Search results for ""author victoria"

The Victorian belief that women were the weaker sex' who were expected to devote themselves entirely to family life, made it almost inconceivable that they could ever be capable of committing murder. What drove a woman to murder her husband, lover or even her own child? Were they tragic, mad or just plain evil? Using various sources including court records, newspaper accounts and letters, this book explores some of the most notorious murder cases committed by seven women in nineteenth century Britain and America. It delves into each of the women's lives, the circumstances that led to their crimes, their committal and trial and the various reasons why they resorted to murder: the fear of destitution led Mary Ann Brough to murder her own children; desperation to keep her job drove Sarah Drake to her crime. Money was the motive in the case of Mary Ann Cotton, who is believed to have poisoned as many as twenty-one people. Kate Bender lured her unsuspecting victims to their death in The Slaughter Pen' before stripping them of their valuables; Kate Webster's temper got the better of her when she brutally murdered and decapitated her employer; nurse Jane Toppan admitted she derived sexual pleasure from watching her victims die slowly and Lizzie Borden was suspected of murdering her father and stepmother with an axe, so that she could live on the affluent area known as the hill' in Fall River, Massachusetts.

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Reading Victorian Poetry “Richard Cronin’s exceptionally fine book carries out just what its title promises – reading. The pleasure of his adroit, meticulously imaginative insights into verbal and metrical effects is constant … One of the best general readings of Victorian poetry in the last ten years.”Victorian Studies “Reading Victorian Poetry will make an excellent introduction to Victorian poetry and gives a good account of a number of key issues.”English Studies Reading Victorian Poetry offers close readings of poems from the Victorian era, carefully selected by the author to reflect the breadth and diversity of nineteenth-century poetry. Richard Cronin’s outstanding consideration of a wide range of poets reflects the unusual diversity of Victorian poetry, which includes, amongst others, Elizabeth Barrett Browning, Christina Rossetti, D.G. Rossetti, and Gerard Manley Hopkins. The book investigates key concerns of the era in which poetry was ousted by the novel from the culturally central position that it had enjoyed for centuries. The result is an important and exciting contribution to the understanding of nineteenth-century poetry, and a crucial resource for anyone interested in Victorian literature.

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`Victorian Cornwall’ is a tour around the county from the north coast on the Devon border right around to Land’s End, out to the Scillies and back up the south coast with a few inland villages interspersed. The book is illustrated by photographs taken from the 1850s right through to 1901—a large span of Queen Victoria’s reign. The photographs used where practicable are as early as possible in an effort to save these rare and treasured images for generations to come. The photographs all come from the author’s personal collection and will take the reader back to Cornwall of 150 years ago; included in the book are photographs of characters, customs, villages, harbours, mines and buildings of note. This fascinating book is well researched using the knowledge of many local people.

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George Frederic Watts (1817–1904) was a titanic figure in nineteenth-century British art. The father of British Symbolism and portrait painter of his age, he forged a controversial career that spanned the reign of Queen Victoria. This book, the first in-depth biography of Watts, sheds new light on the pioneering spirit and breadth of mind of the artist.Drawing on Watts’s abundant personal correspondence and diaries and an array of other contemporary documents, the book chronicles the artist’s career and personal life, including his friendships with Edward Burne-Jones, Frederic Leighton, William Gladstone, and Alfred Tennyson and his relationships with a series of singular women. The book also examines Watts’s wide reforming zeal and political agenda as well as his role and dealings in the Victorian art world.Published for the Paul Mellon Centre for Studies in British Art

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Explores one of the most dramatic episodes in British military history - and 24 VCs won in a single day.

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TRAVEL BACK IN TIME WITH THE BBC'S RUTH GOODMANWe know what life was like for Victoria and Albert. But what was it like for a commoner - like you or me?How did it feel to cook with coal and wash with tea leaves? Drink beer for breakfast and clean your teeth with cuttlefish? Catch the omnibus to work and do the laundry in your corset?How to be a Victorian by Ruth Goodman is a radical new approach to history; a journey back in time more personal than anything before. Moving through the rhythm of the day, this astonishing guide illuminates the overlapping worlds of health, sex, fashion, food, school, work and play. Surviving everyday life came down to the gritty details, the small necessities and tricks of living and Ruth will show you how.If you liked A Time Traveller's Guide to Medieval England or 1000 Years of Annoying the French, you will love this book.*****'Goodman skilfully creates a portrait of daily Victorian life with accessible, compelling, and deeply sensory prose' Erin Entrada Kelly'We're lucky to have such a knowledgeable cicerone as Ruth Goodman . . . Revelatory' Alexandra Kimball'Goodman's research is impeccable . . . taking the reader through an average day and presenting the oddities of life without condescension' Patricia Hagen

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Contrary to the monochrome vision of Queen Victoria’s mourning dresses and the coal-polluted streets of Charles Dickens’ London, Victorian Britain was, in fact, a period of new and vivid colours. The Industrial Revolution had transformed the Victorians’ perception of colour and, over the course of the second half of the 19th century, it became the key signifier of modern life. Colour Revolution: Victorian Art, Fashion & Design charts the Victorians’ new attitudes to colour through a multi-disciplinary exploration of culture, technology, art and literature. The catalogue explores key ‘chromatic’ moments that inspired Victorian artists and writers to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, these figures learned from the sacred colours of the past, the sumptuous colours of the Middle East and Japan and looked forward towards the decadent colours that defined the end of the century.

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“A large encyclopedic study of fifteen conventions of Victorian fiction—including women, marriage, coincidence, the orphan, memory, the occult. The most striking quality of the book is its wide-ranging grasp of all kinds of Victorian materials, for although its announced intention is to treat the conventions of fiction, it makes use of supporting evidence in letters, memoirs, periodicals, illustrations, and other belles lettres…This is an immensely learned, ambitious, and intelligently written book that will probably become a standard and should be in every library.” —Choice

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All those interested in the history of Liverpool will find this a fascinating exploration of the Victorian heritage of this city.

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The best craftsmanship in home furnishings of the late 19th century is documented in this beautiful study by a dedicated connoisseur. At a time when American and European economies were expanding quickly, consumers' tastes were increasingly elaborate and refined. Demand for exquisite design, fine materials, and masterful workmanship resulted in interiors of a calibre never equalled or surpassed since. This book presents an overview of those Victorian architectural antiques, stained glass windows, furniture, art glass, lighting devices, match holders, and poster art in chapters that explain the development of the forms and show examples in over 400 color photographs. Period room settings as well as single items are featured. Especially strong here are the pieces that demonstrate originality in Tiffany windows and art glass, Mitchell and Rammelsburg furniture, Globe-Wernicke bookcases, French Burgun Schverer and English cameo glass, and Duffner and Kimberly lamps. More and more people today recognize and seek out the superior quality of Victorian antiques. With this new book as a guide, they will learn important details to help identify originals and marvel at the beauty they can hope to find. Current price ranges are included with the captions.

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This book features fifty-six Victorian cases of murder covered in the sensational weekly penny journal the Illustrated Police Newsbetween 1867 and 1900. Some of them are famous, like the Bravo Mystery of 1876, the Llangibby Massacre of 1878 and the Mrs Pearcey case of 1890; others are little-known, like the Acton Atrocity of 1880, the Ramsgate Mystery of 1893 and the Grafton Street Murder of 1894. Take your ticket for the house of horrors.

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Edición de Rafael Beltrán. La biografía literaria nace como género en las letras españolas con esta obra del siglo XV. La vida de don Pero Niño, conde de Buelna, constituye un delicioso retablo donde conviven hazañas caballerescas, gestas imaginarias y hechos históricos. 'Este libro á nombre 'El VictoriaL', e fabla en él de los quatro príncipes que fueron mayores en el mundo, quién fueron, e de algunos otros brevemente, por enxemplo a los buenos cavalleros e fidalgos que an de usar oficio de armas e arte de cavallería, trayendo a concordança de fablar de un noble cavallero, al qual fin este libro fize.'

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From the bestselling author of Horrible Histories, named 'the outstanding children's non-fiction author of the 20th century' by Books For Keeps _______________ Ideal for readers aged 7+ A crowded train takes a wrong turn and hurtles at full speed into a section of track that should have been closed for repair. Among the passengers is the writer Charles Dickens. Can young workman Tommy stop the train in time and save the lives of those on board – or is it already too late? In this dramatic re-telling of one of the worst rail accidents in Victorian Britain, the Staplehurst Railway disaster, Terry Deary's Victorian Tales explore the fascinating world of the Victorians, including many of the incredible achievements and breakthroughs that took place, through the eyes of children who could have lived at the time. This edition features notes for the reader to help extend learning and exploration of the historical period. _______________ ‘Bubbling with wit, language play and robust dialogue....just the right mix of ingredients to trigger young readers' interest in all things historical’ - Books For Keeps

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An examination of the links between radicalism in Victorian England, and the Risorgimento movement in Italy. This book provides powerful new insights into the history of Italy's long Risorgimento, by tracing the entanglements of the Mazzinian "international". This informal group of men and women crossed the boundary of the Channel and the boundary of class to speak a common language and share a radical ideal: Giuseppe Mazzini's vision of a unified, republican Italy. Published in the radical press, the exile's writings on democracy, education, association and citizenship inspired both Oxford social reformers and self-improving artisans gathering in provincial reading rooms, co-operative societies, republican clubs and educational institutes: for them republican Italy became a transnationaldream. Indeed, when Italy was unified under a constitutional monarch in 1861, British Mazzinians were bitterly disappointed. Setting off for Italy on their first "co-operative tour" in 1888, East London workers embarked on an educational pilgrimage, dotted with Mazzinian landmarks. Despite the fin de siècle crisis, Victorian radicals' enduring faith in Italy's democratic future remained steadfast. Indeed, when Fascists subsequently appropriated Mazzini's national dream, post-Victorian Mazzinians would unequivocally voice their support for Italian anti-Fascists, who championed the principles of global democracy. Drawing on a wide range of material, the author adds a crucialnew dimension to the history of Victorian radicalism in Britain, and to the "new history of the Risorgimento". Marcella Pellegrino Sutcliffe is a Research Fellow of Clare Hall, University of Cambridge.

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The book traces the development of British Indian literature from the early days of the 19th century through the Victorian period. Previously unstudied poems and essays drawn from the thriving periodicals culture of British India are examined alongside novels and travel-writing by authors including Emma Roberts, Philip Meadows Taylor and Rudyard Kipling. Key events and concerns of Victorian India - the legacy of the Hastings impeachment, the Indian 'Mutiny', the sati controversy, the rise of Bengal nationalism - are re-assessed within a dual literary and political context, emphasising the engagement of British writers with canonical British literature (Scott, Byron) as well as the mythology and historiography of India and their own responses to their immediate surroundings.

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Victorian Scientific Naturalism examines the secular creeds of the generation of intellectuals who, in the wake of The Origin of Species, wrested cultural authority from the old Anglican establishment while installing themselves as a new professional scientific elite. These scientific naturalists - led by biologists, physicists, and mathematicians such as William Kingdon Clifford, Joseph Dalton Hooker, Thomas Henry Huxley, and John Tyndall - sought to persuade both the state and the public that scientists, not theologians, should be granted cultural authority, since their expertise gave them special insight into society, politics, and even ethics. In Victorian Scientific Naturalism, Gowan Dawson and Bernard Lightman bring together new essays by leading historians of science and literary critics that recall these scientific naturalists, in light of recent scholarship that has tended to sideline them, and that reevaluate their place in the broader landscape of nineteenth-century Britain. Ranging in topic from daring climbing expeditions in the Alps to the maintenance of aristocratic protocols of conduct at Kew Gardens, these essays offer a series of new perspectives on Victorian scientific naturalism - as well as its subsequent incarnations in the early twentieth century - that together provide an innovative understanding of the movement centering on the issues of community, identity, and continuity.

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Illustrated with exceptionally high quality archive photographs, many previously unpublished, this is both a striking visual work and a controversial history of the one of Ireland’s most well-known areas. For many years, the scenic side of the town has been the focus of publications; in this book, the author has extensively researched the darker side of Dun Laoghaire, and reveals the poverty which has historically counter-balanced its more salubrious tendencies.

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William Barron is one of the unsung heroes of British garden design, often overshadowed by other famous horticulturists such as Capability Brown and Humphrey Repton. William Barron: The Victorian Landscape Gardener tells the story of an unassuming man who made an everlasting impression on the British landscape. Tamsin Liddle and Peter Robinson explore Barron’s humble beginnings, delve into the influences that shaped his work and look at his engineering and horticultural innovations. Barron’s designs have been enjoyed for more than 150 years, and this book celebrates spaces across the country – in particular the jewel in his crown, Elvaston. Having paved the way for the generations of gardeners that followed him, Barron’s work continues to touch the lives of families and individuals seeking space, enjoyment, and relaxation in an increasingly urban society. The authors’ royalties for this book will support the longevity of Elvaston, its gardens and restoration.

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‘An insightful and gripping account that will take you into the dark but fascinating world of a Victorian executioner.’ – Stewart P. EvansBetween 1884 and 1905 James Billington and his three sons, Thomas, William and John, were responsible for 235 executions in Victorian Great Britain and Ireland. They hanged many notorious murderers, but equally fascinating is the story of the family. Did James really feel he served society and justice, or did this position satisfy something more personal?Billington: Victorian Executioner provides a complete account of the stories behind James Billington’s executions, as well as the real man behind the rope – a man whose business was death. This enthralling biography is an exciting addition to any true crime bookshelf.

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Late-20th-century critical and historical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. These popular terms include categories such as homo/hetero, patriarchal/feminist, and masculine/effeminate. This collection exploits this framework - while refining and resisting it in places - to show how certain Victorians imagined difference in ways that continue to challenge in the late 1990s. One essay, for example, traces the remarkable feminist appropriation of male-identified fields of study, such as classical philology. Others address the validation of male bodies as objects of desire in writing, painting, and emergent modernist choreography. The writings shed light on the diverse interests served by a range of cultural practitioners and on the complex ways in which the late Victorians invented themselves as modern subjects.

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At the darkest moment of the year, when the nights seem endless and the days very short, comes that most joyful of festivals. Christmas is a truly magical season, bringing families and friends together to share the much-loved customs and traditions that over the centuries have come to surround this heart-warming and deeply symbolic occasion. Each family has their own personal traditions, and ways they celebrate the special day. Yet underneath the tinsel, fairy lights and wrapping paper are many long-standing traditions that we all know and love. Why do we drag a fir tree inside our house and decorate it? How long Santa has been delivering gifts to good children? What would Christmas be like without mince pies? We owe a lot to the Victorians. They transformed the way Britain celebrated Christmas in the 19th century and we continue with their traditions today. In 1848 a British confectioner by the name of Tom Smith came up with the idea of wrapping sweets inside a package that snapped when pulled apart. It was the Victorians that really centred Christmas round the family, with the eating of a Christmas dinner together, giving gifts and playing games. All these things have become central to a British Christmas Day.

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This guide steers students through significant critical responses to the Victorian novel from the end of the nineteenth century to the present day.

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This beautifully illustrated book showcases over 300 elegantly designed paisley shawls woven in the Victorian era from 1830 through the early twentieth century. Shown in rich full color are the distinctive scrolled leaf designs on shawls of various sizes and fabric types from India, Scotland, France, Ireland, England, Italy, and Holland. The book is divided into two main sections: the first devoted to very long shawls and the second devoted to square and various size shawls. All feature intricate patterns and fine workmanship; many are rare, museum quality shawls. Includes an overview of shawl types and tips for selecting, cleaning, and storing shawls. This book is an invaluable tool for identifying the origins, dates, and values of paisley shawls. A must for vintage textile buyers, sellers, and collectors.

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What was life like in the Victorian underworld - who were the criminals, what crimes did they commit, how did they come to a criminal career, and what happened to them after they were released from prison? Victorian Convicts, by telling the stories of a hundred criminal men and women, gives the reader an insight into their families and social background, the conditions in which they lived, their relationships and working lives, and their offences. They reveal how these individuals were treated by the justice and penal system of 150 years ago, and how they were regarded by the wider world around them. Such a rare and authentic insight into life in and out of prison will be fascinating reading for anyone who is interested in the history of crime and criminals, in legal and prison history and in British society in the nineteenth century.

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The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, Victorian Pain offers a compelling new literary and philosophical history of modern pain. Rachel Ablow provides close readings of novelists Charlotte Bronte and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. She explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, Victorian Pain shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons--and even, perhaps, by the fictions they read.

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How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage. Key Features *Detailed readings of key texts provide models of how to read critically *Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period *Examines Neo-Victorian fiction, a popular genre today *Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues

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This book surveys the impact of the British Empire on nineteenth-century British literature from a postcolonial perspective. It explains both pro-imperialist themes and attitudes in works by major Victorian authors, and also points of resistance to and criticisms of the Empire such as abolitionism, as well as the first stirrings of nationalism in India and elsewhere. Using nineteenth-century literary works as illustrations, it analyzes several major debates, central to imperial and postcolonial studies, about imperial historiography and Marxism, gender and race, Orientalism, mimicry, and subalternity and representation. And it provides an in-depth examination of works by several major Victorian authors-Dickens, Charlotte Bronte, Disraeli, Tennyson, Yeats, Kipling, and Conrad among them - in the imperial context. Key Features: *Links literary texts to debates in postcolonial studies *Discusses works not included in standard literary histories *Provides in-depth discussions and comparisons of major authors: Disraeli and George Eliot; Dickens and Charlotte Bronte; Tennsyon and Yeats *Provides a guide to further reading and a timeline

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While Bloomsbury is now associated with Virginia Woolf and her early-twentieth-century circle of writers and artists, the neighborhood was originally the undisputed intellectual quarter of nineteenth-century London. Drawing on a wealth of untapped archival resources, Rosemary Ashton brings to life the educational, medical, and social reformists who lived and worked in Victorian Bloomsbury and who led crusades for education, emancipation, and health for all. Ashton explores the secular impetus behind these reforms and the humanitarian and egalitarian character of nineteenth-century Bloomsbury. Thackeray and Dickens jostle with less famous characters like Henry Brougham and Mary Ward. Embracing the high life of the squares, the nonconformity of churches, the parades of shops, schools, hospitals and poor homes, this is a major contribution to the history of nineteenth-century London.

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London in the 1840s was sprawling and smoke-filled, a city of extreme wealth and abject poverty. Some streets were elegant with brilliantly gas-lit shop windows full of expensive items, while others were narrow, fetid, muddy, and in many cases foul with refuse and human filth. Railways, stations and sidings were devouring whole districts and creating acres of slums or 'rookeries' into which the poor of the city were jammed and where crime, disease and prostitution were rife. The most sensational crime of the epoch, the murder of Patrick O'Connor by Frederick and Maria Manning, filled the press in the summer and autumn of 1849. Michael Alpert uses the trial record of this murder, accompanied by numerous other contemporary sources, among them journalism, diaries and fiction, to show how day-to-day lives, birth, death, sickness, work, shopping, cooking, and buying clothes, were lived in the crowded, noisy capital in the early decades of Victoria's reign. These sources illustrate how ordinary people lived in London, their incomes, entertainments, religious practice, reading and education, their hopes and anxieties. Life in Early Victorian London reveals how ordinary people like the Mannings and thousands of others experienced their multifaceted lives in the greatest capital city of the world. Early Victorian London lived on the cusp of great improvements, but it was a city which in some aspects was mediaeval. Its inhabitants enjoyed the benefit of the Penny Post and the omnibus, and they were protected to some extent by a police force. The Mannings fled their crime on the railway, were trapped by the recently-invented telegraph and arrested by 'detectives' (a new concept and word), but they were hanged in public as murderers had been for centuries, watched by a baying, drunken and swearing mob.

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A fantastic new companion for late-night scares as the nights draw in. Chilling ghost stories from the era of the fireside tale, a series of dark and foreboding missives from the masterful pens of Charles Dickens, E.F. Benson, Algernon Blackwood, Sabine Baring-Gould, Vernon Lee, Edith Nesbit and the master of all, M.R. James. FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.

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Tracing the history of Darlington from its beginnings as a small Anglo-Saxon settlement right up to the present, this volume marks the rebirth of the Victoria County History of Durham. This latest volume in the Victoria Country History of Durham (the first for over eighty years) presents a study of the township of Darlington, part of the parish of the same name. It traces the history of Darlington from the earliest times: a small Anglo-Saxon settlement becoming a flourishing bishop's borough in the middle ages; its growth as an important staging post on the Great North Road during the seventeenth and eighteenth centuries; and the town'sprosperity during the nineteenth century, reinforced by its situation on the railway network. The story is taken up to the present time, with accounts of Darlington's social, political, topographical and economic history. The latter includes thorough accounts of major industries, including iron and engineering, leather, and the little-known but highly significant worsted and linen manufacturing industries. GILLIAN COOKSON is County Editor, VictoriaCounty History of Durham.

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Notework begins with a striking insight: the writer's notebook is a genre in itself. Simon Reader pursues this argument in original readings of unpublished writing by prominent Victorians, offering an expansive approach to literary formalism for the twenty-first century. Neither drafts nor diaries, the notes of Charles Darwin, Oscar Wilde, Gerard Manley Hopkins, Vernon Lee, and George Gissing record ephemeral and nonlinear experiences, revealing each author's desire to leave their fragments scattered and unused. Presenting notes in terms of genre allows Reader to suggest inventive new accounts of key Victorian texts, including The Picture of Dorian Gray, On the Origin of Species, and Hopkins's devotional lyrics, and to reinterpret these works as meditations on the ethics of compiling and using data. In this way, Notework recasts information collection as a personal and expressive activity that comes into focus against large-scale systems of knowledge organization. Finding resonance between today's digital culture and its nineteenth-century precursors, Reader honors our most disposable, improvised, and fleeting written gestures.

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Empiricism, one of Raymond Williams's keywords, circulates in much contemporary thought and criticism solely as a term of censure, a synonym for spurious objectivity or positivism. Yet rarely, if ever, has it had this philosophical implication. Dr. Johnson, it should be recalled, kicked the stone precisely to expose empiricism's baroque falsifications of common sense. In an effort to restore historical depth to this term, this book examines epistemology in the narrative prose of five writers, John Rushkin, Alexander Bain, G. H. Lewes, Herbert Spencer, and George Eliot, developing the view that the flourishing of nineteenth-century scientific culture occured at a time when empiricism itself was critically dismantling any such naive representationalism.

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This book offers an invaluable insight into the complex and various Gothic forms of the 19th century. The Edinburgh Companion to the Victorian Gothic is an essential resource for students and scholars working on the Gothic, Victorian literature and culture and critical theory. Each chapter is written by an acknowledged expert in their field on a specific topic within the Victorian writing, including science, medicine, Queer theory, imperialism, nationalism, and gender. Additional chapters on the ghost story, realism, the fin de siecle, pulp fictions, sensation fiction, and the Victorian way of death means that this Companion provides the most complete overview of the Victorian Gothic to date. This title is unique as a multi-authored, comprehensive exploration of the Victorian Gothic. It offers original research in all chapters. It sets the agenda for future scholarship in the field.

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In this comprehensive work, familiar Dickensian themes of grisly murders and ragged street urchins are joined by other dramatic cases, which show patterns of crime and illustrate the causes and effects of changes in criminal law. The author shows how both pure greed and genuine mental illness were responsible for unpleasant cases - such as the murder of an elderly aristocrat in his bed or the poisoning of a series of 'working girls'. Changes in the law are charted, showing how new offences were created from old customs, and how the law was updated to deal with modern problems such as motor cars.In a book that covers the complete range of crime, the reader will meet many colourful characters including Courvoisier, a murderous butler. With many gruesome details and excellent illustrations, this book will appeal to London and Victorian historians as well as the macabre-minded.

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Miniature oil lamps are beautiful reminders of Victorian days, glistening in glass, china, porcelain, brass, and silver. Most were made in the mid-to late 1800s, though the fashion lingered somewhat into the early years of this century. The variety is staggering; lovely glass lamps can be found in a wide range of textures and colors, while china lamps often appear as figurals, or with hand-painted designs. Styles range from the typical delicacy of the Victorian parlor through daring Art Nouveau elegance. Collectors have learned to delight in the endless combinations of beauty and practicality that can be found in miniature lamps. The reference features almost 450 lamps never before seen in any book, with color photographs, detailed information, and current values for each. Collectors and dealers of lamps, glass, and Victoriana will find this book a must for their reference library.

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How did technical advances in weaponry alter the battlefield during the reign of Queen Victoria? In 1845, in the first Anglo-Sikh War, the outcome was decided by the bayonet; just over fifty years later, in the second Boer War, the combatants were many miles apart. How did this transformation come about, and what impact did it have on the experience of the soldiers of the period? Stephen Manning, in this meticulously researched and vividly written study, describes the developments in firepower and, using the first-hand accounts of the soldiers, shows how their perception of battle changed. Innovations like the percussion and breech-loading rifle influenced the fighting in the Crimean War of the 1850s and the colonial campaigns of the 1870s and 1880s, in particular in the Anglo-Zulu War and the wars in Egypt and Sudan. The machine gun was used to deadly effect at the Battle of Omdurman in 1898, and equally dramatic advances in artillery took warfare into a new era of tactics and organisation. Stephen Manning's work provides the reader with an accurate and fascinating insight into a key aspect of nineteenth-century military history.

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Commemorate a bygone age and immerse yourself in the elegance of the Victorian era with this treasure trove of Christmas ephemera—with 500+ stickers and 50+ activity pages, making it Christmas every day!With A Vintage Victorian Christmas Sticker, Color & Activity Book, you can celebrate the Christmas season with all things Victorian. The wondrous nineteenth century brought us many everyday luxuries that we still enjoy today, including electricity, telephones, photography, movies, and flush toilets. Many more inventions, such as pasteurization, sewing machines, underground trains, bicycles, and X-rays also came into being.But the Victorian era also ushered in many of the favorite Christmas traditions we still hold dear. From the first indoor Christmas trees and the look of Father Christmas to giving presents and sending Christmas cards, the time of Queen Victoria’s reign was one of festivities and a growing leisure class.Now you, to

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The first multi-disciplinary scholarly consideration of the Victorian Gothic These 14 chapters, each written by an acknowledged expert in the field, provide an invaluable insight into the complex and various Gothic forms of the nineteenth century. Covering a range of diverse contexts, the chapters focus on science, medicine, Queer theory, imperialism, nationalism, and gender. Together with further chapters on the ghost story, realism, the fin de siecle, pulp fictions, sensation fiction, and the Victorian way of death, the Companion provides the most complete overview of the Victorian Gothic to date. The book is an essential resource for students and scholars working on the Gothic, Victorian literature and culture, and critical theory. Key Features *First multi-authored thorough exploration of the Victorian Gothic *Original research in all chapters *Sets the agenda for future scholarship in the field *Pedagogically aware Key Words Victorian, Gothic, Science, Gender, Nationalism, Death, Supernatural, Ghost, Death

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Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siecle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial 'safe space' in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were 'other'.

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Over 700 color photos display the ceramic dogs produced by potters of England's famous Staffordshire district during the Victorian era. They include King Charles Spaniels, Whippets, Bull Mastiffs, Poodles, St. Bernards, and many others. Among the figures are dogs alone, and with men, women, and children engaged in a variety of pursuits. Histories for potteries known to produce Staffordshire dogs are presented, including James Dudson, the Par-Kent Factory, Poole & Unwin, Ridgway & Robey, and Sampson-Smith. Instruction on differentiating original antique Staffordshire dogs from modern reproduction are provided. The various decorative treatments used on these popular dogs over the decades are also discussed. Value codes are provided in every caption.

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From rag-gatherers to royalty, from fish knives to Freemasons: everyday life in Victorian London.Like its acclaimed companion volumes, Elizabeth's London, Restoration London and Dr Johnson's London, this book is the product of the author's passionate interest in the realities of everyday life so often left out of history books. This period of mid Victorian London covers a huge span: Victoria's wedding and the place of the royals in popular esteem; how the very poor lived, the underworld, prostitution, crime, prisons and transportation; the public utilities - Bazalgette on sewers and road design, Chadwick on pollution and sanitation; private charities - Peabody, Burdett Coutts - and workhouses; new terraced housing and transport, trains, omnibuses and the Underground; furniture and decor; families and the position of women; the prosperous middle classes and their new shops, such as Peter Jones and Harrods; entertaining and servants, food and drink; unlimited liability and bankruptcy; the rich, the marriage market, taxes and anti-semitism; the Empire, recruitment and press-gangs. The period begins with the closing of the Fleet and Marshalsea prisons and ends with the first (steam-operated) Underground trains and the first Gilbert & Sullivan.

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Meticulously-researched and detailed survey of Somerset parishes, from prehistory to the present day. A comprehensive account of the ten parishes comprising the southern half of the Catsash hundred, an area rich in its archaeology and history, is presented here, in the authoritative detail which is the hallmark of the Victoria County History. To the north, the Barrows, of which Queen Camel, North Cadbury and Sparkford (home of the Haynes Motor Museum) are the largest and most populous, lying in an area rich in archaeology and history. To the south, prominent hills include Cadbury Hill, crowned by Cadbury Castle, an Iron Age hill fort dating from 600-400 BC. In South Cadbury and the surrounding parishes there is much evidence of prehistoric activity such as Bronze-Age finds. From alater period, the manor at Queen Camel is recorded in 1066, though decimated by fire in 1639 and subsequently rebuilt in local Blue Lias stone; and the sites of abandoned medieval homesteads are visible at Sparkford, Weston Bampfylde, Sutton Montis and Maperton. Later still, Compton Castle in Compton Pauncefoot was constructed in 1821 while North Cadbury's medieval manor house still survives today. M.C. Siraut is a historian and archivist; she is the county editor for the Victoria History of Somerset.

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