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Bilingual edition German / Italian Glimmering glass beads can be threaded onto thin wire and shaped into flowers - a historical handcraft based in Venice and its famous Murano glass. In this lavishly illustrated book, Georg Ragnar Levi tells the fascinating story of how beaded flowers came to be loved and despised - and at one point in history even banned. So-called French beaded flowers were created in homes, convents, prisons, and workshops, and were used for ornamental and symbolic purposes at baptisms, weddings, and funerals. The author guides us through the history, techniques, materials, and personal stories behind the craft, showing how the demand for wreaths and bouquets in the early 1900s became the bread and butter of many families in Europe and made the glassworks of Murano and Bohemia prosper. Edizione bilingue – Tedesco/Italiano Quella dei fiori di perline è un’arte antica e straordinaria, di origine veneziana; una manualità che pareva perduta, ma che sopravvive nel tempo. Le fioriture perenni sono realizzate con minute perline di vetro di Murano e boeme, montate su un finissimo filo di ferro. Le recensioni definiscono il volume riccamente illustrato di Georg Ragnar Levi "una rivelazione". L’autore conduce con naturalezza il lettore attraverso la storia, le tecniche, i materiali e i racconti personali che accompagnano le creazioni floreali. Translation into German / Traduzione in tedesco: Klaus-Jürgen Liedtke Translation into Italian / Traduzione in italiano: Carmen Giogetti Cima　

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In the course of his doctoral thesis, Shahin for the first time carried out an in-depth analysis of the 102 surviving fragments of the originally 144 books of the Universal History by Nicolaus of Damascus (64-4 BC). Nicolaus was one of a number of ancient authors including Poseidonius, Diodorus Siculus, Strabo, Pompeius Trogus, Dionysius of Halicarnassus and Timagenes who composed universal histories. Shahin analyses Nicolaus' Universal History in terms of both its structure and content by means of (a) composing a commentary on all of the fragments and (b) exploring their respective, distinctive characteristics, which contributed to their preservation. The work is based on Felix Jacoby’s Die Fragmente der griechischen Historiker, which remains the principal edition. The analysis takes into account the textual context in which the fragments were transmitted, as well as recent research findings about doubtful references, textual variants and fragments that may be the work of Nicolaus.

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An excellent book for professional crystallographers! In 2012 the crystallographic community celebrated 100 years of X-ray diffraction in honour of the pioneering experiment in 1912 by Max von Laue, Friedrich and Knipping. Experimental developments e.g. brilliant X-ray sources, area detection, and developments in computer hardware and software have led to increasing applications in X-ray analysis. This completely revised edition is a guide for practical work in X-ray analysis. An introduction to basic crystallography moves quickly to a practical and experimental treatment of structure analysis. Emphasis is placed on understanding results and avoiding pitfalls. Essential reading for researchers from the student to the professional level interested in understanding the structure of molecules.

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This second edition guide to the German Unfair Competition Act (UWG) will be published in three volumes at thebeginning of 2013. The guide’s commentary is grounded in a firm understanding of legal issues, yet is also practical in its orientation. Written by respected legal scholars, the guide takes into account the significant reforms to the UWG that were instituted in recent years, particularly in 2004 and 2008. The guide also addresses recent judicial decisions, contributions to the literature on the UWB, as well as developments in European law.

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An illustrated manual showing how a medieval tournament was organised, here presented in three volumes with essays on various aspects of the manuscript. This 3 volume set contains the full text of René d'Anjou's Livre des tournois. This is famous as the most substantial account of the organisation of a medieval tournament that has come down to us. It survives in eight manuscripts, most of which have an almost identical layout; the best of these is a magnificent work of art in its own right. But these manuscripts have a further interest to the historian of culture, because they represent in effect the evidence for one of the first illustrated manuals, in which text and image are complementary, and form a single whole. The copyists understood this, and followed the original because the mise en page was an essential part of the whole. Justin Sturgeon's interdisciplinary study reveals the patterns and relationships which give the manual its very specific character. The study begins by exploring the relationship between the work's images and text, and brings into focus the author's identity as an authority on the subject matter. Next, the use and depiction of heraldry as essential to the construction of an embedded visual narrative within the work is explored. We then turn to the subject matter and to René's sources for the work and the form of tournament he describes, are examined and the author shows that René was drawing on specific precedents to construct his idealized version of such an event. Analysis of the visual presentation uses spatial and ritual theory to engage with a series of spectacles surrounding the punishment and review of the noble tourneyers. The last section of the book concentrates on the physical manuscripts.The codicological, textual and visual evidence from all eight known medieval manuscript copies is used to construct a new understanding of the provenance and transmission of the work, before turning to scrutinize the reception of two copies in detail. The conclusion draws together threads of identity, authority, and the importance of the Livre des tournois as a product of the culture and circumstances of its production. A series of appendices forms the second volume and directly supports the book. These appendices include the first scholarly edition of the source manuscript to make use of all eight medieval manuscripts,with full supporting data. The third volume contains 300 images of vital comparisons in high resolution close-ups using a special technique developed by the author which highlights important details within images while showing the detail in the context of the whole picture. Three Volume set.

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