Search results for ""Author Ross"

Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Each year, CARTHA initiates research and publishes issues on a topic in its online magazine, which are then brought together in an annual book. In 2016, CARTHA was invited to participate in the Lisbon Architecture Triennale. Adopting the Triennale's topic, 'The Form of Form', the three issues that comprise CARTHA on the Form of Form explore the topic of form through different, yet complementary, lenses. The first issue, How to Learn Better, was edited by Bureau A and discusses pedagogical approaches to architecture. The second issue, The Architecture of the City: A Palimpsest, edited by Victoria Easton, Matilde Cassani, and Noura Al Sayeh, revisits and reinterprets Aldo Rossi's writings on the form of the city. Published during the Triennale, the third issue, Lisboa Paralela, was edited by the CARTHA editorial board and expands on urban forms by questioning the status quo of natural and social laws and speculating on these through essays and a design exercise by some of the most interesting voices of the current architectural scene.

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Tina Rossi, the world’s leading coloratura soprano, has travelled to Edinburgh, ostensibly to sing in the Festival, in reality to meet her lover, top scientist Kenneth Holmes. But instead of finding Kenneth at their rendezvous, she discovers an unknown corpse. Enter Johnson Johnson, a famous but enigmatic portrait painter whose yacht Dolly is about to sail in a race to the Hebrides where Holmes was conducting his top-secret research. Soon Tina and Johnson are sailing the high seas to investigate Holmes' disappearance, but as Dolly nears Rum, the race has become one for life rather than prize money…

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Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviours worthy of psychoanalysis? Why are the legendary "grands operas" so seldom performed today? Anselm Gerhard argues in this text that such questions can only be answered by recognizing that daily life in rapidly urbanized mid-19th-century Paris introduced not just new social forces, but also new modes of perception and expectations of art. He attempts to provide a realistic portrayal of life in a metropolic, librettists and composers of "grand opera" developed new forms and conventions, as well as new staging performance practices. For example, the "tableau", in which the chorus typically plays the role of a destructive mob. These larger urban and social concerns are brought to bear in Gerhard's discussions of eight operas, composed by Rossini, Auber, Meyebeer, Verdi, and Louise Bertin.

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Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives. The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.

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A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together“[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan’s partnership with Whistler throughout the 1860s and 1870s—a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler’s iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt. Published in association with the National Gallery of Art, WashingtonExhibition Schedule:Royal Academy of Arts, London (February 23–May 23, 2022)National Gallery of Art, Washington (July 3–October 10, 2022)

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From alpacas to zebus, crocodiles to wombats, journey through the individual histories of bizarre garden pets and their often bizarre owners. Who would dream of keeping a bear in the summerhouse, or a peccary in the park? Find out why the artist Rossetti favoured a wombat over a zebu, and if hares make good pets for depressed poets.Dr Twigs Way uncovers a secret world where crocodiles lurk in the fernery and flamingos stalk the shrubberies. From the Roman period to the modern day, discover the story of armadillos kept by merchants in London and Queen Charlotte’s filthy-tempered zebra. These are quirky tales of animals in the garden.

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Das Sammeln ist als produktives Werkzeug des Entwerfens in der Architektur bislang kaum erforscht worden. Dabei kennt die Architekturgeschichte zahlreiche Formen wie Muster-, Vorbild- oder Objektsammlungen, die immer neue Wissens- und Materialgrundlagen zugänglich machten. In diesem Buch gelingt erstmals eine fundierte Aufarbeitung dieses besonderen Entwurfswerkzeugs und seiner Operativität, theoretisch begründet und an Fallbeispielen der Geschichte und der Gegenwart belegt. Im Zentrum stehen dingliche Sammlungsgegenstände, die auf jeweils eigene Weise zu Referenzobjekten werden. Die Einzeldarstellungen widmen sich dem Sammeln im Entwurfsvorgang bei Ernö Goldfinger, Renaat Braem, Rudolf Olgiati und Aldo Rossi sowie bei AFF Architekten und Vogt Landschaftsarchitekten.

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This book is above all a commitment to encounter. Is the research result of a Working Group (Grupo de Trabajo) of the Latin American Council of Social Sciences (CLACSO), which brings together people who study and research, but who, above all, carry out collective actions from social organizations to transform the reality of our continent. This character of thinking doing, or rather, of doing thinking, of the Grupo de Trabajo gives this text a peculiar cadence. A cadence that demands a collective and cooperative authorship. It is also a recovery of the struggles that precede us, the sutures of the loom of memory that patriarchal and colonial capitalism strives to pierce, and that is another of the powers of this book. The book invites to dismantle the patriarchal and colonial legacies embedded in the very foundations of hegemonic academic thought, and demonstrates the urgent need to understand this as a political task of the moment. It is organized into three main stations, which, like a train journey, can be travelled through sequentially from beginning to end, or entered randomly, stopping at one or another section according to the interests and concerns of the moment. The volumes contributors are Alicia Migliaro Gonzaìlez, Ana Luciìa Ramazzini, Colectivo Magdalenas UruguayTeatro de las oprimidas, Cristina Cucuriì, Cristina Vega, Delmy Tania Cruz Hernaìndez, Dina Mazariegos Garciìa, Elvira Cuadra Lira, Eva Vaìzquez, Gabriela Ruales, Gabriela Veras Iglesias, Giulia Marchese, Inþigo Arrazola, Ivonne Yaìnez, Jonatan Rodas, Juliana Diìaz Lozano, Lisset Coba, Lorena Rodriìguez Lezica, Manuel Bayoìn, Mariano Feìliz, Mauricio Arellano Nucamendi, Melissa Moreano, Miriam Garciìa-Torres, Miriam Lang, Rosa H.G. Govela Gutieìrrez (), Rossana Cantieri Cagnone, Sofiìa Zaragocin, and Walda Barrios-Klee (). Rosa Govela Gutiérrez and Walda Barrios-Klee died while the book was being edited.

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Although the practice of disguising the illicit origins of money dates back thousands of years, the concept of money laundering as a multidisciplinary topic with social, economic, political and regulatory implications has only gained prominence since the 1980s. This groundbreaking volume offers original, state-of-the-art research on the current money laundering debate and provides insightful predictions and recommendations for future developments in the field.The contributors to this volume - academics, practitioners and government representatives from around the world - offer a number of unique perspectives on different aspects of money laundering. Topics discussed include the history of money laundering, the scale of the problem, the different types of money laundering, the cost to the private sector, and the effectiveness of anti-money laundering policies and legislation. The book concludes with a detailed and insightful synthesis of the problem and recommendations for additional steps to be taken in the future.Students, professors and practitioners working in economics, banking, finance and law will find this volume a comprehensive and invaluable resource.Contributors: H. Addink, A. Argentiero, M. Bagella, R.W. Baker, J. Biggins, J. Brettl, A. Buehn, F. Busato, P. Costanzo, S. Dawe, I. Deleanu, J. Ferwerda, L. Groot, T. Krieger, M. Levi, D. Masciandaro, K.J. McCarthy, D. Meierrieks, B. Mühl, E. Nowotny, T. Pietschmann, P. Reuter, F. Schneider, M. Stouten, A. Tilleman, L. Tromp, B. Unger, M. van den Broek, D. van der Linde, P.C. van Duyne, V. van Kommer, J. van Koningsveld, I. van Rossum, F. van Waarden, J. Vervaele, B. Vettori, J. Walker, M. von und zu Liechtenstein, J.S. Zdanowicz

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Violin Duet Time presents easy/intermediate duets for young violinists. Following on from Violin Playtime Duets, this anthology provides a selection of carefully graded duets for more advanced players, or for a pupil to play with a teacher. The material covered by this volume ranges from Mozart, Mendelssohn, Schubert and Rossini to folk tunes from Bulgaria and the Canary Islands.

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Navigate through the alphabet effortlessly and become the brunchtime hero and sparkling star of your soirées with this easy-to-follow recipe card deck.Elevate your celebrations with the Bubbly Cocktail Cards A­-Z—an effervescent journey through 75 delightful and bubbly concoctions. This comprehensive deck is your passport to mastering the art of crafting sparkling wine-based cocktails, ensuring that every sip is a toast to sophistication. Pop a bottle and pick a card with this fun way to select this evening’s—or morning’s—drink of choice. From classics to contemporary delights, Bubbly Cocktail Cards A­­-Z brings the world of effervescent mixology to your fingertips. Indulge in recipes such as: -Rhubarb Strawberry Rossini -Cranberry Holiday Bubbly -Classic Bellini -Berry-Lemonade Sparking Sangria -And more! Whether you’re commemorating milestones or simple adding a to

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Join Corrine Kenner as she recounts gentle hauntings of her Florida antique shop. Meet the ghost of Annette Dennis, who holds everyone in the shop to her high musical standards and the spirits of Jim and Rossie Hearne, who possess the store s newlywed dolls. Whether they are attracted to the century-old bungalow or the collectables sold within it, these spirits interact with the living to show us life s joys. In addition to hopeful stories, this book provides numerous tips for using psychometry, pendulums, dowsing rods, and tarot cards to help you reach out to friendly shadows of the past. Corrine s experiences with objects that appear out of nowhere, move on their own, and radiate psychic energy reassure us that we can still connect to loved ones on the other side.

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Encuadernación: Rústica con solapasColección: A tot vent-rusticaDavant del seu amic inconscient. Salvador rememora l'amistat que l'ha unit a Bartomeu. Cap dels dos no ha fet encara els 25 anys, i tenen molt en comú: són intellectualment brillants i ambiciosos; estimen l'art i la literatura; són insolents, provocadors i senten l'exaltació de la vida; s'admiren mútuament i han navegat plegats d'una punta a l'altra de la Mediterrània. Tot ho han compartit i celebrat, i és possible que s'hagin enamorat de la mateixa noia. Aquest enamorament i la diversitat d'orígens socials i de posició ideològica els ha acabat allunyant. Som a l'any 1938, en plena guerra civil. Una història emotiva basada en l'amistat entre Espriu i Rosselló-Pòrcel.

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Making a compelling argument for the continuing relevance of Brechtian film theory and cinema, this book offers new research and analysis of Brecht the film and media theorist, placing his scattered writings on the subject within the lively film theory debates that took place in Europe between the 1920s‐1960s. Furthermore, Angelos Koutsourakis identifies key points of convergence between Brecht’s `unfinished project’ and contemporary film and media theory. With case studies of films ranging from Robert Roberto Rossellini’s `Paisà’ to Bernardo Bertolucci’s `1900’ and Joshua Oppenheimer’s `The Act of Killing’ amongst others, this study challenges many existing preconceptions about Brecht’s theoretical position and invites readers to discover new ways of apprehending and making use of Brecht in film studies.

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A brilliant, dip-in collection of poems to be read aloud, with tips and advice on how to be the best poetry performer! This wonderful anthology is full of poems that are easy to remember and perfect for reciting out loud. It includes new, modern and classic poems, ranging from very short to long and written by a diverse range of poets from Joshua Seigal to Christina Rossetti and from Lewis Carrol to Debjani Chatterjee. The poems are arranged in order of length, making it easy to select the right poem for every level. Featuring tips for readers, teachers and parents on how to memorise poems and on performing them out loud, this book is perfect for the memorising and performance elements in the primary National Curriculum. Book Band: Brown Aimed at readers aged 7+

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In Poems to Live Your Life By, Chris Riddell, political cartoonist for the Observer, has selected his very favourite classic and modern poems about life, death and everything in between.This gorgeously illustrated collection includes forty-six poems and is divided into sections covering: musings, youth, family, love, imaginings, nature, war and endings. Chris Riddell brings them to life with his exquisite, intricate artwork in this beautiful anthology.This perfect gift features famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create the ultimate collection.

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Save water: Drink Prosecco Who doesn't love a chilled glass of Prosecco? Champagne's younger, more affordable Italian cousin is a light, dry sparkling wine, perfect for every occasion. From a summer tipple to a tasty cocktail, dinner accompaniment or festive fizz, you just can't beat it. And as global sales would indicate, Prosecco is the new black.Bubbling with Prosecco-infused wit and wisdom, and mixed with recipes for some of Italy's most iconic Prosecco cocktails – the Spritz, Rossini, Mimosa – The Little Book of Prosecco is a sparkling celebration of one of the world's best-loved wines that will have you reaching for a bottle and popping that cork in no time.Prosecco has only 90 calories per glass – that's less than a banana! 'All you need is love, laughter and Prosecco.' Unknown

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This unique troika of Handbooks provide indispensable coverage of the history of economic analysis. Edited by two of the foremost academics in the field, they gather together insightful and original contributions from scholars across the world. The encyclopaedic breadth and scope of the original entries will make these Handbooks an invaluable source of knowledge for all serious students and scholars of the history of economic thought.Each Handbook can be read individually and acts as a self-contained volume in its own right. They can be purchased separately or as part of a three-volume set.Volume III contains entries on the development of major fields in economics from the inception of systematic analysis until modern times. The reader is provided with succinct summary accounts of the main problems, the methods used and the results obtained across time. The emphasis is on both the continuity and major changes that have occurred in the economic analysis of problematic issues such as economic growth, income distribution, employment, inflation, business cycles and financial instability.Contributors: M. Assous, A. Baccini, Jr., A. Baujard, É. Bertrand, M. Boumans, J.L. Cardoso, M. Dal Pont-Legrand, J. De Boyer Des Roches, M. De Vroey, S. Di Rizzello, S. Diatkine, K. Dopfer, A.K. Dutt, R. Ege, G. Erreygers, D. Foley, R. Gómez Betancourt, D. Haas, H. Hagemann, E. Hosoda, H. Igersheim, A. Kirman, J. Kleinert, H. Kliemt, H.D. Kurz, R. Leonard, P. Malgrange, A. Maneschi, P. Mehrling, S. Mohun, M. Mosca, S. Noto, A. Opocher, N. Palan, F. Petri, A. Rainer, S. Rizzello, J.B. Rosser, M. Salles, N. Salvadori, M. Schütz, R. Signorino, A. Spada, P. Steiner, A. Stirati, R. Strohmaier, R. Sturn, C. Sunna, J.-F. Thisse, P. Tubaro, K. Watarai

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Arguably one of the most important economists who has lived, Ricardo's impact on the economics profession is immense. This unique and comprehensive Companion elucidates his significance and continuing legacy. Ricardo made major contributions to all fields of the subject, from monetary issues to value and income distribution, from capital accumulation, technical progress and economic growth to foreign trade and international specialization, and from taxes to public debt. What he called the main problem of political economy, the distribution of income and wealth, is again back on the political and economic agenda with a vengeance. Leading experts in the field explore his influence and offer novel interpretations of received doctrines.The concise yet comprehensive entries are arranged alphabetically for ease of use with cross references and suggestions for further reading. The Companion will serve as the standard reference work for all those engaged in the field of classical economics. It will also be essential reading for scholars and researchers interested in the history of economic thought, macroeconomics and political economy.Contributors include: R. Arena, T. Aspromourgos, M.S. Aßländer, R.E. Backhouse, I. Barens, E. Bellino, C. Bidard, S. Blankenburg, C. Casarosa, R. Ciccone, S. Cremaschi, M. Dardi, G. Deleplace, T. Dome, G. Erreygers, G. Faccarello, R. Faucci, D. Fiaschi, S. Fratini, G. Freni, C. Gehrke, A.F. Gilbert, G. Gilibert, P. Groenewegen, D. Haas, H. Hagemann, A. Heertje, J.E. King, H. Klausinger, H.D. Kurz, A. Maneschi, M.C. Marcuzzo, F. Meacci, M. Milgate, G. Mongiovi, F. Moseley, D.P.O'Brien, A. Opocher, A. Palumbo, S. Parrinello, C. Perrotta, M. Pivetti, P.L. Porta, A. Quadrio Curzio, S.A.T. Rizvi, A. Rosselli, C. Rotondi, N. Salvadori, R. Signorino, N. Sigot, M. Smith, A. Stirati, R. Sturn, P. Trabucchi, H.-M. Trautwein, P. Tubaro, K. Watarai

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This comprehensive Handbook presents the current state of art in the theory and methodology of macroeconomic data analysis. It is intended as a reference for graduate students and researchers interested in exploring new methodologies, but can also be employed as a graduate text. The Handbook concentrates on the most important issues, models and techniques for research in macroeconomics, and highlights the core methodologies and their empirical application in an accessible manner. Each chapter is largely self-contained, whilst the comprehensive introduction provides an overview of the key statistical concepts and methods. All of the chapters include the essential references for each topic and provide a sound guide for further reading.Topics covered include unit roots, non-linearities and structural breaks, time aggregation, forecasting, the Kalman filter, generalized method of moments, maximum likelihood and Bayesian estimation, vector autoregressive, dynamic stochastic general equilibrium and dynamic panel models. Presenting the most important models and techniques for empirical research, this Handbook will appeal to students, researchers and academics working in empirical macroeconomics and econometrics.Contributors: B.H. Baltagi, L. Bauwens, O. Boldea, J. Breitung, C. Cantore, M.J. Chambers, I. Choi, J. Davidson, V.J. Gabriel, R. Giacomini, P. Gomme, J. Gonzalo, P.A. Guerrón-Quintana, N. Haldrup, A.R. Hall, N. Hashimzade, M. Karanasos, L. Kilian, S. Kim, D. Korobilis, R. Kruse, P. Levine, D. Lkhagvasuren, A. Luati, H. Lütkepohl, J. Madeira, T.C. Mills, J.M. Nason, K. Patterson, J. Pearlman, J.-Y. Pitarakis, D.S.G. Pollock, T. Proietti, B. Rossi, F.J. Ruge-Murcia, T. Teräsvirta, M.A. Thornton, R.T. Varneskov, B. Yang, N. Zeng

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A paragon of cinema criticism for decades, Roger Ebert—with his humor, sagacity, and no-nonsense thumb—achieved a renown unlikely ever to be equaled. His tireless commentary has been greatly missed since his death, but, thankfully, in addition to his mountains of daily reviews, Ebert also left behind a legacy of lyrical long-form writing. And with Two Weeks in the Midday Sun, we get a glimpse not only into Ebert the man, but also behind the scenes of one of the most glamorous and peculiar of cinematic rituals: the Cannes Film Festival. More about people than movies, this book is an intimate, quirky, and witty account of the parade of personalities attending the 1987 festival—Ebert’s twelfth, and the fortieth anniversary of the event. A wonderful raconteur with an excellent sense of pacing, Ebert presents lighthearted ruminations on his daily routine and computer troubles alongside more serious reflection on directors such as Fellini and Coppola, screenwriters like Charles Bukowski, actors such as Isabella Rossellini and John Malkovich, the very American press agent and social maverick Billy “Silver Dollar” Baxter, and the stylishly plunging necklines of yore. He also comments on the trajectory of the festival itself and the “enormous happiness” of sitting, anonymous and quiet, in an ordinary French café. And, of course, he talks movies. Illustrated with Ebert’s charming sketches of the festival and featuring both a new foreword by Martin Scorsese and a new postscript by Ebert about an eventful 1997 dinner with Scorsese at Cannes, Two Weeks in the Midday Sun is a small treasure, a window onto the mind of this connoisseur of criticism and satire, a man always so funny, so un-phony, so completely, unabashedly himself.

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This book gives a coherent development of the current understanding of the fluid dynamics of the middle latitude atmosphere. It is primarily aimed at post-graduate and advanced undergraduate level students and does not assume any previous knowledge of fluid mechanics, meteorology or atmospheric science. The book will be an invaluable resource for any quantitative atmospheric scientist who wishes to increase their understanding of the subject. The importance of the rotation of the Earth and the stable stratification of its atmosphere, with their implications for the balance of larger-scale flows, is highlighted throughout.Clearly structured throughout, the first of three themes deals with the development of the basic equations for an atmosphere on a rotating, spherical planet and discusses scale analyses of these equations. The second theme explores the importance of rotation and introduces vorticity and potential vorticity, as well as turbulence. In the third theme, the concepts developed in the first two themes are used to give an understanding of balanced motion in real atmospheric phenomena. It starts with quasi-geostrophic theory and moves on to linear and nonlinear theories for mid-latitude weather systems and their fronts. The potential vorticity perspective on weather systems is highlighted with a discussion of the Rossby wave propagation and potential vorticity mixing covered in the final chapter.

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Echo is Jessica Curry’s emotive setting of the Christina Rossetti poem for SATB chorus and orchestra, composed for the highly regarded Crouch End Festival Chorus, here available with piano reduction. The piece is Curry’s response to losing her father during the COVID-19 pandemic. It serves not only as a reflection on grief but anchors the global events within a deeply personal context, asking that each loss and each life is seen, heard and remembered. A poignantly beautiful choral work, Echo is characterised by its contemporary and delicately ethereal musical style. Dynamic in its contrasting tones and textures, it is ideal for concert performances. Orchestral parts are available to hire.

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In May of 1868, Elizabeth Bingham Young and her husband of only fivemonths, Egerton Ryerson Young, began a long journey from Hamilton,Ontario, to the Methodist mission of Rossville, at Norway House. Overthe next eight years, Elizabeth supported her husband’s work atRossville and then at the newly founded mission of Berens River, on theeast shore of Lake Winnipeg. In these remote outposts, she gave birthto four children, one of whom died in infancy, acted as a nurse anddoctor, and applied both perseverance and determination to learningCree, while also coping with poverty and a chronic shortage ofsupplies, both in the mission and in the community it served. WhenElizabeth died, in 1935, she left behind various reminiscences, notablyan extended account of her experiences at Norway House and BerensRiver, evidently written in 1927. Her memoirs offer an exceedingly rareportrait of mission life as seen through the eyes of a woman. Elizabeth’s first child and only surviving son, also namedEgerton Ryerson Young but known in his youth as “Eddie,”was born at Norway House in 1869. Cared for by a Cree woman almost frominfancy, Eddie spent his early childhood immersed in local Cree andOjibwe life, culture, and language, in many ways exemplifying theprocess of reverse acculturation often in evidence among the childrenof missionaries. He, too, left behind hitherto unpublishedreminiscences, one composed around 1935 and a second dictated shortlybefore his death. Like those of his mother, Eddie’s memoriescapture the sensory and emotional texture of mission life, a life inwhich the Christian faith is implicit rather than prominently ondisplay, while also providing an intriguing counterpoint to hismother’s recollections. Like all memoirs, these are refractedthrough the prism of time, and yet they remain startling in theirimmediacy. Together, the writings of mother and son—conjoinedhere with a selection of archival documents that supplement the mainnarratives, with the whole meticulously edited by Jennifer S. H.Brown—afford an all too uncommon opportunity to contemplatemission life from the ground up.

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This timely book provides a multidisciplinary and comparative analysis of the ongoing terrorist threats against all aspects of air transportation, the effectiveness of the responses, globally, regionally, and nationally, and the continuing challenges to policy makers seeking to achieve a safe and secure global aviation system.The first section provides an overview of the industry?'s characteristics, the economic and regulatory issues shaping the security environment, such as legal frameworks and the role of the private sector in safeguarding passenger and air cargo flights. The second section provides comparative analyses of security policies and practices in several key countries: the United States, Canada, Brazil, Kenya, Israel, Malaysia, Japan and Australia. The book concludes with a comparative analysis of the contemporary state of aviation security policies and practices and its future challenges.Containing extensive interdisciplinary analyses of the main issues and challenges related to all aspects of aviation security, the book will be of great interest not only to scholars, students and practitioners concerned with aviation security, and to institutions that provide courses or programs in aviation management and related fields, but also to anyone dealing with such related topics as terrorism, public policy, transport, urban studies and logistics.Contributors include: H. Avilai, D. Brittin, E. Irandu, T. Prenzler, J. Price, P. Puri, D. Rhoades, F. Rossi Dal Pozzo, M.S. Sandhu, J. Szyliowicz, T. Udagawa, S. Vaithilingam, M.J. Williams, K. Zaidi, L. Zamparini

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books.William Morris was inspired a great deal by nature, as can be seen here in Compton. This love for flora and fauna came about as a result of following the doctrines of the Pre-Raphaelite Brotherhood, which Morris became drawn to, developing close friendships with its founders, Dante Gabriel Rossetti (1828–82), William Holman Hunt (1827–1910) and John Everett Millais (1829–96).

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The wonder of flight has long captured the human imagination. In this beguiling history – ranging from the first aircraft to astronauts and beyond – David Darling tells the stories of the true life adventurers whose wonder has translated into bizarre contraptions, magnificent achievements and, sometimes, startling folly. Discover outrageous attempts to fly like a bird and fall from the edge of space. Meet Napoleonic ballooniste Sophie Blanchard and her daredevil husband; the real “X-Men” who flew the supersonic experimental “X-planes” for the US Air Force; stuntman Lincoln Beachey, looping-the-loop in a pinstripe suit; and, of course, The Rocket Man himself: Yves Rossy, who in 2006 was the first person to cross the English Channel using a jet-pack. Eccentric and reckless, Darling’s daring cast of dreamers is guaranteed to entertain and inspire.

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What does Francis Rossi of Status Quo think about global warming? Does Ian Gillan of Deep Purple think we’re doing a good job of caring for the planet? These questions and more are tackled by going to the source and asking them. Suzi Quatro, Don McLean, Kenney Jones, Marcella Detroit, Simon Kirke and many more: Over eighty music stars, past and present, are quizzed on their opinions about religion, aliens, politics and of course, the issues of climate change. Why? To raise awareness about the plight the planet is in. Nothing speaks to humans more than music and the influence these legends of rock and pop have is immense. Funny, thought provoking and eye opening, Minds Behind the Music is a book unlike any other. So settle down with a nice environmentally friendly cup of tea and enjoy.

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Born in Doncaster in the 1950s, Peter Tuffrey grew up with the collieries around him: Yorkshire Main at Edlington, Denaby, Cadeby, Rossington and Askern. Although it might have seemed that things would never change, they did, and Peter has now compiled Doncaster's Collieries to commemorate this once-vital part of the town's heritage. Using photographs from his own collection and the archives of local newspapers, Peter examines the histories of thirteen of the pits that once surrounded his home town, from the elaborate ceremonies which were staged to mark the start of work through to the acrimonious disputes with British Coal and the government of Margaret Thatcher, which so often marked the closure of the Doncaster collieries. The result is a fascinating view of a now-lost but widely remembered industry sure to appeal to those with an interest in the area.

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'A touching, funny, optimistic book full of wonderful, well observed characters' Daily Mail'Maeve Binchy at her best' ChoiceEverything is changing in small Irish town of Rossmore - and when a new road threatens to cut through Whitethorn Woods, everyone has a passionate opinion about whether the town will benefit or suffer. At the heart of the conflict is the fate of St. Ann's Well. People have been coming to St. Ann's for generations to share their dreams and fears. Some believe it to be a place of true spiritual power, demanding protection; others think it's a mere magnet for superstitions, easily sacrificed. When one man is offered compensation for his land - but has a personal reason to save the well - and a childless London woman comes to Whitethorn Woods, begging the saint for help, the consequences are not as anyone anticipated . . .

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Senza data (Undated), an exhibition at the Stefano Bardini Museum in Florence, presents a series of works by Italian artist Luca Pignatelli painted on railway tarpaulins, wood, paper, sheet metal, and Persian carpets from the early 20th century. The painted carpets stand out immediately for their size and their link with the vast collection of carpets in the museum. Luca Pignatelli studied architectural composition during the period influenced by the theories of Aldo Rossi and the idea of the sedimentary growth of history. He is an artist able to accept the challenge of large-scale paintings, working with unusual supports on which he overlays his own selection of images, icons of collective memory like trains, planes, machines, and relics of classical culture. This catalogue includes an interview with the artist and an essay by director of the Museo Novecento in Florence.

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This is a scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise. Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. It is the first scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fatale. It is an innovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivity. It is a contribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the self. It is an original exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period.

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Beautiful Chaos is the third instalment of the spellbinding love story that began with Beautiful Creatures - a romance that is bound to capture the hearts of Twilight fans everywhere.Some loves are meant to be. Others are cursed . . .Ethan wate is in love with a caster girl.When he looks at Lena, it's like there's no one else in the world. But Ethan is mortal, and on her seventeenth birthday Lena made a choice that changed everything. The girl Ethan loves has broken the world with the supernatural powers she is struggling to control . . .Now, if they are to fix the chaos Lena has caused, one of them must make a terrible sacrifice. Sometimes there isn't just one answer. Sometimes there's no going back. And this time there won't be a happy ending.*Don't miss the Warner Brothers and Alcon Entertainment blockbuster movie of Beautiful Creatures directed by Richard LaGravenese (P.S. I Love You) and featuring an all star cast including Emma Thompson, Jeremy Irons, Viola Davies and hot young Hollywood talent Alice Englert, Alden Ehrenreich and Emmy Rossum. Praise for Beautiful Creatures:'Watch out Twilight and Hunger Games' - The Guardian'Move over Twilight, there's a new supernatural saga in town.' - E!'A headlong read from start to finish' - She Also available in the Beautiful Creatures series: Beautiful Creatures, Beautiful Darkness and Beautiful Redemption.*Don't miss the brand new DANGEROUS CREATURES series, set in the world of Beautiful Creatures*Exclusive ebook novellas also available:Dream DarkDangerous Dream

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Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy’s veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy’s powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture—its canon of built, visual, textual, and conceptual works—relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.

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Juridification refers to a diverse set of processes involving shifts towards more detailed legal regulation, regulations of new areas, and conflicts and problems increasingly being framed in legal and rights-oriented terms. What impact do these international and national regulations have upon vulnerable groups in terms of inclusion, exclusion and social citizenship? The nature and effects of current juridification processes are hotly debated amongst social scientists and legal scholars.Bringing empirical analysis and multidisciplinary, comparative perspectives to the previously fragmented and largely theoretical debate on juridification in the welfare state, this book asks key questions such as: To what extent do international human rights norms secure basic welfare services to vulnerable groups?; How do different regulations affect democratic participation?; What is the role of professionals in the distribution of welfare services?Researchers, students and academics with an interest in law, human rights, social policy and the role of professionals in the welfare state will find much of value in this book.Contributors: H.S. Aasen, S. Bothfeld, L. Brandt, B. Bringedal, S. Bygnes, K. Bærøe, C. Cappelen, T. Eidsvaag, K.J. Fredriksen, O. Ferraz, R. Gargarella, S. Gloppen, E. Le Bruyn Goldeng, A. Kjellevold, S. Kremer, I.R. Lundeberg, A.-M. Magnussen, K. Mjåland, O. Mæstad, E. Nilssen, L. Rakner, P. Stephens, H. Stokke, W. van Rossum

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A forceful, passionate and uplifting collection of poems by women and girls that is guaranteed to inspire, delight and empower.From well-loved poets, including Maya Angelou, Wendy Cope, Lucille Clifton and Christina Rossetti, to newer voices such as Amanda Gorman, Yrsa Daley-Ward and Ada Limón, this outstanding collection from talented anthologist Ella Risbridger has poems for every mood and every moment. Ella's selection is wide-ranging but accessible and will appeal to poetry lovers both young and old alike.With sumptuous finishes including cloth binding, full colour illustrations throughout, textured paper jacket, ribbon marker, and head and tail bands.This is the perfect gift to begin a lifelong love of poetry."A beautiful book, chock-full of treasures. It should be on every bookshelf!" - Jacqueline Wilson"This wide-ranging selection of poetry by women and girls is uplifting, moving and invigorating. Atmospherically illustrated and luxuriously bound, it's a wonderful gift for children of 6+." - The Guardian

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An architect without being one, an anomalous designer, a gifted draftsman and collector of objects, Luca Meda (1936-1998) wrote one of the most important chapters in the history of 20th-century Italian design. The world of domestic interiors was his privileged field of action, and the very close, one-of-a-kind relationship with Molteni&C has provided, since the seventies, an example of perfect symbiosis between creativity and business, art and industry. Among the pieces of furniture that have become iconic are the Piroscafo bookcase designed together with Aldo Rossi, the Zim and Ho chairs, the Vivette armchair, the Primafila sofa and the modular systems 505 and Pass. This publication offers an exhaustive portrait of Luca Meda, at long last highlighting the importance and extent of his production - which includes furniture, installations, architectural projects and design objects of all sorts - in the context of a still pioneering season of Italian design, but to whom we nevertheless owe the subsequent success on the world stage. The historical-critical essays dedicated to his work are accompanied by a series of interviews with collaborators and friends who shared knowledge and practice in the realisation of his projects, as well as the re-edition of an interview with Meda himself, published on “Gap casa” in 1983. Bio-bibliographical appendix and a list of works complete the fascinating journey of the volume. Critical essays: Serena Maffioletti, Alberto Ferlenga, Sofia Meda, Nicola Braghieri, Beatrice Lampariello, Rosa Chiesa, Giampiero Bosoni e Chiara Lecce, Dario Scodeller, Mario Piazza. Interviews: Luca Meda, Romano Barchi, Mario Carrieri, Nicola Gallizia, Eliana Gerotto, Peter Hefti, Felix Humm, Laura Maifreni, Bruno Longoni, Carlo Molteni, Diego Peverelli, Richard Sapper, Filippo Zagni. Text in English and Italian.

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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, Ordinary Pictures explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi´c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art’s own complicit function as an expanding industrial image economy.

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Now available again, this enchanting collection of 50 great poems continues to inspire with pleasure and wonder—a perfect gift.When a group of fifth-grade students asked fifty celebrities what their favorite poem was and why, the answers they received became a beautiful collection of some the world’s most beloved poems, from classic to modern, that continues to offer inspiration, solace, wisdom, and amusement. Each poem is accompanied by the celebrity’s brief letter explaining why they chose it and its resonance for them.Among the celebrities are Yo-Yo Ma, Joyce Carol Oates, Stephen Sondheim, Allen Ginsberg, Angela Lansbury, Kurt Vonnegut, Harolyn Blackwell, Isabella Rossellini, Bill Irwin, E. L. Doctorow, David Mamet, Elie Wiesel, Ally Sheedy, Ved Mehta, Tom Wolfe, David Dinkins, and Susan Minot. The poets include Emily Dickinson, Langston Hughes, Robert Frost, T. S. Eliot, Alice Walker, Mary Oliver, Frank O’Hara, Walt Whitman, William Carlos Williams, W. B. Yeats. and John Keats—not to mention Noel Coward and a ditty by David Mamet himself! Anna Quindlen and verse from Pulitzer Prize–winner Yusef Komunyakaa provide a thoughtful introduction.Royalties from this collection have been donated to charity since its original publication.

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Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy’s veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy’s powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture—its canon of built, visual, textual, and conceptual works—relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.

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In Film Fables Jacques Ranciere turns his critical eye to the history of modern cinema. Combining an extraordinary breadth of analysis with an attentiveness to detail born from an obvious love of cinema, Ranciere shows us new ways of looking at and interpreting film. His analysis moves effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema. The book also includes extended commentaries on the work of Hitchcock, Godard, Vertov and Bergman. Film Fables is essential reading for anyone wanting to gain a better understanding of the power and complexity of the cinematic form and it’s rich history.

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Millie loves her quiet life on the farm, but Mina longs for adventure. When the Goblin Market comes to town, Millie knows it''s a bad idea. They''ve been told stories their whole lives about the dangers of the Goblin Market. But Mina just can''t resist... When Mina doesn''t come back, it''s Millie''s turn to brave the market to bring her home. She will use all her smarts and all her courage to try to outwit the goblins and save her sister... but will it be enough? This gorgeous and intriguing tribute to both ''Goblin Market'' by Christina Rossetti and classic fairy-tale villains is also a story about the bond between sisters and a celebration of courage, intelligence and resilience.

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A unique Scottish colouring book suitable for adults as well as children featuring 20 of the country's most iconic places, including: Edinburgh Castle * Forth Rail Bridge * St Andrews * HMS Discovery, Dundee * Balmoral castle * Loch Ness/Urquart Castle * Dunrobin * Castle, Stromness, Orkney * Skara Brae * Callanish standing stones * Lews Castle, Lewis * Highland Games * Eilean Donan * Duart Castle, Mull * Tobermory, Skye * Kelvingrove Museum, Glasgow * Caerlaverlock Castle * Abbotsford House * Melrose Abbey * Rosslyn Chapel * Falkirk Wheel * Stirling Castle * Edinburgh Christmas Market Eilidh Muldoon's are ideal for all levels of colouring - plenty of intricate detail for those who like a colouring challenge, yet simple enough for those with less patience to create beautiful colour artwork in a short time.

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Este título incluye los siguientes cuentos:Baroja, P. Lo desconocidoBorges, J.L. Veinticinco de agosto, 1983Cela, C. J. La suerte y la muerteDonoso, J. Dos cartasDonoso, J. Una señoraHighsmith, P. La enferma o la encamadaHighsmith, P. La artistaPeri Rossi, C. NaúfragosPorter, K. A. CuerdaPorter, K. A. El

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This follow-up to the smash hit Cats Galore dives deeper into the world of Susan Herbert, whose delightful re-imaginings of some of the best-known and best-loved works of art have won her a devoted international following. Herbert’s first book, The Cats Gallery of Art, was published in 1990, and since then her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from opera, Shakespearean plays and the movies – all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation, furry felines take over yet more of the world’s most famous masterpieces. They crowd into the pages of the 15th-century Très Riches Heures, zoom through the air as cherubic blindfolded Cupids in Renaissance masterworks, and pose stiffly in royal portraits, before loosening things up in the 19th century as artists take paint and palette out into the countryside. Ranging from medieval illuminated manuscripts to Old Master stalwarts such as Rembrandt and Vermeer, through to the likes of Monet and Rossetti, this second helping of cats in art will delight fans everywhere of a beloved artist.With 140 illustrations in colour

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David and Stephen Flynn, a.k.a the Happy Pear twins, are back with their simplest cookbook yet!The perfect collection for vegans, vegetarians, or anyone looking to eat more plant-based recipes - 'This book is awesome' Chris EvansAUBERGINE - BEETROOT - BROCCOLI - CABBAGE - CARROT - CAULIFLOWER - COURGETTE - LEEK - MUSHROOMS - POTATOESTen vegetables, ten ways, The Veg Box makes cooking veg easier and tastier than ever before! This vibrant book is packed with over 100 new recipes that use just ten ingredients or less and showcase the delicious and diverse ways you can enjoy each vegetable.Take carrots for example. Learn how to transform this simple produce into:Carrot and Sesame BurgersRoasted Carrot TagineChewy Flapjacks with Carrot and PistachioOr how about courgettes? Watch them become:Easy One-Pan Courgette PizzaCourgette Crepes with Spinach and RicottaCourgette and Lemon Loaf Cake with a Lemon Curd Building tips on eating more sustainably into family-friendly meals, quick weeknight dinners and sweet treats, this is healthy eating for our planet, our bodies and our tastebuds.'Proper good food, less waste and very simple, delicious plant-based recipes' Joe Wicks'Super practical and full of great recipes for eating more plants and reducing food waste' Fearne Cotton 'The lads have done it again! A great concept and a beautiful book to help us all cook more delicious veg' BOSH!'A delicious celebration of plants and all that they have to offer' Megan Rossi 'Their recipes are fantastic and you will love this book' Dr Rupy Aujla 'Delicious, sustainable meals everyone will enjoy' Dr Gemma Newman

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Ford Madox Ford (1873-1939) published 13 volumes of poetry between 1893 and 1936 - crucial transitional years in the evolution of modern poetry. His early poems were written under the shadow of the Rossettis, Swinburne and William Morris, but Ford outgrew their heady late-Victorian lyricism, developing a voice that was natural, impressionistic and ironic. This selection of his verse traces his development from the haunting poignancy of his early poems to his later style, which was to be so influential in the development of Modernism. Ezra Pound considered him to be the best lyric poet in England, and it was Ford who taught Pound that "poetry should be as well written as prose". He transformed Pound's style and, through Pound, the styles of Yeats and Eliot.

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La pastoral juvenil, tal como estábamos acostumbrados a desarrollarla, ha sufrido el embate de los cambios sociales. Los jóvenes, en las estructuras habituales, no suelen encontrar respuestas a sus inquietudes, necesidades, problemáticas y heridas. A los adultos nos cuesta escucharlos con paciencia, comprender sus inquietudes o sus reclamos, y aprender a hablarles en el lenguaje que ellos comprenden. Por esa misma razón, las propuestas educativas no producen los frutos esperados (EG 105). No es casualidad que parte de este párrafo haya sido repetido literalmente en el n. 202 de la Christus vivit.Aquí recogemos los trabajos publicados en la revista Misión Joven de julio-agosto de 2019. Por su importancia y actualidad, nos ha parecido conveniente reunirlos en formato de libro dentro de la colección Agentes PJ de EDITORIAL CCS. Añadimos una colaboración de Rossano Sala que no se encuentra en el citado número de la revista.Corremos el peligro de poner de moda palabras sin conocer su

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