Search results for ""author margie"

Named One of Fifteen Important Theology Books of 2022, Englewood Review of Books This book demonstrates how two overlooked ministry models--base ecclesial communities of the Global South in the late twentieth century and hush harbors of the US antebellum South--offer proven strategies for the twenty-first-century church and contemporary social movements. These ministry models provide insight into the creation and sustenance of vital Christian community, particularly for those seeking indigenous culturally-rooted models, and show how to integrate vibrant Christ-centered faith and mission with world-changing social justice and political action. The book includes on-the-ground stories from multiethnic communities, a foreword by Robert Chao Romero, and an afterword by Willie James Jennings.

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Much of the world’s population inhabits the urban fringe, an area that is neither fully rural nor urban. Hóc Môn, a district that lies along a key transport corridor on the outskirts of Ho Chi Minh City, epitomizes one of those places. In Saigon’s Edge, Erik Harms explores life in Hóc Môn, putting forth a revealing perspective on how rapid urbanization impacts the people who live at the intersection of rural and urban worlds.Unlike the idealized Vietnamese model of urban space, Hóc Môn is between worlds, neither outside nor inside but always uncomfortably both. With particular attention to everyday social realities, Harms demonstrates how living on the margin can be both alienating and empowering, as forces that exclude its denizens from power and privilege in the inner city are used to thwart the status quo on the rural edges. More than a local case study of urban change, Harms’s work also opens a window on Vietnam’s larger turn toward market socialism and the celebration of urbanization—transformations instructively linked to trends around the globe.

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This book is the first full-length study in English of the work of the highly regarded and influential Argentine poet and anthropologist Nestor Perlongher (1949-92). Perlongher's pioneering work takes on the most dynamic and conflictive themes of modern-day Latin America such as dictatorship, national identity, exile, issues of gender and marginal sexualities, and modern-day esoteric religions; Bollig's study analyses and contextualizes his work as well as offering important tools for reading and understanding challenging and experimental poetry.

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The digitalization of society is constructed as a necessary leap that governments and citizens need to take. However, with many older people lacking adequate digital competences to support their full participation in today’s digitalized society, how is the marginalisation of older people in digital society socially constructed? How can we promote older people’s digital inclusion and agency? Presenting case studies from Finland, one of the top performers in the supply and demand of digital public services, Older People in a Digitalized Society outlines internationally relevant implications for promoting the social construction of older people’s agency. Delving into their digital competences, and use and non-use of Internet and eHealth technologies, Rasi-Heikkinen showcases the potential exclusionary effects of digitalization, and highlights the implications for digital inclusion practice and policy. Contesting the dominant discourses which suggest digital technologies and media play central roles in the learning, well-being, everyday life, and participation in society for individuals throughout their lifespan, Older People in a Digitalized Society addresses the digital gap faced by older generations that do not welcome digitalization, or even see it as a positive marginality: a choice that they have consciously made. Paying attention to how digitalization is a contested issue constructed with various, ambivalent, and paradoxical representations, Rasi-Heikkinen shines an important light on how older people are constructed as being on the margins of digitalization by researchers and the media.

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Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form. Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce. Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world.

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She argues that nationalism is not one idea but a "relationship of voices, speaking from varying levels of political and social power, and to varying audiences." The Italian understanding of what it means to belong to Canada does not require the abandonment of ethnic identity but instead demonstrates the ways in which layers of identity intersect. Wood introduces the more spatial concept of "relocation" and emphasizes the complex and negotiated nature of immigrant identities. She highlights the immigrants' roles as active participants in the creation of their own local, regional, and national spaces, underlining the importance of an interdisciplinary approach to immigrant history. Highlighting the "marginalized" status of these immigrants - as Southern Europeans, Catholics, and residents of western Canada - Wood brings their voice to the centre and shows them to be agents in the production of their identities.

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Over the last few decades, debates about policing in poor urban areas have turned from analyzing the state's neglect and abandonment into documenting its harsh interventions and punishing presence. Yet, we know very little about the covert world of state action that is hidden from public view. In The Ambivalent State, Javier Auyero and Katherine Sobering offer an unprecedented look into the clandestine relationships between police agents and drug dealers in Argentina. Drawing on a unique combination of ethnographic fieldwork and documentary evidence, including hundreds of pages of wiretapped phone conversations, they analyze the inner-workings of police-criminal collusion, its connections to drug markets, and how it promotes cynicism and powerlessness in daily life. They argue that an up-close examination of covert state action exposes the workings of an ambivalent state: one that both enforces the rule of law and functions as a partner in criminal behavior. The Ambivalent State develops a political sociology of violence that focuses not only on what takes place in police stations, courts, and poor neighborhoods, but also the clandestine actions and interactions of police, judges, and politicians that structure daily life at the urban margins.

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This book examines the psychosocial, legal, and familial factors at play in the persistence in crime and social marginalization in adults with a history of juvenile delinquency, setting out the political and social implications, and delineating new lines of research. Presenting, for the first time, a summary of the main findings and conclusions of The Portuguese Study on Delinquency and Social Marginalization (PSDSM), this study addresses the following topics: the role of youth psychosocial factors on desistance from crime during adulthood in individuals with a history of juvenile delinquency; the relationship between serious adverse childhood experiences (e.g., having lived with a person with mental illness, physical abuse, emotional neglect) and juvenile justice involvement, persistence in crime, and psychosocial problems; the mechanisms involved in the link between serious childhood adversity and delinquency; the role of the juvenile justice system on psychosocial problems and persistence in crime during young adulthood; and finally the relation between adult psychosocial problems and criminal indicators in individuals with official record of juvenile criminal offenses. Findings from PSDSM have resulted in an extensive list of political and social recommendations for child protection services, justice system, mental health services, schools and universities. This timely title explores these findings and recommendations.

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This book examines childbirth and parenting in horror texts. By analysing new texts, and re-analysing commonly used texts with new feminist methodology, this study provides a unique contribution to the fields of gender and horror studies. Focusing on horror fiction and film, this book reviews textual treatments of birth and motherhood, and how they differ from representations of fatherhood. Motherhood and birth are represented as revolting in several ways. Mothers in horror do not fulfil their gender role, and the neglect of motherhood by a woman is deemed horrific because it is the antithesis of Western patriarchal ideals of female identity. These mothers are unforgiven. Bad fathers, in contrast, are given moments of restoration that allow audiences or readers to feel immediate sympathy for them. Examining conception, birth, motherhood and fathers, this work provides a unique exploration of the monstrous and the marginalized within the horror genre.

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Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture’s ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of “sleaze” in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the “Aztec horror film” in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava’s 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes’s oeuvre, and the ways that the Friday the 13th series complicates the distinction between “trash” and “legitimate” cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor

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A group history of the Austrian School of Economics, from the coffeehouses of imperial Vienna to the modern-day Tea Party The Austrian School of Economics—a movement that has had a vast impact on economics, politics, and society, especially among the American right—is poorly understood by supporters and detractors alike. Defining themselves in opposition to the mainstream, economists such as Ludwig von Mises, Friedrich Hayek, and Joseph Schumpeter built the School's international reputation with their work on business cycles and monetary theory. Their focus on individualism—and deep antipathy toward socialism—ultimately won them a devoted audience among the upper echelons of business and government. In this collective biography, Janek Wasserman brings these figures to life, showing that in order to make sense of the Austrians and their continued influence, one must understand the backdrop against which their philosophy was formed—notably, the collapse of the Austro‑Hungarian Empire and a half‑century of war and exile.

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Margins of desire turns the critical spotlight on the London suburbs by showing how the expanding city created new literary locations, genres and themes between 1880 and 1925. Drawing on a wide range of writings, the book considers not only the fiction that identified the suburbs as significant but also the fiction that suburban dwellers, particularly women, wrote and read for themselves. Pervasive suburban themes included the loss of the rural, the rejection of the urban, the feminisation of culture and changing class identities. By engaging with modernity as represented by the suburbs, such writing was subversive of literary tradition and value, and signalled a shift towards the idea of the ordinary, the accessible and the harmonious. Lynne Hapgood's lively approach opens up a counter-culture to modernist metropolitanism and argues for a more inclusive understanding of the fiction of the period.

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This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesses what these films show about contemporary French political cinema. Introduction Chapter One: Cinema and the Republic Chapter Two: The Sans-papiers on Screen – Contextualising Immigrant Experiences in Film Chapter Three: Double peine: The Challenges of Mobilising Support for Foreign Criminals via Cinema Chapter Four: Challenging or Perpetuating Clichés? Young People and the Police in France’s Banlieues Chapter Five: Challenging Stereotypes about France’s Banlieues by Shifting the Focus? Conclusion Notes Filmography and Bibliography Index

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In almost every military intervention in its history, the US has made cultural mistakes that hindered attainment of its policy goals. From the counterproductive strategic bombing of Vietnam to the misguided accidental burning of the Koran in Afghanistan, the US has blundered around with little consideration of local cultural beliefs and almost no concern for the long-term effects on the host nation's society. Cultural anthropology--the so-called 'handmaiden of colonialism'--has historically served as an intellectual bridge between sovereign Western powers and local nationals. What light can it shed on the difficult intersection of the US military and foreign societies today? Each chapter in this book tells the story of an anthropologist who worked directly for the military, such as Ursula Graham Bower, the only woman to hold a British combat command during WWII. Each faced challenges including the negative outcomes of exporting Western political models to societies where they don't fit, and errors of perception that prevent understanding of indigenous societies. Ranging from the British colonial era in Africa to the recent wars in Iraq and Afghanistan, Military Anthropology illustrates the conceptual, cultural and practical barriers encountered by military organisations.

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This book explores the various issues raised by women’s fraught integration into the mainstream in film and television, whether it be off screen as filmmakers and film critics or on screen in film and TV series. Marianne Kac-Vergne and Julie Assouly consider the varied representations of women in films such as Jackie Brown (1997), Marie Antoinette (2006), It’s a Free World… (2007) and Wonder Woman (2017). They particularly look into the overlooked gendered aspects of voice-overs and the adverse tropes used to represent maternity in television series as well as the complex motif of the vagina dentata in contemporary film and television. The chapters analyze independent, art-house, Hollywood and TV productions often in transnational contexts, shedding light on how definitions of femininity are culturally specific yet cross national, class and racial lines. The contributors include renowned scholars such as Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec, as well as emerging yet well-published film scholars.

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"Encountering Kali" explores one of the most remarkable divinities the world has seen - the Hindu goddess Kali. She is simultaneously understood as a blood-thirsty warrior, a goddess of ritual possession, a Tantric sexual partner, and an all-loving, compassionate Mother. Popular and scholarly interest in her has been on the rise in the West in recent years. Responding to this phenomenon, this volume focuses on the complexities involved in interpreting Kali in both her indigenous South Asian settings and her more recent Western incarnations. Using scriptural history, temple architecture, political violence, feminist and psychoanalytic criticism, autobiographical reflection, and the goddess' recent guises on the Internet, the contributors pose questions relevant to our understanding of Kali, as they illuminate the problems and promises inherent in every act of cross-cultural interpretation.

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Examines more than a decade of enterprise development strategies in marginal economic contexts in South Africa's mining communities and shows how this might impact on development strategies. In 1987, workers in South Africa's National Union of Mineworkers (NUM) staged a historic national strike, and 40,000 mineworkers lost their jobs. To assist them, the NUM set up a job creation programme, starting with worker co-operatives before shifting to wider enterprise development strategies. Against the backdrop of South Africa's transition from apartheid to democracy, this programme provided support in communities hard hit by escalating job losses onthe mines - including in neighbouring countries. In this book, Kate Philip, who ran NUM's job creation programme for over a decade, charts the often-difficult lessons learned from grappling with the limits and opportunities thatsuch market participation offer to reduce poverty and improve livelihoods. She explores whether and how it might be possible to make markets work better for the poor - and what the notion that markets are social constructs might mean for constructing them differently. Kate Philip is a Senior Economic Development Advisor in the Government Technical Advisory Centre (GTAC) of South Africa's National Treasury. Through the International Labour Organisation, she has also been supporting the government of Greece in the design and development of a public employment programme.

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In the century since women were first eligible to stand and vote in British general elections, they have relied on news media to represent their political perspectives in the public realm. This book provides a systematic analysis of electoral coverage by charting how women candidates, voters, politicians' spouses, and party leaders have been portrayed in newspapers since 1918. The result is a fascinating account of both continuity and change in the position of women in British politics. The book demonstrates that for women to be effectively represented in the political domain, they must also be effectively represented in the public discussion of politics that takes place in the media.

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Dark Finance offers one of the first ethnographic accounts of financial expansion and its political impacts in Eastern Europe. Following workers, managers, and investors in the Macedonian construction sector, Fabio Mattioli shows how financialization can empower authoritarian regimes—not by making money accessible to everyone, but by allowing a small group of oligarchs to monopolize access to international credit and promote a cascade of exploitative domestic debt relations. The landscape of failed deals and unrealizable dreams that is captured in this book portrays finance not as a singular, technical process. Instead, Mattioli argues that finance is a set of political and economic relations that entangles citizens, Eurocrats, and workers in tense paradoxes. Mattioli traces the origins of illiquidity in the reorganization of the European project and the postsocialist perversion of socialist financial practices—a dangerous mix that hid the Macedonian regime's weakness behind a façade of urban renewal and, for a decade, made it seem omnipresent and invincible. Dark Finance chronicles how, one bad deal at a time, Macedonia's authoritarian regime rode a wave of financial expansion that deepened its reach into Macedonian society, only to discover that its domination, like all speculative bubbles, was teetering on the verge of collapse.

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Connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and streetIn this richly observed account of migrant shopkeepers in five cities in the United Kingdom, Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins. Hall locates The Migrant’s Paradox on streets in the far-flung parts of de-industrialized peripheries, where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt. Drawing on hundreds of in-person interviews on streets in Birmingham, Bristol, Leicester, London, and Manchester, Hall brings together histories of colonization with current forms of coloniality. Her six-year project spans the combined impacts of the 2008 financial crisis, austerity governance, punitive immigration laws and the Brexit Referendum, and processes of state-sanctioned regeneration. She incorporates the spaces of shops, conference halls, and planning offices to capture how official border talk overlaps with everyday formations of work and belonging on the street.Original and ambitious, Hall’s work complicates understandings of migrants, demonstrating how migrant journeys and claims to space illuminate the relations between global displacement and urban emplacement. In articulating “a citizenship of the edge” as an adaptive and audacious mode of belonging, she shows how sovereignty and inequality are maintained and refuted.

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Despite a decade of sociological research documenting that black fathers' level of engagement with their children is equal to or higher than average, stereotypes of black men as "deadbeat dads" still shape popular perceptions and scholarly discourse. In Fathering from the Margins, the sociologist Aasha M. Abdill draws on four years of fieldwork in low-income, predominantly black Bedford-Stuyvesant, Brooklyn, to dispel these destructive assumptions. She considers the obstacles faced-and the strategies used-by black men with children. Abdill presents qualitative and quantitative evidence that confirms the increasing presence of black fathers in their communities, arguing that changing social norms about gender roles in black families have shifted fathering behaviors. Black men in communities such as Bed-Stuy still face social and structural disadvantages, including disproportionate unemployment and incarceration, with significant implications for family life. Against this backdrop, black fathers attempt to reconcile contradictory beliefs about what makes one a good father and what makes one a respected man by developing different strategies for expressing affection and providing parental support. Black men's involvement with their children is affected by the attitudes of their peers, the media, and especially the women of their families and communities: from the grandmothers who often become gatekeepers to involvement in a child's life to the female-dominated sectors of childcare, primary school, and family-service provision. Abdill shows how supporting black men in their quest to be-and be seen as-family men is the key to securing not only their children's well-being but also their own.

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Dark Finance offers one of the first ethnographic accounts of financial expansion and its political impacts in Eastern Europe. Following workers, managers, and investors in the Macedonian construction sector, Fabio Mattioli shows how financialization can empower authoritarian regimes—not by making money accessible to everyone, but by allowing a small group of oligarchs to monopolize access to international credit and promote a cascade of exploitative domestic debt relations. The landscape of failed deals and unrealizable dreams that is captured in this book portrays finance not as a singular, technical process. Instead, Mattioli argues that finance is a set of political and economic relations that entangles citizens, Eurocrats, and workers in tense paradoxes. Mattioli traces the origins of illiquidity in the reorganization of the European project and the postsocialist perversion of socialist financial practices—a dangerous mix that hid the Macedonian regime's weakness behind a façade of urban renewal and, for a decade, made it seem omnipresent and invincible. Dark Finance chronicles how, one bad deal at a time, Macedonia's authoritarian regime rode a wave of financial expansion that deepened its reach into Macedonian society, only to discover that its domination, like all speculative bubbles, was teetering on the verge of collapse.

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In "The Dark End of the Street", Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of American poets as they address important questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the "dark end of the street" of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social "outsiders." Unlike most literary studies on poetry and poetics, "The Dark End of the Street" examines an unusually wide range of poets and poetic activities. Damon explores avant-garde poetry as writing that pushes at the limits of experience as well as at the limits of conventional form. She argues that the marginalized and oppressed, ostensibly the most expendable members of American society, have produced its truly vanguard literature. Damon brings a sense of social context to a field long dominated by purely formalist criticism, ultimately revealing how time, place, and circumstance affect the creation, distribution, and reception of modern poetry. This book is intended for contemporary American poetry, cultural studies, and American studies.

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Fairy tales tell us the stories we need to hear, the truths we need to be aware of. Arising from oral narrative, born of imagination, they are constantly being adapted to fit new cultural contexts. They shapeshift just like their characters. Their plots, motifs, and elements often serving as warnings. Over the Rainbow: Folk and Fairy Tales from the Margins is a collection of adult stories that invite us to imagine new possibilities for our contemporary times. And much is happening in these times! Cultural diversification and increased societal awareness of personal differences is allowing voices that tend to be silenced by mainstream society to come to the forefront. Collected by seven-time Prix Aurora Award-winning editor Derek Newman-Stille, these are edgy stories, tales that invite us to walk out of our comfort zone and see what resides at the margins. Over the Rainbow is a gathering of modern literature that brings together views and perspectives of the underrepresented, from the fringe, those whose narratives are at the core of today's conversations—voices that we all need to hear.

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Fine Margins is the definitive story of how two mainstays of English football took their feuding on to the game's biggest stages. The Manchester City and Liverpool rivalry is synonymous with the Premier League, but its roots go back much further. For over half a century, these two clubs from opposite ends of the M62 have been perennial thorns in each other's side. Bill Shankly laid the groundwork in the late 1960s before a series of clashes a decade later further stoked the fires, culminating in an attack on City's team bus in 1981 after they beat Liverpool 3-1 at Anfield. The feud was reignited in the mid-1990s when Liverpool relegated City on the final day of the 1995/96 Premier League season. When they returned to the top flight, Manchester's blue half became the scourge of Merseyside's Redmen, snatching players and points away from them. Countless managers, players and directors have continued what started in the Bill Shankly era, with the rivalry ramped up a notch through the reigns of Pep Guardiola and Jurgen Klopp.

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This book considers the day-to-day lives of young Muslims on Kenya’s island of Lamu, who live simultaneously on the edge and in the center. At the margins of the national and international economy and of Western notions of modernity, Lamu’s inhabitants nevertheless find themselves the focus of campaigns against Islamic radicalization and of Western touristic imaginations of the untouched and secluded. What does it mean to be young, modern, and Muslim here? How are these denominators imagined and enacted in daily encounters? Documenting the everyday lives of Lamu youth, this ethnography explores how young people negotiate cultural, religious, political, and economic expectations through nuanced deployments of language, dress, and bodily comportment. Hillewaert shows how seemingly mundane practices—how young people greet others, how they walk, dress, and talk—can become tactics in the negotiation of moral personhood. Morality at the Margins traces the shifting meanings and potential ambiguities of such everyday signs—and the dangers of their misconstrual. By examining the uncertainties that underwrite projects of self-fashioning, the book highlights how shifting and scalable discourses of tradition, modernity, secularization, nationalism, and religious piety inform changing notions of moral subjectivity. In elaborating everyday practices of Islamic pluralism, the book shows the ways in which Muslim societies critically engage with change while sustaining a sense of integrity and morality.

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There have been many studies analyzing the philosophy of Blaise Pascal, but this book is the first full-length study of the philosophies of his sisters, Jacqueline Pascal and Gilberte Pascal Périer, and his niece, Marguerite Périer. While these women have long been presented as the disciples, secretaries, correspondents, and nurses of their brother and uncle, each woman developed a distinctive philosophy that is more than auxiliary to the thought of Blaise Pascal. The unique philosophical voice of each Pascal woman is studied in The Other Pascals. As the headmistress of the Port-Royal convent school, Jacqueline Pascal made important contributions to the philosophy of education. Gilberte Pascal Périer wrote the first philosophical biographies of Blaise and Jacqueline. Marguerite Périer defended freedom of conscience against coercion by political and religious superiors. Each of these women authors speaks in a gendered voice, emphasizing the right of women to develop a philosophical and theological culture and to resist commands to blind obedience by paternal, political, or ecclesiastical authorities. The Other Pascals will be of keen interest to readers interested in early modern philosophy, history, literature, and religion. The book will also appeal to those with an interest in women’s studies and French studies.

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Offers vivid stories of nonconformist Muslim communities The turn of the twenty-first century ushered in a wave of progressive Muslims, whose modern interpretations and practices transformed the public’s perception of who could follow the teachings of Islam. Muslims on the Margins tells the story of their even more radical descendants: nonconformists who have reinterpreted their religion and created space for queer, trans, and nonbinary identities within Islam. Katrina Daly Thompson draws extensively from conversations and interviews conducted both in person in North America and online in several international communities. Writing in a compelling narrative style that centers the real experiences and diverse perspectives of nonconformist Muslims, Thompson illustrates how these radical Muslims are forming a community dedicated to creative reinterpretations of their religion, critical questioning of established norms, expansive inclusion of those who are queer in various ways, and the creation of different religious futures. Muslims on the Margins is a powerful account of how Muslims are forging new traditions and setting precedents for a more inclusive community— one that is engaged with tradition, but not beholden to it.

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Residential motels have long been places of last resort for many vulnerable Americans-released prisoners, people with disabilities or mental illness, struggling addicts, the recently homeless, and the working poor. Cast aside by their families and mainstream society, they survive in squalid, unsafe, and demeaning circumstances that few of us can imagine. For a year, the sociologist Christopher P. Dum lived in the Boardwalk Motel to better understand its residents and the varied paths that brought them there. He witnessed moments of violence and conflict, as well as those of care and compassion. As told through the voices and experiences of motel residents, Exiled in America paints a portrait of a vibrant community whose members forged identities in response to overwhelming stigma and created meaningful lives despite crushing economic instability. In addition to chronicling daily life at the Boardwalk, Dum follows local neighborhood efforts to shut the establishment down, leading to a wider analysis of legislative attempts to sanitize shared social space. He also suggests meaningful policy changes to address the societal failures that lead to the need for motels such as the Boardwalk. The story of the Boardwalk, and the many motels like it, will concern anyone who cares about the lives of America's most vulnerable citizens.

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Meaning "provided with marginal annotations," marginated neatly describes the items featured in this extensively researched catalogue. From presentation inscriptions to readers' commentaries to children's doodles, the variety of annotations that appear in these 17th-century books gives unique insight into the lives of their readers-and, indeed, into the lives of the books, as they passed from owner to owner. This catalogue was published to accompany a 2010 exhibit at the University of Alberta's Bruce Peel Special Collections Library and features items from the Library's collection.

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Shadow on the Mountain recounts the adventures of a 14-year-old Norwegian boy named Espen during World War II. After Nazi Germany invades and occupies Norway, Espen and his friends are swept up in the Norwegian resistance movement. Espen gets his start by delivering illegal newspapers, then graduates to the role of courier and finally becomes a spy, dodging the Gestapo along the way. During five years under the Nazi regime, he gains—and loses—friends, falls in love, and makes one small mistake that threatens to catch up with him as he sets out to escape on skis over the mountains to Sweden. Preus incorporates archival photographs, maps, and other images to tell this story based on the real-life adventures of Norwegian Erling Storrusten, whom Preus interviewed in Norway. Praise for Shadow on the Mountain STARRED REVIEWS "Newbery Honor winner Preus infuses the story with the good-natured humor of a largely unified, peace-loving people trying to keep their sanity in a world gone awry. Based on a true story, the narrative is woven with lively enough daily historical detail to inspire older middle-grade readers to want to learn more about the Resistance movement and imitate Espen’s adventures." —Kirkus Reviews, starred review "This engrossing offering sheds light on the Norwegians’ courage during World War II. Preus masterfully weds a story of friendship with the complications faced by 14-year-old Espen and his friends as Nazi restrictions and atrocities become part of their everyday lives...This is at once a spy thriller, a coming-of-age story, and a chronicle of escalating bravery. Multidimensional characters fill this gripping tale that keeps readers riveted to the end." —School Library Journal, starred review "A closely researched historical novel... relates this wartime tale with intelligence and humor...Ms. Preus deftly uses together historical fact (Espen is based on a real-life spy) and elements of Norwegian culture to conjure a time and place not so terribly long ago." —The Wall Street Journal "Margi Preus, who won a Newbery honor for Heart of a Samurai, returns with another riveting work of historical fiction... This fine novel, which includes an author’s note, a timeline, a bibliography and even a recipe for invisible ink, is based on extensive research... The result is an authentic coming-of-age story, perfect for readers fascinated by the diary of Anne Frank or Lois Lowry’s classic, Number the Stars." —BookPage "The final chapters, which chronicle Espen’s dramatic escape to Sweden—days and nights of mountain skiing, Nazis in hot pursuit—take the book into adventure-thriller territory without losing the humanity that characterizes Preus’s account." —The Horn Book Magazine "Preus makes crystal clear the life imperiling risks that Espen undertakes and the danger to his family." —The Bulletin of the Center for Children's Books "As readers understand the risks that Espen took, they will want to learn more about this period. That Espen escaped to Sweden by traveling at night on skis with five different guides should intrigue them.” —Library Media Connection Awards VOYA Top Shelf for Middle School Readers 2012 list 2013 Notable Books for a Global Society Dorothy Canfield Fisher Book Award

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The essays in Living Dangerously, written by some of the leading scholars in the fields of history and literature, examine the lives of those who lived on the margins of medieval and early modern European society. While some essays explore obvious marginalized classes, such as criminals, gypsies, and prostitutes, others challenge traditional understandings of the margin by showing that female mystics, speculators in the Dutch mercantile empire, and writers of satire, for example, could fall into the margins. These essays reveal the symbiotic relationship that exists between the marginalized and the social establishment: the dominant culture needs its margins. This well-written and lively collection covers a wide geographical area, including England, Spain, Germany, Italy, France, and the Netherlands, making it an ideal resource for a broad range of courses in European history and literature. Contributors: Barbara A. Hanawalt, Richard Firth Green, Vickie Ziegler, Dyan Elliott, Anne J. Cruz, Ian Frederick Moulton, and Mary Lindemann.

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The essays in Living Dangerously, written by some of the leading scholars in the fields of history and literature, examine the lives of those who lived on the margins of medieval and early modern European society. While some essays explore obvious marginalized classes, such as criminals, gypsies, and prostitutes, others challenge traditional understandings of the margin by showing that female mystics, speculators in the Dutch mercantile empire, and writers of satire, for example, could fall into the margins. These essays reveal the symbiotic relationship that exists between the marginalized and the social establishment: the dominant culture needs its margins. This well-written and lively collection covers a wide geographical area, including England, Spain, Germany, Italy, France, and the Netherlands, making it an ideal resource for a broad range of courses in European history and literature. Contributors: Barbara A. Hanawalt, Richard Firth Green, Vickie Ziegler, Dyan Elliott, Anne J. Cruz, Ian Frederick Moulton, and Mary Lindemann.

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Mobile money, e-commerce, cash cards, retail credit cards, and more—as new monetary technologies become increasingly available, the global South has cautiously embraced these mediums as a potential solution to the issue of financial inclusion. How, if at all, do new forms of dematerialized money impact people’s everyday financial lives? In what way do technologies interact with financial repertoires and other socio-cultural institutions? How do these technologies of financial inclusion shape the global politics and geographies of difference and inequality? These questions are at the heart of Money at the Margins, a groundbreaking exploration of the uses and socio-cultural impact of new forms of money and financial services.

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On 31 May 1310, at the Place de Grève in Paris, the Dominican inquisitor William of Paris read out a sentence that declared Marguerite “called Porete,” a beguine from Hainault, to be a relapsed heretic, released her to secular authority for punishment, and ordered that all copies of a book she had written be confiscated. William next consigned Guiard of Cressonessart, an apocalyptic activist in the tradition of Joachim of Fiore and a would-be defender of Marguerite, to perpetual imprisonment. Over several months, William of Paris conducted inquisitorial processes against them, complete with multiple consultations of experts in theology and canon law. Though Guiard recanted at the last moment and thus saved his life, Marguerite went to her execution the day after her sentencing. The Beguine, the Angel, and the Inquisitor is an analysis of the inquisitorial trials, their political as well as ecclesiastical context, and their historical significance. Marguerite Porete was the first female Christian mystic burned at the stake after authoring a book, and the survival of her work makes her case absolutely unique. The Mirror of Simple Souls, rediscovered in the twentieth century and reconnected to Marguerite's name only a half-century ago, is now recognized as one of the most daring, vibrant, and original examples of the vernacular theology and beguine mysticism that emerged in late thirteenth-century Christian Europe. Field provides a new and detailed reconstruction of hitherto neglected aspects of Marguerite’s life, particularly of her trial, as well as the first extended consideration of her inquisitor's maneuvers and motivations. Additionally, he gives the first complete English translation of all of the trial documents and relevant contemporary chronicles, as well as the first English translation of Arnau of Vilanova’s intriguing “Letter to Those Wearing the Leather Belt,” directed to Guiard's supporters and urging them to submit to ecclesiastical authority.

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On 31 May 1310, at the Place de Grève in Paris, the Dominican inquisitor William of Paris read out a sentence that declared Marguerite “called Porete,” a beguine from Hainault, to be a relapsed heretic, released her to secular authority for punishment, and ordered that all copies of a book she had written be confiscated. William next consigned Guiard of Cressonessart, an apocalyptic activist in the tradition of Joachim of Fiore and a would-be defender of Marguerite, to perpetual imprisonment. Over several months, William of Paris conducted inquisitorial processes against them, complete with multiple consultations of experts in theology and canon law. Though Guiard recanted at the last moment and thus saved his life, Marguerite went to her execution the day after her sentencing. The Beguine, the Angel, and the Inquisitor is an analysis of the inquisitorial trials, their political as well as ecclesiastical context, and their historical significance. Marguerite Porete was the first female Christian mystic burned at the stake after authoring a book, and the survival of her work makes her case absolutely unique. The Mirror of Simple Souls, rediscovered in the twentieth century and reconnected to Marguerite's name only a half-century ago, is now recognized as one of the most daring, vibrant, and original examples of the vernacular theology and beguine mysticism that emerged in late thirteenth-century Christian Europe. Field provides a new and detailed reconstruction of hitherto neglected aspects of Marguerite’s life, particularly of her trial, as well as the first extended consideration of her inquisitor's maneuvers and motivations. Additionally, he gives the first complete English translation of all of the trial documents and relevant contemporary chronicles, as well as the first English translation of Arnau of Vilanova’s intriguing “Letter to Those Wearing the Leather Belt,” directed to Guiard's supporters and urging them to submit to ecclesiastical authority.

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In Gothic Queer Culture, Laura Westengard proposes that contemporary U.S. queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought—including ghosts embedded in queer theory, shadowy crypts in lesbian pulp fiction, monstrosity and cannibalism in AIDS poetry, and sadomasochism in queer performance—Westengard argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.Gothic Queer Culture examines the material effects of marginalization, exclusion, and violence and explains why discourse around the complexities of genders and sexualities repeatedly returns to the gothic. Westengard places this queer knowledge production within a larger framework of gothic queer culture, which inherently includes theoretical texts, art, literature, performance, and popular culture. By analyzing queer knowledge production alongside other forms of queer culture, Gothic Queer Culture enters into the most current conversations on the state of gender and sexuality, especially debates surrounding negativity, anti-relationalism, assimilation, and neoliberalism. It provides a framework for understanding these debates in the context of a distinctly gothic cultural mode that acknowledges violence and insidious trauma, depathologizes the association between trauma and queerness, and offers a rich counterhegemonic cultural aesthetic through the circulation of gothic tropes.

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