Search results for ""Author Judith"

Acute Melancholia and Other Essays deploys spirited and progressive approaches to the study of Christian mysticism and the philosophy of religion. Ideal for novices and experienced scholars alike, the volume makes a forceful case for thinking about religion as both belief and practice, in which traditions marked by change are passed down through generations, laying the groundwork for their own critique. Through a provocative integration of medieval sources and texts by Jacques Derrida, Judith Butler, Talal Asad, and Dipesh Chakrabarty, this book redefines what it means to engage critically with history and those embedded within it.

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Since space flight was achieved, and long before, science fiction writers have imagined a myriad of stories set in the depths of the great darkness beyond our atmosphere. From generation ships – which are in space so long that there will be new generations aboard who have never experienced planetary life – to orbiting satellites in the unforgiving reaches of the vacuum, there is a vast range of these insular environments in which innovative and emotionally complex stories may unfold. With the British Library’s matchless collection of periodicals and magazines at his fingertips, Mike Ashley presents a stellar selection of tales from the infinite void above us, including contributions from Judith Merril, Jack Vance and John Brunner.

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In the age of globalization, the transnational dimension of sciences like medicine seems to be given. However, the agents connecting different parts of this transnational biomedical landscape have yet to receive their due attention. Situated at the intersection of contemporary debates as well as theories of medical anthropology and migration in the 21st century, this book explores the experiences of Nigerian trained physicians who migrated to the US and the UK within the last 40 years. By drawing on individual professional life stories, Judith Schühle illuminates how these physicians disconnect from and (re)connect to diverse local social and biomedical contexts, becoming established abroad while at the same time trying to influence health care services in Nigeria through transnational endeavors.

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This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods.Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.

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England is in crisis. Fields are flooded, food is scarce and fear grips the land. William Bloor, a foxfinder, arrives at Judith and Samuel Covey's farm to investigate a suspected fox infestation. The Coveys' harvest has failed to meet their target and the government wants to know why. Trained from childhood, William is fixated on his mission to unearth the animals that must be to blame for the Coveys' woes. But as the hunt progresses, William finds more questions than answers… A darkly comic, spell-binding dystopian drama, Dawn King's Foxfinder won the 2011 Papatango New Writing Prize and premiered at the Finborough Theatre, London. Foxfinder had its West End premiere at the Ambassadors Theatre, London, in 2018, in a production directed by Rachel O'Riordan.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

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Scruples is the novel that  created publishing history, the first-and widely  acknowledged to be the very best-novel ever written  about the staggeringly luxurious life of a Beverly  Hills boutique and the people who work in it.  Scruples was translated into twenty  languages and made Rodeo Drive famous around the  world. The New York Post said  that 'Scruples was born to  be a smash bestseller. . . It has more inside  information about the worlds of high fashion and  Hollywood than you'd find in a dozen manuals.'  With Scruples, Judith Krantz earned her reputation  as a blazingly talented and original storyteller.  she takes her readers behind the scenes of wealthy  and fame to show them the real people and the real  emotions that exist at the core of even the most  high-powered live

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Lottie the Chicken deals with the loss of Aunt Mattie in this gently sad and sweetly funny picture book that explores the death of a loved one, in the tradition of Judith Viorst’s The Tenth Good Thing about Barney.Aunt Mattie has died. But before she went, she got to say good-bye to Lottie. Then she got to follow a light to a bustling gate. (A gate that sounded a lot like a busy airport!) And there she found a crew of friends who were waiting to take off with her on a new journey. Will Lottie and Herbie be able to overcome their sadness? They will, with time, and by taking a journey of their own—a journey filled with a little heartache, a lot of happiness, and a batch of Aunt Mattie’s favorite peanut-butter-and-jelly sandwiches. (With bananas, of course!)

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One of the BBC's '100 Novels That Shaped Our World''Brilliant ... very probably the funniest book ever written' Sunday TimesWhen sensible, sophisticated Flora Poste is orphaned at nineteen, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly-named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last twenty years. But Flora loves nothing better than to organise other people. Armed with common sense and a strong will, she resolves to take each of the family in hand. A hilarious and ruthless parody of rural melodramas and purple prose, Cold Comfort Farm is one of the best-loved comic novels of all time.'Screamingly funny and wildly subversive' Marian Keyes, GuardianThe Penguin Classics edition of Stella Gibbons's Cold Comfort Farm is introduced by Lynne Truss, author of Eats, Shoots and Leaves.If you enjoyed Cold Comfort Farm you might like George and Weedon Grossmith's Diary of a Nobody, also available in Penguin Classics.

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Software prodigy Josie Ashkenazi has invented an application that records everything its users do. When she visits the Library of Alexandria as a tech consultant, she is abducted in Egypt’s postrevolutionary chaos with only a copy of the philosopher Maimonides’ famous work to anchor her—leaving her jealous sister Judith free to take over her life. A century earlier, Cambridge professor Solomon Schechter arrives in Egypt, hunting for a medieval archive hidden in a Cairo synagogue. Their stories intertwine in this spellbinding novel of how technology changes memory and how memory shapes the soul.

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Athena Athanasiou departs from recent discussions of mourning, including in the work of Judith Butler, by raising an altogether original question which both challenges and extends the current orthodoxy: what would it be like to mourn the dead of the enemy? She draws on a wide range of philosophical and political theories to develop a new notion of agonistic democracy. Through an ethnographic account of the urban feminist and antinationalist movement Women in Black of Belgrade, Serbia {Zene u Crnom), she suggests that we can understand their desire for the political as a means to refigure political life beyond sovereign accounts of subjectivity and agency.

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'Marvellous . . . I read it with astonished delight . . . It is equally scholarly and entertaining.' - Jan Morris 'Quirky and compelling.' - The Times Once we've learned it as children, few of us think much of the alphabet and its familiar sing-song order. And yet the order of the alphabet, that simple knowledge that we take for granted, plays a major role in our adult lives. From the school register to the telephone book, from dictionaries and encyclopaedias to library shelves, our lives are ordered from A to Z. Long before Google searches, this magical system of organization gave us the ability to sift through centuries of thought, knowledge and literature, allowing us to sort, to file, and to find the information we have, and to locate the information we need. In A Place for Everything, acclaimed historian Judith Flanders draws our attention to both the neglected ubiquity of the alphabet and the long, complex history of its rise to prominence. For, while the order of the alphabet itself became fixed very soon after letters were first invented, their ability to sort and store and organize proved far less obvious. To many of our forebears, the idea of of organizing things by the random chance of the alphabet rather than by established systems of hierarchy or typology lay somewhere between unthinkable and disrespectful.A Place for Everything fascinatingly lays out the gradual triumph of alphabetical order, from its possible earliest days as a sorting tool in the Great Library of Alexandria in the third century BCE, to its current decline in prominence in our digital age of Wikipedia and Google. Along the way, the reader is enlightened and entertained with a wonderful cast of unknown facts, characters and stories from the great collector Robert Cotton, who denominated his manuscripts with the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth- century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.

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‘A page-turning literary gem’ THE TIMES, BEST BOOKS OF 2020 From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a beautiful and compelling story based on true events, perfect for fans of Maggie O'Farrell and Helen Dunmore.One Great War soldier with no memory. Three women who claim him as their own. 1918. A soldier is arrested in Durham Cathedral in the last week of the First World War, but he has no memory of who he is or how he came to be there. He is given the name Adam and transferred to a rehabilitation institution in the Lake District where Doctor James Haworth is determined to uncover his identity. But, unwilling to relive the trauma of war, Adam has locked his memory away, seemingly for good. Then a newspaper publishes a feature about Adam, and three women come forward, each claiming that he is someone she lost in the war. But without memory, how do you know who to believe?Based on true events, When I Come Home Again is a beautiful and compelling story about love, loss and longing in the aftermath of war, perfect for fans of Maggie O'Farrell and Helen Dunmore.Praise for When I Come Home Again: ‘A superb and quietly devastating novel about grief, hope and the horrific aftershocks of war’ The Times, Book of the Month 'Scott unravels her haunting tale in unpretentious but persuasive prose' Sunday Times ‘When I Come Home Again is a heartbreaking read which reveals the far-reaching tragedies of war. My heart ached for the three women and for Adam… I highly recommend it – and I very much look forward to Caroline Scott’s next novel’ Anita Frank, author of The Lost Ones ‘Atmospheric descriptions of the Lake District contrast with the horrors of war in this poignant and breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘A powerful story that’s achingly moving and most beautifully written. Readers of Maggie O’Farrell and Helen Dunmore are likely to enjoy’ Rachel Hore, author of The Love Child ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Captivating, heartbreaking and uplifting. This beautiful and moving book drew me in from the first line and held me enthralled until the very end' Fiona Valpy, author of The Dressmaker's Gift ‘Caroline Scott’s quietly devastating second novel insightfully explores the impact of the Great War on returning soldiers and the families that waited… Scott skillfully unspools their heartbreaking stories while uncovering the source of Adam's fear’ Daily Mail ‘A compulsive, heart-wrenching read, beautifully and painfully evoking the toxic mix of grief and guilt suffered by survivors and the bereaved following WWI’ Liz Trenow, author of Under a Wartime Sky ‘In this powerful psychological novel, Scott explores the mental health of everyone involved in the soldier’s life. A carefully, nuanced, complex story’ Woman & Home ‘I absolutely loved it. It was page turning, mysterious, engrossing and compelling. I thought so many times I had it all figured out and I was wrong every time. I couldn’t get to the end fast enough and finished it at 1 am feeling bereft' Lorna Cook, author of The Forbidden Promise ‘A carefully nuanced, complex story’ Woman’s Weekly ‘A haunting novel with loss at its heart - the loss of self, loved ones and the lives that should have been. Caroline Scott evokes the damage and desolation of the Great War with aching authenticity, and her writing is exquisite' Iona Grey, author of The Glittering Hour 'A poignant story about love and loss’ Best 'Wonderful and evocative . . . it is so much more subtle and complex than being just the journey to discover who Adam really is. It is not only about memory and identity, it's about the repercussions and tragedy of war, reaching out across vast swathes of society' Suzanne Goldring, author of Burning Island ‘Based on true events, this is a powerful story’ Bella ‘A beautifully written novel – immersive, poignant, intricately woven’ Judith Kinghorn, author of The Echo of Twilight ‘An evocative read’ heat ‘Outstanding… The story left me breathless. Powerful, heartrending, and oh so tender. A whirlwind of emotions that will not allow us to forget’ Kate Furnivall, author of The Guardian of Lies ‘Scott’s tense and compelling mystery – with so many broken lives at its centre – ­is a timely reminder that the repercussions of war are lasting, painful and tragic’ Lancashire Post ‘Scott litters her tale with clues and red herrings in the best mystery-writer way so we are kept guessing as to where the truth really lies’ The BookBag

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In this broad-ranging introduction to the study of sexuality, Gargi Bhattacharyya guides students through the key theoretical debates in the area from the early history of sexology, through Foucault's technologies of self to Judith Butler on the performance of identity. Bhattacharyya shows how these theoretical positions apply to sexuality as it is experienced in contemporary society, and covers key topics such as:* the ideology of heterosexuality* sex and the state* sex, race and 'the exotic'* age and sexuality* sex education and pornography.The book argues that the study of sexuality is an essential part of broader debates on gender, race, citizenship and community. Topical and original, it provides a systematic overview of theory combined with up-to-the minute discussion of social and race issues. It gives students a lucid map of the terrain, and an exciting starting point for their own investigations.

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Written in concise and clear language, this book offers an historical overview of literary criticism and theory throughout the twentieth century along with a close analysis of some of the most important and commonly taught texts from the period. Provides an accessible introduction to modern literary theory and criticism Places various modes of criticism within their historical and intellectual contexts Offers close readings of some of the major critical texts of the period Explores the works of a diverse group of 20th-century writers, including Babbitt, Woolf, Bakhtin, Heidegger, Lacan, Derrida, Judith Butler, Zizek, Nussbaum, Negri and Hardt Covers formalism, psychoanalysis, structuralism, deconstruction, Marxism, feminism, reader-response criticism, historicism, gender studies, cultural studies, and film theory

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In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed.Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.

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Everyday Kindness is a charity anthology of short, fictional stories of kindness, edited by L J Ross and published through her imprint, Dark Skies Publishing. These uplifting tales of hope and of small, everyday kindnesses are intended to be read daily, through the course of a year, to support wider, positive mental health goals and foster wellbeing through the act of reading tales of goodwill inspired by others. Featuring authors across the spectrum of literature, some international bestsellers and award-winning writers amongst them, this is a unique collection of words to inspire hope, in direct response to the Covid-19 crisis. All proceeds from the book will be donated to Shelter, a charity that helps millions of people a year struggling with bad housing or homelessness. Authors include: LJ Ross, Adam Hamdy, Alex Smith, Alexander Gordon Smith, Alison Stockham, Anne O’Leary, Barbara Copperthwaite, JD Kirk, CL Taylor, Caroline Mitchell, Chris McDonald, CK McDonnell, Claire Sheehy, Clare Flynn, Darren O’Sullivan, David Leadbeater, Debbie Young, Deborah Carr, Emma Robinson, Graham Brack, HM Lynn, Heather Martin, Holly Martin, Ian Sainsbury, Imogen Clark, James Gilbert, Jane Corry, Jean Gill, JJ Marsh, Judith O’Reilly, Kelly Clayton, Kim Nash, Liz Fenwick, Louise Beech, Lousie Jensen, Louise Mumford, Malcolm Hollingdrake, Marcia Woolf, Mark Stay, Marcie Steele, Natasha Bache, Nick Jackson, Nick Quantrill, Nicky Black, Patricia Gibney, Rachel Sargeant, Rob Parker, Rob Scragg, SE Lynes, Shelley Day, Casey Kelleher, Sophie Hannah, Leah Mercer, Victoria Connelly, Victoria Cooke, Will Dean.

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“The ‘how-to manual’ for whites to work with people of color to create an inclusive, just world in the 21st century.” —Maggie Potapchuk, racial equity consultant Over 50,000 copies sold of earlier editions! Completely revised and updated, this fourth edition of Uprooting Racism offers a framework around neoliberalism and interpersonal, institutional, and cultural racism, along with stories of resistance and white solidarity. It provides practical tools and advice on how white people can work as allies for racial justice, engaging the reader through questions, exercises, and suggestions for action, and includes a wealth of information about specific cultural groups such as Muslims, people with mixed heritage, Native Americans, Jews, recent immigrants, Asian Americans, and Latino/as. Inequalities in education, housing, health care, and the job market continue to prevail, while increased insecurity and fear have led to an epidemic of scapegoating and harassment of people of color. Yet, recent polls show that only thirty-one percent of white people in the United States believe racism is a major societal problem; at the same time, resistance is strong, as highlighted by indigenous struggles for land and sovereignty and the Movement for Black Lives. This accessible, personal, supportive, and practical guide is ideal for students, community activists, teachers, youth workers, and anyone interested in issues of diversity, multiculturalism, and social justice. “A uniquely sensitive, wise, practical guide for white people struggling with their feelings about race.” —Howard Zinn, national bestselling author of A People’s History of the United States “A powerful and wonderful book, a major contribution to our understanding of racism as white people.” —Judith H. Katz, Ed. D., author, White Awareness: Handbook for Anti-Racism Training

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This book makes the case for the continued and expanded use of social, critical and political theories in the field of educational leadership. It helps readers understand educational leadership by introducing them to a wide variety of theoretical and philosophical approaches and positions. The book incorporates a rich blend of ideas and concepts, and compares and contrasts the approaches discussed.The content largely focuses on four educational thinkers: Michel Foucault, Judith Butler, Bernard Stiegler and Karen Barad. The chapters do not cover each thinker’s oeuvre exhaustively, but instead provide a brief overview of his/her ideas, while also helping readers understand a particular aspect of the educational leadership discourse. Each chapter also provides supplementary reading recommendations for those interested in pursuing these ideas in more depth.

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This book examines the relations among nostalgia, gender, and foundational philosophies through a critique of the lost mother as a ground for thinking about sexual difference. More specifically, the author critiques the nostalgic tendencies of feminist theory, arguing that an emancipatory system of thought must move beyond a maternally oriented structure. Through close readings of works by Maurice Blanchot, Luce Irigaray, Julia Kristeva, and Nicole Brossard, the book elucidates the many dimensions of nostalgic paradigms—literary, psychoanalytic, epistemological, ontological, and sociopolitical. This critique ultimately confronts postmodernism, and especially the burgeoning field of performative theory, as an intellectual paradigm that claims to subvert systems of meaning. Analyzing the writings of J. L. Austin, Judith Butler, and Irigaray, the author argues that despite its antinostalgic structure, performative theory provides an inadequate model for understanding the connections among language, identity, and the social bonds that constitute the ethical and political sphere. Asserting, through the example of performative theory, that a critique is not enough, the book examines the possibility of a constructive model that is both non-nostalgic and informed by ethical constraints. One such model is offered through a reading of the Quebecois writer Nicole Brossard, which explores her work in relation to the question of lesbian writing. Demystifying nostalgia, Brossard not only uncovers and subverts the structures through which a concept of origins is produced, but also provides a different, visionary way of thinking about the relationship between subjectivity and language. Finally, the book argues for further feminist work on the relationship between narrative and ethics, a field whose future lies in the elaboration of a bridge between the moral commitments of ethical theory and the fractured realities that find their expression in literary forms.

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The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

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Images of and references to women are so rare in the vast corpus of his published work that there seems to be no "woman question" for Hans-Georg Gadamer. Yet the authors of the fifteen essays included in this volume show that it is possible to read past Gadamer's silences about women and other Others to find rich resources for feminist theory and practice in his views of science, language, history, knowledge, medicine, and literature. While the essayists find much of value in Gadamer's work, he emerges from their discussion as a controversial figure. Some contributors see him as promoting genuine respect for and engagement with Otherness: others claim that in a Gadamerian conversation the Other has no voice. For some, Gadamer's immersion in tradition is an impediment to feminist inquiry; for others, cognizant of the need to understand tradition well in order to contest its intransigence or benefit from its insights, his way of engaging tradition is especially productive. Some contributors take issue with the separation he maintains between philosophy and politics; others find problems in his relative silence on matters of embodiment; still others maintain that a "fusion of horizons" amounts to a colonizing of difference. But a common aim of each of these controversies is to discern what feminists can learn from Gadamer as well as what limitations feminist reinterpretations of his work must inevitably encounter.Contributors are Linda Martín Alcoff, William Cowling, Gemma Corradi Fiumara, Marie Fleming, Silja Freudenberger, Susan Hekman, Susan-Judith Hoffmann, Grace M. Jantzen, Patricia Altenbernd Johnson, Laura Kaplan, Robin Pappas, Robin May Schott, Meili Steele, Veronica Vasterling, Georgia Warnke, and Kathleen Roberts Wright.

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Critique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and captured by market logics. Technologies of Critique elaborates a critical practice that eludes such capture. Building on Chile’s history of dissident artists and the central entangling of politics and aesthetics, Thayer engages continental philosophical traditions, from Aristotle, Descartes and Heidegger through Walter Benjamin and Gilles Deleuze, and in implicit conversation with the Judith Butler, Roberto Esposito, and Bruno Latour, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.

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A panorama of Christmas traditions around the world, from France to Iran, Egypt to Mexico. Christmas traditions differ from culture to culture, location to location, and family to family. In 24 Christmas Stories: Faith and Traditions from Around the World, award-winning author Judith Bouilloc explores present-day Christmas traditions, as well as the holiday's history in many regions, brought to life by various artists. In Germany, Anna opens the first window of her advent calendar and wonders if Christmas will be here soon. In Lorraine, France, Rita can't wait for Saint Nicholas Day (he'll bring little presents for the good girls and boys, and potatoes for the naughty ones). In Iran, Melchior trudges through the fog and is joined on his travels by two other men who are following the brightest star in the sky, guiding them to an unknown but special destination. In Italy, St. Francis plans the very first living Nativity, determined to share with his local friends the story of Jesus in the manger. His Nativity scene goes on to inspire generations to come. In Japan, Shusaku makes paper cranes in preparation of Christmas and in honour of Sadako. In the United States, Trinity revises her mother's to-do list to put the highest priority items at the top as they get ready to welcome friends and family. Whether you choose to read one story a night leading up to Christmas, or multiple in one sitting, you're sure to learn something new about Christmas and the many different ways it's celebrated around the world every December.

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Secrets of Becoming brings into conversation modes of thought traditionally held apart: Whitehead’s philosophy of the event, Deleuze’s philosophy of multiplicity, and Judith Butler’s philosophy of gender difference. Why should one try to connect these strains of thinking? What might make the work of these thinkers negotiable with one another? This volume finds that bridge in an emphasis on “becoming” that secretly defines the philosophies of Whitehead, Deleuze, and Butler. Its three sections investigate their surprising confluence in a “philosophy of becoming” in relation to the question of the event, bodies and societies, and immanence and divinity. A substantial Introduction gives an extended comparison of the three thinkers.

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Mahmoud Shukair's first major publication in English translation enthralls, surprises and shocks as one of the world's most original of storytellers excels in exposing the surreal moments in the ordinary and the mundane, the limits of human frustration and patience, and the intricacies of tiny daily obsessive practices. Brimming with humour that ranges from the funny and the farcical, to satire and black comedy, with a painter's eye for colour and detail, Shukair's stories present a unique commentary on the power of the human spirit to see beyond the particular.The collection includes the author's two fascinating autobiographical commentaries "Hemingway in Jerusalem" and "My Journey in Writing".Here is the brilliantly observed clutter and comedy of everyday lives, the lives of ordinary people pushed up against an iron occupation and fighting for survival with all the comic and moving strategems of the human imagination. Shukair's gift for absurdist satire is never more telling than in the hilarious title story which turns and pulls the leg (or the moustache) of the occupation, in the classic tradition of Palestinian satire. — Judith KazantzisTranslated from the Arabic by Issa J. Boullata, Elizabeth Whitehouse, Liz Winslow and Mahmoud Shukair. Mahmoud Shukair was born in 1941 in Jerusalem, and grew up there. With a Masters degree in Philosophy and Sociology he worked for many years as a teacher, journalist and editor-in-chief of cultural magazines. He was jailed twice by the Israeli authorities, lasting nearly two years, and in 1975 was deported to Lebanon. He returned to Jerusalem in 1993 after living in Beirut, Amman and Prague. He is the author of 25 books, nine short story collections, 13 works for children, a biography and a travelogue. He has written six drama series for TV, three plays and countless newspaper and magazine articles.Some of his short stories have been published in French, Spanish, Korean and Chinese, as well as English.

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Partly autobiographical, this is the third title in Judith Kerr's internationally acclaimed trilogy of books following the life of Anna through war-torn Germany, to London during the Blitz and her return to Berlin to discover the pastBerlin is where Anna lived before Hitler, when she was still a German child; before she spoke a word of English, before her family had all become refugees. Long before her happy new existence in London. But Mama is there, dangerously ill. Anna is forced to go back, to deal with questions of life and death, to face old fears, and to discover the past which she has so long shut away.Content warning: this book contains references to suicide, appropriate for older readers.

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Partly autobiographical, this is the third title in Judith Kerr’s internationally acclaimed trilogy of books following the life of Anna through war-torn Germany, to London during the Blitz and her return to Berlin to discover the past… Berlin is where Anna lived before Hitler, when she was still a German child; before she spoke a word of English, before her family had all become refugees. Long before her happy new existence in London. But Mama is there, dangerously ill. Anna is forced to go back, to deal with questions of life and death, to face old fears, and to discover the past which she has so long shut away. Content warning: this book contains references to suicide, appropriate for older readers.

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A perfect marriage of wildlife photography and inspirational quotes In Animal Emotions, photographer Judith Hamilton is again capturing the soul of wildlife and delicately displaying it for readers to see. Her exceptional photography coupled with insightful quotes, emphasizing the emotions on display, will engage the hearts of animal lovers of all age groups. With quotes from an array of sources, ranging from Albert Einstein to Mae West, Animal Emotions is not only smart and compassionate, but also witty and uplifting. Inspired by Charles Darwin's The Expression of Emotions in Man and Animals, this book also includes fun facts to provide readers deeper insights into the lives of the animals. Animal Emotions is a beautiful reminder of the glory of the animal kingdom at a time when it has never been more threatened

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This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

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National Bestseller. Named a Best Book of 2024 (so far) by NPR, Harper''s Bazaar, W, and Esquire, and a Most Anticipated Book of 2024 by The New York Times, The Washington Post, Time, Los Angeles Times, ELLE, Cosmopolitan, Kirkus, Literary Hub, Autostraddle, The Millions, Electric Literature, and them. A profoundly urgent intervention. Naomi Klein A timely must-read for anyone actively invested in re-imagining collective futurity. Claudia RankineFrom a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world. Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed anti-gender ideology movements that are dedicated to circulat

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In 1878, in London, a woman served a prison sentence for deserting two of her children, a charge she denied. Almost nothing else is known of her life or that of her husband, a dealer in 'foreign birds and curiosities', who was himself a migrant. The two children vanished from the record. This is where Fleet begins, with elusive histories and lost voices. The title suggests imperial power, conquest, traffic in commodities (which in the nineteenth century included vast numbers of exotic birds). It is shadowed by other meanings: the fleeting glimpse and swift flight; floating memories, enigmatic and insistent. Judith Willson's second book of poems was written during years when migration and displacement have become central facts of the human condition. The collection works outwards from found text – historical documents, archive materials – into other places and times. In the silences of such records, their erasures and omissions, are stories that haunt our present.

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'An absorbing and engaging tale of wartime bravery and endurance. Bill and Izabela are such tenderly drawn characters ... I loved it!' RACHEL HORE, author of Last Letter Home and The Memory Garden_______________________________Their love is a death sentence. But can it keep them alive?Czechoslovakia, 1944. In the dead of night, a farm girl and a British soldier creep through abandoned villages. Secretly married and on the run, Bill and Izabela are searching for Izabela's brother and father, who are fighting for the Czech resistance. They know their luck will not last.Captured by the German army, it seems they must be separated - but they have prepared for this moment. By cutting her hair and pretending to be mute, Izabela successfully disguises herself as a British soldier. Together, they face the terrible conditions of a POW camp, reliant on the help of their fellow POWs to maintain their fragile deception.Their situation is beyond dangerous. If Izabela is discovered, she and Bill - and all the men who helped them - will face lethal consequences._______________________________A novel set in war-torn Czechoslovakia amid the extreme privations of a prisoner of war camp, based on a true story of passion, heroism and a love that transcends overwhelming odds._______________________________'Deeply moving and compelling ... an epic journey not only across war-torn countries but deep into the heart of what it is to be human. A heart-rending story beautifully told.' JUDITH ALLNAT, author of The Poet's Wife and The Silk Factory'Heart-wrenching and heart-warming in equal measure, The Prisoner's Wife is an unputdownable novel ... finely crafted, atmospheric, often nail-biting.' BEN KANE, author of The Eagles of Rome series'A story of danger, fear, determination and the redemptive power of love in war-torn Europe. It is a story that Hemingway might have envied.' JULIET GARDINER, author of Wartime: Britain 1939 to 1945 and The Blitz: The British Under Attack.'A gripping novel that explores the question of how much the human body, and the human spirit, can endure for the sake of love. The wealth of authentic detail makes it feel like a memoir ... I feel enriched to have read it.' GILL PAUL, author of The Lost Daughter and The Secret Wife'The Prisoner's Wife seamlessly and skilfully breathes intense, fully realised life into the stark scenes it describes. I was by turns moved, outraged and humbled' DEBORAH KAY DAVIES, author of True Things About Me'A powerful page-turner' MARIE BENEDICT, New York Times bestselling author of Lady Clementine'You will be spellbound by this stellar novel. So richly imbued with sensory details you'll be feeling every anguished moment and every golden ray of hope.' SUSAN MEISSNER, bestselling author of The Last Year of the War'The most unique World War II story I've ever read... Romantic, perfectly observed, inspiring, and thrilling - The Prisoner's Wife is impossible to put down - and when I did, I was teary-eyed. A complete winner.' SARAH-JANE STRATFORD, author of Red Letter Days'Tremendous ... this is much more than a love story' GEORGINA CLARKE, author of Death and the Harlot'Engrossing, harrowing and heart-warming' ANN MORGAN, author of Reading The World'This is a beautiful book that will give any reader in dark times a reason to believe in the continuing goodness of people' NICOLA GRIFFITH, author of Hild

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Famous for her short fiction - most notably "The Yellow Wallpaper" - Charlotte Perkins Gilman also produced a vast body of nonfiction in tandem with her work as a Progressive-era feminist reformer. Rooted in groundbreaking research on Gilman's extensive correspondence, publications, and speeches, this keenly argued intellectual biography reconstructs her controversial output and the heady context in which she produced it. Judith Allen provides the first comprehensive assessment of Gilman's complicated feminism by exploring the renowned writer's theories of sexuality and evolutionary analyses of androcentric, or male-dominated, culture. These ideas, Allen shows, informed Gilman's many contributions to the suffrage movement, the fight to abolish regulated prostitution, and efforts to legalize birth control. Restoring a previously overlooked public intellectual to her preeminent place in Progressive-era politics and the history of feminism at home and abroad, Allen's landmark study provides the fullest account available of Gilman's consequential life and profoundly influential work.

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This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.

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A bold new history of the rise and expansion of the Norman Dynasty across Europe from Byzantium to England In the eleventh century the climate was improving, population was growing, and people were on the move. The Norman dynasty ranged across Europe, led by men who achieved lasting fame, such as William the Conqueror and Robert Guiscard. These figures cultivated an image of unstoppable Norman success, and their victories make for a great story. But how much of it is true? In this insightful history, Judith Green challenges old certainties and explores the reality of Norman life across the continent. There were many soldiers of fortune, but their successes were down to timing, good luck, and ruthless leadership. Green shows the Normans’ profound impact, from drastic change in England to laying the foundations for unification in Sicily to their contribution to the First Crusade. Going beyond the familiar, she looks at personal dynastic relationships and the important part women played in what at first sight seems a resolutely masculine world.

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Crossing the Mirror Line explores doubleness, the unsettling symmetries of mirrored reflections, the magician’s disorientating art that `makes nothing appear’. Artists’ mannequins and watchful children stand at an angle to the familiar-seeming world; an estuary blurs distinctions between land and sea. Like the eighteenth-century artists’ landscape mirror that reconfigured the relationship between the viewer and what is viewed, the poems in Judith Willson’s first collection are concerned with the very act of looking, how it selects and transforms what is seen. Their landscapes are borders and boundaries, places shaped by the persistence of a past which still presses close to the surface, its meanings as unstable as the play of light. Objects disclose stories of their travel through `peopled time’: poems `reach through thick folds into pockets / for a letter or a glove’.

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London’s Soho district underwent a spectacular transformation between the late Victorian era and the end of the Second World War: its old buildings and dark streets infamous for sex, crime, political disloyalty, and ethnic diversity became a center of culinary and cultural tourism servicing patrons of nearby shops and theaters. Indulgences for the privileged and the upwardly mobile edged a dangerous, transgressive space imagined to be "outside" the nation. Treating Soho as exceptional, but also representative of London's urban transformation, Judith Walkowitz shows how the area's foreignness and porousness were key to the explosion of culture and development of modernity in the first half of the twentieth century. She draws on a vast and unusual range of sources to stitch together a rich patchwork quilt of vivid stories and unforgettable characters, revealing how Soho became a showcase for a new cosmopolitan identity.

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An Instant Sunday Times BestsellerOne of the most anticipated books of 2024 according to The Times, Guardian, Financial Times, New Statesman, The Independent, The Scotsman, Time and moreShouldn''t we know what we''re arguing about?From one of the most influential thinkers of our time, an enlightening, essential account of how a fear of gender is fuelling reactionary politics around the world Judith Butler, the ground-breaking philosopher whose work has redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed anti-gender ideology movements' dedicated to circulating a fantasy that gender is a dangerous threat to families, local cultures, civilization and even man' himself. Inflamed by the rhetoric of public figures, this movement has sought to abolish reproductive justice, undermine protection

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In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists—Venice and the Sublime Porte—face-to-face. Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant.

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In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists—Venice and the Sublime Porte—face-to-face. Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant.

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The new IB Middle Years Programme (MYP) curriculum for 11 to 16 year olds came into effect in September 2014 and will strengthen the IB's continuum of learning. This edited collection will provide support for all those involved in the current period of preparation for implementation of the new programme. The chapters are written by experienced practitioners from a range of relevant standpoints about different aspects of the MYP. MYP - New Directions examines the changes to the programme that have been introduced as well as those that are currently in progress, and highlights challenges and opportunities for the future. Contributors: Judith Fabian, Conrad Hughes, Alexandra Holland, Lance King, Marjorie Lope, Patricia Villegas, Gareth Hegarty, Hege Myhre, Michael Huber, Oyndrilla Mukherjee, Anthony Hemmens, and Gillian Ashworth.

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This remarkable book looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate firsthand account of how the Industrial Revolution was experienced by the working class. The Industrial Revolution brought not simply misery and poverty. On the contrary, Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom. This rich personal account focuses on the social impact of the Industrial Revolution, rather than its economic and political histories. In the tradition of best-selling books by Liza Picard, Judith Flanders, and Jerry White, Griffin gets under the skin of the period and creates a cast of colorful characters, including factory workers, miners, shoemakers, carpenters, servants, and farm laborers.

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In the hopes of promoting justice, peace, and solidarity for and with the Palestinian people, Udi Aloni joins with Slavoj Zizek, Alain Badiou, and Judith Butler to confront the core issues of the Israeli-Palestinian conflict. Their bold question: Will a new generation of Israelis and Palestinians dare to walk together toward a joint Israel-Palestine? Through a collage of meditation, interview, diary, and essay, Aloni and his interlocutors present a personal, intellectual, and altogether provocative account rich with the insights of philosophy and critical theory. They ultimately foresee the emergence of a binational Israeli-Palestinian state, incorporating the work of Walter Benjamin, Edward Said, and Jewish theology to recast the conflict in secular theological terms.

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In this third edition, Judith Jordan explores the history, theory, and practice of relationship-centered, culturally oriented psychotherapy as a tool for building meaningful connections in a world of increasing isolation. This essential primer is ideal for students and practitioners alike, guiding them through the ins and outs of relational–cultural therapy (RCT). New to this edition is real-world research and guidelines related to distance learning, working with marginalized groups, and working towards social justice. Jordan built RCT upon the understanding that people need social and emotional connections to flourish. In a digital era full of uncertainty and disconnection, it is more important than ever to mend relational resilience and reestablish positive, growth-fostering relationships. The therapist therefore works to deepen their bond with the client to help them build similar bonds outside of therapy. They work with the client’s rela

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Unionization in the Academy is an authoritative, balanced, and comprehensive account of academic unions—their history, purpose, and the conflicts they cause. Judith Wagner DeCew takes on the central issues, including unions for part-time and adjunct faculty, graduate student unions, and collective bargaining. The book also includes a history of the rise of academic unions and its watershed moments, such as the U.S. Supreme Court's 1980 Yeshiva decision. A series of important articles by other observers supplements DeCew's insights and arguments. This combination yields a detailed survey of the arguments for and against academic unions of all kinds. Are unions a threat because they create adversity and conflict with academic values? Or do unions support those values by creating community and collegiality? Unions in Academia is the essential reader for faculty, students, administrators, and anyone else trying to answer those questions.

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This irresistible third illustrated chapter book starring Judith Viorst’s Lulu is full of hilarious hijinks, delightful twists, and a top-secret mission!Eeny meeny miney mo,That babysitter’s got to go. Lulu has put her tantrum-throwing days behind her. That is, until her parents announce that they are going on vacation—WITHOUT LULU. Not only that, but they are leaving her with the formidable Ms. Sonia Sofia Solinsky, who says hello by bellowing, “The Eagle has landed,” and smiles at you with the kind of smile that an alligator might give you before eating you for dinner. The second her parents are out of the house, Lulu tries out several elaborate schemes to bring them straight back. But just when she seems to finally be making some headway, her babysitter reveals an astonishing secret…one that has Lulu crossing her fingers that her parents will go on vacation all the time—without her!

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