Search results for ""Temple University Press,U.S.""

An original and important contribution to the history of television & provides a glimpes into the dawn of broadcasting and the growth of our most ubiquitous cultural medium

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From pulp comics to Maus, the story of the growth of comics in American culture

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From pulp comics to Maus, the story of the growth of comics in American culture

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In this revealing book, Lance Freeman sets out to answer a seemingly simple question: how does gentrification actually affect residents of neighborhoods in transition? To find out, Freeman does what no scholar before him has done. He interviews the indigenous residents of two predominantly black neighborhoods that are in the process of gentrification: Harlem and Clinton Hill, Brooklyn. By listening closely to what people tell him, he creates a more nuanced picture of the impacts of gentrification on the perceptions, attitudes and behaviors of the people who stay in their neighborhoods. Freeman describes the theoretical and planning/policy implications of his findings, both for New York City and for any gentrifying urban area. There Goes the 'Hood provides a more complete, and complicated, understanding of the gentrification process, highlighting the reactions of long-term residents. It suggests new ways of limiting gentrification's negative effects and of creating more positive experiences for newcomers and natives alike.

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Presents a powerful and compelling analysis of the persistent inability of the United States to meet the housing needs of its people

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Underscores the complexities of the Chinese immigrant experience and the ways in which its contexts changed during the exclusion era

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Arsenio Rodr\u00edguez was one of the most important Cuban musicians of the twentieth century. In this first scholarly study, ethnomusicologist David F. Garc\u00eda examines Rodr\u00edguez's life, including the conjunto musical combo he led and the highly influential son montuno style of music he created in the 1940s. Garc\u00eda recounts Rodr\u00edguez's battle for recognition at the height of \u0022mambo mania\u0022 in New York City and the significance of his music in the development of salsa. With firsthand accounts from relatives and fellow musicians, Arsenio Rodr\u00edguez and the Transnational Flows of Latin Popular Music follows Rodr\u00edguez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his music. Garc\u00eda focuses on the roles that race, identity, and politics played in shaping Rodr\u00edguez's music and the trajectory of his musical career. His transnational perspective has important implications for Latin American and popular music studies.

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The role of Africa in the global economy is changing as a result of new corporate strategies, changing international trade regulation and innovative ways of overseeing the globalized production and distribution of goods. African participants in the global economy are facing demands for higher levels of performance and quality. Their responses have generated the occasional success but also many failures. Noted researchers Peter Gibbon and Stefano Ponte describe the central processes that are at the same time integrating some into the global economy while marginalizing others. They show the effects of these processes on African countries, farms and firms through an innovative combination of Global Value Chain analysis and Convention Theory. In doing so, the authors present a timely overview of the economic challenges that lay ahead in Africa and point to ways to best address them.

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Shines a new light on a dark era in American journalism

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Life and Death in Intensive Care offers a unique portrait of the surgical intensive care unit (SICU), the place in medical centers and hospitals where patients with the gravest medical conditions-from comas to terminal illness-are treated. Author Joan Cassell employs the concept of \u0022moral economies\u0022 to explain the dilemmas that patients, families, and medical staff confront in treatment. Drawing upon her fieldwork conducted in both the United States and New Zealand, Cassell compares the moral outlooks and underlying principles of SICU nurses, residents, intensivists, and surgeons. Using real life examples, Life and Death in Intensive Care clearly presents the logic and values behind the SICU as well as the personalities, procedures, and pressures that characterize every case. Ultimately, Cassell demonstrates the differing systems of values, and the way cultural definitions of medical treatment inform how we treat the critically ill.

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Explore the city, its environment, and human roles in shaping the meaning and condition of both

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When bombs rained down on Pearl Harbor in 1941, Japanese American college students were among the many young men enrolled in ROTC and immediately called upon to defend the Hawaiian islands against invasion. In a few weeks, however, the military government questioned their loyalty and disarmed them. In No Sword to Bury, Franklin Odo places the largely untold story of the wartime experience of these young men in the context of the community created by their immigrant families and its relationship to the larger, white-dominated society. At the heart of the book are vivid oral histories that recall their service on the home front in the Varsity Victory Volunteers, a non-military group dedicated to public works, as well as in the segregated 442nd Regimental Combat Team. Illuminating a critical moment in ethnic identity formation among this first generation of Americans of Japanese descent (the nisei), Odo shows how the war-time service and the post-war success of these men contributed to the simplistic view of Japanese Americans as a model minority in Hawai'i.

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For generations, New Yorkers have joked about "The City's" interminable tearing down and building up. The city that the whole world watches seems to be endlessly remaking itself. When the locals and the rest of the world say "New York," they mean Manhattan, a crowded island of commercial districts and residential neighborhoods, skyscrapers and tenements, fabulously rich and abjectly poor cheek by jowl. Of course, it was not always so; New York's metamorphosis from compact port to modern metropolis occurred during the mid-nineteenth century. Empire City tells the story of the dreams that inspired the changes in the landscape and the problems that eluded solution. Author David Scobey paints a remarkable panorama of New York's uneven development, a city-building process careening between obsessive calculation and speculative excess. Envisioning a new kind of national civilization, "bourgeois urbanists" attempted to make New York the nation's pre-eminent city. Ultimately, they created a mosaic of grand improvements, dynamic change, and environmental disorder. Empire City sets the stories of the city's most celebrated landmarks--Central Park, the Brooklyn Bridge, the downtown commercial center--within the context of this new ideal of landscape design and a politics of planned city building. Perhaps such an ambitious project for guiding growth, overcoming spatial problems, and uplifting the public was bound to fail; still, it grips the imagination. Author note: David M. Scobey is Associate Professor of Architecture and Director of the Arts of Citizenship Program at the University of Michigan.

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Labor's War at Home examines a critical period in American politics and labor history, beginning with the outbreak of war in Europe in 1939 through the wave of major industrial strikes that followed the war and accompanied the reconversion to a peacetime economy. Nelson Lichtenstein is concerned both with the internal organizations and social dynamics of the labor movement-especially the Congress of Industrial Organizations-and with the relationship between the CIO, as well as other bodies of organized labor, and the Roosevelt administration. He argues that tensions within the labor movement and within the ranks of American business profoundly affected government policy during the war and the nature of organized labor's political relations with Roosevelt and the Democratic Party. Moreover, the political arrangements worked out during the war established the foundations of social stability and labor politics that came to characterize the postwar world.

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Hybridity, the interaction of people and media from different cultures, is a communication-based phenomenon. Drawing on original research from Lebanon to Mexico and analyzing the use of the term in cultural and postcolonial studies (as well as the popular and business media), Marwan Kraidy offers readers a history of the idea and a set of prescriptions for its future use. Kraidy analyzes the use of the concept of cultural mixture from the first century AD to its present application in the academy and the commercial press. The case studies build an argument for understanding the importance of the dynamics of communication, power, and political-economy as well as culture, in situations of hybridity. Suggesting that such an approach will serve as a useful way to examine how media work in international context, he concludes the book by proposing a new method for studying cultural mixture: critical transculturalism.

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At a time when cities appear to be fragmenting mosaics of ethnic enclaves, it is reassuring to know there are still stable multicultural neighborhoods. Beyond Segregation offers a tour of some of America's best known multiethnic neighborhoods: Uptown in Chicago, Jackson Heights (Queens), and San Antonio-Fruitvale in Oakland. Readers will learn the history of the neighborhoods and develop an understanding of the people that reside in them, the reasons they stay, and the work it takes to maintain each neighborhood as an affordable, integrated place to live.

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Examines the new forms of racism in American life and the political responses to them

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African American political scientists speak out about their discipline, academic issues and racism in the profession

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Examines the new forms of racism in American life and the political responses to them

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This book grows out of the question, \u0022At this particular moment of tense geopolitics and inter-linked economies, what insights can South Asian American writing offer us about living in the world?\u0022 South Asian American literature, with its focus on the multiple geographies and histories of the global dispersal of South Asians, pulls back from a close-up view of the United States to reveal a wider landscape of many nations and peoples. South Asian American poets, novelists, and playwrights depict the nation as simultaneously discrete and entwined with the urgencies of places as diverse as Bangladesh, Sri Lanka, India, Burma, Pakistan, and Trinidad. Drawing on the cosmopolitan sensibility of scholars like Anthony Appiah, Vinay Dharwadker, Martha Nussbaum, Bruce Robbins, and Amartya Sen, this book exhorts North American residents to envision connectedness with inhabitants of other lands. The world out there arrives next door.

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The politics of the past must be rethought. They were designed for a world where the U.S. manufactured at home, and where portions of U.S.-based labor had traded social stability for high wages. In this thought-provoking work, David Ranney shows how our world has changed and offers a plan for remaking progressive politics to meet the crises brought about by what George H. W. Bush first termed "the new world order. "Drawing from his experiences in Chicago politics, first as a factory worker and later as an activist and academic, Ranney shows how the increasing mobility of capital, the easy availability of credit, and a changing government policies have reshaped the urban world where U.S. workers live their everyday lives. This is not the story of the interconnectedness of modern business, but rather the need for self-respecting people who bring home a weekly paycheck to see the common, global problems they face, and to work together to bring about meaningful change.Showing how globalization has led to specific local consequences for cities and the workers that inhabit them, David Ranney presents a means for taking stock of the effects of globalization; a look at these changes in labor markets; economic development politics; housing policy; and employment policies; and an organizing strategy for this new economic and social era.

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How people perform their sexual identities as athletes and spectators

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Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. "Policing Pop" looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or religious groups to limit expression. The essays collected here focus on the forms of censorship as well as specific instances of how the state and other agencies have attempted to restrict the types of music produced, recorded and performed within a culture. Several show how even unsuccessful attempts to exert the power of the state can cause artists to self-censor. Others point to material that taxes even the most liberal defenders of free speech. Taken together, these essays demonstrate that censoring agents target popular music all over the world, and they raise questions about how artists and the public can resist the narrowing of cultural expression. Author note: Martin Cloonan teaches Popular Music Culture at the University of Glasgow and is the author of "Banned! Censorship of Popular Music in Britain, 1967-1992". Reebee Garofalo is Professor at the College of Public and Community Service and is affiliated with the American Studies Program at the University of Massachusetts, Boston; his most recent book is "Rockin' Out: Popular Music in the USA".

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How NAFTA has reshaped the production of clothing in North America

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Generating a new understanding of the past--as well as a vision for the future--this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African American theatre as it is practiced today. Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison's words, it "reveals the Form of Things Unknown" in a way that "binds, cleanses, and heals." Author note: Paul Carter Harrison is playwright in residence at the Theatre Center, Columbia College, Chicago. He is the author of several books including, The Drama of Nommo and the editor of several play anthologies. His play, The Great MacDaddy, received an Obie Award for playwriting. Victor Leo Walker is Chief Executive Officer of the African Grove Institute for the Arts, Inc. and the author of The Cultural MatriX: Los Angeles Inner City Cultural Center, 1965 to 1998 (forthcoming). Gus Edwards teaches Film Studies and directs a multi-ethnic theatre program at Arizona State University. He has published two volumes of monologues from his plays including The Offering, Black Body Blues, and Louie & Ophelia. He is coeditor with Paul Carter Harrison of the anthology, Classic Plays from the Negro Ensemble Company.

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What is the effect of a \u0022nation\u0022? In this age of globalization, is it dead, dying, or only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders. Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions -- especially literature and the visual arts -- that give context to how art and society interact. Steering a careful course between the nostalgia of nationalism and the insensitivity of globalism, these essays examine modernism and postmodernism in the Mexican setting. Individually, they explore the incorporation of historical icons, of vanguardism, and of international influence. From Diego Rivera to Elena Garro, from the Tlateloco massacre to the Chiapas rebellion, from mass-market fiction to the film Aliens, the contributors view the many sides of Mexican life as relevant to the creation of a constantly shifting national culture. Taken together, the essays look both backward and forward at the evolving effect of the Mexican nation.

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For more than thirty years, Bob Blauner's incisive writing on race relations has drawn a wide and varied audience. Whether his topic is the Watts riots in 1965, Chicano culture, or the tension between Blacks and Jews, his work is remarkable for its originality and candor. Beginning with the key essays of his landmark book, Racial Oppression in America, this volume makes the case that race and racism still permeate every aspect of American experience. Blauner launched his concept of internal colonialism in the turbulent 1960's, a period in which many Americans worried that racial conflicts would propel the country into another civil war. The notion that the systematic oppression of people of color in the United States resembles the situation of colonized populations in Third World countries still informs much of the academic research on race as well as public discourse. Indeed, today's critical race and whiteness studies are deeply indebted to Blauner's work on internal colonialism and the pervasiveness of white privilege. Offering a radical perspective on the United States' racial landscape, Bob Blauner forcefully argues that we ignore the persistence of oppression and our continuing failure to achieve equality at our own peril.

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In this book gays and lesbians from the Deep South to East Texas and Appalachia speak from vivid personal experience and turn an analytical eye on the South and its culture. Some contributors examine the power of traditional Southern attitudes toward race and religion, and consider the "don't ask, don't tell" attitude about homosexuality in some communities (the "public secret"). Other contributors show how gay culture is thriving in the form of women's festivals, gay bars, and unusual networks like that of Asian and Pacific Islanders in Atlanta. Out in the South is organized into sections that focus on a central metaphor of space and location. This grounds the book in the sense of the South as a special region and in the inside/outside dilemma faced by many gay and lesbian Southerners as they negotiate their place in an often-inhospitable homeland. Author note: Carlos L. Dews is Associate Professor of English at the University of West Florida. He is the editor of Carson McCullers' unfinished autobiography, Illumination and Night Glare. Carolyn Leste Law is Dissertation Advisor in the Graduate School at Northern Illinois University and an independent scholar interested in social justice. Together, they edited This Fine Place So Far from Home: Voices of Academics from the Working Class (Temple).

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Interviews with Turkish maids yield surprising facts about class and gender roles

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Sooner or later every Asian American must deal with the question \u0022Where do you come from?\u0022 It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that \u0022Orientals\u0022 never really stop being loyal to their foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian Americans over the last 150 years, Robert G. Lee seizes the label \u0022Oriental\u0022 and asks where it came from. The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American family -- the nation writ small. Refusing to balance positive and negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian American experience; whether they come from the Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths. Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture.

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In Voice Over, a celebration and history, William Barlow explores the entire landscape of black radio from the early days - when the white public accepted the black-face buffoonery of \u0022The Amos and Andy Show\u0022 and \u0022Beulah\u0022 as a fair depiction of African American Life - to the rise of personality jocks and the contemporary scene of corporate buyouts and uncertain fate. Barlow, whose voice has been heard on WPFW (Washington, D.C.) for many years, brings an insider's knowledge to this account of black radio as a predominantly local and still powerful medium. Many of the broadcasters he profiles -- Jack Cooper, Paul Robeson, Richard Durham, Cathy Hughes, Al Benson, Georgie Woods, Peggy Mitchell, Hal Jackson, Jocko Henderson, Mary Mason, Wesley South, Martha Jean \u0022the Queen\u0022 Steinberg, to name a few -- became not only celebrities but also respected members of their communities. Atlanta's Jack \u0022the Rapper\u0022 Gibson, for instance, tells how he literally shared his microphone with Rev. Martin Luther King Jr. to announce meetings and rally listeners around a key issue. By showing the extent to which so many black broadcasters achieved the status of trusted and influential community leaders, Barlow acknowledges that their grassroots activism was an indispensable and often overlooked part of the ongoing African American civil rights movement. Voice Over also addresses black radio's broadly significant role in entertainment and shifting race relations. Until the rock and roll revolution, audiences had largely been segregated. The African American personality jocks who introduced white teens to rhythm and blues were a revelation; their wild style and personas and the music they played changed broadcasting while it enthralled a multiracial audience. Although the stations that introduced the enormously popular music were identified as black, virtually none was black-owned or managed. The broadcasters who distanced themselves from music industry perks and payoffs proposed an ambitious agenda for change. This little-known story sets the stage for how the proliferation of black-owned stations and networks occurred and for Barlow's assessment of the instability of today's black radio scene. Written for a broad spectrum of readers -- from nostalgic fans of Jocko and Georgie Woods to loyal listeners of surviving stations and media watchers committed to diversity in broadcasting -- Voice Over tells the whole story of the making of black radio.

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Since the Stonewall rebellion in 1969, gay and lesbian movements have grown from small outposts in a few major cities to a worldwide mobilization. This book brings together stories of the emergence and growth of movements in more than a dozen nations on five continents, with a comparative look that offers insights for both activists and those who study social movements. Lesbian and gay groups have existed for more than a century, often struggling against enormous odds. In the middle of the twentieth century, movement organizations were suppressed or swept away by fascism, Stalinism, and McCarthyism. Refounded by a few pioneers in the postwar period, movements have risen again as more and more people have stood up for their right to love and live with persons of their choice. This book addresses both the mature movements of the European Union, North America, and Australia and the newer movements emerging in Latin America, Eastern Europe, and parts of Asia and Africa, examining the social and political conditions that shape movement opportunities and trajectories. It is rich in the details of gay and lesbian cultural and political life in different countries.

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This new edition of The Afrocentric Idea boldly confronts the contemporary challenges that have been launched against Molefi Kete Asante's philosophical, social, and cultural theory. By rendering a critique of some post-modern positions as well as the old structured Eurocentric orientations discussed in the first edition, this new edition contains lively engagements with views expressed by Mary Lefkowitz, Paul Gilroy, and Cornel West. Expanding on his core ideas, Asante has cast The Afrocentric Idea in the tradition of provocative critiques of the established social order. This is a fresh and dynamic location of culture within the context of social change.

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This ground-breaking collection of new interviews, critical essays, and commentary explores South Asian identity and culture. Sensitive to the false homogeneity implied by "South Asian," "diaspora," "postcolonial," and "Asian American," the contributors attempt to unpack these terms. By examining the social, economic, and historical particularities of people who live "between the lines"-on and between borders-they reinstate questions of power and privilege, agency and resistance. As South Asians living in the United States and Canada, each to some degree must reflect on the interaction of the personal "I," the collective "we," and the world beyond. The South Asian scholars gathered together in this volume speak from a variety of theoretical perspectives; in the essays and interviews that cross the boundaries of conventional academic disciplines, they engage in intense, sometimes contentious, debate. Contributors: Meena Alexander, Gauri Viswanathan, Gayatri Chakravorty Spivak, Amritjit Singh, M. G. Vassanji, Sohail Inayatullah, Ranita Chatterjee, Benita Mehta, Sanjoy Majumder, Mahasveta Barua, Sukeshi Kamra, Samir Dayal, Pushpa Naidu Parekh, Indrani Mitra, Huma Ibrahim, Amitava Kumar, Shantanu DuttaAhmed, Uma Parameswaran. In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vo.

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When we see children playing in a supervised playground or hear about a school being renovated, we seldom wonder about who mobilized the community resources to rebuild the school or staff the park. Mexican American Women Activists tells the stories of Mexican American women from two Los Angeles neighborhoods and how they transformed the everyday problems they confronted into political concerns. By placing these women's experiences at the center of her discussion of grassroots political activism, Mary Pardo illuminates the gender, race, and class character of community networking. She shows how citizens help to shape their local environment by creating resources for churches, schools, and community services and generates new questions and answers about collective action and the transformation of social networks into political networks. By focusing on women in two contiguous but very different communities -- the working-class, inner-city neighborhood of Boyle Heights in Eastside Los Angeles and the racially mixed middle-class suburb of Monterey Park -- Pardo is able to bring class as ell as gender and ethnic concerns to bear on her analysis in ways that shed light on the complexity of mobilizing for urban change. Unlike many studies, the stories told here focus on women's strengths rather than on their problems. We follow the process by which these women empowered themselves by using their own definitions of social justice and their own convictions about the importance of traditional roles. Rather than becoming political participants in spite of their family responsibilities, women in both neighborhoods seem to have been more powerful because they had responsibilities, social networks, and daily routines separate from the men in their communities. Pardo asserts that the decline of real wages and the growing income gap means that unforunately most women will no longer be able to focus their energies on unpaid community work. She reflects on the consequences of this change for women's political involvement, as well as on the politics of writing about women and politics.

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No longer content with accepting whiteness as the norm, critical scholars have turned their attention to whiteness itself. In Critical White Studies: Looking Behind the Mirror, numerous thinkers, including Toni Morrison, Eric Foner, Peggy McIntosh, Andrew Hacker, Ruth Frankenberg, John Howard Griffin, David Roediger, Kathleen Heal Cleaver, Noel Ignatiev, Cherrie Moraga, and Reginald Horsman, attack such questions as: *How was whiteness invented, and why? *How has the category whiteness changed over time? *Why did some immigrant groups, such as the Irish and Jews, start out as nonwhite and later became white? *Can some individual people be both white and nonwhite at different times, and what does it mean to \u0022pass for white\u0022? *At what point does pride in being white cross the line into white power or white supremacy? *What can whites concerned over racial inequity or white privilege do about it? Science and pseudoscience are presented side by side to demonstrate how our views on whiteness often reflect preconception, not fact. For example, most scientists hold that race is not a valid scientific category -- genetic differences between races are insignificant compared to those within them. Yet, the \u0022one drop\u0022 rule, whereby those with any nonwhite heritage are classified as nonwhite, persists even today. As the bell curve controversy shows, race concepts die hard, especially when power and prestige lie behind them. A sweeping portrait of the emerging field of whiteness studies, Critical White Studies presents, for the first time, the best work from sociology, law, history, cultural studies, and literature. Delgado and Stefancic expressly offer critical white studies as the next step in critical race theory. In focusing on whiteness, not only do they ask nonwhites to investigate more closely for what it means for others to be white, but also they invite whites to examine themselves more searchingly and to \u0022look behind the mirror.\u0022

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A revolutionary look at the intellectual and social mileu within which early modern philosophers invented scientific identities

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An engaging discussion of environment as aesthetic experience

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A systematic analysis of court-ordered jail reform with a pragmatic model for change

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In September 19, 1985, a powerful earthquake hit Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist, Elena Poniatowska chronicles the disintegration of the city's physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of Mexican society, the earthquake is as much a component of the country's current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections. In masterfully weaving together a multiplicity of voices, Poniatowska has reasserted the inherent value and latent power of people working together. Punctuated by Poniatowska's own experiences and observations, these post disaster testimonies speak of the disruption of families and neighborhoods, of the destruction of homes and hospitals, of mutilation and death the collective loss of a city. Drawing the reader dramatically into the scene of national horror through dozens of personal stories, Poniatowska demonstrates the importance of courage and self-reliance in redeeming life from chaos. Elena Poniatowska, a prominent and prolific Mexican journalist and novelist, has written twenty-five books. Several have been translated into English, including "Massacre in Mexico" about the 1968 student/worker uprising in Mexico City, and the forthcoming "Tinisima", which centers upon the life of Tina Modotti. Aurora Camacho de Schmidt is Assistant Professor in the Department of Modern Languages and Literatures at Swarthmore College. She has worked as a writer and as the National Representative for the Mexico-U.S. Border Program of the American Friends Service Committee. Arthur Schmidt is Associate Professor of History and former Director of the Latin American Studies Center at Temple University. He is the author of "The Social and Economic Effect of the Railroad in Puebla and Veracruz, Mexico, 1867-1911".

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Bridging the worlds of activism and academia-social movement theory informed with the real experiences of activists-this volume of accessible essays brings together insights from European New Social Movement theorists, U.S. scholars of social movements, and activists involved in social movements from the 1960s to the 1990s. Contributors: Alice Echols, Barbara Epstein, Richard A. Cloward, Marcy Darnovsky, Jeffrey Escoffier, Ilene Rose Feinman, Richard Flacks, Cynthia Hamilton, Allen Hunter, L. A. Kauffman, Rebecca E. Klatch, Margit Mayer, Alberto Melucci, Bronislaw Misztal, Osha Neumann, Frances Fox Piven, Craig Reinarman, Roland Roth, Arlene Stein, Mindy Spatt, Andrew Szasz, Noél Sturgeon, Howard Winant.

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"Reinventing Cities" emphasizes the extraordinary accomplishments of eleven urban planners who work for the needs of low income and working class people. Through the voices of equity planners who have worked 'in the trenches' of city halls, Norman Krumholz and Pierre Clavel explore the inner dimensions of social change, economic development, community organizing, and the dynamics of implementing and producing fair housing. Preceded by 'snapshots' that describe the demographics, politics, and economics of each specific city or region, the editors' interviews with these leading progressive planners highlight productive strategies, disquieting failures, and the cities in which the fought for equity. Included are conversations with Rick Cohen, former director of Jersey City's Department of Housing and Economic Development; Dale F. Bertsch, former first director of the Miami Valley Regional Planning Commission, Dayton, Ohio; Robert Mier, former commissioner of the Department of Economic Development (DED); Kari J. Moe, former deputy commissioner of Research and Development, DED'; Arturo Vazquez, former director of Mayor Washington's Office of Employment and Training, Chicago; Margaret D. Strachan, former city commissioner, Portland, Oregon; Peter Dreier, former housing director, Boston Redevelopment Authority, and policy aide to Mayor Raymond Flynn; Billie Bramhall, planning staff, and, Mayor Federico Pena, Denver, Colorado. It also includes: Howard Stanback, city manager, Hartford, Connecticut; Derek Shearer, former Planning Commission chairman, Santa Monica, California; and Kenneth Grimes, senior planning analyst, San Diego Housing Commission. Author note: A former planning director of Cleveland, Ohio, and past president of the American Planning Association, Norman Krumholz is Professor of Urban Planning at Cleveland State University and the co-author (with John Forester) of Making Equity Planning Work: Leadership in the Public Sector (Temple). Pierre Clavel, Professor of City and Regional Planning at Cornell University, is the author of The Progressive City and Opposition Planning in Wales and Appalachia (Temple).

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This is a book about the politics of competing cultures and myths in a colonized nation. Elizabeth Buck considers the transformation of Hawaiian culture focusing on the indigenous population rather than on the colonizers. She describes how Hawaii's established religious, social, political, and economic relationships have changed in the past 200 years as a result of Western imperialism. Her account is particularly timely in light of the current Hawaiian demands for sovereignty 100 years after the overthrow of the monarchy in 1893. Buck examines the social transformation Hawaii from a complex hierarchical, oral society to an American state dominated by corporate tourism and its myths of paradise. She pays particular attention to the ways contemporary Hawaiians are challenging the use of their traditions as the basis for exoticized entertainment. Buck demonstrates that sacred chants and hula were an integral part of Hawaiian social life; as the repository of the people's historical memory, chants and hula practices played a vital role in maintaining the links between religious, political, and economic relationships. Tracing the ways in which Hawaiian culture has been variously suppressed and constructed by Western explorers, New England missionaries, the tourist industry, ethnomusicologists, and contemporary Hawaiians, Buck offers a fascinating "rereading" of Hawaiian history.

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Medical ethics and feminist ethics are both comparatively new disciplines. In this pioneering study, Susan Sherwin explores for the first time the relationship between them and suggests their implications for the structures of medical care delivery and the allocation of health care resources. "No Longer Patient" is certain to influence public policy makers and the public, as it examines such controversial subjects as abortion, new reproductive technologies, surrogate motherhood, and in vitro fertilization. Sherwin observes that "medicine has become one of our most powerful and significant institutions. Thus a feminist ethics of health care must examine health care practices as they relate to the entire power structure and the problems that may be invisible to those without a feminist perspective. Accordingly, Sherwin examines many issues central to bioethics today, maintaining that feminist ethics allows a deeper and broader analysis. Feminist ethics focuses on and analyzes these issues differently from the non-feminist literature and ultimately draws different conclusions from those indicated by traditional medical ethics. A leader in the fields of feminist theory and ethics, Sherwin demonstrates that an anti-woman bias is deeply rooted in the history of philosophy. Her careful building of positions, her unique approaches to analyzing problems, and her excellent insights make this an important work for feminists, those working in bioethics, and health care professionals. Author note: Susan Sherwin is Professor of Philosophy and Women's Studies at Dalhousie University.

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Distinguished writers provide new approaches to cross-cultural history

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Adoption Memoirs tells inside stories of adoption that popular media miss. Marianne Novy shows how adoption memoirs and films recount not only happy moments, but also the lasting pain of relinquishing a child, the racism and trauma that adoptees such as Jackie Kay and Jane Jeong Trenka experienced, and the unexpected complexities of child-rearing adoptive parents Emily Prager and Jesse Green encountered. Novy considers 45 memoirs, mostly from the twenty-first century, by birthmothers, adoptees, and adoptive parents, about same-race and transracial adoption. These adoptees, she recounts, wanted to learn about their ancestry and appreciated adoptive parents who helped. Birthmother Amy Seek shows why open adoption is not simple, and many other memoirs tell stories that continue past reunion. Adoption Memoirs will enlighten readers who lack experience with adoption and help those looking for a shared experience to also understand adoption from a different standpoint.

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In 1918, Bethlehem Steel started the world’s greatest industrial baseball league. Appealing to Major League Baseball players looking to avoid service in the Great War, teams employed “ringers” like Babe Ruth, Rogers Hornsby, and Shoeless Joe Jackson in what became scornfully known as “safe shelter” leagues. In Work, Fight, or Play Ball, William Ecenbarger fondly recounts this little-known story of how dozens of athletes faced professional conflicts and a difficult choice in light of public perceptions and war propaganda. Some players used the steel mill and shipyard leagues to avoid wartime military duty, irking Major League owners, who saw their rosters dwindling. Bethlehem Steel President Charles Schwab (no relation to the financier) saw the league as a means to stave off employee and union organizing. Most fans loudly criticized the ballplayers, but nevertheless showed up to watch the action on the diamond. Ecenbarger traces the 1918 Steel League’s season and compares the fates of the players who defected to industry or continued to play stateside with the travails of the Major Leaguers, such as Christy Mathewson, Ty Cobb, and Grover Cleveland Alexander, who served during the war.Work, Fight, or Play Ball reveals the home field advantage brought on by the war, which allowed companies to profit from Major League players.

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Apartheid, ironically, provided Grant Farred with the optimal conditions for thinking. He describes South Africa’s apartheid regime as an intellectual force that, “Made thinking apartheid, more than anything else, an absolute necessity.” The Perversity of Gratitude is a provocative book in which Farred reflects on an upbringing resisting apartheid. Although he is still inclined to struggle viscerally against apartheid, he acknowledges, “It is me.” Unsentimental about his education, Farred’s critique recognizes the impact of four exceptional teachers—all engaging pedagogical figures who cultivated a great sense of possibility in how thinking could be learned through a disenfranchised South African education.The Perversity of Gratitude brings to bear the work of influential philosophers such as Martin Heidegger and Jacques Derrida. The book tackles broad philosophical concepts—transgression, withdrawal, and the dialectic. This leads to the creation of a new concept, “the diaspora-in-place,” which Farred explains, “is having left a place before one physically removes oneself from this place.” Farred’s apartheid education in South Africa instilled in him a lifelong commitment to learning thinking. “And for that I am grateful,” Farred writes in The Perversity of Gratitude. His autopoiesis is sure to provoke and inspire readers.

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