Search results for ""Author Ross"

The second volume of the Annals of Entrepreneurship Education and Pedagogy provides entirely new insights into a number of the leading issues surrounding the teaching of entrepreneurship and the building of entrepreneurship programs. Prepared under the auspices of the United States Association for Small Business and Entrepreneurship (USASBE), this book features fifteen scholarly perspectives on a range of entrepreneurship education issues.This 2016 edition spans topics ranging from methods for teaching creatively and the value of the lean startup methodology to empirical insights into whether or not entrepreneurship education changes minds. Five premier universities and the key aspects of their superlative entrepreneurship programs are reviewed. In addition, contributors highlight a number of individual innovations that have changed the way entrepreneurship is taught and the manner in which entrepreneurial behavior is facilitated. This book offers an introduction to innovative practices in facilitating entrepreneurial learning both inside and outside the classroom as it investigates critical issues in designing, implementing and assessing experiential learning techniques within entrepreneurship.This timely book uncovers new horizons in the development of entrepreneurship education for students, university campuses, communities and economies. Annals of Entrepreneurship Education and Pedagogy - 2016 is a must-have book for any entrepreneurship professor, scholar or program director across the US.Contributors include: C. Albornoz, K.R. Allen, J. Amoros, J. Aniello, K. Artz, A. Bruton, A. Caetano, M. Cichosz-Grzyb, R.W. Clouse, S.L. Cochran, S.F. Costa, B. Cowden, M. Croteau, C. Dibrell, D. Dill, T.N. Duening, N. Duval-Couetil, J.S. Engel, E. Fine, V. Fox, T. Goodin, E. Grossman, R.J. Gentry, E. Hamilton, J. Hart, J. Heacock, D.M. Hechevaria, G. Hertz, A. Ingram, K. Kern, E. Liguori, A. Markvoort, E. Markin, A. McKelvie, M.M. Metzger, S. Miller, K. Moore, L. Morland, M.H. Morris, H.M. Neck, X. Neumeyer, G. Poor, C. Pryor, D.W. Rosenthal, B. Rossi, M. Schindehutte, S.C. Santos, S. Scherreik, F. Schlosser, S.A. Schulman, R. Smilor, J. Stamp, K. Taylor, J. Thompson, J.M. Torrens, E.E. Troudt, J. Vanevenhoven, R. White, D. Winkel, C. Winkler

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The second volume of the Annals of Entrepreneurship Education and Pedagogy provides entirely new insights into a number of the leading issues surrounding the teaching of entrepreneurship and the building of entrepreneurship programs. Prepared under the auspices of the United States Association for Small Business and Entrepreneurship (USASBE), this book features fifteen scholarly perspectives on a range of entrepreneurship education issues.This 2016 edition spans topics ranging from methods for teaching creatively and the value of the lean startup methodology to empirical insights into whether or not entrepreneurship education changes minds. Five premier universities and the key aspects of their superlative entrepreneurship programs are reviewed. In addition, contributors highlight a number of individual innovations that have changed the way entrepreneurship is taught and the manner in which entrepreneurial behavior is facilitated. This book offers an introduction to innovative practices in facilitating entrepreneurial learning both inside and outside the classroom as it investigates critical issues in designing, implementing and assessing experiential learning techniques within entrepreneurship.This timely book uncovers new horizons in the development of entrepreneurship education for students, university campuses, communities and economies. Annals of Entrepreneurship Education and Pedagogy - 2016 is a must-have book for any entrepreneurship professor, scholar or program director across the US.Contributors include: C. Albornoz, K.R. Allen, J. Amoros, J. Aniello, K. Artz, A. Bruton, A. Caetano, M. Cichosz-Grzyb, R.W. Clouse, S.L. Cochran, S.F. Costa, B. Cowden, M. Croteau, C. Dibrell, D. Dill, T.N. Duening, N. Duval-Couetil, J.S. Engel, E. Fine, V. Fox, T. Goodin, E. Grossman, R.J. Gentry, E. Hamilton, J. Hart, J. Heacock, D.M. Hechevaria, G. Hertz, A. Ingram, K. Kern, E. Liguori, A. Markvoort, E. Markin, A. McKelvie, M.M. Metzger, S. Miller, K. Moore, L. Morland, M.H. Morris, H.M. Neck, X. Neumeyer, G. Poor, C. Pryor, D.W. Rosenthal, B. Rossi, M. Schindehutte, S.C. Santos, S. Scherreik, F. Schlosser, S.A. Schulman, R. Smilor, J. Stamp, K. Taylor, J. Thompson, J.M. Torrens, E.E. Troudt, J. Vanevenhoven, R. White, D. Winkel, C. Winkler

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This book gives a coherent development of the current understanding of the fluid dynamics of the middle latitude atmosphere. It is primarily aimed at post-graduate and advanced undergraduate level students and does not assume any previous knowledge of fluid mechanics, meteorology or atmospheric science. The book will be an invaluable resource for any quantitative atmospheric scientist who wishes to increase their understanding of the subject. The importance of the rotation of the Earth and the stable stratification of its atmosphere, with their implications for the balance of larger-scale flows, is highlighted throughout.Clearly structured throughout, the first of three themes deals with the development of the basic equations for an atmosphere on a rotating, spherical planet and discusses scale analyses of these equations. The second theme explores the importance of rotation and introduces vorticity and potential vorticity, as well as turbulence. In the third theme, the concepts developed in the first two themes are used to give an understanding of balanced motion in real atmospheric phenomena. It starts with quasi-geostrophic theory and moves on to linear and nonlinear theories for mid-latitude weather systems and their fronts. The potential vorticity perspective on weather systems is highlighted with a discussion of the Rossby wave propagation and potential vorticity mixing covered in the final chapter.

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Elegant and graceful, glass bells are favored by many bell collectors as well as collectors and admirers of fine glass. This stunning book showcases over 750 glass bells dating from the eighteenth century to the twenty-first century, with over 29 countries represented. Included are cut glass bells, blown and pressed glass bells, engraved bells, and the magnificent, highly desirable glass wedding bells. Among the companies and artists represented are Dorflinger, Hawkes, Pairpoint, Seneca, Sinclaire, Fenton, Fostoria, Val St. Lambert, Goebel, Rossi, Moser, Hofbauer, Wedgwood, Pepi Herrmann, Glen Jones, and many others. The bell type, country of origin, maker, and date (if known) are identified for each bell, along with a general description, size, color, pattern or decoration, and current value. Background information on the history of glass bells and special chapters discussing manufacturer attribution and the various owners of bell molds are also included. A splendid addition to the libraries of bell collectors, glass enthusiasts, and all who appreciate beautiful artistry.

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Ara bé, més enllà de l'acció concreta que desenvolupen, totes dues ens proposen temàtiques i reflexions universals. Quant a l'escriptura, som davant obres que responen a models molt diferents, tot i que tenen en comú un treball amb el subministrament de la informació que les fa esdevenir molt atractives, de la mà d'un joc constant d'enganys i de sorpreses.Rodolf Sirera és un dels grans autors vius en llengua catalana, amb una producció ja molt extensa iniciada a finals dels anys seixanta del segle passat. Aquestes dues obres editades s'inscriuen en un moment en què Sirera assaja amb diferents gèneres i formes teatrals, de manera que són una bona mostra d'una de les seues constants com a creador: la voluntat d'experimentar amb el llenguatge teatral i amb els seus límits.A l'edició en paper: Estudi preliminar, propostes de treball i comentaris de text a cura de Ramon X. Rosselló, professor de la Universitat de València, especialista en teatre contemporani en llengua catalana.

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For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women?

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Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.

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How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage. Key Features *Detailed readings of key texts provide models of how to read critically *Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period *Examines Neo-Victorian fiction, a popular genre today *Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues

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A fully illustrated biography of Max Verstappen, from karting in the junior races at age 10 to his third time winning the world championship at the end of 2023. Max’s journey to Formula 1 stardom was not a typical one. His parents are both motorsport talents. He was born in Belgium to mum Sophie Kumpen, a champion karter, while dad Jos Verstappen was Benetton team-mate to Michael Schumacher and survived perhaps the scariest F1 pitlane incident when his car caught fire during a refuelling stop. As well as being good team-mates, his dad and Michael Schumacher became great friends over the years. Max grew up going on family holidays with Schumacher and his son, fellow F1 star Mick. Max broke all the records for youngest driver after he made his official debut in 2015, including youngest ever driver to win an F1 race after he transferred from Red Bull’s junior team Toro Rosso to Red Bull in 2016. Howeve

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The Match is the tale of one of the most iconic games in World Cup history: Italy v Brazil at Spain '82. Piero Trellini delves into the stories of the great characters who lit up that unforgettable match - from Paolo Rossi to Sócrates, from Enzo Bearzot to Zico - as well as some forgotten figures who all played their part. The book takes us on a fascinating journey through the 1982 Mundial, exploring the football scene of the day and dishing out fascinating anecdotes on the various historical and sporting links between the two countries. Italy, a nation historically at the forefront of football, did not arrive in Spain as favourites, with widespread doubts about their chances, even in the Italian press. This is one of the reasons why their triumph that summer is still celebrated in Italy above other historic victories by the Azzurri. Following that momentous win, Italy would become the favourite destination for Europe and South America's greatest players.

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This book provides an introduction into the diversity of the environmental movement through great characters in the green sector. The book describes inspiring personal achievements, and at the same time it provides readers with information regarding the history, the main directions and the ethical principles of the environmental movement. Some of the most important characters of the movement from all around the world, are included in the book. As well as the title characters, Buddha and Leonardo DiCaprio, other famous environmentalists like Albert Schweitzer, David Attenborough and Jane Goodall are discussed. Some of the less well-known but equally important environmentalists such as Chico Mendes, Bruno Manser, Henry Spira, Tom Regan or Rossano Ercolini are highlighted in the various chapters. The selection of characters represents all major branches within the green sector, ranging from medieval saints to Hollywood celebrities, from university professors to field activists, from politicians to philosophers, from ecofeminists to radicals.

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To many vintage guitar fans it seems inconceivable that Gibson dumped the Sunburst Les Paul in 1960 and during the following year introduced a completely new design the one that we know now as the SG ( solid guitar ).ÞAt the time however it made good business sense. Sales of the Les Paul were faltering and Gibson decided to blow a breath of fresh air through its solidbody electric guitar line. The company described the result as an ultra-thin hand-contoured double-cutaway body. The modernistic amalgam of bevels and points and angles was a radical departure and this new book tells the story of all the SG models that followed: the Junior Special Standard Custom and more.ÞThere are interviews with and stories about Gibson personnel through the years and all the major SG players including Pete Townshend Frank Zappa Eric Clapton Angus Young George Harrison Gary Rossington Tony Iommi and Derek Trucks.ÞIn the tradition of Tony Bacon's bestselling series of guitar books ÊThe SG Guitar BookÊ is three great volumes in one package: a collection of drool-worthy pictures of the coolest guitars; a gripping story from the earliest prototypes to the latest exploits; and a detailed collector's database of every production SG model ever made.

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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

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Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism.Christina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watts, Edward Burne-Jones, and others set the trend for the preoccupation with scent that informed swaths of British, European, and American art and design. Bradstreet’s rich analyses of paintings, perfume posters, and other works of visual culture demonstrate how artworks mirrored the “period nose” and intersected with the most clamorous debates of the day, including evolution, civilization, race, urban morality, mental health, faith, and the “woman question.”Beautifully illustrated and grounded in current practices in sensory history, Scented Visions presents both fresh readings of major works of art and a deeper understanding of the cultural history of nineteenth-century scent.

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For fans of Julia Quinn, Eloisa James and Sarah MacLean, comes Isabella Bradford's enthralling new trilogy of London's most scandalous rakes, the Breconridge Brothers, who are about to lose their hearts...Though charming and handsome, Lord Rivers Fitzroy, the youngest Breconridge brother, is more inclined to dusty books than brazen women. But when his father insists he marries, he vows to make the most of his last days as a bachelor.And what better way than in the company of a troupe of Italian dancers, where he's challenged to a wager he can't resist: turn the players' meek and mousy cousin into the first lady of the London stage.But he gets more than he bargained for with Lucia di Rossi. She has her own past to overcome and her own starlit aspirations. As the lines between performance and passion become blurred will finding the spotlight mean losing their hearts?Catch the rest of the dazzling series! Don't miss A Wicked Pursuit and A Sinful Decption. Before the Breconridge Brothers, came the Wylder sisters. Don't miss a moment of the romantic and captivating debut trilogy from Isabella Bradford: When You Wish Upon a Duke, When The Duchess Said Yes and When The Duke Found Love.

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"Five thousand years have now elapsed since the creation of the world, and still it is undecided whether or not there has even been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it." --Samuel Johnson Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts--the fears they provoke, the forms they take--are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times. Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

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From the 1850s to the 1920s, laws regulating the industrial labor process, pensions for the elderly, unemployment insurance, and measures to educate and ensure the welfare of children were enacted in many industrializing capitalist nations. This same period saw the development of modern social sciences. The eight essays collected here examine the reciprocal influence of social policy and academic research in comparative context, ranging across policy areas and encompassing developments in Britain, the United States, Germany, France, Canada, Scandinavia, and Japan. Introduced by the editors, the essays include Part I on the emergence of modern social knowledge by Ira Katznelson, Anson Rabinbach, and Bjorn Wittrock and Peter Wagner; Part II on reformist social scientists and public policymaking by Dietrich Rueschemeyer and Ronan Van Rossem, Libby Schweber, and John R. Sutton; Part III on state managers and the uses of social knowledge by Stein Kuhnle and Sheldon Garon, and a conclusion by Rueschemeyer and Theda Skocpol. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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'This is the night mail crossing the border,Bringing the cheque and the postal order...' -- W.H. AudenWordsworth was the first laureate of locomotives: in fact he railed against them, and against the consequent opening up of the Lakes to holiday hordes ('On the Projected Kendal and Windermere Railway'). His dismay was echoed down the decades by disturbed ruralists, and yet the train has become part of our psychic landscape: some of the best-loved English poems - Edward Thomas's 'Adlestrop', or Philip Larkin's 'Whitsun Weddings' - have celebrated carriages, platforms and waiting rooms, while locomotion has inspired some of the most characteristic poetry of Dante Gabriel Rossetti and Stevenson, Hardy and MacNeice, Betjeman and Auden (whose 'Night Mail' was written to accompany a 1930s GPO documentary about the postal express from Euston to Glasgow).Co-edited by two of our most distinguished poets, Train Songs offers a round tour - from Wordsworth to Hugo Williams and beyond - starting from the poetry of departures and brief encounters, but taking in the American Blues, the troop trains of two world wars, and the addiction to speed which characterised the European revolutions. Trains have carried the freight of history from the Industrial Revolution onwards - the Armstice in 1918 was signed in a railway carriage, the death camps were organised around train timetables - and this new anthology shows how the train in all its forms has exercised a unique hold upon our collective unconscious.

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The wonder of flight has long captured the human imagination. In this beguiling history – ranging from the first aircraft to astronauts and beyond – David Darling tells the stories of the true life adventurers whose wonder has translated into bizarre contraptions, magnificent achievements and, sometimes, startling folly. Discover outrageous attempts to fly like a bird and fall from the edge of space. Meet Napoleonic ballooniste Sophie Blanchard and her daredevil husband; the real “X-Men” who flew the supersonic experimental “X-planes” for the US Air Force; stuntman Lincoln Beachey, looping-the-loop in a pinstripe suit; and, of course, The Rocket Man himself: Yves Rossy, who in 2006 was the first person to cross the English Channel using a jet-pack. Eccentric and reckless, Darling’s daring cast of dreamers is guaranteed to entertain and inspire.

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What does Francis Rossi of Status Quo think about global warming? Does Ian Gillan of Deep Purple think we’re doing a good job of caring for the planet? These questions and more are tackled by going to the source and asking them. Suzi Quatro, Don McLean, Kenney Jones, Marcella Detroit, Simon Kirke and many more: Over eighty music stars, past and present, are quizzed on their opinions about religion, aliens, politics and of course, the issues of climate change. Why? To raise awareness about the plight the planet is in. Nothing speaks to humans more than music and the influence these legends of rock and pop have is immense. Funny, thought provoking and eye opening, Minds Behind the Music is a book unlike any other. So settle down with a nice environmentally friendly cup of tea and enjoy.

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Born in Doncaster in the 1950s, Peter Tuffrey grew up with the collieries around him: Yorkshire Main at Edlington, Denaby, Cadeby, Rossington and Askern. Although it might have seemed that things would never change, they did, and Peter has now compiled Doncaster's Collieries to commemorate this once-vital part of the town's heritage. Using photographs from his own collection and the archives of local newspapers, Peter examines the histories of thirteen of the pits that once surrounded his home town, from the elaborate ceremonies which were staged to mark the start of work through to the acrimonious disputes with British Coal and the government of Margaret Thatcher, which so often marked the closure of the Doncaster collieries. The result is a fascinating view of a now-lost but widely remembered industry sure to appeal to those with an interest in the area.

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'A touching, funny, optimistic book full of wonderful, well observed characters' Daily Mail'Maeve Binchy at her best' ChoiceEverything is changing in small Irish town of Rossmore - and when a new road threatens to cut through Whitethorn Woods, everyone has a passionate opinion about whether the town will benefit or suffer. At the heart of the conflict is the fate of St. Ann's Well. People have been coming to St. Ann's for generations to share their dreams and fears. Some believe it to be a place of true spiritual power, demanding protection; others think it's a mere magnet for superstitions, easily sacrificed. When one man is offered compensation for his land - but has a personal reason to save the well - and a childless London woman comes to Whitethorn Woods, begging the saint for help, the consequences are not as anyone anticipated . . .

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In Giovanni le apparizioni del Risorto occupano i capitoli 20 e 21. L’ultimo è a volte considerato un’appendice o un’aggiunta. Come possono creare un insieme ben composto? Il libro affronta la sfida di presentare la composizione di Gv 20–21 come un insieme ben strutturato. L’applicazione dell’analisi retorica biblica illustra come la composizione fornisca la chiave per aprire la porta del messaggio del testo. Lo studio è organizzato in quattro rubriche: Testo, Composizione, Contesto e Interpretazione. Nella prima vengono considerate le questioni di critica testuale, grammatica e lessicografia. La seconda evidenzia la composizione del testo con i suoi rapporti interni. La terza contempla i rapporti esterni con altri testi simili che illuminano il testo studiato. Il percorso esegetico è completato dall’interpretazione, il frutto delle tappe precedenti. Come sono legati gli ultimi due capitoli di Giovanni? Uno dei fili rossi nella trama del testo è quello del credere. Se la questione chiave di Gv 20 è la fede dei discepoli nella risurrezione del Maestro, ossia Fratello (cf. 20,17), necessaria per ricevere la missione, la chiave di Gv 21 è la fede nel Figlio tornato al Padre ma rimasto nel suo Spirito, per accompagnare la loro missione. Se Gv 20 racconta il tramonto della storia terrena di Gesù, Gv 21 segna già l’alba della storia della Chiesa. I due racconti sono diversi, come due giorni separati da una notte, però molto simili, perché illuminati ugualmente dalla medesima luce divina che, se vista dall’alto, non cessa mai di brillare.

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This is an enchanting collection of art, verse and prose. It is a delightful celebration of the power, agony and ecstasy of love, including poignant and evocative works of art, poetry and prose. It includes the immortal verse of classical poets such as Sappho, Shakespeare, Dante and Marlowe as well as the great romantics: John Keats, Lord Bryon, William Blake, Christina Rossetti, Edgar Allen Poe and Emily Dickinson. It works of art by Frank Dicksee, Holman Hunt, Alma-Tadema, JW Waterhouse, Jean-Honore Fragonard, and many more, capture the yearning and rapture of love. With chapters on discovery and rapture, loves lost and unrequited, love's stratagems, and undying love, this little book covers all the great aspects of love. Using the familiar and poignant words of Shakespeare's famous sonnets as well as less well-known passages such as the witty and cajoling "To Celia" by Ben Jonson, all the moods and expressions of falling in love are portrayed. Wise words from Ovid, a passionate appeal from Andrew Marvell, the coldhearted observations of Choderlos de Laclos from Les Liasons Dangereuses, the haunting verses of "La Belle Dame Sans Merci" by John Keats, all bear witness to the exquisite symptoms of being transported by love, while sumptuous, poignant or joyous fine art paintings perfectly illustrate the extracts. It is a delightful tribute to this very human emotion.

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While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.

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While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.

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_______________ ‘Edward Said had a lifelong passion for music, and possessed the rare ability to write about it for the general reader with a lucid and penetrating intelligence' - TLS ‘There are few whose command of words is sufficient not only to illuminate music, but to help music illuminate the world of those who make and listen to it. Said was one' - Daily Telegraph 'The sheer eloquence of Said's writings reminds us that with his untimely death we have lost one of our most distinguished music critics.' - Maynard Solomon, The Julliard School _______________ WITH A FOREWORD BY DANIEL BARENBOIM Music at the Limits brings together three decades of Edward W. Said's essays and articles on music. Addressing the work of a wide variety of composers and performers, Said analyses music's social and political contexts, and provides rich and often surprising assessments. He reflects on the censorship of Wagner in Israel; the relationship between music and feminism; and the works of Beethoven, Bruckner, Rossini, Schumann, Stravinsky and others. Always eloquent and often surprising, Music at the Limits reinforces Said's reputation as one of the most influential writers of the twentieth century. _______________ ‘This fine collection by one of the most perceptive music critics of the last half-century is highly recommended' - Library Journal

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Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism.Christina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watts, Edward Burne-Jones, and others set the trend for the preoccupation with scent that informed swaths of British, European, and American art and design. Bradstreet’s rich analyses of paintings, perfume posters, and other works of visual culture demonstrate how artworks mirrored the “period nose” and intersected with the most clamorous debates of the day, including evolution, civilization, race, urban morality, mental health, faith, and the “woman question.”Beautifully illustrated and grounded in current practices in sensory history, Scented Visions presents both fresh readings of major works of art and a deeper understanding of the cultural history of nineteenth-century scent.

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Status Quo? All their songs sound the same and they only know three chords' Really? This retrospective of one of Britain's most successful bands takes this lazy criticism and puts it to the sword. Spanning the period 1970 to 1984, the creative peaks and troughs of all the songs recorded by 'The Frantic Four' are examined in detail by a fan who can play guitar a bit, and also knows his Bach from his byte. Francis Rossi, Rick Parfitt, Alan Lancaster, and John Coghlan withstood the slings and arrows of unending criticism to become a national institution, even playing to Royalty along the way. After their early, psychedelic-influenced and fleeting pop success, Quo underwent a dramatic and natural re-invention, unleashing a series of innovative albums and hit singles, such as 'Down Down' and 'Rockin' All Over The World' that established their unique sound and style. Relentless touring, changes in musical direction, unwise choices of producer, substantial substance abuse, and personality clashes, all played their part in the collapse of the classic line-up before a brand re-launch in 1986 that enjoys continued success to the present day. Status Quo - The Frantic Four Years on track examines the band's groundbreaking first era with critical detail and honest opinions.

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Beginning with the simple question, 'Why did audiences grow silent?' "Listening in Paris" gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today. Drawing from a wide range of sources - novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like - Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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Fictionalising his experience of service during the Second World War, Evelyn Waugh's Sword of Honour is the complete one-volume edition of his masterful trilogy, edited with an introduction by Angus Calder in Penguin Modern Classics.Waugh's own unhappy experience of being a soldier is superbly re-enacted in this story of Guy Crouchback, a Catholic and a gentleman, commissioned into the Royal Corps of Halberdiers during the war years 1939-45. High comedy - in the company of Brigadier Ritchie-Hook or the denizens of Bellamy's Club - is only part of the shambles of Crouchback's war. When action comes in Crete and in Yugoslavia, he discovers not heroism, but humanity. Sword of Honour combines three volumes: Officers and Gentlemen, Men at Arms and Unconditional Surrender, which were originally published separately. Extensively revised by Waugh, they were published as the one-volume Sword of Honour in 1965, in the form in which Waugh himself wished them to be read.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed Sword of Honour, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics.'Marvellous ... one of the masterpieces of the century'John Banville, Irish Times

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Hay lectores, como el ensayista mexicano Alejandro Rossi y tantos otros, a quienes les atraen los libros que reúnen ingredientes diversos: ensayos breves, diálogos, aforismos, reflexiones sobre escritores, confesiones inesperadas, el borrador de un poema, una broma o la explicación apasionada de una preferencia, unido todo inextricablemente por la personalidad inconfundible de su autor. Para ellos se han escrito los Ensayos de Montaigne, el Diario de Renard, la Anatomía de la melancolía de Robert Burton. Para ellos se ha escrito este libro. José Luis García Martín. Nacido en Aldeanueva del Camino (Cáceres), en 1950, es poeta, crítico literario, profesor de literatura en la Universidad de Oviedo, director de Clarín. Revista de nueva literatura y colaborador habitual en diversos suplementos culturales. Suyos son algunas de las antologías y estudios más influyentes sobre la poesía española contemporánea. Entre las primeras, se encuentran Las voces y los ecos, La generación de los ochenta,

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Historically, women architects were disappointingly absent in the news and at awards ceremonies, but now they are spearheading some of the most exciting and important projects in every corner of the globe. These profiles of fifty female architects bring to light some of those projects and highlight pioneering women architects. Each architect is introduced in double-page spreads that include a brief biography, an overview of her philosophy and vision, and stunning photographs of her most significant works. Interviews with several of the architects provide a global perspective on how women are changing the face of the world—including feminist icon, philanthropist, and Nigerian “starchitect” Olajumoke Adenowo; Tatiana Bilbao, who is leading the way in sustainable Mexican architecture; Rossana Hu, who is fighting to preserve Chinese village culture in her rapidly urbanizing country; and Elizabeth Diller, who created the High Line, one of New York City’s most beloved public spaces, and helped redesign the city’s Museum of Modern Art. This volume offers indisputable and inspiring evidence that the architectural profession is no longer just a man’s game.

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With the largest municipal debt in US history and a major hurricane that destroyed much of the archipelago's infrastructure, Puerto Rico has emerged as a key site for the exploration of neoliberalism and disaster capitalism. In Colonial Debts Rocío Zambrana develops the concept of neoliberal coloniality in light of Puerto Rico's debt crisis. Drawing on decolonial thought and praxis, Zambrana shows how debt functions as an apparatus of predation that transforms how neoliberalism operates. Debt functions as a form of coloniality, intensifying race, gender, and class hierarchies in ways that strengthen the colonial relationship between Puerto Rico and the United States. Zambrana also examines the transformation of protest in Puerto Rico. From La Colectiva Feminista en Construcción's actions, long-standing land rescue/occupation in the territory, to the July 2019 protests that ousted former governor Ricardo “Ricky” Rosselló, protests pursue variations of decolonial praxis that subvert the positions of power that debt installs. As Zambrana demonstrates, debt reinstalls the colonial condition and adapts the racial/gender order essential to it, thereby emerging as a key site for political-economic subversion and social rearticulation.

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The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy - involving teachers, patrons, colleagues, and relatives - whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers - from Cavalli and Pergolesi to Handel, Mozart, and Rossini - were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.

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"Each century," wrote Charles Dickens "[is] more amazed by the century following it than by all the centuries before." Victorians in theory explores the startling conceit that nineteenth-century poetry is amazed by twentieth-century literary theory. In a daring and exciting departure from critical convention, Schad re-reads postructuralist theory through Victorian poetry. Each chapter pairs a poet with a theorist: Robert Browning meets Jacques Derrida; Christina Rossetti encounters Luce Irigaray; Matthew Arnold is after Michel Foucault; Gerald Manley Hopkins dreams with Jacques Lacan; and Elizabeth Barrett Browning haunts Hélène Cixous. Reading both across and between these writers, Schad opens up a radically intertextual space; he wanders, in Matthew Arnold's words, "between two worlds." Across this no-man's land appear a host of unlikely specters, among them T. S. Eliot, Martin Luther, Friedrich Nietzsche, Lewis Carroll's Alice, Walter Benjamin's "angel of history," and the woman taken in adultery.This book will fascinate anyone interested in the Victorians or theory; at once rigorous and readable, it will appeal to both the scholar and the student.

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Founded in 1848 as a secret society, the Pre-Raphaelites rejected classical ideals and the dominant artistic genre painting of their era for what they saw as a more spiritual, sincere, and naturalistic approach. Founded by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti, they evolved into a seven-member “brotherhood” that included poets and critics as well as painters. Moving away from the classical compositions exemplified by Raphael (hence the group’s name), the Pre-Raphaelites rather turned to medieval culture and the jewel-like colors of Quattrocento art for inspiration. Their principal themes were initially religious, but also included subjects from literature and poetry, as exemplified by Sir John Everett Millais’s famous Ophelia, drawn from Shakespeare's Hamlet. Inspired by the theories of John Ruskin, they were also committed to the close study of nature. This book presents key works from the Pre-Raphaelite group to introduce their reactionary principles, their dazzling colors, their interest in love, death, and nature, and their extensive influence on latter-day Symbolism and beyond.

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With the largest municipal debt in US history and a major hurricane that destroyed much of the archipelago's infrastructure, Puerto Rico has emerged as a key site for the exploration of neoliberalism and disaster capitalism. In Colonial Debts Rocío Zambrana develops the concept of neoliberal coloniality in light of Puerto Rico's debt crisis. Drawing on decolonial thought and praxis, Zambrana shows how debt functions as an apparatus of predation that transforms how neoliberalism operates. Debt functions as a form of coloniality, intensifying race, gender, and class hierarchies in ways that strengthen the colonial relationship between Puerto Rico and the United States. Zambrana also examines the transformation of protest in Puerto Rico. From La Colectiva Feminista en Construcción's actions, long-standing land rescue/occupation in the territory, to the July 2019 protests that ousted former governor Ricardo “Ricky” Rosselló, protests pursue variations of decolonial praxis that subvert the positions of power that debt installs. As Zambrana demonstrates, debt reinstalls the colonial condition and adapts the racial/gender order essential to it, thereby emerging as a key site for political-economic subversion and social rearticulation.

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Edward Burne-Jones, member of the Pre-Raphaelite Brotherhood is renowned for his beautiful but usually melancholy evocations of a mythical, literary, ancient or medieval world, as well as his life-long friendship with William Morris. It will surprise many therefore to discover that he was a talented caricaturist and comic sketch artist. This charming book reveals a man brimming with imagination, a keen eye and impish sense of humour who took delight in drawing to amuse and entertain. His witty but affectionate caricatures of friends and family feature familiar faces, such as Morris and Dante Gabriel Rossetti, while his self-caricatures are endearingly self-deprecating. Accompanying these are enchanting sketches he created to illustrate letters and entertain children, and an introduction discussing the life and work of the artist in wider context. Beautifully illustrated with rarely published pieces from the large collection at the British Museum, this book provides an insight into another side of Burne-Jones and illuminates the personality and relationships of one of the most beloved English romantic painters.

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Padua, Italy. An unremarkable man, a husband and father, disappears without a trace. After a few months of searching, the police send his file to the cold cases department to be thrown in with the files of other missing persons. One woman knows the truth about his disappearance, but, being the daughter of a prominent and wealthy Swiss industrialist she fears coming forward with what she knows: that she was his lover and that there is more to his disappearance than another bored suburban husband running out on his. Stricken by guilt, she finally confides in a lawyer who advises her to turn to Marco Buratti, aka The Alligator, for help. Buratti agrees to assist the woman. Initially, the case of the woman's missing lover seems like a lost cause, but a clue puts the Alligator and his trusted associates, Max the Memory and Beniamino Rossini, on the trail of the unscrupulous and brilliant criminal, Giorgio Pellegrini, protagonist of The Goodbye Kiss and At the End of a

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At the International Conference Centre in Geneva, Hannah Rossier, formerly Annie Price, comes face to face with Neville Weir, someone from her childhood whom she never expected, or wanted, to meet again. As Neville’s reasons for attending the conference become clear, the dark waters of Hannah’s past start to rise. Hannah is a psychotherapist, with a specialist interest in memory and how connections are made between past and present. She has reinvented herself successfully, moving from a small northern town in England to Lucerne, Switzerland, with her husband, Thibaut. Nobody, not even Hannah, knows the full truth about herself. Her ‘memories’ consist of glimpses of the place where she played in childhood, known simply as ‘The Wild’. Over the three days of the conference she has to decide whether she can avoid Neville, or whether she should submit to an encounter with him and with her past. And in her keynote lecture about the neuroscience of memory, how much to conceal or reveal. But can her specialism save her from drowning?

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The Body Work Trilogy comes to a sizzling, scorching-hot and thrilling conclusion - that will blow away fans of Maya Banks, Rhyannon Byrd, Liliana Hart and Lisa Marie Rice.Anna Rossi walked away from Alec Flynn to keep her family and friends safe. But no matter how hard she tries, she can't protect her heart from him...Time has done nothing to quell Anna's desperate desire for Alec. She knows she did the right thing leaving. She knows how dangerous he is. And she knows that her connection to him threatens everything. But she can't seem to stay away.In the vicious, public legal battle Alec's been fighting, things have come to breaking point. He could lose everything, and lose Anna once and for all. With her life in jeopardy again, and after so much damage has been done, will they ever have a chance of true happiness? Find out where the breathless, addictive story began in The Masseuse.

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Ford Madox Ford (1873-1939) published 13 volumes of poetry between 1893 and 1936 - crucial transitional years in the evolution of modern poetry. His early poems were written under the shadow of the Rossettis, Swinburne and William Morris, but Ford outgrew their heady late-Victorian lyricism, developing a voice that was natural, impressionistic and ironic. This selection of his verse traces his development from the haunting poignancy of his early poems to his later style, which was to be so influential in the development of Modernism. Ezra Pound considered him to be the best lyric poet in England, and it was Ford who taught Pound that "poetry should be as well written as prose". He transformed Pound's style and, through Pound, the styles of Yeats and Eliot.

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You can struggle for years to get a foot in the door with Hollywood producers--or you can take a page from the book that offers proven advice from twenty-one of the industry''s best and brightest!In this tenth anniversary edition, The 101 Habits of Highly Successful Screenwriters, 2nd Edition peers into the lives and workspaces of screenwriting greats--including Terry Rossio (the Pirates of the Caribbean franchise), Aline Brosh McKenna (Morning Glory), Bill Marsilii (Deja Vu), Derek Haas and Michael Brandt (Wanted), and Tony Gilroy (the Bourne franchise).You will learn best practices to fire up your writing process and your career, such as: Be Comfortable with Solitude Commit to a Career, Not Just One Screenplay Be Aware of Your Muse''s Favorite Activities Write Terrible First Drafts Don''t Work for Free Write No Matter What This indispensable handbook will help you hone y

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HarperCollins is proud to present its incredible range of best-loved, essential classics. The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. In her second volume of essays, Virginia Woolf delves deeper into the delights of reading. Here, she explores the novels of Thomas Hardy and Daniel Defoe, and recounts the fascinating lives of Christina Rossetti and Mary Wollstonecraft. In ‘ How Should One Read a Book?’ she offers sage advice for the common reader, and sheds light on the lessons and pleasures literature can provide. Published in 1932, The Common Reader: Second Series is a wise and illuminating companion collection to her 1925 First Series. Woolf’s enduring appeal and ideas continue to resonate with readers in the twenty-first century.

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Autumn 1958 marked the launching of the Bodensee-Wasserversorgung (Lake Constance water supply), an infrastructure project whose largest part is underground, hidden from view. Even in the first phase of the project, 2160 litres of water per second were taken from Lake Constance at a depth of roughly 60 m, treated on Sipplinger Berg and transported over hundreds of kilometres of pipeline through the Swabian Alb to the greater Stuttgart area. What is remarkable about this project, however, is not only the technological challenge of a combination of the lake-water treatment and the overland water pipeline, but particularly the special quality of the design of the visible parts of the waterworks, a result of the collaboration of engineers, architects, landscape designers and artists. Hermann Blomeier, who had settled in Constance in 1932 after graduating from the Bauhaus Dessau under Ludwig Mies van der Rohe, was commissioned with implementing the Sipplingen pumping station following a competition and, with functionally and transparently designed buildings, created a counterpoint to the expressive landscape of Lake Constance that was as restrained as it was confident. The treatment plants on Sipplinger Berg, built by a team comprising Blomeier and the architect and academic Günter Wilhelm, from the 'Quelltopf' (source pot) and the filter basins to the clean-water reservoir, exactly meet functional requirements and at the same time impressively illustrate the technical processes. The long distance travelled by the water is accompanied by seemingly subordinate buildings designed by architect Wolf Irion, subtly integrated in the landscape as a kind of wayside chapels, housing the pipe-rupture safety devices and line valves. The high quality of the design is evident not only in the buildings, but also in the work of landscape architect Walter Rossow and of visual artists Hans-Dieter Bohnet, Martin Matschinsky and Brigitte Matschinksy-Denninghof. Andreas Schwarting is professor of architectural history and architecture theory at the Hochschule Konstanz. His research has focussed particularly on 20th-century architecture, its reception and historiography, and on specific issues of conservation and maintenance. His publications include the monograph on Walter Gropius Dessau-Törten estate, and he was instrumental in the publication of the Stiftung Wüstenrot on the preservation of contemporary buildings. He was appointed by the International Council on Monuments and Sites (ICOMOS) to monitor the UNESCO world-heritage sites of the Bauhaus in Weimar and Dessau.

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Take Control of Your Gut Health with These Easy, Delicious Recipes After Zorah Booley was diagnosed with IBS, she used her Le Cordon Bleu training to develop a bevy of mouthwatering low-FODMAP-friendly recipes to alleviate her discomfort and control her symptoms-and now she's sharing them with you. Enjoy beloved dishes you thought were off-limits, like Succulent Beef in Creamy Mushroom Sauce or a plate piled high with Creamy Pesto Rosso Linguine. Discover new ones, like Brown Butter Pumpkin Gnocchi and Calming Khao Soi with Crispy Noodles. You can still say yes to spice without side effects with recipes like Comforting Southern Chili with a Spicy Kick and Quick 'n' Spicy Chicken Orzo. Find comfort and indulgence in Decadent Dark Chocolate Crinkle Brownies, Baked Apple Cider Donuts or Low-Sugar Cinnamon Rolls with Maple Syrup Frosting. Zorah takes the guesswork out of the low-FODMAP diet, making it simple for you to manage your symptoms naturally without relying on medications or feeling deprived. So say goodbye to abdominal discomfort and bloating, and confidently take the first step toward a healthier you.

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