniel Rosenberg, Miryam Sas, Kathleen Stewart, Anna Tsing

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Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today.Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

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The South has long played a central role in America’s national imagination—the site of the trauma of slavery and of a vast nostalgia industry, alternatively the nation’s moral other and its moral center. Reconstructing Dixie explores how ideas about the South function within American culture. Narratives of the region often cohere around such tropes as southern hospitality and the southern (white) lady. Tara McPherson argues that these discursive constructions tend to conceal and disavow hard historical truths, particularly regarding race relations and the ways racial inequities underwrite southern femininity. Advocating conceptions of the South less mythologized and more tethered to complex realities, McPherson seeks to bring into view that which is repeatedly obscured—the South’s history of both racial injustice and cross-racial alliance.Illuminating crucial connections between understandings of race, gender, and place on the one hand and narrative and images on the other, McPherson reads a number of representations of the South produced from the 1930s to the present. These are drawn from fiction, film, television, southern studies scholarship, popular journalism, music, tourist sites, the internet, and autobiography. She examines modes of affect or ways of "feeling southern" to reveal how these feelings, along with the narratives and images she discusses, sanction particular racial logics. A wide-ranging cultural studies critique, Reconstructing Dixie calls for vibrant new ways of thinking about the South and for a revamped and reinvigorated southern studies.Reconstructing Dixie will appeal to scholars in American, southern, and cultural studies, and to those in African American, media, and women’s studies.

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Contemporary visual and performance artists have adopted modern medical technologies such as MRIs and computer imaging—and the bodily access they imply—to reveal their limitations. In doing so they emphasize the unknowability of another’s bodily experience and the effects—physical, emotional, and social—of medical procedures.In The Scar of Visibility, Petra Kuppers examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life (self-help groups, community events, Internet sites), focusing on fantasies and “knowledge projects” surrounding the human body. Among the works she investigates are the controversial Body Worlds exhibition of plastinized corpses; video projects by Shimon Attie on diabetes and Douglas Gordon on mental health and war trauma; performance pieces by Angela Ellsworth, Bob Flanagan, and Kira O’Reilly; films like David Cronenberg’s Crash and Marina de Van’s In My Skin that fetishize body wounds; representations of the AIDS virus in the National Museum of Health and on CSI: Crime Scene Investigations; and the paintings of outsider artist Martin Ramírez.At the heart of this work is the scar—a place of production, of repetition and difference, of multiple nerve sensations, fragile skin, outer sign, and bodily depth. Through the embodied sign of the scar, Kuppers articulates connections between subjective experience, history, and personal politics. Illustrated throughout, The Scar of Invisibility broadens our understanding of the significance of medical images in visual culture.Petra Kuppers is associate professor of English at the University of Michigan, Ann Arbor, and the author of Disability and Contemporary Performance: Bodies on Edge.

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Selling British Columbia is an entertaining examination of the development of the tourist industry in British Columbia between 1890 and 1970. Michael Dawson argues that in order to understand the roots of the fully-fledged consumer culture that emerged in Canada after the Second World War, it is necessary to understand the connections between the 1930s, 1940s, and the postwar era.Cultural producers such as tourism promoters and the state infrastructure played important roles in fostering consumer demand, particularly during the Depression, the Second World War, and throughout the postwar era. Dawson draws upon promotional pamphlets, newspapers, advertisements, and films, as well as archival sources regarding government, civic, and international tourism organizations. Central to his book is an examination of the representation of popular imagery and of how aboriginal and British cultures were commodified and marketed to potential tourists. He also looks at the gendered aspect of these promotional campaigns, particularly during the 1940s, and challenges earlier interpretations regarding the relationship between tourism and nature in Canada.Historians have tended to focus on either the first wave of consumerism from the 1880s to the 1920s, or else on the era of economic expansion that followed World War Two. As Dawson shows, the 1930-45 period in particular was an important and dynamic one in the creation of Canadian and British Columbian consumer culture.Michael Dawson’s highly readable and engaging account of the development of the British Columbia tourist industry will be welcomed by British Columbian and Canadian historians, as well as other scholars of tourism and consumerism.

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REVIEW FROM PREVIOUS EDITION: 'A slim and useful student textbook for English Syntax. Although most of the examples are from English, the book introduces general concepts which provide the necessary tools for a basic syntactic analysis of any language. The book concentrates on topics that will remain useful to the student who does not go on to study linguistics but, say, literature or EFL teaching.' - The Year's Work in English Studies In this revised and fully updated new edition of his popular textbook, Jim Miller discusses the central concepts of syntax which are applied in a wide range of university courses, in business communication, in teaching and in speech therapy. The book deals with concepts which are central to traditional grammar but have been greatly refined over the past forty years: parts of speech and how to recognise them, constructions and their interrelationships, subordinate clauses and how to recognise the different types, subjects and objects, Agents and Patients and other roles. The book draws out the connections between syntax and meaning and between syntax and discourse; in particular, a new chapter focuses on the analysis of discourse and the final chapter deals with tense, aspect and voice, topics which are central to the construction of texts and are of major importance in second language learning. They are also areas where meaning and grammar interconnect very closely. Key features: *Coverage of central themes with a wide application outside the study of syntax *Explains basic concepts, supported by a glossary of technical terms *Exercises and sources for further reading provided.

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A powerful photographic survey of the impact of irrigation systems on the landscape of the United StatesIn The One Hundred Circle Farm, renowned photographer Emmet Gowin (b. 1941) presents stunning aerial images of center-pivot irrigation systems in the western and midwestern United States. This type of farming involves a method of watering crops in which equipment rotates around a centrally drilled well, creating enormous, distinct circles of irrigated land, often in the midst of dry terrain. Anyone who has taken a cross-country flight has likely seen countless acres of these iconic symbols of industrial agriculture. Through a faithful yet personal photographic survey, Gowin’s powerful images not only bear witness to the ambitions humans wield in shaping the landscape, but also attest to how such primal elements—circles, pivots, and lines—symbolize water depletion and the fragile environment.The stark photographic compositions, more than one hundred in all, were created over eight years. Fields resemble lost civilizations; crops gape like strange new suns. Hauntingly beautiful, the images highlight Earth’s nourishing geology, visual evidence of our labors. Inscribed onto the earth, these lines are reminders of the technology extracting unimaginable amounts of water that cannot be replaced, and raise questions about what large-scale irrigation must answer for when the water runs out.With an afterword by anthropologist Lucas Bessire discussing the history and impact of pivot irrigation on American farming, The One Hundred Circle Farm stands as a poetic visual record, evidence of the tenuous connections between human enterprise and our planet’s most precious resource.

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The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy. Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.

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The vital interconnections that rivers share with the land, the sky, and us Rivers are essential to civilization and even life itself, yet how many of us truly understand how they work? Why do rivers run where they do? Where do their waters actually come from? How can the same river flood one year and then dry up the next? Where the River Flows takes you on a majestic journey along the planet's waterways, providing a scientist's reflections on the vital interconnections that rivers share with the land, the sky, and us. Sean Fleming draws on examples ranging from common backyard creeks to powerful and evocative rivers like the Mississippi, Yangtze, Thames, and Congo. Each chapter looks at a particular aspect of rivers through the lens of applied physics, using abundant graphics and intuitive analogies to explore the surprising connections between watershed hydrology and the world around us. Fleming explains how river flows fluctuate like stock markets, what "digital rainbows" can tell us about climate change and its effects on water supply, how building virtual watersheds in silicon may help avoid the predicted water wars of the twenty-first century, and much more. Along the way, you will learn what some of the most exciting ideas in science--such as communications theory, fractals, and even artificial life--reveal about the life of rivers. Where the River Flows offers a new understanding of the profound interrelationships that rivers have with landscapes, ecosystems, and societies, and shows how startling new insights are possible when scientists are willing to think outside the disciplinary box.

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While all of us regularly use basic math symbols such as those for plus, minus, and equals, few of us know that many of these symbols weren't available before the sixteenth century. What did mathematicians rely on for their work before then? And how did mathematical notations evolve into what we know today? In Enlightening Symbols, popular math writer Joseph Mazur explains the fascinating history behind the development of our mathematical notation system. He shows how symbols were used initially, how one symbol replaced another over time, and how written math was conveyed before and after symbols became widely adopted. Traversing mathematical history and the foundations of numerals in different cultures, Mazur looks at how historians have disagreed over the origins of the numerical system for the past two centuries. He follows the transfigurations of algebra from a rhetorical style to a symbolic one, demonstrating that most algebra before the sixteenth century was written in prose or in verse employing the written names of numerals. Mazur also investigates the subconscious and psychological effects that mathematical symbols have had on mathematical thought, moods, meaning, communication, and comprehension. He considers how these symbols influence us (through similarity, association, identity, resemblance, and repeated imagery), how they lead to new ideas by subconscious associations, how they make connections between experience and the unknown, and how they contribute to the communication of basic mathematics. From words to abbreviations to symbols, this book shows how math evolved to the familiar forms we use today.

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Everybody knows that mathematics is indispensable to physics--imagine where we'd be today if Einstein and Newton didn't have the math to back up their ideas. But how many people realize that physics can be used to produce many astonishing and strikingly elegant solutions in mathematics? Mark Levi shows how in this delightful book, treating readers to a host of entertaining problems and mind-bending puzzlers that will amuse and inspire their inner physicist. Levi turns math and physics upside down, revealing how physics can simplify proofs and lead to quicker solutions and new theorems, and how physical solutions can illustrate why results are true in ways lengthy mathematical calculations never can. Did you know it's possible to derive the Pythagorean theorem by spinning a fish tank filled with water? Or that soap film holds the key to determining the cheapest container for a given volume? Or that the line of best fit for a data set can be found using a mechanical contraption made from a rod and springs? Levi demonstrates how to use physical intuition to solve these and other fascinating math problems. More than half the problems can be tackled by anyone with precalculus and basic geometry, while the more challenging problems require some calculus. This one-of-a-kind book explains physics and math concepts where needed, and includes an informative appendix of physical principles. The Mathematical Mechanic will appeal to anyone interested in the little-known connections between mathematics and physics and how both endeavors relate to the world around us.

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Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy.

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The desegregation crisis in Little Rock is a landmark of American history: on September 4, 1957, after the Supreme Court struck down racial segregation in public schools, Arkansas Governor Orval Faubus called up the National Guard to surround Little Rock Central High School, preventing black students from going in. On September 25, 1957, nine black students, escorted by federal troops, gained entrance. With grace and depth, Little Rock provides fresh perspectives on the individuals, especially the activists and policymakers, involved in these dramatic events. Looking at a wide variety of evidence and sources, Karen Anderson examines American racial politics in relation to changes in youth culture, sexuality, gender relations, and economics, and she locates the conflicts of Little Rock within the larger political and historical context. Anderson considers how white groups at the time, including middle class women and the working class, shaped American race and class relations. She documents white women's political mobilizations and, exploring political resentments, sexual fears, and religious affiliations, illuminates the reasons behind segregationists' missteps and blunders. Anderson explains how the business elite in Little Rock retained power in the face of opposition, and identifies the moral failures of business leaders and moderates who sought the appearance of federal compliance rather than actual racial justice, leaving behind a legacy of white flight, poor urban schools, and institutional racism. Probing the conflicts of school desegregation in the mid-century South, Little Rock casts new light on connections between social inequality and the culture wars of modern America.

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A pioneering study of historical developments that have shaped Asia concludes with this volume tracing the impact of ideas and cultures of people on the move across the continent, whether willingly or not.In the final volume of Asia Inside Out, a stellar interdisciplinary team of scholars considers the migration of people—and the ideas, practices, and things they brought with them—to show the ways in which itinerant groups have transformed their culture and surroundings. Going beyond time and place, which animated the first two books, this third one looks at human beings on the move.Human movement from place to place across time reinforces older connections while forging new ones. Erik Harms turns to Vietnam to show that the notion of a homeland as a marked geographic space can remain important even if that space is not fixed in people’s lived experience. Angela Leung traces how much of East Asia was brought into a single medical sphere by traveling practitioners. Seema Alavi shows that the British preoccupation with the 1857 Indian Revolt allowed traders to turn the Omani capital into a thriving arms emporium. James Pickett exposes the darker side of mobility in a netherworld of refugees, political prisoners, and hostages circulating from the southern Russian Empire to the Indian subcontinent. Other authors trace the impact of movement on religious art, ethnic foods, and sports spectacles.By stepping outside familiar categories and standard narratives, this remarkable series challenges us to rethink our conception of Asia in complex and nuanced ways.

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A gripping account of the violence and turmoil that engulfed England’s fledgling colonies and the crucial role played by Native Americans in determining the future of North America.In 1675, eastern North America descended into chaos. Virginia exploded into civil war, as rebel colonists decried the corruption of planter oligarchs and massacred allied Indians. Maryland colonists, gripped by fears that Catholics were conspiring with enemy Indians, rose up against their rulers. Separatist movements and ethnic riots swept through New York and New Jersey. Dissidents in northern Carolina launched a revolution, proclaiming themselves independent of any authority but their own. English America teetered on the edge of anarchy.Though seemingly distinct, these conflicts were in fact connected through the Susquehannock Indians, a once-mighty nation reduced to a small remnant. Forced to scatter by colonial militia, Susquehannock bands called upon connections with Indigenous nations from the Great Lakes to the Deep South, mobilizing sources of power that colonists could barely perceive, much less understand. Although the Susquehannock nation seemed weak and divided, it exercised influence wildly disproportionate to its size, often tipping settler societies into chaos. Colonial anarchy was intertwined with Indigenous power.Piecing together Susquehannock strategies from a wide range of archival documents and material evidence, Matthew Kruer shows how one people’s struggle for survival and renewal changed the shape of eastern North America. Susquehannock actions rocked the foundations of the fledging English territories, forcing colonial societies and governments to respond. Time of Anarchy recasts our understanding of the late seventeenth century and places Indigenous power at the heart of the story.

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In a wide-ranging constitutional history of presidential war decisions from 1945 to the present, Stephen M. Griffin rethinks the long-running debate over the “imperial presidency” and concludes that the eighteenth-century Constitution is inadequate to the challenges of a post-9/11 world.The Constitution requires the consent of Congress before the United States can go to war. Truman’s decision to fight in Korea without gaining that consent was unconstitutional, says Griffin, but the acquiescence of Congress and the American people created a precedent for presidents to claim autonomy in this arena ever since. The unthinking extension of presidential leadership in foreign affairs to a point where presidents unilaterally decide when to go to war, Griffin argues, has destabilized our constitutional order and deranged our foreign policy. Long Wars and the Constitution demonstrates the unexpected connections between presidential war power and the constitutional crises that have plagued American politics.Contemporary presidents are caught in a dilemma. On the one hand are the responsibilities handed over to them by a dangerous world, and on the other is an incapacity for sound decisionmaking in the absence of interbranch deliberation. President Obama’s continuation of many Bush administration policies in the long war against terrorism is only the latest in a chain of difficulties resulting from the imbalances introduced by the post-1945 constitutional order. Griffin argues for beginning a cycle of accountability in which Congress would play a meaningful role in decisions for war, while recognizing the realities of twenty-first century diplomacy.

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Easy-to-use, handheld echocardiographic equipment has recently become a reliable, faster, lower-cost initial assessment option for cardiologists and other healthcare providers. Point-of-Care Echocardiography: A Case-Based Visual Guide clearly explains and demonstrates how to incorporate and effectively employ this new technology in your practice. Real-life images from actual outpatient consultations and in-patient evaluations provide step-by-step guidance on using handheld echo to arrive at a definitive diagnosis and/or to exclude other possible diagnoses. Focuses on the use and application of the latest handheld echocardiography devices for screening and initial diagnosis at point of care. Includes clinical case studies with history, physical exam, a wide range of normal and abnormal laboratory, ECG and imaging findings along with multiple images and video clips obtained with handheld system by an expert cardiologist. Features 169 echocardiographic images and 48 videos depicting use of point-of-care echo and its cardiovascular imaging findings. Provides an overview of cardiac and vascular anatomy and physiology and imaging techniques, tips, nuances, and limitations of handheld systems. Covers normal and abnormal findings and when to refer for further study. Discusses and demonstrates how to perform transthoracic echocardiography for assessment of cardiac and valve function, intravascular volume, ultrasound imaging to detect pericardial and pleural effusion, during pericardiocentesis and imaging assessment of vascular connections to the heart. Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures and videos from the book on a variety of devices.

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In the dramatic narratives that comprise The Republic of Nature, Mark Fiege reframes the canonical account of American history based on the simple but radical premise that nothing in the nation's past can be considered apart from the natural circumstances in which it occurred. Revisiting historical icons so familiar that schoolchildren learn to take them for granted, he makes surprising connections that enable readers to see old stories in a new light. Among the historical moments revisited here, a revolutionary nation arises from its environment and struggles to reconcile the diversity of its people with the claim that nature is the source of liberty. Abraham Lincoln, an unlettered citizen from the countryside, steers the Union through a moment of extreme peril, guided by his clear-eyed vision of nature's capacity for improvement. In Topeka, Kansas, transformations of land and life prompt a lawsuit that culminates in the momentous civil rights case of Brown v. Board of Education. By focusing on materials and processes intrinsic to all things and by highlighting the nature of the United States, Fiege recovers the forgotten and overlooked ground on which so much history has unfolded. In these pages, the nation's birth and development, pain and sorrow, ideals and enduring promise come to life as never before, making a once-familiar past seem new. The Republic of Nature points to a startlingly different version of history that calls on readers to reconnect with fundamental forces that shaped the American experience. For more information, visit the author's website: http://republicofnature.com/

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Long neglected as a marginal and eccentric figure, Thomas Hoccleve (1367–1426) wrote some of the most sophisticated and challenging poetry of the late Middle Ages. Full of gossip and autobiographical detail, his work has made him immensely useful to modern scholars, yet Hoccleve the poet has remained decidedly in the shadow of Geoffrey Chaucer.In The Bureaucratic Muse, Ethan Knapp investigates the connections between Hoccleve's poetic corpus and his life as a clerk of the Privy Seal. The early fifteenth century was a watershed moment in the histories of both centralized bureaucracy and English vernacular literature. These were the decades in which Chaucer's experiments in a courtly English poetry were rendered into a stable tradition and in which the central writing offices at Westminster emerged from personal government into the full-blown modernity of independent civil service. Knapp shows the importance of Hoccleve's poetry as a site where these two histories come together. By following the shifting relationship between the texts of vernacular poetry and those of bureaucratic documents, Knapp argues that the roots of vernacular fiction reach back into the impersonal documentary habits of a bureaucratic class. The Bureaucratic Muse, the first full-length study of Hoccleve since 1968, provides an authoritative historical and textual treatment of this important but underappreciated writer. Chapters focus on Hoccleve's importance in consolidating key concepts of the literary field such as autobiography, religious heterodoxy, gendered identity, and post-Chaucer textuality. This book will be of interest to scholars of Middle English literature, autobiography, gender studies, and the history of literary institutions.

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Ruth Blau: A Life of Paradox and Purpose explores the life of a curious, if not mysterious, character in modern Jewish history. Born a French Catholic, Ruth Blau (Ben-David) (1920–2000) lived a constantly twisting life. During World War II, Blau was active in the French Resistance, and under their command, she joined the Gestapo as a double agent. After the war, she studied philosophy as a PhD candidate at the Sorbonne during the 1950s. After converting to Judaism and moving to Israel in 1960, Blau was involved in concealing Yossele Schumacher, a seven-year-old child, as part of a militant conflict between ultra-Orthodox and secular Jews in Israel. In 1965, despite a huge scandal, she married Amram Blau, head of the anti-Zionist ultra-Orthodox Neturei Karta. After the death of her husband in 1973, Blau took upon herself to travel to Arab countries to help the Jewish communities in distress in Lebanon and Iran, where she met Yasser Arafat, head of the Palestinian Liberation Organization, and his deputy Abu Jihad. But the most significant connections she made were in Iran. In 1979, she met with the leader of the Iranian revolution, Ayatollah Khomeini.Ruth Blau: A Life of Paradox and Purpose represents the first full-length biography of this remarkable woman. Drawing on a trove of archival materials and interviews with those who knew Ruth, Motti Inbari offers a complex, multifaceted portrait of a woman undertaking a remarkable and influential journey through modern European and Middle Eastern history.

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The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief. Irish music as we know it today was invented not only in the cobbled lanes of Dublin or the green fields of County Kerry but in the burgeoning American metropolis of early-twentieth-century Chicago. The boundaries of the genre combine a long vernacular tradition with one man's curatorial quirks. That man was Francis O'Neill: a larger-than-life Chicago police chief, and an Irish immigrant with an intense interest in his home country's music. Michael O'Malley's The Beat Cop tells the story of this hardly unknown yet little-investigated figure, from his birth in Ireland in 1865 to a rough-and-tumble early life in the United States. By 1901, O'Neill had worked his way up to become Chicago's chief of police, where he developed new methods of tracking people and recording their identities. At the same, he also obsessively tracked and recorded the music he heard from local Irish immigrants, favoring specific rural forms and enforcing a strict view of what he felt was and wasn't authentic. His police work and his musical work were flip sides of the same coin: as a music collector, O'Neill tracked down fugitive tunes, established their backstories, and formally organized them by type. O'Malley delves deep into how O'Neill harnessed his policing skills and connections to publish classic songbooks still widely used today, becoming the foremost shaper of how Americans see, and hear, the music of Ireland.

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In Getting Medieval Carolyn Dinshaw examines communities—dissident and orthodox—in late-fourteenth and early-fifteenth-century England to create a new sense of queer history. Reaching beyond both medieval and queer studies, Dinshaw demonstrates in this challenging work how intellectual inquiry into pre-modern societies can contribute invaluably to current issues in cultural studies. In the process, she makes important connections between past and present cultures that until now have not been realized. In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe. She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantino’s Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies.This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.

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There is no more contentious and perennial issue in the history of modern Western thought than the vexed relationship between the genesis of an idea and its claim to validity beyond it. Can ideas or values transcend their temporal origins and overcome the sin of their original context, and in so doing earn abiding respect for their intrinsic merit? Or do they inevitably reflect them in ways that undermine their universal aspirations? Are discrete contexts so incommensurable and unique that the smooth passage of ideas from one to the other is impossible? Are we always trapped by the limits of our own cultural standpoints and partial perspectives, or can we somehow escape their constraints and enter into a fruitful dialogue with others? These persistent questions are at the heart of the discipline known as intellectual history, which deals not only with ideas, but also with the men and women who generate, disseminate, and criticize them. The essays in this collection, by one of the most recognized figures in the field, address them through engagement with leading intellectual historians—Hans Blumenberg, Quentin Skinner, Hayden White, Isaiah Berlin, Frank Ankersmit—as well other giants of modern thought—Max Weber, Emile Durkheim, Georg Simmel, Walter Benjamin, Theodor Adorno, and Georg Lukács. They touch on a wide variety of related topics, ranging from the heroism of modern life to the ability of photographs to lie. In addition, they explore the fraught connections between philosophy and theory, the truth of history and the truthfulness of historians, and the weaponization of free speech for other purposes.

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'A rattling good read' - Amazon reviewON THE STREET, SURVIVAL COMES AT A PRICE . . .Daisy Lane has finally found some measure of happiness - her nightclub is bringing in money, helped by her connections to notorious gangster Roy Kemp, and her children seem to be thriving. But Daisy's fortunes take a spectacular fall when Roy decides to move his criminal empire to London. Roy's frequent presence in Daisy's club gave the place an air of glamour - and danger. Without him, the punters have disappeared and so too has the cash, leaving Daisy back where she started - struggling to make ends meet and keep her family together.Daisy takes comfort in the fact that her son, Eddie, is growing up to be as courageous and spirited as his late father was. But Eddie's younger brother, Jamie, could not be more different: deeply disturbed, sadistic and capable of the most brutal violence. Daisy, fighting to save her business, is completely blind to what her son is becoming. It falls to Eddie to stand up to his brother and prevent his behaviour from spiralling fatally out of control . . .If you like crime thrillers by Jessie Keane, Kimberley Chambers, Mandasue Heller and Martina Cole, you'll love Jail Bait, the gripping fifth novel in the Daisy Lane thriller series.Why readers love June Hampson's thrillers:'A cracking story' - THE BOOKSELLER'She is giving Martina Cole a run for her money' Amazon review'The Daisy Lane books are all brilliant' - Amazon reviewer'An emotional rollercoaster full of grit, violence, sadness, warmth, emotion and love' - Goodreads reviewer

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"A writer of great subtlety and intelligence . . . a beautifully written and compelling story of how families fall apart and what remains of the aftermath" Kamila Shamsie, winner of the Women's Prize for Fiction 2018 "The book everyone is talking about for the summer" Lorraine Candy, Sunday TimesIn my childhood, I was known as the boy whose mother had run off with an Englishman" - so begins the story of Myshkin and his mother, Gayatri, who is driven to rebel against tradition and follow her artist's instinct for freedom.Freedom of a different kind is in the air across India. The fight against British rule is reaching a critical turn. The Nazis have come to power in Germany. At this point of crisis, two strangers arrive in Gayatri's town, opening up for her the vision of other possible lives. What took Myshkin's mother from India to Dutch-held Bali in the 1930s, ripping a knife through his comfortingly familiar environment? Excavating the roots of the world in which he was abandoned, Myshkin comes to understand the connections between anguish at home and a war-torn universe overtaken by patriotism. Anuradha Roy's enthralling novel is a powerful parable for our times, telling the story of men and women trapped in a dangerous era uncannily similar to the present. Impassioned, elegiac, and gripping, it brims with the same genius that has brought Roy's earlier fiction international renown."One of India's greatest living authors" - O, The Oprah Magazine"Roy's writing is a joy" - Financial Times

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The Collins Cambridge International AS & A Level Chemistry course promotes a rich and deep understanding of the 9701 syllabus (for examination from 2022) and development of practical skills. This Student’s Book provides in depth coverage of the Cambridge International AS & A Level Chemistry syllabus. This text was written by experts in their field and allows students to develop practical skills in a range of contexts, deepen understanding of key concepts and make links between topics. Students are given regular opportunities to practice and revisit skills and understanding, and evaluate their learning throughout the course. Exam Board: Cambridge Assessment International EducationFirst teaching: 2020; First examination: 2022 · Develop and strengthen practical skills throughout with assignments and experimental skills features and regular opportunities to handle, apply and evaluate data· Deepen understanding by making connections between topics. The prior understanding reviews and end of chapter mind maps provide starting points to build upon· Build self-awareness and take control of learning using the questions and opportunities for reflection throughout the book· Strengthen and challenge with questions requiring deeper engagement and thinking skills· Prepare for examinations with exam-style questions· A Teacher’s Guide is also available to buy as a digital download. Full teacher support includes syllabus mapping, notes on common misconceptions, a wealth of activities including those to develop practical skills, and regular assessments including prior knowledge reviews, mid-chapter formative and end of chapter exam-style summative tests. Please see collins.co.uk/pages/caie-sciences for more information. This resource is endorsed by Cambridge Assessment International Education to support the full syllabus for examination from 2022.

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Even though Gerard Verdijk (1934-2005) passed away at the beginning of this century, many still remember him as a striking and versatile artist. From the middle of the 20th century until the beginning of the 21st century he was active within a wide area of the visual arts. He was a poetic and philosophical man who manifested his creativity through a wide range of materials and techniques. He was a curious man, eager to learn, who travelled through Europe, Turkey, The Middle-East, North-America, Africa and Japan to get acquainted with other cultures. He cannot be placed within one art-historical movement. The ever-changing world around him influenced his style and the use of his materials. When generalised his works can be placed in a few style periods: Abstract/Informal, Zero/Pop-Art, Fluor/ Perspex and Zen/Haiku. In all these periods spaciousness, movement and repetition are recognisable elements. In the 13 years after his passing in 2005, the life and works of Gerard Verdijk were meticulously documented by his wife Josephine Sloet. This monograph, a true "life's work" of 396 pages with 200 large images of his works came into being at Gerard's own request. He was also clear about the book's motto: The Mountain of Einstein. According to Albert Einstein, the creation of some something new can be compared to climbing a mountain, where one would obtain changing and growing perspectives along the way and would discover unsuspected connections between our customs and the rich variety of our environment.

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Secrecy is the common feature of the so-called allo kafii gida Qur'anic writing boards used by the Hausa of northern Nigeria. While on the one hand their owners share a barely concealed reluctance to reveal the auspicious epigrams decorating these artefacts, on the other they exhibit a clear desire to avoid displaying images of animals and human beings that might cause repercussions in an iconoclastic Islamic context. One need only consider that even today possessing an allo kafii gida incurs severe punishment by the most fervent Moslems, sometimes extending to the death penalty. Every board in this book would have been destroyed by Islamic fundamentalists if it had not somehow been saved at some time in the past. Those who made the decorations embellishing these Qur'anic tablets were not simply illustrators; they were nothing short of troubadours, painting on wooden panels the tales depicting the cosmic connections of the society in which they lived. Over the years, the cosmic ideas of distant foreign lands were incorporated in the Hausas' system of thought and these allo kafii gida have thus turned into cosmological time capsules impressed on wooden panels. In view of this challenging cultural context, the owners of these artworks can be described as 'curators' of these secret boards, which, in spite of serving the Islamic religion, actually record Hausa cosmology. The artefacts adorning the book are truly unique in the field of extra-European art and come from a private collection built over a period of twenty years of painstaking research.

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Julia Margaret Cameron's 'fancy subjects' is the first study of Cameron's allegorical photographs and the first to examine the intellectual connections of this imagery to British culture and politics of the 1860s and 1870s. In these photographs, Cameron depicted passages from classical mythology, the Old and New Testament, and historical and contemporary literature. She costumed her friends, domestic help, and village children in dramatic poses, turning them into goddesses and nymphs, biblical kings and medieval knights; she photographed young women in the style of the Elgin marbles, making sculpture come alive, and re-imagined scenes depicted in the poetry of Byron and Tennyson. Cameron chose allegory as her primary artistic device because it allowed her to use popular iconography to convey a latent or secondary meaning. In her photographs, a primary meaning is first conveyed by the title of the image; then, social and political ideas that the artist implanted in the image begin to emerge, contributing to and commenting on the contemporary cultural, religious and political debates of the time. Cameron used the term 'fancy subjects' to embed these moral, intellectual and political narratives in her photographs. This book reconnects her to the prominent minds in her circle who influenced her thinking, including Benjamin Jowett, George Grote and Henry Taylor, and demonstrates her awareness and responsiveness to popular graphic art, including textiles and wall paper, book illustrations and engravings from period folios, cartoons from Punch and line drawings from the Illustrated London News, cabinet photographs and autotype prints.

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The Human Journey offers a truly concise yet satisfyingly full history of the world from ancient times to the present. The book’s scope, as the title implies, is the whole story of humanity, in planetary context. Its themes include not only the great questions of the humanities—nature versus nurture, the history and meaning of human variation, the sources of wealth and causes of revolution—but also the major transformations in human history: agriculture, cities, iron, writing, universal religions, global trade, industrialization, popular government, justice, and equality. In each conceptually rich chapter, leading historian Kevin Reilly concentrates on a single important period and theme, sustaining a focused narrative and analytical perspective. Chapter 2, for example, discusses the significance of bronze-age urbanization and the advent of the Iron Age. Chapter 3 examines the meaning and significance of the age of “classical” civilizations. Chapter 4 explains the spread of universal religions and new technologies in the postclassical age of Eurasian integration. But these examples also reveal a range of approaches to world history. The first chapter is an example of current “Big History,” the second of history as technological transformations, the third of comparative history, the fourth the history of connections that dominates, and thus narrows, so many texts. Free of either a confined, limiting focus or a mandatory laundry list of topics, this book begins with our most important questions and searches all of our past for answers. Well-grounded in the latest scholarship, this is not a fill-in-the-blanks text, but world history in a grand humanistic tradition.

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The Imposters is the first novel in stories that Tom Rachman has written since his international bestseller The Imperfectionists.'An astonishing achievement - brutally funny, humane, dizzying - will win Rachman the readership he deserves' Patrick Gale'Easily the best thing I have read in ages' Rebecca Wait'Clever and full of tricks from start to finish' SpectatorIt's set during a crisis in democracy, a society in lockdown linked digitally but convulsed by a social media frenzy, and is told by a little-known, little-read Dutch novelist named Dora Frenhofer who has decided that her life as an old woman in this post-truth pandemic world has become too much.But like a twenty-first century Scheherazade Dora spins stories to fend off the evil day, conjuring connections from her past to give meaning to the present. She imagines the fate of her missing brother, lost on the hippie trail in India in the sixties; the loneliness of her estranged daughter Beck, whose career writing stand-up shows for Netflix dramatizes the culture wars; Danny, an almost equally unfashionable writer she meets at a festival; the tortured history of the van driver who takes her unwanted books away; the nonchalant courier who nearly ran her over in the rain; her former lover, the sophisticated food critic; her last remaining friend. And finally, Dora's own last chapter.The Imposters is Rachman at his inimitable best, a writer whose formal ingenuity and flamboyant technique is matched by his humanity and generosity.

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The first and only guide to the beloved and star-studded Star Trek: The Animated Series. The first and only guide to the beloved and star-studded Star Trek: The Animated Series, the in-canon (mostly) continuation of the iconic Star Trek: Original Series. Star Trek was left for dead in 1969, after the cancellation of The Original Series (TOS). However, even though new adventures of the Enterprise and its crew were not being produced, it remained in the zeitgeist due to syndication and fan-run conventions. As a result, Star Trek became more popular and led to Gene Roddenberry and Filmation Studios continuing the Enterprise's original five-year mission on Saturday morning television. Star Trek: The Animated Series (TAS) was a critical success, airing 22 episodes over two seasons and earning the franchise its first Emmy Award in 1975. The show featured the voices of almost the entire original cast, including William Shatner and Leonard Nimoy, along with TOS writers Dorothy Fontana ("Journey to Babel"), David Gerrold ("The Trouble with Tribbles"), acclaimed science-fiction author Larry Niven, and many more. This book is the first officially dedicated to TAS, and provides fans with behind-the-scenes production documents, never-before-seen art, and all-new interviews with the people who produced the Enterprise's new animated adventures. Star Trek: The Official Guide to The Animated Series reveals the efforts it took to translate TOS into animated form, includes a Databank encyclopedia of new and returning characters, ships, and planets, as well as trivia, bloopers, and TAS's connections to other Star Trek shows.

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Public understanding of, and outcry over, the dire state of the climate and environment is greater than ever before. Parties across the political spectrum claim to be climate leaders, and overt denial is on the way out. Yet when it comes to slowing the course of the climate and nature crises, despite a growing number of pledges, policies and summits, little ever seems to change. Nature is being destroyed at an unprecedented rate. We remain on course for a catastrophic 3°C of warming. What's holding us back? In this searing and insightful critique, Adrienne Buller examines the fatal biases that have shaped the response of our governing institutions to climate and environmental breakdown, and asks: are the ‘solutions’ being proposed really solutions? Tracing the intricate connections between financial power, economic injustice and ecological crisis, she exposes the myopic economism and market-centric thinking presently undermining a future where all life can flourish. The book examines what is wrong with mainstream climate and environmental governance, from carbon pricing and offset markets to 'green growth', the commodification of nature and the growing influence of the finance industry on environmental policy. In doing so, it exposes the self-defeating logic of a response to these challenges based on creating new opportunities for profit, and a refusal to grapple with the inequalities and injustices that have created them. Both honest and optimistic, The Value of a Whale asks us – in the face of crisis – what we really value.This book is relevant to United Nations Sustainable Development Goal 11, Sustainable cities and communities

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Italian philosopher Giorgio Agamben is the rare writer whose ideas and works have a broad appeal across many fields, and his devoted fans are not just philosophers, but readers of political and legal theory, sociology, and literary criticism as well. In March 2009, Agamben was invited to speak in Paris’ Notre-Dame Cathedral in the presence of the Bishop of Paris and a number of other high-ranking church officials. His resulting speech, a stunningly lucid and provocative look at the history and state of the Church and its role in society, is presented here. The Church and the Kingdom is at once a pointed attack on the institutional structure of the Catholic Church and a theoretical excursus on the concepts of messianic time and economy. Presenting an exegesis of certain key passages in the New Testament, Agamben examines the philology and philosophy at the root of the Church and of its earthly reign. With its examinations of the foundational texts of the Church, which are also the foundational texts of our modern idea of economy, The Church and the Kingdom reveals significant connections and parallel ideologies which are imperative to understanding the current global situation. This edition of Agamben’s text is accompanied by photographs by artist Alice Attie. Made from folded and twisted reproductions of paintings culled from Christian iconography, these works of art evoke the restless challenge that well-characterizes Agamben’s four decades of philosophy and critique. This book will be welcomed by Agamben’s many readers across the disciplines.

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The Times Food Book of the Year. A soul-searching memoir for foodies everywhere. Let award-winning food writer Clare Finney take you on a passionate exploration of food and love. From family feasts to comfort food, first dates to office cake; how does what we eat define us, and the relationships we have with others? Finney investigates the role that food plays in modern society, exploring how eating unites us in varied ways throughout our lives. She discusses her own childhood spent in her grandmother’s hotel kitchen. She talks about the meals and recipes that have shaped the person she is today. Think of the dance of culinary courtship entailed in dating. Or the funeral foods that remind us of the connections between life and death, Finney examines the power of food and drink to attract, bind and define us—and of course, its power to divide and repel. In this insightful memoir, get access to: Fourteen easy-to-follow meaningful recipes A relatable exploration of what food means in life, love and beyond No-holds-barred look into the world of gastronomy and food writing Touching memories from Finney’s own childhood and life Packed with transformative stories from the heart, this book may just change your relationship with food, dining and mealtimes. At a time when our relationship towards what, when and where we eat has become increasingly complicated, Hungry Heart is a feast. It’s an honest, heart-warming account of humans breaking bread together and what that really means.

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Unleashing God’s KingdomEvery paragraph in Luke’s gospel is about Jesus. Luke showcases Jesus’ character by recounting all the significant events of his life, recalling his major teachings, and recommending his character as the truest way to live. The Jesus in Luke’s biography doesn’t wait for these events to happen to him, instead Jesus powerfully moves and unleashes the kingdom of God, proclaiming—and demonstrating—holistic redemption. This redemption cannot be reduced to ethics, morality, or even what we call social justice. Its foundation is a Person, and in that Person holistic redemption explodes into living realities. Those who follow this Person suddenly realize they are on mission with Jesus, as Luke tells his great story.In this deep dive into the person of Jesus, Scot McKnight shows that the Christian movement today, just as it was in Jesus’ time, is empowered by the Spirit of God. Explaining the links between the Bible’s world and ours, McKnight explores the enduring relevance of the Gospel of Luke for today.In the New Testament Everyday Bible Study Series, widely respected biblical scholar Scot McKnight combines interpretive insights with pastoral wisdom for all the books of the New Testament. Each volume provides: Original Meaning. Brief, precise expositions of the biblical text and offers a clear focus for the central message of each passage. Fresh Interpretation. Brings the passage alive with fresh images and what it means to follow King Jesus. Practical Application. Biblical connections and questions for reflection and application for each passage.

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A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925–1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist’s sketchbooks, and photographs of Mitchell’s life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell’s admirers and those just discovering her work.Published in association with the San Francisco Museum of Modern ArtExhibition Schedule:San Francisco Museum of Modern Art (September 4, 2021–January 17, 2022) Baltimore Museum of Art (March 6–August 14, 2022) Fondation Louis Vuitton (October 5, 2022–February 27, 2023)

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Make the most of your Windows 11 laptop or desktop computer--without becoming a technical expert! This book is the fastest way to get comfortable, get productive, get online, get started with social networking, make more connections, and have more fun! Even if you've never used a Windows computer before, this book shows you how to do what you want, one incredibly clear and easy step at a time. Computer basics have never, ever been this simple! Who knew how simple using computers could be? This is today's best beginner's guide to using your computer or tablet with the Windows 11 operating system...simple, practical instructions for doing everything you really want to do! Here's a small sample of what you'll learn: * Set up your computer and personalize the Windows 11 Start menu and desktop * Connect to the Internet and browse the Web with Microsoft Edge * Get started with social networking on Facebook, Twitter, Pinterest, and LinkedIn * Video chat with Zoom and Microsoft Teams * Use Windows 11's built-in apps--and find great new apps in the Microsoft Store * Connect printers and external storage * Connect to a home wireless network or public Wi-Fi hotspot * Go online to shop and sell--including ordering food and groceries online * Get work done quickly with Microsoft Office * Organize, view, and share photos * Listen to streaming music with Pandora and Spotify * Watch streaming movies and TV shows with Amazon Prime Video, Disney+, HBO Max, Hulu, Netflix, and more * Protect yourself against viruses, spyware, and spam

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