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En un momento de notable crisis espiritual, Tolstói, basándose en la experiencia real de un viaje que emprendiera dos años antes, escribe La tormenta de nieve (1856). Con una muy fuerte carga metafísica, nos describe, al amparo de las condiciones externas, un sueño y la presencia de la muerte, el punto de inflexión entre el conformismo y el coraje. Memorable y entrañablemente poética, esta narración a medio camino entre la alegoría y el diario nos habla de la toma de conciencia de uno mismo y de sus retos.Lev Tolstói (Yásnaia Poliana, 1828-Astapovo, 1910). Su destreza narrativa, la profundidad de sus intuiciones y la precisión psicológica con la que describe a sus personajes lo erigen en uno de los pensadores morales más fecundos y más fascinantes de la literatura de todos los tiempos. En su obra hay títulos tan relevantes como Guerra y paz (1869), Anna Karénina (1877) o Resurrección (1899). En esta editorial han aparecido Sonata a Kreutzer (1889; Acantilado, 2003), una selecció

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Eighty years after his death in a Japanese prison camp, this compelling new biography charts the career of a distinguished but hitherto neglected hero of the British army. Major-General Merton Beckwith-Smith DSO, MC commanded the British 18th Division during the catastrophic Fall of Singapore in February 1942. A highly respected and much decorated veteran of the First World War, he was captured along with tens of thousands of other soldiers - British, Indian, Australian, and Malay - who were then held prisoner on Singapore Island. Amidst hunger, disease and widespread despair in Changi, over the next six months he rallied the spirits of his soldiers, created a make-shift university and theatre, and helped to inspire a remarkable renewal of collective church life. At the same time, he improved conditions for hospital patients and encouraged sports and other recreations. While the fate of many of the men he led was to toil, and often die, on the infamous Burma Railway, Beckwith-Smith was exiled to Karenko Camp, Formosa (present-day Taiwan), where, mistreated and malnourished, he died of diphtheria and heart failure on 11 November 1942. Beckwith-Smith, was the most senior British officer to end his life as a prisoner of war in the Far East. Yet until now he has been a strangely forgotten warrior. Based on exclusive access to family archives, and drawing on an array of other eye-witness accounts, Michael Snape's richly detailed biography brings to an end that neglect. The result is a story that offers vivid insights into one man's experience of two world wars, while also revealing why he was so admired by his fellow officers and by the ordinary soldiers who served under him.

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Leo Tolstoy's last completed novel, Resurrection is an intimate, psychological tale of guilt, anger and forgiveness, translated from the Russian with an introduction and notes by Anthony Briggs in Penguin Classics.Serving on the jury at a murder trial, Prince Dmitri Nekhlyudov is devastated when he sees the prisoner - Katyusha, a young maid he seduced and abandoned years before. As Dmitri faces the consequences of his actions, he decides to give up his life of wealth and luxury to devote himself to rescuing Katyusha, even if it means following her into exile in Siberia. But can a man truly find redemption by saving another person? Tolstoy's most controversial novel, Resurrection (1899) is a scathing indictment of injustice, corruption and hypocrisy at all levels of society. Creating a vast panorama of Russian life, from peasants to aristocrats, bureaucrats to convicts, it reveals Tolstoy's magnificent storytelling powers.Anthony Briggs' superb new translation preserves Tolstoy's gripping realism and satirical humour. In his introduction, Briggs discusses the true story behind Resurrection, Tolstoy's political and religious reasons for writing the novel, his gift for characterization and the compelling psychological portrait of Dmitri. This edition also includes a chronology, notes and a summary of chapters.Leo Tolstoy (1828-1910) spent his youth in wasteful idleness until 1851, when he travelled to the Caucasus and joined the army with his older brother, fighting in the Crimean war. After marrying in 1862, Tolstoy settled down, managing his estates and writing two of his best-known novels, War and Peace (1869) and Anna Karenina (1878). A Confession (1879-82) marked a spiritual crisis in his life, and in 1901 he was excommunicated by the Russian Holy Synod. He died in 1910, in the course of a dramatic flight from home, at the small railway station of Astapovo.If you enjoyed Resurrection, you might like Ivan Goncharov's Oblomov, also available in Penguin Classics.

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Why, asks Daniel Rancour-Laferriere in this controversial book, has Russia been a country of suffering? Russian history, religion, folklore, and literature are rife with suffering. The plight of Anna Karenina, the submissiveness of serfs in the 16th and 17th centuries, ancient religious tracts emphasizing humility as the mother of virtues, the trauma of the Bolshevik revolution, the current economic upheavals wracking the country-- these are only a few of the symptoms of what The Slave Soul of Russia identifies as a veritable cult of suffering that has been centuries in the making. Bringing to light dozens of examples of self-defeating activities and behaviors that have become an integral component of the Russian psyche, Rancour-Laferriere convincingly illustrates how masochism has become a fact of everyday life in Russia. Until now, much attention has been paid to the psychology of Russia's leaders and their impact on the country's condition. Here, for the first time, is a compelling portrait of the Russian people's psychology.

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Choice Outstanding Academic Title 2014 Transnational Tolstoy renews and enhances our understanding of Tolstoy's fiction in the context of "World Literature," a term that he himself used in What is Art? (1897). It offers a fresh perspective on Tolstoy's fiction as it connects with writers and works from outside his Russian context, including Stendhal, Flaubert, Goethe, Proust, Lampedusa and Mahfouz. Foster provides an interlocking series of cross-cultural readings ranging from nineteenth-century Germany, France, and Italy through the rise of modernist fiction and the crisis of World War II, to the growth of a worldwide literary outlook from 1960 onward. He emphasizes Tolstoy's writings with the most consistent international resonance: War and Peace and Anna Karenina, two of the world's most compelling novels. Transnational Tolstoy also discusses a shorter work, Hadji Murad. It shares the earlier novels' historical sweep, social breadth, and subtle interplay among a large cast of characters. Along with bringing Tolstoy's gifts to bear on a Muslim protagonist, it also represents his most sustained attempt at world literature.

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Greta Garbo proclaimed him as her favorite director. Actors, actresses, and even child stars were so at ease under his direction that they were able to deliver inspired and powerful performances. Academy–Award–nominated director Clarence Brown (1890–1987) worked with some of Hollywood's greatest stars, such as Clark Gable, Joan Crawford, Mickey Rooney, Katharine Hepburn, and Spencer Tracy. Known as the "star maker," he helped guide the acting career of child sensation Elizabeth Taylor (of whom he once said, "she has a face that is an act of God") and discovered Academy–Award–winning child star Claude Jarman Jr. for The Yearling (1946). He directed more than fifty films, including Possessed (1931), Anna Karenina (1935), National Velvet (1944), and Intruder in the Dust (1949), winning his audiences over with glamorous star vehicles, tales of families, communities, and slices of Americana, as well as hard-hitting dramas. Although Brown was admired by peers like Jean Renoir, Frank Capra, and John Ford, his illuminating work and contributions to classic cinema are rarely mentioned in the same breath as those of Hollywood's great directors.In this first full-length account of the life and career of the pioneering filmmaker, Gwenda Young discusses Brown's background to show how his hardworking parents and resilient grandparents inspired his entrepreneurial spirit. She reveals how the one–time engineer and World War I aviator established a thriving car dealership, the Brown Motor Car Company, in Alabama - only to give it all up to follow his dream of making movies. He would not only become a brilliant director but also a craftsman who was known for his innovative use of lighting and composition.In a career spanning five decades, Brown was nominated for five Academy Awards and directed ten different actors in Oscar-nominated performances. Despite his achievements and influence, however, Brown has been largely overlooked by film scholars. Clarence Brown: Hollywood's Forgotten Master explores the forces that shaped a complex man - part–dreamer, part–pragmatist - who left an indelible mark on cinema.

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The Death of Ivan Ilyich and Other Stories is a collection of stories that emerged from a profound spiritual crisis, during which Leo Tolstoy believed that he had encountered death itself. This Penguin Classics edition is translated with an introduction by Anthony Briggs, David McDuff and Ronald Wilks.These seven compelling stories explore, in very different ways, Tolstoy's preoccupation with mortality. 'The Death of Ivan Ilyich' is a devastating account of a man fighting his inevitable end, and asks the existential question: why must a good person be taken before his time? In 'Polikushka', a light-fingered drunk's chance to prove himself has tragic repercussions, while 'Three Deaths' depicts the last moments of an aristocrat, a peasant and a tree, and 'The Forged Coupon' shows a seemingly minor offence that leads inexorably to ever more horrific crimes. And in three tales about soldiers, 'After the Ball', 'The Wood-felling' and 'The Raid', Tolstoy portrays the brutality that all too often accompanies military life.The translations by Anthony Briggs, David McDuff and Ronald Wilks capture Tolstoy's powerful, vivid prose. This edition also includes a new introduction by Anthony Briggs discussing Tolstoy's breakdown and the effect this had on his writing, as well as a chronology, further reading and notes.Leo Tolstoy (1828-1910) was born at Yasnaya Polyana, in central Russia. He led a life of wasteful idleness until 1851, when he travelled to the Caucasus and joined the army with his older brother, fighting in the Crimean war. After marrying Sofya Behrs in 1862, Tolstoy settled down, managing his estates and writing two of his best-known novels, War and Peace (1869) and Anna Karenina (1878). In 1884 Tolstoy experienced a spiritual crisis, becoming an extreme moralist, rejecting the state, the church and private property. His last novel, Resurrection (1900), was written to raise money for the Doukhobor sect of Christian spiritualists.If you enjoyed The Death of Ivan Ilyich, you might like Fyodor Dostoyevsky's Crime and Punishment, also available in Penguin Classics.

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Greta Garbo proclaimed him as her favorite director. Actors, actresses, and even child stars were so at ease under his direction that they were able to deliver inspired and powerful performances. Academy--Award--nominated director Clarence Brown (1890--1987) worked with some of Hollywood's greatest stars, such as Clark Gable, Joan Crawford, Mickey Rooney, Katharine Hepburn, and Spencer Tracy. Known as the "star maker," he helped guide the acting career of child sensation Elizabeth Taylor (of whom he once said, "she has a face that is an act of God") and discovered Academy--Award--winning child star Claude Jarman Jr. for The Yearling (1946). He directed more than fifty films, including Possessed (1931), Anna Karenina (1935), National Velvet (1944), and Intruder in the Dust (1949), winning his audiences over with glamorous star vehicles, tales of families, communities, and slices of Americana, as well as hard-hitting dramas. Although Brown was admired by peers like Jean Renoir, Frank Capra, and John Ford, his illuminating work and contributions to classic cinema are rarely mentioned in the same breath as those of Hollywood's great directors.In this first full-length account of the life and career of the pioneering filmmaker, Gwenda Young discusses Brown's background to show how his hardworking parents and resilient grandparents inspired his entrepreneurial spirit. She reveals how the one--time engineer and World War I aviator established a thriving car dealership, the Brown Motor Car Company, in Alabama -- only to give it all up to follow his dream of making movies. He would not only become a brilliant director but also a craftsman who was known for his innovative use of lighting and composition.In a career spanning five decades, Brown was nominated for five Academy Awards and directed ten different actors in Oscar-nominated performances. Despite his achievements and influence, however, Brown has been largely overlooked by film scholars. Clarence Brown: Hollywood's Forgotten Master explores the forces that shaped a complex man -- part--dreamer, part--pragmatist -- who left an indelible mark on cinema.

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Rapidly rising carbon emissions from the intense development of Western Canada's fossil fuels continue to aggravate the global climate emergency and destabilize democratic structures. The urgency of the situation demands not only scholarly understanding, but effective action. Regime of Obstruction aims to make visible the complex connections between corporate power and the extraction and use of carbon energy. Edited by William Carroll, this rigorous collection presents research findings from the first three years of the seven-year, SSHRC-funded partnership, the Corporate Mapping Project. Anchored in sociological and political theory, this comprehensive volume provides hard data and empirical research that traces the power and influence of the fossil fuel industry through economics, politics, media, and higher education. Contributors demonstrate how corporations secure popular consent, and coopt, disorganize, or marginalize dissenting perspectives to position the fossil fuel industry as a national public good. They also investigate the difficult position of Indigenous communities who, while suffering the worst environmental and health impacts from carbon extraction, must fight for their land or participate in fossil capitalism to secure income and jobs. The volume concludes with a look at emergent forms of activism and resistance, spurred by the fact that a just energy transition is still feasible. This book provides essential context to the climate crisis and will transform discussions of energy democracy.Contributions by Laurie Adkin, Angele Alook, Clifford Atleo, Emilia Belliveau-Thompson, John Bermingham, Paul Bowles, Gwendolyn Blue, Shannon Daub, Jessica Dempsey, Emily Eaton, Chuka Ejeckam, Simon Enoch, Nick Graham, Shane Gunster, Mark Hudson, Jouke Huizer, Ian Hussey, Emma Jackson, Michael Lang, James Lawson, Marc Lee, Fiona MacPhail, Alicia Massie, Kevin McCartney, Bob Neubauer, Eric Pineault, Lise Margaux Rajewicz, James Rowe, JP Sapinsky, Karena Shaw, and Zoe Yunker.

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"Ils se marierent et eurent beaucoup d'enfants". Le mariage est, par excellence, la conclusion obligee des contes de fees, des romans sentimentaux et des films hollywoodiens. Mais qu'en est-il dans d'autres genres, ou lorsque le mariage intervient au debut de la nouvelle ou au cour du roman? Est-il alors condamne, de facon egalement stereotypee, a etre defait? S'il est vrai que les "toutes les familles heureuses se ressemblent", comme l'ecrit Tolstoi au debut d'Anna Karenine, le bonheur matrimonial semble incompatible avec l'interet romanesque. Tel est le moindre paradoxe du mariage comme topos, heureux ou malheureux selon sa place dans le recit. La production narrative europeenne, du moyen-age a la fin du dix-huitieme siecle, offre un eventail extremement riche et diversifie de situations recurrentes (en d'autres termes de topoi) concernant le mariage. Or, dans la meme periode, le mariage est une institution et un sacrement en debat. A partir du seizieme siecle, de nouvelles lois, l'affirmation des droits de la subjectivite et des individus, en particulier des femmes, les guerres civiles et religieuses, la decouverte d'autres peuples et de coutumes etrangeres eveillent la reflexion et nourrissent les controverses. Comment s'articulent alors l'ordre du recit, les normes internes et externes a la fiction, et la perception du mariage comme probleme? C'est une certaine conception du pouvoir des fictions, en particulier dans leur rapport a la loi, qui est en jeu dans cette interaction complexe. Les etudes ici reunies envisagent les fictions comme des experiences de pensee permettant la conciliation, la compensation, le deplacement ou la deconstruction de conflits reels. C'est tantot la valeur subversive des fictions, tantot leur visee educative et morale, ou leur vertu consolatrice qui est soulignee. L'experience que nous faisons de mondes possibles plus ou moins desirables interroge et ameliore peut-etre, en effet, notre facon d'etre au monde. Sans doute est-ce la une des raisons du retour du stereotype, de sa contestation et de sa restauration constantes.

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The perfect pick me up romcom for fans of Beth O’Leary, Sophie Kinsella and Sophie Ranald! Mia Abbott’s move to Manchester was supposed to give her time and space from all the disastrous romantic choices she’s made in her past. But then the hot guy who lives opposite – the one who works out every day at exactly 10 a.m., not that Mia has noticed thank-you-very-much – starts leaving notes in his window…for her. Bar owner Luke Doyle has his own issues to deal with but as he shows Mia the sights of her new city he also shows her what real romance looks like for the first time. And when he cooks up a signature cocktail in her honour, she realises that the man behind the bar is even more enticing than any of his creations. And once she’s had a taste she knows it will never be enough! Readers are falling for Mr Right Across the Street: ‘This 5-star romcom had all the feels…For those looking for a great feel-good romance with a side of giggles, this is the book you need’ Norma ‘Perfect for those who love a good rom com!’ Joy ‘You’ll definitely laugh and love the characters…Totally relatable’ Karena ‘Hi, my name is Laura and I am in love with this book … rom-com fans everywhere give this book a go’ Laura ‘How could I resist such a cute cover?… I was lost in this book from the moment I picked it up’ Maggie ‘The concept of this book was incredibly sweet, with the messages on the window… It's like a Taylor Swift song’ Beata ‘Yes, yes, yes! I am here for strong female characters, always! … This was such a sweet story and the cover is beautiful!’ Ashley

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Let the pros help you plan and prep meals for your family - 100 home-cooking recipes used by chefs to feed those they love! Looking for meals that will appeal to everyone around the table? This book - the first of its kind - is the perfect solution, with 100 recipes - breakfast, lunch, snacks, dinner, treats - from the repertoires of world-famous chefs who cook for their children at home. Charming first-person stories offer a glimpse into their private lives as they strive to raise adventurous (and healthy) eaters. With "real life" photography from the chefs' own kitchens, much of which has been taken by the chefs themselves, and charming specially-commissioned illustrations from Stein, the chefs explain why each dish is much-loved, highlight how ingredients can expand palates, reveal insider tips, and share their work-life balance challenges. A peek behind the curtain at what the world's most exciting chefs actually make at home - perfect for home cooks at all skill and experience levels. Contributors include: Palisa Anderson, Karena Armstrong, Elena Arzak, Reem Assil, Alex Atala, Danny Bowien, Sean Brock, Manoella Buffara, Andreas Caminada, James Knappett & Sandia Chang, Jeremy Charles, Filip Claeys & Sandra Claeys, Johnny Clark & Beverly Kim, Margarita Forés, Suzanne Goin & David Lentz, Will Goldfarb, Adeline Grattard, Jocelyn Guest & Erika Nakamura, Rodolfo Guzmán, Fergus Henderson & Margot Henderson, Dylan Jones & Duangporn Songvisava, Edouardo Jordan, Najat Kaanache, Asma Khan, Angelos Lantos, Summer Le, Pía León & Virgilio Martínez, Margarita Manzke & Walter Manzke, Gísli Matt, JP McMahon, Marie-Aude Mery & Daniel Rose, Bonnie Morales, Nompumelelo Mqwebu, Vladimir Mukhin, Yoshihiro Narisawa, Anne-Sophie Pic, Elisabeth Prueitt, Heinz Reitbauer, Elena Reygadas, Jonathan Rhodes, Reuben Riffel, Nick Roberts & Brooke Williamson, Ana Roš, Ilona Scholl & Max Strohe, Didem Senol, Ben Shewry, Pierre Thiam, Kwang Uh & Mina Park, Mickael Viljanen, Lee Anne Wong, Claudette Zepeda-Wilkins, Jock Zonfrillo.

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