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Total defence, as a concept, combines and extends military and civil defence: in a state of war or emergency, all social institutions mobilize to defend the state. Total defence forces, led by a diverse workforce of defence and security professionals, are critical to both national defence and international security goals.Total Defence Forces in the Twenty-First Century looks at the various groups that make up this workforce: members of the military’s regular force, reservists, defence civil servants, and contractors working for private military and security companies. When civilian staff and military personnel work towards a common goal, their distinct professional cultures and identities can make integration challenging. Despite the often high levels of partnership, underlying differences affect the quality of the collaboration and, ultimately, organizational and operational effectiveness. Defence ministries around the world are increasingly recognizing the importance of optimizing the ways in which they employ and integrate civilian and military personnel.This volume focuses on a critical question: what are the main challenges to workforce integration and collaboration, and how can such challenges be overcome to deliver the full potential of the total defence force? Together, scholars and practitioners provide some answers.

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News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.

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Television in Canada has been undervalued as a cultural form. Despite being publicly funded, Canadian television programs are also notoriously difficult to access once they go off the air, which has compounded the problem.In What Television Remembers Jennifer VanderBurgh intervenes in the story of the medium in Canada by exploring the long relationship between TV and the city of Toronto. From the first demonstration of television at the Canadian National Exhibition in 1939 and the mass viewing of Queen Elizabeth II’s coronation broadcast in 1953 to the late-century installation of TV screens in public spaces around the city, television has shaped Toronto’s collective imagination and affirmed viewers in their multiple identities as local residents, national citizens, and transnational consumers. In a close reading of Toronto-based CBC dramas from the 1960s to 2010, VanderBurgh explains how the city has functioned as a strategic location in CBC programming, reflecting dramatically changing ideas about Canadian identity, community, and citizenship.At a time when many are suggesting that the era of television is over, What Television Remembers sounds the alarm that we are in danger of forgetting TV in Canada without appreciating the complexities of its contributions and legacy.

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What people wore in the distant past is often challenging to determine, owing to the disintegration of natural textiles and materials over time. Yet when new findings from archaeological excavations are compared with documentation about early Acadia, a fascinating picture of the society’s early fashions is revealed.Fashioning Acadians is a history of clothesmaking and dress in Acadia from 1650 to 1750. Through the analysis of four Acadian settlements in what is now Nova Scotia, Hilary Doda uncovers the regional fashions and trends that had begun to emerge prior to the violence of the deportations of 1755. Men’s and women’s wardrobes are described from head to toe, from headdresses and hairstyles down to stockings and shoes, along with accessories such as buttons, buckles, and jewellery. While Acadians retained many aspects of the fashion systems of France, New France, and New England, a distinctive Acadian identity can be seen to take shape as their dress evolved and was influenced by other regional styles. Exploring the possibilities of a new methodology for identifying lost or decayed garments, Doda argues that surviving notions, sewing tools, and accessories – the small finds of archaeological sites – are important sources of information not only about domestic life, but about manufacturing processes, dress and textile cultures, and the influence of intersecting fashion systems in colonial spaces.Fashioning Acadians expands our understanding of Acadian lives and their connections to both the Atlantic world of goods and the landscapes of Nova Scotia.

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With the vast majority of healthcare and social workers identifying as women, the vanguard of the COVID-19 response was distinctly gendered. In Conscripted to Care Julia Smith introduces us to the women who faced the worst effects of the pandemic and the inequities it exposed. Through clear prose and fascinating critical analysis, she documents their largely unseen contributions and sacrifices, both professional and domestic.Drawing on interviews and focus groups with nearly two hundred women from a range of backgrounds and occupations, Smith reveals how structural inequality put women on the frontlines of the pandemic response, yet with inadequate resources and little voice in decision-making. Women shouldered not only the triple burden of paid work, unpaid care, and mental load, but also increased emotional labour. While some women were categorized as “essential,” others remained in the shadows. All faced unsustainable workloads, moral distress, and burnout while continuing to demand better services for those in their care.An analysis of Canada’s COVID-19 response from the perspective of those who staffed it, Conscripted to Care presents crucial lessons for those interested in public health and how it relates to gender and economic equality, as well as public policy.

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Hockey has a curious connection to editorial cartooning and sports illustration, one as old and storied as the game itself. Many writers and photographers have told the story of game play, but never from such an original, unvarnished perspective as the cartoonist’s.Picturing the Game transports fans into the mischievous world of caricature through the rough drafts of hockey history by Bruce MacKinnon, Aislin, Serge Chapleau, Susan Dewar, Brian Gable, and many other talented artists. They make us laugh by telling the truth and – perhaps – make us a little wiser about what we already suspect of the fools running the show. The earliest drawings collected here come from the anonymous early house artists who drew ancient play and its first audiences. Their work evolved into the cartooning of Arthur Racey and Lou Skuce, whose editorial and sports cartoons ran when newspapers had a virtual monopoly on news dissemination and belief in the printed word was absolute. Not surprisingly, the dailies became the medium that made hockey Canada’s national game. Later, Franklin Arbuckle, Duncan Macpherson, and Len Norris animated the game’s advance through more meaningful allegory, humorous irreverence, and an underlying cultural bearing that gave each of their panels its own power and influence.Don Weekes showcases the gifted, forward-thinking graphic journalists throughout hockey’s history whose bold aesthetic and deft draughtsmanship could always make the butt of their satire look perfectly asinine. Their ingenuity and perceptiveness paved the way for a journalistic showmanship that embodied a truly Canadian acerbic spirit. It was nothing short of groundbreaking and Canada’s national game is all the better for it.

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Leonard Cohen and the Apostle Paul might be imagined as brothers with wildly different characters but a strong family resemblance. Paul, the elder sibling, was awkward, abrasive, and zealous. Leonard, the successful younger brother, was a smooth-talking romantic, prone to addiction and depression. Paul died a martyr, not knowing his words would have any effect on the world. Leonard could see his canonization within his lifetime. Yet each became a prophet in his own time, and a poet for the ages.In Prophets of Love Matthew Anderson traces surprising connections between two Jewish thinkers separated by millennia. He explores Leonard's and Paul’s mysticism, their Judaism, their fascination with Jesus, their countercultural perspectives on sex, their ideas about love, and how they each embodied being men. Anderson considers their ambiguous relationships with women, on whom they depended and from whom they often profited, as well as how their legacies continue to evolve and be re-interpreted. This book emphasizes that Paul was first and foremost a Jew, and never rejected his Judaism. At the same time, it sheds new light on the biblical worldviews and language underlying and inspiring every line of Cohen’s poetry.Prophets of Love alters our views of both Leonard Cohen and the Apostle Paul, re-introducing us to two poetic prophets of divine and human love.

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The connection of the brain to the mind remains one of the most persistent mysteries in philosophy and neuroscience. Georg Northoff proposes a new approach to the so-called mind-body problem, drawing on an insight from physics: time structures all objects and events in the world, and all objects and events are in dynamic relationship. This also shapes the brain as it is part of the dynamic of the world as whole.In Neurowaves Northoff posits that the entire world is structured by waves of time and argues that the passing of these waves through our brains – neurowaves – produces mental experience. The brain’s neural waves transform into mental waves; time and its dynamics are shared by brain and mind as their common currency. As in physics and biology, that radically changes our view. Copernicus showed how the earth moves and that its movements are just a tiny part of the universe’s passage of time. Darwin showed that the human species is one among many species passing through evolution’s timescales. Northoff calls for another Copernican revolution, replacing the mind-body problem with questions about the temporal-dynamic relationship between brain and world.Illustrated with vivid examples from different facets of the physical and biological world, Neurowaves provides captivating insights and an innovative, entertaining unravelling of the temporal connection of brain and mind.

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At present India is a leading producer, distributor, and consumer of generic medicines globally. Disparate Remedies traces the genealogy of this development and examines the public cultures of medicine in the country between 1870 and 1960.The book begins by discussing the expansion of medical consumerism in late nineteenth-century India when British-owned firms extended their sales into remote towns. As a result, laboratory-produced drugs competed with traditional remedies through side-by-side production of Western and Indian drugs by pharmaceutical companies. The emergent middle classes, the creation of a public sphere, and nationalist politics transformed the medical culture of modern India and generated conflict between Western and Indigenous medical systems and their practitioners. Nandini Bhattacharya demonstrates that these disparate therapies were sustained through the tropes of purity or adulteration, potency or lack of it, and epistemic heritage, even when their material configuration often differed little.Uniquely engaging with the cultures of both consumption and production in the country, Disparate Remedies follows the evolution of medicine in colonial India as it confronted Indian modernity and changing public attitudes surrounding health and drugs.

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Kim Thúy is a literary phenomenon, rising in her first decade of writing to a level of international recognition that few Québécois writers ever attain. The Vietnamese-born author’s novels have garnered literary prize recognition and have been translated from French into twenty-nine languages in nearly forty countries.Touching Beauty is the first collection to focus solely on Thúy and her economical yet poetic storytelling style that expresses both the traumatic and the beautiful. Her writings, which manage to be culturally specific all while speaking to the fundamentals of the human condition, are examined within the context of what is known as migrant literature in Canada and are situated within the history of Vietnamese literature in French that grew out of the colonial period. Chapters explore food, identity, gender, and the role of writing in Thúy’s life and work. Thúy herself contributes an unpublished poem and an extended interview that focus on her ongoing struggle to find, and write, beauty amidst war, migration, poverty, and loss. Touching Beauty maps the themes that have, to date, animated a literary career of global relevance and enduring value and encourages a deeper appreciation of Thúy’s writing.

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Federal countries face innumerable challenges including public health crises, economic uncertainty, and widespread public distrust in governing institutions. They are also home to 40 per cent of the world’s population. Rethinking Decentralization explores the question of what makes a successful federal government by examining the unique role of public attitudes in maintaining the fragile institutions of federalism. Conventional wisdom is that successful federal governance is predicated on the degree to which authority is devolved to lower levels of government and the extent to which citizens display a “federal spirit” – a term often referenced but rarely defined. Jacob Deem puts these claims to the test, examining public attitudes in Australia, Belgium, Canada, France, Germany, Switzerland, the United Kingdom, and the United States. Deem demonstrates how the role of citizen attachment to particular manifestations of decentralization, subsidiarity, and federalism is unique to each country and a reflection of its history, institutions, and culture. Essential reading for policymakers, academics, and everyday citizens, Rethinking Decentralization re-centres the public to offer a nuanced way of thinking about federal governance.

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Evangelical Christianity is known for its defence of traditional Christian teachings and resistance to liberalizing trends. Many Western evangelicals themselves do not yet realize how their faith is being reshaped by the modern zeitgeist. Caught in the Current explores how and why Western evangelicals are changing. Church attendance is declining, conservative moral positions are unpopular, and young people are drifting away from the faith. Evangelism is avoided, so few are joining congregations. Yet these surface changes are only symptoms of a more profound shift that church leaders have not fully apprehended. Drawing upon 125 interviews with British and Canadian clergy and active laity, Sam Reimer argues that evangelicals have been deeply influenced by a post-Christian culture that has rejected institutional religious authority and embraced self-spirituality. As individual evangelicals struggle to navigate these waters, and to distance themselves from politicized evangelicalism in the United States, they are caught between conformity and resistance, between faithfulness to church moral teachings and accommodation of secular values. Many are responding by turning inward to define their Christian beliefs for themselves. The ironic result is that the decline of institutional religious authority is not happening just in Western culture, but within evangelical churches as well. Caught in the Current is an insightful and nuanced assessment of how British and Canadian evangelicals are navigating a post-Christian culture, often in ways that are distinct from how their counterparts in the United States approach it.

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In a world of increasing right-wing populism, global capitalism, and a climate emergency, leading thinkers come together to interrogate the meaning and practice of being outspoken. The violence, nativism, persecution, and social hostilities of the twenty-first century demand a call to order: philosophical and theoretical communities must commit their intellectual resources to confronting and articulating the structures, desires, and resentment driving the dismantling of democratic values. Action in the absence of understanding and political vision devoid of inclusive ideas are all the more vulnerable to taking a reactionary turn. Contributors to this volume challenge the return of fascism, dehumanization of immigrants, distrust of science, intolerance of fair and equitable economic models, and suspicion of inclusive political platforms. All, in their own way, tackle the burning question of how we might reimagine twenty-first-century life in the face of divisive forces. Outspoken includes essays by some of the world’s most radical thinkers – Rosi Braidotti, Henry A. Giroux, Amelia Jones, and Slavoj Žižek, among others – who together chart multiple progressive courses for political antagonism and social intervention.

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Between 2010 and 2017, Canada experienced an efflorescence of Greek tragedy, led by independent Montreal theatre company Scapegoat Carnivale’s energetic performances of Euripides’s Medea and Bacchae and Sophocles’s Oedipus Tyrannus. The performances featured crisp new translations by co–artistic director Joseph Shragge, large casts, and full-throated sung choruses. Scapegoat Carnivale’s trilogy of these familiar but rarely performed plays is at the core of this volume, which includes all three novel play scripts, the company’s stage directions, and helpful annotations that elucidate Greek names and cultural references and place the textual choices in the context of the productions themselves as well as the long manuscript traditions germane to each tragedy. The result sheds light on both the ancient Greek texts and contemporary performance practice, as do accompanying essays introducing the reader to Greek tragedy in fifth-century Athens, reception theories, each play’s themes and cultural resonances, and how Scapegoat’s approach to each play fits into broader global trends of performance and reception.Scapegoat Carnivale’s Tragic Trilogy invites readers from all backgrounds to encounter these plays, whether they are looking at Greek tragedy for the first time or the fiftieth. It gives everyone the tools to understand where these plays came from, offers insights into how they can and should be performed now, and shows why they are more relevant than ever in contemporary theatre and in life.

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The Elizabethan settlement, and the Church of England that emerged from it, made way for a theological reformation, an institutional reformation, and a high political reformation. It was a reformation that changed history, birthed an Anglican communion, and would eventually launch new wars, new language, and even a new national identity. A People’s Reformation offers a fundamental reinterpretation of the English Reformation and the roots of the Church of England. Drawing on archival material from across the United States and Britain, Lucy Kaufman examines the growing influence of state authority and the slow building of a robust state church from the bottom up in post-Reformation England. Situating the people of England at the heart of this story, the book argues that while the Reformation shaped everyday lives, it was also profoundly shaped by them in turn. England became a Protestant nation not in spite of its people but through their active social, political, and religious participation in creating a new church in England.A People’s Reformation explores this world from the pews, reimagining the lived experience and fierce negotiation of church and state in the parishes of Elizabethan England. It places ordinary people at the centre of the local, cultural, and political history of the Reformation and its remarkable, transformative effect on the world.

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Around 1600, the English geographer and cleric Richard Hakluyt sought to honour his nation by publishing a compilation of every document he could find relating to its voyages and trade beyond the boundaries of Europe. The resulting collection of travel narratives, royal letters, ships’ logs, maps, lists, and commentaries was published as Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation. Spanning two thousand pages and documenting more than two hundred voyages, Principal Navigations is a window onto how the world appeared to England in 1600. Lines Drawn across the Globe unlocks Richard Hakluyt’s work for modern readers. Mary Fuller traces the history of the book’s compilation and gives order and meaning to its famously diverse contents. From Sierra Leone to Iceland, from Spanish narratives of New Mexico to French accounts of the Saint Lawrence and Portuguese accounts of China, Hakluyt’s shaping of this many-authored book provides a conceptual map of the world’s regions and of England’s real and imagined relations to them: exchange, alliance, aggression, extraction, translation, imitation – always depending on the needs of the moment. At the height of the British imperial project, Principal Navigations came to be seen and valued as a founding document of English national identity. It remains a crucial piece of evidence on the history of empire, the nation, and the world. Yet after a century and a half of modern scholarship, Hakluyt’s book needs to be disentangled from the perspectives of the nineteenth century and read anew. Lines Drawn across the Globe works across the scales of Hakluyt’s collection to deliver a dazzling account of an editorial project that was fundamental to England’s encounter with the world – and the nation’s idea of itself.

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If you believed most of what’s said about the Canadian Temporary Foreign Worker program, you might naturally assume that there is a trade-off between workers’ poor experiences with the program and employers’ significant benefits. In reality, the experiences of workers are far worse than is commonly acknowledged, while employers are not reaping as much benefit as the public might suppose.In Enduring Work Catherine Connelly draws on over one hundred interviews with people connected to different aspects of this program, analyzing their experiences from the perspective of organizational behaviour and human resources management. She compares the lived reality of agricultural workers, in-home caregivers, and low- and high-wage workers, showing how and why each group is vulnerable to mistreatment, albeit in different ways. She further explores how employment agencies and immigration consultants contribute to program abuses. Critically, Enduring Work provides the perspectives of employers, distinguishing between the reluctant users of the program who follow the rules and the reckless users who do not.Groundbreaking in its analysis of an issue very much in the news, Enduring Work unpacks the harms within Canada’s Temporary Foreign Worker program and offers nuanced strategies to improve it.

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The French Revolution swept away the Old Regime along with many of its ideas about epistemology, history, society, and politics. In the intellectual ferment that followed, debates about religion figured prominently as diverse thinkers grappled with the philosophical and civil status of religion in a post-revolutionary age. Arthur McCalla demonstrates the central place of religion in the intellectual life of post-revolutionary France in Religion and the Post-revolutionary Mind. Certain questions – What is the nature of religion? Does society rest on religious foundations? What ought to be the place of religion in society? – drew sustained attention from across the political spectrum. Idéologues viewed religion as error and sought to eradicate it through the promotion of secular values. Catholic Traditionalists understood religion as a body of revealed truths of supernatural origin that ought to be authoritative in all aspects of life. Liberals sought to replace Christian orthodoxy with a new public faith consonant with liberal values. But these blocs were not monolithic, and McCalla reveals the complexities of each one, as well as the dialogues and rivalries among them. The categories established by the concepts of religion these thinkers constructed continue to shape debates over liberationist critiques, liberal pluralism, laïcité, and political theology. The place of religion in civil society is again a matter of urgent debate. Religion and the Post-revolutionary Mind provides essential historical context for thinking about the status of religion in the contemporary world.

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Gerard Comeau, a retiree living in rural New Brunswick, never thought his booze run would turn him into a Canadian hero. In 2012, after Comeau had driven to Quebec to purchase cheaper beer and crossed back into his home province, police officers participating in a low-stakes sting operation tailed and detained him, confiscated his haul, and levied a fine of less than $300. Countries routinely engage in trade wars and erect barriers to protect domestic industries from foreign competition. Comeau, however, was detained by the full force of the law for engaging in commerce with a Canadian business on the other side of a domestic border. With Comeau’s story as its starting point, Booze, Cigarettes, and Constitutional Dust-Ups tells the fascinating tale of Canadian interprovincial trade. Ryan Manucha examines the historical, political, and legal forces that gave rise to the regulation of interprovincial commerce in Canada, the trade-offs that come with liberalized domestic free trade, and Canada’s enduring pursuit of economic union. The pandemic laid bare the vulnerability of global supply chains, the fickleness of foreign trading partners, and the surprising slipperiness of domestic trade. In a global climate of increasingly isolationist geopolitics, the history and possibility of Canada’s economic union, quirks and all, deserve careful attention.

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André Siegfried (1875–1959) was a leading figure in French academic and cultural life for over five decades. A world traveller who trained as a geographer, Siegfried became a leading political scientist and prominent newspaper columnist. As a long-time professor at Sciences Po, he shaped generations of his country’s elite. France in the World explores the life and career of André Siegfried. An innovator in the field of political science, he established himself as France’s leading interpreter of the English-speaking world. Often likened to Alexis de Tocqueville, Siegfried published influential studies of the United States, Canada, Great Britain, and New Zealand, striving to understand France’s place in a changing global context. Siegfried was a cosmopolitan promoter of liberalism and individual freedom. But at the same time he perceived France to be the core of a Western civilization whose leadership and values were threatened by Americanization, anti-imperial nationalism, and non-white immigration. By following Siegfried’s long career and examining the breadth of his writings, Sean Kennedy shows how his racial and ethnic essentialism was a unifying aspect of his life’s work. That these ideas were considered unremarkable for most of his lifetime offers a powerful illustration of how racist thinking permeated mainstream French republicanism.Exploring the many facets of Siegfried’s career, France in the World examines the entanglement of liberal and racist thinking during an era that witnessed political extremism and a rapidly changing international order.

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The overthrow of Saddam Hussein in 2003 in Iraq opened the door for Kurdish nationalists to move toward outright independence. Despite the recent visibility of the Kurds in the international media, little is known about their political aspirations as citizens of an autonomous region.In Secession and Conflict Zheger Hassan employs a comparative analysis to explore why Iraqi Kurdistan, despite being better positioned institutionally and economically than the similar cases of South Sudan and Kosovo, has not declared independence. In rebuilding Iraq and fighting against the Islamic State, the Kurds have cultivated important political alliances with the US and Europe, which have garnered them international economic, military, and political support. Though now well-positioned to function as an independent state, Iraqi Kurdistan has vacillated in seizing this golden opportunity to declare independence. The apparent Kurdish willingness to forgo independence runs counter to the prevailing narratives about the Kurds in the Middle East. Hassan draws not only on the history of the Kurds but also on first-hand interviews with high-ranking officials, journalists, and nationalists to provide a new window into the calculations of Kurdish leaders as they navigate the complicated politics of Iraq. Secession and Conflict offers a new model for understanding the Kurdish question in Iraq.

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Literature utters the unutterable, not through logic, not through science, not through argument, but through a pitch of eloquence so pronounced the conscientious reader cannot fail to pay attention.Louis Groarke argues that literature is an honorific term we use to describe texts that are so overpowering they lift us to an encounter with an ineffable ultimate that is beyond logical or scientific explanation. In Uttering the Unutterable he proposes a wisdom epistemology that identifies an experience of transcendence as the defining criterion of literature. Offering four mutually reinforcing definitions of literature in line with Aristotle’s theory of four causes, Groarke compares the experience of reading to Aristotle’s account of philosophical contemplation and maintains that literature has inevitable ethical content. Moving beyond the Aristotelianism of the late Chicago School, Groarke presents a new synthesis that breaks through essentialist stereotypes and contends that literature, like religion, points to an ineffable transcendental, to something beyond what we can adequately explain, prove, systematize, quantify, or enclose in a theory.Uttering the Unutterable explores how Aristotelian philosophy provides the most complete and compelling account of literature for philosophers, literary critics, and theorists.

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When Canada hosted the 1976 Montreal Olympics, few Canadian spectators waved flags in the stands. By 2010, in the run-up to the Vancouver Olympics, thousands of Canadians wore red mittens with white maple leaves on the palms. In doing so, they turned their hands into miniature flags that flew with even a casual wave.Red Mitten Nationalism investigates this shift in Canadians’ displays of patriotism by exploring how common understandings of Canadian history and identity are shaped at the intersection of sport, commercialism, and nationalism. Through case studies of recent Canadian-hosted Olympic and Commonwealth Games, Estée Fresco argues that representations of Indigenous Peoples’ cultures are central to the way everyday Canadians, corporations, and sport organizations remember the past and understand the present. Corporate sponsors and games organizers highlight selective ideas about the nation’s identity, and unacknowledged truths about the history and persistence of Settler colonialism in Canada haunt the commercial and cultural features of these sporting events. Commodities that represent the nation – from disposable trinkets to carefully curated objects of nostalgia – are not uncomplicated symbols of national pride, but rather reminders that Canada is built on Indigenous land and Settlers profit from its natural resources. Red Mitten Nationalism challenges readers to re-evaluate how Canadians use sport and commercial practices to express their patriotism and to understand the impact of this expression on the current state of Indigenous-Settler relations.

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It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries’ rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not? Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada’s pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country’s international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out. Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations.

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In the late nineteenth and early twentieth centuries, European settlers from diverse backgrounds transformed Ontario. By 1881, German speakers made up almost ten per cent of the province’s population and the German language was spoken in businesses, public schools, churches, and homes. German speakers in Ontario – children, parents, teachers, and religious groups – used their everyday practices and community institutions to claim a space for bilingualism and religious diversity within Canadian society. In The Boundaries of Ethnicity Benjamin Bryce considers what it meant to be German in Ontario between 1880 and 1930. He explores how the children of immigrants acquired and negotiated the German language and how religious communities relied on language to reinforce social networks. For the Germans who make up the core of this study, the distinction between insiders and outsiders was often unclear. Boundaries were crossed as often as they were respected. German ethnicity in this period was fluid, and increasingly interventionist government policies and the dynamics of generational change also shaped the boundaries of ethnicity.German speakers, together with immigrants from other countries and Canadians of different ethnic backgrounds, created a framework that defined relationships between the state, the public sphere, ethnic spaces, family, and religion in Canada that would persist through the twentieth century. The Boundaries of Ethnicity uncovers some of the origins of Canadian multiculturalism and government attempts to manage this diversity.

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One writer is stranded by the Second World War. Another flees multiple revolutions to live the rest of his life in Rio de Janeiro. Two others, public about their sexuality at home, choose self-exile. In Lost and Found Voices Luc Beaudoin offers a critical engagement with these four displaced authors: Witold Gombrowicz, Valerii Pereleshin, Abdellah Taïa, and Slava Mogutin.Not quite fitting into their respective diasporas and sharing an urge to express their queer desires, it is in their published works of literature, film, and photography that these writers locate their shifting identities and emergent queer voices. Their artistry is the basis from which Beaudoin traces their expressions of desire in language, culture, and community, offering a contextual queer reading that navigates their linguistic, cultural, artistic, and sexual self-translations and self-portrayals. Their choices are determinative: Gombrowicz masked his attraction to men in his works, keeping the truth hidden in an intimate diary; Pereleshin explored his lust in Brazilian Portuguese after being shunned by the Russian diaspora; Taïa writes in French to destabilize both the language and his status as an immigrant in France; Mogutin becomes a hardcore gay rebel in word and image to rattle assumptions about gay life.Bringing authors generally not familiar to an English-speaking readership into one volume, and including Beaudoin's own experience of living between languages, Lost and Found Voices provides provocative insights into what it means to be gay in both the past and the present.

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Throughout the 1920s, a remarkable number of young writers and artists lived and worked in Madrid, creating an atmosphere of effervescence and an upsurge in creativity that has rarely been equalled. These young people, acquainting themselves with one another within the span of only a few years, came together to form a tightly woven network of both personal and artistic relationships.In Configurations of a Cultural Scene Andrew Anderson explores this growing community of artists and writers with a focus on how sites of face-to-face interaction in Madrid fostered creative work and forged young identities. Organizing locations into places of sociability, learning, and residence, Anderson offers five case studies that exemplify the significance of these three points of intersection: Rafael Barradas and his tertulia at the Café de Oriente; an artists’ studio located on the Pasaje de la Alhambra; women art students at the Academia de San Fernando who lodged at the Residencia de Señoritas; the artist and writer Gabriel García Maroto; and the close relationship between artist Maruja Mallo and poet Rafael Alberti. Departing from conventional approaches that foreground the trajectories of individual careers, Anderson privileges the lived experience of artists and writers in his analysis of a rich cultural scene held together by cooperation, exchange, and interpersonal connections.

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From Jane Austen to contemporary fanfiction and adaptations, literary portrayals of the child and imaginings of childhood are particularly telling indicators of cultural values and when they shift. Inspired by the responsive reading practices of L.M. Montgomery herself, those demonstrated by her characters, and those of her diverse readership, Children and Childhoods in L.M. Montgomery works with concepts of confluence, based on organic, non-linear readings of texts across time and space. Such readings reconsider views of childhood and children by challenging power hierarchies and inequities found in approaches that privilege more linear readings of literary influence. While acknowledging differences between childhood and adulthood, contributors emphasize kinship between child and adult as well as between past and present selves and use both scholarly approaches and creative reimagining to explore how the boundaries between different stages of life are blurred in Montgomery’s writing. Children and Childhoods in L.M. Montgomery addresses Montgomery’s challenges to prescribed assumptions about childhood while positioning her novels as essential texts in twenty-first-century literary, childhood, and youth studies. Contributors include Yoshiko Akamatsu (Notre Dame Seishin University), Balaka Basu (UNC Charlotte), Rita Bode (Trent University), Holly Cinnamon, Lesley D. Clement, Vappu Kannas, Heidi Lawrence (University of Glasgow), Kit Pearson, Rosalee Peppard Lockyer, E. Holly Pike, Laura Robinson (Acadia University), Kate Scarth (UPEI), Margaret Steffler (Trent University), William Thompson (MacEwan University), Bonnie Tulloch (UBC), Asa Warnqvist (Swedish Institute for Children’s Books)

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Media pundits and students of Canadian politics alike have strived to interpret the relevance of the 2021 federal election, held in the midst of a global pandemic and reinforcing the existing parliamentary balance of power. This timely volume explains the election's import, offering an insightful account of Canadian democracy in an age of increasing rancour and polarization and explaining why the Liberals did not win a majority government. In a unique collaboration, some of the country’s most distinguished political scientists, pollsters, and journalists examine the parties, issues, machinery, and media of Canadian electoral politics, teasing out the complexities and nuances of what was seen to be a premature federal election. The Canadian Federal Election of 2021 analyzes the campaigns of the major parties and the patterns of voting behaviour. A special feature of this book is its focus on issues of diversity and difference in the partisan theatre – the voting patterns of gendered, Indigenous, and newly immigrant Canadians, as well as the millennial generation. These chapters offer important lessons for the present and for the election to come.A must-read for students, journalists, those working at affiliated think tanks and institutes, and engaged citizens, this thoughtful exposé will interest international observers and anyone following the Canadian political landscape.

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Early modern Russians preferred one method of treating the sick above all others: prescribing drugs. The Moscow court sourced pharmaceuticals from Asia, Africa, Western Europe, and the Americas, in addition to its own sprawling empire, to heal its ailing tsars.Mixing Medicines explores the dynamic and complex world of early modern Russian medical drugs, from its enthusiasm for newly imported American botanicals to its disgust at Western European medicines made from human corpses. Clare Griffin draws from detailed apothecary records to shed light on the early modern Russian Empire’s role in the global trade in medical drugs. Chapters follow the trade and use of medical ingredients through networks that linked Moscow to Western Europe, Asia, and the Americas; the transformation of natural objects, such as botanicals and chemicals, into medicines; the documentation and translation of medical knowledge; and Western European influence on Russian medical practices. Looking beyond practitioners, texts, and ideas to consider how materials of medicine were used by one of the early modern world’s major empires provides a novel account of the global history of early modern medicine.Mixing Medicines offers unique insight into how the dramatic reshaping of global trade touched the day-to-day lives of the people living in early modern Russia.

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Visitors to the battlefields of France and Belgium expressed pain and anguish, pride and nostalgia, and wonder and surprise at what they saw. Postcards from the Western Front chronicles the many ways in which these sites were perceived and commemorated by British people, both during the First World War and in the twenty years following the Armistice.Mark Connelly’s definitive and engaging study of the former Western Front examines how different and distinctive sub-communities – regional, ethnic and religious, civilian and armed forces – influenced the depth and strength of the visiting public’s relationship with the battlefields, all the while comparing and contrasting this relationship with the viewpoint of the French and Belgian inhabitants of the devastated regions. Connelly draws from a vast archive a number of interlocking themes, including the lingering presence of the battlefields in the British domestic imagination, the often fraught experience of visiting the battlefields, memorials and cemeteries functioning as part of a historical testimony to wartime realities, and the interactions between visitors and the people living in these former fighting zones. Focusing on French and Belgian sites, Connelly nevertheless provides insight into other major battlefields fought over by troops from the British Empire. Extensively illustrated with black and white photographs, Postcards from the Western Front offers a groundbreaking perspective on landscapes that rarely left anyone – whether tourist, inhabitant, veteran, or pilgrim – unmoved.

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From the end of the Napoleonic Wars to Confederation, central Canada was awash with migrants from the British Isles and their cultural values. The raw prejudice that they brought with them – against the French, the Catholics, and even Yanks and Europeans – bound together the eventual political majority in Ontario. The Orangeman uses the life of Ogle Gowan, an Irish Protestant upstart from County Wexford who turned central Canada Orange, to explore these forces.Gowan was ambitious, malicious, and mendacious, but by the time of Confederation the Orange Order was the largest alliance of men in the country – the foundation of the coalition of conservative Protestants that sculpted Canadian politics in the century that followed. Don Akenson uses his skills as a historian and a novelist in respecting the historical record. The Orangeman is a lively and entertaining fictional biography, and in Akenson’s telling Gowan crosses swords with William Lyon Mackenzie and goes pub-crawling with the young John A. Macdonald.One never knows everything about a historical person or event; sometimes the right thing to do is to speculate sensibly and, if possible, have a little fun along the way. Akenson shows us Canadian loyalism, constitutionalism, and deference to state authority on one side of the coin, and on the flip side, the successful attempt by one group of Canadians to do down the other. This is real history, real life: as yesterday, so today.

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The Enlhet, an Indigenous people of the Paraguayan Chaco, remained virtually untouched by colonialism until the 1920s. This changed with the arrival of Mennonites, who began settling in the centre of Enlhet territory in 1927; the Chaco War soon after (1932–35); the deadliest conflict in the western hemisphere after the American Civil War; and a terrible smallpox epidemic at the same time.In Don’t Cry the Enlhet give their own account of this period, focusing on their experiences of the war between Paraguay and Bolivia, in voices never before heard outside their own society. Their accounts, translated from the Enlhet language and set alongside sensitive historical-anthropological analysis, allow unprecedented access to these hitherto hidden perspectives. Enlhet witnesses to those times describe the processes of colonization to which they were subjected while, at the same time, insisting on their own vision of the world. This vision challenges the views of colonial society, symbolizing the search for a relationship that assumes a shared history, addresses the gulf between peoples, and embraces the potential of each. These oral histories bear witness to the role of Indigenous voices in overcoming the colonial mindset deeply rooted within Western societies, which lacks the conceptual framework to meet Indigenous societies on equal terms.A unique example of history from an Indigenous perspective, this book reflects a crucial moment for a people who preserved their language despite adverse circumstances and whose origins still inform their daily life. Don’t Cry demonstrates the importance of native voices for both Indigenous and colonial societies.

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In the nineteenth century, drug consumption permeated French society to produce a new norm: the chemical enhancement of modern life. French citizens empowered themselves by seeking pharmaceutical relief for their suffering and engaging in self-medication. Doctors and pharmacists, meanwhile, fashioned themselves as gatekeepers to these potent drugs, claiming that their expertise could shield the public from accidental harm. Despite these efforts, the unanticipated phenomenon of addiction laid bare both the embodied nature of the modern self and the inherent instability of the notions of individual free will and responsibility.Drugging France explores the history of mind-altering drugs in medical practice between 1840 and 1920, highlighting the intricate medical histories of opium, morphine, ether, chloroform, cocaine, and hashish. While most drug histories focus on how drugs became regulated and criminalized as dangerous addictive substances, Sara Black instead traces the spread of these drugs through French society, demonstrating how new therapeutic norms and practices of drug consumption transformed the lives of French citizens as they came to expect and even demand pharmaceutical solutions to their pain. Through self-experimentation, doctors developed new knowledge about these drugs, transforming exotic botanical substances and unpredictable chemicals into reliable pharmaceutical commodities that would act on the mind and body to modify pain, sensation, and consciousness.From the pharmacy counter to the boudoir, from the courtroom to the operating theatre, from the battlefield to the birthing chamber, Drugging France explores how everyday encounters with drugs reconfigured how people experienced their own minds and bodies.

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Questions first raised by Hannah Arendt in the 1960s take on new urgency in the post-truth era, as political leaders blithely reject facts in the public domain: Is truth politically impotent? Are politics inherently false? Is the search for truth still relevant?Shattering Silos, a companion volume to Religion, Truth, and Social Transformation and Art, Education, and Cultural Renewal, provides a path-breaking response. As in his two previous books, Lambert Zuidervaart challenges the boundaries philosophers set up between epistemology, ethics, and political philosophy. Knowledge, he argues, takes different forms in various social domains, and all are subject to political struggle. A critique of contemporary society must draw on many social domains of knowledge, including the arts and religion, and should recast politics as a striving for truth in the broadest sense. Proposing a new conception of truth – one that emphasizes the unity of knowledge and truth, as well as their diversity among different social domains – Zuidervaart asks what such holism and pluralism suggest about how we understand politics and society. This book proposes a new understanding of large-scale social change, challenging how most people think about knowledge and truth.Interweaving epistemology, social criticism, and political thought, Shattering Silos aims to help redirect an allegedly post-truth society.

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In 2021, a sexual misconduct scandal struck the Canadian military, leading to a profound crisis in leadership. While some more recent allegations came to light before the #MeToo movement, these latest revelations have historical roots in the 1990s, an era known to service members as the “decade of darkness.”Due to drastic budget cuts and allegations of serious crimes perpetrated by its members, the last decade of the twentieth century was a tumultuous time for the Canadian Armed Forces. Amid this period, a human rights tribunal ordered the military to open its combat positions to women and reach full gender integration by 1999. Yet by 2021, women made up only 16.3 per cent of personnel; women and LGBTQ+ service members continue to face sexual harassment and abuse at all levels. In The Ones We Let Down Charlotte Duval-Lantoine looks at failed efforts to achieve gender parity during the 1990s. She reveals an organization unwilling and unable to change, and attitudes held by military leaders that fed a destructive dynamic and cost lives.As the military grapples with its failure to address cultural misconduct and change its culture, The Ones We Let Down reflects on whether the right lessons were learned from the decade of darkness.

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The 9/11 attacks in the United States, the subsequent global “war on terror,” and the proliferation of domestic security policies in Western nations have had a profound impact on the lives of young Muslims, whose identities and experiences have been shaped within and against these conditions. The millennial generation of Muslim youth has come of age in these turbulent times, dealing with the aftermath and backlash associated with these events.Under Siege explores the lives of Canadian Muslim youth belonging to the 9/11 generation as they navigate these fraught times of global war and terror. While many studies address contemporary manifestations of Islamophobia and anti-Muslim racism, few have focused on the toll this takes on Muslim communities, especially among younger generations. Based on in-depth interviews with more than 130 young people, youth workers, and community leaders, Jasmin Zine’s ethnographic study unpacks the dynamics of Islamophobia as a system of oppression and examines its impact on Canadian Muslim youth. Covering topics such as citizenship, identity and belonging, securitization, radicalization, campus culture in an age of empire, and subaltern Muslim counterpublics and resistance, Under Siege provides a unique and comprehensive examination of the complex realities of Muslim youth in a post-9/11 world.Twenty years after the 9/11 attacks, Zine reveals how the global war on terror and heightened anti-Muslim racism have affected a generation of Canadians who were socialized into a world where their faith and identity are under siege.

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The duel, and the codes of honour that governed duelling, functioned for decades in many European and Latin American countries as a shadow legal system, regulating in practice what legislators felt free to say and what journalists felt free to write. Yet the duel was also an act of potentially deadly violence and a challenge to the authority of statutory law.When duelling became widespread in early twentieth-century Uruguay, legislators facing this dilemma chose the unique and radical path of legalization. The Pen, the Sword, and the Law explores how the only country in the world to decriminalize duelling managed the tension between these informal but widely accepted “gentlemanly laws” and its own criminal code. The duel, which remained legal until 1992, was meant to ensure civility in politics and decorum in the press, but it often failed to achieve either. Drawing on rich and detailed newspaper reports of duels and challenges, parliamentary debates, legal records, private papers, and interviews, David Parker examines the role of pistols and sabres in shaping the everyday workings of a raucous public sphere. Demonstrating that the duel was no simple throwback to archaic conceptions of masculine honour and chivalry, The Pen, the Sword, and the Law illustrates how duelling went hand in hand with democracy and freedom of the press in one of South America’s most progressive nations.

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In recent decades, researchers have studied the cultures of medicine and the ways in which context and identity shape both individual experiences and structural barriers in medical education. The essays in this collection offer new insights into the deep histories of these processes, across time and around the globe.Transforming Medical Education compiles twenty-one historical case studies that foreground processes of learning, teaching, and defining medical communities in educational contexts. The chapters are organized around the themes of knowledge transmission, social justice, identity, pedagogy, and the surprising affinities between medical and historical practice. By juxtaposing original research on diverse geographies and eras – from medieval Japan to twentieth-century Canada, and from colonial Cameroon to early Republican China – the volume disrupts traditional historiographies of medical education by making room for schools of medicine for revolutionaries, digital cadavers, emotional medical students, and the world’s first mandatory Indigenous community placement in an accredited medical curriculum. This unique collection of international scholarship honours historian, physician, and professor Jacalyn Duffin for her outstanding contributions to the history of medicine and medical education.An invaluable scholarly resource and teaching tool, Transforming Medical Education offers a provocative study of what it means to teach, learn, and belong in medicine.

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Lavapiés - diverse, multicultural, and one of Madrid’s most iconic neighbourhoods - has emerged as a locus of resistance movements and of cultural flourishing. Poised at the intersection of theatre studies and cultural geography, this innovative study sketches its physical and imaginary contours.In From the Theater to the Plaza Matthew Feinberg guides readers on a journey through the development of the theatre, as both art and space, in Lavapiés. Offering a detailed analysis of dramatic texts and productions, performance spaces, urban planning documents, and the cultural activities of squatters, Feinberg sheds new light on the lead-up to Spain’s economic crisis and the emergence in 2011 of the 15-M anti-austerity protest movement. The result is a multidisciplinary account of how the spectacle of the contemporary city connects local, municipal, and global geographies.By linking the neighbourhood’s unique role as both a site and a subject of Madrid’s theatre tradition with its contemporary struggles over gentrification, From the Theater to the Plaza offers new approaches for understanding how culture and capital produce the twenty-first-century city.

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In late 2017 and early 2018, South Africa and Zimbabwe both experienced rapid and unexpected political transitions. In Zimbabwe, Robert Mugabe, the only leader the country had ever known, was replaced in a “soft coup” by his erstwhile vice-president, Emmerson Mnangagwa. Over a twelve-day period in February 2018, South African president Jacob Zuma was prematurely forced from office by his former deputy president, Cyril Ramaphosa. The widespread popular rejoicing that accompanied their arrival compounded the shock of these sudden transitions.New Leaders, New Dawns? explores these political transitions and the way they were received. Contributors consider how the former liberation heroes Mugabe and Zuma could have fallen so low; the underlying reasons for their ouster; what happened to their liberation movements turned ruling parties; and, perhaps most importantly, what the rise to power of Ramaphosa and Mnangagwa foreshadowed. Bringing together fourteen leading international scholars of southern Africa, and adopting a political economy framework, this volume argues that the changes in leadership are welcome, but insufficient. While the time had come for Zuma and Mugabe to go, there is little in the personal histories or early policy actions of Ramaphosa and Mnangagwa that suggests they will be capable of addressing the profound social, economic, and political problems both countries face.New Leaders, New Dawns? reveals that despite what these new leaders may have promised, a “new dawn” has not yet arrived in southern Africa.

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By the summer of 1917, Canadian troops had captured Vimy Ridge, but Allied offensives had stalled across many fronts of the Great War. To help break the stalemate of trench warfare, the Canadian Corps commander, Lieutenant-General Arthur Currie, was tasked with capturing Hill 70, a German stronghold near the French town of Lens.After securing the hill on 15 August, Canadian soldiers endured days of shelling, machine-gun fire, and poison gas as they repelled relentless enemy counterattacks. Through Their Eyes depicts this remarkable but costly victory in a unique way. With full-colour graphic artwork and detailed illustration, Matthew Barrett and Robert Engen picture the battle from different perspectives – Currie’s strategic view at high command, a junior officer’s experience at the platoon level, and the vantage points of many lesser-known Canadian soldiers who made the ultimate sacrifice. This innovative graphic history invites readers to reimagine the First World War through the eyes of those who lived it and to think more deeply about how we visualize and remember the past.Combining outstanding original art and thought-provoking commentary, Through Their Eyes uncovers the fascinating stories behind this battle while creatively expanding the ways that history is shared and represented.

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In 1944, the Yiddish poet Abraham Sutzkever was airlifted to Moscow from the forest where he had spent the winter among partisan fighters. There he was encouraged by Ilya Ehrenburg, the most famous Soviet Jewish writer of his day, to write a memoir of his two years in the Vilna Ghetto. Now, seventy-five years after it appeared in Yiddish in 1946, Justin Cammy provides a full English translation of one of the earliest published memoirs of the destruction of the city known throughout the Jewish world as the Jerusalem of Lithuania.Based on his own experiences, his conversations with survivors, and his consultation with materials hidden in the ghetto and recovered after the liberation of his hometown, Sutzkever’s memoir rests at the intersection of postwar Holocaust literature and history. He grappled with the responsibility to produce a document that would indict the perpetrators and provide an account of both the horrors and the resilience of Jewish life under Nazi rule. Cammy bases his translation on the two extant versions of the full text of the memoir and includes Sutzkever’s diary notes and full testimony at the Nuremberg Trials in 1946. Fascinating reminiscences of leading Soviet Yiddish cultural figures Sutzkever encountered during his time in Moscow – Ehrenburg, Yiddish modernist poet Peretz Markish, and director of the State Yiddish Theatre Shloyme Mikhoels – reveal the constraints of the political environment in which the memoir was composed.Both shocking and moving in its intensity, From the Vilna Ghetto to Nuremberg returns readers to a moment when the scale of the Holocaust was first coming into focus, through the eyes of one survivor who attempted to make sense of daily life, resistance, and death in the ghetto.A Yiddish Book Center Translation

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In the wake of the devastating First World War, leaders of the victorious powers reconfigured the European continent, resulting in new understandings of nation, state, and citizenship. Religious identity, symbols, and practice became tools for politicians and church leaders alike to appropriate as instruments to define national belonging, often to the detriment of those outside the faith tradition.Religion, Ethnonationalism, and Antisemitism in the Era of the Two World Wars places the interaction between religion and ethnonationalism – a particular articulation of nationalism based upon an imagined ethnic community – at the centre of its analysis, offering a new lens through which to analyze how nationalism, ethnicity, and race became markers of inclusion and exclusion. Those who did not embrace the same ethnonationalist vision faced ostracization and persecution, with Jews experiencing pervasive exclusion and violence as centuries of antisemitic Christian rhetoric intertwined with right-wing nationalist extremism. The thread of antisemitism as a manifestation of ethnonationalism is woven through each of the essays, along with the ways in which individuals sought to critique religious ethnonationalism and the violence it inspired.With case studies from the United States, France, Italy, Germany, Finland, Croatia, Ukraine, and Romania, Religion, Ethnonationalism, and Antisemitism in the Era of the Two World Wars thoroughly explores the confluence of religion, race, ethnicity, and antisemitism that led to the annihilative destruction of the Second World War and the Holocaust, challenging readers to identify and confront the inherent dangers of narrowly defined ideologies.

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This book began when Kevin Timoney noticed a suspicious pattern in data reported by the Alberta Energy Regulator. For tens of thousands of spills, recovery volumes exactly matched the reported spill volumes. In short, the data were too good to be true. And so began a search for the scientific truth about spills. In western North America crude oil and saline water spills – both small and large – occur daily and cause permanent damage to ecosystems that remains largely hidden from public view.Hidden Scourge takes the reader on a journey into a covert world of energy industry spills with environmental incident data from over 100,000 spills in Alberta, Saskatchewan, North Dakota, Montana, and the Northwest Territories. Timoney evaluates the truthfulness of regulatory reporting in light of evidence from peer-reviewed scientific data, original field observations, industrial and government reports, interviews, and documents obtained under freedom of information. In stark contrast to a halcyon picture of prosperity and "world-class" environmental management, the reality is rampant destruction of biodiversity, persistent soil contamination, failed reclamation, and thousands of undocumented spills.Hidden Scourge grounds existential debates about climate and ecological crises in evidence of how hydrocarbon-based economies change the ecosystems where fossil fuels are extracted. The science is clear: the industry consistently damages ecosystems wherever it operates. If energy-industry regulators cannot act independently, honestly, and in the public interest, they profoundly undermine democratic institutions. The result is a legacy of contaminated sites that will burden future generations with great uncertainty and cost.

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When Jean Sutherland Boggs was appointed to direct the National Gallery of Canada in 1966, she became the first woman to direct a major museum in Canada and the first to direct a national gallery anywhere in the world. The subsequent appointments of Hsio-yen Shih in 1977 and Shirley L. Thomson in 1987 built upon this milestone, creating a remarkable precedent for the Canadian and international museum world.Women at the Helm explores a transformative thirty-year period in the history of an iconic cultural institution through the careers of three directors, their accomplishments, and the challenges they faced. The obstacles to success were many, beginning with an ambitious scheme to centralize the administration of Canada’s four national museums, which diminished the autonomy of the gallery and the authority of its director. In spite of this, as Diana Nemiroff demonstrates, the directors’ many achievements were noteworthy. Boggs’s commitment to excellence and her key role in building a permanent home for the gallery, Shih’s desire to broaden the collections to better reflect the diversity of Canadian peoples, and Thomson’s defence of artistic freedom and the gallery’s arm’s-length relationship with government demonstrate these women’s aptitude at the highest echelons of leadership.From their leadership style to the challenges they overcame and the contributions they made to the institution, Women at the Helm considers the circumstances of these directors’ remarkable tenures and the obstacles still faced by women in leadership roles today.

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Flora Isabel MacDonald – politician, humanitarian, adventurer, and role model for a generation of women – was known across Canada and beyond simply as Flora. In her memoir, co-authored by award-winning journalist and author Geoffrey Stevens, she tells her personal story for the very first time.Flora! describes her amazing journey from her childhood and her time at secretarial school in Cape Breton, through her years in backroom Progressive Conservative politics, to elected office and her appointment as Canada’s first female minister of foreign affairs. Finally, she details her exceptional humanitarian work in India and in war-torn Africa and Afghanistan. Flora was driven by a lifelong conviction that there is nothing a woman cannot achieve in a world controlled by men, and she pursued this conviction in everything she did, carving a path for women in Parliament. She won international acclaim for bringing 60,000 Vietnamese refugees to Canada, and for engineering the rescue of six American hostages in Tehran in a top-secret collaboration with the CIA known as the Canadian Caper. She exposed the inhumane treatment of inmates at Kingston’s Prison for Women. She defied male chauvinists in the Progressive Conservative party by running for its leadership, and she introduced the Employment Equity Act to guarantee women equal access to federal jobs.Flora was brave. She was relentless. She was controversial. She was a force of nature. In her own words and drawing from interviews with those who knew her, Flora! grants us insight into this exceptional woman who changed the course of history.

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Legal precarity, mobility, and the criminalization of migrants complicate the study of forced migration and exile. Traditional methodologies can obscure both the agency of displaced people and hierarchies of power between researchers and research participants. This project critically assesses the ways in which knowledge is co-created and reproduced through narratives in spaces of displacement, advancing a creative, collective, and interdisciplinary approach.Documenting Displacement explores the ethics and methods of research in diverse forced migration contexts and proposes new ways of thinking about and documenting displacement. Each chapter delves into specific ethical and methodological challenges, with particular attention to unequal power relations in the co-creation of knowledge, questions about representation and ownership, and the adaptation of methodological approaches to contexts of mobility. Contributors reflect honestly on what has worked and what has not, providing useful points of discussion for future research by both established and emerging researchers.Innovative in its use of arts-based methods, Documenting Displacement invites researchers to explore new avenues guided not only by the procedural ethics imposed by academic institutions, but also by a relational ethics that more fully considers the position of the researcher and the interests of those who have been displaced.

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