Search results for ""bloomsbury publishing""

On 23 June 2016, against all forecasts, Britain voted to leave the EU. Drawing on his experiences at the heart of the campaign, Daniel Hannan dissects the result and our reaction. He outlines why Vote Leave won, exploring what people were voting for and what they weren’t. He looks at the immediate aftermath – how it differs from what people expected and what it says about where to go next. Brexit, Hannan points out, is a process – not an event – with three key areas of consideration: our relationship with the remaining 27 EU states; our relationship with the rest of the world; and, crucially, our consequent domestic reforms – there is no point to Brexit if we don’t now tackle the threats to democracy of corporatism and lobbying. What Next is Hannan’s blueprint for a successful Brexit. A Brexit that addresses the concerns of the 48 per cent who voted Remain as well as of the 52 per cent who voted Leave, a Brexit that revitalises British democracy, and a Brexit that will be mutually beneficial for both Britain and Europe.

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Set in the world of the Sword of Truth saga, a legendary battle may just destroy the ancient city of Ildakar. The sorceress Nicci, the wizard Nathan Rahl, and the young swordsman Bannon are under siege. Having liberated the legendary city of Ildakar from the despotic reign of the wizard's council, they now face the council's final act of vengeance: an ancient spell has been revoked and half a million hostile warriors released from fifteen centuries of stone-bound stasis. Surrounded, trapped inside the city walls, the companions must stand shoulder-to-shoulder with the newly-freed citizenry to repel an ancient foe sworn to the destruction of their city. But Nicci, the one-time Sister of Darkness, knows that there more at stake than just Ildakar. If she can't destroy the approaching army at the city gates, there is nothing to stop it sweeping into the Old World and laying waste to D'Hara itself.

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The change in our ancestors' behaviour was barely perceptible at first. Only a few clues in the archaeological record – sea shells, ochre and stone tools exchanged over long distances – hint at what was to come. Today, a network of interdependence and trade spans the planet – lifting most of our species out of the grinding poverty of the past. But for much of history this engine of human progress stalled, with societies rigged in the interests of small parasitic elites. From the Greeks and Romans in antiquity, to China, India and Europe in the Middle Ages, the history of the world can be written as the constant struggle between the productive and the parasitic. Progress Vs Parasites charts this struggle. States rise and empires fall as the balance between the two shifts. It is the idea of freedom, Carswell argues, that ultimately allows the productive to escape the parasitic – and thus decides whether a society flourishes or flounders. A robust defence of classical liberalism, Progress Vs Parasites shows that the greatest threat to human progress today – as it has been in every age – is the idea that human affairs need to be ordered by top down design.

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In the gloriously hot summer of 1936, a group of people meet at a country house party. Within three years, the country will be engulfed in war, but for now time stands still as they sip champagne on the lawn, engaging in casual flirtations and carefree conversation. Then a shocking death puts an end to their revelry, changing everything in an instant. For all of them, that summer house party will be a turning point. The mistakes made during that fateful weekend will change their lives for ever.

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One hot night last spring, after waiting fruitlessly for a call from my then lover, with whom I had quarrelled the same afternoon, and finding one of my black moods on me, I flung out of my lonely room on the ninth floor (unlucky number) in a hotel in lower Fifth Avenue and rushed into the streets of the Village, feeling bad. Letty Fox is hunting for a husband. Her picaresque adventures are brilliantly described in this imaginative portrayal of a woman who might have been independent, but chose otherwise.

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It's time to get back to simple home cooking. Mealtimes have become far too complicated. Award-winning food writer Hattie Ellis thinks it’s time to rekindle our love for the simple One Pot meal: good food, great flavour, no fuss. Whether you want quick, tasty suppers, or leisurely weekend feasts, The One Pot Cook has 150 mouthwatering recipes to suit all tastes. These include family favourites such as Cottage Pie and Hot Pot; treats from distant shores such as Beef Rendang and Gumbo; and puddings to make the meal complete such as Apple Charlotte and Toffee Banana Tarte Tatin. So grab a pot, sharpen your knives and get ready to become a One Pot Cook.

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'One of the greatest novels of the Second World War' The Times. 'A remarkable find' Antony Beevor. 'A masterpiece' Mail on Sunday. Stalingrad, November 1942. Lieutenant Breuer dreams of returning home for Christmas. But he and his fellow German soldiers will spend winter in a frozen hell – as snow, ice and relentless Soviet assaults reduce the once-mighty Sixth Army to a diseased and starving rabble. Breakout at Stalingrad is a stark and terrifying portrait of the horrors of war, and a profoundly humane depiction of comradeship in adversity. The book itself has an extraordinary story behind it. Its author fought at Stalingrad and was imprisoned by the Soviets. In captivity, he wrote a novel based on his experiences, which the Soviets confiscated before releasing him. Gerlach resorted to hypnosis to remember his narrative, and in 1957 it was published as The Forsaken Army. Fifty-five years later Carsten Gansel, an academic, came across the original manuscript of Gerlach's novel in a Moscow archive. This first translation into English of Breakout at Stalingrad includes the story of Gansel's sensational discovery.

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John Manners, Marquess of Granby, famously led a cavalry charge during the Seven Years War, losing both hat and wig. A commander of skill and courage, he was cherished by his men and lauded by the British public as an authentic military hero. Granby predeceased his father, the 3rd Duke of Rutland, and never inherited his title, but left two sons whose contrasting fortunes and tragically short lives are the subject of this sedulously researched and richly illustrated book. Charles became 4th Duke in 1779, sought reconciliation with the American colonies and was Viceroy of Ireland; Robert embarked on a naval career, became flag captain of the Resolution and died of injuries sustained at the battle of the Saintes. Based upon the detailed archives held at Belvoir Castle, Resolution is both enthralling saga of of two generations of the Manners family and a finely delineated portrait of aristocratic, political and naval life in mid-Georgian England.

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A new village drama full of life, love... and secrets. Perfect for fans of Jill Mansell and Emma Burstall. Little Woodford has a sleepy high street, a weekly market, a weathered old stone church and lovingly tended allotments. A peaceful, unexciting place, the very heart of middle England. In Little Woodford no one has fingers in more pies than Olivia Laithwaite, parish councillor, chair of the local WI, wife, mother and all round queen bee. So of course it's Olivia who is first to spot that The Beeches has been sold at last. Soon rumours begin to swirl around the young widow who has bought this lovely house. Why exactly did she leave London with her beautiful stepdaughter and young sons? Are they running from someone? Hiding something? Though if they are, they won't be the only ones. Sometimes the arrival of newcomers in a community is all it takes to light a fuse...

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'A thrilling read' Tom Holland 'History-writing at its best' Barry Strauss By the end of his short life, Alexander the Great had redrawn the map of the ancient world to create an empire that stretched from the Adriatic Sea to the Indian subcontinent. But his success was not just the product of his own genius and restless energy, it was built on decades of effort by his father. History has portrayed Philip II of Macedon as a one-eyed old man whose assassination allowed Alexander to accede to power. But there was far more to him than this. Through decades of hard fighting and clever diplomacy, Philip unified his country and conquered Greece. His son inherited all of this at the perfect moment for him to win yet greater glory. The work of a master historian, Philip and Alexander describes how Philip and Alexander of Macedon transformed a weak kingdom in northern Greece into a globe-spanning empire and – in so doing – changed the course of history.

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TREAT YOURSELF to a sparkling romantic comedy... Last of the Summer Moët is a bottle of champagne in book form! 'Effing marvellous' JILLY COOPER. 'Funny and smart' INDIA KNIGHT. 'Total bliss' DAILY MAIL. Wendy Holden's warm and funny comic heroine Laura Lake is back. And this time, she's gone rural... Laura Lake, editor of glossy magazine Society, is always on the hunt for scandalous scoops to fill her pages. Now she's discovered a top-secret village in the English countryside where the rich and famous own weekend retreats. Where film stars, Turner-prize winners and billionaires park their helicopters outside the gastropub and buy £100 sourdough loaves from the deli. Outsiders are strictly forbidden. But luckily Laura's best friend Lulu, a logo-obsessed socialite with a heart as huge as her sunglasses, suddenly fancies a quiet life in the country... But life in this enchanted rural idyll is harder than it looks. A brawl at the world's poshest pub quiz nearly brings down the government. And gossip from rehearsals of the midsummer pantomime threatens to tear the village apart... Can Laura write her exposé before the snobbish villagers blow her cover and suss her true identity? WHAT READERS ARE SAYING ABOUT WENDY HOLDEN: 'A brilliant, funny read... Perfect escapism from the daily grind' 'Move over Sophie Kinsella - there's a new Chick Lit queen in town' 'Escapism in its purest form... A little gem' 'Pure fun, escapism and self indulgence. Delicious!'

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This is the definitive story of the men who built the railways – the unknown Victorian labourers who blasted, tunnelled, drank and brawled their way across nineteenth-century England. Preached at and plundered, sworn at and swindled, this anarchic elite endured perils and disasters, and carved out of the English countryside an industrial-age architecture unparalleled in grandeur and audacity since the building of the cathedrals.

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There have been queer tales told of that shield, and maybe there are queerer yet to be told. It has been stamped for good or evil on this church, and on this town, for centuries, and every tavern loafer will talk to you about the 'nebuly coat'... A young architect is sent to the remote Dorset town of Cullerne to supervise restoration work on its ancient abbey church. He is soon caught up in local life and the haunting rumours that surround the claim to the title of Lord Blandamer, whose escutcheon is the nebuly coat of the title.

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Greece has always been celebrated for its classical past, whitewashed villages and cerulean seas, but in recent years the country has been at the centre of a debt crisis that has sown economic ruin, spurred panic in international markets, and tested Europe's decades-old project of forging a closer union. With vivid character-driven narratives and engaging reporting that offers an immersive sense of place, this comprehensive account brings to life the causes of the country's financial collapse and examines the changes emerging in its aftermath. A rebellion against tax authorities breaks out on a normally serene Aegean island. A mayor from a bucolic, northern Greek village is gunned down by the municipal treasurer. An ageing, leftist hero of the Second World War fights to win compensation from Germany for the wartime occupation. A once marginal group of neo-Nazis rises to political prominence out of a ramshackle Athens neighborhood. THE FULL CATASTROPHE goes beyond the transient coverage in the daily headlines to deliver an enduring and absorbing portrait of modern Greece.

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London, 1944. Britain's capital is back in the firing line. It has been several years since the Blitz ended, but now death is dropping from the skies once more. Has the tide of war turned again? Anna Cooper survived the Blitz but she lost her mother and the people closest to her. Amid the flames and rubble, she discovered that everything she thought she knew about her family was a lie. She learned that nobody was prepared to take an orphaned girl seriously and she decided to fight back. Now, Anna flies warplanes for the Air Transport Auxiliary but she knows it is not enough. Hitler is ready to unleash one final terrifying secret weapon, against which there is no defence. But Anna won't let that happen. If there is no defence, there is only one option: attack.

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Nowadays, I understand, the tourists come for miles to see Hendry Jones' grave out on the Punta del Diablo and to debate whether his bones are there or not... A stark and violent depiction of one of America's most alluring folk heroes, the mythical doomed gunslinger. Set on the majestic coast of Southern California, Doc Baker narrates his tale of the Kid's capture, trial, escape and eventual murder. Written in spare and subtle prose, this is one of the great literary treatments of America's obsession with the rule of the gun.

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The most beautiful and influential photographs ever made were of the whole earth seen from space. They were taken from the moon, almost as an afterthought, by the astronauts of the Apollo space programme. They inspired a generation to think more seriously about our responsibility for this tiny oasis in space, the 'blue marble' falling through empty darkness. This is a book about the long road to the capture of those unforgettable images. It is a history of the space programme and of the ways in which it transformed our view of the earth and changed the lives of the astronauts who walked in space and on the moon. It is the story of the often blemished visionaries who inspired that journey into space: Charles Lindbergh, Robert Goddard and Wernher Von Braun, and of the courageous pilots who were the first humans to escape the Earth's orbit.

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From America to Bermondsey, a story of hope, heartbreak and hardship, by the bestselling author of Custard Tarts and Broken Hearts. London, 1930. He promised her the earth. She found herself in hell. Handsome Frank Rossi took Matty Gilbie away from her working class roots in Bermondsey, East London and promised her fame and fortune. In America, the Cockney Canary would become a movie star. As his wife, she would be half of a power couple, fêted and adored by all. But the Wall Street Crash of 1929 puts paid to all that, and as Frank becomes more violent and unstable, Matty flees in the dead of night. Once home in Bermondsey, she goes into hiding and starts desperately looking for work. But only Peak Freans, the hated biscuit factory, is hiring staff. Then, as a secret from her past comes back to haunt her, Matty learns that Frank is on the move, determined to find her and get her back. PRAISE FOR BOURBON CREAMS AND TATTERED DREAMS: 'This book should not be missed. I cannot recommend it highly enough' Mrs H, Amazon reviewer. 'I LOVED this book. So much detail that I felt I was there. Great characters and so emotional' Oriette, Amazon reviewer. 'Amazing, heartfelt and moving' 23reviewstreet. 'This book is filled with love, laughter and hope, and while the characters do have their share of misfortunes and tragedies, what comes across in Gibson's writing is something that is sadly missing in today's modern, fast paced world – Community' Andrea Pryke, Amazon reviewer. 'The fascinating history combined with a story about real people with real problems and a lovely romantic ending made me fall in love with this book. I highly recommend this heartwarming story, it has a lot of charm and character' Suze Alexander, Amazon reviewer.

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The abduction of a child entangles Celcius Daly in a forty-year-old quest for justice. Inspector Celcius Daly is leading the search for a ten-year-old boy, abducted in broad daylight from the car park outside Armagh Courthouse. His investigation leads to a notorious group of travellers long suspected of smuggling and organised crime. Digging deeper, Daly discovers some harrowing truths about their past treatment and unearths a family secret linked to an unsolved crime during the Troubles – the disappearance of a young traveller woman and her baby. Under investigation by Internal Affairs, hounded by Special Branch, ostracised by his colleagues, Daly realises just how much he has in common with the outcast travellers. But dare he risk becoming entangled in a vigilante vendetta? Just how far will this group of outsiders go to find their own justice?

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Coming back was worse, much worse, than Martin Stone had anticipated. Martin Stone returns to the city from which his family was driven in 1938. He has concealed his destination from his father, and hopes to win some form of restitution for the depressed old man living in exile in London. THE LOST EUROPEANS portrays a tense, ruined yet flourishing Berlin where nothing is quite what it seems.

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THE NUMBER ONE BESTSELLER. Once upon a time, Jacks Morgan had dreams. She would have a career and travel the world. She would own a house on the beach, and spend long nights with her boyfriend strolling under the stars. But life had other ideas. First Martha came along, then Jonty. Then her mother moved in, and now their little terrace is bursting at the seams. Jacks gave up on her dreams to look after her family. If only, just for once, her family would look after her...

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Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an “Eastern Approach” into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.

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I.B.Tauris in association with the Institute of Ismaili Studies Among the various Muslim communities that were articulating their doctrinal positions in the early Islamic centuries, one in particular was known derisively as the Ghulat ('extremists'). This was owing to their specific interpretation of Islam, which included an 'extreme' devotion to the Shi'i Imams and the family of the Prophet, and controversial religious ideas, such as the transmigration of souls into other human or sub-human forms. Widely active in Iraq in the 8th and 9th centuries, the Ghulat developed a complex worldview and produced a rich religious literature. Until now, understanding of this community has mainly relied on sources produced outside of the group, which are inaccurate or polemical in nature. This book looks at newly recovered primary texts in order to study the Ghulat first hand. Mushegh Asatryan examines the development of the Ghulat writings, situating the community within a broader historical context and offering a comprehensive survey of their distinctive cosmology. Through his detailed analysis, the book offers insight into the formation of one of the earliest religious traditions in Islamic history as well as the nature of the community in which texts were produced and circulated.

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Through detailed exploration of events in Tunisia, Egypt, Bahrain, Libya, Syria and Yemen, Sean Burns here breaks down the concept of professionalism within the armed forces into its component parts and demonstrates how variation in military structures determines their behaviour. In so doing, and by emphasising historical context and drawing on a wide range of political science theory, Burns sheds fresh light onto the ways in which military structure affects the potential for democratic transition or the course of civil war. With this book he presented a wide-ranging study of the Middle East which provides key tools to understanding the opportunities for democratisation, both during the Arab Spring and beyond, and which is therefore essential reading for anyone working on the Middle East, popular uprisings and the politics of repression.

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At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.

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Turkey is on the front line of the war which is consuming Syria and the Middle East. Its role is complicated by the long-running conflict with the Kurds on the Syrian border - a war that has killed as many as 80,000 people over the last three decades. In 2011 President Erdogan promised to make a deal with the PKK (Kurdistan Workers' Party), but the talks marked a descent into assassinations, suicide bombings and the killing of civilians on both sides. The Kurdish peace process finally collapsed in 2014 with the spillover of the Syrian civil war. With ISIS moving through northern Iraq, Turkey has declared war on Western allies such as the Kurdish YPG (People's Protection Unit) - the military who rescued the Yezidis and fought with US backing in Kobane. Frontline Turkey shows how the Kurds' relationship with Turkey is at the very heart of the Middle Eastern crisis, and documents, through front-line reporting, how Erdogan's failure to bring peace is the key to understanding current events in Middle East.

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After the Second World War, with much of Europe in ruins, the victorious Winston Churchill swore to build a peace across Europe that would last a generation.Fighting against the new 'Iron Curtain' which had fallen across the world, and battling the personal disappointment of losing the 1945 election in Britain, Churchill dedicated the rest of his life to forging a united Europe. This book, based in part on new evidence, reveals his vision: Britain as a leading member of the European family. Through Churchill's own private papers, Felix Klos unveils Churchill's personal battle to regain his place in world affairs, his confidential conversations with European leaders and the thinking and preparation behind some of his most powerful speeches. A beautifully written history of Europe after the war, and a new glimpse at one of its greatest statesmen.

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How has Christianity engaged with democracy? In this authoritative new treatment of a sometimes troubled relationship, Donald Norwood reflects on the way that democracy has become, especially under the auspices of the United Nations and the World Council of Churches, not just an ideal but a universally applicable moral principle. Yet, as the author demonstrates, faith and democracy have not always sat comfortably together. For example, the Vatican has dealt harshly with radical theologians such as Leonardo Boff and Hans Kung; while churches with a dictatorial style have all too often shown a willingness to accommodate authoritarian regimes and even dictators. Norwood argues that if democracy is a universal norm, a basic right, it is not possible for the Church to be indifferent to its claims. Offering a sustained exposition - from Marsilius of Padua to Christian Democracy and Christian Socialism - of the often uneasy interaction between Christianity and democratic politics as both idea and ideal, this is a major contribution to church history and to wider topical debates in politics and religious studies.

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The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path’ left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema – addressing developments in film policy and production – it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josué Méndez, amongst others, this detailed investigation of the growing success and political importance of the industry’s output traces the complexities of modern Peruvian history.

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This book marks a turning point in architectural theory by using philosophy to examine the field anew.Breaking from the traditional dualism within architecture - which presents the body as subject and space as object - it examines how such rigid boundaries can be softened. Zuzana Kovar thus engages with complementary and complex ideas from architecture, philosophy, feminist theory and other subjects, demonstrating how both bodies and bodily functions relate deeply to architecture. Extending philosopher Julia Kristeva's notion of abjection - the confrontation of one's own corporeality as something is excreted - Kovar finds parallels in the concept of the 'scaffold.' Much like living bodies and their products can impact on the buildings that house them - old skin cells create dust, menstrual blood stains, our breath heats and cools surfaces - scaffolding is similarly ephemeral and yet not entirely separable from the architecture it supports. Kovar shifts the conversation about abjection towards a more nuanced idea of architecture - where living organisms, building matter, space, decay and waste are all considered as part of a continual process - drawing on the key informing works of thinkers like Gilles Deleuze and Felix Guattari to do this. Including a number of experimental projects conducted in the spaces inhabited by the author herself to illuminate the theory at its core, the book forms a distinguished and pioneering study designed for practitioners and scholars of architecture, philosophy and visual culture alike.

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Much of modernist architecture was inspired by the emergence of internationalism: the ethics and politics of world peace, justice and unity through global collaboration. Mark Crinson here shows how the ideals represented by the Tower of Babel - built, so the story goes, by people united by one language - were effectively adapted by internationalist architecture, its styles and practices, in the modern period. Focusing particularly on the points of convergence between modernist and internationalist trends in the 1920s, and again in the immediate post-war years, he underlines how such architecture utilised the themes of a cooperative community of builders and a common language of forms.The 'International Style' was one manifestation of this new way of thinking, but Crinson shows how the aims of modernist architecture frequently engaged with the substance of an internationalist mindset in addition to sharing surface similarities. Bringing together the visionaries of internationalist projects - including Le Corbusier, Bruno Taut, Berthold Lubetkin, Walter Gropius and Mies van der Rohe - Crinson interweaves ideas of evolution, ecology, utopia, regionalism, socialism, free trade, and anti-colonialism to reveal the possibilities heralded by modernist architecture. Furthermore, he re-connects pivotal figures in architecture with a cast of polymath internationalists such as Patrick Geddes, Lewis Mumford, Julian Huxley, Rabindranath Tagore and H. G. Wells, to provide a richly detailed socio-cultural framework. This is a book crafted for students and scholars of architecture and art theory, as well as for those interested in the history of twentieth-century optimism about the world and its architecture.

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The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.

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This book highlights the role of cultural representations and perceptions, such as when Iran is represented in the French media as a rogue state obsessed with its nuclear programme, and when France is portrayed in the Iranian media as a decadent and imperialist country. Here, Laetitia Nanquette examines the functions, processes, and mechanisms of stereotyping and imagining the "other" that have pervaded the literary traditions of France and Iran when writing about each other. She furthermore analyzes Franco-Iranian relations by exploring the literary traditions of this relationship, the ways in which these have affected individual authors, and how they reflect socio-political realities. With themes that feed into popular debates about the nature of Orientalism and Occidentalism, and how the two interact, this book will be vital for researchers of Middle Eastern literature and its relationship with writings from the West, as well as those working on the cultures of the Middle East.

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The expert contributors together trace how the arts of editingand effects have evolved in tandem, starting with the 'trick films'of the early silent era, which astounded audiences by splicingin or editing out key frames, all the way to today's cutting-edgeeffects technologies. Multiple filmmaking techniques are exploredthroughout, from classic Hollywood's rear projection and matteshots to the fast cuts and wall-to-wall CGI of the contemporaryblockbuster. The book introduces readers to the analog and digitaltools used in these crafts, showing the impact of changes in the filmindustry itself.

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In the wake of September 11th instant theories have emerged that try to root Osama Bin Laden's attacks on Wahhabism. Muslim critics have dismissed this conservative interpretation of Islam that is the official creed of Saudi Arabia as an unorthodox innovation that manipulated a suggestible people to gain political influence. David Commins' book questions this assumption. He examines the debate on the nature of Wahhabism, and offers original findings on its ascendance in Saudi Arabia and spread throughout other parts of the Muslim world such as Afghanistan and Pakistan. He also assesses the challenge that radical militants within Saudi Arabia pose to the region, and draws conclusions which will concern all those who follow events in the Kingdom. The Wahhabi Mission and Saudi Arabia is essential reading for anyone interested in the Middle East and Islamic radicalism today.

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Despite, or even because of their tumultuous history, Palestinians are renowned for being prolific cultural producers, creating many of the Arab world's most iconic works of literature. In particular, the Palestinian short story stands out for its unique interplay between literary texts and the political and historical contexts from which they emerge. Palestinian Literature in Exile is the first English language study to explore this unique genre. Joseph Farag employs an interdisciplinary approach to examine the political function of literary texts and the manner in which cultural production responds to crucial moments in Palestinian history. Drawing from the works of Samira Azzam, Ghassan Kanafani and Ibrahim Nasrallah, Farag traces developments in the short story as they relate to the pivotal events of what the Palestinians call the Nakba ('catastrophe'), Naksa ('defeat') and First Intifada ('uprising'). In analysing several as yet un-translated works, Farag makes an original contribution to the subject of exilic identity and subjectivity in Palestinian literature. This book offers the opportunity to engage with literary works as well to learn from a literary account of history.It is a subject of interest for students and scholars of both Arabic literature and Middle East studies.

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It has often been assumed that the subjects of the Ottoman sultans were unable to travel beyond their localities - since peasants needed the permission of their local administrators before they could legitimately leave their villages. According to this view, only soldiers and members of the governing elite would have been free to travel. However Suraiya Faroqhi's extensive archival research shows that this was not the case. Pious men from all walks of life went on pilgrimage to Mecca, slaves fled from their masters and craftspeople travelled in search of work. Faroqhi shows that even those craftsmen who did not travel extensively had some level of mobility and that the Ottoman sultans and viziers, who spent so much effort in attempting to control the movements of their subjects, could do so only within often very narrow limits. Challenging existing historiography and providing an important new perspective, this book will be essential reading for students and scholars of Ottoman history.

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The Nile today plays a crucial role in the economics, politics and cultural life of ten countries and their more than 300 million inhabitants. No other international river basin has a longer, more complex and eventful history than the Nile. In telling the detailed story of the hydropolitics of the Nile valley in a period during which the conceptualisation, use and planning of the waters were revolutionised, and many of the most famous politicians of the twentieth century Winston Churchill, Benito Mussolini, Dwight Eisenhower, Anthony Eden, Gamal Abdul Nasser and Haile Selassie played active parts in the Nile game, this work will stand as a case study of a much more general and acute question: the political ecology of transnational river basins."

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The vulnerability of journalists to kidnappings was starkly illustrated by the killing of James Foley and Steven Sotloff by Islamic militants in 2014. Their murder underscored the risks taken by journalists and news organisations trying to cover developments in dangerous regions of the world and has forced news enterprises to more clearly prepare for and confront issues of safety. This book explores the complex organisational issues surrounding the capture or kidnapping of journalists in areas of conflict and risk. It explores how journalists 'becoming news' is covered and the implications of that coverage, how news organisations prepare for and respond to such events, and how kidnapping and ransom insurers, victim recovery firms, journalists' families, and governments influence the actions of news enterprises. It considers how and why journalists are kidnapped, how employers and journalists' organisations respond to kidnappings and why freelancers are particularly at risk as well as suggesting best practices for preventing and responding to kidnappings.

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In the 19th and early 20th centuries, the Arabic-speaking regions of the Ottoman Empire saw a crucial change in attitudes towards sexuality. Notions of respectability', propriety' and sexual morality' were being transformed in literary and cultural discourses, a shift that was related to the gradual rise in anti-Ottoman Arab nationalism. However, contemporary Orientalists such as Sir Richard Burton and T.E. Lawrence were oblivious to certain aspects of this process of cultural reconfiguration. While accounts of male-love poetry (ghazal al-mudhakkar) were being gradually expurgated from the Arab literary heritage, elaborate narratives of Oriental homoerotic desire distinctively characterise the encounters of both Burton and Lawrence with the Arab East.By comparing their literary and autobiographical accounts of the Arab Orient with contemporary Arabic literature, Feras Alkabani is able to expose this critical disparity in cross-cultural portrayals of sexual morality an

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In 1807 the reformist Sultan Selim III was overthrown in a palace coup enacted by the elite special forces of the day-the Janissaries. The Ottomans were bankrupt and had been forced to make peace with Napoleon after Austerlitz, but it was Selim III's efforts to reform an empire that had suffered successive military defeats, and to reform along the lines of modern principles-with an end to the privileged 'feudal' position of many in elite Ottoman civil-military society-which sealed his fate. This book seeks to situate Turkey's reactionary revolutions of 1807 into a wider European context, that of the French Revolution and the outbreaks of revolutionary activity in the German states, Britain and the US. The Ottoman Empire was an interconnected and crucial part of this early-modern world, and therefore, Aysel Yildiz argues, must be analyzed in relation to its European rivals. Focusing on the uprising, and the socio-economic and political conditions which caused it, this book re-orientates Ottoman history towards Western Europe, and re-situates the late-Ottoman Empire as a key battle-ground of political ideas in the modern era.

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During the course of the 19th century, a relatively modern medium entered the private space of Iranian houses of the wealthy and became a popular feature of interior design in Persia. This was print media - lithographed images on paper and postcards - and their subject was European women. These idealised images adorned houses across the country throughout the Qajar period and this trend was particularly fashionable in Isfahan and mural decorations at the entrance gate of the Qaysarieh bazaar. The interest in images of Western women was an unusual bi-product of Iran's early political and cultural encounters with the West. In a world where women were rarely seen in public and, even then, were heavily veiled, the notion of European women dressed in - by Iranian standards - elegant and revealing clothing must have sparked much curiosity and some titillation among well-to-do merchants and aristocrats who felt the need to create some association, however remote, with these alien creatures. The introduction of such images began during the Safavid era in the 17th century with frescoes in royal palaces. This spread to other manifestations in the form of tile work and porcelain in the Qajar era, which became a testament to the popularity of this visual phenomenon among Iran's urban elite in the 19th and early 20th century. Parviz Tanavoli, the prominent Iranian artist and sculptor, here brings together the definitive collection of these unique images. European Women in Persian Houses will be essential for collectors and enthusiasts interested in Iranian art, culture and social history.

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Engaged Urbanism showcases the exciting ways in which urbanists are responding to this question and working towards fairer cities. Its authors offer succinct, candid and carefully illustrated commentaries on the trials and successes of risk-taking research, revealing how they collaborate across fields of expertise, inventing or adapting methods to suit bespoke situations. Featuring novel uses and combinations of practice-from activism, architectural design and undercover journalism, to film, sculpture, performance and photography- in a diversity of cities such as Beirut, Johannesburg, Kisumu, London and Rio de Janeiro, Engaged Urbanism demonstrates how some of the greatest challenges for present and future populations are being rigorously and creatively addressed.

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The British Empire is often misunderstood. Judgments of it differ widely, from broadly adulatory - a 'great' enterprise, spreading 'civilization' through the world; to the blame that is often put on it for most of the world's ills today, including racism, exploitation and the problems of the Middle East. In this provocative book, Bernard Porter argues that many of these judgments arise from some fundamental misreadings of the nature, causes and effects of British imperialism, which was a more complex, ambivalent and in some ways accidental phenomenon than it is often taken to be. Drawing on his fifty years' experience of research and writing on the subject, Porter aims to clear away many of the misconceptions that surround the story of the British Empire's rise, governance and fall; and to point some ways to a fairer (though not necessarily more favourable) assessment of it. He addresses the connections of imperialism with capitalism, racism and British domestic culture, and ends with some reflections on the modern repercussions of both the Empire itself, and the myths which have sprung up around it.

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Wealth in the Ottoman and Post-Ottoman Balkans demonstrates the economic and social transformations wrought by wars, state centralization, European expansion and the gradual Ottoman withdrawal from the Balkans. As a new middle class emerged, and the power of religion faded, Ottoman and post-Ottoman social, economic and cultural norms changed rapidly across the region. This book illustrates not only how markers of wealth accumulation and poverty were socially defined across the region, but also the ways inequality was experienced, revealing the relationships between the state, economy, society, modernity in the context of Balkan, Ottoman and European development. Evguenia Davidova marshals a compendium of thirteen contributions wherein new archival data and various case studies frame a comparative social portrayal of the modern Balkans, offering new truths to the major discourses about nationalism, modernity, and the Ottoman legacy in the respective Balkan national historiographies.

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Who are the Muslim Brotherhood and Hizbullah? What do the two movements - one Sunni and one Shi'a - have in common? Despite being classified by a number of countries as 'terrorist' organisations, both are in fact serious political players in the states in which they operate - Egypt and Lebanon. Both have, at various points, advocated pan-Islamism: the unity of Muslims under an Islamic state or caliphate, but, rather than considering them as extremist religious movements, Eva Dingel here studies them as players within the political process. She considers why, at certain points, they have chosen to play by the conventional political rules, while during other periods, they have applied different, more extreme, methods of political protest. Dingel's comparative history of two of the most prominent political Islamist movements sheds light on the complex - and often misunderstood - interaction between Islam and politics in the Middle East. This book is essential reading for anyone who wants to understand the changing dynamics of politics in the Islamic world.

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In September 2014, the Kurdish Syrian city of Kobane was subjected to a massive attack by fighters of the movement Islamic State (IS). As a result, the plight of the Kurds of Syria became known around the world. Less well-known, however, is their struggle before these dramatic and violent events. This struggle was mostly aimed at having their voices heard on the political stage and having equitable access to both economic and political resources. This examination of Kurdish politics in Syria therefore concentrates on the Syrian-Kurdish political parties, which despite state sanctions, have attempted to promote their political agendas and to bring about change for the approximately 3 million Kurds that reside in the country. The Kurds of Syria explores the fundamental issues of minority identity and the concept of being 'stateless' in a turbulent region, making it vital for all those researching the politics of the modern Middle East.

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