Search results for ""author dick"

A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about. Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else--the social criticism, the satire, the comedy--flows from that spring. How does a person begin to imagine, to enter vividly into the life he or she has been given, and into the lives of others? How does someone change, how do they love, give their trust, look forward to the future? These questions make their way into all of Dickens's novels, including the four discussed in this contribution to the My Reading series: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). Consistent with the aims of the series, this book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about? This becomes the important question as she reads through Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one--while still listening confidentially to what Dickens has to teach her about hope, love, and the limits of knowledge.

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Most people know that Charles Dickens (1812-1870) was one of the greatest novelists of the Victorian era, whose works include David Copperfield and Great Expectations. What, perhaps, they don't know is that he invented more than 200 original words and phrases; that he always slept facing north, in an effort to battle insomnia; that he sent more than 14,000 letters in his lifetime; and that he kept a pet raven called Grip, which he had stuffed after its death. Biographic: Dickens presents an instant impression of his life, work and legacy, with an array of irresistible facts and figures converted into infographics to reveal the writer behind the words.

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Charles Dickens is the definitive illustrated guide to the man and his works with images of documents from Dickens' personal archive written by one of descendants. It follows Dickens from early childhood, including his time spent as a child labourer, and looks at how he became the greatest celebrity of his age - and how he still remains recognized as one of England's greatest names, even in the 21st century. It takes an intimate look at what he was like as a husband, a father, a friend and an employer; his longing to be an actor; his travels across North America; his year spent living in Italy; and his great love of France. Alongside Dickens himself, readers will meet his fascinating family and his astonishing circle of friends - and will discover when and how life and real-life personalities were imitated in Dickens's art. The cast of characters in Charles Dickens embraces an incredible array of famous, and occasionally infamous, Victorians.

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In the mid-nineteenth century, the great age of railway building, Charles Dickens could not but be aware of their transformative impact on society. So he wrote about it - to a remarkable extent. He wrote a classic ghost story, 'The Signalman'; in Dombey and Son about what is now the West Coast Main Line being carved through north London in great ravines. He wrote satirical pieces about railway catering - even back then; about the wonder of express train travel to the Channel ports; travel pieces about exploring America by train - and about being personally involved in the notorious Staplehurst train crash in Kent. Now, in the year of Dickens' 150th anniversary, Tony Williams, a distinguished Dickens scholar, collects all these railway writings into a handsome little volume ideal for a long train journey...

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In this charming, beautifully illustrated book -- out of print for more than sixty years -- Samuel McChord Crothers warmly introduces children to the unique world of Dickens children: David Copperfield, the Micawber children, Joe the Fat Boy, Oliver Twist, the Jellyby family -- to name a few. In 13 self-contained chapters, in simple, straightforward prose, Mr Crothers introduces the necessary background, and then gives us the scene itself as Dickens wrote it. The book is illustrated with the work of Jessie Willcox Smith, famous for her romantic and touching paintings and drawings of children.

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The perfect introduction to the life and work of Charles Dickens.

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A Companion to Charles Dickens concentrates on the historical, ideological, and social forces that defined Dickens’s world. Puts Dickens’s work into its literary, historical, and social contexts Traces the development of Dickens’s career as a journalist and novelist Includes original essays by leading Dickensian scholars on each of Dickens’s fifteen novels Explores a broad range of topics, including criticisms of his novels, the use of history and law in his fiction, language, and the effect of political and social reform Examines Dickens's legacy and surveys the mass of secondary materials that has been generated in response and reverence to his writing

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In this inventive work on Emily Dickinson’s poetry, Cristanne Miller traces the roots of Dickinson’s unusual, compressed, ungrammatical, and richly ambiguous style, finding them in sources as different as the New Testament and the daily patterns of women’s speech. Dickinson writes as she does both because she is steeped in the great patriarchal texts of her culture, from the Bible and hymns to Herbert’s poetry and Emerson’s prose, and because she is conscious of writing as a woman in an age and culture that assume great and serious poets are male.Miller observes that Dickinson’s language deviates from normal construction along definable and consistent lines; consequently it lends itself to the categorical analysis of an interpretive “grammar” such as the one she has constructed in this book. In order to facilitate the reading of Dickinson’s poems and to reveal the values and assumptions behind the poet’s manipulations of language, Miller examines in this grammar how specific elements of the poet’s style tend to function in various contexts. Because many, especially modernist, poets use some of the same techniques, the grammar throws light on the poetic syntax of other writers as well.In the course of her analysis, Miller draws not only on traditional historical and linguistic sources but also on current sociolinguistic studies of gender and speech and on feminist descriptions of women’s writing. Dickinson’s language, she concludes, could almost have been designed as a model for twentieth-century theories of what a women’s language might be. As a critical examination of the relationship between linguistic style and literary identity in America’s greatest woman poet, Emily Dickinson: A Poet’s Grammar provides a significant addition to feminist literary studies.

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Famous investigator Harry Dickson is just back in London after some well-deserved holidays, and already Scotland Yard are seeking his help again, for there are very strange events afoot. A famous heiress and writer, Delphina Cruikshank, has vanished from a locked house. The corpse of an executed murderer has disappeared.. while the doctor who was autopsying him was murdered. And Mysterion, Miss Cruikshank's new character, may not be entirely fictional!

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Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.

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The much-loved rhyme is specially extended to include lots more garden animals. Delightfully illustrated by Vanessa Port, this popular tale in now available in large picture book format for the first time.

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“This is my letter to the world . . .” — Emily DickinsonThe Poetry of Emily Dickinson is a collection of pieces by 19th-century American poet Emily Dickinson, who insisted that her life of isolation gave her an introspective and deep connection with the world. As a result, her work parallels her life—misunderstood in its time, but full of depth and imagination, and covering such universal themes as nature, art, friendship, love, society, mortality, and more. During Dickinson’s lifetime, only seven of her poems were published, but after her death, her prolific writings were discovered and shared. With this volume, readers can dive into the now widely respected poetry of Emily Dickinson.

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An adorable Sing-Along board book story, with five robust board sliders - easy for little hands to use! Each board book comes with a free instrumental and vocal version of the nursery rhyme - simply scan the QR code for little ones to listen and sing along!With bright illustrations this series make the perfect gift for a baby or toddler! As evening falls and the old clockmaker shuts up his shop for the night, a crew of cheeky mice emerge and get up to all sorts of fun. A funny and entertaining story for toddlers to sing along with!There are loads of titles to collect . . . Sing Along with Me! The Wheels on the BusSing Along with Me! If You're Happy and You Know itSing Along with Me! Old Macdonald Had a FarmSing Along with Me! Row, Row, Row Your Boat . . . and many more!

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Though generally overlooked during her lifetime, Emily Dickinson's poetry has achieved acclaim due to her experiments in prosody, her tragic vision and the range of her emotional and intellectual explorations.

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With an Introduction by Emma Hartnoll.Initially a vivacious, outgoing person, Emily Dickinson (1830-1886) progressively withdrew into a reclusive existence. An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth, startling originality and courage for as she wrote: ‘Assent and you are sane; /Demure you’re straightaway dangerous / And handled with a chain’.

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The Invisible Woman by Claire Tomalin is the acclaimed story of Nelly Ternan and Charles DickensWinner of the NCR Book Award, the Hawthornden Prize and the James Tait Black Memorial Prize'This is the story of someone who - almost - wasn't there; who vanished into thin air. Her names, dates, family and experiences very nearly disappeared from the record for good ...'Claire Tomalin's multi-award-winning story of the life of Nelly Ternan and Charles Dickens is a remarkable work of biography and historical revisionism that returns the neglected actress to her rightful place in history as well as providing a compelling and truthful portrait of the great Victorian novelist. For those who enjoyed Samuel Pepys: The Unequalled Self and Charles Dickens: A Life; The Invisible Woman is invaluable reading for lovers of Charles Dickens, and for readers of biography everywhere.'Will come to be seen as one of the crucial women's biographies because of its vivid dramatization of the process by which women have been written out of history and have been forced to deny their own experiences' Sean French, New Statesman'The most original biography I read this year. Starting out with scarcely the bare bones of a story, Tomalin convinces by the end that she has got as near to the truth as anyone will' Anthony Howard, Sunday Times'A biography of high scholarship and compelling detective work' Melvyn Bragg, IndependentClaire Tomalin is the award-winning author of eight highly acclaimed biographies, including: The Life and Death of Mary Wollstonecraft; Shelley and His World; Katherine Mansfield: A Secret Life; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens; Mrs Jordan's Profession; Jane Austen: A Life; Samuel Pepys: The Unequalled Self; Thomas Hardy: The Time-Torn Man and, most recently, Charles Dickens: A Life. A former literary editor of the New Statesman and the Sunday Times, she is married to the playwright and novelist Michael Frayn.

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Jane Dickson's luminous paintings of Times Square explore the links between voyeurism, desire and the lure of the urban night. She portrays lone pedestrians enveloped in neon glow, with a rare feel for social complexity, and a determination to excavate the neglected undersides of familiar places.

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This is an exploration of the streets of Dickens's London which opens up new perspectives on the city and the writer. Taking Walter Benjamin's Arcades Project as an inspiration, Dickens's London offers an exciting and original project that opens a dialogue between phenomenology, philosophy and the Dickensian representation of the city in all its forms. Julian Wolfreys suggests that in their representations of London - its streets, buildings, public institutions, domestic residences, rooms and phenomena that constitute such space - Dickens's novels and journalism can be seen as forerunners of urban and material phenomenology. While also addressing those aspects of the urban that are developed from Dickens's interpretations of other literary forms, styles and genres, Dickens's London presents in 26 episodes (from Banking and Breakfast via the Insolvent Court, Melancholy and Poverty, to Todgers and Time, Voice and Waking) a radical reorientation to London in the nineteenth century, the development of Dickens as a writer, and the ways in which readers today receive and perceive both. It is a major reassessment of Dickens's writing on the city. It provides dual focus on methodology and the historicity of Dickensian urban consciousness. It provides philosophical reflections on urban tropologies through key passages from Dickens's texts recreate the experience of Victorian London. It's inventive structure offers the reader an experience of the disordered multiplicity of London. It is illustrated with 19 maps and photographs.

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Beginning with an overview of the age of Dickens, Professor Jeremy Black guides the reader through the biography and writings of the great man to show how his work not only expressed his experience of Victorian England, but also defined it, for his contemporaries and for generations to come. In some ways for us, Victorian England simply is Dickens’ England. Professor Black considers London as the centre of all but also examines Dickens’ effect on concepts of gender and social structure. Then there is government – from the Circumlocution Office to Britain as the supreme imperial power. There is also a valuable account of Dickens’ relationship with America. Dickens describes a culture – popular, middle and élite - and at the same time creates one. It takes a historian of Professor Black’s standing to differentiate between the two and show how they inter-react.

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During the nineteenth century, insects became a very fashionable subject of study, and the writing of the day reflected this popularity. However, despite an increased contemporary interest in ecocriticism and cultural entomology, scholars have largely ignored the presence of insects in nineteenth-century literature. This volume addresses that critical gap by exploring the cultural and literary position of insects in the work of Henry David Thoreau, Emily Dickinson, and John Muir. It examines the beliefs these authors share about the nature of our connection to insects and what insects have to teach about creation and our place in it. An important contribution to both ecocriticism and literary entomology, this work contributes much to the understanding of Thoreau, Dickinson, and Muir as nature writers, natural scientists, entomologists, and botanists, and their intimate and highly spiritual relationships with nature.

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The Complete Writings and Selected Correspondence of John Dickinson, vol. 1 inaugurates a multivolume documentary edition that will, for the first time ever, provide the complete collection of everything Dickinson published on public affairs over the course of his life. The documents include essays, articles, broadsides, resolutions, petitions, declarations, constitutions, regulations, legislation, proclamations, songs and odes. Among them are many of the seminal state papers produced by the first national congresses and conventions. Also included are correspondences between Dickinson and some of the key figures of his era. This edition should raise Dickinson to his rightful place among America’s founding fathers, rivaled in reputation only by Benjamin Franklin before 1776. Dickinson was celebrated throughout the colonies, as well as in England and France, as the great American spokesman for liberty, and the documents in this edition evidence his tireless political work and unmatched corpus.

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