Search results for ""Author Howard""

The Lord is My Shepherd is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley. Warm and melodious, Goodall’s setting of Psalm 23 is deservedly well loved by choirs and congregations everywhere.This arrangement for unaccompanied mixed voices was first performed in March 2014 in the State Apartments of St James’s Palace in the presence of HRH the Queen and His Royal Highness the Duke of Edinburgh. The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles.

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Sculptor and architect Bernini was the virtual creator and greatest exponent of Baroque in 17th century Italy. He has left his greatest mark on Rome where Papal patronage provided him with enormous architectural commissions.

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In this book the author describes the discoveries in his laboratory that led to therapy with cultured cells. The first cultured cell type used for therapy was the keratinocyte of the epidermis, for the treatment of burns. Subsequent developments led to the use of cultured cells for the treatment of diseases of the eye, of the joints and of other diseases. Cultured cells for therapy are now being prepared by industries in the US, Japan and Korea and are used in the aforesaid countries, as well as in France, Sweden and Greece, for the treatment of disease.

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Written by an experienced Construction professional, this resource is designed to be accessible and practical. The comprehensive coverage of new specification requirements will support students through their course. // Suitable for Level 1 and 2 students, the depth of coverage, language and design of the book has been carefully tailored to their learning needs // Each unit is made relevant and purposeful through applied learning in a vocational context // A dedicated assessment section helps students thoroughly prepare for both their non-exam assessment and exams

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"The Thoughtful Guide to God" presents a rational approach to notions of God and soul for those who are disenchanted with organized religion. Reviving concepts of the divine that go back to the earliest human civilizations of both East and West, it shows how ideas have evolved from early scriptural revelations, through the rationalization of the Greek philosophers, to the developments of modern physics. Few works bring together ideas from so many disciplines-from religion, philosophy and science, with all the supporting detail. Packed with references for further reading, it provides a bridge between science and religion, and between many of the different religions of the world. All the terms and concepts are explained so that they are accessible to the general reader. The discoveries of Newton and Galileo, through to Einstein and contemporary scientists, and the ideas of God from a number of Jewish, Christian, Islamic and Hindu thinkers, are presented with brief biographical background to put these personalities in context. Their thoughts are fused with those of Greek and later philosophers that have shaped society in Western Europe to provide a unifying concept of the divine as Communal Soul- a one-world view which it is essential should convince more of the population in the materialist West if Earth and humankind are to survive into the 22nd century.

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An epic, hilarious and moving play that takes a sideways look at the First World War. 1915. Jack Twigg, twenty-one years old, enlists in the London Regiment and goes on a journey he never imagined - nor did the rest of the world. On his way, he meets the pioneering medic Harold Gillies, who saves his life and his sanity. And who is the mysterious Doctor Scroggy who appears at night in Gillies' hospital dispensing champagne to the patients? Doctor Scroggy's War premiered at Shakespeare's Globe, London, in September 2014. Howard Brenton is a prolific playwright whose plays have been staged at the Royal Court Theatre, National Theatre, RSC and Shakespeare's Globe among others. Other writing work includes collaborations with David Hare and thirteen episodes of the BBC1 drama series Spooks. 'sharp and entertaining... strikes a chord with our own intensified concern for the returning veterans of Afghanistan and Iraq' - WhatsOnStage 'appealing and engaging... one of the very finest of this year's glut of First World War dramas' - Evening Standard 'Howard Brenton's fine new play... hits you in the heart' - Guardian 'compelling... [a] big, warm, perceptive play' - Telegraph

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A timely play based on the true story of a Nobel Laureate. On 3 April 2011, as he was boarding a flight to Taipei, the Chinese Artist Ai Weiwei was arrested at Beijing Airport. Advised merely that his travel "could damage state security", he was escorted to a van by officials after which he disappeared for 81 days. On his release, the government claimed that his imprisonment related to tax evasion. Howard Brenton's play is based on recent conversations with Ai in which he told the story of that imprisonment - by turns surreal, hilarious, and terrifying. A portrait of the Artist in extreme conditions, it is also an affirmation of the centrality of Art and of freedom of speech in civilised society.

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A celebration of a great English heroine, Anne Boleyn dramatises the life and legacy of Henry VIII's notorious second wife, who helped change the course of the nation's history. Traditionally seen as either the pawn of an ambitious family manoeuvred into the King's bed or as a predator manipulating her way to power, Anne – and her ghost – are seen in a very different light in Howard Brenton's epic play. Rummaging through the dead Queen Elizabeth's possessions upon coming to the throne in 1603, King James I finds alarming evidence that Anne was a religious conspirator, in love with Henry VIII but also with the most dangerous ideas of her day. She comes alive for him, a brilliant but reckless young woman confident in her sexuality, whose marriage and death transformed England for ever. Howard Brenton's play Anne Boleyn was first performed at Shakespeare's Globe, London, in July 2010, and was named Best New Play at the Whatsonstage.com Awards in 2011. The play was revived at the Globe in 2011 and toured regionally in 2012 in a joint production between Shakespeare’s Globe and English Touring Theatre.

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CBC Hot of The Press August 2024 Title With dynamic illustrations by Susanna Covelli that hilariously contradict the story, This Book Is Not for You is told hilariously by Howard Pearlstein in the voice of an oblivious narrator who explains why this book is not for you Are you a kid? Are you reading this book? If so, drop it like a hot potato. Seriously, skipper. This book is not for you. Packed with everything a kid could never want—nothing funny, gross, cool, cute, or silly—this picture book is really not for you. There definitely aren’t any monsters or ninjas, and you can forget about aliens. You probably won’t even like this story. But you’re going to read it anyway, aren’t you? The narrator, a curmudgeonly man with an impressive mustache, is delightfully unaware of the funny, gross, cool, cute, and silly things happening around him and his anxious dog (wh

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Every business faces the existential threat of competitors producing cheaper copies. Even patent filings, market dominance and financial resources can't shield them from copycats. So what can we do--and, what can we learn from companies that have endured and even prospered for centuries despite copycat competition?In a book of narrative history and practical strategy, IMD professor of management and innovation Howard Yu shows that succeeding in today's marketplace is no longer just a matter of mastering copycat tactics, companies also need to leap across knowledge disciplines, and to reimagine how a product is made or a service is delivered. This proven tactic can protect a company from being overtaken by new (and often foreign) copycat competitors.Using riveting case studies of successful leaps and tragic falls, Yu illustrates five principles to success that span a wide range of industries, countries, and eras. Learn about how P&G in the 19th century made the leap from handcrafted soaps and candles to mass production of its signature brand Ivory, leaped into the new fields of consumer psychology and advertising, then leaped again, at the risk of cannibalizing its core product, into synthetic detergents and won with Tide in 1946. Learn about how Novartis and other pharma pioneers stayed ahead by making leaps from chemistry to microbiology to genomics in drug discovery; and how forward-thinking companies, including China's largest social media app--WeChat, Tokyo-based Internet service provider Recruit Holdings, and Illinois-headquartered John Deere are leaping ahead by leveraging the emergence of ubiquitous connectivity, the inexorable rise of intelligent machines, and the rising importance of managerial creativity.Outlasting competition is difficult; doing so over decades or a century is nearly impossible--unless one leaps. Ultimately, Leap is a manifesto for how pioneering companies can endure and prosper in a world of constant change and inevitable copycats.

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Howard Marks is the most famous drug smuggler of his age, and a hero to a generation. On his release from one of America's toughest prisons, Howard made a promise to himself to go straight. No more drugs, no more smuggling, no more fake passports. He would retire to a quiet life with his family in the Balearic Islands of Spain. It didn't quite work out that way.This was the mid-nineties, the height of the ecstasy and clubbing boom, and Ibiza was at the very centre of the vortex for the 'E generation'. Pills had taken the place of marijuana, Paul Oakenfold had replaced The Rolling Stones as the music of the masses, but some people are just born for life on the other side of the law.It wasn't long before Howard found himself trying pure ecstasy and rubbing shoulders with some of the king-pins of the pill trade. These included some of Britain's most notorious gangsters, who were laundering millions of pounds of gold stolen from the legendary Brink's-Mat bullion raid. As Britons descended on Ibiza ahead of one of the greatest summers of the nineties, Howard was preparing for his most outrageous operation yet.Incredibly funny, moving and scabrous, Howard Marks' Mr Smiley follows a journey to the heartland of the clubbing and British crime scene. It is also a fitting last word from one of Britain's best loved bad boys.

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"Ball's arguments are concise, compelling, and backed with considerable case law. This volume is highly recommended for upper-level undergraduates and above in law, philosophy, and the medical humanities interested in the 'right to die' debates. Summing up: Highly recommended." —Choice Over the past hundred years, average life expectancy in America has nearly doubled, due largely to scientific and medical advances, but also as a consequence of safer working conditions, a heightened awareness of the importance of diet and health, and other factors. Yet while longevity is celebrated as an achievement in modern civilization, the longer people live, the more likely they are to succumb to chronic, terminal illnesses. In 1900, the average life expectancy was 47 years, with a majority of American deaths attributed to influenza, tuberculosis, pneumonia, or other diseases. In 2000, the average life expectancy was nearly 80 years, and for too many people, these long lifespans included cancer, heart failure, Lou Gehrig’s disease, AIDS, or other fatal illnesses, and with them, came debilitating pain and the loss of a once-full and often independent lifestyle. In this compelling and provocative book, noted legal scholar Howard Ball poses the pressing question: is it appropriate, legally and ethically, for a competent individual to have the liberty to decide how and when to die when faced with a terminal illness? At Liberty to Die charts how, the right of a competent, terminally ill person to die on his or her own terms with the help of a doctor has come deeply embroiled in debates about the relationship between religion, civil liberties, politics, and law in American life. Exploring both the legal rulings and the media frenzies that accompanied the Terry Schiavo case and others like it, Howard Ball contends that despite raging battles in all the states where right to die legislation has been proposed, the opposition to the right to die is intractable in its stance. Combining constitutional analysis, legal history, and current events, Ball surveys the constitutional arguments that have driven the right to die debate.

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This riveting story of the typhus and cholera epidemics that swept through New York City in 1892 has been updated with a new preface that tackles the COVID-19 pandemic.Winner, 2003 Arthur J. Viseltear Prize for Outstanding Book in the History of Public Health, American Public Health AssociationIn Quarantine! Howard Markel traces the course of the typhus and cholera epidemics that swept through New York City in 1892. The story is told from the point of view of those involved—the public health doctors who diagnosed and treated the victims, the newspaper reporters who covered the stories, the government officials who established and enforced policy, and, most importantly, the immigrants themselves. Drawing on rarely cited stories from the Yiddish American press, immigrant diaries and letters, and official accounts, Markel follows the immigrants on their journey from a squalid and precarious existence in Russia's Pale of Settlement, to their passage in steerage, to New York's Lower East Side, to the city's quarantine islands.This updated edition features a new preface from the author that reflects on the themes of the book in light of the COVID-19 pandemic. At a time of renewed anti-immigrant sentiment and newly emerging infectious diseases, Quarantine! provides a historical context for considering some of the significant problems that face American society today.

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A definitive history of the race to unravel DNA’s structure by one of our most prominent medical historians

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Howard Fergus's poems explore the nature of living on Montserrat, a 'two-be-three island/hard like rock', vulnerable to the forces of nature (Hurricane Hugo and the erupting Soufriere) and still 'this British corridor'. He writes honestly and observantly about these contingencies, finding in them metaphors for experiences which are universal. Nature's force strips life to its bare essentials ('Soufriere opened a new bible/in her pulpit in the hills/ to teach us the arithmetic of days') and reveals creation and destruction as one ('We celebrate Hugo child of God/ he killed and made alive for a season').In a small island society, individual lives take on an enhanced significance: they are its one true resource and the sequence of obituary poems brings home with especial force how irreplaceable they are. Beyond Montserrat, Fergus looks for a wider Caribbean unity, but finds it only in cricket (and crime). Cricket, indeed, provides a major focus for his sense of the ironies of Caribbean history: that through a white-flannelled colonial rite with its roots in an imperial sense of Englishness, the West Indies has found its only true political framework and the means, explored in the sequence of poems celebrating Brian Lara's feats of 1994, to overturn symbolically the centuries of enslavement and colonialism."Fergus is a poet of real stature."Stewart Brown, Longman Caribbean New Voices 1"Fergus reaches his peak with fine poems dedicated to his friends, none among them as penetrating as Timo. A larger-than-life character, Timo is good from the heart and generous to the bone. This archetypal character is fast disappearing, and Fergus reminds us through a last bedside visit. But he does something else that rings true. He captures Timo's essentially nativist language, the lingua franca of the praise-song; this poem is no wooden obituary. Far beyond the mythic spectator fields of Lord's and mythic Elysium, we applaud Fergus on this second stride to the wicket. His first poetic volume, "Allioguana," rightfully alluded to the rich incantatory Amerindian legacy of this island. A mature poet, Howard A. Fergus is caught playing in familiar themes far afield."Edgar Othniel Lake, The Caribbean WriterHoward Fergus was born at Long Ground in Montserrat. His poetry began appearing from 1976, with Cotton Rhymes; Green Innocence (1978), Stop the Carnival (1980), and his poems have been anthologised in the Penguin Book of Caribbean Verse and appeared in Artrage, Writing Ulster, Bim, The New Voices, Caribbean Quarterly, Ambit, Caribanthology and others. His most recent collection is Volcano Verses (Peepal Tree, 2003).

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It isn’t uncommon to hear now that race hardly matters anymore—that we’ve somehow gotten beyond it. In the face of such pronouncements, and the misconceptions that prompt them, this book aims to show precisely why and how race has always been, and remains, absolutely fundamental to modern politics. Howard Winant, one of the leading sociologists of race and ethnicity working today, clearly locates race at the crossroads of identity and social structure, where difference frames inequality and where political processes operate with a comprehensiveness that ranges from the world-historical to the intimately psychological.The New Politics of Race brings together Winant’s new and previously published essays to form a comprehensive picture of the origins and nature of the complex racial politics that engulf us today. It is only in light of the post–World War II patterns of racial insurgency and reform that these politics can be understood, Winant asserts. His work offers a thorough grounding in these patterns, describing the breakdown of a certain racial order after World War II and identifying the ways in which racial hierarchies everywhere are being reestablished and reenergized, often in clandestine, or at least unfamiliar, forms.Theoretically acute and empirically sound, his essays deftly analyze the character of racial formations in a world that is, on the surface, deeply committed to eradicating racism.Howard Winant is professor of sociology at the University of California, Santa Barbara. He is the author of Racial Conditions (Minnesota, 1994) and The World Is a Ghetto, and the coauthor with Michael Omi of Racial Formation in the United States.

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Words That Make New Jersey History is a book-length collection of documents that spans the history of New Jersey, from the arrival of Dutch traders in the 1600s to the present. The materials touch on a range of subjects such as factories and farms, cities and suburbs, slavery and abolitionism, the temperance and woman suffrage campaigns, race and ethnic relations, the labor movement, and economic and environmental issues. The documents include letters, journals, pamphlets, petitions, artwork, and songs created not only by those who exercised power, but also by men and women of more humble station--immigrants, workers, slaves, foreign travelers, and civil servants. Their lively accounts range from descriptions of Native Americans in the seventeenth century to Bruce Springsteen's recent lament about a declining factory town. New to this expanded edition is the text of James McGreevey's "I am a Gay American" speech, as well as entries about the Abbott v. Burke court ruling mandating that New Jersey equalize funding of urban and suburban schools districts, sprawl and its effects on water supply, and the state's economic boom in the 1990s.A balanced survey of New Jersey's history presented in the context of a changing nation, this volume is well suited to general readers who want to explore the primary sources of the state's past, and to U.S. history students at the high school and college levels.

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In Transcending Capitalism, Howard Brick explains why many influential midcentury American social theorists came to believe it was no longer meaningful to describe modern Western society as "capitalist," but instead preferred alternative terms such as "postcapitalist," "postindustrial," or "technological." Considering the discussion today of capitalism and its global triumph, it is important to understand why a prior generation of social theorists imagined the future of advanced societies not in a fixed capitalist form but in some course of development leading beyond capitalism. Brick locates this postcapitalist vision within a long history of social theory and ideology. He challenges the common view that American thought and culture utterly succumbed in the 1940s to a conservative cold war consensus that put aside the reform ideology and social theory of the early twentieth century. Rather, expectations of the shift to a new social economy persisted and cannot be disregarded as one of the elements contributing to the revival of dissenting thought and practice in the 1960s. Rooted in a politics of social liberalism, this vision held influence for roughly a half century, from its interwar origins until the right turn in American political culture during the 1970s and 1980s. In offering a historically based understanding of American postcapitalist thought, Brick also presents some current possibilities for reinvigorating critical social thought that explores transitional developments beyond capitalism.

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In Age of Contradiction, Howard Brick provides a rich context for understanding historical events, cultural tensions, political figures, artistic works, and trends of intellectual life. His lucid and comprehensive book combines the best methods of historical analysis and assessment with fascinating subject matter to create a three-dimensional...

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This is a non specialist introduction to substructural logic. This book will take linguistics students beyond the classical logic used in introductory courses into the variety of non standard logics that are commonly used in research. It embraces a wide variety of material, including modal logic, partial logic, situation semantics and the growing area of the substructural logics, starting with simple and intuitive concepts. Prior knowledge of mathematical logic is not required as issues are introduced and discussed in clear and precise English before symbolic notation is introduced. The variety of material is organised around one central thread: the tailoring of logical systems to reasoning about different applications in linguistics and beyond. It does not presuppose any background in logic or mathematics. It is flexible enough to be used for several possible courses. It's self contained: introductory sections give a good grounding in the prerequisites of the course. It also includes suggestions for discussion aimed at more advanced students.

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This book will take linguistics students beyond the classical logic used in introductory courses into the variety of non standard logics that are commonly used in research. It embraces a wide variety of material, including modal logic, partial logic, situation semantics and the growing area of the substructural logics, starting with simple and intuitive concepts. Prior knowledge of mathematical logic is not required as issues are introduced and discussed in clear and precise English before symbolic notation is introduced.

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We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Howard Schuman is one of the premier scholars of social surveys. His expertise concerns the way questions about attitudes and beliefs are worded and the effects questions have on the answers people give. However, Method and Meaning in Polls and Surveys is less about the substance of wording effects and more about approaches to interpreting the respondent’s world, and how surveys can make that world understandable—though often in ways not anticipated by the researcher.Schuman examines the question-answer process that is basic to polls and surveys, as it is in so much of life. His concern is with the nature of questioning itself, with issues of validity and bias, and with the scope and limitations of meaning sought through polls and surveys. Writing with both wisdom and humor, Schuman considers the issues both at a theoretical level, bringing in ideas from other social sciences, and empirically with substantive research of his own and others. The book will be of interest to social scientists, to survey researchers in academia and business, and to all those concerned with the pervasive influence of polls in society.

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Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hard-nosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana’s “Smells Like Teen Spirit,” his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and often from the world at large.In the freewheeling spirit of Pauline Kael, Lester Bangs, and Manny Farber, Hampton calls up the extremist, underground tendencies and archaic forces simmering beneath the surface of popular forms. Ranging from the kinetic poetry of Hong Kong cinema and the neo–New Wave energy of Irma Vep to the punk heroines of Sleater-Kinney and Ghost World, Born in Flames plays odd couples off one another: pitting Natural Born Killers against Forrest Gump, contrasting Jean-Luc Godard with Steven Spielberg, defending David Lynch against aesthetic ideologues, invoking The Curse of the Mekons against Fredric Jameson’s Postmodernism, and introducing D. H. Lawrence to Buffy the Vampire Slayer. “We are born in flames,” sang the incandescent Lora Logic, and here those flames are a source of illumination as well as destruction, warmth as well as consumption.From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents Plastic People of the Universe, Born in Flames is a headlong plunge into the passions and disruptive power of art.

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What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenics, sexology, crimes of passion, homosexuality, intersexuality, transsexuality, masculine anxiety, sex work, and HIV/AIDS. Following a loose chronological sequence, the chapters examine revealing historical moments in which human desire and power dynamics came into play. Collectively, the contributors undertake a necessary historiographic intervention by reconsidering Western categorizations and exploring Chinese understandings of sexuality and erotic orientation.

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Opening a window on a storied past, longtime Indianapolis television journalist and lifelong theatergoer Howard Caldwell presents the story of the magnificent theaters of Indianapolis. Caldwell shares with us the pleasure these majestic spaces brought to thousands of Hoosiers during their glory days—when an outing to the theater was a special event and film was still a marvel of technology. He discusses the roles played by the greatest stars of the day and relates the origins of Indy's famous theaters: the Murat, the Circle, the Indiana, the English, and the Lyric, to name a few. Caldwell points out which theaters featured burlesque shows and vaudeville routines, explores the traditions of regional and national theater productions, notes when the first motion pictures and talkies came to town, and highlights old time musical reviews and symphonic performances. Vividly illustrated with rare photos and anecdotes, The Golden Age of Indianapolis Theaters celebrates the city's rich theater tradition.

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This reader presents the latest and most cutting-edge work in Sinophone studies, bringing together both senior and emerging scholars to highlight the interdisciplinary reach and significance of this vital field.

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As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum.Against the backdrop of the Sinophone Pacific, Chiang argues that the concept of transgender identity must be rethought beyond a purely Western frame. At the same time, he challenges China-centrism in the study of East Asian gender and sexual configurations. Chiang brings Sinophone studies to bear on trans theory to deconstruct the ways in which sexual normativity and Chinese imperialism have been produced through one another. Grounded in an eclectic range of sources—from the archives of sexology to press reports of intersexuality, films about castration, and records of social activism—this book reorients anti-transphobic inquiry at the crossroads of area studies, medical humanities, and queer theory. Timely and provocative, Transtopia in the Sinophone Pacific highlights the urgency of interdisciplinary knowledge in debates over the promise and future of human diversity.

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