Search results for ""Author Philippe""

A far-reaching reinterpretation of Plato’s Timaeus and its engagement with time, eternity, body, and soul that in its original French edition profoundly influenced Derrida The Tomb of the Artisan God provides a radical rereading of Timaeus, Plato’s metaphysical text on time, eternity, and the relationship between soul and body. First published in French in 1995, the original edition of Serge Margel’s book included an extensive introductory essay by Jacques Derrida, who drew on Margel’s insights in developing his own concepts of time, the promise, the world, and khōra. Now available in English with a new preface by Margel, this engagement with Platonic thought proceeds from two questions that span the history of philosophy: What is time? What is the body?Margel’s twinned interrogation centers around Plato’s concept of the demiurge (divine artisan or craftsman): its body, its anthropomorphic attributes, its productive capacities and regulatory functions in the ordering/organization/assembling of the world. He posits that this paradoxical figure is not merely a cosmological metaphor for the living body but also the site of its destruction, dissolution, and disappearance. Torn between the finite and the infinite, being and becoming, the concept of demiurge also poses metaphysical questions about time, time before time, and the end of time. The ontological status of the demiurge’s body, Margel argues, would become increasingly decisive in the history of philosophy, particularly in Christianity and the dogma of incarnation.

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Certain great friendships have left their mark in the annals of philosophy – and, without a doubt, the friendship of Bruno Latour and Isabelle Stengers is among them. Although they wrote very few texts together, their intellectual companionship lasted for over thirty years, and their respective work can be fully understood only when the many interconnections of their thought are brought to the fore. Latour and Stengers occupy the same starting place, one which remains at the heart of their work: scientific practice, which is the pride of modernity. Why do we Moderns define ourselves as those who know, while others are condemned to be only believers? This question led Latour and Stengers to the same fundamental question: how to understand and live in what Latour calls "the new climatic regime” and what Stengers calls “catastrophic times"? Philippe Pignarre's aim is not to try to sort out which ideas belong to whom but rather to interweave their thought even more. In so doing, he sheds new light on the origins and development of their work at the same time as he documents an exceptional intellectual adventure between two of the leading thinkers of our age.

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We live in an urban age. It is well known that urbanization is changing landscapes, built environments, social infrastructures and everyday lives across the globe. But urbanization is also changing the ways we understand and practise politics. What implications does this have for democracy? This incisive book argues that urbanization undermines the established certainties of nation-state politics and calls for a profound rethinking of democracy. A novel way of seeing democracy like a city is presented, shifting scholarly and activist perspectives from institutions to practices, from jurisdictional scales to spaces of urban collective life, and from fixed communities to emergent political subjects. Through a discussion of examples from around the world, the book shows that distinctly urban forms of collective self rule are already apparent. The authors reclaim the ‘city’ as a democratic idea in a context of urbanization, seeing it as instrumental to relocating democracy in the everyday lives of urbanites. Original and hopeful, How Cities Can Transform Democracy compels the reader to abandon conventional understandings of democracy and embrace new vocabularies and practices of democratic action in the struggles for our urban future.

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A classic children’s book from best-loved Bill's New Frock author, former Children’s Laureate Anne Fine. Perfect for readers aged between 7 and 9 and fans of The Midnight Gang and Pamela Butchart's Wigglesbottom Primary series. It’s Ivan’s first day at his new school, and Boris is told to look after him, and translate for him, because Ivan can only speak Russian. After all, St Edmund’s is a civilized school. Only problem is, Ivan isn’t civilized. So when Ivan starts greeting people as ‘lowly shivering worms’, and asking for words in English like ‘crush’ and ‘mutilate’, Boris realises that he’s going to have his work cut out for him. And that’s just the start of the day … Anne Fine’s fun school stories have been delighting children for more than 20 years, winning her awards such as the Smarties Book Award and Carnegie Medal along the way.

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Since his first collection of poetry appeared in 1953, Philippe Jaccottet has sought to express the ineffable that lies at the heart of our material world in his essential, elemental poetry. As one of Switzerland's most prominent and prolific men of letters, Jaccottet has published more than a dozen books of poetry and criticism. One of Europe's finest contemporary poets, Jaccottet is a writer of exacting attention. Through keen observations of the natural world, of art, literature, music, and reflections on the human condition, Jaccottet opens his readers' eyes to the transcendent in everyday life. The Second Seedtime is a collection of "things seen, things read, and things dreamed." The volume continues the project Jaccottet began three decades earlier in his first volume of notebooks, Seedtime. Here, again, he gathers flashes of beauty dispersed around him like seeds that may blossom into poems or moments of inspiration. He returns, insistently, to such literary touchstones as Dante, Montaigne, Gongora, Goethe, Kierkegaard, Holderlin, Michaux, Hopkins, Bronte, and Dickinson, as well as musical greats including Bach, Monteverdi, Purcell, and Schubert. The Second Seedtime is the vivid chronicle of one man's passionate engagement with the life of the mind, the spirit, and the natural world.

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Constructing Cassandra analyzes the intelligence failures at the CIA that resulted in four key strategic surprises experienced by the US: the Cuban Missile Crisis in 1962, the Iranian revolution of 1978, the collapse of the USSR in 1991, and the 9/11 terrorist attacks—surprises still play out today in U.S. policy. Although there has been no shortage of studies exploring how intelligence failures can happen, none of them have been able to provide a unified understanding of the phenomenon. To correct that omission, this book brings culture and identity to the foreground to present a unified model of strategic surprise; one that focuses on the internal make-up the CIA, and takes seriously those Cassandras who offered warnings, but were ignored. This systematic exploration of the sources of the CIA's intelligence failures points to ways to prevent future strategic surprises.

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Constructing Cassandra analyzes the intelligence failures at the CIA that resulted in four key strategic surprises experienced by the US: the Cuban Missile Crisis in 1962, the Iranian revolution of 1978, the collapse of the USSR in 1991, and the 9/11 terrorist attacks—surprises still play out today in U.S. policy. Although there has been no shortage of studies exploring how intelligence failures can happen, none of them have been able to provide a unified understanding of the phenomenon. To correct that omission, this book brings culture and identity to the foreground to present a unified model of strategic surprise; one that focuses on the internal make-up the CIA, and takes seriously those Cassandras who offered warnings, but were ignored. This systematic exploration of the sources of the CIA's intelligence failures points to ways to prevent future strategic surprises.

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Dynamic methods for interest rate risk pricing and hedging. Fixed-Income Securities provides a survey of modern methods forpricing and hedging fixed-income securities in the presence ofinterest rate risk. Modern theory of finance provides a wealth ofnew approaches to the important question of interest rate riskmanagement, and this book brings them together, in a comprehensiveand thorough treatment of the subject. Structured in an accessible manner, the authors begin by focusingon pricing and hedging certain cash flows, before moving on toconsider pricing and hedging uncertain cash flows. In addition tothe theoretical explanation, the authors provide numerousreal-world examples and applications throughout. This is the first book I have seen to carefully cover such a wideset of topics in both theoretical and applied fixed-incomemodelling, ranging from the use of market information to obtainyield curves, to the pricing and hedging of bonds and fixed-incomederivatives, to the currently active topic of defaultableyield-curve modelling. It will be particularly useful topractitioners.Darrell Duffie, Stanford University This is the most comprehensive theoretical treatment of thesubject I ve ever seen. Mark Rubinstein, Haas School of Business,University of California An excellent review of interest rate models and of the pricing andhedging principles in the fixed-income area.Oldrich Alfons Vasicek,KMV Corporation

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It’s time for animals to take fate into their own paws! The Endangereds: The Melting Point is the second book in a thrilling new adventure series by world-renowned environmentalist and Emmy-nominated host of Xploration Awesome Planet Philippe Cousteau and award-winning TURBO Racers author Austin Aslan. Around the world, temperatures are rising, ice caps are melting, and innocent animals are in trouble. Humans had their chance to fix it and failed. It’s time for the animals to take their fate into their own paws. It’s time for . . . the Endangereds. When word reaches the Endangereds that one of the last of a species of nearly extinct sloths is in trouble, the team don’t hesitate to strap on their gear, fire up their helicopter, and rush off into action. But this time their mission is complicated by the appearance an unexpected foe—an animal faction bent on saving the world by making humans extinct. It’s the toughest assignment the Endangereds have faced yet as the faction will stop at nothing to take back the world, one biome at a time. It’s a rollicking new high-stakes turn in the thrilling environmental-adventure series by Philippe Cousteau, the world-renowned environmentalist and Emmy-nominated host of Awesome Planet, and Austin Aslan, the award-winning author of the TURBO Racers book series.

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An alluring portrait of three beautiful homes and the art and design objects that populate them Over a lifetime spent in London, New York, Los Angeles and points in between, collector Ronnie Sassoon has put together an unparalleled grouping of radical artworks, design objects and houses that elucidate her definition of “selection”: important works by Group Zero and Arte Povera artists such as Lucio Fontana, Piero Manzoni, Michelangelo Pistoletto and Alighiero Boetti; midcentury designers such as Carlo Scarpa, Frederick Kiesler, Jean Prouvé and Gae Aulenti; and many more. At the center of the collection are three important houses that hold the collection: the Levit House by Richard Neutra in Los Angeles, the Stillman II House by Marcel Breuer in Connecticut and the iconic Dean/Ceglic Loft in SoHo, New York. Each of these structures defines its period and place in design history, and is redefined by the objects that now inhabit it. As Sassoon states, “Following one’s passion and desire creates the most pleasing and sensual atmosphere, reminiscent of every intoxicating past experience, whether it be in film, print, or travel. Those memories influence our selections in our quest for the perfect objet nonpareil.” Sensual and illuminating in turn, Selection documents—through beautiful photographs of thought-provoking tableaus of artworks, objects and interiors—a blueprint for a highly selective way of living. As Philippe Vergne writes in his introduction: “Ronnie’s talent is an uncanny ability to integrate all these elements: the art, the design, the architecture, the color (or the absence of color) are the results of deliberate decisions that raise the bar of aesthetic standards, of quotidian gestures…. The room, the gestures, the spirit of the moment shared in Ronnie’s homes are the moment of generosity.”

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An inspiring Christmas story with an Earth-friendly message. For anyone ages 4 years and up.This year, it’s Little Tractor’s turn to pick out the tree for Christmas. He chooses a beautiful young fir that’s not too big and not too small. It’s the perfect tree for Little Tractor and his friends to decorate! But wait—is it possible the young fir doesn’t want to be a Christmas tree?

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First published in 2011, Water Law in India is the only book to offer a comprehensive survey of the legal instruments concerning water in India. It presents a variety of national and state-level instruments that make up the complex and diverse field of water law and policy. This book fills a critical gap in the study of water law, providing a rich reference point for the entire gamut of legal mechanisms available in India. This edition has been extensively revised to include new instruments on water regulation, such as the draft National Water Framework Bill, 2016, and the Model Groundwater (Sustainable Management) Act, 2016; new water-related instruments in such varied fields as criminal law, land acquisition law, and rural employment legislation; and a chapter on international legal instruments. Chapters on drinking water supply, environmental dimensions of water conservation, water infrastructure for irrigation and flood control, groundwater regulation, and institutions catering to water have been thoroughly updated for a complete coverage of water law.

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A young German Jewish filmmaker escapes the Nazi threat in Shanghai, where he is forced to adapt to a new land and cope with loss through the magic of filmmaking.Berlin, 1930. Aspiring filmmakers Bernhard and Illo are madly in love, united by their passion for cinema...and now, on the eve of the Second World War, it could be the only thing they have left. As the streets heat up with the flames of violent antisemitism, the couple has no choice but to abandon their home and go into exile. With nothing but a screenplay and each other, they manage to board a ship headed for Shanghai—a bubbling and enigmatic city that holds the promise of freedom...but at what cost? A powerful humanistic take on World War II from the largely undocumented perspective of the forced Jewish immigration to China.

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Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920–2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton’s shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton’s clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage – with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton’s fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor. During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual clichés, at times tinged with self-irony or mockery, but always full of empathy. Helmut Newton. Legacy showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton’s lasting influence on modern photography and visual art to this day.

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They were predicting storms for the end of the day but the sky stayed blue and the wind died down. I went to take a look in the kitchen - make sure things weren't getting clogged up in the bottom of the pot. Everything was just fine. I went out onto the porch armed with a cold beer and stayed there for a while, my face in the sun. It felt good. It had been a week now that I'd been spending my mornings in the sun, squinting like some happy idiot - a week now since I'd met Betty.'BETTY BLUE remains a cult book and film nearly twenty years since its first outing. The extraordinary story of an erotic, doomed love affair has transfixed hundreds of thousands of readers around the world.

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THE INSTANT SUNDAY TIMES TOP 10 BESTSELLERAfter the Second World War, new international rules heralded an age of human rights and self-determination. Supported by Britain, these unprecedented changes sought to end the scourge of colonialism. But how committed was Britain? In the 1960s, its colonial instinct ignited once more: a secret decision was taken to offer the US a base at Diego Garcia, one of the islands of the Chagos Archipelago in the Indian Ocean, create a new colony (the 'British Indian Ocean Territory') and deport the entire local population. One of those inhabitants was Liseby Elysé, twenty years old, newly married, expecting her first child. One suitcase, no pets, the British ordered, expelling her from the only home she had ever known.For four decades the government of Mauritius fought for the return of Chagos, and the past decade Philippe Sands has been intimately involved in the cases. In 2018 Chagos and colonialism finally reached the World Court in The Hague. As Mauritius and the entire African continent challenged British and American lawlessness, fourteen international judges faced a landmark decision: would they rule that Britain illegally detached Chagos from Mauritius? Would they open the door to Liseby Elysé and her fellow Chagossians returning home - or exile them forever? Taking us on a disturbing journey across international law, THE LAST COLONY illuminates the continuing horrors of colonial rule, the devastating impact of Britain's racist grip on its last colony in Africa, and the struggle for justice in the face of a crime against humanity. It is a tale about the making of modern international law and one woman's fight for justice, a courtroom drama and a personal journey that ends with a historic ruling.

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1965. The growing financial empire of the Winch family is now in the hands of Nerio, Tom's young son. And Nerio, who stands barely above five feet, whose schoolmates always despised because his only friend was the son of his African-American nanny, whom women never so much as looked at ... thirsts for power. Meanwhile, back in a Montenegro now under the boot of Yugoslav dictator Tito, is born little Danitza, great-great-grand-niece to one Vanko Winczlav...

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Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements. Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.

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Published posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe’s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907–2003). The place of Blanchot in Lacoue-Labarthe’s thought was both discreet and profound, involving difficult, agonizing questions about the status of literature, with vast political and ethical stakes. Together with Plato, Holderlin, Nietzsche, Benjamin, and Heidegger, Blanchot represents a decisive crossroads for Lacoue-Labarthe’s central concerns. In this book, they converge on the question of literature, and in particular of literature as the question of myth—in this instance, the myth of the writer born of the autobiographical experience of death. However, the issues at stake in this encounter are not merely autobiographical; they entail a relentless struggle with processes of figuration and mythicization inherited from the age-old concept of mimesis that permeates Western literature and culture. As this volume demonstrates, the originality of Blanchot’s thought lies in its problematic but obstinate deconstruction of precisely such processes. In addition to offering unique, challenging readings of Blanchot’s writings, setting them among those of Montaigne, Rousseau, Freud, Winnicott, Artaud, Bataille, Lacan, Malraux, Leclaire, Derrida, and others, this book offers fresh insights into two crucial twentieth-century thinkers and a new perspective on contemporary debates in European thought, criticism, and aesthetics.

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Drinking water policies and research are intimately linked. It is thanks to the scientific progress made over the last 25 years in identifying and controlling toxic products in drinking water that regulations have developed in such a way that the protection of public health from waterborne diseases has drastically improved. The integration of research outputs into the policy-making progress requires close cooperation among the scientific and policy communities, which is not always straightforward. Exchanges among scientific and policy-making communities are certainly representing key elements of progress for a better environmental protection. In this respect, analytical developments linked to drinking water are at the core of the science-policy debate. This book "Analytical Methods for Drinking Water: Advances in Sampling and Analysis" reflects this awareness in joining recent analytical developments with policy considerations. A first chapter gives an overview of EU and US drinking water policies, as well as on standardization. Analytical developments are described in depth in the second chapter, focusing on bromate in drinking water. The third chapter deals with the development of a sampling protocol for lead in drinking water, thus mixing analytical development with standardization needs. Finally, the fourth chapter focuses on standardization aspects (pre-normative research) related to materials in contact with drinking water. This book, written by experts in the field of drinking water policy and analysis, illustrates recent scientific advances in this area, which have contributed to policy development and will be of direct use to policy-makers, water scientists, researchers and analytical laboratories.

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The newest addition to the best-selling All the Songs series details the unique recording history of Pink Floyd, one of the world's most commercially successful and influential rock bands.Since 1965, Pink Floyd been recording sonically experimental and philosophical music, selling more than 250 million records worldwide, including two of the best-selling albums of all time Dark Side of the Moon and The Wall. While much is known about this iconic group, few books provide a comprehensive history of their time in the studio. In Pink Floyd All the Songs, authors Margotin and Guesdon describe the origin of their nearly 200 released songs, details from the recording studio, what instruments were used, and behind-the-scenes stories of the tensions that helped drive the band.Organized chronologically by album, this massive, 544-page hardcover begins with their 1967 debut album The Piper at the Gates of Dawn, the only one recorded under founding member Syd Barrett's leadership; through the loss of Barrett and the addition of David Gilmour; to Richard Wright leaving the band in 1979 but returning; to Roger Waters leaving in 1985 and the albums recorded since his departure, including their 2014 farewell album, The Endless River, which was downloaded 12 million times on Spotify the week it was released. Packed with more than 500 photos, All the Songs is also filled with stories fans treasure, such as Waters working with engineer Alan Parsons to employ revolutionary recording techniques for The Dark Side of the Moon at Abbey Road Studios in 1972 or producer Bob's Ezrin's contribution in refining Water's original sprawling vision for The Wall.

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As analysis, in terms of detection limits and technological innovation, in chemical and biological fields has developed so computational techniques have advanced enabling greater understanding of the data. Indeed, it is now possible to simulate spectral data to an excellent level of accuracy, allowing chemists and biologists access to robust and reliable analytical methodologies both experimentally and theoretically. This work will serve as a definitive overview of the field of computational simulation as applied to analytical chemistry and biology, drawing on recent advances as well as describing essential, established theory. Computational approaches provide additional depth to biochemical problems, as well as offering alternative explanations to atomic scale phenomena. Highlighting the innovative and wide-ranging breakthroughs made by leaders in computational spectrum prediction and the application of computational methodologies to analytical science, this book is for graduates and postgraduate researchers showing how computational analytical methods have become accessible across disciplines. Contributed chapters originate from a group of internationally-recognised leaders in the field, each applying computational techniques to develop our understanding of and supplement the data obtained from experimental analytical science.

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Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tübingen, Jänner" and "Todtnauberg"—the one a response to Hölderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject—or, for that matter, to the concept of poetry—but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future.

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This book reflects on the problematic relation of ethics to politics in our 'democratic' era. If democracy implies the loss of an ultimate foundation for both ethics and political action, how can it be defended against its (ultra-nationalist, fundamentalist,...) critics. Are there reasons for being a 'democrat' and what does it mean to be so or to act 'democratically'. Does this merely imply strict obedience to certain procedures that we call 'democratic' or does a democratic society ask for a democratic attitude or ethos. If so, how can this ethos be defined and grounded. All contributions to this volume articulate answers to these questions or to problems intrinsically related to them (i.e. what is the status of the law when it loses ultimate foundation). They do so by reflecting on the work of some important contemporary French philosophers: Lefort, Lyotard, Derrida, Levinas, Lacan, etc.

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This authoritative guide to the International Tribunal for the Law of the Sea provides a timely assessment of its activities over the past two decades. P. Chandrasekhara Rao and Philippe Gautier?s comprehensive book delivers a detailed and extensive analysis of the Tribunal?s jurisdiction, the procedural rules governing cases before it, and its contribution to the development of the law of the sea. Through a thorough examination of the Tribunal?s judicial practice, as well as referencing primary sources such as treaties and statutes, the authors demonstrate that the Tribunal has fulfilled the role entrusted to it by the United Nations Convention on the Law of the Sea. Utilising a practice-orientated approach, this methodical analysis reveals that the Tribunal has successfully developed its own working methods in handling cases, whilst establishing itself as a judicial institution with the ability to discharge its functions efficiently and cost-effectively, and most importantly, determines that its jurisprudence has contributed to the development of a coherent and progressive interpretation of the law of the sea. Perceptive and meticulous, this book will be an invaluable resource for legal practitioners, as well as for academics, students and researchers interested in the functioning and achievements of the Tribunal.

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This compact, clinician-friendly resource walks readers through cognitive–behavioral techniques and treatment packages for clients with PTSD, using case studies to illustrate how to troubleshoot common problems. Research over the past three decades has confirmed that cognitive–behavioral therapies (CBTs) are among the most effective treatments for Posttraumatic Stress Disorder (PTSD). This book introduces clinicians to cognitive–behavioral techniques for PTSD and guides them in adopting treatment protocols. Because myths about CBT for PTSD have been barriers to use, the book offers a clear view of the facts about the evidence-based therapies that offer such promise in helping clients to heal from their traumas. The goal of this clinician-friendly book is clear: to make CBT available to suffering clients.

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Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements. Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.

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1848. In Ottoman-occupied Montenegro, young doctor Vanko Winczlav is one of the leaders of a popular uprising. Betrayed, wanted by the authorities, he flees the Balkans for the United States in the company of a Bulgarian refugee, Veska, whom he marries to allow her to enter New York legally. So begins the history of a family closely entwined with that of a still new country going through many transformations.

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Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, and updated to include all of his most recent work including the 2020 release of his 39th album, Rough and Rowdy Ways, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.

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From the sizzling sharpness of freshly cut garlic to the cool tang of a father's aftershave; the heady intoxication of a fumbled first kiss to the anodyne void of disinfectant and death, this is a decadently original olfactory memoir.In sixty-three elusive episodes we roam freely across the countryside of Lorraine, North-East France, from kitchen to farm to a lover's bed. Recognising the bittersweet nostalgia of a scent that slips away on the summer breeze, Claudel demonstrates again his impeccable grasp of the personal and the universal, interweaved with a rare, self-deprecating charm.This is an evocative patchwork at once earthy and ethereal, erotic and heart-breaking. Claudel permits us a glimpse of moments that have driven him to delight or despair, creating through the fading aromas of the past fragments of humour, insight and quite intangible beauty.

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