Search results for ""author ross"

Unscrupulous, devilishly ambitious and undeniably charismatic, Domenico Barbaja was the most celebrated Italian impresario of the early 1800s and one of the most intriguing characters to dominate the operatic empire of the period. Dubbed the 'Viceroy of Naples', Barbaja managed both the Teatro di San Carlo in Naples and La Scala in Milan. He was the influential force behind the careers of a plethora of artists including Vincenzo Bellini, Gioachino Rossini and the great mezzo-soprano Isabella Colbran, who became Barbaja's lover before eventually deserting him to marry Rossini. Most vitally, Barbaja's vision had an irrevocable impact on the history of Italian opera; determined to create a lucrative business, he cultivated an energetic environment of new artists producing innovative, exciting opera that people would flock to hear. Philip Eisenbeiss brilliantly pieces together the forgotten story of a tireless tyrant who began life as a barely educated coffee waiter, yet grew to be one of the richest and most potent men in Italy. A natural entrepreneur, Barbaja had the ability to predict a sensation; a skill he exploited his entire life, forging his fortune as a cafe-owner, arms profiteer, gambling tycoon and eventually, opera magnate. Eisenbeiss unlocks the enigma of this eccentric and fascinating personality that has been hitherto neglected.

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Andre Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinema, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protege of Francois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

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Get your hands on the must-have guide for all things, QUICK, EASY AND VEGAN'These speedy, fuss-free plant-based dinners use ingredients already in your cupboard' Take a BreakSO VEGAN’s Roxy Pope and Ben Pook believe the food we choose to eat can have a positive impact on our planet and our health. But not just any old food. They’re talking about simple and speedy plant-based meals, which you’ll find right here in EASY – a collection of 100 irresistible vegan recipes designed to be nutritious, delicious and totally fuss-free.- Creamy Pesto Rosso Gnocchi- Teriyaki Meatball Ramen- Barbecued Mushroom Tacos- Lemongrass + Coconut Curry- Harissa Bolognese- Red Pepper Tapenade Baguette Pizzas- Sloppy Joe Quesadillas- Gooey Chocolate BrowniesWith chapters covering speedy midweek meals, healthy but hearty weekend dinners and indulgent desserts, discover the EASY way to eat mouth-watering, plant-based meals every day of the week.

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Descripción: 21x14 cm .Encuadernacion:Rustica con solapa.Colección: Serendipity,135.Las personas nos hallamos inmersas en un compendio de múltiples relaciones interpersonales. Toda nuestra vida consiste en una vida en relación. Nos relacionamos con la pareja, con nuestros hijos e hijas, con amistades, con compañeros de trabajo, con nuestros vecinos. en fin; vivimos en un mundo interaccional. En realidad estamos destinados a relacionarnos con los demás y estas interacciones son, para muchos de nosotros, causa de grandes encuentros y momentos de plenitud, pero también fuente de conflictos y preocupaciones. Para aprender a relacionarnos más satisfactoriamente con la gente precisamos comprender cómo están configuradas nuestras interacciones y permanecer abiertos a cambiar aquello que no nos satisface, para vivir mejor en un mundo en el que no podemos dejar de interactuar.Los grandes maestros de la filosofía experiencial y centrada en las personas han intuido lo que está implí

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La entrevista es una de las herramientas básicas en el campo de las ciencias sociales. Los sociólogos, los asistentes sociales y los psicólogos hacen un uso constante de ella, pero a menudo se olvidan de los aspectos psicodinámicos de la entrevista,

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Anxiety puts our bodies into "flight or fight" mode—and makes us more vulnerable to exhaustion, depression, and illness. These guided mind-body techniques help listeners counteract anxiety through deep relaxation, enhanced problem-solving, and converting fear into positive energy. Course objectives: Practice guided imagery exercises for anxiety relief • Identify inner intelligence of the physical body • Integrate experiences into daily life using anxiety relieving exercises • Utilize the power of the mind and imagination to relax the body

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At the end of World War II, the once-isolationist American Catholic Church appointed 'consultants' to the U.S. delegation to the 1945 United Nations Conference on International Organization at San Francisco (UNCIO), a parley which had been mandated by the Big Three to draft a charter for the projected world organization. This analysis, based primarily on archival sources from the U.S. State Department, the National Catholic Welfare Conference (NCWC), and the Catholic Association for International Peace (CAIP), focuses on the bid by these international affairs specialists from the NCWC and the CAIP to modify the Dumbarton Oaks and Yalta proposals along the lines suggested by Pius XII's 'Five Point Peace Program' and the American hierarchy's statements, On International Order and On Organizing World Peace. In this crusade to 'liberalize' the UN Charter, this study proposes, the American Catholic Church realized only partial success. This limited accomplishment was, nevertheless, sufficient impetus for its progression from public hostility to cautious promotion of the UN. Co-published with Catholic University, Department of Church History.

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Research in macroeconomics in the last thirty years has featured, almost exclusively on two characteristics: an emphasis on the microfoundations of macroeconomics and secondly, intertemporal economics, that is, the behavior of economic actors over time. Curiously, textbooks in intermediate macroeconomics have been very slow to adopt these traits.The aim of this book is to bring intermediate instruction in macroeconomics fully into line with the direction taken by the research community. Key hallmarks of the text include: a full introduction to the microfoundations of consumption and investment a complete model of the labor market with profit maximization for firms to determine labor demand and a utility maximization model to determine labor supply an analysis of the Baumol-Tobin model to determine money demand accompanied by a discussion of traditional money supply Possessing a full range of additional learning features including a companion website, test bank and instructor’s manual, the book takes an international view of macroeconomics with case studies and examples from the United States and beyond.

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D.T. Suzuki (1870-1966) reached global fame for his writings on Zen Buddhism. In this introduction to his theories of self, knowledge, and the world, Suzuki is presented as a Buddhist philosopher in his own right. Beginning with a biography of his life providing the historical context to his thought and discussing Suzuki’s influences, chapters cover the Zen notion of the non-self and Suzuki's Zen view of consciousness, language, and religious truths. His ideas about philosophy and radical views on rationality and faith come to life in two new complete translations of The Place of Peace in our Heart (1894) and Religion and Science (1949), which helps us to understand why Suzuki’s description of Zen attracted the attention of many leading intellectuals and helped it become a household name in the English-speaking world. Offering the first complete overview of Suzuki’s approach, reputation, and legacy as a philosopher, this is for anyone interested in the philosophical relevance and development of Mahayana Buddhism today.

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Guided by Voices was one of the most popular indie-rock bands of the 1990s. Critics internationally have lauded the band’s brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by The New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically when Pollard, a fourth-grade teacher in his early thirties from Dayton, Ohio, began recording songs with drinking buddies in his basement. James Greer, an acclaimed music writer and former Spin editor, enjoys a unique advantage in having played in the band for two years. This personal connection grants him unparalleled insight and complete access to the workings of Pollard’s muse.

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This volume celebrates the contribution of Diana V. Edelman to the field and celebrates her personally as researcher, teacher, mentor, colleague, and mastermind of new research paths and groups. It salutes her unconventional, constantly thinking and rethinking outside the box and her challenging of established consensuses. It includes essays addressing biblical themes and texts, archaeological fieldwork, historical method, social memory and reception history. Contributors include Yairah Amit, James Anderson, Bob Becking, Ehud Ben Zvi, Kare Berge, Anne Fitzpatrick-McKinley, Susanne Gillmayr-Bucher, Lester L. Grabbe, Philippe Guillaume, David Hamidovic, Lowell K. Handy, Maria Hausl, Kristin Joachimsen, Christoph Levin, Aren M. Maeir, Lynette Mitchell, Reinhard Muller, Jorunn Okland, Daniel Pioske, Thomas Romer, Benedetta Rossi, Cynthia Shafer-Elliott, Jason Silverman, Steinar Skarpnes, Pauline A. Viviano, Anne-Mareike Wetter.

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A Poem For Every Night of the Year is a magnificent collection of 366 poems compiled by Allie Esiri, one to share for every night of the year.The poems – together with introductory paragraphs – have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou for International Women's Day and Lewis Carroll on April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.This soul-enhancing book is the perfect gift that will last the whole year, with a little bit of magic to read every evening.'This book will bring a little magic into your day and into your heart' – Helena Bonham Carter

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In this book, a number of protagonists of Italian modern architecture provide vivid dialogues – here taken to mean ‘the talking of the soul with itself’ – on how they perceive the interaction between idea, design and construction. Drawing on these personal views, Dialogues on Architecture explores the relationship that exists between the poetic and the technical-scientific spheres in architecture, underlining their complementary and conflictual natures. Dialogues on Architecture rejects the interpretation of architecture as orientated exclusively towards the end result and reconnects the previously interrupted narratives that follow a design from its conception to its completion. Featuring texts from Franco Albini, Lodovico B. di Belgiojoso, Guido Canella, Aurelio Cortesi, Roberto Gabetti & Aimaro Isola, Ignazio Gardella, Vittorio Gregotti, Vico Magistretti, Enrico Mantero, Paolo Portoghesi, Aldo Rossi, Giuseppe Terragni, and Vittoriano Viganò.

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Anselm Gerhard explores the origins of grand opéra, arguing that its aesthetic innovations (both musical and theatrical) reflected not bourgeois tastes, but changes in daily life and psychological outlook produced by the rapid urbanization of Paris. These larger urban and social concerns—crucial to our understanding of nineteenth-century opera—are brought to bear in fascinating discussions of eight operas composed by Rossini, Auber, Meyerbeer, Verdi, and Louise Bertin."An invaluable look at this fascinating genre."—George W. Loomis, Opera News

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Ranging from studies on Sufism and the Koran to discussion of nineteenth and twentieth-century Arabic literature, these essays on the law and literature of Islamic society illustrate the unique vision of one of the world's great Orientalists. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This comprehensive and captivating book follows the evolution of Milan's Ricordi archive, from its founding in 1808 by publisher Giovanni Ricordi to its present-day holdings of thousands of scores, letters, libretti, sketches of opera scenery and costume design, photographs, and Art Nouveau and Art Deco posters. In addition, the original manuscripts of nearly all of the operas written by Verdi, Puccini, Rossini, Bellini, Donizetti, and Paganini are preserved inside its hallowed vaults. The book contains an overview of the archive's entire collection whilst also examining rare autographs, the often-unacknowledged significance of the libretto, and the phenomenon of Italian opera and its important contributions to the world of music and culture. Revealing fascinating stories of uncovered secrets and biographical insights into the composers this book is a treasure trove of musical ephemera which pays tribute to the glorious, dynamic, and colorful history of making, presenting, promoting, and preserving music for the ages.

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This Norton Critical Edition includes: fifty-five judiciously chosen stories from Wayne A. Rebhorn’s translation of The Decameron; introductory materials, explanatory footnotes and three maps; biographical works by Filippo Villani and Ludovico Dolce, along with literary studies by Francesco Petrarca, Andreas Capellanus and Boccaccio; and eleven critical essays, including those by Giuseppe Mazzotta, Millicent Marcus, Teodolinda Barolini, Susanne L. Wofford, Luciano Rossi and Richard Kuhns. Also included are a chronology and selected bibliography.

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Al entrar en el puerto de Nueva York a bordo de un barco que se iba deteniendo, Karl Roßmann, un joven de diecisiete años al que sus padres pobres habían enviado a América por tener un hijo con una criada que lo había seducido, creyó ver la Estatua de la diosa Libertad, que divisaba desde hacía un buen rato, como si estuviera dentro de un rayo de sol que fulgurara de repente. Así comienza El fogonero, que se publicó como libro independiente en 1913 y terminó siendo el primer capítulo de El desaparecido, la inacabada novela de Kafka.Este relato, magníficamente ilustrado por Max, contiene elementos característicos de la narrativa del autor checo: todos estamos en manos de un destino que no controlamos. El joven Roßmann defenderá con vehemencia al fogonero porque considera que ha sido tratado injustamente, y de su viaje por el interior del barco, que se puede ver como un encuentro con las estructuras del poder, saldrá airoso gracias a un inesperado suceso...Como esos protagonistas

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A provocative case for historical ambiguity in architecture by one of the field's leading theoristsConceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.

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[Beaumarchais'] fame rests on Le Barbier de Seville (1775) and Le Mariage de Figaro (1784), the only French plays which his stage-struck century bequeathed to the international repertoire. But his achievement has been adulterated, for ‘Beaumarchais’ has long been the brand name of a product variously reprocessed by Mozart, Rossini, and the score or so librettists and musicians who have perpetuated his plots, his characters, and his name. The most intriguing question of all has centered on his role as catalyst of the Revolution. Was his impertinent barber the Sweeney Todd of the Ancien Régime, the true begetter of the guillotine? . . . Beaumarchais' plays have often seemed to need the same kind of shoring up as his reputation, as though they couldn't stand on their own without a scaffolding of good tunes. Yet, as John Wells' lively and splendidly speakable translations of the Barber, the Marriage, and A Mother's Guilt demonstrate, they need assistance from no one. [Beaumarchais] thought of the three plays as a trilogy. Taken together, they reflect, as John Leigh’s commentaries make clear, the Ancien Régime’s unstoppable slide into revolution. --David Coward in The London Review of Books

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'To know his work without his talk is "not to know him" ...only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster.

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Streifzug durch die Geschichte der Musik. Carl Dahlhaus und Norbert Miller erläutern, wie sich die traditionelle Opernform und der neue sinfonische Stil seit 1770 gegenseitig befruchten. Die Geschichte dieser Symbiose ist die Geschichte der klassisch-romantischen Musik als eine einheitliche Epoche. An ausgewählten Ereignissen werden die Umbrüche ebenso wie die kaum merkbaren Veränderungen sichtbar gemacht. Der zweite Band setzt in der Epochenmitte bei den Opern Webers und Spontinis ein. In Kapiteln über Rossinis Pariser Karriere, über Meyerbeer und die grand opéra, über Berlioz' und Schumanns Versuche einer "Opéra de concert" und über Verdis und Wagners musiktheatralische Neuerungen gehen die Autoren der Ästhetik der romantischen Oper und der Idee der symphonischen Dichtung auf den Grund.

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A glorious and ambitious sequel to I Am the Seed That Grew the Tree - winner of Waterstones Children's Gift of the Year 2018 and Red Magazine's Children's Illustrated Book of the Year 2019, and described by Julia Donaldson as "An absolutely beautiful book." This lavishly illustrated gift book treasury of 366 animal poems - one for every day of the year - ranges from unforgettable classics to contemporary works from around the world, including poetry in translation. The spectacular range of poems for children includes work by Roger McGough, William Blake, Dick King-Smith, Ted Hughes, Grace Nichols, Lewis Carroll, Christina Rossetti, Emily Dickinson. Britta Teckentrup's breathtaking illustrations bring together all the richness and wonder of the animal kingdom, making this poetry anthology a perfect gift that will be treasured by generations. With sumptuous finishes including cloth binding, full colour illustrations throughout, textured paper jacket, ribbon marker, and head and tail bands. The perfect gift for any child or adult to treasure.

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Financial markets are complex. Regulators strive to predict ways in which they can malfunction and create rules to prevent this from happening, yet behavioural impacts are often overlooked. This book explores how behavioural finance can go hand-in-hand with traditional methods to help banks and regulators create better policies. It also demonstrates how the behavioural finance revolution has opened the way to a more integrated approach to the analysis of economic phenomena. This book adopts a forward-looking agenda that takes account of existing practices based on behavioural science. It focuses on how to make financial markets an arena for fair play as a central criterion for securing and enhancing societal well being. It examines how bounded rationality, heuristic decision making, aversion to losses, endowment effects and social preferences may impact financial decisions, thus exposing the flaws in traditional forecasting methods that rely on an over-simplified representation of the individual. With contributions from both academics and practitioners, this book will be fundamental reading for researchers in the finance and behavioural economics. Regulators who wish to utilise behavioural policymaking will also find this a beneficial read.Contributors include: B. Alemanni, C. Attia, M. Bianco, G. Bracchi, E. Cervellati, C. Cruciani, G. De Felice, M. Egidi, U. Filotto, F. Franceschi, G. Gardenal, G. Gigerenzer, C. Giorgiantonio, D. Hilton, N. Linciano, A. Lojschova, D. Masciandaro, B. Mojon, P. Mottura, S. Mousavi, A. Penalver, L. Portelli, U. Rigoni, S. Rossi, Z. Rotondi, G. Sillari, A. Varaldo, R. Viale, G. Zevi

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The research in the field of vision conducted from 1919 by the Laboratory of Experimental Psychology, founded by Vittorio Benussi at the University of Padua, had a remarkable and innovative impact. This research went beyond the academic and disciplinary sphere and, starting in the 1960s, helped to stimulate a ground-breaking cultural and artistic scene, launching the city of Padua and its artists internationally. This volume explores the relationship between the works, milieux and exhibitions of the Gruppo N - Alberto Biasi, Ennio L. Chiggio, Toni Costa, Edoardo Landi, Manfredo Massironi - active in Padua from 1960 to 1964, and the studies of Vittorio Benussi and the first scholars of his School: Cesare Musatti, Fabio Metelli and Gaetano Kanizsa, who was born in Trieste but graduated in Padua. Marina Apollonio’s art and research occupy a special place in this dialogue between science and art. Texts by: Rossana Actis-Grosso, Elisa Baldini, Guido Bartorelli, Paolo Bernardis, Marco Bertamini, Giovanni Bianchi, Ivana Bianchi, Andrea Bobbio, Nicola Bruno, Elisa Caldarola, Marnie Campagnaro, Barbara Luciana Cenere, Alberto Cibin, Elena Clara, Osvaldo da Pos, Andrea Dissegna, Carlo Fantoni, Giovanni Galfano, Walter Gerbino, Enrico Giora , Massimo Grassi, Laura Messina-Argenton, Giulia Parovel Tamara Prest, Marta Previti, Lucia Regolin, Sergio Roncato e Baingio Pinna, Federica Stevanin, Giorgio Vallortigara, Ian Verstegen, Giuseppe Virelli, Daniele Zavagno. Text in Italian with English translations in the appendix.

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