Search results for ""author kathryn"

‘Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.’ - Kathryn Hughes, Mail on SundayHe was a Salford-born, homework-hating bookie’s son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more.Gabriel Hershman’s colourful and riveting account of Finney’s life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain’s greatest actors built a glittering career without sacrificing his integrity.

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‘Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.’ - Kathryn Hughes, Mail on SundayHe was a Salford-born, homework-hating bookie’s son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more.Gabriel Hershman’s colourful and riveting account of Finney’s life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain’s greatest actors built a glittering career without sacrificing his integrity.

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Our Mid-Century Modern Chairs pattern by Hail Tiger Studio is a fun and casual design paying homage to one of our favourite 20 century styles of home decor and furniture. This soft-covered paperback notebook has full-colour artwork on the front and back cover by the best illustrators and artists from around the world. 140 pages of 5mm dot-grid paper is an excellent canvas for bullet journaling, list-making, all forms of writing and doodling. Bring it everywhere you go. Handsome exposed, section-sewn binding means the notebook lies flat when open on any page. Soft-covered paperback notebook. Full-colour artwork on front and back cover. 140, lined printed pages. Exposed, section-sewn binding. Matching black dip-dyed edges. Lays flat. Kathryn Warren is the illustrator and designer behind Hail Tiger. She earned her B.F.A. in graphic design with honors from Art Center College of Design in Pasadena, California.

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He is one of the most reviled English kings in history. He drove his kingdom to the brink of civil war a dozen times in less than twenty years. He allowed his male lovers to rule the kingdom. He led a great army to the most ignominious military defeat in English history. His wife took a lover and invaded his kingdom, and he ended his reign wandering around Wales with a handful of followers, pursued by an army. He was the first king of England forced to abdicate his throne. Popular legend has it that he died screaming impaled on a red-hot poker, but in fact the time and place of his death are shrouded in mystery. His life reads like an Elizabethan tragedy, full of passionate doomed love, bloody revenge, jealousy, hatred, vindictiveness and obsession. He was Edward II, and this book tells his story. Using almost exclusively fourteenth-century sources and Edward’s own letters and speeches wherever possible, Kathryn Warner strips away the myths which have been created about him over the centuries, and provides a far more accurate and vivid picture of him than has previously been seen.

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This timely book takes seriously the idea of understanding how our social world – and not individual responsibility or the healthcare system – is the primary determinant of our health. Kathryn Strother Ratcliff puts into practice the "upstream" imagery from public health discourse, which locates the causes (and solutions) of health problems within the social environment. Each chapter explains how the policies, politics, and power behind corporate and governmental decisions and actions produce unhealthy circumstances of living – such as poverty, pollution, dangerous working conditions, and unhealthy modes of food production – and demonstrates that putting profit and politics over people is unhealthy and unsustainable. While the book examines how these unhealthy conditions of life generate significant class and ethnic health disparities, the focus is on everyone's health. Arguing that none of us should be placed in health-threatening situations that could have been prevented, Ratcliff's provocative analysis uses social justice and human rights lenses to guide the discussion "upstream," toward possible changes that should produce a healthier world for us all. Using data and ideas from many disciplines, the book provides a synthesis of invaluable information for activists and policymakers, as well as for professionals and students in sociology, public health, and other fields related to health.

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Daughters of Aataentsic highlights and connects the unique lives of seven Weⁿdat/Waⁿdat women whose legacies are still felt today. Spanning the continent and the colonial borders of New France, British North America, Canada, and the United States, this book shows how Wendat people and place came together in Ontario, Quebec, Michigan, Ohio, Kansas, and Oklahoma, and how generations of activism became intimately tied with notions of family, community, motherwork, and legacy from the seventeenth to the twenty-first century. The lives of the seven women tell a story of individual and community triumph despite difficulties and great loss. Kathryn Magee Labelle aims to decolonize the historical discipline by researching with Indigenous people rather than researching on them. It is a collaborative effort, guided by an advisory council of eight Weⁿdat/Waⁿdat women, reflecting the needs and desires of community members. Daughters of Aataentsic challenges colonial interpretations by demonstrating the centrality of women, past and present, to Weⁿdat/Waⁿdat culture and history. Labelle draws from institutional archives and published works, as well as from oral histories and private collections.Breaking new ground in both historical narratives and community-guided research in North America, Daughters of Aataentsic offers an alternative narrative by considering the ways in which individual Weⁿdat/Waⁿdat women resisted colonialism, preserved their culture, and acted as matriarchs.

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A brilliant and rich gathering of voices on the American experience of this past year and beyond, from Indigenous writers and writers of color from Minnesota In this significant collection, Indigenous writers and writers of color bear witness to one of the most unsettling years in the history of the United States. Essays and poems vividly reflect and comment on the traumas we endured in 2020, beginning with the arrival of the COVID-19 pandemic crisis, deepened by the blatant murder of George Floyd by Minneapolis police officers and the uprisings that immersed our city into the epicenter of passionate, worldwide demands for justice. In inspired and incisive writing these contributors speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, in essays about family, loss, food culture, economic security, and mental health. Their call and response is united here to rise and be heard. We Are Meant to Rise lifts up the astonishing variety of BIPOC writers in Minnesota. From authors with international reputations to newly emerging voices, it features people from many cultures, including Indigenous Dakota and Anishinaabe, African American, Hmong, Somali, Afghani, Lebanese, Korean, Vietnamese, Japanese, Puerto Rican, Colombian, Mexican, transracial adoptees, mixed race, and LGBTQ+ perspectives. Most of the contributors have participated in More Than a Single Story, a popular and insightful conversation series in Minneapolis that features Indigenous and people of color speaking on what most concerns their communities. We Are Meant to Rise meets the events of the day, the year, the centuries before, again and again, with powerful testament to the intrinsic and unique value of the human voice.Contributors: Suleiman Adan, Mary Moore Easter, Louise Erdrich, Anika Fajardo, Safy-Hallan Farah, Said Farah, Sherrie Fernandez-Williams, Pamela R. Fletcher Bush, Shannon Gibney, Kathryn Haddad, Tish Jones, Ezekiel Joubert III, Douglas Kearney, Ed Bok Lee, Ricardo Levins Morales, Arleta Little, Resmaa Menakem, Tess Montgomery, Ahmad Qais Munhazim, Melissa Olson, Alexs Pate, Bao Phi, Mona Susan Power, Samantha Sencer-Mura, Said Shaiye, Erin Sharkey, Sun Yung Shin, Michael Torres, Diane Wilson, Kao Kalia Yang, and Kevin Yang.

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The biomedical industry, which includes biopharmaceuticals, genomics and stem cell therapies, and medical devices, is among the fastest growing worldwide. While it has been an economic development target of many national governments, Asia is currently on track to reach the epicenter of this growth. What accounts for the rapid and sustained economic growth of biomedicals in Asia? To answer this question, Kathryn Ibata-Arens integrates global and national data with original fieldwork to present a conceptual framework that considers how national governments have managed key factors, like innovative capacity, government policy, and firm-level strategies. Taking China, India, Japan, and Singapore in turn, she compares each country's underlying competitive advantages. What emerges is an argument that countries pursuing networked technonationalism (NTN) effectively upgrade their capacity for innovation and encourage entrepreneurial activity in targeted industries. In contrast to countries that engage in classic technonationalism—like Japan's developmental state approach—networked technonationalists are global minded to outside markets, while remaining nationalistic within the domestic economy. By bringing together aggregate data at the global and national level with original fieldwork and drawing on rich cases, Ibata-Arens telegraphs implications for innovation policy and entrepreneurship strategy in Asia—and beyond.

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'Turner's seductive blend of political analysis, social reportage and cultural immersion puts him wonderfully at ease with his readers' David Kynaston 'Reading Alwyn Turner's account of life in the first two decades of the 21st century is a bit like trying to recall a dream from three nights ago ... uncannily familiar, but the details are downright implausible ' Kathryn Hughes, Guardian Weaving politics and popular culture into a mesmerising tapestry, historian Alwyn Turner tells the definitive story of the Blair, Brown and Cameron years. Some details may trigger a laugh of recognition (the spectre of bird flu; the electoral machinations of Robert Kilroy-Silk). Others are so surreal you could be forgiven for blocking them out first time around (did Peter Mandelson really enlist a Candomblé witch doctor to curse Gordon Brown's press secretary?). The deepest patterns, however, only reveal themselves at a certain distance. Through the Iraq War and the 2008 crash, the rebirth of light entertainment and the rise of the 'problematic', Turner shows how the crisis in the soul of a nation played out in its daily dramas and nightly distractions.

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Every paper bracelet held a mother's heartbreaking secret... The top ten bestseller, inspired by heartrending true events in a home for unwed mothers, set in Ireland, Boston and London, this novel is perfect for readers of Kathryn Hughes, Emily Gunnis and Susan Lewis.'A true storyteller who keeps you turning the pages' CATHY KELLY, Sunday Times bestselling author'A beautifully written story, uncovering some untold truths ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'An addictive read ⭐ ⭐ ⭐ ⭐ ⭐' Real reader'It broke my heart. Rachael has managed to tell a truly heartbreaking story beautifully and with real grace and dignity ⭐ ⭐ ⭐ ⭐ ⭐' Real reader_____For almost fifty years, Katie Carroll has kept a box tucked away inside her wardrobe. It dates from her time working as a nurse in a west of Ireland home for unwed mothers in the 1970s. The box contains a notebook holding the details of the babies and young women she met there. It also holds many of the babies' identity bracelets. Following the death of her husband, Katie makes a decision. The information she possesses could help reunite adopted people with their birth mothers, and she decides to post a message on an internet forum. Soon the replies are rolling in, and Katie finds herself returning many of the bracelets to their original owners. She encounters success and failure, heartbreak and joy. But is she prepared for old secrets to be uncovered in her own life?* THE LETTER HOME, THE NEW NOVEL FROM RACHAEL ENGLISH, IS OUT NOW *_____ Your favourite authors love the novels of Rachael English: 'Utterly moving and compelling. That first line...wow! I was hooked' Patricia Scanlan 'Fantastic storytelling looking back at Ireland's dark past' Liz Nugent 'A powerful, important, beautiful book' Sinéad Crowley 'A compelling read' Sheila O'Flanagan 'Outstanding. I was on the edge of my seat ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'Beautifully written and enjoyable ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'I loved this book. Despite the subject matter this book is very uplifting ⭐ ⭐ ⭐ ⭐ ⭐' Real reader 'Could not put it down. Highly recommend ⭐ ⭐ ⭐ ⭐ ⭐' Real reader

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''A wonderful page turner'' Kate Galley''A beautiful and fresh twist on a familiar period of history'' Neema ShahAn utterly heart-wrenching and unputdownable novel about love, loss and sacrifice, perfect for fans of Fiona Valpy, Lorna Cook and Kathryn Hughes.1940. Having grown up surrounded by nature, Bella Gardner loves nothing more than getting her hands dirty. When war breaks out, she immediately signs up for the Air Transport Auxiliary, frustrated she can't play a more active role, yet keen to do something for the war effort. But when her brother is involved in a tragic accident, Bella must make a decision that changes the course of her life forever.2014. Archaeologist Jennifer Dawson is excited when she is told about an unrecovered World War 2 Spitfire but is shocked to discover that the body of the pilot is still inside the plane. Trying to avoid her own demons, Jennifer sets out to solve the mystery of the forgotten pilot and finds that the answer might lie a lot closer to home

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Over the course of her long career, Eve Kosofsky Sedgwick became one of the most important voices in queer theory, and her calls for reparative criticism and reading practices grounded in affect and performance have transformed understandings of affect, intimacy, politics, and identity. With marked tenderness, the contributors to Reading Sedgwick reflect on Sedgwick's many critical inventions, from her elucidation of poetry's close relation to criticism and development of new versions of queer performativity to highlighting the power of writing to engender new forms of life. As the essays in Reading Sedgwick demonstrate, Sedgwick's work is not only an ongoing vital force in queer theory and affect theory; it can help us build a more positive world in the midst of the bleak contemporary moment. Contributors. Lauren Berlant, Kathryn Bond Stockton, Judith Butler, Lee Edelman, Jason Edwards, Ramzi Fawaz, Denis Flannery, Jane Gallop, Jonathan Goldberg, Meridith Kruse, Michael Moon, José Esteban Muñoz, Chris Nealon, Andrew Parker, H. A. Sedgwick, Karin Sellberg, Michael D. Snediker, Melissa Solomon, Robyn Wiegman

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***Unmissable, hilarious and kind, this is the first novel from Kathryn Wallace, who blogs as I Know, I Need to Stop Talking***"SAM! AVA! Get downstairs, NOW. Have you done your TEETH? HAIR? SHOES? Come on, come on, come on, we're going to be bastarding late again. No, I haven't seen Lego Optimus Prime, and nor do I give a shit about his whereabouts. Sam, will you stop winding your sister up and take this model of the Shard that I painstakingly sat up and created for you last night so that I wouldn't be in trouble with your teacher. I mean, so that you wouldn't be in trouble with your teacher. No, it doesn't smell of 'dirty wine'. Well, maybe it does a little bit. Look, Sam, I haven't got time to argue. Just hold your nose and get in the car, okay? AVA! TEETH! HAIR! SHOES!" Gemma is only just holding it together - she's a single parent, she's turning 40 and her seven-year-old daughter has drawn a cruelly accurate picture which locates Gemma's boobs somewhere around her knees. So when her new next-door neighbour, Becky, suggests that Gemma should start dating again, it takes a lot of self-control not to laugh in her face. But Becky is very persuasive and before long Gemma finds herself juggling a full-time job, the increasingly insane demands of the school mums' Facebook group and the tricky etiquette of a new dating world. Not only that, but Gemma has to manage her attraction to her daughter's teacher, Tom, who has swapped his life in the City for teaching thirty six to seven year olds spelling, grammar, basic fractions - and why it's not ok to call your classmate a stinky poo-bum...It's going to be a long year - and one in which Gemma and Becky will learn a really crucial lesson: that in the end, being a good parent is just about being good enough.Readers love this hilarious, fast paced slice of family life:***** Utterly hysterical - NetGalley Reader***** Brilliant... Funny, touching and modern... just amazing - NetGalley Reader***** I have been a mum at the school gates and the observations in this book are spot on. I shall be recommending it to all the school mums I know - NetGalley Reader**** A perfect read to snort with laughter over whilst lying in a bath with a glass of bubbles (if you can get the kids to stay out of the bathroom for long enough)! - NetGalley Reader**** Kathryn Wallace has Absolutely Smashed It with this novel. I loved it and couldn't put it down... had me properly laughing out loud several times - NetGalley Reader**** This will make you giggle about life as a parent where we are all spinning plates of different sizes and at different speeds. I would recommend wholeheartedly to fellow friends who are also spinning their own plates! - NetGalley Reader***** A hilariously, honest, open, recognisable and highly relatable story - NetGalley Reader***** A light hearted but honest look at mummies, yummy mummies and can't quite manage everything mummies - NetGalley Reader

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The purpose of this book is to serve as essential reading for those innovating and marketing food products for children as well as those determined to better understand the children's marketplace in order to ensure that it is administered in a manner consistent with the long-term aspirations of society. The book begins by setting the scene and looking at the way children influence food choices within the family and the role advertising is thought to play in driving those choices. Professor Stratton of The Psychology Business (Department of Psychology, Leeds University) has world renowned expertise in the methodology of researching family dynamics and he shows which are the prime influences on the family diet. J.W. Thompson Advertising Board Director Jane Mathews then evaluates what constitutes effective advertising and reveals enduring themes within the children's marketplace. In Chapter 3, Dr Kathryn O'Sullivan of the Kellogg's company examines the nutritional importance of food under the title 'Starting the day right'. She demonstrates her expertise for introducing young taste buds to products which 'Break the fast'. Simon Lang, Senior Consultant at the Henley Centre follows by examining not only why food tastes change in children but also why family eating is itself changing and the implications for the future.

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First released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre. Stacey Abbott’s study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. As Abbott describes, Near Dark was crucial in consolidating Bigelow’s standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking.

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'A bracing, heart-lifting read. Patterson is a superb writer' ObserverOUTSIDE, THE SKY IS BLUE is a heart-breaking yet also truly joyful and wise memoir of growing up, of dealing with mental health and illness, and of what it means to be part of a family that, despite everything, is able to laugh and to love.'A memoir about the loss of faith and hope. A memoir about the loss of faith and hope. The book journeys to dark places but it's too honest and well written to be dispiriting. She perseveres in her quest to understand' GuardianWhen Christina Patterson's brother Tom died suddenly, she faced the harrowing task of clearing out his house. Tom had always been the one who held on to the family treasures and memories, but now Christina had to sift through boxes of letters, photos and belongings, not just of Tom's, but of their parents and their older sister, Caroline.The contents of those boxes tell the story of a young couple who decide to swap a glamorous diplomatic life in Rome for a housing estate in Surrey. But their new suburban, happy life, is increasingly disrupted by Caroline's erratic behaviour. As she is diagnosed with schizophrenia, Tom seeks solace in sport and Christina in a youth club where she hopes to meet boys, but finds God instead. It doesn't help her in her quest for romance.'A hymn to optimism, and a beacon of unflagging hope' iPaper'This is a joyful book. Despite the sorrows, there is a determined joy to this tale, a pattern of finding the good despite the bad, of turning to face the sun so the shadows fall behind' Dr Kathryn Mannix'She writes beautifully - crisp, yet emotional and page-turning. For me, it is something about her clarity and brutal honesty in describing both heartbreak and heart bursting life and love. In the end it is only the love that matters' Julia Samuel, author of Grief Works

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The bestselling author of Good Girls Die First, It's Behind You and Tag, You're Dead is back with an entertaining, high-octane and read-in-a-single-sitting new thriller. Walking disaster Saffron and her perfectionist twin sister Georgia have only one thing in common-they are both obsessed with battle royale video game Sole Survivor. While working at a brand new, high tech escape room complex, Saffron poses a question to the resident AI: which high school stereotype would survive the longest in a real life version of Sole Survivor? She is convinced a rebel like her would beat a know-it-all like Georgia. Unbeknown to her, the AI decides to determine the answer to her question by testing it out for real. It invites Saffron and Georgia's gamer friends to a preview of the escape rooms, but then it locks the doors and turns the rooms into a life-or-death battle to be the last player standing. The rebel, the know-it-all, the princess, the jock, the geek, the weirdo, the star, the artist and the criminal. Just like in Sole Survivor, only one can survive the night... It's Cabin in the Woods meets Squid Game Perfect for fans of Holly Jackson and Karen McManus. Knife-edge tension and twists you won't see coming. PRIASE FOR KATHRYN FOXFIELD'S PREVIOUS BOOKS Good Girls Die First "Deliciously dark and unsettling in the best possible way. Trust me, you don’t want to miss this one!"- Fantastic Book Dragon "Stephen King-esque…with a fast-paced plot" - Irish Times " . . . the most gripping thriller of the year; hugely entertaining, high-octane and read-in-a-single-sitting." - ReadingZone" "Foxfield's focus on social niches and escalating suspense will appeal to fans of Karen McManus." - Publishers Weekly "This gothic-inspired thriller with nods to Agatha Christie and Daphne du Maurier will keep readers on the edge of their seats and turning pages as quickly as they can. It is immersing, puzzling, and unpredictable, with a surprise ending that's sure to have teens talking. - School Library Journal "Undeniably creepy from the start... With a macabre escape and a surprising amount of heart, this will leave readers feeling oddly optimistic and perhaps a little kinder to themselves..." - The Bulletin of the Center for Children's Books, STARRED Review It's Behind You "addictive, easy to get lost in, and utterly compelling to read" - And On She Reads "keeps you on the edge of your seat and guessing who did it until the very last pages" - ReadingZone Tag, You're Dead "The characters are addictive, the ending satisfying and the reveals at the end pack a punch. If you love your twisty thrillers, then Tag, You're Dead is a must read!" - Rosie Talbot, author of Sixteen Souls "Full of tension and twists, readers will be unsure who to trust as the book heads to an explosive conclusion." - The ReadingZone "a smart and calculated read with a killer storyline that shows the dark side of fame" - Pretty Little Memoirs

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Fresh perspectives on some of the most influential films of John Ford.The Western is arguably the most popular and enduring form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. films, from Star Wars to Taxi Driver.In John Ford Made Westerns, nine major essays by prominent scholars of Hollywood film situate the sound-era Westerns of John Ford within contemporary critical contexts and regard them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting, and music) to exploring the development of the director's reputation as a director of Westerns. While giving attention to film style and structure, the volume also treats the ways in which these much-loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial, sexual, and national identity.Contributors include Charles Ramirez Berg, Matthew Bernstein, Edward Buscombe, Joan Dagle, Barry Keith Grant, Kathryn Kalinak, Peter Lehman, Charles J. Maland, Gaylyn Studlar, and Robin Wood.ContentsPart IIntroduction, Gaylyn Studlar & Matthew Bernstein "'Shall We Gather at the River?': The Late Films of John Ford," Robin Wood "Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western," Gaylyn Studlar"The Margin as Center: The Multicultural Dynamics of John Ford's Westerns," Charles Ramirez Berg "Linear Patterns and Ethnic Encounters in the Ford Western," Joan Dagle "How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns," Peter Lehman "Painting the Legend: Frederic Remington and the Western," Edward Buscombe "'The Sound of Many Voices': Music in John Ford's Westerns," Kathryn Kalinak "John Ford and James Fenimore Cooper: Two Rode Together," Barry Keith Grant "From Aesthete to Pappy: The Evolution of John Ford's Public Reputation," Charles J. MalandPart II—DossierEmanuel Eisenberg, "John Ford: Fighting Irish," New Theater, April 1936Frank S. Nugent, "Hollywood's Favorite Rebel," Saturday Evening Post, July 23, 1949John Ford, "John Wayne—My Pal," Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria MontiBill Libby, "The Old Wrangler Rides Again," Cosmopolitan, March 1964"About John Ford," Action 8.8 (Nov.-Dec. 1973)

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How cable television upended American political life in the pursuit of profits and influenceAs television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment—frequently at the expense of fostering responsible citizenship.In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today’s rampant polarization and scandal politics—the intentional restructuring of television as a political institution is. She describes how cable innovations—from C-SPAN coverage of congressional debates in the 1980s to MTV’s foray into presidential politics in the 1990s—took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval.24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground.

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Texas Historical Commission Award of Excellence in Media Achievement, Texas Historical Commission In 1980, David Dillon launched his career as an architectural critic with a provocative article that asked “Why Is Dallas Architecture So Bad?” Over the next quarter century, he offered readers of the Dallas Morning News a vision of how good architecture and planning could improve quality of life, combatting the negative effects of urban sprawl, civic fragmentation, and rapacious real estate development typical in Texas cities. The Open-Ended City gathers more than sixty key articles that helped establish Dillon’s national reputation as a witty and acerbic critic, showing readers why architecture matters and how it can enrich their lives. Kathryn E. Holliday discusses how Dillon connected culture, commerce, history, and public life in ways that few columnists and reporters ever get the opportunity to do. The articles she includes touch on major themes that animated Dillon’s writing: downtown redevelopment, suburban sprawl, arts and culture, historic preservation, and the necessity of aesthetic quality in architecture as a baseline for thriving communities. While the specifics of these articles will resonate with those who care about Dallas, Fort Worth, and other Texas cities, they are also deeply relevant to all architects, urbanists, and citizens who engage in the public life and planning of cities. As a collection, The Open-Ended City persuasively demonstrates how a discerning critic helped to shape a landmark city by shaping the conversation about its architecture.

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A brilliant distillation of the key ideas behind successful self-improvement practices throughout history, showing us how they remain relevant today “Schaffner finds more in contemporary self-improvement literature to admire than criticize. . . . [A] revelatory book.”—Kathryn Hughes, Times Literary Supplement Self-help today is a multi-billion-dollar global industry, one often seen as a by-product of neoliberalism and capitalism. Far from being a recent phenomenon, however, the practice of self-improvement has a long and rich history, extending all the way back to ancient China. For millennia, philosophers, sages, and theologians have reflected on the good life and devised strategies on how to achieve it. Focusing on ten core ideas of self-improvement that run through the world’s advice literature, Anna Katharina Schaffner reveals the ways they have evolved across cultures and historical eras, and why they continue to resonate with us today. Reminding us that there is much to learn from looking at time-honed models, Schaffner also examines the ways that self-improvement practices provide powerful barometers of the values, anxieties, and aspirations that preoccupy us at particular moments in time and expose basic assumptions about our purpose and nature.

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'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY_________________________________________The fifth book in Karin Slaughter's #1 bestselling GRANT COUNTY series.Deep in the Georgia woods, Dr Sara Linton and Police Chief Jeffrey Tolliver stumble across the body of a young girl. Initial evidence suggests that she was buried alive and, quite literally, scared to death.Troubled by their own turbulent past, Sara and Jeffrey must work together to identify the killer and prevent another death.The trail will soon lead to the neighbouring county, an isolated community, and a terrible secret..._________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'I'd follow her anywhere' GILLIAN FLYNN'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

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This volume, one of the books in the "Making of Modern Freedom" series, is a collection of essays by eminent historians who explore the relationship between state finance and political development in fifteenth and sixteenth century Europe. They analyze how during this period European states were engaged in nearly continuous warfare and how those warfares produced fiscal crises. As a result, rulers were forced to enter into novel fiscal agreements with their subjects, often providing their subjects more political power, in exchange. The volume begins with two essays on England. David Harris Sacks traces the politics of government finance from the fifteenth century to the eve of the Civil War, and J. R. Jones carries the story forward into the eighteenth century, when representative government was jeopardized by new and powerful financial interests. The third essay, by Augustus J. Veenendaal, Jr., explains why the Netherlands' exceptional ability to raise money by taxes and loans allowed them to wage war without the severe financial difficultes experiencd by other European powers. Two essays on Spain by I. A. A. Thompson follow the changing fortunes of the Cortes of Castile, relating its role to the desperate manipulation of Spanish fiscal policy as it came into conflict with the dearly held liberties of Castilian citizens. The two final essays deal with the consequences of absolutism in France. Philip T. Hoffman details the fiscal effect of noble privileges and explores the political ramifications of the country's repeated financial crises, and Kathryn Norberg explains why the fiscal crisis of 1789 finally brought down the monarchy.

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Marseille: The Cradle of White Corded Quilting, which accompanies an exhibition of the same name, traces the origins and the commercial development of broderie de Marseille needlework. During the seventeenth century these supple, all-white corded and quilted furnishings—from bedcovers to quilted bodices and caps—grew out of the thriving textile trade centered on France’s Mediterranean port of Marseille as adaptations of popular foreign textile products. Broderie de Marseille is a form of three-dimensional textile sculpture using plain white cloth and white cotton cording, deftly manipulated with needle and thread to reveal patterns highlighted by the resulting play of light and shadow on the textile surface. Skillful execution of broderie de Marseille resulted in delicate, refined work that graced the homes and figures of aristocrats and launched a worldwide passion for all-white corded needlework. The quilted works were filled with imagery expressing contemporary cultural values, such as folk legends, heraldic devices and royal monograms (bedcovers), and floral wreaths and fruits symbolizing good fortune and fertility (wedding quilts). Contemporary versions, today often referred to commercially as matelassé, are machine made and thus lack the personal skills and intimate connections to the work represented by the confections of the original needleworkers. In this richly illustrated monograph Kathryn Berenson has exhaustively researched the fascinating story through a broad range of historical records, including household inventories, letters, commercial documents, and literary references.

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A study of how the role of party agents grew and became professionalised in local political parties. The electoral reforms of 1883-5 created a mass electorate and transformed English political culture. A new breed of professional organisers emerged in the constituencies in the form of full-time party agents, who handled registration, electioneering and the day-to-day political, social and educational work of local parties; they performed a vital role as intermediaries between politics at Westminster and at grass-roots level, bridging the gap between "high" and "low" politics. This book examines the agents not only as political figures, but also as men (and occasionally women) determined to establish their status as professionals. It addresses key questions about the nationalisation of electoral politics in this period, demonstrating the importance of understanding the interactions between the centre and the constituencies, and showing that while the agents' professional networks contributed to a growing uniformity in certain aspects of party organisation, local forces continued to play a vital role in British political life. It also provides a fresh perspective on the evolution of the modern British political system, sheddingnew light on debates about how effectively the Liberal and Conservative parties adapted to the challenges of mass politics after 1885. Dr Kathryn Rix is Assistant Editor of the House of Commons, 1832-1945 project at the History of Parliament.

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A biography of tuberculosis, an ancient disease - but still a present danger. Tuberculosis has twisted through the millennia hand-in-hand with humanity, leaving its marks on our culture, our history and our DNA, from the birth of Homo sapiens right up to the present day. TB continues to kill more people than any other infectious agent; it may be an ancient disease, but TB is not a disease of history. In Catching Breath, Kathryn Lougheed asks what has made Mycobacterium tuberculosis such a successful bacterium, and how we can use this knowledge to consign it to the history books. We follow its path through the ages, from its time gathering strength as a latent infection of hunter-gatherers to its rise alongside human urbanisation and industrialisation, and learn just how connected human history is to TB – from an Ancient Egyptian murder mystery and the rumours of the first vampires to a tragedy set in the Amazon rainforest. Catching Breath looks at the hidden biology behind the interactions of Mycobacterium tuberculosis with its human host, and shows how drug resistance, the HIV epidemic, poverty and inequality work together to ensure that TB remains one of the most serious problems in world medicine. If we can understand the makings of TB, then maybe we can find a way to unmake it.

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Take a look at the packaging on a container of milk and you're likely to see bucolic idylls of red barns, green pastures, and happy, well-treated cows. In truth, the distance from a living cow to a glass of milk is vast, and nearly impossible to grasp in a way that resonates with an average person ticking items off a grocery list. To translate this journey into tangible terms, Kathryn Gillespie had a brilliant idea: to follow the moments in the life cycles of individual animals-animals like The Cow with Ear Tag #1389. In contrast to the widely known truths of commercial meat manufacture, the dairy industry enjoys a relatively benign reputation, with most consumers unaware of this kitchen staple's backstory. The Cow with Ear Tag #1389 explores how the seemingly nonthreatening practice of raising animals for milk is just one link in a chain that affects livestock across the agricultural spectrum. Gillespie takes readers to farms, auction yards, slaughterhouses, and even rendering plants to show how living cows are transformed into food. The result is an empathetic look at cows and our relationship with them, one that makes both their lives and their suffering real-in particular, the fleeting encounter with the cow of the title, just one animal whose story galvanized Gillespie to write this book. The myriad ways that the commercial meat industry causes harm are at the forefront of numerous discussions today. The Cow with Ear Tag #1389 adds a crucial piece to these conversations by asking us to consider the individual animals whose lives we may take for granted.

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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema

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This collection looks beyond the literary, religious, and philosophical aspects of Chaucer’s texts to a new mode of interdisciplinary scholarship: one that celebrates the richness of Chaucer’s visual poetics. The twelve illustrated essays make connections between Chaucer’s texts and various forms of visual data, both medieval and modern.Basing their approach on contemporary understandings of interplay between text and image, the contributors examine a wealth of visual material, from medieval art and iconographical signs to interpretations of Chaucer rendered by contemporary artists. The result uncovers interdisciplinary potential that deepens and informs our understanding of Chaucer’s poetry in an age in which digitization makes available a wealth of facsimiles and other visual resources.A learned assessment of imagery and Chaucer’s work that opens exciting new paths of scholarship, Chaucer: Visual Approaches will be welcomed by scholars of literature, art history, and medieval and early modern studies.The contributors are Jessica Brantley, Joyce Coleman, Carolyn P. Collette, Alexandra Cook, Susanna Fein, Maidie Hilmo, Laura Kendrick, Ashby Kinch, David Raybin, Martha Rust, Sarah Stanbury, and Kathryn R. Vulić.

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Inspired by heartrending real events, a mother fights to find her son and a child battles for survival in this riveting debut novel.For readers of Before We Were Yours by Lisa Wingate, Lilac Girls by Martha Hall Kelly, The Letter by Kathryn Hughes, and Remember Me by Lesley Pearse.A woman is found wandering injured in London after an air raid.She remembers nothing of who she is. Only that she has lost something very precious.As the little boy waits in the orphanage, he hopes his mother will return.But then he finds himself on board a ship bound for Australia, the promise of a golden life ahead, and wonders: how will she find him in a land across the oceans?In Perth, a lonely wife takes in the orphaned child. But then she discovers the secret of his past. Should she keep quiet? Or tell the truth and risk losing the boy who has become her life? This magnificent, moving novel, set in London and Australia, is testament to the strength of the human spirit and the enduring power of love.

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[The series is] a necessary addition for any scholar working in this field. NOTTINGHAM MEDIEVAL STUDIES Editors: Janet Burton, Björn Weiler, Philipp Schofield, Karen Stöber The thirteenth century brought the British Isles into ever closer contact with one another, and with medieval Europe as a whole. This international dimensionforms a dominant theme of this collection: it features essays on England's relations with the papal court; the adoption of European cultural norms in Scotland; Welsh society and crusading; English landholding in Ireland; and dealings between the kings of England and Navarre. Other papers, on ritual crucifixion, concepts of office and ethcis, and the English royal itinerary, show that the thirteenth century was also a period of profound political and cultural change, witnessing the transformation of legal and economic structures [represented here by case studies of noblewomen and their burial customs; and a prolonged inheritance dispute in Laxton]. This volume testifies to the continuing vitality and [with contributors from three continents and six countries] international nature of scholarship on medieval Britain; and moves beyond the Channel to make an important contribution to the history of medieval Europes. Contributors: ROBERT STACEY, FRÉDÉRIQUE LACHAUD, STEPHEN CHURCH, CHRISTIAN HILLEN, JESSICA NELSON, MATTHEW HAMMOND, KATHRYN HURLOCK, NICHOLAS VINCENT, ADAM DAVIES, HUI LIU, EMMA CAVELL, DAVID CROOK, BETH HARTLAND

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Cumbia is a musical form that originated in northern Colombia and then spread throughout Latin America and wherever Latin Americans travel and settle. It has become one of the most popular musical genre in the Americas. Its popularity is largely due to its stylistic flexibility. Cumbia absorbs and mixes with the local musical styles it encounters. Known for its appeal to workers, the music takes on different styles and meanings from place to place, and even, as the contributors to this collection show, from person to person. Cumbia is a different music among the working classes of northern Mexico, Latin American immigrants in New York City, Andean migrants to Lima, and upper-class Colombians, who now see the music that they once disdained as a source of national prestige. The contributors to this collection look at particular manifestations of cumbia through their disciplinary lenses of musicology, sociology, history, anthropology, linguistics, and literary criticism. Taken together, their essays highlight how intersecting forms of identity—such as nation, region, class, race, ethnicity, and gender—are negotiated through interaction with the music.Contributors. Cristian Alarcón, Jorge Arévalo Mateus, Leonardo D'Amico, Héctor Fernández L'Hoeste, Alejandro L. Madrid, Kathryn Metz, José Juan Olvera Gudiño, Cathy Ragland, Pablo Semán, Joshua Tucker, Matthew J. Van Hoose, Pablo Vila

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Transnational Feminist Itineraries brings together scholars and activists from multiple continents to demonstrate the ongoing importance of transnational feminist theory in challenging neoliberal globalization and the rise of authoritarian nationalisms around the world. The contributors illuminate transnational feminism's unique constellation of elements: its specific mode of thinking across scales, its historical understanding of identity categories, and its expansive imagining of solidarity based on difference rather than similarity. Contesting the idea that transnational feminism works in opposition to other approaches—especially intersectional and decolonial feminisms—this volume instead argues for their complementarity. Throughout, the contributors call for reaching across social, ideological, and geographical boundaries to better confront the growing reach of nationalism, authoritarianism, and religious and economic fundamentalism. Contributors. Mary Bernstein, Isabel Maria Cortesão Casimiro, Rafael de la Dehesa, Carmen L. Diaz Alba, Inderpal Grewal, Cricket Keating, Amy Lind, Laura L. Lovett, Kathryn Moeller, Nancy A. Naples, Jennifer C. Nash, Amrita Pande, Srila Roy, Cara K. Snyder, Ashwini Tambe, Millie Thayer, Catarina Casimiro Trindade

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Clear the ring: The motif of the circus in contemporary art. The circus presents a deliberate staging of attractive illusions, hard struggle, success and failure as part of human existence. The volume assembles works by international contemporary artists who make use of the motif of the circus in order to examine current social circumstances and to question cultural and political structures. The circus originated in London towards the end of the 18th century and has long been a subject of fascination. Today this place of sensuous experiences seems like a relic from the past. The circus is a cosmos which with its entertaining and humorous as well as dark sides provides the basis for an examination of art, cultural history, animal ethics, feminism and racial criticism and also for the exposure of structures of cultural dominance, marginalisation and political and historical filters. ARTISTS: Kathryn Andrews | Miriam Bäckström | Istvan Balogh | Beni Bischof | Mona Boschàr | Barbara Breitenfellner | Michael Dannenmann | Zilla Leutenegger | Dieter Meier | Yves Netzhammer | Tal R | Augustin Rebetez | Boris Rebetez | Ugo Rondinone | Niklaus Rüegg | Francisco Sierra | Norbert Tadeusz | William Wegman et. al.

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Since the 1980s, scholars have made the case for examining nineteenth-century culture—particularly literary output—through the lens of economics. In Culture and Money in the Nineteenth Century: Abstracting Economics, two luminaries in the field of Victorian studies, Daniel Bivona and Marlene Tromp, have collected contributions from leading thinkers that push New Economic Criticism in new and exciting directions. Spanning the Americas, India, England, and Scotland, this volume adopts an inclusive, global view of the cultural effects of economics and exchange. Contributors use the concept of abstraction to show how economic thought and concerns around money permeated all aspects of nineteenth-century culture, from the language of wills to arguments around the social purpose of art. The characteristics of investment and speculation; the fraught symbolic and practical meanings of paper money to the Victorians; the shifting value of goods, services, and ideas; the evolving legal conceptualizations of artistic ownership—all of these, contributors argue, are essential to understanding nineteenth-century culture in Britain and beyond. Contributors: Daniel Bivona, Suzanne Daly, Jennifer Hayward, Aeron Hunt, Roy Kreitner, Kathryn Pratt Russell, Cordelia Smith, and Marlene Tromp.

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Since the 1980s, scholars have made the case for examining nineteenth-century culture—particularly literary output—through the lens of economics. In Culture and Money in the Nineteenth Century: Abstracting Economics, two luminaries in the field of Victorian studies, Daniel Bivona and Marlene Tromp, have collected contributions from leading thinkers that push New Economic Criticism in new and exciting directions. Spanning the Americas, India, England, and Scotland, this volume adopts an inclusive, global view of the cultural effects of economics and exchange. Contributors use the concept of abstraction to show how economic thought and concerns around money permeated all aspects of nineteenth-century culture, from the language of wills to arguments around the social purpose of art. The characteristics of investment and speculation; the fraught symbolic and practical meanings of paper money to the Victorians; the shifting value of goods, services, and ideas; the evolving legal conceptualizations of artistic ownership—all of these, contributors argue, are essential to understanding nineteenth-century culture in Britain and beyond. Contributors: Daniel Bivona, Suzanne Daly, Jennifer Hayward, Aeron Hunt, Roy Kreitner, Kathryn Pratt Russell, Cordelia Smith, and Marlene Tromp.

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'Astonishing... In the American journalist Andrew Nagorski this tale has found its ideal narrator'SEBASTIAN FAULKS, Sunday Times'[A] thrilling book, as edge-of-your-seat gripping as any heist movie'Kathryn Hughes, Guardian Book of the Day'A gripping masterpiece'BRETT KAHR, Freud Museum LondonMarch 1938: German soldiers are massing on the Austrian border, on the cusp of fulfilling Hitler's dream of absorbing the country into the Third Reich. Many Jews make frantic plans to flee to safety. But one of the most famous men in the world, unable to contemplate leaving his beloved Vienna, is not among them. His name is Sigmund Freud.Saving Freud is the story of a great man's life, and of the extraordinary people who managed to prolong it, by convincing him to escape to London: the Welsh physician who brought psychoanalysis to Britain; Napoleon's great-grandniece; an American ambassador; Freud's devoted daughter, Anna; and the doctor who risked his own life by staying at Freud's side.In examining the histories of both Freud and his closest circle, Andrew Nagorski brilliantly evokes the story of Europe in the first half of the Twentieth Century. This is a tale of a great city, a collapsing empire, a rising terror -and of a man who would change the way we think.

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'Astonishing... In the American journalist Andrew Nagorski this tale has found its ideal narrator'SEBASTIAN FAULKS, Sunday Times'[A] thrilling book, as edge-of-your-seat gripping as any heist movie'Kathryn Hughes, Guardian Book of the Day'A gripping masterpiece'BRETT KAHR, Freud Museum LondonMarch 1938: German soldiers are massing on the Austrian border, on the cusp of fulfilling Hitler's dream of absorbing the country into the Third Reich. Many Jews make frantic plans to flee to safety. But one of the most famous men in the world, unable to contemplate leaving his beloved Vienna, is not among them. His name is Sigmund Freud.Saving Freud is the story of a great man's life, and of the extraordinary people who managed to prolong it, by convincing him to escape to London: the Welsh physician who brought psychoanalysis to Britain; Napoleon's great-grandniece; an American ambassador; Freud's devoted daughter, Anna; and the doctor who risked his own life by staying at Freud's side.In examining the histories of both Freud and his closest circle, Andrew Nagorski brilliantly evokes the story of Europe in the first half of the Twentieth Century. This is a tale of a great city, a collapsing empire, a rising terror -and of a man who would change the way we think.

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*Winner of the 2022 Cherasco International Prize*'Thoroughly engrossing' Michael Pollan, The Atlantic'Wonderful, energising' Kathryn Hughes, The GuardianCoffee is one of the most valuable commodities in the history of the global economy and the world's most popular drug. The very word 'coffee' is one of the most widespread on the planet. Augustine Sedgewick's brilliant new history tells the hidden and surprising story of how this came to be, tracing coffee's 400-year transformation into an everyday necessity.The story is one that few coffee drinkers know. Coffeeland centres on the volcanic highlands of El Salvador, where James Hill, born in the slums of nineteenth-century Manchester, founded one of the world's great coffee dynasties. Adapting the innovations of the industrial revolution to plantation agriculture, Hill helped to turn El Salvador into perhaps the most intensive monoculture in modern history, a place of extraordinary productivity, inequality and violence.The book follows coffee from the Hill family plantations into the United States, through the San Francisco roasting plants into supermarkets, kitchens and work places, and finally into today's omnipresent cafés. Sedgewick reveals the unexpected consequences of the rise of coffee, which reshaped large areas of the tropics, transformed understandings of energy, and ultimately made us dependent on a drug served in a cup.'Gripping' The Spectator'An eye-opening, stimulating brew' The Economist

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You'll Like it Here is a haunting bricolage, divided into three parts, that excavates the forgotten history of Redondo Beach in the early 1900’s through old news clippings, advertisements, recipes and other ephemera that speak to the ills of male stoicism, industrialization and capitalism, and environmental displacement. Ashton used digital archives from the Redondo Reflex and other city adjacent newspapers as the basis for his surrealist account, masterfully tracing this larger shift away from coastal maritime repose in the wake of the Spanish Flu, the Great Depression, and World War II through momentary fragments that feel as real and palpable as they do transient, mythological, and strangely reminiscent of our current times. Formally, You'll Like it Here works in conversation with Michael Ondaatje’s The Collected Works of Billy the Kid, Maggie Nelson’s Bluets, Amina Cain’s Indelicacy, and Kathryn Scanlan’s Aug 9 Fog. The novel also embraces a multi-register, journalistic storytelling that questions the tenuous line between objectivity and subjectivity in documenting the unreliability of history—both personal and collective—brilliantly balancing voids of loss, absence, and disappearance with moments of natural transcendence and miraculous phenomena.

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A series which is a model of its kind EDMUND KING, HISTORY This latest collection reflects the full range and vitality of the current work on the Anglo-Norman period. It opens with the R. Allen Brown Memorial Lecture for 2009, a wide-ranging reflection by the distinguished French historian Dominique Barthélemy on the Peace of God and the role of bishops in the long eleventh century. Economic history is prominent in papers on the urban transformation in England between 900 and 1100, on the roots of the royal forestin England, and on trade links between England and Lower Normandy. A close study of the Surrey manor of Mortlake brings in topography, another aspect of which appears in an article on the representation of outdoor space by Normanand Anglo-Norman chroniclers. Social history is treated in papers dealing with the upbringing of the children of the Angevin counts and with the developing ideas of knighthood and chivalry in the works of Dudo of Saint-Quentin and Benoît of Sainte-Maure. Finally, political ideas are examined through careful reading of texts in papers on writing the rebellion of Earl Waltheof in the twelfth century and on the use of royal titles and prayers for the king inAnglo-Norman charters. Contributors: Dominique Barthélemy, Kathryn Dutton, Leonie Hicks, Richard Holt, Joanna Huntington, Laurence Jean-Marie, Dolly Jorgensen, Max Lieberman, Stephen Marritt, Pamela Taylor

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Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist’s impact on contemporary art, this book explores how contemporary practitioners have used Degas’s creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas’s art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas’s technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas’s art and that of his interlocutors, it also has methodological significance for the writing of art history.

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An unprecedented cultural alliance is underway between the anti-trans strand of the radical feminist movement and a new brand of militant right-wing politics that takes issue with the idea that gender is a social and cultural construction. This so-called “anti-gender” movement—which also travels under names such as “gender-critical feminism”—has found immense international power and is especially active in Latin America, continental Europe, and Russia, with different but no less pernicious strains revitalizing longtime trans-exclusionary radical feminist (TERF) communities in England, Canada, the United States, and Australia. Contributors to this special issue consider what the global rise of trans-exclusionary politics and the envelopment of these politics into global right-wing movements might mean for changing understandings of transgender experience, science and medicine, and legal protections. Topics include the emergence of TERF rhetoric in evangelical Christianity, the anti-gender misappropriation of postcolonial thought in Europe, rhetorical and ideological similarities between TERFism and Zionism, and media treatment of J. K. Rowling’s hostility toward trans rights. Contributors. Serena Bassi, Mikey Elster, Jenny Madsen Evang, Gina Gwenffrewi, Greta LaFleur, Sophie Lewis, C. Libby, Kathryn Lofton, Ezra Berkeley Nepon, Blase Provitola, Heike Schotten, Asa Seresin, Mat Thompson

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Cumbia is a musical form that originated in northern Colombia and then spread throughout Latin America and wherever Latin Americans travel and settle. It has become one of the most popular musical genre in the Americas. Its popularity is largely due to its stylistic flexibility. Cumbia absorbs and mixes with the local musical styles it encounters. Known for its appeal to workers, the music takes on different styles and meanings from place to place, and even, as the contributors to this collection show, from person to person. Cumbia is a different music among the working classes of northern Mexico, Latin American immigrants in New York City, Andean migrants to Lima, and upper-class Colombians, who now see the music that they once disdained as a source of national prestige. The contributors to this collection look at particular manifestations of cumbia through their disciplinary lenses of musicology, sociology, history, anthropology, linguistics, and literary criticism. Taken together, their essays highlight how intersecting forms of identity—such as nation, region, class, race, ethnicity, and gender—are negotiated through interaction with the music.Contributors. Cristian Alarcón, Jorge Arévalo Mateus, Leonardo D'Amico, Héctor Fernández L'Hoeste, Alejandro L. Madrid, Kathryn Metz, José Juan Olvera Gudiño, Cathy Ragland, Pablo Semán, Joshua Tucker, Matthew J. Van Hoose, Pablo Vila

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A showcase of Britain's most architecturally significant shops throughout the twentieth century and beyond.100 20th-Century Shops is a fascinating insight into the heritage of Britain’s changing high street and the diverse architectural styles of the 20th century. Entries in this book showcase 100 often instantly recognisable shops from across the country, from throughout the 20th century and stretching into the 21st, capturing the changing architectural styles of our beloved and rapidly disappearing retail environment.As the UK's retail landscape faces an existential crisis, now is an appropriate time to review and celebrate the architecture of our high streets. From Tudor-revival department stores and futuristic supermarkets to Art Deco shop fronts and post-war Festival style markets, the 100 shops featured here evoke a variety of design styles and traces the history and evolution of our cherished high street. The book also contains essays by respected writers Elain Harwood, Lynn Pearson, Matthew Whitfield, Kathryn A. Morrison and Bronwen Edwards on the design, development and decline of the high street over the last 100 years within a social and political context. This compelling book provides a glimpse into the wonderful shops that Britain has to offer and is a must-have for all fans of design history, architecture and retail.

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‘A rich achievement full of glorious anecdotes’ Hugo Vickers A Royal Christmas is a Christmas pudding of a book, enticingly full of silver threepenny pieces. Organised thematically, it covers such topics as Christmas and conflict in the 20th century, Christmas pastimes, festive feasts, Christmas and the Commonwealth, and many more, to reveal the many ways in which the Royal Family have celebrated the festive season through the ages. Jeremy Archer has delved into the Royal Archives to uncover the personal thoughts of many members of the Royal Family during the Christmas period. What comes over most strongly from Queen Victoria’s journals is the importance of family: the joys they shared, the trials they endured, and the carefully-selected gifts they exchanged. Although there is much happiness, tragedy is a common bed-fellow, particularly in earlier times. And conflict is seldom very far away. But this is a celebration – both of an enduring festive season and an extraordinary family. ‘An easy to read treat for royal enthusiasts, skilfully assembled to highlight significant episodes in our history from the comic to the tragic informative and enjoyable’ Sarah Bradford ‘Jeremy Archer has an eye for an anecdote and a clever way of arranging his material. The result is like an enormous bran tub: dip in, and you're sure to find something to keep you entertained’ Kathryn Hughes, The Mail on Sunday

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In the Spirit of the Ancestors celebrates the vitality of contemporary Pacific Northwest Coast art by showcasing a selection of objects from the Burke Museum's collection of more than 2,400 late-twentieth- and early-twenty-first-century Native American works. Essays focus on contemporary art while exploring the important historical precedents on which so many artists rely for training and inspiration. Margaret Blackman reflects on building one of the largest collections of Northwest Coast serigraphs, and Joe David reminisces about his artistic journey through mask-making. Shaun Peterson, Lisa Telford, and Evelyn Vanderhoop discuss the historical precedents for working in styles that were kept alive only by a few critical artists and are now making a comeback. Robin K. Wright explores the history of box drums and their revival. Emily Moore discusses the repatriation of two stolen house posts and proposes a new concept of "propatriation" to describe the resulting commissioning of contemporary posts to take their place. Kathryn Bunn-Marcuse explores the power of adornment and how clothing, jewelry, and personal adornments like tattooing express tribal and personal identity in ways both connected to the past and grounded in the present. The diversity of approaches presented by these contributors speaks to artists, collectors, academics, tribal communities, and all those interested in Pacific Northwest Coast art. Splendid color photographs of works never before published will delight everyone. Watch the trailer: http://www.youtube.com/watch?v=E15hbqvHo4w&list=UUge4MONgLFncQ1w1C_BnHcw&index=7&feature=plcp

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'My struggle is not merely political. It is religious and therefore quite pure.' This major new interpretation of the life of Gandhi adds a new dimension to our understanding of this extraordinary figure of twentieth-century history. Drawing on material neglected by earlier biographers, Kathryn Tidrick provides a highly original account of Gandhi's beliefs, their origins, and their expression in his political views and personal behaviour. She revealingly examines Gandhi's ideas about the relationship between sexual temptation and spiritual power, and the bizarre and scandalous behaviour that resulted. The fresh light that Tidrick throws on her subject reveals not the secular saint of popular myth but a difficult and self-obsessed man driven to pursue the world-changing destiny that he believed was marked out for him. Gandhi's conception of his personal destiny grew out of the religious influences to which he was exposed as a student in London and developed in the context of the Indian independence struggle. Throughout a long and turbulent career, he strove to balance the demands of the spiritual discipline he imposed on himself with the necessity (as he saw it) of his personal leadership of the independence movement and the claims of practical politics. Penetrating and provocative, "Gandhi: A Political and Spiritual Life" shows how he maintained an unswerving belief that his success or failure was of crucial significance not only for India but or the world. It makes a tremendous contribution to our understanding of the man behind the myth.

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