Search results for ""author frances"

In The Notion of Authority, written in the 1940s in Nazi-occupied France, Alexandre Kojève uncovers the conceptual premises of four primary models of authority, examining the practical application of their derivative variations from the Enlightenment to Vichy France. This foundational text, translated here into English for the first time, is the missing piece in any discussion of sovereignty and political authority, worthy of a place alongside the work of Weber, Arendt, Schmitt, Agamben or Dumézil. The Notion of Authority is a short and sophisticated introduction to Kojève's philosophy of right. It captures its author's intellectual interests at a time when he was retiring from the career of a professional philosopher and was about to become one of the pioneers of the Common Market and the idea of the European Union.

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When Vichy France and the Jews was first published in France in 1981, the reaction was explosive. Before the appearance of this groundbreaking book, the question of the Vichy regime's cooperation with the Third Reich had been suppressed. Michael R. Marrus and Robert O. Paxton were the first to access closed archives that revealed the extent of Vichy's complicity in the Nazi effort to eliminate the Jews. Since the book's original publication, additional archives have been opened, and the role of the French state in the deportation of Jews to the Nazi death factories is now openly acknowledged. This new edition integrates over thirty years of subsequent scholarship, and incorporates research on French public opinion and the diversity of responses by French civilians to the campaign of persecution they witnessed around them. This classic account remains central to the historiography of France and the Holocaust, and in its revised edition, is more important than ever for understanding the Vichy government's role in the darkest atrocity of the twentieth century.

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Savoir-Faire: A History of Food in France is a comprehensive account of France's rich culinary history. Not just the story of haute cuisine, the book is seasoned with myths and stories from a wide variety of times and places; from snail hunting in Burgundy to beermakers in Paris, who gave us leavened bread, and from cheese appreciation in Roman Gaul to bread debates in the Middle Ages. French cuisine has always featured bread, wine and cheese, but Savoir-Faire shows that it also includes chestnuts, couscous and oysters. The book examines French food in literature and film, the influence of France's overseas territories on the shape of French cuisine today, and includes historical recipes that the reader can make at home.

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In the summer of 1940, as the German Occupation tightened its grip on Paris, Agnes Humbert helped to establish one of the first resistance cells. Within a year the group was publishing a news bulletin, helping allied airmen escape and passing military information back to London. Then came the catastrophe of betrayal, followed by arrest and interrogation, imprisonment and trial and, for Agnes, deportation to slave labour camp in Germany. Resistance is the secret journal of a woman who never gave up hope.

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1st July 1916 saw a campaign that devastated the lives of thousands of young men serving under the British Empire. It was a day chosen to begin what had been called ‘The Big Push’, a desperate attempt to overwhelm the German Front Line and bring an end to a two year long stalemate on the Western Front. The Battle of the Somme has become tightly woven into the memory of the British nation and stands as a testimony to the conflict which took so many lives. This authoritative guide gives a factual account of the events leading up to the Somme battle, the battle itself, the politics of the day as well as the experiences of the young men who answered the call to join Kitchener’s Army. With dramatic photographs, maps and diagrams this guide is an informative and sensitive account of the conflict.

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In the nineteenth century, the reading public expanded to embrace new categories of consumers, especially of cheap fiction. These new lower-class and female readers frightened liberals, Catholics and republicans alike. The study focuses on workers, women and peasants, and the ways in which their reading was constructed as a social and political problem, to analyse the fear of reading in nineteenth century France. The author presents a series of case-studies of actual readers, to examine their choices and their practices, and to evaluate how far they responded to (or subverted) attempts at cultural domination.

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A simple, friendly geography series that takes a look at countries around the world.

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Pierre Boulez was appointed to the Collège de France in 1976, with the chair devoted to 'Invention, technique and language in Music', and he held his position until 1995. The publication of his extraordinary Collège de France lectures, his most significant writings from the 1970s to the 1990s, will make a major contribution to the discussion in English about Boulez's aesthetic legacy. His goal in Leçons de musique is to express his conception of musical language, laid out over the course of nearly twenty years of lecturing. He is thinking about the possible paths musical thought could take, as well as the musical legacy of the pastIn addition to composers, music historians, theorists, and music students, this book will be invaluable to those interested in the history and aesthetics of 20th century music, musical manifestations of artistic modernism, the history of ideas, and French intellectual and cultural history. Faber have been Pierre Boulez's publisher since 1986 - previous books include Orientations, Boulez on Music Today and Boulez on Conducting.'Boulez's achievements in changing every part of the fabric of classical musical culture all over the world are indelible.' Tom Service, Guardian

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(Edition updated in 2023) MICHELIN National Map Northern France (map 724) will give you an overall picture of your journey thanks to its clear and accurate mapping scale 1/1 000 000. Our National Map Series will help you easily plan your safe and enjoyable journey thanks to a comprehensive key, a complete name index as well a clever time & distance chart. Michelin's driving information will help you navigate safely in all circumstances. In addition, some MICHELIN National Maps are cross-referenced with the MICHELIN Green Guide highlighting destinations worth stopping for! With MICHELIN National Maps, find more than just your way! MICHELIN NATIONAL MAPS feature: * Up-to-date mapping * A scale adapted to the size of the country * A clear and comprehensive key * Distance and time chart * Place name index * Driving and road safety information * Tourist sights information Our maps are regularly updated even if the ISBN does not change.

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A SUNDAY TIMES TOP FIVE BESTSELLERSHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2014From the author of the New York Times bestseller A Train in Winter comes the extraordinary story of a French village that helped save thousands who were pursued by the Gestapo during World War II.High up in the mountains of the southern Massif Central in France lies a cluster of tiny, remote villages united by a long and particular history. During the Nazi occupation, the inhabitants of the Plateau Vivarais Lignon saved several thousand people from the concentration camps. As the victims of Nazi persecution flooded in – resisters, freemasons, communists and Jews, many of them children – the villagers united to keep them safe. The story of why and how these villages came to save so many people has never been fully told. But several of the remarkable architects of the mission are still alive, as are a number of those they saved. Caroline Moorehead has sought out and interviewed many of the people involved in this extraordinary undertaking, and brings us their unforgettable testimonies. It is a story of courage and determination, of a small number of heroic individuals who risked their lives to save others, and of what can be done when people come together to oppose tyranny.

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Heresy and inquisition in France, 1200–1300 is an invaluable collection of primary sources in translation, aimed at students and academics alike. It provides a wide array of materials on both heresy (Cathars and Waldensians) and the persecution of heresy in medieval France. The book is divided into eight sections, each devoted to a different genre of source material. It contains substantial material pertaining to the setting up and practice of inquisitions into heretical wickedness, and a large number of translations from the registers of inquisition trials. Each source is introduced fully and is accompanied by references to useful modern commentaries. The study of heresy and inquisition has always aroused considerable scholarly debate; with this book, students and scholars can form their own interpretations of the key issues, from the texts written in the period itself.

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From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.

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The full story of the thirty-nine female SOE agents who went undercover in France“The freshness and honesty of Mission France make it an ideal book for taking a new look at the secret war, at a time when knowledge of these brave women’s exploits is fading from living memory.”—Vin Arthey, The Scotsman Formed in 1940, Special Operations Executive was to coordinate Resistance work overseas. The organization’s F section sent more than four hundred agents into France, thirty-nine of whom were women. But while some are widely known—Violette Szabo, Odette Sansom, Noor Inayat Khan—others have had their stories largely overlooked. Kate Vigurs interweaves for the first time the stories of all thirty-nine female agents. Tracing their journeys from early recruitment to work undertaken in the field, to evasion from, or capture by, the Gestapo, Vigurs shows just how greatly missions varied. Some agents were more adept at parachuting. Some agents’ missions lasted for years, others’ less than a few hours. Some survived, others were murdered. By placing the women in the context of their work with the SOE and the wider war, this history reveals the true extent of the differences in their abilities and attitudes while underlining how they nonetheless shared a common mission and, ultimately, deserve recognition.

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In Mobilizing Youth, Susan B. Whitney examines how youth moved to the forefront of French politics in the two decades following the First World War. In those years Communists and Catholics forged the most important youth movements in France. Focusing on the competing efforts of the two groups to mobilize the young and harness generational aspirations, Whitney traces the formative years of the Young Communists and the Young Christian Workers, including their female branches. She analyzes the ideologies of the movements, their major campaigns, their styles of political and religious engagement, and their approaches to male and female activism. As Whitney demonstrates, the recasting of gender roles lay at the heart of Catholic efforts and became crucial to Communist strategies in the mid-1930s. Moving back and forth between the constantly shifting tactics devised to mobilize young people and the circumstances of their lives, Whitney gives special consideration to the context in which the youth movements operated and in which young people made choices. She traces the impact of the First World War on the young and on the formulation of generation-based political and religious identities, the role of work and leisure in young people’s lives and political mobilization, the impact of the Depression, the importance of Soviet ideas and intervention in French Communist youth politics, and the state’s attention to youth after the victory of France’s Popular Front government in 1936. Mobilizing Youth concludes by inserting the era’s youth activists and movements into the complicated events of the Second World War.

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Here, at last, is a long-awaited volume for collectors of miniature vehicles. After a span of several years, noted authority Edward Force turns his eye toward the vehicles produced in northern Europe from the early to mid-20th century. From Scandinavia the toys include the classic Tekno brand, as well as Vilmer and several smaller brands such as Bapro and Lemeco. Also included are a series of plastic models once offered by Lego. From Belgium, there are vehicles from the Gusquy-Septoy firm and the short-lived Sablon brand. Holland is represented by Lion Toys and the Best Box-Efsi-Oto-Holland line. Finally, the book contains the German Siku line. In all, hundreds of examples are shown in full color, plus the encyclopedic gathering of information that collectors have come to expect from Dr. Force. Values are provided for each model shown. This new volume will satisfy the pent-up demand for a new volume on miniature vehicles and will be a welcome addition to the collector's library.

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In the aftermath of the Second World War, the French government cultivated images of sensual and sophisticated white French women in an attempt to reestablish its global image as a great nation. They promoted the beauty, sexual appeal, and general allure of French women, all while shrinking the boundaries of what was considered beautiful. Charm Offensive explores how this elevation of French femininity created problems on both sides of the equation: the pressure on French women to conform to an exacting physical standard was immense, while the inability of anyone else to access that standard resulted in a sense of failure. Drawing on cultural figures like Air France hostesses, tourism workers, and celebrities such as Brigitte Bardot, Charm Offensive offers an innovative understanding of a tumultuous time of decolonization.

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This original new work is the fascinating result of sociologist and documentary filmmaker Agnès De Féo’s ten-year exploration of the phenomenon of niqab wearing. It is at once a groundbreaking study and a series of compelling first-person accounts from French and Francophone women who wear or have worn the niqab in France’s Salafi communities. With the backdrop of the French government’s 2010 ban on full facial veiling in public spaces, which itself has shaped the phenomenon, De Féo draws on her subjects’ own words to show their agency, working against the clichés that often underlie public views of the niqab—that it is purely the result of masculine pressure, for example, or extreme religiosity or nationalism, or the submissive desire to disappear. Instead, she shows, the niqab is multivalent: women wear it for reasons that range from religious piety to the desire to rebel against mainstream society, family, or the rule of law. The reasons are complex, overdetermined, contradictory, or even inconsistent, but they are the women’s own. Despite being worn only by a small minority of Muslim women, the Islamic garment has nonetheless been a major source of intense political, religious, and cultural debate in France. Searching to understand, rather than speculate, De Féo chose to approach the people who wear the niqab, and to make them, rather the veil itself, the subject of her research. Her unprecedented study, based on more than 200 interviews, reveals the many factors—social, political, geopolitical, and psychological—underpinning a personal choice that is not always as religious as it seems. The book ends with sixteen captivating interviews giving voice to stories rarely heard. With finesse and discernment, the author debunks the myths surrounding the wearing of the niqab, and sheds light on a practice subject to misunderstanding and prejudice, offering the reader unique insight. Challenging our preconceived notions and stereotypes about women who wear any form of Islamic apparel, but particularly the niqab, The Niqab in France introduces a group of women each with her own life story, her own share of personal struggles, aspirations, and desires, and her own claim to a certain place in society. This work received support for excellence in publication and translation from Albertine Translation, a program created by Villa Albertine.

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WINNER OF THE 2022 FRENCH HERITAGE SOCIETY BOOK AWARD The profound emotion felt around the world upon seeing images of Notre-Dame in flames opens up a series of questions: Why was everyone so deeply moved? Why does Notre-Dame so clearly crystallise what our civilisation is about? What makes ‘Our Lady of Paris’ the soul of a nation and a symbol of human achievement? What is it that speaks so directly to us today? In answer, Agnès Poirier turns to the defining moments in Notre-Dame’s history. Beginning with the laying of the corner stone in 1163, she recounts the conversion of Henri IV to Catholicism, the coronation of Napoleon, Victor Hugo’s nineteenth-century campaign to preserve the cathedral, Baron Haussmann’s clearing of the streets in front of it, the Liberation in 1944, the 1950s film of The Hunchback of Notre-Dame, starring Gina Lollobrigida and Anthony Quinn, and the state funeral of Charles de Gaulle, before returning to the present. The conflict over Notre-Dame’s reconstruction promises to be fierce. Nothing short of a cultural war is already brewing between the wise and the daring, the sincere and the opportunist, historians and militants, the devout and secularists. It is here that Poirier reveals the deep malaise – gilet jaunes and all – at the heart of the France.

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These essays examine the thought and works of a series of writers on political thought, religion, historiography and literature, from the 16th century to the 19th. Throughout, the author is concerned to situate individual thinkers in the context of their times and, in many of the essays, to illuminate the links between intellectual currents in France and England. Particular topics include Gallicanism, Neostoicism, the historical novel, and constitutionalism, while the figures dealt with range from Bodin and Hotman in the Renaissance, to Descartes and La Rochefoucauld in the Grand Siècle and Condorcet and Diderot in the Enlightenment. Less familiar figures include the Oxford historian, Degory Wheare, and the French constitutional theorist, Henrion de Pansey. Among the topics treated in the Romantic era are comparisons between the French and English revolutions, and the French obsession with Oliver Cromwell.

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France is a bellwether for the postcolonial anxieties and populist politics emerging across the world today. This book explores the dynamics and dilemmas of the present moment of crisis and hope in France, through an exploration of recent moral panics. Taking stock of the tensions as they have emerged over the last quarter of a century, Paul Silverstein looks at urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sporting performances in and around which debates over France's multicultural future have arisen. It traces these conflicts to the unresolved tensions of an imperial project, the present-day effects of which are still felt by many. Despite the barriers, which include neo-nationalist racism and Islamophobia, French citizens of various backgrounds have found ways to build flourishing lives. Silverstein shows how they have responded to urban marginalisation, police violence and institutional discrimination in remarkably creative ways.

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France is a bellwether for the postcolonial anxieties and populist politics emerging across the world today. This book explores the dynamics and dilemmas of the present moment of crisis and hope in France, through an exploration of recent moral panics. Taking stock of the tensions as they have emerged over the last quarter of a century, Paul Silverstein looks at urban racial violence, female Islamic dress and male public prayer, anti-system gangster rap, and sporting performances in and around which debates over France's multicultural future have arisen. It traces these conflicts to the unresolved tensions of an imperial project, the present-day effects of which are still felt by many. Despite the barriers, which include neo-nationalist racism and Islamophobia, French citizens of various backgrounds have found ways to build flourishing lives. Silverstein shows how they have responded to urban marginalisation, police violence and institutional discrimination in remarkably creative ways.

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This book looks at the period 2015–18 in French politics, a turbulent time that witnessed the apparent collapse of the old party system, the taming of populist and left-wing challenges to the Republic and the emergence of a new political order centred on President Emmanuel Macron. The election of Macron was greeted with relief in European chancelleries and appeared to give a new impetus to European integration, even accomplishing the feat of making France attractive after a long period of French bashing and reflexive decline. But what is the real significance of the Macron presidency? Is it as transformative as it appears? Emmanuel Macron and the two years that changed France provides a balanced answer to this pressing question. It is written to appeal to a general readership with an interest in French and European politics, as well as to students and scholars of French politics.

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A fresh, provocative history that renews our understanding of France in the world through short, incisive essays ranging from prehistoric frescoes to Coco Chanel to the terrorist attacks of 2015. Bringing together an impressive group of established and up-and-coming historians, this bestselling history conceives of France not as a fixed, rooted entity, but instead as a place and an idea in flux, moving beyond all borders and frontiers, shaped by exchanges and mixtures. Presented in chronological order from 34,000 BC to 2015, each chapter covers a significant year from its own particular angle - the marriage of a Viking leader to a Carolingian princess proposed by Charles the Fat in 882, the Persian embassy's reception at the court of Louis XIV in 1715, the Chilean coup d'etat against President Salvador Allende in 1973 that mobilised a generation of French left-wing activists. France in the World combines the intellectual rigour of an academic work with the liveliness and readability of popular history. With a brand-new preface aimed at an international audience, this English-language edition will inspire Francophiles and scholars alike.

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The virulent new brand of Islamic extremism threatening the West In November 2015, ISIS terrorists massacred scores of people in Paris with coordinated attacks on the Bataclan concert hall, cafes and restaurants, and the national sports stadium. On Bastille Day in 2016, an ISIS sympathizer drove a truck into crowds of vacationers at the beaches of Nice, and two weeks later an elderly French priest was murdered during morning Mass by two ISIS militants. Here is Gilles Kepel's explosive account of the radicalization of a segment of Muslim youth that led to those attacks--and of the failure of governments in France and across Europe to address it. It is a book everyone in the West must read. Terror in France shows how these atrocities represent a paroxysm of violence that has long been building. The turning point was in 2005, when the worst riots in modern French history erupted in the poor, largely Muslim suburbs of Paris after the accidental deaths of two boys who had been running from the police. The unrest--or "French intifada"--crystallized a new consciousness among young French Muslims. Some have fallen prey to the allure of "war of civilizations" rhetoric in ways never imagined by their parents and grandparents. This is the highly anticipated English edition of Kepel's sensational French bestseller, first published shortly after the Paris attacks. Now fully updated to reflect the latest developments and featuring a new introduction by the author, Terror in France reveals the truth about a virulent new wave of jihadism that has Europe as its main target. Its aim is to divide European societies from within by instilling fear, provoking backlash, and achieving the ISIS dream--shared by Europe's Far Right--of separating Europe's growing Muslim minority community from the rest of its citizens.

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An overview of the theologies of the eucharist leads on to a detailed exploration of the Berengarian debates of the eleventh century and the complex of eucharistic ideas subsequently developed. During the Romanesque period in France, and accelerated by a growing introspection and consciousness of self-identity, a penitential focus was given to eucharistic piety. Population increase and prosperity brought greater tithe income to the Church, allowing new discipline and religious regulation in respect of the sacraments. The aim of this book is to bring together aspects of the multi-faceted penitential-eucharistic devotion, as revealed in theological writings and Mass commentaries, in Gregorian reform, in heretical circles both clerical and popular and in works of art, so that the reader can contemplate, through a wider juxtaposition than that usually practicable in more detailed specialised scholarship, something of the mood of the period. Just as the new scholastic writings impressed by their innovative creativity, the best late eleventh- and twelfth-century art was astonishingly vital andthe comparison of art and textual works is central to the volume. Dr Elizabeth Saxon has recently retired from the staff of the Open University.

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The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment. In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. Expressed in a flood of pamphlets, articles, letters and poems as well as in the actual disruption of performances, these so-called querelles were seen at the time as a distinctively French phenomenon and have been mined by scholars since for what they can tell us about French politics and culture in the revolutionary period. This is the first full-length treatment of the entire history of this phenomenon, from its beginnings in the last years of Louis XIV to the 1820s when the new musical challenges of Berlioz and Wagner put an end to this particular form of debate. Arnold analyses the individual querelles, showing how they reflected and played their part in wider political and cultural events. At the same time, hetraces themes common in varying degrees to them all - questions of authority, the issue of national prestige, and the relation of language to music. Where some scholars have characterised these disputes as simply politics by proxy, Arnold paints a more nuanced picture, showing that music itself was taken seriously beyond artistic circles because it was seen as having great, potentially limitless, power over popular sentiment and thus implicitly power to reform society and change the world. R.J. Arnold is an honorary research fellow at Birkbeck, University of London

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On July 10, 1940, by a 570 to 80 margin, the representatives in the French parliament voted full powers to Philippe Pétain, ending the Third Republic and paving the way for the collaborationist Vichy regime. Olivier Wieviorka offers a nuanced portrait of the individuals who determined the fate of France at this critical moment.Pétain claimed to be saving France from ruin. The day of the vote has been described as a journée des dupes, the legislators so ignorant or fearful that they voted without a thought to the consequences. But Wieviorka shows that most of the deputies made a considered decision to vote for Pétain. He analyzes the factors, such as political culture and regional origins, that motivated the voting on both sides, and traces the men’s fates through the war.Recreating the tense atmosphere of summer 1940, Wieviorka shows how pressures brought on by defeat could affect even the most hardened republicans. He illuminates the complex moral issues inherent in accommodation and collaboration in a time of crisis.

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In 1898, the Dreyfus Affair plunged French society into a yearlong frenzy. In Paris and provincial villages throughout the country, angry crowds paraded through the streets, attacking Jews and destroying Jewish-owned businesses. Anger about the imagined power of Jewish capital, as well as fears of treason and racial degeneration, made anti-Semitism a convenient banner behind which social and political factions could fall in line. The anti-Semitic feelings that had been simmering in France for decades came boiling to the surface. Here Pierre Birnbaum guides readers on a tour of France during this tumultuous crisis. He shows that in the midst of prolonged violence, Jewish citizens bravely and effectively defended themselves and were aided by a police force determined to maintain order. In "The Anti-Semitic Moment" Birnbaum paints a vivid portrait of French Jewish culture at the time and explains why the French state remained strong in this time of widespread unrest. .

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André Siegfried (1875–1959) was a leading figure in French academic and cultural life for over five decades. A world traveller who trained as a geographer, Siegfried became a leading political scientist and prominent newspaper columnist. As a long-time professor at Sciences Po, he shaped generations of his country’s elite. France in the World explores the life and career of André Siegfried. An innovator in the field of political science, he established himself as France’s leading interpreter of the English-speaking world. Often likened to Alexis de Tocqueville, Siegfried published influential studies of the United States, Canada, Great Britain, and New Zealand, striving to understand France’s place in a changing global context. Siegfried was a cosmopolitan promoter of liberalism and individual freedom. But at the same time he perceived France to be the core of a Western civilization whose leadership and values were threatened by Americanization, anti-imperial nationalism, and non-white immigration. By following Siegfried’s long career and examining the breadth of his writings, Sean Kennedy shows how his racial and ethnic essentialism was a unifying aspect of his life’s work. That these ideas were considered unremarkable for most of his lifetime offers a powerful illustration of how racist thinking permeated mainstream French republicanism.Exploring the many facets of Siegfried’s career, France in the World examines the entanglement of liberal and racist thinking during an era that witnessed political extremism and a rapidly changing international order.

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Turkish immigration, art and narratives of home in France argues for a cultural, rather than a sociological or economic, approach to understanding how immigrants become part of their new country. In contrast to the language of integration or assimilation which evaluates an immigrant's success in relation to a static endpoint (e.g. integrated or not), 'settling' is a more useful metaphor. Immigrants and their descendants are not definitively 'settled', but rather engage in an ongoing process of adaptation. In order to understand this process of settling, it is important to pay particular attention to immigrants not only as consumers, but also as producers of culture, since artistic production provides a unique and nuanced perspective on immigrants' sense of home and belonging, especially within the multi-generational process of settling. In order to anchor these larger theoretical questions in actual experience, this book looks at music, theatre and literature by artists of Turkish immigrant origin in France.

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When she discovered that nearly half of France’s 44,000 heritage sites were chateaux in various states of repair, Catherine Scotto embarked on a journey to find out who, exactly, lived in these medieval fortresses and, more importantly, what they were like on the inside. From Normandy to Provence and everywhere in between the owners of these chateaux–including decorators, antique dealers, artists, and collectors—represent the epitome of French culture and taste. Each chateau is presented in double-page full-color spreads that feature alluring interiors and information about the hosts and their design journeys. There’s something for everyone here—whether it’s homes where simplicity and minimalism reign, rooms as exuberantly busy as a 14th-century tapestry, or interiors transformed by surprising, era-bending feats. Morel’s breathtaking, naturally lit photographs of generous kitchens, cozy drawing rooms, spacious bedrooms, ingeniously imagined bathrooms, and intriguing hallways and stairwells offer endless inspiration, while Scotto’s engaging text gives readers a feel for the kinds of people who take on such a daunting yet satisfying challenge.

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During the course of her fieldwork in Paris, anthropologist Kimberly Arkin heard what she thought was a surprising admission. A French-born, North African Jewish (Sephardi) teenage girl laughingly told Arkin she was a racist. When asked what she meant by that, the girl responded, "It means I hate Arabs." This girl was not unique. She and other Sephardi youth in Paris insisted, again and again, that they were not French, though born in France, and that they could not imagine their Jewish future in France. Fueled by her candid and compelling informants, Arkin's analysis delves into the connections and disjunctures between Jews and Muslims, religion and secular Republicanism, race and national community, and identity and culture in post-colonial France. Rhinestones argues that Sephardi youth, as both "Arabs" and "Jews," fall between categories of class, religion, and culture. Many reacted to this liminality by going beyond religion and culture to categorize their Jewishness as race, distinguishing Sephardi Jews from "Arab" Muslims, regardless of similarities they shared, while linking them to "European" Jews (Ashkenazim), regardless of their differences. But while racializing Jewishness might have made Sephardi Frenchness possible, it produced the opposite result: it re-grounded national community in religion-as-race, thereby making pluri-religious community appear threatening. Rhinestones thus sheds light on the production of race, alienation, and intolerance within marginalized French and European populations.

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La famosa obra de Gaston Leroux, ahora llevada al cine, en la mejor traducción en Austral.Los rumores de la existencia de un espectro que habita en la Ópera se ven confirmados con extraños sucesos cuyo culmen se alcanza con la desaparición de una hermosa joven. Sin embargo, bajo su aspecto horrible se oculta un ser predestinado al dolor y el sufrimiento, que habita en fétidos corredores, y que, no obstante, conserva en su interior un hálito de nobleza inexplicable si se conocen sus padecimientos. Precisamente esa chispa sublime de humanidad es la que explica que ame entrañablemente la música y que pueda sentirse arrobado ante la belleza de una joven cantante.Gaston Leroux (París, 1868 - Niza, 1927). Escritor francés. Estudió derecho pero sólo ejerció como abogado durante tres años. Escribió artículos y trabajó como reportero para varios periódicos. En 1901 publicó su primer libro: En mi camino, pero su fama como escritor le vino, sobre todo, por la serie de novelas

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The Emergence of Tropical Medicine in France examines the turbulent history of the ideas, people, and institutions of French colonial and tropical medicine from their early modern origins through World War I. Until the 1890s colonial medicine was in essence naval medicine, taught almost exclusively in a system of provincial medical schools built by the navy in the port cities of Brest, Rochefort-sur-Mer, Toulon, and Bordeaux. Michael A. Osborne draws out this separate species of French medicine by examining the histories of these schools and other institutions in the regional and municipal contexts of port life. Each site was imbued with its own distinct sensibilities regarding diet, hygiene, ethnicity, and race, all of which shaped medical knowledge and practice in complex and heretofore unrecognized ways. Osborne argues that physicians formulated localized concepts of diseases according to specific climatic and meteorological conditions, and assessed, diagnosed, and treated patients according to their ethnic and cultural origins. He also demonstrates that regions, more so than a coherent nation, built the empire and specific medical concepts and practices. Thus, by considering tropical medicine's distinctive history, Osborne brings to light a more comprehensive and nuanced view of French medicine, medical geography, and race theory, all the while acknowledging the navy's crucial role in combating illness and investigating the racial dimensions of health.

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Between Bordeaux and the Spanish border, reaching east to the Massif Central and the river valleys of the Dordogne and Lot, and south to the foothills of the Pyrenees, lies a unique and little-known viticultural landscape. "South-West France" is a wine lover's paradise that cultivates an astonishing array of grape varieties, many that grow nowhere else, and produces a fascinating assortment of wines. In this book, Paul Strang covers the South-West with enthusiasm and keen expertise, providing a history of its wine industry, including a near collapse and unlikely rebirth, and introducing readers to a region that seems to defy globalization. The outstanding local wines - made by idiosyncratic growers motivated by a passion for their profession - range from inky Tannats to honeyed late-harvest Semillons. Intrepid readers are invited to rediscover this beautiful part of France, already well known for its cuisine, castles, and cave art, for its earthy and intriguing wines. This book is the winner of the 2009 GOURMAND World Cookbook Awards' 'Best Wine Atlas/Tourism Book in the World'.

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Cultural Anxieties is a gripping ethnography about Centre Minkowska, a transcultural psychiatry clinic in Paris, France. From her unique position as both observer and staff member, anthropologist Stéphanie Larchanché explores the challenges of providing non-stigmatizing mental healthcare to migrants. In particular, she documents how restrictive immigration policies, limited resources, and social anxieties about the “other” combine to constrain the work of state social and health service providers who refer migrants to the clinic and who tend to frame "migrant suffering" as a problem of integration that requires cultural expertise to address. In this context, Larchanché describes how staff members at Minkowska struggle to promote cultural competence, which offers a culturally and linguistically sensitive approach to care while simultaneously addressing the broader structural factors that impact migrants’ mental health. Ultimately, Larchanché identifies practical routes for improving caregiving practices and promoting hospitality—including professional training, action research, and advocacy.

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The current cultural climate in France is often described as one of “déclinisme” or “sinistrose,” a mixture of pessimism about the national future, nostalgia for the past, and a sinister sense of irreversible decline concerning the present. The notion of “democratic melancholia” has become widely popular, cropping up time and again in academic papers and newspaper articles. In Melancholy Politics, Jean-Philippe Mathy examines the development of this disenchanted mood in the works of prominent French philosophers, historians, and sociologists since the beginning of the 1980s. This period represents a significant turning point in French intellectual life, as the legacy of major postwar and sixties theorists such as Lévi-Strauss, Derrida, and Foucault was increasingly challenged by a younger generation of authors who repudiated both Marxism and structuralism. The book is not a classic intellectual or cultural history of post-1968 France, but rather a contribution to the understanding of the present—a collection of soundings into what remains largely a complex, ongoing process.

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Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.

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Robert O. Paxton's classic study of the aftermath of France's sudden collapse under Nazi invasion utilizes captured German archives and other contemporary materials to construct a strong and disturbing account of the Vichy period in France. With a new introduction and updated bibliography, Vichy France demonstrates that the collaborationist government of Marshal Petain did far more than merely react to German pressures. The Vichy leaders actively pursued their own double agenda-internally, the authoritarian and racist "national revolution," and, externally, an attempt to persuade Hitler to accept this new France as a partner in his new Europe.

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