Search results for ""author jacob"

First full-length investigation of Elizabethan and Jacobean genealogy, showing how it could be manipulated to legitimise - and oppose. Shakespeare lived in an age when royal genealogy mattered. Queen Elizabeth succeeded her father despite accusations of illegitimacy after Anne Boleyn's beheading. As she defied suitors and potential spouses, and refused not only to produce but even to nominate an heir, factions arose siding with the numerous candidates, particularly Mary Queen of Scots. When, upon Elizabeth's death, James VI, the king of Scotland, prepared to ascend for the first time in history to the English throne, it became paramount that he should fashion himself as an English monarch as well. In this game of thrones, royal genealogy was the instrument that could best represent, distort, create, favour orundermine the ancestral right of the current ruler and their potential successors. In the form of scrolls, charts, books, paper rags and even maps, the genealogies of Elizabeth I, James I, and the main pretenders were circulatedin Britain and Europe in manuscript and print, officially or surreptitiously. This book - the first systematic study of this subject - explores the most fascinating examples of royal genealogy in this era, from the rooms of Whitehall to the pockets of Jesuits in London prisons. Most of these texts are here reproduced in print for the first time, with lavish illustrations; they reveal the political divisions, concerns, treasons and celebrations that lurked behind their splendour.

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Shakespeare’s London 1613 offers for the first time a comprehensive ‘biography’ of this crucial year in English history. The book examines political and cultural life in London, including the Jacobean court and the city, which together witnessed an exceptional outpouring of cultural experiences and transformative political events. The royal family had to confront the sudden death of Prince Henry, heir apparent to the throne, which provoked unparalleled grief. Meanwhile, an unprecedented number of plays performed at court helped move the country away from sadness to the happy occasion of Princess Elizabeth’s marriage to a German prince. Shakespeare’s productions dominated London’s cultural landscape, while other playwrights, writers and printers produced an extraordinary number of books. Readers interested in literature, cultural history, and the royal family will find in this book a rich and accessible account of this monumental year.

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Increasing international investment, the proliferation of international investment agreements, domestic legislation and investor-state contracts have contributed to the development of a new field of international law that defines obligations between host states and foreign investors with investor-state dispute settlements. This involves not only vast sums, but also a panoply of rights, duties and shifting objectives at the juncture of national and international law and policy. This engaging Research Handbook provides an authoritative account of these diverse investment law issues.Written by international experts in the field, the contributions provide economic, political and legal perspectives to cover all aspects of international and national investment law. With regional perspectives from Africa, Asia, Australia and New Zealand, Europe, and Latin and North America, this Research Handbook offers an analytical overview of the key areas of current research interest and developments in investment law. Vitally, the expert contributors outline future and upcoming issues, as well as providing a research agenda for the topic.This Research Handbook will be an excellent resource for researchers in academic institutions, governments and non-governmental organisations, as well as for practitioners including government officials, negotiators and practicing lawyers.Contributors: I. Alvik, D. Atanasova, J. Baumgartner, C. Binder, D.N. Dagbanja, S.B. Danzman, E. De Brabandere, A. De Luca, A. Dimopoulos, K.F. Gómez, K. Gülay, A.R. Hippolyte, R.T. Hoffmann, L. Hsu, M. Jacobson, P. Janig, L. Johnson, M. Krajewski, K. Magraw, A. Mitchell, M. Molinuevo, P.M. Protopsaltis, S. Robert-Cuendet, G. Sacerdoti, L. Sándor, S. Schacherer, S.W. Schill, C. Titi, E. Tuerk

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Modernity and the Millennium is the first book to chart responses in the Muslim Middle East to modernity through an examination of the evolution of the Baha'i faith--a millenarian movement led by the nineteenth-century Iranian prophet Baha'u'llah ("the Glory of God"). This volume illuminates the complexity and ambiguity that characterized the changing relationship of Baha'u'llah and his followers to modernity, considered as a transnational and fluid political and cultural field of contestation. The insights presented here into these responses to modernity illuminate not only the genesis of a new world-religion but also important facets of Middle Eastern-particularly Iranian-social and cultural shifts in the nineteenth century. Drawing on the work of Habermas, Giddens, Touraine and Bryan Turner, among others, Juan R. I. Cole considers some of the ways in which Middle Eastern society was affected by five developments central to modernity: the lessening entanglement of the state with religion, the move from absolutism to democracy, the rise of sovereign nation-states, the advent of nationalism, and the women's movement. He explores the Baha'is' positive response to religious toleration, democracy, and greater rights for women and their "utopian realist" critique of nationalism, militant Jacobin secularization, industrialized warfare, and genocide, oppression of the poor and working classes, and xenophobia.

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How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s? This book investigates the ways large-scale music was directed or conducted in Britain before baton conducting took hold in the 1830s. After surveying practice in Italy, Germany and France from Antiquity to the eighteenth century,the focus is on direction in two strands of music making in Stuart and Georgian Britain: choral music from Restoration cathedrals to the oratorio tradition deriving from Handel, and music in the theatre from the Jacobean masque to nineteenth-century opera, ending with an account of how modern baton conducting spread in the 1830s from the pit of the Haymarket Theatre to the Philharmonic Society and to large-scale choral music. Part social and musical history based on new research into surviving performing material, documentary sources and visual evidence, and part polemic intended to question the use of modern baton conducting in pre-nineteenth-century music, Before the Baton throws new light on many hitherto dark areas, though the heart of the book is an extended discussion of the evidence relating to Handel's operas, oratorios and choral music. Contrary to near-universal modern practice, he mostly preferred to play rather than beat time.

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In this study, Michael Ullyot makes two new arguments about the rhetoric of exemplarity in late Elizabethan and Jacobean culture: first, that exemplarity is a recursive cycle driven by rhetoricians' words and readers' actions; and second, that positive moral examples are not replicable, but rather aspirational models of readers' posthumous biographies. For example, Alexander the Great envied Achilles less for his exemplary life than for Homer's account of it. Ullyot defines the three types of decorum on which exemplary rhetoric and imitation rely, and charts their operations through Philip Sidney's poetics, Edmund Spenser's poetry, and the dedications, sermons, elegies, biographies, and other occasional texts about Robert Devereux, second earl of Essex, and Henry, Prince of Wales. Ullyot expands the definition of occasional texts to include those that criticize their circumstances to demand better ones, and historicizes moral exemplarity in the contexts of sixteenth-century Protestant memory and humanist pedagogy. The Rhetoric of Exemplarity in Early Modern England concludes that all exemplary subjects suffer from the problem of metonymy, the objection that their chosen excerpts misrepresent their missing parts. This problem also besets historicist literary criticism, ever subject to corrections from the archive, so this study concedes that its own rhetorical methods are exemplary.

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This collection of essays by scholars from Great Britain, the United States, Canada and Taiwan covers a wide range of topics about Ralegh's diversified career and achievements. Some of the essays shed light on less familiar facets such as Ralegh as a father and as he is represented in paintings, statues, and in movies; others re-examine him as poet, historian, as a controversial figure in Ireland during Elizabeth's reign, and look at his complex relationship with and patronage of Edmund Spenser. A recurrent topic is the Hatfield Manuscript in Ralegh's handwriting, which contains his long, unfinished poem 'The Ocean to Cynthia', usually considered a lament about his rejection by Queen Elizabeth after she learned of his secret marriage to one of her ladies-in-waiting.The book is appropriate for students of Elizabethan-Jacobean history and literature.Among the contributors are well-known scholars of Ralegh and his era, including James Nohrenberg, Anna Beer, Thomas Herron, Alden Vaughan and Andrew Hiscock.

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For fans of Tina Fey, Amy Poehler, Amy Schumer—and every other “funny woman”—comes a candid feminist comedy manifesto exploring the sisterhood between women’s comedy and women’s liberation.“I’m not funny at all. What I am is brave.” —Lucille BallFrom female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential.Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web-series stars, Anna Fields’ entertaining retrospective combines amusing and honest personal narratives with the historical, political, and cultural contexts of the feminist movement.With interview subjects like Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead among others—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and under-represented) artists. At its heart, The Girl in the Show captures the urgency of our continued struggle towards equality, allowing the reader to both revel in—and rebel against—our collective ideas of “women’s comedy.”

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In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In Hogarth's Harlot, Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English antipopery and anti-Jacobitism, as well as the ideas of the English Enlightenment. Offering imaginative and deeply informed readings of a wide range of artistic works-engravings by Hogarth; poems by Milton, Pope, Christopher Smart, and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis-Francois Roubiliac; and oratorios by George Frederic Handel-Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

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What does it mean to have an emotional response to poetry and music? And, just as important but considered less often, what does it mean not to have such a response? What happens when lyric utterances—which should invite consolation, revelation, and connection—somehow fall short of the listener’s expectations? As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions. A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.

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PoDIA 10 features articles presenting the results from archaeological sites in Cyprus and at Sikyon, Greece, the activities of Danish philhellenes, and a re-evaluation of the significance of an archaic Attic Sphinx in the Ny Carlsberg Glyptotek in Copenhagen. Kristina Winther-Jacobsen analyses and discusses the ceramics and associated burial customs from two tombs in Cyprus from the Hellenistic-Roman period. Silke Müth and her team of researchers offer a preliminary report on the excavations and accompanying research in Old Sikyon 2018-2019. It is in the same connection that M. Arenfeldt Christensen presents a case study of human skeletal material from an Archaic grave in Sikyon, uncovered in 2019. Annette Højen Sørensen and Helge Wiingaard discuss the role of the Danish diplomat and minority expert as a Philhellene and present his collection of antiquities at Haderslev Cathedral School in Denmark in the light of the extraordinary circumstances in the first half of the 20th century which formed the borderland not only between Denmark and Germany but also between Greece and Turkey. John Lund discusses the activities of Frederik Scholten in Greece and the Greek world during the period around the Greek Revolution and presents his drawings from this period. Finally, Ingrid Strøm makes a case for adding the Ny Carlsberg Glyptotek marble sphinx to the oeuvres of the Moscophoros Master and for rendering it a more central position in the studies of Early Attic marble sculpture.

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This volume revisits the Nobel Prize-winning economist Kenneth Arrow’s classic 1963 essay “Uncertainty and the Welfare Economics of Medical Care” in light of the many changes in American health care since its publication. Arrow’s groundbreaking piece, reprinted in full here, argued that while medicine was subject to the same models of competition and profit maximization as other industries, concepts of trust and morals also played key roles in understanding medicine as an economic institution and in balancing the asymmetrical relationship between medical providers and their patients. His conclusions about the medical profession’s failures to “insure against uncertainties” helped initiate the reevaluation of insurance as a public and private good.Coming from diverse backgrounds—economics, law, political science, and the health care industry itself—the contributors use Arrow’s article to address a range of present-day health-policy questions. They examine everything from health insurance and technological innovation to the roles of charity, nonprofit institutions, and self-regulation in addressing medical needs. The collection concludes with a new essay by Arrow, in which he reflects on the health care markets of the new millennium. At a time when medical costs continue to rise, the ranks of the uninsured grow, and uncertainty reigns even among those with health insurance, this volume looks back at a seminal work of scholarship to provide critical guidance for the years ahead.ContributorsLinda H. AikenKenneth J. ArrowGloria J. BazzoliM. Gregg BlocheLawrence CasalinoMichael ChernewRichard A. CooperVictor R. FuchsAnnetine C. GelijnsSherry A. GliedDeborah Haas-WilsonMark A. HallPeter J. HammerClark C. HavighurstPeter D. JacobsonRichard KronickMichael L. MillensonJack NeedlemanRichard R. NelsonMark V. PaulyMark A. PetersonUwe E. ReinhardtJames C. RobinsonWilliam M. SageJ. B. SilversFrank A. SloanJoshua Graff Zivin

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It was the decade of daring Expressionist canvases, of brilliant book design, of the Bauhaus total work of art, of pioneering psychology, of drag balls, cabaret, Metropolis, and Marlene Dietrich’s rising star in theater and silent film. Between the paroxysms of two world wars, Berlin in the 1920s was a carpe diem cultural heyday, replete with groundbreaking art, invention, and thought. This book immerses readers in the freewheeling spirit of Berlin’s Weimar age. Through exemplary works in painting, sculpture, architecture, graphic design, photography, and film, we uncover the innovations, ideas, and precious dreams that characterized this unique cultural window. We take in the jazz bars and dance halls; the crowded kinos and flapper fashion; the advances in technology and transport; the radio towers and rumbling trams and trains; the soaring buildings; the cinematic masterworks; and the newly independent women who smoked cigarettes, wore their hair short, and earned their own money. Featured works in this vivid cultural portrait include Hannah Höch's The Journalists; Lotte Jacobi’s Hands on Typewriter; Otto Dix's Portrait of the Journalist Sylvia von Harden; Peter Behrens's project of theAlexanderplatz; and Josef von Sternberg’s The Blue Angel, starring Dietrich as cabaret performer Lola Lola. Along the way, we explore both the utopian yearnings and the more ominous economic and political realities which fueled the era's escapist, idealistic, or reactionary masterworks. Behind the bright lights and glitter dresses, we see the inflation, factory labor, and fragile political consensus that lurked beneath this golden era and would eventually spell its savage end with the rise of National Socialism.

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A rich picture of commercial life among the British Catholic merchants operating in the Atlantic and Mediterranean at the end of the Stuart era. British Catholic merchants in the long eighteenth century occupied an ambiguous social space. On the one hand, their religion made them marginal and suspect figures in a nation increasingly defining itself by its Protestantism against the Catholic powers of Europe. On the other, their Catholicism, particularly as national rivalries erupted into outright war, afforded them access to markets and contacts overseas which their Protestant competitors found it increasingly difficult to reach. Drawing on extensive original research on the business papers of one prominent Catholic merchant family, the Aylwards, Pizzoni maps a complex network of merchants emanating from trading housesin London, Cadiz and St Malo and linking Britain and Ireland, continental Europe, the Levant and colonial America. She reveals the high level of cooperation between these Catholic houses and their Protestant trading partners - a cooperation which seems to have overridden even such political perils as the Jacobite rebellion - and shows the increasing role played by smuggling and privateering in keeping the wheels of legitimate commerce turning in time of war. A final chapter looks particularly at the business activities of Roman Catholic women, who mostly inherited their husbands' businesses but in many cases developed and expanded them through new activities and investments. This is a rich picture of commercial life in a time of shifting political and religious attitudes when the pressures of mercantilism led to de facto economic integration for the successful Catholic merchant class and opened up theroad which would lead to emancipation in the next century.

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When you step into the headquarters of Fritz Hansen in Allerød, northwest of Copenhagen, you breathe in the spirit of a company that has made design history. The showroom, a mecca for students of design and architecture, displays pieces that have become icons, including the Series 7 chair, the Swan lounge chair, and the Lissoni sofa. A recurring theme in the history of the Danish furniture maker is its collaborations with big-name visionary designers like Arne Jacobsen, Poul Kjærholm, and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to Fritz Hansen’s core values of creativity, the finest craftsmanship, and the utmost attention to even the smallest details, the company has succeeded in placing its products in the collective consciousness of humanity as well as in the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford’s venerable St. Catherine’s College, New York’s Museum of Modern Art, and private homes all over the world. With over 150 breathtaking photos, this thoughtfully designed coffee table book recounts the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building, and fire the imagination of those who live there. Whether you’re leaving the world of Fritz Hansen in Allerød or closing this book, it will be with a wealth of new creative ideas and the knowledge that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto of “Crafting Timeless Design".

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When you step into the headquarters of the Republic of Fritz Hansen in Allerød, northwest of Copenhagen, you are breathing in the spirit of a company that has made design history. The showroom, which is a mecca for design and architecture students, displays pieces that have become icons: the Series 7 chair, the Swan lounge chair, the Lissoni sofa. Again and again, the Danish furniture maker has teamed up with big-name visionary designers including Arne Jacobsen, Poul Kjærholm and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to the core values of Fritz Hansen-creativity, the finest craftsmanship, and careful attention to even the smallest details-the company has succeeded in placing its product into humanity's collective consciousness as well as the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford's venerable St. Catherine's College, New York's Museum of Modern Art, and in private homes all over the world. With over 150 breathtaking photos, this thoughtfully-designed coffee table book tells you about the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building and spur the imagination of the people who live there. After closing this book, you'll have a wealthy of new creative ideas and realise that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto: "Crafting Timeless Design."

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Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means. Then Miles meets the new boy in town, Eric Mendez, a proudly queer cartoonist from Seattle who asks his pronouns, cares about art as much as he does—and makes his stomach flutter. Not what he needs to be focusing on right now. But after Eric and Miles pretend to date so they can score an invite to a couples-only Valentine’s party, the ruse turns real with a kiss, which is also definitely not in the plan. If only Miles could figure out why Eric likes him so much. It's not like he’s cool or confident or comfortable in his own skin. He’s not even good enough at piano to get his fellow competitors to respect him, especially now, as Miles. Nothing’s ever been as easy for him as for other people—other boys. He’s only ever been almost enough. So why, when he’s with Eric, does it feel like the only person he’s ever really not been enough for...is himself?

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Britain was rapidly emerging as the most powerful European nation, a position France long believed to be her own. Yet with France still commanding the largest continental army, Britain saw its best opportunities for expansion lay in the East. Yet, as Britain's influence increased through its official trading arm, the East India Company, the ruler of Bengal, Nawab Siraj-ud-daulah, sought to drive the British out of the sub-continent and turned to France for help. The ensuing conflict saw intimate campaigns fought by captains and occasionally colonels and by small companies rather than big battalions. They were campaigns fought by individuals rather than anonymous masses; some were heroes, some were cowards and most of them were rogues on the make. The story is not only about Robert Clive, a clerk from Shropshire who became to all intents and purposes an emperor, but also about Eyre Coote an Irishman who fought with everyone he met, about Alexander Grant a Jacobite who first escaped from Culloden and then, Flashman-like was literally the last man into the last boat to escape Calcutta and the infamous Black Hole. The fighting culminated in Robert Clive's astonishing victory at Plassey where just 3,000 British and sepoy troops defeated Siraj-ud-Daulah's Franco-Bengali army of 18,000 in the space of only forty minutes. The victory at Plassey in 1757 established Britain as the dominant force in India, the whole of which gradually come under British control and became the most prized possession in its empire. Few battles in history have ever had such profound consequences.

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The Dunbars of Ackergill and Hempriggs emerged in the late 1600s as one of the largest landowners in Caithness. As such they played a major part in the history of the county, a role revealed in the family papers with their wide variety of documents, including personal letters and legal missives. Readers will learn about the Dunbars selling Caithness grain in the Lowlands, coping with the effects of the last Jacobite rising, handling disputes with their neighbours, arranging elections, dealing with debt - and that is just in the 18th century. During the Napoleonic wars the Dunbars recruited a fencible regiment called the Caithness Legion that saw action in Ireland. At the same time the British Fisheries Society acquired land from the family and began to develop Pulteneytown as a major herring fishing port. An agricultural revolution swept over the estates, leading to the enclosing of fields, disputes over common land, evictions and refurbishment of farms. In the mid-19th century, when the family home at Ackergill Tower was refashioned by the architect David Bryce, the Dunbars adopted the lifestyle of the Victorian country gentry as well as finding careers in the Empire. With family trees, photographs, maps and documents, the book presents an absorbing, intriguing and, at times, amusing account of the social and economic life of the Dunbars over more than three hundred years, using unique messages from the past, never before made public. A fascinating insight into life in northern Scotland during centuries of change.

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Being of Two Minds examines the place that early modern literature held in Modernist literary criticism. For T. S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality. Goldberg reads the readings that these modernists performed on texts that Eliot claimed for the canon like the metaphysical poets and Jacobean dramatists, but also Shakespeare, Milton, Montaigne, and Margaret Cavendish. Ontological concerns are reflected in Eliot’s engagement with Aristotle’s theory of the soul and Empson’s Buddhism. These arguments about being affect minds and bodies and call into question sexual normativity: Eliot glances at a sodomitical male-male mode of literary transmission; Woolf produces a Judith Shakespeare to model androgynous being; Empson refuses to distinguish activity from passivity to rewrite gender difference. The work of one of our leading literary and cultural critics, Being of Two Minds spans centuries to show how the most compelling and surprising ideas about mind, experience, and existence not only move between early modernity, high modernism, and our own moment, but are also constituted through that very movement between times and minds.

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Last Acts argues that the Elizabethan and Jacobean theater offered playwrights, actors, and audiences important opportunities to practice arts of dying. Psychoanalytic and new historicist scholars have exhaustively documented the methods that early modern dramatic texts and performances use to memorialize the dead, at times even asserting that theater itself constitutes a form of mourning. But early modern plays also engage with devotional traditions that understand death less as an occasion for suffering or grief than as an action to be performed, well or badly. Active deaths belie narratives of helplessness and loss through which mortality is too often read and instead suggest how marginalized and constrained subjects might participate in the political, social, and economic management of life. Some early modern strategies for dying resonate with descriptions of politicized biological life in the recent work of Giorgio Agamben and Roberto Esposito, or with ecclesiastical forms. Yet the art of dying is not solely a discipline imposed upon recalcitrant subjects. Since it offers suffering individuals a way to enact their deaths on their own terms, it discloses both political and dramatic action in their most minimal manifestations. Rather than mournfully marking what we cannot recover, the practice of dying reveals what we can do, even in death. By analyzing representations of dying in plays by Marlowe, Shakespeare, and Jonson, alongside devotional texts and contemporary biopolitical theory, Last Acts shows how theater reflects, enables, and contests the politicization of life and death.

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Bridge is played around the world - and often regarded as the best of all card games.'Many games provide fun, but Bridge grips you. It exercises your mind. Your mind can rust, you know, but Bridge prevents the rust from forming' Omar SharifIn this book David Bird builds on TEN WAYS TO IMPROVE YOUR BRIDGE and presents ten further ways to increase success at the bridge table. In the area of bidding, the Jacoby 2NT convention is described - the most popular way nowadays of showing a strong major-suit raise and investigating slam possibilities. When bidding slams, it is critical to identify the presence or otherwise of the six key cards (the four aces and the king-queen of trumps) Roman Key-card Blackwood allows you to do this. Two important variations (Kickback Blackwood and Exclusion Blackwood) are explained. The Lebensohl convention is covered also, both when partner's INT has been overcalled and when you are responding to a double of a weak-two bid. On defence, the important topic of disrupting declarer's communications is explained. The book will also show how you can become an 'awkward defender', the sort of player that no declarer likes to face. Finally, five important areas of declarer play are addressed: holding up in a suit contract, using the entries provided by the trump suit, how to block the defenders' suit at no-trumps, the various ways to avoid an adverse ruff or overruff and how to overcome a 4-1 trump break.

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The Battle of Culloden has gone down in history as the last major battle fought on British soil: a vicious confrontation between Scottish forces supporting the Stuart claim to the throne and the English Royal Army. But this wasn't just a conflict between the Scots and the English, the battle was also part of a much larger campaign to protect the British Isles from the growing threat of a French invasion. In Trevor Royle's vivid and evocative narrative, we are drawn into the ranks, on both sides, alongside doomed Jacobites fighting fellow Scots dressed in the red coats of the Duke of Cumberland's Royal Army. And we meet the Duke himself, a skilled warrior who would gain notoriety due to the reprisals on Highland clans in the battle's aftermath. Royle also takes us beyond the battle as the men of the Royal Army, galvanized by its success at Culloden, expand dramatically and start to fight campaigns overseas in America and India in order to secure British interests; we see the revolutionary use of fighting techniques first implemented at Culloden; and the creation of professional fighting forces. Culloden changed the course of British history by ending all hope of the Stuarts reclaiming the throne, cementing Hanoverian rule and forming the bedrock for the creation of the British Empire. Royle's lively and provocative history looks afresh at the period and unveils its true significance, not only as the end of a struggle for the throne but the beginning of a new global power.

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Prince Charles Edward Stuart (1720-1788) was the grandson of Britain's last Stuart king and the last of his line to fight for their right to the throne. Born in Rome and raised at his father's cultured and cosmopolitan court-in-exile, the young prince grew up beneath a heavy weight of expectation and yearned for the chance to prove his worth. In 1745, just as it seemed his best opportunity had already passed, Charles threw caution to the wind and embarked on a secret and seemingly desperate expedition to Scotland. What followed is one of the most remarkable, famous, and often misrepresented episodes of Scottish history: the '45. This is the story of the last Jacobite rising and the charismatic but controversial prince who led it, presenting a human portrait of the Stuart prince through the words of those who served alongside him. The picture revealed is one of a humane and capable young man taking on a mission far greater than his experience had prepared him for, pushed to the limits of his abilities at a cost from which he never recovered. Following Charles Edward Stuart over the battlefields of Prestonpans, Falkirk and Culloden, this book reveals the prince's strengths and flaws as a commander, and the difficult relationships he had with the very people on whom his fortunes, and reputation, would depend. It is the story of how the prince faced conflicts both on and off the battlefield, weathered challenges posed by friends as well as foes, and left a legacy which remains hotly contested to this day.

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Stirling is associated with two of the most notable names and battles in Scottish history: William Wallace and the Battle of Stirling Bridge, and Robert the Bruce and the Battle of Bannockburn. Stirling’s military history, however, stretches back to when the Romans invaded Scotland and formed a line of fortresses as their first boundary just north of Stirling. A Roman road cuts through the town, and it became a road used by every military force to invade Scotland. A castle has existed in Stirling on Castle Hill since at least 1110, with the town growing on the slopes around it. During the Wars of Independence with England control of Stirling and its castle was much fought over, bringing some of the most famous characters from Scottish history to the town. It was said that ‘he who controls Stirling, controls Scotland’. After the Union of the Crown in 1603, Stirling Castle’s role as a royal residence declined, and instead it became a centre for the military. The Jacobite forces failed to take the castle in 1746, and by the 1800s the castle was adapted to create barracks and training facilities. Today, reminders of the importance of Stirling can be found all around the town. The battle sites and castle are popular tourist attractions, and the castle remains the headquarters of the Argyll and Sutherland Highlanders infantry regiment. An annual military show to honour and celebrate the armed forces is also held in the town, which is recognised as one of the main military events in Scotland.

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This study of the life and works of David Mallet (?1705-65) is the first study of Mallet for the past one hundred and fifty years and assesses the poet's significance within his own period, arguing that modern scholarship has unduly neglected this complex personality who represented changing notions in taste and aesthetics, the intersection between literature and politics, and fashioned professional personae for himself as controversial patriot-poet, party writer, historian, editor, dramatist, and spy. An Anglo-Scot, he negotiated national prejudices, Jacobite leanings, and_when he moved to London in the 1750s_adopted the cultural patriotism of the Hanoverians. The post-Union climate enabled him to make influential friends, such as Pope, Lyttleton, Bolingbroke, and Chesterfield, who promoted his works and on whose behalf he wrote (mostly for pay), until his death. The book offers a comprehensive reconsideration of hitherto unknown manuscript material and contributes to dismantling Johnson's prejudiced view of Mallet, which to this day has tainted Mallet's critical reputation.

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When Falstaff calls upon the sky to rain potatoes in The Merry Wives of Windsor, he is highlighting the late sixteenth-century belief that the exotic vegetable, recently introduced to England from the Americas, was an aphrodisiac. In Romeo and Juliet, Lady Capulet calls for quinces to make pies for the marriage feast of her daughter. This fruit was traditionally connected with weddings and fertility, as echoed by John Gerard in his herbal where he also explained that eating quinces would ‘bring forth wise children, and of good understanding’. Taking fifty quotations centring on flowers, herbs, fruit and vegetables, Margaret Willes gives these botanical references their social context to provide an intriguing and original focus on daily life in Tudor and Jacobean England, looking in particular at medicine, cookery, gardening and folklore traditions. Exquisitely illustrated with unique hand-painted engravings from the Bodleian Library’s copy of John Gerard’s herbal of 1597, this book marries the beauty of Shakespeare’s lines with charming contemporary renderings of the plants he described so vividly.

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London, babyFalling for the Foster Mum by Karin BaineBurns specialist Dr Matthew McGrory is finally living the bachelor life after years of raising his siblings alone. But he can't ignore the pull he feels towards beautiful Quinn Grady, foster mum to his favourite young patient. Quinn is very protective of little Simon and her heart. But as Matthew's hero status grows in the eyes of her young charge, she might not be able to stop herself from falling in loveThe Redemption of Darius Sterne by Carole MortimerTycoon Darius Sterne is a man who gets what he wants. Always. And right now he wants ex-ballerina Miranda Jacobsin his bed! Miranda can't resist the allure of the brooding billionaire. But the closer he pulls her, the more Darius threatens the barriers she's carefully constructed to conceal the scars of her past. And Miranda isn't the only one with pain to hide Can her love redeem the dark Darius Sterne?Falling for the Secret Millionaire by Kate HardyAfter her ex's betrayal, Nicole

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This book examines the power of the past upon the present. It shows how generations of Scots have exploited and reshaped history to meet the needs of a series of presents, from the conquest of the Picts to the refounding of Parliament. Dauvit Broun, Fiona Watson, and Steve Boardman explore the violent manipulations of the past in medieval Scotland. Michael Lynch questions well-entrenched assumptions about the Scottish Reformation. Roger Mason looks at the transformation of 'Highland barbarism' into 'Gaelicism'. Ted Cowan examines the 'Killing Times' of the covenanters, and David Allan the seventeenth century fashion for creative family history. Colin Kidd discovers the victims of Pictomania in Scotland and modern Ulster, and Murray Pittock uncovers the comparable mania driving Jacobitism. Richard Finlay links the cult of Victoria with the queen's idea of herself as the heiress of the Scottish monarchy. Catriona MacDonald considers the neglect of women and the dangers of reconstructing history to suit modern sensitivities. Finally David McCrone provides a sociologist's perspective on the continuing dialogue between the past and the present. By exploring how the people of Scotland have variously understood, used and been inspired by the past this book offers a series of insights into the concerns of previous generations and their understanding of themselves and their times. It throws fresh light on the evolution of history in Scotland and on the actions and ambitions of the Scots who have formed and reformed the nation.

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Four new chapters in the Gallifrey saga. The Time Lords and the Daleks have opposed one another across millennia. But now, their conflict tips into an all - out Time War, and nowhere across the universe of spacetime is safe. Battle plans will be drawn, allies recruited, and innocents caught in the crossfire. Gallifrey is going to war, and the cosmos will never be the same again. 1. Celestial Intervention by David Llewellyn. The Temporal Powers are under threat. It is only a matter of time before the Daleks attack. Now CIA Coordinator, Romana must protect the interests of Gallifrey, while dealing with demands from President Livia and an increasingly powerful War Council. As allies are whittled away, the Time Lords are drawn into a conflict they can no longer avoid. 2. Soldier Obscura by Tim Foley. Braxiatel has always planned for contingencies. As hostilities escalate, he takes Ace into a deadly region of spacetime - The Obscura - to locate an ancient research station. But Ace is about to learn more about Irving Braxiatel than anyone should know. Some soldiers are ready for this fight, but some will not make it through the first round. 3. The Devil You Know by Scott Handcock. The Time War has begun in earnest, and Romana must think the unthinkable. For a most dangerous mission, she selects the most dangerous warrior - the Master. But he will not be alone. Leela accompanies her old enemy as they begin an unusual interrogation. What does Finnian Valentine know? And can Leela and the Master ever truly be on the same side? 4. Desperate Measures by Matt Fitton. he Dalek Emperor attacks a vital Time Lord outpost. Victory would be a devastating blow to Gallifrey. Romana is caught in the machinations of a President who sees control slipping away. Is it time to bargain with the War Council, or perhaps to parlay with even more dangerous parties? The Time War has barely begun, and for Gallifrey, desperate times are already here. The ninth series of Big Finish's hugely popular spin-off from the main Doctor Who range is set on the Doctor's homeworld Gallifrey This is the first of the Gallifrey stories to directly deal with The Time War - the horrific and universe-wide battle between Daleks and Time Lords with everything at stake! Louise Jameson and Lalla Ward played the Doctor's companions Leela and Romana respectively opposite Tom Baker in the late 1970s. They've since reprised their much-loved characters for Big Finish across a wide number of stories. CAST: Louise Jameson (Leela), Lalla Ward (Romana), Sophie Aldred (Ace), Sean Carlsen (Narvin), Miles Richardson (Braxiatel), Derek Jacobi (The Master), Pippa Bennett-Warner (Livia), Paul Marc Davis (Trave), Ebony Wong (Karla), David Sibley(Valerian), Zulema Dene (Danna), Bryan Dick (Finnian Valentine), Guy Adams (Beglis) and Nicholas Briggs (The Daleks).

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Unravel the history, themes, and language of Shakespeare's plays, poems, and sonnets with this beautifully illustrated guide to his life and works.Comedy and romance, history, and tragedy, Shakespeare's canon has it all. Some 400 years after they were written and first performed, his works still remain fresh and relevant today. Discover the work of the world's most celebrated playwright with:- A clear and accessible format- Act-by-act plot summaries of all of his 39 plays with lists of characters- Guidance on how to read and interpret his great sonnets and narrative poems- Plays ordered by time and genre, helping readers to trace the development of Shakespeare's topics, themes, and artistry- Sidebars that clarify the mythological, geographical, and historical context of each play and decode its language, dramatic action, and themesShakespeare fans will revel in the marvellous depiction of the Stratford-upon-Avon-born Bard himself! His drama book allows you to dive into famous works like Hamlet, Romeo and Juliet, and A Midsummer Nights Dreams and explore Shakespeare's sources and inspirations for each! Themes, plots, characters, and language are brought to life with act-by-act plot summaries, resumes of main characters, and in-depth analysis of Shakespeare's use of the English language. Shakespeare: His Life and Works is a wonderful exploration of plays, poems, and sonnets in the context of his life and the Elizabethan and Jacobean theatre further enriching your experience on, on the page, stage, or screen. It's the perfect gift for existing fans of Shakespeare, and anyone looking to find out more about the work of the world's most celebrated playwright.

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The Nine of Diamonds: Surroial Mordantless is a book in nine parts constructed to play the Butcher - the Duke of Cumberland - in a Gaelic interpretation of the ghost gamble. Given the command on the back of a nine of diamonds - the Curse of Scotland - that the Highlanders should all be slaughtered, the persecution of Jacobite sympathisers after the Battle of Culloden under the Butcher was one of the worst atrocities carried out on British soil. Using a kaleidoscope, a deck of tarot cards and an 1895 Dictionary of Phrase and Fable, The Nine of Diamonds is influenced by French surrealism and opens with the Gaelic visionary practice of inducing visions behind a waterfall. Treating the Highlands as a Gaelic garden, the rebels on the run as herds of deer, and the preservation of Gaelic culture as a type of sugar-cured mummification, The Nine of Diamonds is set in a phantasmagoric landscape described in the Scots of Henryson and Dunbar but evoking Scots Gaelic concepts and motifs to mix Highland and Lowland experience with magical and occult terminology. With the deer as a central image, MacGillivray's poems draw from Nijinsky as gravity-defying faun, from Mallarme, Duchamp and Breton.Written in the run up to the 2014 Scottish referendum, The Nine of Diamonds operates as a powerful wish-text. In this strange vision populated by badly-wired and furious neon unicorns, escorticati preparing their own bodies, Second World War MacLeod fighter pilots with talismanic photographs of the clan's Fairy Flag in their uniform pockets, pole-dancing fauns, stained glass knights and rusty kaleidoscopes, the underlying message is clear: in playing the Butcher back, MacGillivray is still here.

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In the rank of great Danish designers, Finn Juhl (1912–1989) is mentioned in the same breath with Hans J. Wegner and Arne Jacobsen. He became particularly well known for his sculptural, seemingly organic tables, chairs, and sofas. However, the complex interior designs he developed in the forties and fifties were also enormously successful. These include the Danish Embassy in Washington, D. C., or the conference room of the United Nations Trusteeship Council in New York. Only the most adept would be aware of the fact that Finn Juhl was also a talented watercolor painter. For the first time, this publication allows readers to take a unique look at the designer’s working method. More than 125 subtle works on paper communicate the ingenuity of their creator: Finn Juhl’s furniture classics, living concepts, and interior designs can finally be experienced in all their complexity, as one can trace their development from the beginning onwards.

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In this Research Handbook, today's leading experts on the law and economics of corporate bankruptcy address fundamental issues such as the efficiency of bankruptcy, the role and treatment of creditors - particularly secured creditors - in the bankruptcy process, the allocation of going-concern surplus among claimants, the desirability of liquidation in the absence of such surplus, the role of contract in bankruptcy resolution, the role of derivatives in the bankruptcy process, the costs of the bankruptcy system, and the special case of financial institutions, among other topics. Chapters trace the historical path of both law and policy analysis, with a focus on how the bankruptcy process serves underlying policy objectives. Proposals to reform corporate bankruptcy are presented. Research Handbook on Corporate Bankruptcy Law includes policy analysis by both lawyers and economists and is thus an invaluable resource to law scholars and students interested in the economic analysis of corporate bankruptcy law, as well as to economics and business scholars and students studying the law of corporate bankruptcy. These pages will prove equally valuable to lawmakers and judges who are interested in policy analysis of corporate bankruptcy. Contributors include: K. Ayotte, D.G. Baird, A.J. Casey, T.H. Jackson, M.B. Jacoby, E.J. Janger, S.J. Lubben, E.R. Morrison, J.A.E. Pottow, R.K. Rasmussen, M.J. Roe, A. Schwartz, M. Simkovic, D. Skeel, R. Squire, G. Triantis, M.J. White, T.J. Zywicki

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Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work.Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart’s bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand.Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity—for pleasure—is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.

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Elizabethan and Jacobean architecture— the uniquely strange and exciting buildings built by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting—is a phenomenon as remarkable as the literature that accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, and others. In this beautiful and fascinating book, Mark Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the excitement of English patrons and craftsmen as they learned not only about the classic Five Orders and the buildings of Ancient Rome, the surprising wealth of architectural drawings that survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament, but also the strength of the native tradition that was creatively integrated with the “antique” style. Behind the book is a vivid consciousness of the European scene: Italy, France, central Europe and above all the Low Countries and their influence on England. But the principal argument of the book is the unique individuality of the English achievement. The result of new research and fieldwork, as well as a lifetime’s observation and scholarship, this remarkable book displays Girouard’s unique sense of style and his enduring excitement for the architecture of the period.Published for the Paul Mellon Centre for Studies in British Art

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Dr. Zanardi approaches the development of psychoanalytic theories of women on two fronts: the psychoanalytic and the political. The first part includes papers by Ruth Mack Brunswick, Melanie Klein, Janine Chasseguet-Smirgel, D. W. Winnicott, Joyce Macdougal, Edith Jacobsen, Annie Reich, and Judith Kestenberg, among others, illustrating the psychoanalytic development concerning female sexuality from the 1940s on. the different views - Freudian, Kleinian, Horneyan, object relation, and Lacanian - are presented, showing both American and European views to underline their theoretical differences. Controversial issues - phallocentrism, penis envy, homosexuality, masochism, wish for a child - are brought into focus and analyzed from different theoretical and clinical points of view. The second part draws attention to the influence of the Women's Liberation Movement on psychoanalytic theory. The papers included show attempts to integrate psychoanalysis into the ideological political discourse. It includes the work of leading feminists and psychoanalysts in the United States and Europe, including Carol Gilligan, Dorothy Dinnerstein, Jean Baker Miller, Juliet Mitchell, Luce Irigaray, and Julia Kristeva.

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'Witty, original and clever, this tale of Jacobean power and lust is a blast' THE TIMES, Best Historical Fiction of the YearFrancis Bacon, philosopher, politician, writer, is an outsider at the court of King James I. He is clever but not aristocratic, has ambition but no money. So when his political enemies form a deadly alliance against him, centred around the King's poisonous lover Robert Carr, Bacon has no choice but to fight for his survival.Together with the neglected Queen, Bacon resolves to find a beguiling young man who can supplant Carr in the King's bed. But as Bacon soon discovers, desire is not something that can be controlled.Bold, irreverent and utterly original, The Dangerous Kingdom of Love is a darkly witty satire about power, and a moving queer love story that resonates through time.'An entertaining and very funny read with something to say about both the love of power and the power of love' SUNDAY TIMES'Brilliant ... Like Wolf Hall meets Succession ... Scandalous, politically perceptive and unexpectedly heartfelt' APPLE

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Being of Two Minds examines the place that early modern literature held in Modernist literary criticism. For T. S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality. Goldberg reads the readings that these modernists performed on texts that Eliot claimed for the canon like the metaphysical poets and Jacobean dramatists, but also Shakespeare, Milton, Montaigne, and Margaret Cavendish. Ontological concerns are reflected in Eliot’s engagement with Aristotle’s theory of the soul and Empson’s Buddhism. These arguments about being affect minds and bodies and call into question sexual normativity: Eliot glances at a sodomitical male-male mode of literary transmission; Woolf produces a Judith Shakespeare to model androgynous being; Empson refuses to distinguish activity from passivity to rewrite gender difference. The work of one of our leading literary and cultural critics, Being of Two Minds spans centuries to show how the most compelling and surprising ideas about mind, experience, and existence not only move between early modernity, high modernism, and our own moment, but are also constituted through that very movement between times and minds.

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Britain's defeat of Napoleon is one the great accomplishments in our history. And yet it was by no means certain that Britain itself would survive the revolutionary fervour of the age, let alone emerge victorious from such a vast conflict. From the late 1790s, the country was stricken by naval mutinies, rebellion in Ireland, and riots born of hunger, poverty and grinding injustice. As the new century opened, with republican graffiti on the walls of the cities, and revolutionary secret societies reportedly widespread, King George III only narrowly escaped assassination. Jacobin forces seemed to threaten a dissolution of the social order. Above all, the threat of French invasion was ever-present. Yet, despite all this, and new threats from royal madness and rampant corruption, Britain did not become a revolutionary republic. Her elites proved remarkably resilient, and drew on the power of an already-global empire to find the strength to defeat Napoleon abroad, and continued popular unrest at home. In this brilliant, sweeping history of the period, David Andress fuses two hitherto separate historical perspectives - the military and the social - to provide a vivid portrait of the age. From the conditions of warfare faced by the British soldier and the great battles in which they fought, to the literary and artistic culture of the time, The Savage Storm is at once a searing narrative of dramatic events and an important reassessment of one of the most significant turning points in our history.

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A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde cultureWomen Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century.Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used printmaking as a vehicle for technical innovation and sociopolitical commentary. She looks at the dynamic relationship between Marianne Werefkin and Gabriele Münter, whose different paths in life led them to the Blaue Reiter, a group of Expressionist artists that included Wassily Kandinsky and Paul Klee. Behr examines Nell Walden’s role as an influential art dealer, collector, and artist, who promoted women Expressionists during the First World War, and discusses how Dutch artist Jacoba van Heemskerck’s spiritual abstraction earned her the status of an honorary German Expressionist. She demonstrates how figures such as Rosa Schapire and Johanna Ey contributed to the development of the movement as spectators, critics, and collectors of male avant-gardism.Richly illustrated, Women Artists in Expressionism is a women-centered history that reveals the importance of emancipative ideals to the shaping of modernity and the avant-garde.

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The Battle of Culloden has gone down in history as the last major battle fought on British soil: a vicious confrontation between Scottish forces supporting the Stuart claim to the throne and the English Royal Army. But this wasn't just a conflict between the Scots and the English, the battle was also part of a much larger campaign to protect the British Isles from the growing threat of a French invasion. In Trevor Royle's vivid and evocative narrative, we are drawn into the ranks, on both sides, alongside doomed Jacobites fighting fellow Scots dressed in the red coats of the Duke of Cumberland's Royal Army. And we meet the Duke himself, a skilled warrior who would gain notoriety due to the reprisals on Highland clans in the battle's aftermath. Royle also takes us beyond the battle as the men of the Royal Army, galvanized by its success at Culloden, expand dramatically and start to fight campaigns overseas in America and India in order to secure British interests; we see the revolutionary use of fighting techniques first implemented at Culloden; and the creation of professional fighting forces. Culloden changed the course of British history by ending all hope of the Stuarts reclaiming the throne, cementing Hanoverian rule and forming the bedrock for the creation of the British Empire. Royle's lively and provocative history looks afresh at the period and unveils its true significance, not only as the end of a struggle for the throne but the beginning of a new global power.

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A forgotten episode of mathematical resistance reveals the rise of modern mathematics and its cornerstone, mathematical purity, as political phenomena. The nineteenth century opened with a major shift in European mathematics, and in the Kingdom of Naples, this occurred earlier than elsewhere. Between 1790 and 1830 its leading scientific institutions rejected as untrustworthy the “very modern mathematics” of French analysis and in its place consolidated, legitimated, and put to work a different mathematical culture. The Neapolitan mathematical resistance was a complete reorientation of mathematical practice. Over the unrestricted manipulation and application of algebraic algorithms, Neapolitan mathematicians called for a return to Greek-style geometry and the preeminence of pure mathematics. For all their apparent backwardness, Massimo Mazzotti explains, they were arguing for what would become crucial features of modern mathematics: its voluntary restriction through a new kind of rigor and discipline, and the complete disconnection of mathematical truth from the empirical world—in other words, its purity. The Neapolitans, Mazzotti argues, were reacting to the widespread use of mathematical analysis in social and political arguments: theirs was a reactionary mathematics that aimed to technically refute the revolutionary mathematics of the Jacobins. During the Restoration, the expert groups in the service of the modern administrative state reaffirmed the role of pure mathematics as the foundation of a newly rigorous mathematics, which was now conceived as a neutral tool for modernization. What Mazzotti’s penetrating history shows us in vivid detail is that producing mathematical knowledge was equally about producing certain forms of social, political, and economic order.

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A fearsome young woman stormsinger and pirate hunter join forces against a deathless pirate lord in this swashbuckling Jacobean adventure on the high-seas. Launching the Winter Sea series, full of magic, betrayal and redemption, for readers of Adrienne Young, R. J. Barker and Naomi Novik Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection - and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships. Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary. Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves. Come sail the Winter Sea, for action-packed, high-stakes adventures, rich characterisation and epic plots full of intrigue and betrayal.

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This contains histories of ten ancient parishes in north-west Middlesex. Wealthy Lon-doners began to buy property here during the Middle Ages and later settled in fine houses, exemplified by the Jacobean mansion of Swake-leys. Thearea in return supplied the capital with corn, livestock, and, increasingly, with hay and garden produce. In Uxbridge it possessed a medieval market town, whose prosperity grew with the coach trade, and in Harrow, from the 18th century, it boasted a fashionable school. Until the 19th century, however, the parishes were mainly rural and even backward, since agriculture was hampered by the heavy London Clay. The countryside receded only gradually, with thecutting of canals and the digging of brickearth, followed by the penetration of rail-ways and the spread of housing around the railway stations. In 1920 the hay-fields of Perivale, a parish centred around five farms, still contrasted with the factories of Southall, al-though the sale of private estates for development was soon to leave only some carefully preserved open spaces. Contrasts persist today: between the slopes along the Hertfordshire border, with their trees and large residences, and the housing estates which stretch away to the south; between the high streets of Harrow-on-the-Hill and Pinner, scarcely changed in the 20th century, and the M 1 and M 4 motorways; between the village greens at the heart of Norwood and Northolt and the shopping centre under con-struction at Uxbridge; between churches, alms-houses, moats, and barns on one hand, and on the other the stadium and Empire Pool and Arena atWembley, and London Airport, which has obliterated the hamlet of Heathrow and covered most of the parish of Harmondsworth. The volume contains 19 pages of illustrations, two street-plans, and nine maps.

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With its dominance as a European power and the explosion of its prose and dramatic writing, Spain provided an irresistible literary source for English writers of the early modern period. But the deep and escalating political rivalry between the two nations led English writers to negotiate, disavow, or attempt to resolve their fascination with Spain and their debt to Spanish sources. Amid thorny issues of translation and appropriation, imperial competition, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how Spanish material was transmitted into English writing, entangling English literature in questions of national and religious identity, and how piracy came to be a central textual metaphor, with appropriations from Spain triumphantly reimagined as heroic looting. From the time of the attempted invasion by the Spanish Armada of the 1580s, through the rise of anti-Spanish rhetoric of the 1620s, The Poetics of Piracy charts this connection through works by Ben Jonson, William Shakespeare, Francis Beaumont, John Fletcher, and Thomas Middleton. Fuchs examines how their writing, particularly for the stage, recasts a reliance on Spanish material by constructing narratives of militaristic, forcible use. She considers how Jacobean dramatists complicated the texts of their Spanish contemporaries by putting them to anti-Spanish purposes, and she traces the place of Cervantes's Don Quixote in Beaumont's The Knight of the Burning Pestle and Shakespeare's late, lost play Cardenio. English literature was deeply transnational, even in the period most closely associated with the birth of a national literature. Recovering the profound influence of Spain on Renaissance English letters, The Poetics of Piracy paints a sophisticated picture of how nations can serve, at once, as rivals and resources.

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In 1688, a vast fleet of 463 ships, twice the size of the Spanish Armada, put to sea from Holland. On board was William of Orange with 40,000 soldiers - their objective, England. The Protestant William had been encouraged by a group of Church of England bishops to risk everything and oust the Catholic King James. He landed at Tor Bay in Devon and soon gathered enough support, including that of John Churchill, the future Duke of Marlborough, to cause King James to flee to France. It had been seen, in the eyes of most in England and Scotland as a 'Glorious' Revolution. William ascended the throne along with his wife Mary, the daughter of England's Charles II, who had preceded James. Though the revolution had been virtually bloodless, William had to fight to keep his crown. Most Irish were Catholics and King William's armies met stiff opposition there. In this, James saw a chance to regain his crown. Sailing to Ireland, he led his Jacobite troops against William at the Battle of the Boyne on 1 July 1690\. James was defeated, ending his hopes of ousting William. There were also large numbers of Catholics in Scotland, but they too were defeated by William's army at the Battle of Killiecrankie. This, in turn, led to the infamous Massacre of Glencoe. The accession of William and Mary to the throne was a landmark moment in British history, one which saw Parliament emerge into the modern state. In January 1689, two months after the Glorious Revolution, Parliament met and in February a Declaration of Rights was incorporated into the Bill of Rights. This included the measure that the crown could not tax without Parliament's consent or interfere in elections. William, therefore, is not only known both for being one of England's most revolutionary kings, but also one of the least remembered.

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Interest in constitutionalism and in the relationship among constitutions, national identity, and ethnic, religious, and cultural diversity has soared since the collapse of socialist regimes in Eastern Europe and the former Soviet Union. Since World War II there has also been a proliferation of new constitutions that differ in several essential respects from the American constitution. These two developments raise many important questions concerning the nature and scope of constitutionalism. The essays in this volume—written by an international group of prominent legal scholars, philosophers, political scientists, and social theorists—investigate the theoretical implications of recent constitutional developments and bring useful new perspectives to bear on some of the longest enduring questions confronting constitutionalism and constitutional theory. Sharing a common focus on the interplay between constitutional identity and individual or group diversity, these essays offer challenging new insights on subjects ranging from universal constitutional norms and whether constitutional norms can be successfully transplanted between cultures to a consideration of whether constitutionalism affords the means to reconcile a diverse society’s quest for identity with its need to properly account for its differences; from the relation between constitution-making and revolution to that between collective interests and constitutional liberty and equality. This collection’s broad scope and nontechnical style will engage scholars from the fields of political theory, social theory, international studies, and law. Contributors. Andrew Arato, Aharon Barak, Jon Elster, George P. Fletcher, Louis Henkin, Arthur J. Jacobson, Carlos Santiago Nino, Ulrich K. Preuss, David A. J. Richards, Michel Rosenfeld, Dominique Rousseau, András Sajó, Frederick Schauer, Bernhard Schlink, M. M. Slaughter, Cass R. Sunstein, Ruti G. Teitel, Robin West

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